AMERICAN LEFT HISTORY

This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. We will be reviewing books, CDs, and movies we believe everyone needs to read, hear and look at as well as making commentary from time to time. Greg Green, site manager

Tuesday, May 09, 2017

In Honor Of May Day 2017-From The American Left History Blog Archives-All Out On May Day 2012: A Day Of International Working

In Honor Of May Day 2017-From The American Left History Blog Archives-All Out On May Day 2012: A Day Of International Working Class Solidarity Actions- An Open Letter To The Working People Of Boston From A Fellow Worker

All Out For May 1st-International Workers Day 2012!

Why Working People Need To Show Their Power On May Day 2012

Wage cuts, long work hours, steep consumer price rises, unemployment, small or no pensions, little or no paid vacation time, plenty of poor and inadequate housing, homelessness, and wide-spread sicknesses as a result of a poor medical system or no health insurance. I will stop there although I could go on and on. Sounds familiar though, sounds like your situation or that of someone you know, right?

Words, or words like them, are taken daily from today’s global headlines. But these were also similar to the conditions our forebears faced in America back in the 1880s when this same vicious ruling class was called, and rightly so, “the robber barons,” and threatened, as one of their kind, Jay Gould, stated in a fit of candor, “to hire one half of the working class to kill the other half,” so that they could maintain their luxury in peace. That too has not changed.

What did change then is that our forebears fought back, fought back long and hard, starting with the fight connected with the heroic Haymarket Martyrs in 1886 for the eight-hour day symbolized each year by a May Day celebration of working class power. We need to reassert that claim. This May Day let us revive that tradition as we individually act around our separate grievances and strike, strike like the furies, collectively against the robber barons of the 21st century.

No question over the past several years (really decades but now it is just more public and right in our face) American working people have taken it on the chin, taken it on the chin in every possible way. Start off with massive job losses, heavy job losses in the service and manufacturing sectors (and jobs that are not coming back except as “race to the bottom” low wage, two-tier jobs dividing younger workers from older workers like at General Electric or the auto plants). Move on to paying for the seemingly never-ending bail–out of banks, other financial institutions and corporations “too big to fail,” home foreclosures and those “under water,” effective tax increases (since the rich refuse to pay, in some cases literally paying nothing, we pay). And finish up with mountains of consumer debt for everything from modern necessities to just daily get-bys, and college student loan debt as a life-time deadweight around the neck of the kids there is little to glow about in the harsh light of the “American Dream.”

Add to that the double (and triple) troubles facing immigrants, racial and ethnic minorities, and many women and the grievances voiced long ago in the Declaration of Independence seem like just so much whining. In short, it is not secret that working people have faced, are facing and, apparently, will continue to face an erosion of their material well-being for the foreseeable future something not seen by most people since the 1930s Great Depression, the time of our grandparents (or, for some of us, great-grandparents).

That is this condition will continue unless we take some lessons from those same 1930s and struggle, struggle like hell, against the ruling class that seems to have all the card decks stacked against us. Struggle like they did in places like Minneapolis, San Francisco, Toledo, Flint, and Detroit. Those labor-centered struggles demonstrated the social power of working people to hit the “economic royalists” (the name coined for the ruling class of that day by their front-man Franklin Delano Roosevelt, FDR) to shut the bosses down where it hurts- in their pocketbooks and property.

The bosses will let us rant all day, will gladly take (and throw away) all our petitions, will let us use their “free-speech” parks (up to a point as we have found out via the Occupy movement), and curse them to eternity as long as we don’t touch their production, “perks,” and profits. Moreover an inspired fight like the actions proposed for this May Day 2012 can help new generations of working people, organized, unorganized, unemployed, homeless, houseless, and just plain desperate, help themselves to get out from under. All Out On May Day 2012.

I have listed some of the problems we face now to some of our demand that should be raised every day, not just May Day. See if you agree and if you do take to the streets on May Day with us. We demand:

*Hands Off Our Public Worker Unions! No More Wisconsins! Hands Off All Our Unions!

* Give the unemployed work! Billions for public works projects to fix America’s broken infrastructure (bridges, roads, sewer and water systems, etc.)!

*End the endless wars- Troops And Mercenaries Out Of Afghanistan (and Iraq)!-U.S Hands Off Iran! Hands Off The World!

* Full citizenship rights for all those who made it here no matter how they got here!

* A drastic increase in the minimum wage and big wage increases for all workers!

* A moratorium on home foreclosures! No evictions!

* A moratorium on student loan debt! Free, quality higher education for all! Create 100, 200, many publicly-supported Harvards!

*No increases in public transportation fares! No transportation worker lay-offs! For free quality public transportation!

To order to flex our collective bottom up power on May 1, 2012 we will be organizing a wide-ranging series of mass collective participatory actions:

*We will be organizing within our unions- or informal workplace organizations where there is no union - a one-day strike around some, or all, of the above-mentioned demands.

*We will be organizing at workplaces where a strike is not possible for workers to call in sick, or take a personal day, as part of a coordinated “sick-out”.

*We will be organizing students from kindergarten to graduate school and the off-hand left-wing think tank to walk-out of their schools (or not show up in the first place), set up campus picket lines, and to rally at a central location.

*We will be calling in our communities for a mass consumer boycott, and with local business support where possible, refuse to make purchases on that day.

All out on May Day 2012.

************

Five in the morning, maybe five-thirty, still a bit dark due to the heavy rain falling as the dawn was ready to break and he was up and about. Today Frank Jackman was in charge of making sure that the materials, the equipment for today action, today’s May Day action, which had been planned for weeks got to the meeting place by the State Street Bank at the corner of Franklin and Congress in downtown Boston.

He had been working on the organizing committee for the event, an even that came with the imprimatur of the now somewhat faded Occupy movement. The task this day, this international workers holiday, was to do no less than shut down the banks, or rather in Boston a bank, the State Street, if possible. Thus he had come out of his Cambridge home with the materials, signs, mikes, food supplies and other necessities to get the crew expected to show up in proper spirit for the hard day ahead.

As he loaded up the car, made sure that everything on his list has been taken he noticed the rain getting heavier, not a good sign for turn-out from past experiences, especially early morning events, and most especially morning events where young students and unaffiliated radicals were expected to attend. Still he thought in his most generation of ’68 mood the times called for the big actions in the year 2012 when all hell was being cast among working people and others and the banks, the banks that were central to the cause of the current economic malaise and for the moment a juicy target.

State Street Bank had its tentacles everywhere and was ripe for selection as the target for early morning mass action. The slogan “Close It Down” was on his mind as he headed over the Longfellow Bridge (damn when are they going to finish the never-ending construction on the thing it seems like years already) and to the underground parking facility on Congress where he would later ask for help unloading his materials. Yes, May Day, he had not felt this good about the day since that May Day down in Washington, D.C.in 1971 when they tried a bigger target-the whole freaking government- and got waylaid for their efforts.

***************

It was still raining, raining hard, when old-time Cambridge radical and political organizer Frank Jackman got to the underground parking facility at the corner of Franklin and Congress Streets near the State Street Bank at about 7:00 AM on May Day 2012. The reason why Frank was at that locale at that time was that as one who had helped organize the May Day protests that year he had volunteered to bring the various materials, signs, sound equipment, food and such that would be needed by the gathering troops that day. Since he was one of the few organizers or supporters who had an automobile large enough to fit all the materials in he was the natural choice. He had gotten up a couple of hours earlier to make sure the materials were packed and ready to move.

As Frank walked up the stairs to start to walk the couple of blocks from the garage to the bank he thought about the reasoning behind the organizing committee’s agreement that the State Street Bank and its nefarious doings in the financial crisis of 2008 should be highlighted by the protest actions that day. The group had spent some time and energy at its weekly meetings discussing the best possible target and the one that would draw the most media attention to what the Occupy Wall Street movement was calling for that day. Actions to stop business as usual on the international workers holiday. The idea this day in Boston was to attempt by main force to block off the entire bank and then court probable arrest if necessary in order to keep the bank closed for as long as possible. Realistically Frank thought the site could be held for a couple of hours although all their leaflets, flyers, and on-line networking materials stated the times to be 7:00 AM to noon.

Frank had been a little leery about the project especially when a couple of black and red anarchists wanted to chain themselves to the main door of the bank as some symbolic act but the overall scheme sounded fair enough. Such actions, such shutdowns, had successfully occurred before and had had a good media effect. Frank, however, was not naïve enough at his age to think they could hold out for a long period. As a veteran of the May Day action down in Washington, D.C. in 1971 when they tried to shut down the entire government and took nothing but thousands of arrests for their efforts he was always cautious in his expectations for any given action although the hoopla over this General Strike call had made him more optimistic. Still to think that they could hold the bank with its many entrances against a strong police presence for long with the thousand or so people who had signed up on one of the social networking sites to put their bodies on the line gave him pause. As he finally entered the street level Frank did take a certain pride that the organizing committee had created some buzz around the General Strike idea they had been harping on all spring unlike the tepid responses on several previous May Day actions.

As Frank put up his umbrella to walk that couple of blocks to get some help with the materials in his car another deluge of rain hit him, a rain that continued on until he reached the planned meeting point on the corner of Franklin and Congress. As he approached the area he was delighted to see several now well-known media vans ready to film the action. He was however a little suspicious that there was not a large open police presence as he arrived at his destination. He figured that, as on other occasions in Boston, the main force was being held in reserve and in the ready in some of the back streets. To his greater surprise at a few minutes after seven he counted only fifteen people ready to rally at that meeting point. That number would swell to no more than fifty over the next two or three hours that they held forth there. And as the rains continued throughout the morning Frank was certainly disheartened by the turn-out. They held an impromptu rally and march through some streets for effect but with no media coverage since all those glorious vans had taken off before 8:00 AM for as one reporter said “real news” it flagged considerable. Frank Jackman, an old-time political organizer from the school where you actually physically gathered people to plan and participant in actions, had just gotten his first taste of the limits of “social network” organizing in America.

In The Age Of A Cold Civil War-Immigrant Or Citizen- Know Your Rights From The ACLU-Short Course

In the age of Trump no matter how many generations you and yours have been here in America the beginning of wisdom is to know your rights such as they are and who to contact if they “come in the morning” for you and yours.

Death, Be Not Proud-With The 17th Century Poet John Donne’s “Death, Be Not Proud” In Mind

Death, Be Not Proud-With The 17^th Century Poet John Donne’s “Death, Be Not Proud” In Mind

Holy Sonnets: Death, be not proud

Related Poem Content Details

BY JOHN DONNE

Death, be not proud, though some have called thee

Mighty and dreadful, for thou art not so;

For those whom thou think'st thou dost overthrow

Die not, poor Death, nor yet canst thou kill me.

From rest and sleep, which but thy pictures be,

Much pleasure; then from thee much more must flow,

And soonest our best men with thee do go,

Rest of their bones, and soul's delivery.

Thou art slave to fate, chance, kings, and desperate men,

And dost with poison, war, and sickness dwell,

And poppy or charms can make us sleep as well

And better than thy stroke; why swell'st thou then?

One short sleep past, we wake eternally

And death shall be no more; Death, thou shalt die.

By Seth Garth

[Usually music critic Seth Garth confines himself to reviews of CDs and other related subjects like the history behind various musical genre but today he has asked for space to speak about poetry or rather the effect that a poem, 17^th century poet John Donne’s Death, Be Not Proud, has had on his old schoolboy friend Luther Larsen who is going through some tough times these days. He begs your indulgence. Ben Goldman]

My schoolboy friend from old Riverdale High Luther Larsen is dying. I cannot put the matter anymore gently. Luther Larsen is dying. Maybe not today, maybe not tomorrow but his ticket has been punched. He is a “dead man walking” to use a term from death penalty cases as he himself put it to me the other night on the cellphone when he called me from Boston where he is stating for a few days and where he has of late been a patient at Massachusetts General Hospital. Early last year after complaining for several months of serious bladder problems (let’s just leave it at seriously increased urgency and frequency problems and the reader can figure it out from there on the ravages of a seventy-five year old man) and seeking various treatments that did not relieve his condition one biopsy taken to see what the real problem was he was informed by the doctor that he had bladder cancer.

After the initial shock, no, denial had worn off (he did not tell me about his condition until several months after the diagnosis) Luther began what are called BCG treatments, not the dreaded chemotherapy he was at pains to tell me and others whenever anybody made that mistake about the nature of the procedure. I will not go into the graphic aspects of the procedure but they included a series of treatments projected to be over a two plus year duration in order to control the spread of cancerous cells by throwing a toxic cocktail into his body to “harden” up the walls of the bladder. His urologist touted the procedure as a very successful way to control the disease. Luther was all in even though he hated the periodic procedure days like the plague for it left him depleted and very tired although the actual procedure time was fairly short the life-cycle of the chemicals was not.

Luther went through the first couple of series with flying colors after he was “scoped,” after the doctor did another procedure to see what his bladder looked like and after he got the results of a urine sample back. Then after the last series and “scope” the other shoe dropped. The urologist informed him that his bladder was inflamed again, the cancerous cells were making a comeback. The problem, the ‘dead man walking” problem, remember that is Luther’s term not mine, is that due to other medical problems including prostate issues he was not a candidate for a bladder replacement, the next step if the BCG procedure was unsuccessful in holding back the cancerous cells. Meaning, according to the doctor, that while they would continue the periodic BCGs that realistically he had only a couple of years before he would be overcome by the cancer. Would be a “dead man dead” as Luther put it in one of his more sardonic moments.

Luther’s initial reaction to the news from the doctor once he returned from Boston to the apartment that he was renting in a small fishing village in Maine was denial and fear, not uncommon among people who have gotten this kind of terminal notice. (The “why” of the apartment in a small Maine fishing village for a man who has all his life feared to be more than a mile from city street lights will be dealt with in a minute.). He became reclusive, a condition made worse by the isolation and emptiness of that small Maine fishing village in winter until that other night when he told me his fate (again it had been a month after the doctor’s bad news before he made that call to me to tell me about his condition).

But enough of the sad medical prognostication because if you have been playing attention the topic is about John Donne’s poem Death, Be Not Proud which is really what Luther wanted to talk about for the hour and one half that we were on the phone (he, self-admittedly, not much of a phone person so you can get the tenor of his concerns). Luther had ever since we met in English class freshman year at old Riverdale High been mad for poetry, would read poems out loud even when we were hanging around pizza parlor corners on windswept and girl-less Friday nights much to the rest of us's annoyance and to our prospects for “picking up” stray girls who were guy-less and knew that the pizza parlor was the “spot” to meet and see what happened. In those days I was trying to get all the guys interested in the folk minute that was brewing in the land and which I had heard girls, the kind of girls I, we, would be interested in were getting into so I was not really paying attention to what Luther was spouting forth as far as poetry went. The one poem I was crazy about mad man Allen Ginsberg’s Howl Luther, to use an expression that made the pizza parlor rounds, could have given a rat’s ass about.

The exception to my disinterest in Luther’s foolish poems was John Donne’s Death, Be Not Proud which Luther lived by, still does which will come again in a minute as well and then mainly on religious grounds. See Luther was brought up a Protestant, a Lutheran and hence his name, who were not as hung about getting to heaven as I as a Roman Catholic devotee was then. Luther always said, now remember he was only maybe fifteen or sixteen at the time and not any more worried about the grim reaper than I was, that he would not worry about dying, would face it as bravely as he could when his time came. Saw death not as an enemy but as just the “big sleep” (my term from that last paragraph of Raymond Chandler’s crime novel The Big Sleep), no better or worse. He had picked up that idea from Donne’s poem and anytime we talked of the subject that would always come up. I then, and now too, feared death, feared not being, feared losing the battle, feared winding up outside the gates of Eden. The other night Luther quoted for the first time in a long time that poem and said that he was still resolved as he had been as a schoolboy when the matter was not quite so pressing to face his impending death as bravely as he could. He made short work of the few feeble arguments I made to carry on until the bitter end.

Then, as his voice became noticeably less audible over that damn phone, Luther kind of whispered what did bother him, was agitating him in the light of his recent news. He had begun to become afraid that at the end he would die alone, alone with nobody to see him through at the end. Now of course I and a bunch of other guys will be there when that hopefully faraway day comes but you have to know Riverdale schoolboy “speak” to know what Luther really meant. He meant that there would be no female companion to see him off. I knew exactly what he meant because poetry –addled or music-addled we were, are, skirt-addled. And that brings us back to that point about why he was tucked away in some godforsaken small isolated Maine fishing village in winter. A couple of years ago his long-time companion, Stephanie, Stephanie Murphy, told Luther she had found another man, had found somebody more in tune with her musical and artistic interests than he and that she was leaving him and the home they had shared for the previous ten years (Luther had been twice divorced, not nice divorces before meeting Stephanie).

Once she left, once she left even knowing that he had serious health issues, Luther could not face staying in their place and took off for Maine which in sunnier times had been a place of refuge for both of them. And there he has stayed although recently he has made noises about going back to his roots, going back to Riverdale to face the end in a place that he knew would provide some mental relief.

As we finished that long conversation Luther signed off by reaffirming that he was not afraid to die, and was hopeful that maybe he could find someone (remember read some woman) who would be there for him at the end. I do give a rat’s ass about that and I told him I hope that he does find somebody. Enough said.

From Veterans For Peace Stop Endless War • Build for Peace! Washington DC May 29-30

From Veterans For Peace

Stop Endless War • Build for Peace!

Washington DC May 29-30

“War is a racket: A few profit, the many pay!” – Maj. General Smedley D. Butler, USMC

May 29 and 30, 2017 Washington DC

May 29, 2017: Letters to the Vietnam Memorial Wall • Martin Luther King Jr. Memorial

May30, 2017: Lafayette Park • White House

In response to President Trump’s outrageous budget proposal, including a $54 Billion increase for the Pentagon, VFP and other veterans groups will not be silent. Planning for this was started in response to VFP’s great statement about Trump’s Military Budget and our desire and responsibility as veterans, citizens and human beings to express our strong resistance to his policies and our commitment to find a better way to peace.

The following activist VFP members have been involved in the planning: Matt Hoh, Mike Marceau, Mike Tork, Nate Goldshlag, Nick Mottern, Paul Appell, Ray McGovern, Roger Ehrlich, Sam Adams, Will Thomas, Bill Perry, Doug Rawlings, Ellen Barfield, Ellen Davidson, Gene Marx, Ken Ashe, Mark Foreman, Mike Ferner, Mike Hearington, Gerry Condon, Barry Riesch, Ann Wright, Barry Ladendorf, Bill Creighton, Brian Trautman, Dan Shea, Doug Ryder, Elliott Adams, Ken Mayers, Monique Salhab, Patrick McCann, Paul Appell, Vicki Ryder, Ward Riley and Tarak Kauff.

Here’s the basic schedule:

Monday, May 29: Meeting at 9 AM at the Bell Tower, adjacent to the Wall for a briefing by Doug Rawlings and an opportunity to read some of this year’s letters; 10:30 AM, we deliver letters to The Wall; from 11:30-12 we proceed ½ mile to MLK Memorial; at 12:30 we begin a public reading of MLK’s Riverside Church address, his Beyond Vietnam speech. After the MLK event we gather back at the Bell Tower to engage with the public. At 6:30 PM we meet for a social gathering at Busboys & Poets.

Tuesday: May 30: 10 AM rally at Lafayette Park w/hour of short, uplifting speeches, then around 11 AM going to the White House fence to demand our meeting with the president. We will read the letter from Barry Ladendorf, President of VFP, who will have sent previously to the White House asking for a public meeting. We do not expect a response. The letter is very good.

We will have legal support and musical accompaniment.

Housing in the DC area: http://washingtonpeacecenter.org/masshousing

For more information contact Tarak Kauff, VFP National Board Member takauff@gmail.com 845 679-6189 or 845 706-0187

For more information on the Letters to the Wall project contact Doug Rawlings rawlings@maine.edu 207 500-0193

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Monday, May 08, 2017

In Honor Of May Day 2017-From The American Left History Blog Archives

*Hands Off Our Public Worker Unions! No More Wisconsins! Hands Off All Our Unions!

* Give the unemployed work! Billions for public works projects to fix America’s broken infrastructure (bridges, roads, sewer and water systems, etc.)!

*End the endless wars- Troops And Mercenaries Out Of Afghanistan (and Iraq)!-U.S Hands Off Iran! Hands Off The World!

* Full citizenship rights for all those who made it here no matter how they got here!

* A drastic increase in the minimum wage and big wage increases for all workers!

* A moratorium on home foreclosures! No evictions!

* A moratorium on student loan debt! Free, quality higher education for all! Create 100, 200, many publicly-supported Harvards!

*No increases in public transportation fares! No transportation worker lay-offs! For free quality public transportation!

To order to flex our collective bottom up power on May 1, 2012 we will be organizing a wide-ranging series of mass collective participatory actions:

*We will be organizing within our unions- or informal workplace organizations where there is no union - a one-day strike around some, or all, of the above-mentioned demands.

*We will be organizing at workplaces where a strike is not possible for workers to call in sick, or take a personal day, as part of a coordinated “sick-out”.

*We will be calling in our communities for a mass consumer boycott, and with local business support where possible, refuse to make purchases on that day.

All out on May Day 2012.

************

***************

The 50th Anniversary Of The Summer Of Love-1967-The Death Of The Doors' Jim Morrison- Greil Marcus' New Book -"The Doors: A Lifetime of Listening to Five Mean Years"

Click on the headline to link to an On Point (NPR) broadcast of Greil Marcus discussing ...The Doors: A Lifetime of Listening to Five Mean Years.

********
The 50th Anniversary Of The Summer Of Love-1967-The Death Of The Doors' Jim Morrison- Greil Marcus' New Book -"The Doors: A Lifetime of Listening to Five Mean Years"

From American Left History

Wednesday, December 23, 2009

*AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors
CD Review

Waiting For The Sun, Jim Morrison and the Doors, Rhino, 2007

Since my youth I have had an ear for American (and other roots music), whether I was conscious of that fact or not. The origin of that interest first centered on the blues, then early rock and roll and later, with the folk revival of the early 1960’s, folk music. I have often wondered about the source of this interest. I am, and have always been a city boy, and an Eastern city boy at that. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. The subject of the following review is an example.

The Doors are roots music? Yes, in the sense that one of the branches of rock and roll derives from early rhythm and blues and in the special case of Jim Morrison, leader of the Doors, the attempt to musically explore the shamanic elements in the Western American Native American culture. Some of that influence is apparent here.

More than one rock critic has argued that at their best the Doors were the best rock and roll band ever created. Those critics will get no argument here. What a reviewer with that opinion has to do is determine whether any particular CD captures the Doors at their best. This reviewer advises that if you want to buy only one Doors CD that would be The Best of the Doors. If you want to trace their evolution other CD’s, like this “Waiting For The Sun” album do an adequate job. Stick outs here include: the anti-war classic "The Unknown Soldier," “Love Street,” and "Spanish Caravan".

A note on Jim Morrison as an icon of the 1960s. He was part of the trinity – Morrison, Janis Joplin, Jimi Hendrix who lived fast and died young. The slogan- Drugs, sex, and rock and roll. And we liked that idea. Then. Their deaths were part of the price we felt we had to pay if we were going to be free. And creative. Even the most political, including this writer, among us felt those cultural winds and counted those who espoused this vision as part of the chosen. Those who believed that we could have a far-reaching positive cultural change without a political change proved to be wrong long ago. But, these were still our people.

MARK THIS WELL. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents at the time, exemplified by one Richard M. Nixon, President of the United States and common criminal, spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, minorities in this country, and anyone else who got in their way. 40 years of ‘cultural wars’ by his protégés in revenge is a heavy price to pay for our youthful errors. Enough.

The Unknown Soldier Lyrics

Wait until the war is over
And we're both a little older
The unknown soldier

Breakfast where the news is read
Television children fed
Unborn living, living dead
Bullet strikes the helmet's head

And it's all over
For the unknown soldier
It's all over
For the unknown soldier, uh hu-uh

Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Comp'nee,
Halt!
Pree-sent arms!

Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier

Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head

And, it's all over,
The war is over.
It's all over, war is over.
It's all over, baby!
All over, baby!
All, all over, yeah!
Aah, hah-hah.
All over, all over, babe!
Oh! Oh yeah!
All over, all over!
Ye-e-e-ah…

What Is The Matter With Kansas-The Film Adaptation Of William Inge’s “Picnic” (1955)-A Review

DVD Review

By Sandy Salmon

Picnic, starring Kim Novak, William Holden, Susan Strasberg, Rosalind Russell, directed by Joshua Logan, adapted from the play by William Inge, 1955

There is a lot of nostalgia talk around these days in some circles about going back to the good old days when things went at a slower pace and when the old values that had gotten America through a few crises held forth. Values that would play in Peoria or in the location of the film under review, Picnic, Kansas. The plotline, the feel of this whole film is almost a chemically pure example of what people thought the good old days looked like-a time when everybody knew their place, or else. This makes the film worth a look if for no other reason.

Of course romance, the inevitable boy meets girl thing, has to come by and mar this idyllic view of the past. That boy meets girl thing, in this case a drifter named Hal, played by a “mature” William Holden and Madge (see even the names evoke another time), played by a young Kim Novak, trying to figure out what the attraction is between them. (By the way “mature” Hal who ostensibly has as his date to the picnic Millie, played by Susan Strasberg, a high school student might have a hard time not being picked up for some child abuse crime these days. Hell he would barely pass with the nineteen year old Madge. We will let that all pass though).

Here’s the play. Hal, the former king of the hill when he was a college football star now on his uppers, figures that he will cut old touches with his college roommate, Alan, who is the scion to some wheat money (come on remember this is Kansas where they have wheat coming out of their ears) and get back on track. He drifts into town off a freight train which tells a lot about how he has missed out on the golden age of American plenty by being just a shade not good enough. At first things between Hal and Alan seem to portend some lucky breaks for Hal. Then Alan’s girl, his sweetie, Madge stirs up plenty of anxiety once Hal gets a good look at her. Of course Madge is beautiful but wants to be known for more than that (in contrast to brainy and semi-bohemian younger sister Millie who sees herself as an ugly duckling which causes tensions between the two until the end of the film).

Then Alan makes his first wrong move. He invite’s the brawny Hal (beefcake they called it showing Hal physique off many times during the course of the film to make all the girl titter-oh yeah, in the audience too) to the annual Labor Day picnic thrown by the town fathers (you know you are in a different era when they have a local celebration for Labor Day when today it is just another long summer’s end weekend to head someplace not in your town). Before the day, maybe before the night is over is a better way to put the matter, there has been a sea-change that has rocked that little corner of Kansas. Madge is elected festival queen, which seems right, Millie gets sickenly drunk, and Madge and Hal “dance” one of the most sensually provocative dances I have seen on film in long while (they probably need air conditioning in the theaters after that episode). The result: Alan is out and Hal is in except for one final conflict between Alan and Hal over, well you know, over Madge what else would guys fight over. Hal, the consummate drifter has to flee town on that same hobo freight out. But guess what his flame Madge follows him to whatever the future may bring. So maybe there was nothing wrong with Kansas then, although if you reached below the surface you know that not all was right in the golden age.

On The 50th Anniversary Of The “Summer Of Love”- “The Summer Of Love Experience” At DeYoung Art Museum In Golden Gate Park, San Francisco

On The 50^th Anniversary Of The “Summer Of Love”- “The Summer Of Love Experience” At DeYoung Art Museum In Golden Gate Park, San Francisco

By Special Guest Social Commentator Alex James

[I noted in an earlier introduction to a commentary by my oldest brother Alex that I had been “commissioned” by him and the surviving corner boys who had made the treks west for the Summer of Love, 1967 to put together a tribute book on their experiences. Alex, a lot closer to the action of the 1960s than I ever could be having only been touched by the experience around the edges and mostly second-hand through stories and research is again today’s special guest commentator since the subject matter is again about the Summer of Love, 1967 its 50^th anniversary now being commemorated in places like San Francisco and Berkeley. His previous commentary had been about an exhibit at the Berkeley university museum entitled Hippie Modernism: the struggle for utopia and in that introduction I mentioned that he would be doing a commentary on an exhibition at the deYoung Museum in Golden Gate Park entitled The Summer of Love Experience which had first sparked his interest when he saw an advertisement for the project on a passing Muni bus. He will discuss his take on that today.

To explain further that “commissioned” mentioned above has to do with compiling a wide ranging series of writings, sketches really, and reminisces on the theme of the “Summer of Love, 1967” to be made into a small tribute book in honor of his and his “corner boys” from the Acre section of North Adamsville long departed friend Peter Paul Markin. It was Markin who was the main connection between them and the events which transpired in the Bay Area that long ago and which arguably changed their lives forever. Of if not changed forever put a big kink in the way that they were originally heading.]

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I might as well mention again as I did in the Hippie Modernism commentary that I am usually not much for writing outside of my business interests or I should say my law practice which is my business interest and leave the biting or witty commentary and penetrating social analysis my youngest brother, there were six of us to divvy up the social chores, Zack, who has made a career out of such endeavors. Except events this spring around the almost half-forgotten Summer of Love, 1967 which I, and the rest of the guys I hung around with all through public school, had been as Zack said one time “washed clean” by that extraordinary “new breeze” that got a big tailwind from that happening. “Happening” a word very closely associated with all the crazy, goofy, outlandish and in some sad instances pathetic things that went on when we were forced to head west and see what it was all about. “Forced” which is exactly the right word by one mad monk of a man, Peter Paul Markin, known as the “Scribe” from junior high school on after he had been given that moniker by the acknowledged leader of the Acre corner boys, Frankie Riley who has written something for the tribute book that Zack mentioned.

I mentioned in the previous article and it bears repeating here that Markin was a small letter “prophet” unlike a capital letter prophet like Allan Ginsberg who blew Markin away with his Howl in high school which he would recite to us when he was half drunk (or later half-stoned) and which we could have given a fuck about at the time since all we cared about was grabbing petty larceny dough, girls, and fast cars not always in that order, after all was said and done, what little good it ever did him in the long haul to “check out the new breeze coming over the land.”

All that will be, or already has been, detailed in the little tribute book we asked Zack to put together with his sketches on those times and our, the surviving corner boys’ remembrances, in honor of Markin. Like Zack said in his introduction I had been in San Francisco for a law conference and was walking up Geary Street and noticed an advertisement for the de Young Museum in Golden Gate Park which was presenting an exhibition titled The Summer of Love Experience. Before I went to that exhibition I snuck over to Berkeley for their exhibit after I overheard a conversation between two old geezers about an exhibit over in Berkeley at the University art museum. They didn’t give the title of the exhibition at the time. Had just said it was about hippies. But when I went to look it up it had the title, the very interesting title-Hippie Modernism: the Struggle for Utopia I couldn’t resist before I left Frisco taking that exhibit in on two counts; it was an unusual way to describe a certain modernist artistic sensibility that I think we were trying to create and a very apt way to describe what the whole “seek a newer world” experience was about (a term Markin used incessantly via Robert Kennedy via Alfred Lord Tennyson when it counted when that man epitomized at the top what might have been before his assassination if the Molochs had been defeated), or what we thought we were trying to do. Zack has mentioned in a few of his sketches that we have faced more than forty years of blow-back from the Molochs (thank Allan Ginsburg’s Howl for that term) which show no signs of abating soon for not creating that utopia, or something close to it. He was right as rain on that score.

So much for cutting up old touches now on to the DeYoung exhibit that was a lot less academically oriented as one would expect from a general audience production. I might mention here that at both Berkeley and DeYoung the overwhelming majority of the visitors were relics from the generation of ’68, people who had been through that amazing 1960s burn-out and had survived although I was shocked by the number of fellow seniors who were cane-bound, walker-bound, or roller-bound. Not a good sign for people who were probably somewhere between sixty and seventy-five. On the sunnier side I did make a coterie of people laugh when I asked whether this was an AARP meeting. I also wondered what today’s teens to twenty somethings would make of such an exhibit if they ever by accident found themselves in the bowels of the museum where the exhibit was being held. Probably like we did yawn and chortle over the odd way we carried on and what was the big deal anyway. But enough of that.

What the folks at DeYoung had done was put together several rooms full of posters (posters which back in the day put up around town on walls and lampposts the old fashioned way to communicate, yeah primitive looked at now in the age of Internet/Facebook flash communications, and in selected known hippie hang-out bookstores and “head” shops if you my drift merely to advertise upcoming concerts but now at least the bulk of the selections certainly worthy of mention in the same breathe as pop art that came in the wake of the new dispensation), a glimpse of what the fashion of the day, hippie garb, looked like, photographs and of course music which continues to define a lot of what was happening in that fateful summer of 1967 if not the whole damn decade.

Summer of Love is something of a misnomer in the sense that there had been a tremendous build-up all through 1966 and the spring of 1967 with an escalating number of concerts, festivals and social events like be-ins and “acid,” you know LSD, tests and would carry over at least until 1968. Markin had gone out there in the spring of 1967 after unwisely, very unwisely, dropping out of Boston University at the end of his sophomore year to “find” himself a thing a lot of kids were doing, according to one caption at least 100, 000 kids descended on the town during that period. Markin had come back in late summer to preach the word (that “preach” not always ironic since once he got the bug in his ear about something he would keep bugging us about it like in high school his always harping on Allan Ginsburg’s Howl a poem that I have mentioned elsewhere the rest of us could have given a fuck about-then) and round up whoever he could to go back west with him. By the time he “recruited” me and a few others it was early fall so you can see the pull of the place held even after that actual summer was over.

Looking at the poster art, there must have been a couple of hundred of them all together, beyond the artistic question of where they fit in as representative of the times culturally, I was amazed about how many concerts and festivals were being presented during those times. You could have gone to the Avalon, as we did, Fillmore, Golden Gate Park, also as we did on a whim on any given weekend and not been disappointed since some group was performing-for free or a couple of dollars-literally. One poster featuring an iconic group of the time, Jefferson Airplane, and a host of other well-known bands had been priced at five dollars. That is five dollars and that was for a three day concert-five dollars total. I mentioned in the Berkeley article that a few years ago I spent many hundreds of dollars getting so-so tickets for a Stones concert. I had to point out those ticket numbers to people standing around looking at the poster art and they couldn’t believe it either. The biggest thing that I noticed beyond frequency and ticket price was how many of the bands-that just mentioned Jefferson Airplane, Janis Joplin’s Big Brother and the Holding Company, the Doors, Quicksilver Messenger Service, the Grateful Dead were based in right in the area and that the sound that would define a generation’s musical taste had been created and nourished out there-on the cheap.

I mentioned that there was also a lot of mannequin-etched fashions displayed and some of it was very good but somehow the presentation did not ring true. Maybe it was the mannequins all slender and appealing like live models these days and maybe it was the push to show high fashion back then for the celebrities and the well-off who wanted to show they were hip. But I recall that most of us wore tee-shirts and jeans boy and girls, and did not give a damn about fashion. Some people, me too when I was high and was on Captain Crunch’s magical mystery tour yellow brick road converted school bus, would create a momentary look, maybe wear a cowboy hat (me) or buckskin coat (Markin) or pretend they were pirates (Jack Callahan, the former high school football star who Markin somehow got to go out, and Bart Webber who actually had been getting ready to take over his father’s printing business) but usually we dressed simply(and changed less frequently than socially requirements would dictate especially after a three day high). Second-hand clothing from Goodwill, the Sallys and the like was a big deal and whoever was in charge of the production of these fashions had missed the point, had gotten the notion of what people were wearing from what say Neiman-Marcus thought was the “hippie” look. The only ones who went out of their way to be “dressy” were the drag queens in a grouping called the Cockettes which would hang around and look “beautiful” but that was for camp not a generation’s style.

Above all though was the music of the times to be heard as you went around the various galleries complete with video effects making one, making me wish, I had a joint, you know some dope, you know getting high. I was tapping my toes throughout and totally flipped out when I heard the group It’s a Beautiful Day doing White Bird from their first album which I hadn’t heard in years and the Byrds’ doing Eight Miles High I was ready to dance, dance and party down. As I mentioned earlier though my fellow veterans mostly looked like they couldn’t believe they had done such stuff when younger and looked so physically ravaged that there was no “party” in them. Markin in his happier days would not have been happy to see what that “fresh new breeze” he kept harping on had turned out to be like, what the survivors, the walking wounded looked like. But as I said in my last article and which is turning into something of a mantra for me this 50^th anniversary of Summer of Love-“Twas bliss to be alive.” See this exhibit if you are in Frisco town anytime between now and August 20, 2017.

[I did not want to put this last point in the main body of my article but one, just one, photograph still haunts me. It was a photograph from a 1968 police “runaway” board filled with photographs of runaways being sought be anxious and worried parents who were desperate to find their kids. Not all of the Summer of Love was beautiful and not every kid who went out west survived literally, some wound up in some mental ward. The kids all looked like any all-American kids, white kids, before the “devil” got to them. A lot of photographs were from high school yearbooks. Markin, who also looked mostly like the all-American boy except a little nerdish, sad to say was not alone in not surviving the whole experience.]