Sunday, June 18, 2017

The Struggle Continues...Supporter The Military Resisters-Support The G.I. Project

The Struggle Continues...Supporter The Military Resisters-Support The G.I. Project   







 


By Frank Jackman


The late Peter Paul Markin had gotten “religion” on the questions of war and peace the hard way. Had before that baptism accepted half-knowingly (his term) against his better judgment induction into the Army when his “friends and neighbors” at his local draft board in North Adamsville called him up for military service back in hard-shell hell-hole Vietnam War days when the country was coming asunder, was bleeding from all pores around 1968. Markin had had some qualms about going into the service not only because the reasoning given by the government and its civilian hangers-on for the tremendous waste of human and material resources had long seemed preposterous but because he had an abstract idea that war was bad, bad for individuals, bad for countries, bad for civilization in the late 20th century. Was a half-assed pacifist if he had though deeply about the question, which he had not.


But everything in his blessed forsaken scatter-shot life pushed and pushed hard against his joining the ranks of the draft resisters whom he would hear about and see every day then as he passed on his truck route which allowed him to pay his way through college the Boston sanctuary for that cohort, the Arlington Street Church. Markin had assumed that since he was not a Quaker, Shaker, Mennonite, Brethren of the Common Life adherent but rather a bloody high-nosed Roman Catholic with their slimy “just war” theory that seemed to justify every American war courtesy of their leading American Cardinal, France Spellman, that he could not qualify for conscientious objector status on that basis. And at the time that he entered the Army that was probably true even if he had attempted to do so. Later, as happened with his friend, Jack Callahan, he could at least made the case based on the common Catholic upbringing.  Right then though he was not a total objector to war but only of what he saw in front of him, the unjustness of the Vietnam War.


That was not the least of his situation though. That half-knowingly mentioned above had been overridden by his whole college Joe lifestyle where he was more interested in sex, drink, and rock and roll (the drugs would not come until later), more interested in bedding women than thinking through what he half-knew would be his fate once he graduated from college as the war slowly dragged on and his number was coming up. Moreover there was not one damn thing in his background that would have given pause about his future course. A son of the working-class, really even lower than that the working poor a notch below, there was nobody if he had bothered to seek some support for resistance who would have done so. Certainly not his quiet but proud ex-World War II Marine father, not his mother whose brother was a rising career Army senior NCO, not his older brothers who had signed up as a way to get out of hell-hole North Adamsville, and certainly not his friends from high school half of whom had enlisted and a couple from his street who had been killed in action over there. So no way was an Acre boy with the years of Acre mentality cast like iron in his head about servicing if called going to tip the cart that way toward straight out resistance.         


Maybe he should have, at least according to guys he met in college like Brad Fox and Fritz Tylor, or guys who he met on the hitchhike road going west like Josh Breslin and Captain Crunch (his moniker not real name which Josh could not remember). The way they heard the story from Markin after he got out of the Army, after he had done his hell-hole thirteen months in Vietnam as an infantryman, twice wounded, and after he had come back to the “real” world was that on about the third day in basis training down in Fort Jackson in South Carolina he knew that he had made a mistake by accepting induction. But maybe there was some fate-driven reason, maybe as he received training as an infantryman and he and a group of other trainees talked about but did not refuse to take machine-gun training, maybe once he received orders for Vietnam and maybe once he got “in-country” he sensed that something had gone wrong in his short, sweet life but he never attempted to get any help, put in any applications, sought any relief from what was to finally crack him. That, despite tons of barracks anti-war blather on his part from Fort Jackson to Danang.     


Here’s the reason though why the late Peter Paul Markin’s story accompanies this information about G.I. rights even for those who nowadays enter the military voluntarily, as voluntarily as any such decision can be without direct governmental coercion. Markin, and this part is from Josh Breslin the guy he was closest to toward the end, the guy who had last seen him in the States before that fateful trip to Mexico, to Sonora when it all fell apart one day, had a very difficult time coming back to what all the returnees called the “real” world after Vietnam service. Had drifted to drug, sex and rock and roll out on the West Coast where Josh had first met him in San Francisco until he tired of that, had started to have some bad nights.


Despite the bad nights though he did have a real talent for writing, for journalism. Got caught up in writing a series about what would be later called the “brothers under the bridge” about guys like him down in Southern California who could not adjust to the real world after ‘Nam and had tried to keep body and soul together by banding together in the arroyos, along the railroad tracks and under the bridges and creating what would today be called a “safe space.”


Markin’s demons though were never far from the surface. Got worse when he sensed that the great wash that had come over the land during the counter-cultural 1960s that he had just caught the tail-end had run its course, had hit ebb tide. Then in the mid-1970s to relieve whatever inner pains were disturbing him he immersed himself in the cocaine culture that was just rearing its head in the States. That addiction would lead him into the drug trade, would eventually lead him as if by the fateful numbers to sunny Mexico, to lovely Sonora way where he met his end. Josh never found out all the details about Markin’s end although a few friends had raised money to send a detective down to investigate. Apparently Markin got mixed up with some local bad boys in the drug trade. Tried to cut corners, or cut into their market. One day he was found in a dusty back street with two slugs in his head. He lies down there in some unknown potter’s field mourned, moaned and missed until this very day.  










In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Robert Seth Hayes


In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Robert Seth Hayes



http://www.thejerichomovement.com/prisoners.html



A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month

Markin comment (reposted from 2010)


In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!


  • If I Could Be The Rain I Would Be Rosalie Sorrels-The Legendary Folksinger-Songwriter Has Her Last Go Round At 83

    If I Could Be The Rain I Would Be Rosalie Sorrels-The Legendary Folksinger-Songwriter Has Her Last Go Round At 83





    By Music Critic  Bart Webber

    Back the day, back in the emerging folk minute of the 1960s that guys like Sam Lowell, Si Lannon, the late Peter Paul Markin and others were deeply immersed in (and the former two never got over since they will still tell a tale or two about the times if you go anywhere within ten miles of the subject-I will take my chances here because this notice is important) all roads seemed to lead to Harvard Square, the Village down in NYC, North Beach out in San Francisco, and maybe Old Town in Chicago. That is where names like Baez, Dylan, Paxton, Ochs, and a whole crew of younger folksingers who sat at the feet of guys like Woody Guthrie and Pete Seeger.  

    But there was another important strand that hovered around Saratoga Springs in upstate New York, up around Skidmore and some other colleges. That was Caffe Lena’s where some of those names played but also where some upstarts from the West got a chance to play the small crowds who gathered at that famed (and still existing) coffeehouse. Upstarts like Bruce “Utah” Phillips (although he could call several places home Utah was key to what he would sing about). And out of Idaho one Rosalie Sorrels who just joined her long-time friend Utah in that last go-round at the age of 83.


    The last time I saw Rosalie perform in person was back in 2002 when she performed at what was billed as her last go-round, her hanging up her shoes from the dusty travel road. She was on fire that night except the then recent death of another folk legend, Dave Von Ronk, who was supposed to be on the bill (and who was replaced by David Bromberg who did a great job) cast a pall over the proceedings. I will always remember her cover of Old Devil Time that night -yeah, give me one more chance, one more breathe. But I will always think of If I Could Be The Rain whenever I hear her name. RIP Rosalie Sorrels 

    Saturday, June 17, 2017

    Veterans For Peace: No More Troops in Afghanistan


    Veterans For Peace: No More Troops in Afghanistan

    The Trump Administration announced it has given Defense Secretary Jim Mattis the authority to determine troops levels in Afghanistan. It is widely believed that Mattis favors sending several thousand more U.S. troops to Afghanistan. Why? Perhaps to break the “stalemate” as described by the Commander of U.S. Forces in Afghanistan, Army General John Nicholson when describing the war to the Senate Armed Services Committee. In his June 13th testimony, Secretary Mattis told the same committee, “We are not winning in Afghanistan right now.”
    Veterans For Peace calls for a different direction than more war. We call on Congress to stop funding war and demand a plan for a peaceful solution. We call on the President to immediately begin withdrawal of U.S. troops and take a new direction towards diplomacy and peace. And we call on the people of the U.S. to resist war and demand policies that foster peace and prosperity at home and in Afghanistan.
    It should be clear after 16 years and the death of tens of thousands of people that no one is a winner in Afghanistan. There is no clear concept of what it means to win there. In fact, it is no longer clear why the U.S. continues to keep troops in Afghanistan and now is on the brink of increasing the number of men and women in harm's way.
    The U.S. has claimed to be at war in Afghanistan to deny “terrorists” training and staging areas to attack the United States and to protect the people of Afghanistan. After this long period of war, what does the U.S. have to show for its military efforts? 
    Since the horror of September 11, 2001, the U.S. has been on a path of war, wreaking havoc on millions of people around the globe. Because of displacement, death and maiming of loved ones by U.S. wars, animosity towards the U.S. has increased and the world has become less safe.  The animosity caused by the wars has created a larger pool of people willing to fight the U.S. In 2001 al Qaeda had limited influence and ISIL did not exist. Now Al Qaeda and ISIL have affiliated groups and sympathetic supporters around the globe.
    The protection of the Afghan people has been a total failure. It has been widely reported that the United Nations Assistance Mission in Afghanistan found that there were 11,418 civilian casualties (3,498 deaths and 7,920 injured) between January and December 2016, an overall increase of 3 percent. An appalling number of those casualties were children – 923 deaths, and 2,589 injured – a 24 percent increase over record-high numbers from 2015. In addition, 3,535 coalition forces have died; three of which were recently killed as a result of an insider attack fire from an Afghan soldier. We must add to these losses all the people who are physically and psychologically broken and families torn apart.The human cost is immeasurable. But there is also a dollar cost to war. The U.S. has spent over $1 trillion in this failed and depraved effort in Afghanistan. These dollars represent lost opportunities to repair U.S. infrastructure, pay for healthcare, create jobs and address a host of human needs.
    It is not too late  for a different direction. War was always the wrong option. Perhaps it was not clear 16 years ago. It should be clear now more than ever!

    Rosalie Sorrels Passes At 83 (2017)- The Long Labor Memory, Indeed- The Music Of Rosalie Sorrels and Utah Phillips

    Rosalie Sorrels Passes At 83 (2017)- The Long Labor Memory, Indeed- The Music Of Rosalie Sorrels and Utah Phillips





    If I Could Be The Rain I Would Be Rosalie Sorrels-The Legendary Folksinger-Songwriter Has Her Last Go Round At 83

    By Music Critic Bart Webber

    Back the day, back in the emerging folk minute of the 1960s that guys like Sam Lowell, Si Lannon, the late Peter Paul Markin and others were deeply immersed in (and the former two never got over since they will still tell a tale or two about the times if you go anywhere within ten miles of the subject-I will take my chances here because this notice is important) all roads seemed to lead to Harvard Square, the Village down in NYC, North Beach out in San Francisco, and maybe Old Town in Chicago. That is where names like Baez, Dylan, Paxton, Ochs, Collins and a whole crew of younger folksingers who sat at the feet of guys like Woody Guthrie and Pete Seeger.  

    But there was another important strand that hovered around Saratoga Springs in upstate New York, up around Skidmore and some other colleges. That was Caffe Lena’s where some of those names played but also where some upstarts from the West got a chance to play the small crowds who gathered at that famed (and still existing) coffeehouse. Upstarts like Bruce “Utah” Phillips (although he could call several places home Utah was key to what he would sing about). And out of Idaho one Rosalie Sorrels who just joined her long-time friend Utah in that last go-round at the age of 83.

    Yeah, out there in the West, not the West Coast west that is different, where what the novelist Thomas Wolfe called the place where the states were square and you had better be as well if you didn’t want to starve or be found in some empty arroyo un-mourned and unloved. A different place and a different type of subject matter for your themes.   

    The last time I saw Rosalie perform in person was back in 2002 when she performed at what was billed as her last go-round, her hanging up her shoes from the dusty travel road. She was on fire that night except the then recent death of another folk legend, Dave Von Ronk, who was supposed to be on the bill (and who was replaced by David Bromberg who did a great job) cast a pall over the proceedings. I will always remember her cover of Old Devil Time that night -yeah, give me one more chance, one more breathe. But I will always think of If I Could Be The Rain whenever I hear her name. RIP Rosalie Sorrels



    CD REVIEWS

    Every Month Is Labor Month

    The Long Memory, Indeed

    The Long Memory, Rosalie Sorrels and Utah Phillips, Red House Records, 1996

    The first paragraph here has been used in reviewing other Rosalie Sorrels CDs in this space.


    “My first association of the name Rosalie Sorrels with folk music came, many years ago now, from hearing the recently departed folk singer/storyteller/ songwriter and unrepentant Wobblie (IWW) Utah Phillips mention his long time friendship with her going back before he became known as a folksinger. I also recall that combination of Sorrels and Phillips as he performed his classic “Starlight On The Rails” and she his also classic “If I Could Be The Rain” on a PBS documentary honoring the Café Lena in Saratoga, New York, a place that I am also very familiar with for many personal and musical reasons. Of note here: it should be remembered that Rosalie saved, literally, many of the compositions that Utah left helter-skelter around the country in his “bumming” days.”

    That said, what could be better than to have Rosalie and Utah on the same CD (although not together) singing and telling stories about the old days in the labor movement, mainly the labor movement of the American West that was instrumental in creating the Industrial Workers Of The World (IWW, Wobblies). Listen to Rosalie on the story of Aunt Molly Jackson and the National Miners’ Union (NMU) (a Stalinist ‘third period’ “red union” that took over when John L. Lewis’ UMW left the miners in the lurch-sound familiar). Or the saga of a mill closing in an earlier version of runaway factories (then mainly to the south of this country) in “Aragon Mills”.

    A nice story told by Utah is that of the genesis of soap box oration as is his singing of his classic “All Used Up”. Utah here pays tribute to the heroic exploits of Mother Jones, one of our early real militant labor leaders (by example, I should add). And also notes what happens when there are no (or few, as today) militant unions to fight for decency and justice in “No More Reds In The Union”. I give special attention here to “Nevada Jane” a song that Utah wrote based on stories told to him in Butte, Montana about the legendary “Big Bill” Haywood , probably the best labor leader, pound for pound, produced by the American labor movement I the 20th century and his wife Nevada Jane. Whether the stories were true and the song has it right about the relationship between the pair is separate question but I still like it. While Utah and I had a very wide political gap between us we shared one thing in common- a long, long memory about the fate of the international labor movement. Adieu, Utah.

    If I Could Be The Rain-"Utah Phillips"

    Everybody I know sings this song their own way, and they arrive at their own understanding of it. Guy Carawan does it as a sing along. I guess he thinks it must have some kind of universal appeal. To me, it's a very personal song. It's about events in my life that have to do with being in love. I very seldom sing it myself for those reasons.



    If I could be the rain, I'd wash down to the sea;
    If I could be the wind, there'd be no more of me;
    If I could be the sunlight, and all the days were mine,
    I would find some special place to shine.

    But all the rain I'll ever be is locked up in my eyes,
    When I hear the wind it only whispers sad goodbyes.
    If I could hide the way I feel I'd never sing again;
    Sometimes I wish that I could be the rain.

    If I could be the rain, I'd wash down to the sea;
    If I could be the wind, there'd be no more of me;
    If I could hide the way I feel I'd never sing again;
    Sometimes I wish that I could be the rain.

    Copyright ©1973, 2000 Bruce Phillips


    THE TELLING TAKES ME HOME
    (Bruce Phillips)


    Let me sing to you all those songs I know
    Of the wild, windy places locked in timeless snow,
    And the wide, crimson deserts where the muddy rivers flow.
    It's sad, but the telling takes me home.

    Come along with me to some places that I've been
    Where people all look back and they still remember when,
    And the quicksilver legends, like sunlight, turn and bend
    It's sad, but the telling takes me home.

    Walk along some wagon road, down the iron rail,
    Past the rusty Cadillacs that mark the boom town trail,
    Where dreamers never win and doers never fail,
    It's sad, but the telling takes me home.

    I'll sing of my amigos, come from down below,
    Whisper in their loving tongue the songs of Mexico.
    They work their stolen Eden, lost so long ago.
    It's sad, but the telling takes me home.

    I'll tell you all some lies, just made up for fun,
    And the loudest, meanest brag, it can beat the fastest gun.
    I'll show you all some graves that tell where the West was won.
    It's sad, but the telling takes me home.

    And I'll sing about an emptiness the East has never known,
    Where coyotes don't pay taxes and a man can live alone,
    And you've got to walk forever just to find a telephone.
    It's sad, but the telling takes me home.

    Let me sing to you all those songs I know
    Of the wild, windy places locked in timeless snow,
    And the wide, crimson deserts where the muddy rivers flow.
    It's sad, but the telling takes me home.


    --------------------------------------------------------------------------------
    STARLIGHT ON THE RAILS
    (Bruce Phillips)

    I can hear the whistle blowing
    High and lonesome as can be
    Outside the rain is softly falling
    Tonight its falling just for me

    Looking back along the road I've traveled
    The miles can tell a million tales
    Each year is like some rolling freight train
    And cold as starlight on the rails

    I think about a wife and family
    My home and all the things it means
    The black smoke trailing out behind me
    Is like a string of broken dreams

    A man who lives out on the highway
    Is like a clock that can't tell time
    A man who spends his life just rambling
    Is like a song without a rhyme


    --------------------------------------------------------------------------------
    ALL USED UP
    ( U. Utah Phillips)

    I spent my whole life making somebody rich
    I busted my ass for that son of a bitch
    He left me to die like a dog in a ditch
    And told me I'm all used up

    He used up my labor, he used up my time
    He plundered my body and squandered my mind
    Then he gave me a pension, some handouts and wine
    And told me I'm all used up

    My kids are in hock to a god you call Work
    Slaving their lives out for some other jerk
    And my youngest in 'Frisco just made shipping-clerk
    He don't know I'm all used up

    Some young people reach out for power and gold
    And they don't have respect for anything old
    For pennies they're bought, for promises sold
    Someday they'll be used up

    They use up the oil, they use up the trees
    They use up the air and they use up the seas
    But how about you, friend, and how about me
    What's left, when we're all used up

    I'll finish my life in this crummy hotel
    It's lousy with bugs and my God, what a smell
    But my plumbing still works and I'm clear as a bell
    Don't tell me I'm all used up

    Outside my window the world passes by
    It gives me a handout, then spits in my eye
    And no one can tell me, 'cause no one knows why
    I'm still living, but I'm all used up

    Sometimes in a dream I sit by a tree
    My life is a book of how things used to be
    And the kids gather 'round and they listen to me
    They don't think I'm all used up

    And there's songs and there's laughter and things I can do
    And all that I've learned I can give back to you
    And I'd give my last breath just to make it come true
    And to know I'm not all used up

    They use up the oil, they use up the trees
    They use up the air and they use up the seas
    But as long as I'm breathing they won't use up me
    Don't tell me I'm all used up

    @aging @work

    Nevada Jane
    I've been told that I'm wrong about this song. I don't know whether I am or not, since Bill Haywood, who was with the Western Federation of Miners and was the first Secretary-Treasurer of the Industrial Workers of the World, never mentioned his wife in his autobiography except very briefly, so I can't tell whether he really loved his wife or not.

    I do have stories from old-timers who tell me about when Bill Haywood was working in a mine camp, basically doing a job of de-horning. His wife, Nevada Jane, had been crippled by a fall from her pony, so she couldn't walk. Bill had a house on the edge of town, and he would carry his wife down to the railroad station every morning. She would sit there and talk to the women of the town about what they could do to help organize the town, while Bill was brawling at the bars. He'd come back at the end of the day, pick Nevada Jane up, hang one of their kids off of each shoulder, and every night you'd see him carrying the wife and kids up to the house.

    Most of the songs about labor struggles are full of loud shouting and arm-waving and thunder and rhetoric. It's good for me, every now and then, to try to take a look at the human side of it, right or wrong.

    The tune is by one of my favorite songwriters, Stephen Foster. I first heard "Gentle Annie" from Kate McGarrigle of Canada. The tune has too many wide-apart changes in it for me to sing the way Stephen Foster wrote it, so I changed it some.


    And when he stumbles in with blood upon his shirt,
    Washing up alone, just to hide the hurt,
    He will lie down by your side and wake you with your name,
    You'll hold him in your arms, Nevada Jane. (Chorus)

    Nevada Jane went riding, her pony took a fall,
    The doctor said she never would walk again at all;
    But Big Bill could lift her lightly, the big hands rough and plain
    Would gently carry home Nevada Jane.

    The storms of Colorado rained for ten long years,
    The mines of old Montana were filled with blood and tears,
    Utah, Arizona, California heard the name
    Of the man who always loved Nevada Jane. (Chorus)

    Although the ranks are scattered like leaves upon the breeze,
    And with them go the memory of harder times than these,
    Some things never change, but always stay the same,
    Just like the way Bill loved Nevada Jane. (Chorus)

    Copyright ©1973, 2000 Bruce Phillips

    Yeah, That Long Hot Summer-With Paul Newman and Joanne Woodward’s Film Adaptation of William Faulkner’s Work In Mind

    Yeah, That Long Hot Summer-With Paul Newman and Joanne Woodward’s Film Adaptation of William Faulkner’s Work In Mind 



    By Film Critic Emeritus Sam Lowell

    “Jesus Christ, our Lord and Savior, have things gone to hell in a handbasket now that old Will Varner has gone to meet his maker, has gone to the shades, the shades of hell most likely” shouted Jefferson Baker out across the length of Varner’s General Store where he was the manager of just one of the late Will Varner’s enterprises in the holy of holies town of Frenchman’s Bend, which might have well have been called Varner’s Bend since every civil institution, and some not so civil like Minnie Littlejohn’s high class whorehouse on the edge of town, had the Varner brand attached to it some which way. (That whorehouse by the way Varner’s most lucrative business after the cotton fields, after that best 28,000 acres of sweet Mississippi bottomland in the great state of Mississippi and run by Minnie, his sweetie before he passed away although they never did get married like she was always badgering him to do, so everything was on the up and up except maybe the whores).

    Jefferson Baker was doing all that confounded yelling in the direction of one Johnny Hodges from the American Literary Gazette who was in Frenchman’s Bend to do a story on the Varner legacy since Varner had been the real life redneck landowner model for some of the short stories that his old friend William Faulkner had done before he had hung up his shingle. (Between themselves ever since undergraduate days at Oxford, Oxford, Mississippi the home of the state university not the other one over in England or someplace like that they were Will and Hod but here William and Johnny will do.). Johnny was looking for background about how a low-rent redneck like Will Varner was able to hoodwink everybody in that part of the state, in that bottomland blessed county into acknowledging him as the leading figure. The leading figure as against what he, Varner, and maybe William too when he was creating his off-beat oafish characters, the “decaying gentry” that had run the county and state since about Robert E. Lee’s surrender.              

    That part of the story, that fly-catching the old staid rabble gentry was not some much what interested Johnny since William had pretty much covered those bases in his works wand which when all was said and done was a pretty straight story of a grizzled upstart grabbing those decaying gentry by the balls and squeezing them in the only way they understood trading their lands for leisure time money, but about the guy who inherited all those acres and the town’s major enterprises. That would be one Ben Quick who had had the sense to marry Will’s schoolmarm daughter, Miss Clara always called Miss Clara even long after she was married. Had by guile and wit shut out Will’s legitimate son, Jody, who was essentially an emotional cripple who couldn’t keep up the pace that Will and later as Ben took over more and more of the day to day running of the operations were able to keep up. Didn’t have that merciless mercenary take no prisoners and let the devil take the hinter post as he himself in his more candid if increasingly drunken moments would weep out to anybody who would listen, including his disgusted father.

    The mention of the name Ben Quick, now his boss, by Johnny sent Jefferson Baker into spasms of shuttled speech, “That barn-burner, that bastard barn-burner and son of a barn-burner taking over is the end, is the end of whatever Will Varner had put together. You know Ben’s old man, Shep Quick, got killed one reckless night when he got caught with a can of kerosene going after Bill Monroe’s barns when Bill wouldn’t give him some payment for some service that he had never provided. If you interview Ben don’t tell him I told you what happened to the old man. Don’t tell him that it was Will Varner, and a lot of the rest of us acting as his posse, sent him to the shades, shades of hell, maybe Will and Shep will meet there. Kind of some kind of justice when you think a minute. That was long ago and Ben’s wife, Miss Clara, you know Will’s schoolmarm daughter, told me one time when she was helping me with inventory that Ben had told her one night when he had been unjustly accused of being an active barn-burner that Ben’s father, Shep, just up and left, maybe with a woman, maybe with just a jug of fuel, never to return leaving a wife and seven kids to be cared for. That won’t add anything to your story and I and every other person in town who either knew, or was there when they shot him down like a rabid dog will deny that story was true. So just know that maybe longing for his long lost old man or something like that, you with your book-learning may know what ailed him better than I do, was part of what made Ben tick, made him hungry to get out from the rushes.”     

    Johnny told Jefferson that he would not betray a confidence and that he, Johnny had a feeling that Ben’s rise had a lot more to do with him being a chip off of old Will Varner’s block, a ruthless wheeler-dealer and cutthroat artist than any misanthropic gasoline genes his old man left him.    

    Jefferson continued, “You know it was Jody Varner, Will’s legitimate son and ne’er do well who kept Ben in Frenchman’s Bend, kept a known barn-burner known far and wide by anybody paying attention from across the county on our doorsteps. Will had been away in Jackson the first time they found cancer in his bloated festered body and Jody had been left in charge when Ben came walking up to the door looking for a place to work. Smartass Jody figured the guy looked like he was from hunger, looked like a million other drifters when it came right down to it and offered him a shack as a tenant farmer for the Varner estates. Ben accepted although he probably already had a good idea that this Jody was a light-weight, maybe a mommy’s boy from the look of it all dressed up like a sportsman and displacing him would be merely a matter of time and circumstances. When the old man, when Will got home, home amid all this damn fanfare like he was the Pharaoh back in Egypt times he blew his top at Jody. Made him feel about two inches tall in front of his wife, this lustrous Eula who I will talk about more later and his big sister Clara, you know the schoolmarm, the local ice queen if you wanted to know the truth back then.”              

    “But I will say this for Will, a contract’s a contract even if Jody and Ben only shook on it and he let Ben stay on after he sized him up. Maybe that sizing up time is what made him think about advancing Ben’s future. The whole thing got a little mixed up probably because Will was flying by the seat of his pants. See that cancer business, that dying business when it came right down to it since that cancer eventually did get him scared Will silly. Got him suddenly looking for heirs, grandkids who would keep the Varner name going to infinity in Mississippi and maybe beyond you never know with these wheeler –dealer types. So Clara not being married and with no grands kids in the background he was placing his bet, maybe a series of bets, on this Ben Quick. You might ask about Jody at this point. Jody and that hot little number of a wife of his, that Eula who had the sweetest walk this side of the Mississippi if you know what I mean.” Baker insinuated with the beginning of a big ass leer like guys get when their thoughts turn to luscious little pieces of the Sunflower state, maybe anywhere, any state.   

    Putting that leer aside when Johnny formally failed to recognize lecherous look Baker continued, “One day she just showed up with Jody after he had gone to Jackson on some family business and he told the old man that he/they had gotten married. The old man for a while was tickled pink, was expecting to see those grandchildren and his legacy pushed forward. But I guess Jody for all his sexual appetites and playboy manners was shooting blanks, had no spunk, maybe really was a mommy’s boy in all departments although it would not have suited Will Varner to have his boy called a “sissy,” maybe be light on his feet and so nobody called him anything but Will Varner’s boy to his face or behind his back. But you can see where a young blue-eyed stud like Ben Quick, barn-burner pedigree or not, came prancing around that Will started to get ideas, started planning something.”

    “Hey, I said I would mention Eula and I will now. Like I said that young Jody Varner picked her up out of some whorehouse or something on one of his sprees to Jackson, maybe I have it wrong and it was New Orleans. Get this though they were for public consumption they were prancing her around as a product of Miss Farmer’s Boarding School over in Vicksburg. Everybody who got one look at her, one watch through of that divine ass walk knew she hadn’t been within ten miles of a boarding school except maybe to give the boys a treat or two. For a while things were okay, Jody and Eula I heard spent most of their time up in their bedroom. Will was pleased as punch assuming that they were sweating on the satin sheets, on his satin sheets, enough to produce that first grandson Will forever dreamed of to insure what he called his immortality. I wish I could convey the way he dragged that word out like it was a feast day celebration. But I guess Jody was shooting blanks because after a while Eula never produced the bump associated with child production. That is when the young boys started showing up in the heat of the night calling her name and driving Jody to distraction. Before long word started seeping around, hell I learned about it from my son who claimed he had been one of her victims, that Eula was taking the youngsters out back after Jody went to bed and showing them what was what. “Playing the flute” my son said she called it so you know she was well-versed in all the sexual arts probably did do some time in a finishing school, some high-end whorehouse. Will found out about it from the guys hanging around the porch of the Varner General Store but by then he had given up on Jody’s prowess to produce an heir, had always thought that his late wife Emma had turned Jody into a mommy’s boy anyway, and had moved on in his planning to Miss Clara, to his ice cold but smoldering inside daughter to grab some young stud and do his magical work for him.

    “Of course getting an ice queen off her high moral and idealistic horse long enough to take the measure of a man, to take what a man was built to give, was no simply chore, especially since for some reason she had since high school  lammed onto Alan, Alan Winter, the son of what Will always laughing called one of the “decayed gentry” family without a pot to piss in who had been living off parsimony since Grant came through on his way to Vicksburg town and some Winter freed all his slaves shaking in his boots that he would be executed by the Yankees if he didn’t. So the story went. Will had this Alan figured as more than just a mommy’s boy, had him figured as “light on his feet,” a fairy and that Miss Clara, Sister his pet name for her was wasting her time pursuing a guy who probably was sneaking off to New Orleans to see what the young studs were up to when they came into port off the ships and freighters.                         

    “Then almost out of the blue, almost like manna from heaven tainted, threadbare, bedraggled Ben Quick came waltzing down the road after having been thrown out of more towns in the county than you could shake a stick at. Sometimes for just lighting a cigarettes if the town fathers were a bit high strung and nervous. But Will saw something, correctly saw something in Ben like himself. A young man from hunger.” 

    Johnny knew from his own observations around that time what those hungers meant to a lot of young men freshly back from the war, from World War II, after they had had their paths altered for a while, or twisted a bit. At just that moment he wished that he could converse with the “ghost” of William who could tell him what it was like for guys like Will Varner to come out of the mud and slime sometime after the First World War and stake claim to whatever they could stake claim to. Then he might get a handle on what Will had seen in Ben’s steely-blue eyes. Maybe it was something in the genes and he could then just sit at William’s feet and get the lowdown on Will and transfer those qualities to Ben. What he sensed of Ben from Jefferson’s description of the rise of one Ben Quick in the local scene was that whatever hurts he had received from knowing what his father was, from being a barn-burner’s son, and a fair one himself that what really drove him was the fact that he was a lot smarter, street smarter, than guys like Jody, or that faggot Alan whom he had to turn Miss Clara against if he was to make his way in the world. If he was to consume any of that unspent energy he had powerfully stored to make something of himself.

    Not having William around and depending on what Baker could tell him he was able to piece together what a new son of the South, a new Mississippi boy looking to make good, could do. Of course this New South, this new Mississippi was all about white Mississippi boys, blacks of any persuasion did not count for jack, were hoers and carriers under the strict precepts of Mister James Crow and nothing more, as William would say, need be said about those who were in the shadows, what didn’t count except to be of no account.                

    Jefferson picked up the thread of the conversation, “It was not long after Jody contracted for Ben’s tenancy that Will and Ben had had their conversation and the next thing anybody knew Ben was in turn selling untamed horses for the old man to his neighbors and had been brought into the general store to show what contempt Will had had for Jody since Jody had assumed he was the king of the store. It was around this time as well that rumors began to spread that Eula was going by the store more frequently when Jody was travelling to get goods and she was teaching Ben how to “play the flute” as they say (as if he needed any such instruction). Rumors or not, true or not, Ben knew, Will knew, as well, that some misbegotten dalliance with Eula was not going to go anywhere not matter how sweaty she got those sheets. So Ben took dead aim at Miss Clara.

    “Like I said this Miss Clara while pleasant enough to talk to as long as you were not interested in grabbing some hay with her was a serious ice queen, didn’t want to get involved with any of the local studs who would have been glad to give her tumble if only to spite Will for some grievance done to them by him. She only had eyes for this Alan, this mommy’s boy and so Ben had his work cut out for him. Those steely-blue eyes, muscular body and wavy hair wouldn’t be enough against Miss Clara’s expectations. At least that was what the speculation was after Ben Quick had foolishly spent his whole month’s pay in order to have a Miss Clara-prepared luncheon at the Sunday church social. He had outbid that sissy Alan and got to have that dainty lunch. Although just that moment she was fuming since she had wanted and expected Alan to be her lunch partner.      

    “Something, nobody is quite sure what, but something happened between Ben and Miss Clara when they went off by themselves to have the contents of that expensive luncheon basket. All anybody had heard was the pair in loud angry indecipherable shouting, then silence, then more. Somebody said it was all about Ben swearing that he was going to have Miss Clara no matter what, pursue her to the end times and her blowing his talk off as hot air. Alan, ever the gallant as good manners amount the decayed gentry dictated, went to fetch Miss Clara back from the clutches of this low-life.  A short time later Miss Clara appeared. Alone. Ever after that nobody any longer saw Miss Clara together.  A couple of months later though I noticed that Miss Clara was coming around the store more often to talk to, but mainly to stare, at Ben Quick. I heard that one night after I had gone home for the evening and Ben had shut up the store that Ben and Miss Clara had gone in that back room for a quick round of love-making.          


    “Whether that was true or not, about six months later Ben and Miss Clara were married right in the main hall of the Varner mansion with half the town in attendance. What a time, what a time. About a year later the first of the five Quick boys arrived. Shortly after the arrival of that last boy Will’s cancer did him in and ended one chapter of the Varner story. I still can’t believe that a damn barn-burner grabbed whatever there was to grab around these parts and now nobody does anything but pay hat homage to Benjamin Quick, owner of half of Frenchman’s Bend. Damn.”      

    In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-David Gilbert


  • In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-David Gilbert
     
    http://www.thejerichomovement.com/prisoners.html
     
    A link above to more information about the class-war prisoner honored in this entry.

    Make June Class-War Prisoners Freedom Month

    Markin comment (reposted from 2010)

    In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.
    That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.
    Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!
     
  • Friday, June 16, 2017

    From The Archives- Rosalie Sorrels Passes At 83-A Rosalie Sorrels Potpourri-Idaho, Cafe Lena, Childhood Dreams and Such

    *From The Archives- Rosalie Sorrels Passes At 83-A Rosalie Sorrels Potpourri-Idaho, Cafe Lena, Childhood Dreams and Such







    If I Could Be The Rain I Would Be Rosalie Sorrels-The Legendary Folksinger-Songwriter Has Her Last Go Round At 83

    By Music Critic  Bart Webber

    Back the day, back in the emerging folk minute of the 1960s that guys like Sam Lowell, Si Lannon, the late Peter Paul Markin and others were deeply immersed in (and the former two never got over since they will still tell a tale or two about the times if you go anywhere within ten miles of the subject-I will take my chances here because this notice is important) all roads seemed to lead to Harvard Square, the Village down in NYC, North Beach out in San Francisco, and maybe Old Town in Chicago. That is where names like Baez, Dylan, Paxton, Ochs, and a whole crew of younger folksingers who sat at the feet of guys like Woody Guthrie and Pete Seeger.  

    But there was another important strand that hovered around Saratoga Springs in upstate New York, up around Skidmore and some other colleges. That was Caffe Lena’s where some of those names played but also where some upstarts from the West got a chance to play the small crowds who gathered at that famed (and still existing) coffeehouse. Upstarts like Bruce “Utah” Phillips (although he could call several places home Utah was key to what he would sing about). And out of Idaho one Rosalie Sorrels who just joined her long-time friend Utah in that last go-round at the age of 83.

    The last time I saw Rosalie perform in person was back in 2002 when she performed at what was billed as her last go-round, her hanging up her shoes from the dusty travel road. She was on fire that night except the then recent death of another folk legend, Dave Von Ronk, who was supposed to be on the bill (and who was replaced by David Bromberg who did a great job) cast a pall over the proceedings. I will always remember her cover of Old Devil Time that night -yeah, give me one more chance, one more breathe. But I will always think of If I Could Be The Rain whenever I hear her name. RIP Rosalie Sorrels 




    A Folk Holiday Tradition

    An Imaginary Christmas In Idaho, Rosalie Sorrels & Friends, Limberlost Books&Records, 1999


    The first paragraph here has been used in reviewing other Rosalie Sorrels CDs in this space.

    “My first association of the name Rosalie Sorrels with folk music came, many years ago now, from hearing the recently departed folk singer/storyteller/ songwriter and unrepentant Wobblie (IWW) Utah Phillips mention his long time friendship with her going back before he became known as a folksinger. I also recall that combination of Sorrels and Phillips as he performed his classic “Starlight On The Rails” and Rosalie his also classic “If I Could Be The Rain” on a PBS documentary honoring the Café Lena in Saratoga, New York, a place that I am also very familiar with for many personal and musical reasons. Of note here: it should be remembered that Rosalie saved, literally, many of the compositions that Utah left helter-skelter around the country in his “bumming” days.”

    I do not usually do Christmas holiday-oriented CD reviews but I am on something of a Rosalie Sorrels streak after getting, as a Christmas gift, a copy of her “Strangers In Another Country”, her heart-felt tribute to her recently deceased long time friend Utah Phillips. Thus, in the interest of completeness I will make some a couple of comments. I will skip the obvious Christmas-oriented material here, although the spirit of anti-Christmas at least as the CD unfold is ‘in the air’ on this CD, including a little send-up of the old yuletide season by the above-mentioned Brother Phillips (“Jingle Bells’- Phillips style). The core of this presentation is the alternative take on the various traditions of Christmas out in Idaho (“The Fruitcake” and “Christmas Eve” , out in Minnesota (“Just A Little Lefse”)and among those who live a little closer to the edge of society (“Winter Song” and Grandma”), like Rosalie and her friends.

    I need not mention Rosalie’s singing and storytelling abilities. Those are, as always, a given. I have noted elsewhere that Rosalie and the old curmudgeon Phillips did more than their fate share of work in order to keep these traditions alive. Old Utah handled the more overtly political phase and Rosalie, for lack of a better expression, the political side as it intersected the personal phase. That is evident here, especially in her recitation of a note and poem written by a Native American woman in response to the lingering death of her grandmother. Powerful stuff, at Christmas or anytime, and a rather nice way to come to terms with the tragedy of death that we all sooner or later face. Listen to this fine piece.

    A special note to kind of bring us full circle. My first review of Rosalie’s and Utah’s combined works together mentioned a spark of renewed recognition kindled by long ago PBS documentary about the famous folk coffee house “The Café Lena” in Saratoga Springs, New York whose owner, Lena Spenser, sheltered them at various times from life’s storms. Lena, from all reports, was something of a 'fairy godmother' to many later famous folk singers and artists when they were either down on there luck or just starting out (or both). I have my own strong ties to Saratoga, its environs and Café Lena but Rosalie’s tribute to her late friend here, “Bufana and Lena”, about the Italian version of the Santa Claus myth can stand as the signpost for what this CD has attempted to do, and what that long ago folk revival that Lena represented was trying to do as well.

    In Boston (Everywhere)-Build (and Nourish) The Resistance!-Introducing The Organization "Food For Activists"

    In Boston (Everywhere)-Build (and Nourish) The Resistance!-Introducing The Organization "Food For Activists" 





    *In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Patrice Lumumba Ford


  • *In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Patrice Lumumba Ford
     
     
    http://www.thejerichomovement.com/prisoners.html
     
    A link above to more information about the class-war prisoner honored in this entry.

    Make June Class-War Prisoners Freedom Month

    Markin comment (reposted from 2010)

    In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.
    That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.
    Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!
  • If I Could Be The Rain I Would Be Rosalie Sorrels-The Legendary Folksinger-Songwriter Has Her Last Go Round At 83

    If I Could Be The Rain I Would Be Rosalie Sorrels-The Legendary Folksinger-Songwriter Has Her Last Go Round At 83





    By Music Critic  Bart Webber

    Back the day, back in the emerging folk minute of the 1960s that guys like Sam Lowell, Si Lannon, the late Peter Paul Markin and others were deeply immersed in (and the former two never got over since they will still tell a tale or two about the times if you go anywhere within ten miles of the subject-I will take my chances here because this notice is important) all roads seemed to lead to Harvard Square, the Village down in NYC, North Beach out in San Francisco, and maybe Old Town in Chicago. That is where names like Baez, Dylan, Paxton, Ochs, and a whole crew of younger folksingers who sat at the feet of guys like Woody Guthrie and Pete Seeger.  

    But there was another important strand that hovered around Saratoga Springs in upstate New York, up around Skidmore and some other colleges. That was Caffe Lena’s where some of those names played but also where some upstarts from the West got a chance to play the small crowds who gathered at that famed (and still existing) coffeehouse. Upstarts like Bruce “Utah” Phillips (although he could call several places home Utah was key to what he would sing about). And out of Idaho one Rosalie Sorrels who just joined her long-time friend Utah in that last go-round at the age of 83.


    The last time I saw Rosalie perform in person was back in 2002 when she performed at what was billed as her last go-round, her hanging up her shoes from the dusty travel road. She was on fire that night except the then recent death of another folk legend, Dave Von Ronk, who was supposed to be on the bill (and who was replaced by David Bromberg who did a great job) cast a pall over the proceedings. I will always remember her cover of Old Devil Time that night -yeah, give me one more chance, one more breathe. But I will always think of If I Could Be The Rain whenever I hear her name. RIP Rosalie Sorrels