Monday, July 03, 2017

Veterans For Peace Statement on Ban and Border Wall

Veterans For Peace Statement on Ban and Border Wall

Veterans For Peace strongly condemns President Trump’s executive orders banning travelers from seven Muslim majority countries in the Middle East and North Africa, the expansion of a U.S.-Mexico border wall and the acceleration of deporting undocumented immigrants.
As veterans, we took an oath to uphold and defend the U.S. Constitution. The fundamental values we were told we risked our lives to serve, the values for which so many of our brothers and sisters rendered the ultimate sacrifice, are now facing a serious and existential threat.
The Trump administration’s implementation of hateful White Nationalism through draconian executive orders that target Muslims and ban immigrants and refugees as well as U.S. visa and green card holders, and push for an extension of the wall on the border, are betrayals of the sacrifices made by U.S. veterans.
Veterans For Peace recognizes that these orders did not happen in a vacuum, but represent a long history of racist and violent policy that has perpetuated U.S. wars across the Muslim world and horrific domestic policy that created ICE, massive immigration detention centers and a wall that already separates families. However, the Trump administration has escalated, at an alarming pace, the implementation of new dangerous measures. President Trump is moving to fulfill on the promises of his campaign that caused an upsurge of hateful sentiment in our nation and spurred a rise in fear and anger. These measures increase alienation of targeted groups, give al Qaeda and ISIL recruitment propaganda and put service members lives in increased danger. Additionally, by stopping visa and green-card immigrants from re-entering the U.S., the administration’s actions have separated families.  
These directives are politicized and weaponized hatred and further discrimination against those who are already facing increased repression and violence in this country.
Furthermore, as veterans we condemn the disregard of court decisions and the alarming tactic of reorganizing federal departments to silence anyone who disagrees. This form of censorship and squelching of views that diverge from the leaders of the Trump administration is incredibly disturbing and we fear, shows a trend that dissent or disagreement will face severe repercussions. Silencing dissenting voices ensures groupthink, leading to irrational or dysfunctional decision-making outcomes.
It is more important than ever that veterans stand up, speak out and organize to disrupt the dangerous escalation of racist and unjust policies, both at home and abroad.

Sunday, July 02, 2017

In Boston-Matisse In The Air- It Ain’t Just Cutting Out Dollies


 Matisse In The Air- It Ain’t Just Cutting Out Dollies





By Phil Larkin

Hey, I have been on the West Coast for a while so if you want to say long time no see go right ahead. While I was on the Left Coast (since we are deep into the cold civil war that my old friend and political commentator here Frank Jackman has been fuming about for the better part of the last two years and has even made a something of a believer out of non-political me) I attended a Matisse Exhibit at the San Francisco Museum of Modern Art (in a new downtown building very nice and spacious) coupled with a protégé of sorts the American artist Richard Diebenkorn. Very interesting to see the influence of the older artist on the younger before the younger man branched out on his own into more abstract expression works. (According to the captions though Diebenkorn always kept a little something of that Matisse influence right to the end of his life in 1993).

Lo and behold I no sooner get back to Boston and they are having a Matisse retrospective centered on his studio work (should be studios since he had several one patched up one due to a guy named Hitler who was eventually put paid to and none too soon). Call me nothing but an unpaid shill for the guy or maybe for the museum but you should check this out before it leaves the Museum of Fine Arts  on July 9th of this year.


(This is no foolish plea either we were supposed to go to Matisse exhibit at MoMa back in, I think, 1993 when we were on the East Coast except the day we had the tickets for it snowed like hell and we couldn’t get to New York and thereafter not before the show closed. So twenty-five years later we have an embarrassment of riches with two shows. Nice but don’t you wait.)   

To Seek A Newer World-The Trials And Tribulations Of The Non-Violence Path To Social Change -Join The Resistance

To Seek A Newer World-The Trials And Tribulations Of The Non-Violence Path To Social Change -Join The Resistance   

Frank Jackman comment:


Recently I noted in a short comment about my checkered political past concerning my very often wavering adherence to the principles of non-violent action that Anna Riley my maternal grandmother was a great believer in the social message of the Catholic Worker movement, gave great credence to the essentially non-violent social change message that leaders like Dorothy Day had to say about pursuing the course. I failed to mention then that around the old neighborhood, the Acre section of North Adamsville, the geographic fate of the working poor section, mostly Irish from “famine ships” times to “just off the boat,” most definitely mostly Catholic, that sweet Anna Riley was considered a “saint.” That saint designation provoked primarily by her ability for over fifty years to put up with one curmudgeon, and I am being kind here, named Daniel Patrick Riley, her husband and my maternal grandfather. Virtually everybody in the neighborhood, the older folks and his many local relatives, including me, had except on his deathbed and when they laid him down to rest which in Irish tradition forgives even the most wicked, had nothing but curses when his name was spoken. He was that kind of man, unfortunately.    

But dear sweet grandmother Anna was also known around the neighborhood by all except the most hardened heathen Protestants, few as they were, who had nothing but scorn for the raggedly shanty Irish, as a saint for her gentle but persistent adherence to her well-defined Christian-etched social gospel. She was always among the leaders when someone was to be evicted from one of the crummy three-decker apartment buildings for which the section in imitation of the far larger ones in the Dorchester and South Boston sections was locally famous, or infamous. Moreover when the “boyos” were on strike against the shipbuilding companies which drove the economy of the town in those days (now long gone and almost forgotten once the shipbuilders headed off-shore to cheaper labor markets leaving the Acre even poorer and less stable) Anna was the first to knock on doors to get the women and non-shipbuilding men down to the picket lines in support of the brethren. She did a million small and unacknowledged kindnesses as well but also made sure that the local authorities (they were always called the authorities, governmental, court, police around the Acre) knew when children were going to bed hungry in the land of plenty, the 1950s land of plenty.       

What drove Anna like I said was her simple but strong sense of social gospel which was derived not from the main tenets of the Roman Catholic Church (that “Roman” not necessary in North Adamsville but as I am addressing a wider audience Roman to separate from other forms of Christianity) but from her allegiance to a small group of “renegades” the Brethren of the Common Life led by old Father Joyce who was constantly in hot water with the very conservative Cardinal who presided over the Archdiocese of Boston. That old goat threaten ex-communication and perdition to anybody who adhered to such basic principles as opposition to war, charity to the poor and bedraggled, and any communal what he called communistic sensibilities ( I never did get the whole list of their principles but these general categories give an idea of what the organization was about). Hence Anna’s kinship with the old-time Catholic Workers movement.           

Hence also her very great influence over my youthful political and social formation. She never pressed the Brethren issue on me, per se, since my mother and uncles were adamantly opposed to her views and maintained a strict orthodox Roman Catholic view of the world but just being around her gave me a sense of what she was about. And as I came of age in the red scare Cold War anti-communist keep your head down and let Ike handle everything late 1950s her bromides against the craziness of the known world egged me on. Egged me on too when I began to spent more and more time at her house which was only a few blocks from my family house as my mother got to be more and more (and more) overbearing. Those were the days too when Daniel had been placed  in what today would be called an “assisted living” home and back then a rest home after he suffered a stroke. So the place was tranquility itself, a place to read stuff like the Catholic Worker which she subscribed to and other books and pamphlets put out by the Brethren and other such organizations like the Quakers            

I mentioned in that previous comment about non-violent action that in my youth, my younger days, the idea of non-violent action was not an abstract question. I was especially (and so was Grandma) impressed by   the assertive and definitely not passive non-violent lines of the black civil right movement in the South that were unfolding before my eyes  seemingly every night on television and which held great sway over me. In those days sympathy for the black civil rights struggle down South was almost non-existent in the Acre. Any sympathy even in school debating the merits of the case against Mister James Crow and its equivalent in the North was met with snarls of “n----r-lover,” or worse. (Belying the old-time leftist notion that the poor and working people have much in common no matter what race or ethnic grouping which should override everything else. Unfortunately almost the direct opposition was/is true since down there at the margins of society down there where the working poor meet the thugs, gangsters and rip-off artists it is every person for him or herself-and theirs). So very early on I had had to take a very close look at some of the trends that had developed in the struggle for human emancipation. The central debate in my mind, and remember too I was a child of the Acre as well, was about passive non-violence argued by the likes of Tolstoy or a more muscular one that was beginning to form in action down South. I gravitated toward the more muscular variety (and so did Grandma).           

Naturally direct non-violent actions in the North other than solidarity actions with the struggle down South were few and far between in those days. Mainly sit-ins around equal access to places that were supposed to serve the general public-but didn’t. I have mentioned elsewhere that my very first public political street action demonstration had been a SANE-Quaker and other religious pacifistic organizations rally at historic Park Street Station on Boston Common around the struggle against nuclear weapons in the fall of 1960 (at a time when I was also campaigning like crazy to get one of our own, Jack Kennedy, elected President, even though he was rattling the “missile gap” saber-go figure).        

In retrospective those heady days when the black civil rights movement was carrying all before it were also the heydays of my belief in creative non-violent action. The time when whatever Doctor King and the other leadership said about bowing our heads before the aggressors held me in its thrall. Although, and here is my contradiction of the time if you will, I was enamored under the spell of my maternal grandfather, that old curmudgeon Daniel Riley, an ardent Irish nationalist of the struggle in Ireland that got its modern start around Easter, 1916. Despite his gruffness and meanness I would sit by and listen as he told tales learned from cousins who had been in the 1916 fight even if at other times I avoided him like the plague. So let’s put it down that I was probably more tactically committed to non-violent actions (and under current circumstances still am with what I see of the huge disparity of forces on our side and those leveled against us-and the passive quiescence of the working populations).

The great change, maybe of emphasis, maybe of getting older and wiser, and maybe, just maybe as a result of my truncated Army career which was a watershed of sorts since that service happened during the Vietnam War (where I didn’t go although I was 11 Bravo, an infantryman but that is a story also told elsewhere). The savagery of the American government against a small but real national liberation struggle (like the British for a long time against the Irish if you want an analogy until they got noses bloody in 1916) which could not be fought any other way except under the gun led me away from even that previous total tactical acceptance of the idea that non-violent action could slay the evil dragon. And that stance has not changed much in the last forty years or so, although I wish those who can “keep the faith,” the faith of my youth, well.

An Encore -Looking For The Heart Of Saturday Night, Christ The Heart Of Any Night-Elegy For Tom Waits

An Encore -Looking For The Heart Of Saturday Night, Christ The Heart Of Any Night-Elegy For Tom Waits






From the pen of the late Peter Paul Markin who fell by the wayside, fell to his notoriously monstrous “wanting habits” accumulated since childhood looking too hard, looking to hard in the wrong places down among the weeds in Mexico, looking for train smoke and dreams if you really thought about the matter, looking for his own heart of Saturday night-RIP, Brother,RIP.     

****** 


If you, as I do, every once in a while, every once in a while when the norms of today’s bourgeois-driven push, bourgeois a better term than capitalist or imperialist if you are in America since it gives a better view of the unhindered social norms, the ethos rather than the sheer grab for filthy lucre; you know grab goods, grab the dough, grab every cheap-jack convenience like it was God’s own gold, grab some shelter from the storm, the storm that these days comes down like a hard rain falling, to get ahead in this wicked old world have to step back and take stock, maybe listen to some words of wisdom, or words that help explain how you got into that mess then you have come to the right address, the address of Mister Tom Waits if you missed the headline or missed who is writing this thing. (Or better "wrote" since this piece is being edited posthumously by Zack James who found this and three companion pieces in the attic of Josh Breslin's Olde Saco family house in Olde Saco, Maine when they were looking to dispose of whatever could be disposed of in preparation for selling the place so Josh and Lana could move into smaller quarters and Josh told him the long and at the end the sad story about Josh's and Markin's meeting out in San Francisco in the summer of love 1960s times and about Markin's awful fate down in Mexico. That story drove Zack to the editing job in order that a genuine mad monk writer could some forty years after his death receive a small recognition of his ambitious talent.) 


Okay, okay on that bourgeois-driven today thing once I describe what was involved maybe it didn’t just start of late. Maybe the whole ill-starred rising went back to the time when this continent was, just like F. Scott Fitzgerald said way back in the 1920s when he made up the Jazz Age and reeled back in dismay once he saw how those coupon-clippers devoured all good sense and sober ethos, just a fresh green breast of land eyed by some hungry sailors, some hungry Dutch sailors who took what they wanted back the homeland and made a grave attempt to fatten their own chests. Just check out any Dutch master painting to see what I mean.


Going back to Calvinist Puritan avenging angels times with John Winthrop and the Mayflower boys and their city on the hill but you best ask Max Weber about that since he tried to hook these world-wise and world weary boys were no longer worrying about novenas and indulgences against some netherworld to the wheel of the capitalist profit. Profit (grab the dough, grab the goods, grab stuff cheap) for "you at the expense of me" system with the new dispensation coming out like hellfire from Geneva and points east and west. The eternal story of the short end of the stick if you aren’t ready for sociological treatises and rely on guys like Tom Waits to wordsmith the lyrics to set you right about what is wrong. But you get the point.


If all that to-ing and fro-ing (nice touch, right) leaves you wondering where you fell off the edge, that edge city (edge city where you danced around with all the conventions of the days, danced around the get ahead world, grab the dough, grab the goods, grab stuff cheap,  with blinkers on before you got stuck in the human sink that you have still not been able to get out of) where big cloud outrageous youthful dreams were dreamt and you took risks, damn did you take risks, thought nothing of that fact either, landed on your ass more than a few times but just picked yourself up and dusted your knees off and done stick around and listen up. Yeah, so if you are wondering,  have been pushed off your saintly wheels, yeah, pushed off your sainted wheels, and gotten yourself  into some angst-ridden despair about where you went off that angel-driven dream of your youth, now faded, tattered, and half- forgotten(but only half, only half-forgotten, the wisp of the dream, the eternal peace dream, the figuring out how to contain that fire, that wanting habits fire in your belly dream sisters and brothers), and need some solace (need some way to stop the fret counting the coffee cups complete with spoons to measure that coffee out as the very modernist poet once said making his modern statement about the world created since the turn of the 19th century that while away your life). Need to reach back to roots, reach back to roots that the 1950s golden age of America, the vanilla red scare Cold War night that kicked the ass out of all the old to make us crave sameness, head down, run for cover, in order to forget about those old immigrant customs, made us forget those simple country blues, old country flames, Appalachia mountain breeze coming through the hills and hollows songs, lonely midnight by the fire cowboy ballads, Tex-Mex big ass brass sympatico squeezes Spanish is the loving tongue, Irish desperate struggles against John Bull  sorrows and cautionary tale Child ballads, plucked out early by a professor over on Brattle Street back when the Brahmins very publicly ruled the roost, or Cajun Saturday night stewed drunks that made the people feel good times, reach back to the primeval forest maybe, put the headphones on some Tom Waits platter [oops, CD, YouTube selection, etc.- “platter” refers to a, ah, record, vinyl, put on a record player, hell, look it up in Wikipedia, okay-Zack James] and remember what it was like when men and women sang just to sing the truth of what they saw and heard.


If the norms of don’t rock the boat (not in these uncertain times like any times in human existence were certain, damn, there was always something scary coming up from the first man-eating beast to the human race-eating nuclear bombs, brother even I Iearned early that it was a dangerous world, yeah, learned very early in the Adamsville projects where you got a very real taste of danger before you got too much older than five or six), the norms of keep your head down (that’s right brother, that’s right sister keep looking down, no left or rights for your placid world), keeping your head down being an art form now with appropriate ritual (that ritual looking more and more like the firing squad that took old Juan Romero’s life when he did bad those days out in Utah country), and excuses, because, well, because you don’t want to wind up like them (and fill in the blank of the “them,” usually dark, very dark-skinned like some deathless, starless night disturbing your sleep, begging, I swear, begging you to put that gun in full view on the table, speaking some unknown language, maybe A-rab or I-talian, maybe gibberish for all you know, moving furtively and stealthily against your good night) drive you crazy and you need, desperately need, to listen to those ancient drum beats, those primeval forest leave droppings maybe, that old time embedded DNA coda long lost to, oh yes, civilization, to some civilizing mission (think of that Mayflower gang and that fresh green breast of land  and that city on a hill that drove them cross-eyed and inflamed or ask Max Weber, he footnoted the whole thing, put paid to any idea of otherworldly virtue), that spoke of the better angels of your nature when those angel dreams, half-forgotten but only half-forgotten remember, ruled your days. Turn up the volume up another notch or two on that Tom Waits selection, maybe Jersey Girl or Brother, Can You Spare A Dime (can you?), Hold On, or Gunn Street Girl.


If you need to hear things, just to sort things out, just to recapture that angel-edge, recapture the time when you did no fear, you and everybody else’s sisters and brothers, that thing you build and from which you now should run, recapture that child-like wonder that made you come alive, made you think about from whence you came and how a turn, a slight turn this way or that, could have landed you on the wrong side of the fence. And I have the list of brothers and sisters who took that wrong road, like that time Jack from Carver wound up face down in some dusty back road arroyo down Sonora way when the deal went bust or when she, maybe a little kinky for all I know, decided that she would try a needle and a spoon, I swear, or she swore just for kicks and she wound up in Madame LaRue’s whorehouse working that sagging bed to perdition and worse losing that thing she had for sex once she started selling it by the hour. Hey, sweet dreams baby I tried to tell you when you play with fire watch out.


So if you need to sort things out about boozers (and about titanic booze-crazed struggles in barrooms, on beaches, in the back seats of cars, lost in the mist of time down some crazed midnight, hell, four in the morning, penniless, cab fare-less night), losers (those who have lost their way, those who had gotten it taken away from them like some maiden virginity, those who just didn’t get it frankly in this fast old world taken in by some grifter’s bluster), those who never had anything but lost next to their names, those who never had a way to be lost, dopesters inhaling sweet dream snow in solitary hotel rooms among junkie brethren, gathering a needle and spoon in some subterranean dank cellar, down in dark alleys jack-rolling some poor drunk stiff out of his room rent for kicks (how uncool to drink low-shelf whiskeys or rotgut wines hell the guy deserved to be rolled, should feel lucky he got away with just a flipped wallet), out in nighttime canyons flame blaring off the walls, the seven seas of chemical dust, mainly blotter, maybe peyote (the sweet dreams of ten million years of ghost warriors working the layered canyon walls flickering against the campfire flames and the sight of two modern warriors shirtless, sweaty, in a trance, high as kites, dancing by themselves like whirling dervishes   ready to do justice for the white man's greed until the flames flickered out and they fell in a heap exhausted) if that earth angel connection comes through (Aunt Sally, always, some Aunt Sally coming up the stairs to ease the pain, to make one feel, no, not feel better than any AMA doctor without a prescription pad), creating visions of long lost tribes trying, trying like hell, to get “connected,” connected in the campfire shadow night, hipsters all dressed in black, mary mack dressed in black, speeding, speaking be-bop this and be-bop that to stay in fashion, hustling, always hustle, maybe pimping some street urchin, maybe cracking some guy’s head to create a “new world order” of the malignant, always moving, fallen sisters (sisters of mercy, sisters who need mercy, sisters who were mercifully made fallen in some mad dash night, merciful sister feed me, feed me good), midnight sifters (lifting in no particular order hubcaps, tires, wrenches, jacks, an occasional gem, some cheap jewelry in wrong neighborhoods, some paintings or whatever is not saleable left in some sneak back alley, it is the sifting that counts), grifters (hey, buddy watch this, now you see it, now you don’t, now you don’t see your long gone John dough, and Mister three card Monte long gone too ), drifters (here today gone tomorrow with or without dough, to Winnemucca, Ogden, Fresno, Frisco town, name your town, name your poison and the great big blue seas washing you clean out into the Japan seas), the drift-less (cramped into one room hovels, shelters, seedy rooming houses, hell, call them flop houses, afraid to stay in-doors or to go outside, afraid of the “them” too, afraid to be washed clean, angel clean), and small-time grafters (the ten-percent guys, failed insurance men, repo artists, bounty hunters, press agents, personal trainers, need I go on). You know where to look, right.


If you need to be refreshed on the subject of hoboes, bums, tramps (and remind me sometime to draw the distinction, the very real and acknowledged distinction between those three afore–mentioned classes of brethren once told to me by a forlorn grand master hobo, a guy down on his luck moving downward to bum), out in the railroad jungles in some Los Angeles ravine, some Gallup, New Mexico Southern Pacific  trestle (the old SP the only way to travel out west if you want to get west), some Hoboken broken down pier (ha, shades of the last page of Jack Kerouac’s classic), the fallen (fallen outside the gates of Eden, or, hell, inside too), those who want to fall (and let god figure out who made who fall, okay), Spanish Johnnies (slicked back black hair, tee shirt, shiv, cigarette butt hanging from a parted lip, belt buckle ready for action, leering, leering at that girl over there, some gringa for a change of pace, maybe your girl but watch out for that shiv, the bastard), stale cigarette butts (from Spanish Johnnie and all the johnnies, Camels, Luckies, no filters, no way), whiskey-soaked barroom floors (and whiskey-soaked drunks to mop the damn place up, for drinks and donuts, maybe just for the drinks), loners (jesus, books, big academic books with great pedigrees could be written on that subject so let’s just let that one pass by), the lonely (ditto loners), sad sacks (kindred, one hundred times kindred to the loners and the lonely but not worthy of study, big book academic study anyway), the sad (encompassing all of the above) and others at the margins of society, the whole fellahin world (the big mass of world sweated field braceros, sharecroppers, landless peasants and now cold-water flat urban dwellers fresh from the played out land, or taken land) then Tom Waits is your stop.


Tom Waits is, frankly, an acquired taste, one listen will not do, one song will not do, but listen to a whole record [CD or download okay-Zack] and you won’t want to turn the thing off, high praise in anyone’s book, so a taste well worth acquiring as he storms heaven in words, in thought-out words, in cribbed, cramped, crumbled words, to express the pain, angst and anguish of modern living, yes, modern living.


See he ain’t looking for all haloed saints out there, some Saint Jerome spreading the word out to the desert tribes, out on the American mean streets he has pawed around the edges, maybe doesn’t believe in saints for all I know, but is out looking for busted black-hearted angels all dressed in some slinky silk thing to make a man, a high-shelf whiskey man having hustled some dough better left unexplained that night going off his moorings feeding her drinks and she a liquor sponge (who left him short one night in some unnamed, maybe nameless, gin mill when she split, after she split her take with the bartender who watered her drinks, hell, the thing was sweet all she needed to do when he leaned into her was grab his sorry ass and get the damn wallet). Looking too, a child of the pin-up playboy 1950s, for girls with Monroe hips (hips swaying wickedly in the dead air night, and enflaming desire, hell lust, getting kicked out of proper small town hells by descendants of those aforementioned Mayflower boys for promising the world for one forbidden night), got real, and got left for dead with cigar wrapping rings. Yeah, looking for the desperate out there who went off the righteous path and wound up too young face down in some forsaken woods who said she needed to hold on to something, and for all the misbegotten. 



Tom Waits once you get the habit gives voice in song, a big task, to the kind of characters that peopled Nelson Algren’s novels (The Last Carousel, Neon Wilderness, Walk on the Wild Side, and The Man with the Golden Arm). The, frankly, white trash Okie/Arkie Dove Linkhorns and Frankie Machines of the world who had to keep moving just for the sake of moving something in the DNA driving that whirlwind, genetically broken before they begin, broken before they hit these shores (their forbears thrown out of Europe for venal crimes and lusts, pig-stealing, deer-pouching, working the commons without a license, highwaymen, ancient jack-rollers, the flotsam and jetsam of the old world, damn them, the master-less men and women, ask old Max about them too), having been chased out, cast out of Europe, or some such place. In short, the people who do not make revolutions, those revolutions we keep hearing and reading about, far from it, the wretched of the earth and their kin, the ones who the old blessed Paris communards were thinking of when they hanged a sign saying “Death to Thieves” from the Hotel de Ville balcony, but those who surely, and desperately could use one. If you want to hear about those desperate brethren then here is your stop as well.


If, additionally, you need a primordial grizzled gravelly voice to attune your ear to the scratchy earth and some occasional dissonant instrumentation to round out the picture go no further. Hey, let’s leave it at this- if you need someone who “feels your pain” for his characters you are home. Keep looking for the heart of Saturday night, Brother, keep looking.

Send A Donation To Veterans For Peace-Exposing The Cost Of War Since 1985-Now Is The Time To Join The Resistance

Send A Donation To Veterans For Peace-Exposing The Cost Of War Since 1985-Now Is The Time To Join The Resistance   









Out In Waldo’s World-Every Man’s World-With The Film Laura In Mind

Out In Waldo’s World-Every Man’s World-With The Film  Laura In Mind







By Bart Webber




My old friend Sam Lowell, a guy married three times and who has struck out three time and now “single” (meaning he has had a long-time companion and has given up the idea of marriage although not the idea of love after three sets of alimony, child support and college tuitions, that latter category which almost broke him on the wheel) had been watching an old time film noir from the 1940s, Laura, with his own Laura, Laura Perkins, that long-time companion parenthetically mentioned above one night. A few days later after that viewing he called me up for our weekly session at Jack’s Grille and mentioned the film, knowing that I had seen it several times and consider it one of the great noirs along with Gilda, Double Indemnity, The Maltese Falcon and a few others. He said then, and we would get into more at Jack’s, a couple of nights later, that you could never figure what will drive a guy off the deep end but that six, two and even ninety-nine times out of one hundred it would be over a dame. I begged to differ with him figuring the odds more like sixty to forty on the dame reason but that only added fuel to his fire that night (that and a few too many high end scotches since he was not driving that night but staying at my place in Carver, our growing up home town down in Southeastern Massachusetts). The difference in our calculations I figured out later being that I have been with my one wife, the lovely Betsy Binstock, now for almost thirty-seven years.           


But Sam was on his high horse that night which meant that I was in for a regular slugfest, a regular barrage of chatter about Waldo, Waldo the guy who went over the edge for this dame, yeah, a dame, nice, pretty, smart, a go-getting but still a dame, this Laura, Laura Hunt in case you needed a last name. Here’s how Sam put the case, see Sam is nothing but a good country lawyer and so he saw the whole thing in terms of a case in a court of law like he was arguing for mercy for Waldo or something. Like maybe he was arguing the case for real like he would plea out Waldo on some diminished capacity foolishness just because the guy was skirt-addled.


As Sam was talking though I was putting my own two and two together about Waldo, Waldo Lydecker if you needed a last name for a skirt-addled guy although they are legion. Thinking back on the plot line that I knew well I found myself trying to figure out how did it figure that a high society guy, a well-known and syndicated newspaper columnist and radio personality, an older guy, an older single guy, an older single guy who seemed “light on his feet” if you asked me, you know seemed kind of “faggy” would tumble to this Laura from nowhere. Let this fresh breeze young thing of which there were about six million in New York City back in the day, break him. Make him do weird (unlawful things as Sam would put it) that would have him winding up facing downward on Laura’s apartment floor pledging his eternal love as the life was bleeding out of him from about six slugs of copper guns.


(Sam, by the way, who works in the court system and has to mind his Ps &Qs on sexual and ethnical stuff doesn’t like that term, those terms, faggy and light on his feet, but the old ways die hard with some of us old-time corner boys who grew up on the rough streets of the Acre in Carver and who used to while idly hanging out in front of  Jack Slack’s bowling alleys  fag bait each other just for kicks to enhance our own man-hoods, so faggy.)        


But maybe I should start at the beginning while Sam is drawing circles in the air with his hands just like if he was in the courtroom, just like he was trying the case of Waldo Lydecker vs. The State Of New York except not for murder, murder one, which what the bastard would be up for if he wasn’t lying face down in that pool of blood in that dame Laura’s apartment but for being a toy for some perfidious dame. See Waldo was like I said a big time newspaper and radio guy, knew everybody who counted in New York and Washington high society, had “drag” in all the right places as my old Irish grandfather would say. Also knew all the secret vices, and some not so secret, of those in the rarified air, knew that they had to treat him something like a rattlesnake with very proper kid gloves, knew they would be front and center in one of his columns, page one, if they didn’t play ball. Yes so Waldo Lydecker was not one of the world’s noblemen, was a bitch on wheels if anybody was asking around about him of late, not hopefully looking to give him a certified good conduct certificate. It was kind of funny because this guy had more dough than the King of Siam, had come from wealth, good school, good breeding the whole nine yards so you would think that being what really was a gossip columnist, a venomous one to boot would be beneath him. But guys, people are funny about their occupations and in any case the job, such as it was better than him sitting at home in palatial Westchester clipping coupons. 


Like I said before this Waldo as he aged, got to middle age, maybe a little older was nothing but a bachelor, hadn’t been seen with a real girlfriend, nothing serious anyway. So the talk around town, very discreetly around town out of his earshot, was that he was either asexual, which was Sam’s take on the matter, some guys are like that, maybe so hung up on their mothers that no young dame could ever be good enough for them. Maybe something got lost in the genes, something about attraction to any human relationship except to hit hard at weak points. So no women, except he obvious mixing at his lavish parties, you know ornaments. You know my take already, my position that he was gay, maybe unconsciously, maybe he was hiding some guy, some fag, out in some apartment far from the high end crowd you never know. Yeah, I liked that take although Sam in one of his more compromising moments wished I would just call him effete and let it go at that. Like effete didn’t mean in high tone language noting but fag. I’ll stick with my old time corner boy expression if you please, an expression that Sam was as likely to use in the old days as I was-if anybody is asking.                 


So everybody was surprised when Waldo started being seen around the clubs, the swanky clubs like the High Hat where the jazz was be-bop, the drinks expensive and exotic and the smoke thick and the White Note where the younger crowd hung out where the smoke was scented, was dope no question dope, tea, hemp, ganja, to appease this Laura twist. But you could tell he was out of his element there in that latter place, that Jimmy Jones’ be-bop band with Milt Rosen blowing heavenly high white notes off the cuff ruled the night not him. No question this Laura was a looker, a long tall brunette with those bright eyes and sulky lips that guys went big for then and guys while not going big for now looking for thin hipless dames with sneers these day could appreciate, could see even an effete guy taking a run at even if just to have as a trophy, or cover against that so-called discreet talk among the high society types about his sexual habits (like a snoop like Waldo wasn’t “connected” into that talk by a thousand snitches looking to keep their own hijinks out of the front page and off the air).        


The story Waldo told about their meeting, their fateful meeting, take it for what it was worth after all that really happened, after he wound up face down and very dead, was that Laura had purposely gone to his table at his favorite lunch place (and daytime watering hole), Matty’s on 54th Street across from the newspaper, and “accosted” him, that was his word, had pestered him about endorsing some product, a pen. See this Laura was nothing but a runt one of thousands, no, what did I say before, millions, of young women trying to get ahead in the advertising racket, any New York City racket, which is why young women, smart young women went to New York City from Buffalo, Cleveland, Eire, hell, maybe the wheat fields of Kansas too, to grab fame and fortune in one of the few serious upward mobile jobs for aspiring college graduates. Or just gals with big dreams and some talents other than hitting the silky sheets.


This is the oddest part. He blew her off, treated less graciously than some six year old brat for disturbing milord’s solo lunch, but something about her got under his skin, some ancient memory of some young woman in that long gone time when he might have thought about an affair, that fatal disease that has taken all the gold of more than one man. The blood too.  Get this, get this for a guy who treated her like a wayward child Waldo eventually went to her advertising agency, signed on for the endorsement of that fucking pen. Laura’s career thereafter went through the roof, he had called in plenty of chips to get guys and gals he knew around town to throw business her way, or else.  Seeing her as a rough diamond, obviously not from his class, maybe even then as a tramp with big “wanting habits” you never know about the Waldos of the world and what drives them, although the smitten part is easy to explain, he taught her a few things about style and poise, style and poise as interpreted by high society just then. That was the fluff part, the public story.  


Who knows what the real deal was. Sam’s lamo theory about mother fixation, or mother dread is okay for okay country lawyers if they have to defend some geek in court but that angle seems to have been worked to death and I wouldn’t want to have to throw that to a jury but since I am merely a retired printer and not a lawyer I don’t have to worry about that. Hell, the obvious is that she was damn good-looking woman and that was that. Maybe it was the long hair that always made every hat she wore in the days when women went in for serious hats for fashion and not utility look just right, maybe it was those sullen lips showing slightly parted pearly white teeth, hell, maybe it, like a for a billion guys since Adam and maybe before, was the sandalwood scent she gave off, that latter would be the downfall of more than one man. But he was hooked on her, hooked as bad as a guy who couldn’t express such thoughts in public could be, it was just not done in high society, could be hooked on a dame (of course a guy like Waldo wouldn’t dream of calling a woman a dame, a frail, a frill, a twist, names we used back in the day but like I said before the old ways die hard with some guys like me). 


Here’s the funny thing, here’s where the old guy, young dame problem comes in, or maybe just Waldo’s whole freaking silly upbringing, he never had sex with her, never went under the downy billows with her which is the way Tom Wolfe put how the upper crust likes to call “hitting the satin sheets.” The thing was strictly platonic with the unspoken proviso (Sam’s word not mine) that she was his “property.” Waldo’s alone. 


That didn’t play very well with Laura. Didn’t play well with a young lustrous sexy woman like Laura who had big sexual appetites, liked men, and lots of them as any young pretty woman who was grabbing lots of attention from the young bucks would. (All the sex stuff as per usual in 1940s films was either off the film or just implied but even a goof like Sam could read between the lines that Laura was a sexual being. Hell, one night, no, one very early morning, wacko Waldo in a fit “stalked” her apartment on West 56th Street as one young buck, Jack Jacobs the well-known painter came strolling out the front door of the building looking a little the worse for wear.) Waldo was forever shooing guys away and as quickly as Laura, on Waldo’s fatherly, to her, recommendation would ditch one guy another guy would pop up. That went on for a while and Waldo, for his own nefarious reasons, thought he was home free. That Laura was all his.         


Then the roof caved in. Laura got caught up with this guy Shelby, a ne’er do well, a guy from decayed Southern stock, meaning he was broke and living off of women, living off of Laura’s aunt who liked the idea of a “kept” man, liked a young stud around and could afford the freight. Problem was Shelby like many another guy wanted to be around some young tail (ass) and so despite his “kept” status with the aging and demanding aunt he made a run at Laura, got her to the stage where marriage might be in the air. Got her to give him a job at her ad agency where he actually flowered, brought some fresh light into the office. Bad move, bad move on Laura’s part even thinking about marriage to a gigolo like Shelby. That is when Waldo’s wheels started coming off, when his better judgment took a back seat to his unspoken lust for Laura. He tried to kill her, shoot her dead with a shotgun in her own apartment, the place which would be his final resting place if he had only been prophetic rather than blood-lustful. Problem though was Laura was not there that night of the murder, had been upstate at a cozy country retreat thinking things through about the possibilities of marriage to Shelby. When everything came out later, much later, the girl who was killed had been one of Laura’s models at the ad agency, a model whom Shelby was playing footsies with. Some guys, guys like Shelby, never change, never get off the wagon even when easy street beckons (and that silly aunt was still ready to move heaven and earth to get his silly ass back in her crib under the principle that birds of a feather flock together-he was a tramp and she was too so comingle their tainted blood.)         


Well murder most foul done by gigolos, deadbeats, mass murderers, ”hit” men or the lovelorn has to be investigated, especially in the high rent district. Most especially in the high rent district after all what the hell were they paying the public coppers for anyway. So they put crackerjack homicide detective Mark, Mark McPherson, on the case. Oh yeah a young, good-looking, didn’t miss a trick, knew the means streets as well as the leafy streets to look closely, very closely into the Laura Hunt murder. Naturally he got nothing but the backs of their hands from the Mayfair swells, got nothing but grief and snide remarks from old Waldo who I will say held himself together during the critical hours and days when McPherson was putting the screws to the case, was giving everybody his cool modern scientific detective shifting through all the evidence routine. Stayed cool enough and cagey enough to throw a big shadow over Shelby as the fall guy. And why not he had been playing footsies with that foxy model right in Laura’s apartment. Yeah, I admit I liked him for it, liked him a lot when McPherson turned the screws on. Didn’t like that he was two-three, who knows how many timing Laura, with the poor dead model even the old battle ax aunt and who knows who else. Such guys as Shelby in the old neighborhood as Sam would be the first to tell you would be tailor-made for the big step-off and nobody except some poor old bedraggled mother would shed tear one for such a guy. And that is a fact.                


Then to break up the monotony of the run-down murder case getting kind of cold by the minute and to ruin my theory about Shelby as the fall guy who pops back into the picture. Laura. That’s when everybody found out that the dead girl was the model at Laura’s agency (conveniently her face had been blown off by the shotgun blast so the initial identification of Laura as the victim had been based on the very important circumstantial evidence that late at night the woman opening the door to Laura’s apartment would be, well, Laura). Waldo held up even through all of that as Sam will admit if less than gladly for his bogus love-addled insanity bit. Like I said before Laura was upstate thinking stuff through around a possible marriage to Shelby and nobody thought anything of it once she resurfaced. Still there was a murder to be solved now that the true victim was known. McPherson was still on the case, still needed to close out the case even if it now was a run of the mill model that was making the case run and not some darling of the Mayfair swells.


Waldo might have held up pretty well through all of that, might have slide through to old manhood but he flipped out when he sensed that the tramp, Laura of his dreams, what else could you call her in his effete book, was once again falling ofr any young guy in a suit, falling for Mark (and he her). Yeah, Waldo again lost his judgment rather than moving on to the cocktail circuit and forgetting about what could never be. See, and Sam in his more sober moments would have to agree, Laura had gotten deep under his skin, as deep as woman can a man who spent his whole life dishing it out and not taking it. Shelby was a non-starter for Laura and Waldo could have pieced him off easily enough but this Mark McPherson, this guy from the mean streets, from Laura’s mean streets wasn’t going to be easy to dismiss.


Here is where Sam said Waldo made his mistake, the mistake that would have made even a pretty good country lawyer like him have a hard time selling a jury that Waldo was temporarily insane, needed to go to the sicko hospital and not the death house. Waldo tempted fate one time too often (that model murder would have hit the “cold” files soon enough now that Laura was alive). He tried to kill Laura-again. No soap this time for the poor sap-he was wasted in a hail of bullets by New York’s finest. Get this though-the guy is lying face down in a pool of his own corrupted blood and his last words were of undying devotion to Laura. What a sap. Leave it to Sam to get the last word though and even I couldn’t say it better, although he said it more in sorrow than anger. Waldo Lydecker was not the first guy nor will he be the last who got all twisted around by some frail’s sandalwood scent. Maybe Sam’s 99.9 % number was not so far off after all.                   

Out In Waldo’s World-Every Man’s World-With The Film Laura In Mind

Out In Waldo’s World-Every Man’s World-With The Film  Laura In Mind






By Bart Webber




My old friend Sam Lowell, a guy married three times and who has struck out three time and now “single” (meaning he has had a long-time companion and has given up the idea of marriage although not the idea of love after three sets of alimony, child support and college tuitions, that latter category which almost broke him on the wheel) had been watching an old time film noir from the 1940s, Laura, with his own Laura, Laura Perkins, that long-time companion parenthetically mentioned above one night. A few days later after that viewing he called me up for our weekly session at Jack’s Grille and mentioned the film, knowing that I had seen it several times and consider it one of the great noirs along with Gilda, Double Indemnity, The Maltese Falcon and a few others. He said then, and we would get into more at Jack’s, a couple of nights later, that you could never figure what will drive a guy off the deep end but that six, two and even ninety-nine times out of one hundred it would be over a dame. I begged to differ with him figuring the odds more like sixty to forty on the dame reason but that only added fuel to his fire that night (that and a few too many high end scotches since he was not driving that night but staying at my place in Carver, our growing up home town down in Southeastern Massachusetts). The difference in our calculations I figured out later being that I have been with my one wife, the lovely Betsy Binstock, now for almost thirty-seven years.           


But Sam was on his high horse that night which meant that I was in for a regular slugfest, a regular barrage of chatter about Waldo, Waldo the guy who went over the edge for this dame, yeah, a dame, nice, pretty, smart, a go-getting but still a dame, this Laura, Laura Hunt in case you needed a last name. Here’s how Sam put the case, see Sam is nothing but a good country lawyer and so he saw the whole thing in terms of a case in a court of law like he was arguing for mercy for Waldo or something. Like maybe he was arguing the case for real like he would plea out Waldo on some diminished capacity foolishness just because the guy was skirt-addled.


As Sam was talking though I was putting my own two and two together about Waldo, Waldo Lydecker if you needed a last name for a skirt-addled guy although they are legion. Thinking back on the plot line that I knew well I found myself trying to figure out how did it figure that a high society guy, a well-known and syndicated newspaper columnist and radio personality, an older guy, an older single guy, an older single guy who seemed “light on his feet” if you asked me, you know seemed kind of “faggy” would tumble to this Laura from nowhere. Let this fresh breeze young thing of which there were about six million in New York City back in the day, break him. Make him do weird (unlawful things as Sam would put it) that would have him winding up facing downward on Laura’s apartment floor pledging his eternal love as the life was bleeding out of him from about six slugs of copper guns.


(Sam, by the way, who works in the court system and has to mind his Ps &Qs on sexual and ethnical stuff doesn’t like that term, those terms, faggy and light on his feet, but the old ways die hard with some of us old-time corner boys who grew up on the rough streets of the Acre in Carver and who used to while idly hanging out in front of  Jack Slack’s bowling alleys  fag bait each other just for kicks to enhance our own man-hoods, so faggy.)        


But maybe I should start at the beginning while Sam is drawing circles in the air with his hands just like if he was in the courtroom, just like he was trying the case of Waldo Lydecker vs. The State Of New York except not for murder, murder one, which what the bastard would be up for if he wasn’t lying face down in that pool of blood in that dame Laura’s apartment but for being a toy for some perfidious dame. See Waldo was like I said a big time newspaper and radio guy, knew everybody who counted in New York and Washington high society, had “drag” in all the right places as my old Irish grandfather would say. Also knew all the secret vices, and some not so secret, of those in the rarified air, knew that they had to treat him something like a rattlesnake with very proper kid gloves, knew they would be front and center in one of his columns, page one, if they didn’t play ball. Yes so Waldo Lydecker was not one of the world’s noblemen, was a bitch on wheels if anybody was asking around about him of late, not hopefully looking to give him a certified good conduct certificate. It was kind of funny because this guy had more dough than the King of Siam, had come from wealth, good school, good breeding the whole nine yards so you would think that being what really was a gossip columnist, a venomous one to boot would be beneath him. But guys, people are funny about their occupations and in any case the job, such as it was better than him sitting at home in palatial Westchester clipping coupons. 


Like I said before this Waldo as he aged, got to middle age, maybe a little older was nothing but a bachelor, hadn’t been seen with a real girlfriend, nothing serious anyway. So the talk around town, very discreetly around town out of his earshot, was that he was either asexual, which was Sam’s take on the matter, some guys are like that, maybe so hung up on their mothers that no young dame could ever be good enough for them. Maybe something got lost in the genes, something about attraction to any human relationship except to hit hard at weak points. So no women, except he obvious mixing at his lavish parties, you know ornaments. You know my take already, my position that he was gay, maybe unconsciously, maybe he was hiding some guy, some fag, out in some apartment far from the high end crowd you never know. Yeah, I liked that take although Sam in one of his more compromising moments wished I would just call him effete and let it go at that. Like effete didn’t mean in high tone language noting but fag. I’ll stick with my old time corner boy expression if you please, an expression that Sam was as likely to use in the old days as I was-if anybody is asking.                 


So everybody was surprised when Waldo started being seen around the clubs, the swanky clubs like the High Hat where the jazz was be-bop, the drinks expensive and exotic and the smoke thick and the White Note where the younger crowd hung out where the smoke was scented, was dope no question dope, tea, hemp, ganja, to appease this Laura twist. But you could tell he was out of his element there in that latter place, that Jimmy Jones’ be-bop band with Milt Rosen blowing heavenly high white notes off the cuff ruled the night not him. No question this Laura was a looker, a long tall brunette with those bright eyes and sulky lips that guys went big for then and guys while not going big for now looking for thin hipless dames with sneers these day could appreciate, could see even an effete guy taking a run at even if just to have as a trophy, or cover against that so-called discreet talk among the high society types about his sexual habits (like a snoop like Waldo wasn’t “connected” into that talk by a thousand snitches looking to keep their own hijinks out of the front page and off the air).        


The story Waldo told about their meeting, their fateful meeting, take it for what it was worth after all that really happened, after he wound up face down and very dead, was that Laura had purposely gone to his table at his favorite lunch place (and daytime watering hole), Matty’s on 54th Street across from the newspaper, and “accosted” him, that was his word, had pestered him about endorsing some product, a pen. See this Laura was nothing but a runt one of thousands, no, what did I say before, millions, of young women trying to get ahead in the advertising racket, any New York City racket, which is why young women, smart young women went to New York City from Buffalo, Cleveland, Eire, hell, maybe the wheat fields of Kansas too, to grab fame and fortune in one of the few serious upward mobile jobs for aspiring college graduates. Or just gals with big dreams and some talents other than hitting the silky sheets.


This is the oddest part. He blew her off, treated less graciously than some six year old brat for disturbing milord’s solo lunch, but something about her got under his skin, some ancient memory of some young woman in that long gone time when he might have thought about an affair, that fatal disease that has taken all the gold of more than one man. The blood too.  Get this, get this for a guy who treated her like a wayward child Waldo eventually went to her advertising agency, signed on for the endorsement of that fucking pen. Laura’s career thereafter went through the roof, he had called in plenty of chips to get guys and gals he knew around town to throw business her way, or else.  Seeing her as a rough diamond, obviously not from his class, maybe even then as a tramp with big “wanting habits” you never know about the Waldos of the world and what drives them, although the smitten part is easy to explain, he taught her a few things about style and poise, style and poise as interpreted by high society just then. That was the fluff part, the public story.  


Who knows what the real deal was. Sam’s lamo theory about mother fixation, or mother dread is okay for okay country lawyers if they have to defend some geek in court but that angle seems to have been worked to death and I wouldn’t want to have to throw that to a jury but since I am merely a retired printer and not a lawyer I don’t have to worry about that. Hell, the obvious is that she was damn good-looking woman and that was that. Maybe it was the long hair that always made every hat she wore in the days when women went in for serious hats for fashion and not utility look just right, maybe it was those sullen lips showing slightly parted pearly white teeth, hell, maybe it, like a for a billion guys since Adam and maybe before, was the sandalwood scent she gave off, that latter would be the downfall of more than one man. But he was hooked on her, hooked as bad as a guy who couldn’t express such thoughts in public could be, it was just not done in high society, could be hooked on a dame (of course a guy like Waldo wouldn’t dream of calling a woman a dame, a frail, a frill, a twist, names we used back in the day but like I said before the old ways die hard with some guys like me). 


Here’s the funny thing, here’s where the old guy, young dame problem comes in, or maybe just Waldo’s whole freaking silly upbringing, he never had sex with her, never went under the downy billows with her which is the way Tom Wolfe put how the upper crust likes to call “hitting the satin sheets.” The thing was strictly platonic with the unspoken proviso (Sam’s word not mine) that she was his “property.” Waldo’s alone. 


That didn’t play very well with Laura. Didn’t play well with a young lustrous sexy woman like Laura who had big sexual appetites, liked men, and lots of them as any young pretty woman who was grabbing lots of attention from the young bucks would. (All the sex stuff as per usual in 1940s films was either off the film or just implied but even a goof like Sam could read between the lines that Laura was a sexual being. Hell, one night, no, one very early morning, wacko Waldo in a fit “stalked” her apartment on West 56th Street as one young buck, Jack Jacobs the well-known painter came strolling out the front door of the building looking a little the worse for wear.) Waldo was forever shooing guys away and as quickly as Laura, on Waldo’s fatherly, to her, recommendation would ditch one guy another guy would pop up. That went on for a while and Waldo, for his own nefarious reasons, thought he was home free. That Laura was all his.         


Then the roof caved in. Laura got caught up with this guy Shelby, a ne’er do well, a guy from decayed Southern stock, meaning he was broke and living off of women, living off of Laura’s aunt who liked the idea of a “kept” man, liked a young stud around and could afford the freight. Problem was Shelby like many another guy wanted to be around some young tail (ass) and so despite his “kept” status with the aging and demanding aunt he made a run at Laura, got her to the stage where marriage might be in the air. Got her to give him a job at her ad agency where he actually flowered, brought some fresh light into the office. Bad move, bad move on Laura’s part even thinking about marriage to a gigolo like Shelby. That is when Waldo’s wheels started coming off, when his better judgment took a back seat to his unspoken lust for Laura. He tried to kill her, shoot her dead with a shotgun in her own apartment, the place which would be his final resting place if he had only been prophetic rather than blood-lustful. Problem though was Laura was not there that night of the murder, had been upstate at a cozy country retreat thinking things through about the possibilities of marriage to Shelby. When everything came out later, much later, the girl who was killed had been one of Laura’s models at the ad agency, a model whom Shelby was playing footsies with. Some guys, guys like Shelby, never change, never get off the wagon even when easy street beckons (and that silly aunt was still ready to move heaven and earth to get his silly ass back in her crib under the principle that birds of a feather flock together-he was a tramp and she was too so comingle their tainted blood.)         


Well murder most foul done by gigolos, deadbeats, mass murderers, ”hit” men or the lovelorn has to be investigated, especially in the high rent district. Most especially in the high rent district after all what the hell were they paying the public coppers for anyway. So they put crackerjack homicide detective Mark, Mark McPherson, on the case. Oh yeah a young, good-looking, didn’t miss a trick, knew the means streets as well as the leafy streets to look closely, very closely into the Laura Hunt murder. Naturally he got nothing but the backs of their hands from the Mayfair swells, got nothing but grief and snide remarks from old Waldo who I will say held himself together during the critical hours and days when McPherson was putting the screws to the case, was giving everybody his cool modern scientific detective shifting through all the evidence routine. Stayed cool enough and cagey enough to throw a big shadow over Shelby as the fall guy. And why not he had been playing footsies with that foxy model right in Laura’s apartment. Yeah, I admit I liked him for it, liked him a lot when McPherson turned the screws on. Didn’t like that he was two-three, who knows how many timing Laura, with the poor dead model even the old battle ax aunt and who knows who else. Such guys as Shelby in the old neighborhood as Sam would be the first to tell you would be tailor-made for the big step-off and nobody except some poor old bedraggled mother would shed tear one for such a guy. And that is a fact.                


Then to break up the monotony of the run-down murder case getting kind of cold by the minute and to ruin my theory about Shelby as the fall guy who pops back into the picture. Laura. That’s when everybody found out that the dead girl was the model at Laura’s agency (conveniently her face had been blown off by the shotgun blast so the initial identification of Laura as the victim had been based on the very important circumstantial evidence that late at night the woman opening the door to Laura’s apartment would be, well, Laura). Waldo held up even through all of that as Sam will admit if less than gladly for his bogus love-addled insanity bit. Like I said before Laura was upstate thinking stuff through around a possible marriage to Shelby and nobody thought anything of it once she resurfaced. Still there was a murder to be solved now that the true victim was known. McPherson was still on the case, still needed to close out the case even if it now was a run of the mill model that was making the case run and not some darling of the Mayfair swells.


Waldo might have held up pretty well through all of that, might have slide through to old manhood but he flipped out when he sensed that the tramp, Laura of his dreams, what else could you call her in his effete book, was once again falling ofr any young guy in a suit, falling for Mark (and he her). Yeah, Waldo again lost his judgment rather than moving on to the cocktail circuit and forgetting about what could never be. See, and Sam in his more sober moments would have to agree, Laura had gotten deep under his skin, as deep as woman can a man who spent his whole life dishing it out and not taking it. Shelby was a non-starter for Laura and Waldo could have pieced him off easily enough but this Mark McPherson, this guy from the mean streets, from Laura’s mean streets wasn’t going to be easy to dismiss.


Here is where Sam said Waldo made his mistake, the mistake that would have made even a pretty good country lawyer like him have a hard time selling a jury that Waldo was temporarily insane, needed to go to the sicko hospital and not the death house. Waldo tempted fate one time too often (that model murder would have hit the “cold” files soon enough now that Laura was alive). He tried to kill Laura-again. No soap this time for the poor sap-he was wasted in a hail of bullets by New York’s finest. Get this though-the guy is lying face down in a pool of his own corrupted blood and his last words were of undying devotion to Laura. What a sap. Leave it to Sam to get the last word though and even I couldn’t say it better, although he said it more in sorrow than anger. Waldo Lydecker was not the first guy nor will he be the last who got all twisted around by some frail’s sandalwood scent. Maybe Sam’s 99.9 % number was not so far off after all.