Sunday, November 12, 2017

The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons- Leon Trotsky On Andre Malraux's "Man's Fate"

The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons- Leon Trotsky On Andre Malraux's "Man's Fate"


Leon Trotsky
Problems of the Chinese Revolution


The Strangled Revolution
February 9, 1931
Prinkipo
The book by André Malraux, Les Conquérants, was sent to me from various quarters and I think in four copies, but to my regret I read it after a delay of a year and a half or two. The book is devoted to the Chinese revolution, that is, to the greatest subject of the last five years. A fine and well-knit style, the discriminating eye of an artist, original and daring observation – all confer upon the novel an exceptional importance. If we write about it here it is not because the book is a work of talent, although this is not a negligible fact, but because it offers a source of political lessons of the highest value. Do they come from Malraux? No, they flow from the recital itself, unknown to the author, and they go against him. This does honour to the author as an observer and an artist, but not as a revolutionist. However, we have the right to evaluate Malraux too from this point of view; in his own name and above all in the name of Garine, his other self, the author does not hesitate with his judgements on the revolution.
This book is called a novel. As a matter of fact, we have before us a romanticized chronicle of the Chinese revolution, from its first period to the period of Canton. The chronicle is not complete. Social vigour is sometimes lacking from the picture. But for that there pass before the reader not only luminous episodes of the revolution but also clear-cut silhouettes which are graven in the memory like social symbols.
By little coloured touches, following the method of pointillisme, Malraux gives an unforgettable picture of the general strike, not, to be sure, as it is below, not as it is carried out, but as it is observed from above: the Europeans do not get their breakfast, they swelter in the heat, the Chinese have ceased to work in the kitchens and to operate the ventilators. This is not a reproach to the author: the foreign artist could undoubtedly not have dealt with his theme otherwise. But there is a reproach to be made, and not a small one: the book is lacking in a congenital affinity between the writer, in spite of all he knows, understands and can do, and his heroine, the revolution.
The active sympathies of the author for insurgent China are unmistakable. But chance bursts upon these sympathies. They are corroded by the excesses of individualism and by aesthetic caprice. In reading the book with sustained attention one sometimes experiences a feeling of vexation when in the tone of the persuasive recital one perceives a note of protective irony towards the barbarians capable of enthusiasm. That China is backward, that many of its political manifestations bear a primitive character – nobody asks that this be passed over in silence. But a correct perspective is needed which puts every object in its place. The Chinese events, on the basis of which Malraux’s “novel” unfolds itself, are incomparably more important for the future destiny of human culture than the vain and pitiful clamour of Europe parliaments and the mountain of literary products of stagnant civilization. Malraux seems to feel a certain fear to take this into account.
In the novel, there are pages, splendid in their intensity, which show how revolutionary hatred is born of the yoke, of ignorance, of slavery, and is tempered like steel. These pages might have entered into the Anthology of the Revolution if Malraux had approached the masses with greater freedom and intrepidity, if he had not introduced into his observations a small note of blasé superiority, seeming to excuse himself for his transient contact with the insurrection of the Chinese people, as much perhaps before himself as before the academic mandarins in France and the traffickers in spiritual opium.
* * *
Borodin represents the Comintern in the post of “high counsellor” in the Canton government. Garine, the favourite of the author, is in charge of propaganda. All the work is done within the framework of the Guomindang. Borodin, Garine, the Russian “General” Galen, the Frenchman Gérard, the German Klein and others, constitute an original bureaucracy of the revolution raising itself above the insurgent people and conducting its own “revolutionary” policy instead of the policy of the revolution.
The local organizations of the Guomindang are defined as follows: “groups of fanatics – brave of a few plutocrats out for notoriety or for security – and crowds of students and coolies”. (p.24) Not only do bourgeois enter into every organization but they completely lead the Party. The Communists are subordinate to the Guomindang. The workers and the peasants are persuaded to take no action that might rebuff the devoted friends of the bourgeoisie. “Such are the societies that we control (more or less, do not fool yourself on this score).” An edifying avowal! The bureaucracy of the Comintern tried to “control” the class struggle in China, like the international bankocracy controls the economic life of the backward countries. But a revolution cannot be controlled. One can only give a political expression to its internal forces. One must know to which of these forces to link one’s destiny.
“Today coolies are beginning to discover that they exist, simply that they exist.” (p.26) That’s well aimed. But to feel that they exist, the coolies, the industrial workers and the peasants must overthrow those who prevent them from existing. Foreign domination is indissolubly bound up with the domestic yoke. The coolies must not only drive out Baldwin or MacDonald but also overthrow the ruling classes. One cannot be accomplished without the other. Thus, the awakening of the human personality in the masses of China, who exceed ten times the population of France, is immediately transformed into the lava of the social revolution. A magnificent spectacle!
But here Borodin appears on the scene and declares: “In the revolution the workers must do the coolie work for the bourgeoisie,” wrote Chen Duxiu in an open letter to the Chinese Communists. The social enslavement from which they want to liberate themselves, the workers find transposed into the sphere of politics. To whom do they owe this perfidious operation? To the bureaucracy of the Comintern. In trying to “control” the Guomindang, it actually aids the bourgeoisie which seeks “notoriety and security” in enslaving the coolies who want to exist.
Borodin, who remains in the background all the time, is characterized in the novel as a “man of action”, as a “professional revolutionist”, as a living incarnation of Bolshevism on the soil of China. Nothing is further from the truth! Here is the political biography of Borodin: in 1903, at the age of 19, he emigrated to America; in 1918, he returned to Moscow where, thanks to his knowledge of English, he “ensured contact with the foreign parties”; he was arrested in Glasgow in 1922; then he was delegated to China as representative of the Comintern. Having quit Russia before the first revolution and having returned after the third, Borodin appeared as the consummate representative of that state and Party bureaucracy which recognized the revolution only after its victory. When it is a question of young people, it is sometimes nothing more than a matter of chronology. With people of 40 or 50, it is already a political characterization. If Borodin rallied successfully to the victorious revolution in Russia, it does not in the least signify that he was called upon to assure the victory of the revolution in China. People of this type assimilate without difficulty the gestures and intonations of “professional revolutionists”. Many of them, by their protective colouration, not only deceive others but also themselves. The audacious inflexibility of the Bolshevik is most usually metamorphosed with them into that cynicism of the functionary ready for anything. Ah! to have a mandate from the Central Committee! This sacrosanct safeguard Borodin always had in his pocket.
Garine is not a functionary, he is more original than Borodin and perhaps even closer to the revolutionary type. But he is devoid of the indispensable formation; dilettante and theatrical, he gets hopelessly entangled in the great events and he reveals it at every step. With regard to the slogans of the Chinese revolution, he expresses himself thus: “democratic chatter – ‘the rights of the proletariat’, etc.” (p.32.) This has a radical ring but it is a false radicalism. The slogans of democracy are execrable chatter in the mouth of Poincaré, Herriot, Léon Blum, sleight-of-hand artists of France and jailers of Indochina, Algeria and Morocco. But when the Chinese rebel in the name of the “rights of the proletariat”, this has as little to do with chatter as the slogans of the French Revolution in the eighteenth century. At Hong Kong, the British birds of prey threatened, during the strike, to re-establish corporal punishment. “The rights of man and of the citizen” meant at Hong Kong the right of the Chinese not to be flogged by the British whip. To unmask the democratic rottenness of the imperialists is to serve the revolution: to call the slogans of the insurrection of the oppressed “chatter”, is involuntarily to aid the imperialists.
A good inoculation of Marxism would have preserved the author from fatal contempt of this sort. But Garine in general considers that revolutionary doctrine is “doctrinaire rubbish” (le fatras doctrinal). He is, you see, one of those to whom the revolution is only a definite “state of affairs”. Isn’t this astonishing? But it is just because the revolution is a “state of affairs”, that is, a stage in the development of society conditioned by objective causes and subjected to definite laws, that a scientific mind can foresee the general direction of processes. Only the study of the anatomy of society and of its physiology permits one to react to the course of events by basing oneself upon scientific foresight and not upon a dilettante’s conjectures. The revolutionist who “despises” revolutionary doctrine is not a bit better than the healer who despises medical doctrine which he does not know, or than the engineer who rejects technology. People who without the aid of science, try to rectify the “state of affairs” which is called a disease, are called sorcerers or charlatans and are prosecuted by law. Had there existed a tribunal to judge the sorcerers of the revolution, it is probable that Borodin, like his Muscovite inspirers, would have been severely condemned. I am afraid Garine himself would not have come out of it unscathed.
Two figures are contrasted to each other in the novel, like the two poles of the national revolution; old Chen Dai, the spiritual authority of the right wing of the Guomindang, the prophet and saint of the bourgeoisie, and Hong, the young leader of the terrorists. Both are depicted with great force. Chen Dai embodies the old Chinese culture translated into the language of European breeding; with this exquisite garment, he “ennobles” the interests of all the ruling classes of China. To be sure, Chen Dai wants national liberation, but he dreads the masses more than the imperialists; he hates the revolution more than the yoke placed upon the nation. If he marches towards it, it is only to pacify it, to subdue it, to exhaust it. He conducts a policy of passive resistance on two fronts, against imperialism and against the revolution, the policy of Gandhi in India, the policy which, in definite periods and in one form or another, the bourgeoisie has conducted at every longitude and latitude. Passive resistance flows from the tendency of the bourgeoisie to canalize the movement of the masses and to make off with it.
When Garine says that Chen Dai’s influence rises above politics, one can only shrug his shoulders. The masked policy of the “upright man”, in China as in India, expresses in the most sublime and abstractly moralizing form the conservative interests of the possessors. The personal disinterestedness of Chen Dai is in no sense in opposition to his political function: the exploiters need “upright men” as the corrupted ecclesiastical hierarchy needs saints.
Who gravitate around Chen Dai? The novel replies with meritorious precision: a world of “aged mandarins, smugglers of opium and of obscene photographs, of scholars turned bicycle dealers, of Parisian barristers, of intellectuals of every kind”. (p.124.) Behind them stands a more solid bourgeoisie bound up with England, which arms General Tang against the revolution. In the expectation of victory, Tang prepares to make Chen Dai the head of the government. Both of them, Chen Dai and Tang, nevertheless continue to be members of the Guomindang which Borodin and Garine serve.
When Tang has a village attacked by his armies, and when he prepares to butcher the revolutionists, beginning with Borodin and Garine, his party comrades, the latter with the aid of Hong, mobilize and arm the unemployed. But after the victory won over Tang, the leaders do not seek to change a thing that existed before. They cannot break the ambiguous bloc with Chen Dai because they have no confidence in the workers, the coolies, the revolutionary masses, they are themselves contaminated with the prejudices of Chen Dai whose qualified arm they are.
In order “not to rebuff” the bourgeoisie they are forced to enter into struggle with Hong. Who is he and where does he come from? “The lowest dregs.” (p.36) He is one of those who are making the revolution and not those who rally to it when it is victorious. Having come to the idea of killing the British governor of Hong Kong, Hong is concerned with only one thing: “When I have been sentenced to capital punishment, you must tell the young to follow my example.” (p.36) To Hong a clear program must be given: to arouse the workers, to assemble them, to arm them and to oppose them to Chen Dai as to an enemy. But the bureaucracy of the Comintern seeks Chen Dai’s friendship, repulses Hong and exasperates him. Hong exterminates bankers and merchants one after another, the very ones who “support” the Guomindang, Hong kills missionaries: “those who teach people to support misery must be punished, Christian priests or others” (p.274) If Hong does not find the right road, it is the fault of Borodin and Garine who have placed the revolution in the hands of the bankers and the merchants. Hong reflects the mass which is already rising but which has not yet rubbed its eyes or softened its hands. He tries by the revolver and the knife to act for the masses whom the agents of the Comintern are paralysing. Such is the unvarnished truth about the Chinese revolution.
* * *
Meanwhile, the Canton government is “oscillating, in its attempt to stay straight, between Garine and Borodin, who control the police and the trade unions, on the one hand, and Chen Dai, who controls nothing, but who exists all the same, on the other.” (p.68) We have an almost perfect picture of the duality of power. The representatives of the Comintern have in their hands the trade unions of Canton, the police, the cadet school of Whampoa, the sympathy of the masses the aid of the Soviet Union. Chen Dai has a “moral authority”, that is, the prestige of the mortally distracted possessors. The friends of Chen Dai sit in a powerless government willingly supported by the conciliators. But isn’t this the régime of the February revolution, the Kerenskyist system, with the sole difference that the role of the Mensheviks is played by the pseudo-Bolsheviks? Borodin has no doubt of it even though he is made up as a Bolshevik and takes his make-up seriously.
The central idea of Garine and Borodin is to prohibit Chinese and foreign boats, cruising towards the port of Canton, from putting in at Hong Kong. By the commercial boycott these people, who consider themselves revolutionary realists, hope to shatter British domination in southern China. They never deem it necessary first of all to overthrow the government of the Canton bourgeoisie which only waits for the moment to surrender the revolution to England. No, Borodin and Garine knock every day at the door of the “government”, and hat in hand, beg that the saving decree be promulgated. One of them reminds Garine that at bottom the government is a phantom. Garine is not disconcerted. Phantom or not, he replies, let it go ahead while we need it. That is the way the priest needs relics which he himself fabricates with wax and cotton. What is concealed behind this policy which weakens and debases the revolution? The respect of a petty-bourgeois revolutionist for a solid conservative bourgeois. It is thus that the reddest of the French radicals is always ready to fall on his knees before Poincaré.
But perhaps the masses of Canton are not yet mature enough to overthrow the power of the bourgeoisie? From this whole atmosphere, the conviction arises that without the opposition of the Comintern the phantom government would long before have been overthrown under the pressure of the masses. But let us admit that the Cantonese workers were still too weak to establish their own power. What, generally speaking, is the weak spot of the masses? Their inclination to follow the exploiters. In this case, the first duty of revolutionists is to help the workers liberate themselves from servile confidence. Nevertheless, the work done by the bureaucracy of the Comintern was diametrically opposed to his. It inculcated in the masses the notion of the necessity to submit to the bourgeoisie and it declared that the enemies of the bourgeoisie were their own enemies.
Do not rebuff Chen Dai! But if Chen Dai withdraws in spite of this, which is inevitable, it would not mean that Garine and Borodin will be delivered of their voluntary vassaldom towards the bourgeoisie. They will only choose as the new focus of their activity, Chiang Kai-shek, son of the same class and younger brother of Chen Dai. Head of the military school of Whampoa, founded by the Bolsheviks, Chiang Kai-shek does not confine himself to passive resistance; he is ready to resort to bloody force, not in the plebeian form, the form of the masses, but in the military form and only within limits that will permit the bourgeoisie to retain an unlimited power over the army. Borodin and Garine, by arming their enemies, disarm and repulse their friends. This is the way they prepare the catastrophe.
But are we not overestimating the influence of the revolutionary bureaucracy upon the events? No, it showed itself stronger than it might have thought, if not for good then at least for evil. The coolies who are only beginning to exist politically require a courageous leadership. Hong requires a bold program. The revolution requires the energies of millions of rising men. But Borodin and his bureaucrats require Chen Dai and Chiang Kai-shek. They strangle Hong and prevent the worker from raising his head. In a few months, they will stifle the agrarian insurrection of the peasantry so as not to repulse the bourgeois army command. Their strength is that they represent the Russian October, Bolshevism, the Communist International. Having usurped authority, the banner and the material resources of the greatest of revolutions, the bureaucracy bars the road to another revolution which also had all chances of being great.
The dialogue between Borodin and Hong (pp.182-4) is the most terrific indictment of Borodin and his Moscow inspirers. Hong, as always, is after decisive action. He demands the punishment of the most prominent bourgeois. Borodin finds this sole objection: Those who are “paying” must not be touched. “Revolution is not so simple,” says Garine for his part. “Revolution involves paying an army,” adds Borodin. These aphorisms contain all the elements of the noose in which the Chinese revolution was strangled. Borodin protected the bourgeoisie which, in recompense, made contributions to the “revolution”, the money going to the army of Chiang Kai-shek. The army of Chiang Kai-shek exterminated the proletariat and liquidated the revolution. Was it really impossible to foresee this? And wasn’t it really foreseen? The bourgeoisie pays willingly only for the army which serves it against the people. The army of the revolution does not wait for donations: it makes them pay. This is called the revolutionary dictatorship. Hong comes forward successfully at workers’ meetings and thunders against the “Russians”, the bearers of ruin for the revolution. The way of Hong himself does not lead to the goal but he is right as against Borodin. “Had the Tai Ping leaders Russian advisers? Had the Boxers?” (p.190) Had the Chinese revolution of 1924-27 been left to itself it would perhaps not have come to victory immediately but it would not have resorted to the methods of hara-kiri, it would not have known shameful capitulations and it would have trained revolutionary cadres. Between the dual power of Canton and that of Petrograd there is the tragic difference that in China there was no Bolshevism in evidence; under the name of Trotskyism, it was declared a counter-revolutionary doctrine and was persecuted by every method of calumny and repression. Where Kerensky did not succeed during the July Days, Stalin succeeded ten years later in China.
Borodin and “all the Bolsheviks of his generation”, Garine assures us, were distinguished by their struggle against the anarchists. This remark was needed by the author so as to prepare the reader for the struggle of Borodin against Hong’s group. Historically it is false. Anarchism was unable to raise its head in Russia not because the Bolsheviks fought successfully against it but because they had first dug up the ground under its feet. Anarchism, if it does not live within the four walls of intellectuals’ cafés and editorial offices, but has penetrated more deeply, translates the psychology of despair in the masses and signifies the political punishment for the deceptions of democracy and the treachery of opportunism. The boldness of Bolshevism in posing the revolutionary problems and in teaching their solution left no room for the development of anarchism in Russia. But if the historical investigation of Malraux is not exact, his recital shows admirably how the opportunist policy of Stalin-Borodin prepared the ground for anarchist terrorism in China.
Driven by the logic of this policy, Borodin consents to adopt a decree against the terrorists. The firm revolutionists, driven on to the road of adventurism by the crimes of the Moscow leaders, the bourgeoisie of Canton, with the benediction of the Comintern, declares them outlaws. They reply with acts of terrorism against the pseudo-revolutionary bureaucrats who protect the moneyed bourgeoisie. Borodin and Garine seize the terrorists and destroy them, no longer defending the bourgeois alone but also their own heads. It is thus that the policy of conciliation inexorably slips down to the lowest degree of treachery.
The book is called Les Conquérants. With this title, which has a double meaning when the revolution paints itself with imperialism, the author refers to the Russian Bolsheviks, or more exactly, to a certain part of them. The conquerors? The Chinese masses rose for a revolutionary insurrection, with the influence of the October upheaval as their example and with Bolshevism as their banner. But the “conquerors” conquered nothing. On the contrary, they surrendered everything to the enemy. If the Russian Revolution called forth the Chinese revolution, the Russian epigones strangled it. Malraux does not make these deductions. He does not even suspect their existence. All the more clearly do they emerge upon the background of his remarkable book.

Leon Trotsky

Problems of the Chinese Revolution


A Strangled Revolution
and Its Stranglers

June 13, 1931
Kadikoy


Urgent work prevented me from reading sooner the article by Malraux in which he defends, against my criticism, the Communist International, Borodin, Garine, and himself. As a political publicist, Malraux is at a still greater distance from the proletariat and from the revolution than as an artist. By itself, this fact would not justify these lines, for it is nowhere said that a talented writer must necessarily be a proletarian revolutionist. If I nevertheless return to the same question again, it is for the sake of the subject, and not of Malraux.
The best figures of the novel, I said, attained the stature of social symbols. I must add: Borodin, Garine and all their “collaborators” constitute symbols of the quasi-revolutionary bureaucracy, of that new “social type” which was born thanks to the existence of the soviet state on the one hand, and on the other to a definite régime in the Comintern.
I declined to classify Borodin among the “professional revolutionists”, as he is characterized in the novel. Malraux endeavours to show me that Garine has enough mandarin’s buttons to give him the right to this title. Here, Malraux finds it in place to add that Trotsky has a greater quantity of buttons. Isn’t it ridiculous? The type of the professional revolutionist is not at all some sort of an ideal type. But in all events, it is a definite type, with a definite political biography and with salient traits. Only Russia created this type during the last decades; in Russia, the most perfect of this type was created by the Bolshevik Party. The professional revolutionists of the generation to which Borodin belonged began to take shape on the eve of the first revolution, they were put to the test in 1905, they tempered and educated (or decomposed) themselves during the years of the counter-revolution; they stood the supreme test in 1917. From 1903 up to 1918, that is, during the whole period when, in Russia, was being formed the type of professional revolutionist, Borodin, and hundreds, thousands of Borodins, remained outside of the struggle. In 1918, after the victory, Borodin arrived to offer his services. This does him honour: it is worthier to serve the proletarian state than the bourgeois state. Borodin charged himself with perilous missions. But the agents of bourgeois states in foreign countries, especially in colonial countries, also and that quite frequently, accomplish perilous tasks. Yet they do not become revolutionists because of that. The type of the functionary-adventurer and the type of the professional revolutionist, at certain moments and by certain qualities, can find points of similarity. But by their psychological formation as much as by their historical function, they are two opposite types.
The revolution pursues its course together with its class. If the proletariat is weak, if it is backward, the revolution confines itself to the modest, patient and persevering work of the creation of propaganda circles, of the preparation of cadres; supporting itself upon the first cadres, it passes over to mass agitation, legal or illegal, according to the circumstances. It always distinguishes its class from the enemy class, and conducts only such a policy as corresponds to the strength of its class and consolidates this strength. The French, the Russian or the Chinese proletarian revolutionist, will look upon the Chinese workers as his own army, of today or of tomorrow. The functionary-adventurer raises himself above all the classes of the Chinese nation. He considers himself predestined to dominate, to give orders, to command, independently of the internal relationship of forces in China. Since the Chinese proletariat is weak today and cannot assure the commanding positions, the functionary conciliates and joins together the different classes. He acts as the inspector of the nation, as the viceroy for the affairs of the colonial revolution. He arranges combinations between the conservative bourgeois and the anarchist, he improvises a program ad hoc, he erects policies upon ambiguities, he creates a bloc of four classes, he swallows swords and scoffs at principles. With what result? The bourgeoisie is richer, more influential, more experienced. The functionary-adventurer does not succeed in deceiving it. But for all that, he deceives the workers, filled with the spirit of abnegation, but not experienced, by turning them over to the hands of the bourgeoisie. Such was the role of the bureaucracy of the Comintern in the Chinese revolution.
Considering as natural the right of the “revolutionary” bureaucracy to command independently of the forces of the proletariat, Malraux informs us that one could not participate in the Chinese revolution without participating in the war, and one could not participate in the war without participating in the Guomindang, etc To this, he adds: the break with the Guomindang would have meant, for the Communist Party, the necessity of passing into illegality. When one thinks that these arguments sum up the philosophy of the representatives of the Comintern in China, he cannot refrain from saying: Indeed, the dialectic of the historical process sometimes plays bad jokes upon organizations, upon men and upon ideas! How easy it is to solve the problem: in order to participate successfully in the events directed by the enemy class, one must submit to this class; in order to avoid repressions on the part of the Guomindang, one must paint oneself up in its colours! There you have the secret of Borodin-Garine.
Malraux’s political estimate of the situation, of the possibilities and the tasks in China in 1925, is entirely false; it hardly reaches the border line where the real problems of the revolution begin. I have said elsewhere all that had to be said on this subject, and Malraux’s article gives no ground for a re-examination of what has been said. But even by standing on the ground of the false estimate Malraux gives of the situation, one can in no case justify the policy of Stalin-Borodin-Garine. In order to protest in 1925 against this policy, certain things had to be foreseen. In order to defend it in 1931, one must be incurably blind.
Did the strategy of the functionaries of the Comintern bring the Chinese proletariat anything but humiliations, the extermination of its cadres and above all, a terrific confusion in the mind? Did the shameful capitulation before the Guomindang avert repression for the Party? On the contrary, it only accumulated and concentrated the repressions. Was not the Communist Party compelled to pass into illegality? And when? In the period of the crushing of the revolution! If the Communists had begun by illegal work, at the beginning of the revolutionary tide, they would have emerged upon the open arena at the head of the masses. By effacing and demoralizing the Party with the aid of the Borodins and Garines, Chiang Kai-shek compelled it later, with all the greater success to take refuge in illegality during the years of the counter-revolution. The policy of Borodin-Garine entirely served the Chinese bourgeoisie. The Chinese Communist Party must begin all over again at the beginning, and that on an arena encumbered with debris, with prejudices, with uncomprehended mistakes and with the distrusts of the advanced workers. Those are the results.
The criminal character of this whole policy reveals itself with particular acuteness in isolated questions. Malraux presents as a merit of Borodin and Company the fact that in turning over the terrorists to the hands of the bourgeoisie, he deliberately pushed under the knife of the terror the leader of the bourgeoisie, Chen Dai. This machination is worthy of a bureaucratic Borgia or of the “revolutionary” Polish szlachta (gentry and nobility) who always preferred to fire with the hands of others behind the backs of the people. No, the task was not to kill Chen Dai in ambush, but to prepare the overthrow of the bourgeoisie. When the party of the revolution is obliged to kill, it does it on its open responsibility, in the name of tasks and immediate aims understood by the masses.
Revolutionary morals are not abstract Kantian norms, but rules of conduct which place the revolutionist under the control of the tasks and aims of his class. Borodin and Garine were not bound up with the masses, they did not absorb the spirit of responsibility before the class. They are bureaucratic supermen who consider that “everything is permitted” within the limits of the mandate received from above. The activity of such men, effective as it may be at certain moments, can only be directed, in the last instance, against the interests of the revolution.
After having killed Chen Dai with the hands of Hong, Borodin and Garine then turn over Hong and his group to the hands of the executioners. This stamps their whole policy with the brand of Cain. Here too Malraux poses as a defender. What is his argument? Lenin and Trotsky also punished the anarchists. It is hard to believe that this is said by a man who came near the revolution, even if but for a moment. Malraux forgets or does not understand that the revolution takes place in the name of the domination of one class over another, that it is only from this task that revolutionists draw their right to violence. The bourgeoisie exterminates the revolutionists, sometimes also the anarchists (more and more infrequently, because they become ever more obedient) in the name of safeguarding the régime of exploitation and baseness. Under the domination of the bourgeoisie, the Bolsheviks always defend the anarchists against the Chiappes. After having conquered power, the Bolsheviks did everything to draw the anarchists over to the side of the dictatorship of the proletariat. They succeeded in actuality in drawing the majority of the anarchists behind them. Yes, the Bolsheviks severely punished those anarchists who undermined the dictatorship of the proletariat. Were we right or weren’t we? That depends upon the manner in which one evaluates our revolution and the régime instituted by it. But can one imagine for a single instant that the Bolsheviks – under Prince Lvov or under Kerensky, under the bourgeois régime – would act as its agents in the extermination of anarchists? It is enough to formulate the question clearly, to turn aside in disgust. Just as Bridoison interests himself only in the form and ignores the essence, so the quasi-revolutionary bureaucracy and its literary attorney interest themselves only in the mechanics of the revolution, ignoring the question of what class and what régime they should serve. Here lies the abyss between the revolutionist and the functionary of the revolution.
What Malraux says about Marxism is a joke. The Marxian policy was not applicable in China because, you see, the proletariat was not class-conscious. It would seem then that from this flows the task of awakening this class-consciousness. But Malraux deduces a justification of the policy directed against the interests of the proletariat.
The other argument is no more convincing and still less amusing: Trotsky speaks of the need of Marxism for revolutionary politics; but isn’t Borodin a Marxist? And Stalin, isn’t he a Marxist? Then it is not a question of Marxism. I defend, against Garine, the revolutionary doctrine, just as I would defend, against a sorcerer, the medical sciences. The sorcerer will say to me in his defence that diplomaed doctors also very often kill their patients. It is an argument unworthy of a moderately educated burgher, and not only of a revolutionist. The fact that medicine is not omnipotent, that the doctors do not always effect cures, that one finds among them ignoramuses, blockheads and even poisoners – can this fact serve as an argument for giving the right to practise medicine to sorcerers, who have never studied medicine and who deny its significance?
I must make one correction, after having read Malraux’s article. In my article I expressed the idea that an inoculation of Marxism would do Garine good. I don’t think so any more.
    

"America, Where Are You Now...."- Steppenwolf’s The Monster-Take Three

"America, Where Are You Now...."- Steppenwolf’s The Monster-Take Three





YouTube Film Clip Of Steppenwolf Performing Monster. Ah, 

Those Were The Days

From The Pen Of Frank Jackman

Steppenwolf: 16 Greatest Hits, Steppenwolf, Digital Sound, 1990

America where are you now?
Don't you care about your sons and daughters?
Don't you know we need you now
We can't fight alone against the monster
Chorus Line From The Monster

The heavy rock band Steppenwolf (maybe acid rock is better signifying that the band started in the American dream gone awry 1960s night when the likes of the Jefferson Airplane, The Doors, The Byrds and groups like the transformed Beatles and Stones held forth, rather than in the ebb-tide 1970s when the harder sounds of groups like Aerosmith and Black Sabbath were  needed to drown out the fact that  we were in decisive retreat),  one of many that was thrown up by the musical counter-culture of the mid to late 1960's was a cut above and apart from some of the others due to their scorching lyrics provided mainly, but not solely, by gravelly-voiced lead singer John Kay.

That musical counter-culture not only put a premium on band-written materials, as against the old Tin Pan Alley somebody wrote the lyrics, somebody else sang the song division before Bob Dylan and the Beatles made singer-songwriters fashionable) but also was a serious reaction to the vanilla-ization of rock and popular music in the earlier part of the decade that drove many of us from the AM radio dials and into “exotic” stuff like electric blues from Chicago with mad monks Muddy Waters and Howlin’ Wolf jumping (country too from whence they all came in the great World War II to the factories migration leaving the old-timers like Son House, Skip James,John Hurt back in the woods  to carry on that tradition, come to think of it) and the various strands of folk music from hard rain falling, times are changing, blowing in the wind protest fuss to rediscovery of old time traditional music from the mountains (think the original Carters) to the hollows with Hobart Smith and Buell Kazee.    

Some bands played, consciously played, to the “drop out” notion popular at the times. “Drop out” of rat-race bourgeois society and it money imperative, its “white picket fence with little white house attached” visions. That the place where many of the young, the post-World War II baby-boomer young, now sadly older, had grown up and were in the process of repudiating for a grander vision of the world, the “world turned upside down” as an old time British folk tune had it (and reflecting an earlier turned upside down world around the 17th century English revolution. Drop out and create a niche somewhere (a commune maybe out away from the rat-race places which did spring up in the likes of Taos, Oregon, and the hills of old Vermont which if you care to see what happened to that old vision once the seekers got older you can go to and witness first hand these days but take your heart medicine along cause it ain’t pretty), so some physical somewhere perhaps but certainly some other mental somewhere and the music reflected that disenchantment.

That mental somewhere involved liberal use of drugs to induce, well, who knows what it induced but it felt like a new state of consciousness so make of that what you. The drugs used, in retrospect, to make you less “uptight” not a bad thing then, or today. The whole underlying premise though whether well thought out or not was that music, the music of the shamans of the youth tribe, mimicking recently learned Native American traditions was the revolution. An idea that for a short while before all hell broke loose with the criminal antics of Lyndon Johnson and one Richard M. Nixon, all hell broke loose with Tet 1968, with May 1968, with Chicago 1968, with the “days of rage,” with Altamont and with a hundred other lesser downers I subscribed to (hence the expression “generation of ’68” to signify that portion of youth always a minority that took the plunge to the “newer world.” That before those events and a draft notice made me get “religion” on the need for “in-their-face” political struggle. And every other young man and not a few young women have to decide to cooperate or seek that second road.       

Musically much of that stuff was ephemeral, merely background music, and has not survived (except in lonely YouTube cyberspace). Yeah, Neal Young, the Airplane, the Doors, the Byrds still sound good but a lot of it is wha-wha music now you know Ten Years After, a lot of Rod Stewart, even the acid-etched albums by the Beatles and Stones, it is no wonder that the latter do not have any tunes from Their Satanic Majesties on their playlists). [CL1] Others, flash pan “music is the revolution,” period exclamation point, end of conversation bands assumed a few pithy lyrics would carry the day and dirty old bourgeois society would run and hide in horror leaving the field open, open for, uh, us. That music too, except for gems like The Ballad Of Easy Rider, is safely ensconced in vast cyberspace.

Steppenwolf was different, was political from the get-go taking on the deadliness of bourgeois culture, worse the chewing up of their young in unwinnable wars with no apologies or second thoughts, the pusher man, the draft resister and lots of other subjects (and a few traditional songs too about the love that got away, things like that which hadn’t, hasn’t change much whatever the new vision and dreams).  Not all the lyrics worked, then or now. (See below for some that do). Not all the words are now some forty plus years later memorable. After all every song is written with some current audience in mind, and notions of immortality as the fate of most songs are displaced. Certainly some of the less political lyrics seem entirely forgettable. As does some of the heavy decibel rock sound that seems to wander at times like, as was the case more often than not, and more often that we, deep in some a then hermetic drug thrall, would have acknowledged, or worried about. But know this- when you think today about trying to escape from the rat-race of daily living then you have an enduring anthem Born To Be Wild that still stirs the young (and not so young). If Bob Dylan's Like A Rolling Stone was one musical pillar of the youth revolt of the 1960's then Born To Be Wild was the other.

And if you needed (or need) a quick history lesson about the nature of American society in the 1960's, what it was doing to its young, where it had been and where it was heading (and seemingly still is as we seek to finish up the endless Afghan wars and the war signals for deep intervention into the Syria civil war or another war in Iraq get louder, or both are beating the war drums fiercely) then the trilogy under the title "The Monster" (the chorus which I have posted above and lyrics below) said it all.

Then there were songs like The Pusher Man a song that could be usefully used as an argument in favor of decriminalization of drugs today and get our people the hell out of jail and moving on with their lives and others then more topical songs like Draft Resister to fill out their playlist. The group did not have the staying power of others like The Rolling Stones but if you want to know, approximately, what it was like for rock groups to seriously put rock and roll and a hard political edge together give a listen to the group sometime.

Words and music by John Kay, Jerry Edmonton, Nick St. Nicholas and Larry Byrom

(Monster)
Once the religious, the hunted and weary
Chasing the promise of freedom and hope
Came to this country to build a new vision
Far from the reaches of kingdom and pope
Like good Christians, some would burn the witches
Later some got slaves to gather riches
But still from near and far to seek America
They came by thousands to court the wild
And she just patiently smiled and bore a child
To be their spirit and guiding light
And once the ties with the crown had been broken
Westward in saddle and wagon it went
And 'til the railroad linked ocean to ocean
Many the lives which had come to an end
While we bullied, stole and bought our a homeland
We began the slaughter of the red man
But still from near and far to seek America
They came by thousands to court the wild
And she just patiently smiled and bore a child
To be their spirit and guiding light
The blue and grey they stomped it
They kicked it just like a dog
And when the war over
They stuffed it just like a hog
And though the past has it's share of injustice
Kind was the spirit in many a way
But it's protectors and friends have been sleeping
Now it's a monster and will not obey
(Suicide)
The spirit was freedom and justice
And it's keepers seem generous and kind
It's leaders were supposed to serve the country
But now they won't pay it no mind
'Cause the people grew fat and got lazy
And now their vote is a meaningless joke
They babble about law and order
But it's all just an echo of what they've been told
Yeah, there's a monster on the loose
It's got our heads into a noose
And it just sits there watchin'
Our cities have turned into jungles
And corruption is stranglin' the land
The police force is watching the people
And the people just can't understand
We don't know how to mind our own business
'Cause the whole worlds got to be just like us
Now we are fighting a war over there
No matter who's the winner
We can't pay the cost
'Cause there's a monster on the loose
It's got our heads into a noose
And it just sits there watching
(America)
America where are you now?
Don't you care about your sons and daughters?
Don't you know we need you now
We can't fight alone against the monster
© Copyright MCA Music (BMI)
All rights for the USA controlled and administered by
MCA Corporation of America, INC

--Used with permission--
Born To Be Wild

Words and music by Mars Bonfire
Get your motor runnin'
Head out on the highway
Lookin' for adventure
And whatever comes our way
Yeah Darlin' go make it happen
Take the world in a love embrace
Fire all of your guns at once
And explode into space
I like smoke and lightning
Heavy metal thunder
Racin' with the wind
And the feelin' that I'm under
Yeah Darlin' go make it happen
Take the world in a love embrace
Fire all of your guns at once
And explode into space
Like a true nature's child
We were born, born to be wild
We can climb so high
I never wanna die
Born to be wild
Born to be wild
© MCA Music (BMI)
All rights for the USA controlled and administered by
MCA Corporation of America, INC

--Used with permission--
THE PUSHER
From the 1968 release "Steppenwolf"
Words and music by Hoyt Axton
You know I've smoked a lot of grass
O' Lord, I've popped a lot of pills
But I never touched nothin'
That my spirit could kill
You know, I've seen a lot of people walkin' 'round
With tombstones in their eyes
But the pusher don't care
Ah, if you live or if you die
God damn, The Pusher
God damn, I say The Pusher
I said God damn, God damn The Pusher man
You know the dealer, the dealer is a man
With the love grass in his hand
Oh but the pusher is a monster
Good God, he's not a natural man
The dealer for a nickel
Lord, will sell you lots of sweet dreams
Ah, but the pusher ruin your body
Lord, he'll leave your, he'll leave your mind to scream
God damn, The Pusher
God damn, God damn the Pusher
I said God damn, God, God damn The Pusher man
Well, now if I were the president of this land
You know, I'd declare total war on The Pusher man
I'd cut him if he stands, and I'd shoot him if he'd run
Yes I'd kill him with my Bible and my razor and my gun
God damn The Pusher
Gad damn The Pusher
I said God damn, God damn The Pusher man\
© Irving Music Inc. (BMI)
--Used with permission--



The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-LessonsForToday- AN EX-STALINIST'S TAKE ON THE LIFE AND LEGACY OF LENIN

BOOK REVIEW

LENIN- LIFE AND LEGACY, D.A. VOLKGANOV, HARPER BOOKS, NEW YORK, 1995


In my political life I have read numerous biographies, sketches and essays on the Russian Bolshevik leader Vladimir Lenin, none of them recently. Thus, in looking for a new book on Lenin’s life I was searching for one that would reflect the latest information from the various archives opened up by the demise of the Soviet state in 1991-92. With that in mind I happened upon this biography by a Soviet historian who had intimate access to and control of the Soviet archives. However, even with that imprimatur this hostile biography could easily have been written in 1955 by any number of former communist turned anti-communist Western writers during the heart of the Cold War under the influence of the ‘god that failed’ theory of anti-communism. So much for the virtue of access to the new files!

Moreover, after reading the biography I found that it told more about the author than the subject. He was a good Khrushchevite when Khrushchev was in power. He was a good Brezhnevite when Brezhnev was in power. He was a good Gorbachevite when Gorbachev was in power. Finally, after the demise of the Soviet Union and the capitalist counter-revolution under Yeltsin he was a good Yeltstinite. No one can deny that he knew how to trim his sails to determine which way the political winds blew. Whether such a checkered personal biography permits him then to write a critique of a revolutionary leader, any revolutionary leader, apparently without the least embarrassment is another question. Well, such is the literary life.

And so what is the latest in Soviet historiography on Lenin? The author retails every ‘horror’ story about Lenin that has sifted through the anti-communist milieu since Lenin first came on the political scene at the turn of the 20th century Russia. Of course, the author starts with the Bolshevik-Menshevik split in 1903- that is the ‘original sin’ for all anti-Leninists who claim to stand in any tendency of the international social democratic tradition. He then goes through the litany of later sins; the anti-nationalist, anti-war Bolshevik propaganda of the First World War; the hoary tales of ‘German’ gold to the Bolsheviks in the wake of the February Revolution in Russia; the ‘sealed train’ through Germany bringing Lenin and other Social Democrats back to Russia; the defeatism toward the Provisional Government; the Bolshevik ‘coup’ in October; the outrage to the author’s nationalist sentiments of the Brest Litovsk Treaty with Germany; the horrors of the Civil War, lightly passing over the White internal and foreign counterrevolutionary actions and placing the onus on the Bolsheviks; and the 'Moscow' gold provided to foreign Communist parties by the Communist International. And much more in that same vane.

The real point of the documentation presented throughout the book, however, is to buttress the author’s central argument that bad old Stalinism was not some sort of distortion of Bolshevism and Leninist thought but the true and natural heir of Leninism. Others have argued that position far more persuasively with far less access to the archives. The fact of the matter, at least based on this exposition, is that the archives provide little new hard material about Lenin and the early Bolshevik regime that has not already been in circulation for a long time. Take one example, the ‘relationship’ between the Bolsheviks and the German High Command during World War I that has been speculated on in reams of material. Volkganov sets up his argument for such an alliance using the time worn innuendoes of secret meetings, use of intermediaries, etc. However, if an author is using this argument in the post-Soviet period then one would expect some new information that definitely links Lenin to German ‘gold’ or let it rest. Where is the smoking gun? As there is nothing new the author lets us off with some dubious circumstantial evidence and lots and lots of conjecture. It goes on and on like that throughout most of the book. The author has personal axes to grind here and the archives only marginally help him in those efforts.

Finally, what of the counterfactual argument that every historian makes to argue that an alternative situation to the one that occurred was possible? Here the author argues that in 1917 some form of Menshevik/Social Revolutionary government or a more stable Kerensky government i.e. some kind of bourgeois government could have brought Russia out of its impasse and into the Western democratic parliamentary tradition. He even has a kind word for the Czar in retrospect, at least as a battering ram against the Bolsheviks. This hardened Stalinist who has since found ‘religion’ attempts to argue a very, very improbable position. Kerensky was the best, and I do mean best, those bourgeois democratic forces had at their command in 1917. No more need be said. We do not always get the revolutions in the pristine condition that we would like and this is not the place to argue extensively about the author’s politics but both by their actions and by the crush of events the possibility of some kind of stable bourgeois democracy in 1917 Russia was the least likely outcome. In short, like in other such revolutionary periods, it was the Bolsheviks or the counterrevolutionary Whites. And one had to take sides accordingly. I will stand with Lenin and Trotsky.

Staying The Course In Tough Political Times-Organizing Cadre-On The 100th Anniversary Of The Russian October Revolution

Staying The Course In Tough Political Times-Organizing Cadre-On The 100th Anniversary Of The Russian October Revolution

Frank Jackman comment:

No question we, those of us who adhere to a radical or revolutionary, hell, even a liberal political perspective, are living in tough times here in America (hey, make that the world, or a lot of it). The monsters who have previously been in the shadows have come out with their bloody fangs on full display. Someone recently mentioned to me that we of the left, particularly the pro-socialist left, should wake up every day bending in prayer to the East for one Donald Trump who has been the catalyst for the current wave of people interested in fighting back, in building the resistance mostly right now from a liberal political perspective. But as life, the real everyday political life of the times, showed us back in the 1960s when I for one went from a pretty straight forward liberal who was crazy for Robert Kennedy to more radical assumptions about the way we have to move to bring serious social change that we can live with things can change rapidly in socially turbulent times. A whole slew of people, mostly young but with a smattering of older folks, shared that same trajectory with me.         

Once you get the “masses” in motion the question, as we also learned from the 1960s experience as the Vietnam War wound down or people retreated to “identity” politics is keeping them in motion, keep them interested in “staying the course.” And that is the simple point I want to make today in commenting on this article posted below I found in one of the left-wing presses that find their way to my door.  

Now over the years I have read quite a few articles from the socialist and communist press just to keep informed about what is going on out on the edges of rational politics and most of the time I let the articles pass into cyberspace. A few I will have the site moderator, Peter Paul Markin, post which may be of interest to the radical public without comment by since I am entirely capable of making  comments if necessary under my own name in my own space. Those occasions for my comment tend to be significantly fewer but this one got me thinking, kept me up late one night in fact. What kept me up was the idea of staying the course, the mass of people who have been politicized recently staying the course, unlike Markin, myself and mighty few others over the years who have held the socially progressive banner as high as possible in good times and bad. We are rare political animals for sure.            

What struck me in this tribute by the speaker to a fallen comrade who “stayed the course” in support of her political perspectives was the comment about how Leon Trotsky, a certified revolutionary for all of his adult life, some forty years, mentioned that revolutionaries, and here we can add radicals and hopefully liberals as well, live for the future. Stay the course and don’t let get beaten down at any particular point which might drive them back into the mud. Stick with the idea that even if we are small, relatively small, today in terms of active cadre who have been through some experiences, good and bad, we can take heart that politics at certain times and the state of cold civil war we are in here in America right now is one such time will galvanize the masses. But people who know something, who are or want to be cadre, who can organize have to be around. Enough said for now.      

******


Workers Vanguard No. 1106
24 February 2017
In Memory of Martha Phillips
1948–1992
The following remarks were delivered by Jon Bride, member of the International Executive Committee of the International Communist League, at a February 12 meeting in the Bay Area.
Twenty-five years ago, our comrade Martha Phillips was murdered in Moscow. She died in the front lines of the fight against counterrevolution in the Soviet Union. The ICL waged an international campaign to press for an investigation into this heinous crime, but it remains unsolved.
Russia was the birthplace of the communist program. Martha understood that Soviet Russia belonged to the workers of the whole world and that we were coming home to defend the gains of the October Revolution. For Trotskyists the USSR had never been a foreign country, and we can say truly that Martha died in her homeland.
Before joining our tendency, Martha had been a member of the American SWP [Socialist Workers Party]. There she took on the “pint-sized Kautskyites,” as she called them, who were seeking to build a “peaceful, legal” anti-Vietnam War movement. This was a gigantic popular front with liberal Democrats, whose purpose was to prevent a defeat for U.S. imperialism. Martha was won to Spartacism and fought for “Military Victory to the NLF” [National Liberation Front] and “All Indochina Must Go Communist!” She died in Moscow fighting for the same revolutionary internationalist program she defended against the renegades in the SWP who had reconciled themselves with their own bourgeoisie.
Martha did not have an easy life. She had a handicapped child. In midlife, she began a serious study of the Russian language. Later, she got a job teaching in a Soviet school. Her Soviet friends were astounded that any foreigner would live like that. She could have found an easier way to survive, but Martha wanted to get a better sense of how Soviet working people lived.
Martha was the leader and principal spokesman of the ICL group in Moscow. This job was not made easier for her, as a Jewish woman communist, in a period when anti-Jewish bigotry and backward social attitudes were proliferating in the final days of the Soviet Union. She was one of several outstanding women leaders in the ICL; her interview with Soviet women in Women and Revolution [No. 40, Winter 1991-92] is testimony to Martha’s conviction that a Leninist party must be a tribune of the people.
Trotsky once said that all genuine revolutionaries live for the future; that is, they refuse to sacrifice principle for temporary expedient. Martha refused to allow herself to be daunted by the temporary setbacks of today or yesterday. When asked by skeptics how many members we had, she always replied: “A few less than Lenin had at the time of Zimmerwald.” She often made the point that at the time of the February Revolution, the Mensheviks had larger numbers, more writers, etc. But Lenin had a hard cadre trained in a revolutionary program. That is what made the difference. For her entire political life, Martha was a party person from head to toe, understanding that it was the subjective element that was indispensable to proletarian victory.

Songs To While Away The Resistance By-Back When We Tried To Turn The World Upside Down-From The Doors

Songs To While Away The Resistance By-Back When We Tried To Turn The World Upside Down-From The Doors





Frank Jackman comment September 2017:

A while back, maybe a half a decade ago now, I started a series in this space that I presented under the headline Songs To While Away The Class Struggle By where I posted some songs, you know, The Internationale, Which Side Are You On?, Viva La Quince Brigada, Solidarity Forever and others like Deportee, Where Have All The Flowers Gone, Blowin’ In The Wind, This Land Is Your Land  while not as directly political had their hearts in the right place, that I thought would help get us through the “dog days” of the struggle for our socialist future. Those “dog days” in America anyway, depending on what leftist political perspective drove your imagination could have gone back as far as the late 1960s and early 1970s when all things were possible and the smell of revolution could be whiffed in the air for a while before we were defeated, or maybe later when all abandoned hope for the least bit of social justice in the lean, vicious, downtrodden Reagan years of unblessed memory or later still around the time of the great world- historic defeats of the international working class in East Europe and the former Soviet Union which left us with an unmatched arrogant unipolar imperialist world. That one pole being the United States, the “heart of the beast” from which we work. Whatever your personal benchmark they were nevertheless if you had the least bit of political savvy clearly dog days.        

I began posting these songs at a time, 2009, when it was touch and go whether there would be some kind of massive uprising against the economic royalists (later chastised under the popular sobriquet “the one-percent”) who had just dealt the world a blow to the head through their economic machinations in what is now called the Great Recession of 2008. Subsequently, while there were momentary uprisings, the Arab Spring which got its start in Tunisia and Egypt and enflamed most of the Middle East one way or another, here in America the defensive uprising of the public workers in Wisconsin and later the quick-moving although ephemeral Occupy movement, and the uprising in Greece, Spain and elsewhere in Europe in response to the “belt-tightening demanded by international financial institutions to name a few, the response from the American and world working classes has for lots of reasons if anything further entrenched those interests.

So as the “dog days” continue now under the extreme retro Trump administration I have resumed the series. I do not vouch for the political thrust of the songs selected; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this kind of formation would mean political death for any serious revolutionary upheaval and would not be acceptable for our political prospects it will suffice for our purposes here. I like to invite others to make additional comments on certain pivotal songs, groups and artists and here is one by my old friend Josh Breslin, whom I met out in California during the heyday of the summer of love 1967, that reflects those many possibilities to “turn the world upside down” back in the 1960s and early 1970s before the “night of the long knives” set in:

WE WANT THE WORLD AND WE WANT IT NOW!

From The Pen Of Joshua Lawrence Breslin

My old friend from the Summer of Love, 1967 days, Peter Paul Markin, always used to make a point then of answering, or rather arguing which tells a lot about the kind of guy he was when he got his political hind legs up with anybody who tried to tell him back in the day that “music is the revolution.”  Strangely when I first met him in San Francisco that summer you would have been hard-pressed to tell him that was not the case but after a few hit on the head by the coppers, a tour of duty in the military at the height of the Vietnam War, and what was happening to other political types trying to change the world for the better like the Black Panthers he got “religion,” or at least he got that music as the agency of social change idea out of his head.  Me, well, I was (and am not) as political as Markin was so that I neither got drowned in the counter-culture where music was a central cementing act, nor did I  have anything that happened subsequently that would have given me Markin’s epiphany.

I would listen half-attentively (a condition aided by being “stoned” a lot of the time) when such conversations erupted and Markin drilled his position. That position meaning, of course that contrary to the proponents (including many mutual friends who acted out on that idea and got burned by the flame, some dropping out, some going back to academia, some left by the wayside and who are maybe still wandering) that eight or ten Give Peace A ChanceKumbaya, Woodstock songs would not do the trick, would not change this nasty, brutish, old short-life world into the garden, into some pre-lapsarian  Eden. Meaning that the gathering of youth nation unto itself out in places like Woodstock, Golden Gate Park, Monterrey, hell, the Boston Common, or even once word trickled down the way the word has always trickled down to the sticks once the next new thing gets a workout, Olde Saco Park, in the town up in Maine where I grew up would not feed on itself and grow to such a critical mass that the quite nameable enemies of good, kindness starting with one Lyndon Johnson and one Richard M. Nixon and working down to the go-fers and hangers-on, and leave us alone would sulk off somewhere, defeated or at least defanged.

Many a night, many a dope-blistered night before some seawall ocean front Pacific Coast campfire I would listen to Markin blast forth against that stuff, against that silliness. As for me, I was too “into the moment,” too into finding weed, hemp, mary jane and too into finding some fetching women to share it with to get caught up in some nebulous ideological struggle. It was only later, after the music died, after rock and roll turned in on itself, turned into some exotic fad of the exiles on Main Street that I began to think through the implications of what Markin, and the guys on the other side, were arguing about.

Now it makes perfect sense that music, or any mere cultural expression standing alone, would be unable to carry enough weight to turn us back to the garden (I won’t use that “pre-lapsarian’ again to avoid showing my, and Markin’s, high Roman Catholic up-bringing and muddy what I want to say which is quite secular). I guess that I would err on the side of the “angels” and at least wish that we could have carried the day against the monsters of the American imperium we confronted back in the day. (Although I had a draft deferment due to a serious physical condition, not helped by the “street” dope I was consuming by the way, I supported, and something vehemently and with some sense of organization, a lot of the political stuff Markin was knee deep into, especially Panther defense when we lived in Oakland and all hell was raining down on the brothers and sisters.)                  
Thinking about what a big deal was made of such arguments recently (arguments carried deep into the night, deep in smoke dream nights, and sometimes as the blue–pink dawn came rising up to smite our dreams) I thought back to my own musical appreciations. In my jaded youth (if one could be jaded in Podunk Olde Saco, although more than one parent and more than one teacher called me “beatnik” back then whatever that meant to them) I developed an ear for roots music, whether I was conscious of that fact or not. Perhaps it was some off-shoot DNA thing since my people on my mother’s side (nee LeBlanc) were French-Canadian which had a deep folk heritage both up north and here although such music was not played in the house, a house like a lot of other ethnics where in the 1950s everybody wanted to be vanilla American (Markin mentioned that same thing about his Irish-etched parents). So it initially started as a reaction to my parents’ music, the music that got them through the Great Depression of the 1930s and later waiting for other shoe to drop (either in Normandy where my father first went to Europe under some very trying conditions or at home waiting in Olde Saco), and that became a habit, a wafting through the radio of my childhood home habit. You know who I mean Frank (Sinatra for the heathens), Harry James, the Andrews Sisters, Peggy Lee, Doris Day and the like. Or, maybe, and this is something that I have come closer to believing was the catalyst along with the DNA stuff I already mentioned, my father’s very real roots in the Saturday night mountain barn dance, fiddles blazing, music of his growing up poor down in Appalachia. (Again such music except every once in a while Hank Williams who I didn’t know about at the time was not played in the house either. Too “square” I guess.) 

The origin of my immersion into roots music first centered on the blues, country and city with the likes of Son House(and that raspy, boozy country voice on Death Letter Blues), Skip James ( I went nuts over that voice first heard after he had been “discovered” at the Newport Folk Festival I think in 1963 when he sang I’d Rather Be The Devil Than Be That Woman’s Man on the radio after I had just broken up with some devil woman, read girl), Mississippi John Hurt (that clear guitar, simple lyrics on Creole Belle), Muddy Waters (yes, Mannish-Boy ), Howlin’ Wolf ( I again went nuts when I heard his righteous Little Red Rooster  although I had heard the Stones version first, a version originally banned in Boston) and Elmore James ( his Dust My Broom version of the old Robert Johnson tune I used to argue was the “beginning” of rock and roll to anybody who would listen). Then early rock and roll, you know the rockabillies and R&B crowd, Elvis (stuff like One Night With You, Jailhouse Rock and the like before he died in about 1958 or whatever happened to him when he started making stupid movies that mocked his great talent making him look foolish and which various girlfriends of the time forced me to go see at the old Majestic Theater in downtown Olde Saco), Jerry Lee (his High School Confidential, the film song, with him flailing away at the piano in the back of a flat-bed truck blew me away  although the film was a bust, as was the girl I saw it with), Chuck (yeah, when he declared to a candid  world that while we all gave due homage to classical music in school Mister Beethoven better move on over with Roll Over Beethoven), Roy (Roy the boy with that big falsetto voice crooning out Running Scared, whoa), Big Joe (and that Shake, Rattle and Roll which I at one point also argued was the “beginning” of rock and roll, okay, I liked to argue those fine points)   and Ike Turner (who I ultimately settled on with his Rocket 88 as that mythical beginning of rock and roll) Then later, with the folk revival of the early 1960’s, the folk music minute before the British invasion took a lot of the air out of that kind of music, especially the protest to high heaven sort, Bob Dylan (even a so-so political guy like me, maybe less than so-so then before all hell broke loose and we had to choose sides loved Blowin’ in the Wind), Dave Von Ronk (and that raspy old voice, although was that old then sing Fair And Tender Ladies  one of the first folk songs I remember hearing) Joan Baez (and that long ironed-hair singing that big soprano on those Child ballads), etc.

I am, and have always been after that Podunk growing up experience a city boy, and an Eastern city boy at that. Meaning rootless or not meaningfully or consciously rooted in any of the niches mentioned above. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. Cajun, Tex-Mex, old time dust bowl ballads a la Woody Guthrie, cowboy stuff with the likes of Bob Wills and Milton Brown, Carter Family-etched mountain music (paying final conscious tribute to the mountain DNA in my bones) and so on.

All those genres are easily classified as roots music but I recall one time driving Markin crazy, driving him to closet me with the “music is the revolution” heads he fretfully argued against when I mentioned in passing that The Doors, then in their high holy mantra shamanic phase with The End and When The Music’s Over epitomized roots music. That hurt me to the quick, a momentary hurt then, but thinking about it more recently Markin was totally off base in his remarks.

The Doors are roots music? Well, yes, in the sense that one of the branches of rock and roll derived from early rhythm and blues and in the special case of Jim Morrison, leader of The Doors, the attempt to musically explore the shamanic elements in the Western American Native- American culture that drove the beat of many of his trance-like songs like The End. More than one rock critic, professional rock critic, has argued that on their good nights when the dope and booze were flowing, Morrison was in high trance, and they were fired up The Doors were the best rock and roll band ever created. Those critics will get no argument here, and it is not a far stretch to classify their efforts as in the great American roots tradition.  I argued then and will argue here almost fifty years later when that original statement of mine was more prophetic The Doors put together all the stuff rock critics in one hundred years will be dusting off when they want to examine what it was like when men (and women, think Bonnie Raitt, Wanda Jackson, et. al) played rock and roll, played the people’s music, played to respond to a deep-seeded need of the people before them, for keeps.

So where does Jim Morrison fit in an icon of the 1960s if he was not some new age latter day cultural Lenin/Trotsky. Some icon that Markin could have latched onto.  Jim was part of the trinity, the “J” trinity for the superstitious – Morrison, Janis Joplin, and Jimi Hendrix who lived fast, lived way too fast, and died young. The slogan of the day (or hour) – “Drugs, sex, and rock and roll.” And we liked that idea however you wanted to mix it up. Then.

Their deaths were part of the price we felt we had to pay if we were going to be free. And be creative. Even the most political among us, including Markin in his higher moments (you figure out what that “higher,” means since you are bright people) felt those cultural winds blowing across the continent and counted those who espoused this alternative vision as part of the chosen. The righteous headed to the “promise land.” Unfortunately those who believed that we could have a far-reaching positive cultural change via music or “dropping out” without a huge societal political change proved to be wrong long ago. But, these were still our people.


Know this as well if you are keeping score. Whatever excesses were committed by our generation and there were many, many made by the generation that came of political and cultural age in the early 1960s, the generation I call the generation of ’68 to signify its important and decisive year internationally, were mainly made out of ignorance and foolishness. Our opponents, exemplified by outlaw big cowboy President Lyndon B. Johnson and one Richard Milhous Nixon, President of the United States and common criminal, and their minions like J. Edgar Hoover, Mayor Richard Daley and Hubert Humphrey spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, the minorities in this country, and anyone else who got in their way. Forty plus years of “cultural wars” in revenge by their protégés, hangers-on and now their descendants in Trump land has been a heavy price to pay for our youthful errors. And Markin would surely have endorsed this sentiment. Enough. 

[It is rather simplistic in hindsight to overly lambast those who thought that “music was the revolution” end of story and left the distasteful political struggle to others. No, that is not right those who argued that position gave as good as they got as I know from man y a drugged-infested night arguing with them, arguing with my friends swayed by those notions so that is not the point I want to make. Rather in the great scheme of things that those who argued as I did eventually after having worked under every possible other idea, including as I have mentioned before elsewhere adherence to the “music is the revolution” thought the political struggle was the way forward to that “newer world” as Alfred Lord Tennyson spoke of in one of his poems should come in for closer scrutiny as agents who led us down some garden path when the deal went down and the other side, those who I call the night-takers for short, launched their still continuing counter-offensive some forty plus years ago.   

I mentioned that we had been militarily defeated back then by the night-takers and that was true in certain instances like May Day, 1971, Chicago, 1968, the “Days of Rage” and so on as well having certain important components of the movement like the Black Panthers systematical killed, arrested and harassed out of existence. But that hard fact also included our studied naïveté, and the studied naiveté of those who claimed to lead the movement. Not the basically bourgeois political end like the devotees of various left-Democrats like McCarthy, Bobby Kennedy (candor requires that I fell under his spell for a while no question), and McGovern but those in organizations like SDS and other radical circles outside the universities who assumed that without much effort mere creating an alternative society inside the old however it was constructed from something like the Paris Commune to the Russian Revolution of blessed memory that it would not take a military fight of some sort to get rid of the ancien regime.

Whether it was the burgeoning identity politics (blacks, Latinos, women gays and whoever else subscribed to the notion) which meant we would all meet up together in some great by and by or going underground to fight as a second front in support of various national liberation struggles or that we all had to attain some kind of high-end individual socialist/communist consciousness before we were worthy to lead the sweaty masses there were enough half-baked ideas to fill a universal basket. Just thinking about the various ideas, many of which I tipped my hat to before moving on,  makes me realize that in end the gals and guys who thought we could rock and roll music our way to the next best thing were much less harmful to the struggle than I thought for many years. But don’t tell them that I don’t want guys like Alex James and Bart Webber from the old days e-mailing about some 21st century Be-In in Golden Gate Park commemorating the 50th anniversary of the Summer of Love, 1967. Jesus that would be the end. ]