On The Occasion Of The 170th Anniversary Of Karl Marx And Friedrich Engels’ “Communist Manifesto”(1847)

On The Occasion Of The 170^th Anniversary Of Karl Marx And Friedrich Engels’ “The Communist Manifesto”(1848)

A link to the Karl Marwx Achives for an on-line copy of the Communist Manifesto  

https://www.marxists.org/archive/marx/works/1848/communist-manifesto/

By Political Commentator Frank Jackman

If anybody had asked me back when I was a kid, a kid growing up in the desperately poor, working poor but desperate nevertheless, Acre section of North Adamsville a town south of Boston in Massachusetts that I would be commemorating, no, honoring an anniversary of the publication in 1847 of Karl Marx and Friedrich Engel’s seminal political document The Communist Manifesto in the year 2018 I would have said they were crazy. (I will not get into the issue of commemorating odd-ball year anniversaries of events, like a 170^th anniversary, which in general I abhor since I have beaten that dead horse elsewhere and in any case such a whole historic event as here would draw a worthy exemption). Not because the document was, is, not worthy of talking about but back in the day, back in my teenage days I was adamantly an anti-communist in the tradition of almost all red scare Cold War post-war baby boomers who came of age, political under the threat of the nuclear bomb (some things seem to never change given the recent saber-rattling over the developments in North Korea by the American government).

Some, at least from that baby-boomer generation who have at least heard about the document which I cannot say is true for Generation X or the Millennials since they were not born under the sign of the red scare in a post-Soviet world, may be surprised that a backward working class kid in 1950s America would even had snuck a peek at that besotted document for fear of being tainted by the red scare coppers as pinko-red commie turn him in and be done with it.  Except I was very interested in politics even then and had heard about The Communist Manifesto by some from their photographs nefarious heavily bearded German guys who wanted back in the 1800s to upset the whole applecart and henceforth the root of all evil, the root of the international Communist conspiracy that would kill us in or beds if we were not vigilant against “Uncle Joe,” his successors or their hangers-on throughout the world and especially those “traitors” in America.

I had first heard about The Communist Manifesto in a political way although I was naïve as hell about the whole situation and about who I was working with in 1960. In the fall of that year, the fall of the famous Kennedy-Nixon fight for the American presidency where I was a serious partisan for Kennedy, our local, Massachusetts local, Irishman who made good I was also very, very interested in nuclear disarmament (a subject I still am interested in as the world have not gotten qualitively safer from that threat) and had gone to the Boston Common and participated in an anti-nuclear bomb rally (as the youngest participant by far) along with others from SANE (Doctor Spock’s organization) who had called the demonstration, the Quakers, and others. (Those others would include I later found out, many years later, members of the American Communist Party but not under that name but that of some “front” group. Of course by that time several years later I would have gone through three stages about American Communist Party members-from ho-hum so what if they are Commies we need all the forces we can muster to oppose the Vietnam War to being glad they were organizing like crazy against that war to disdain as they attempted to corral the youth movement into building bigger and better demonstrations against the war when that idea had worn out.) What got me going was when a bunch of people, guys, were harassing us, calling us “reds” and why didn’t we get the hell out of America and go to the Soviet Union. Along the way somebody, some guy mentioned The Communist Manifesto by that “Jew” Karl Marx. I had never hear of it although I was familiar with the name Karl Marx.               

Here’s the funny thing, funny in retrospect anyhow, I could not when I was interested in checking the Manifesto out for myself, find a copy in the school library or the public library. I never did find out the reason why and I was too timid once I saw it was not in the card catalogues to ask a librarian. Thus the way I got the document was looking through publications put out by the Government Printing Office, the U.S. government’s official printing operation. The reason they had printed it at the time, and it said right on the front page was that it had been a document used by the House Un-American Activities Committee and thus was part of the record of that nefarious entity (which in 1960 I think I found out later was almost run out of San Francisco by the demonstrations against it-one of the first breaks in the red scare Cold War phalanx).     

I made no pretense at the time nor do I now that I understood all that Marx was trying to get at. Certainly was clueless about the various polemics in Section Four against various other mostly pro-socialist opponents. (That part made greater sense later when I swear I went through almost every one of those oppositional ideas before coming to Marxism except maybe that exotic “feudal socialism” Marx vented against). What drew me in, although only haltingly at the time, was the idea that working people, my people, my family and friends, would get a better shake out of a socialist society, out of a classless society than we were getting at the time. But in those days I was hung up on some kind of career as a political operative, remember that Kennedy point earlier (not a candidate but the guy behind the candidate). So while I was never hostile to the ideas in that document and maybe have even been a “closet” social democrat masquerading as a liberal there was nothing operative for me then, certainly I was not in favor of revolution as the way forward for myself or my people.                

What changed things? I have written elsewhere about my induction into the American Army during the height of the Vietnam War and what that meant to me-and how I reacted to it by becoming a serious anti-war person (before I had been anti-war but in a wishy-washy way). Even then after I gave up the idea of a “normal” political career (that operative behind the scenes business) I was no Marxist but was in a search for some kind of way to change society short of revolution. (That is the period when I was engaging in those activities similar to the ones proposed by the groups Marx was polemicizing against in the Manifesto.)         

By 1971 it was clear that the American government under Nixon (that same Nixon was beaten to a gong by Kennedy) was not going to end the war in Vietnam. Didn’t give a damn about the whole thing. At that time I was hanging around a radical commune in Cambridge where we were trying to work out ideas (in isolation) about ending the fucking thing. That was the year on May Day when under the banner “if the government does not shut down the war, we will shut down the government” we attempted to do just that. Heady stuff and a dramatic move to the left on my part. All we got for that effort was tear gas, the police baton, and some days in Robert Kennedy Stadium (ironic, huh) for many thousands of good radicals and no end to the war.      

After that I, having picked up a copy of Marx’s The Communist Manifesto at the Red Bookstore in Cambridge,  began to sense that our isolated efforts were self-defeating if we didn’t have a larger force to bring down the damn system. Didn’t have in Marxian terms a class with the objective self-interest to lead the overturn. At the time, given the hostile attitude of the real American working class to us and to any ideas of socialism for the most part, I was unsure that such a strategy made sense.  What I knew was that was where the work had to be done. It has not been a fruitful struggle but nevertheless a necessary one even today when such ideas seem even more utopian than in my young adulthood. Some of what Marx talked about needs serious updating but the general premise of class struggle and the revolution as way forward as still solid. Just look around. Are the capitalists (the right now winning capitalists in the one-sided class war) going to give anything of value up? No way- we will have to take it away from them if we want to get that equalitarian society we dreamed about in our youth. As for the Manifesto a lot of it still reads like it was written yesterday.               

Just Before The Sea Change, The Big 1960s Mix And Match-Up - With The Dixie Cups Going To The Chapel Of Love In Mind

Just Before The Sea Change, The Big 1960s Mix And Match-Up - With The Dixie Cups Going To The Chapel Of Love In Mind

By Lance Lawrence  

[As of December 1, 2017 under the new regime of Greg Green, formerly of the on-line American Film Gazette website, brought in to shake things up a bit after a vote of no confidence in the previous site administrator Allan Jackson (aka Peter Paul Markin in the blogosphere) was taken among all the writers at the request of some of the younger writers abetted by one key older writer, Sam Lowell, the habit of assigning writers solely to specific topics like film, books, political commentary, and culture is over. Also over is the designation of writers in this space, young or old, by job title like senior or associate. After a short-lived experiment by Green designating everybody as “writer” seemingly in emulation of the French Revolution’s “citizen” or the Bolshevik Revolution’s “comrade” all posts will be “signed” with given names only. The Editorial Board]

[Although I am a much younger writer I today stand in agreement with Bart Webber and Si Lannon, older writers who I admire and whom I have learned a lot from about how to keep it short and sweet but in any case short on these on-line sites. Originally I had agreed with both men as far as Phil Larkin’s, what did Si call them, yes, rantings about heads rolling, about purges and would have what seems like something out of Stalin’s Russia from what I have read about that regime were  dubious at best. Now I am not sure as I have heard other younger writers rather gleefully speaking around the shop water cooler about moving certain unnamed writers out to pasture-“finally” in the words of one of them.

In any case the gripe the former two writers had about the appropriateness of this disclaimer above or whatever it purports to be by the "victorious" new regime headed by Greg Green and his so- called Editorial Board is what I support. As Bart first mentioned, I think, if nothing else this disclaimer has once again pointed told one and all, interested or not, that he, they have been “demoted.”  That I too, as Si pointed out, chafed as an Associate Book Critic and didn’t like it am now just another Everyman and don’t like it. This is the second time I have had the disclaimer above my article so I plead again once should be enough, more than enough.

In the interest of transparency I was among the leaders, among the most vociferous leaders, of what has now started to come down in the shop as urban legend “Young Turks” who fought tooth and nail both while Alan Jackson (aka Peter Paul Markin as blog moniker for reasons never made clear, at least to me) was in charge and essentially stopped young writers from developing their talents and later when we decided that Allan had to go, had to “retire.” (I am sure Phil Larkin will take those innocent quotation marks as definite proof that Allan was purged although maybe I should reevaluate everything he has said in a new light.) But I agree with Bart and Si’s sentiment that those on the “losing” end in the fierce no-holds barred internal struggle had taken their "beating" and have moved on as far as I can tell. That fact should signal the end of these embarrassing and rather provocative disclaimers. Done. Lance Lawrence]

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There were some things about Edward Rowley’s youthful activities that he would rather not forget, things that defined his life, gave him that fifteen minutes of fame, if only to himself and his, that everybody kept talking about that everyone deserved before they departed this life. That is what got him thinking one sunny afternoon in September about five years ago as he waited for the seasons to turn almost before his eyes about the times around 1964, around the time that he graduated from North Adamsville High School, around the time that he realized that the big breeze jail-break that he had kind of been waiting for was about to bust out over the land, over America. It was not like he was some kind of soothsayer, could read tea leaves or tarot cards like some latter day Madame La Rue who actually did read his future once down at the Gloversville Fair, read that he was made for big events anything like that back then. No way although that tarot reading when he was twelve left an impression for a while.

Edward’s take on the musical twists and turns back then is where he had something the kids at North Adamsville High would comment on, would ask him about to see which way the winds were blowing, would put their nickels, dimes and quarters in the jukeboxes to hear. See his senses were very much directed by his tastes in music, by his immersion into all things rock and roll in the early 1960s where he sensed what he called silly “bubble gum” music that had passed for rock (and which the girls liked, or liked the look of the guys singing the tunes) was going to be buried under an avalanche of sounds going back to Elvis and forward to something else, something with more guitars all amped to bring in the new dispensation. More importantly since the issue of jailbreaks and sea changes were in the air he was the very first kid to grasp what would later be called the folk minute of the early 1960s (which when the tunes, not Dylan and Baez at first but guys like the Kingston Trio started playing on the jukebox at Jimmy Jack’s Diner after school some other girls, not the “bubble gum” girls went crazy over). So that musical sense combined with his ever present sense that things could be better in this wicked old world drilled into him by his kindly old grandmother who was an old devotee of the Catholic Worker movement kind of drove his aspirations. But at first it really was the music that had been the cutting edge of what followed later, followed until about 1964 when that new breeze arrived in the land.

That fascination with music had occupied Edward’s mind since he had been about ten and had received a transistor radio for his birthday and out of curiosity decided to turn the dial to AM radio channels other that WJDA which his parents, may they rest in peace, certainly rest in peace from his incessant clamoring for rock and roll records and later folk albums, concert tickets, radio listening time on the big family radio in the living room, had on constantly and which drove him crazy. Drove him crazy because that music, well, frankly that music, the music of the Doris Days, the Peggy Lees, The Rosemary Clooneys, the various corny sister acts like the Andrews Sisters, the Frank Sinatras, the Vaughn Monroes, the Dick Haynes and an endless series of male quartets did not “jump,” gave him no “kicks,’ left him flat. As a compromise, no, in order to end the family civil war, they had purchased a transistor radio at Radio Shack and left him to his own devises.

One night, one late night in 1955, 1956 when Edward was fiddling with the dial he heard this sound out of Cleveland, Ohio, a little fuzzy but audible playing this be-bop sound, not jazz although it had horns, not rhythm and blues although sort of, but a new beat driven by some wild guitar by a guy named Warren Smith who was singing about his Ruby, his Rock ‘n’ Roll Ruby who only was available apparently to dance the night away. And she didn’t seem to care whether she danced by herself on the tabletops or with her guy. Yeah, so if you need a name for what ailed young Edward Rowley, something he could not quite articulate then call her woman, call her Ruby and you will not be far off. And so with that as a pedigree Edward became one of the town’s most knowledgeable devotees of the new sound. Problem was that new sound, as happens frequently in music, got a little stale as time went on, as the original artists who captured his imagination faded from view one way or another and new guys, guys with nice Bobby this and Bobby that names, Patsy this and Brenda that names sang songs under the umbrella name rock and roll that his mother could love. Songs that could have easily fit into that WJDA box that his parents had been stuck in since about World War II.

So Edward was anxious for a new sound to go along with his feeling tired of the same old, same old stuff that had been hanging around in the American night since the damn nuclear hot flashes red scare Cold War started way before he had a clue about what that was all about. It had started with the music and then he got caught later in high school up with a guy in school, Daryl Wallace, a hipster, or that is what he called himself, a guy who liked “kicks” although being in high school in North Adamsville far from New York City, far from San Francisco, damn, far from Boston what those “kicks” were or what he or Eddie would do about getting those “kicks” never was made clear. But they played it out in a hokey way and for a while they were the town, really high school, “beatniks.”  So Eddie had had his short faux “beat” phase complete with flannel shirts, black chino pants, sunglasses, and a black beret (a beret that he kept hidden at home in his bedroom closet once he found out after his parents had seen and heard Jack Kerouac reading from the last page of On The Road on the Steve Allen Show that they severely disapproved on the man, the movement and anything that smacked of the “beat” and a beret always associated with French bohemians and foreignness would have had them seeing “red”). And for a while Daryl and Eddie played that out until Daryl moved away (at least that was the story that went around but there was a persistent rumor for a time that Mr. Wallace had dragooned Daryl into some military school in California in any case that disappearance from the town was the last he ever heard from his “beat” brother). Then came 1964 and  Eddie was fervently waiting for something to happen, for something to come out of the emptiness that he was feeling just as things started moving again with the emergence of the Beatles and the Stones as a harbinger of what was coming.

That is where Eddie had been psychologically when his mother first began to harass him about his hair. Although the hair thing like the beret was just the symbol of clash that Eddie knew was coming and knew also that now that he was older that he was going to be able to handle differently that when he was a kid.  Here is what one episode of the battle sounded like:                   

“Isn’t that hair of yours a little long Mr. Edward Rowley, Junior,” clucked Mrs. Edward Rowley, Senior, “You had better get it cut before your father gets back from his conference trip, if you know what is good for you.” 

That mothers’-song was being endlessly repeated in North Adamsville households (and not just those households either but in places like North Adamsville, Hullsville, Shaker Heights, Dearborn, Cambridge any place where guys were waiting for the new dispensation and wearing hair a little longer than boys’ regular was the flash point) ever since the British invasion had brought longer hair into style (and a little less so, beards, that was later when guys got old enough to grow one without looking wispy, had taken a look at what their Victorian great-grandfathers grew and though it was “cool.” Cool along with new mishmash clothing and new age monikers to be called by.).

Of course when one was thinking about the British invasion in the year 1964 one was not thinking about the American Revolution or the War of 1812 but the Beatles. And while their music has taken 1964 teen world by a storm, a welcome storm after the long mainly musical counter-revolution since Elvis, Bo, Jerry Lee and Chuck ruled the rock night and had disappeared without a trace, the 1964 parent world was getting up in arms.

And not just about hair styles either. But about midnight trips on the clanking subway to Harvard Square coffeehouses to hear, to hear if you can believe this, folk music, mountain music, harp music or whatever performed by long-haired (male or female), long-bearded (male), blue jean–wearing (both), sandal-wearing (both), well, for lack of a better name “beatniks” (parents, as usual, being well behind the curve on teen cultural movements since by 1964 “beat”  except on silly television shows and “wise” social commentary who could have been “Ike” brothers and sisters, was yesterday’s news).

Mrs. Rowley would constantly harp about “why couldn’t Eddie be like he was when he listened to Bobby Vinton and his Mr. Lonely or that lovely-voiced Roy Orbison and his It’s Over and other nice songs on the local teen radio station, WMEX (he hated that name Eddie by the way, Eddie was also what everybody called his father so you can figure out why he hated the moniker just then). Now it was the Beatles, the Rolling Stones and a cranky-voiced guy named Bob Dylan that has his attention. And that damn Judy Jackson with her short skirt and her, well her… looks” (Mrs. Rowley like every mother in the post-Pill world refusing to use the “s” word, a throw-back to their girlish days when their mothers did not use such a word.)     

Since Mrs. Rowley, Alice to the neighbors, was getting worked up anyway, she let out what was really bothering her about her Eddie’s behavior, "What about all the talk about doing right by the down-trodden Negros down in Alabama and Mississippi. And you and that damn Peter Dawson, who used to be so nice when all you boys hung around together at Jimmy Jacks’ Diner [Edward: corner boys, Ma, that is what we were] and I at least knew you were no causing trouble, talking about organizing a book drive to get books for the little Negro children down there. If your father ever heard that there would be hell to pay, hell to pay and maybe a strap coming out of the closet big as you are. Worst though, worst that worrying about Negros down South is that treasonous talk about leaving this country, leaving North Adamsville, defenseless against the communists with your talk of nuclear disarmament. Why couldn’t you have just left well enough alone and stuck with your idea of forming a band that would play nice songs that make kids feel good like Gale Garnet’s We’ll Sing In The Sunshine or that pretty Negro girl Dionne Warwick and Her Walk On By instead of getting everybody upset."

And since Mrs. Rowley, Alice, to the neighbors had mentioned the name Judy Jackson, Edward’s flame and according to Monday morning before school girls’ “lav” talk, Judy’s talk they had “done the deed” and you can figure out what the deed was let’s hear what was going on in the Jackson household since one of the reasons that Edward was wearing his hair longer was because Judy thought it was “sexy” and so that talk of doing the deed may well have been true if there were any sceptics. Hear this:      

“Young lady, that dress is too short for you to wear in public, take it off, burn it for all I care, and put on another one or you are not going out of this house,” 

barked Mrs. James Jackson, echoing a sentiment that many worried North Adamsville mothers were feeling (and not just those mothers either but in places like Gloversville, Hullsville, Shaker Heights, Dearborn, Cambridge any place where gals were waiting for the new dispensation and wearing their skirts a little longer than mid-calf was the flash point) about their daughters dressing too provocatively and practically telling the boys, well practically telling them you know what as she suppressed the “s” word that was forming in her head. 

She too working up a high horse head of steam continued, "And that Eddie [“Edward, Ma,” Judy keep repeating every time Mrs. Jackson, Dorothy to the neighbors, said Eddie], and his new found friends like Peter Dawson taking you to those strange coffeehouses in Harvard Square with all the unwashed, untamed, unemployed “beatniks” instead of the high school dances on Saturday night. And that endless talk about the n-----s down South, about get books for the ignorant to read and other trash talk about how they are equal to us, and your father better not hear you talk like that, not at the dinner table since has to work around them and their smells and ignorance over in that factory in Dorchester.  And don’t start with that Commie trash about peace and getting rid of weapons. They should draft the whole bunch of them and put them over in front of that Berlin Wall. Then they wouldn’t be so negative about America."

Scene: Edward, Judy and Peter Dawson were sitting in the Club Nana in Harvard Square sipping coffee, maybe pecking at the one brownie between, and listening to a local wanna-be folk singing strumming his stuff (who turned out to be none other than Eric Von Schmidt). Beside them cartons of books that they are sorting to be taken along with them when head South this summer after graduation exercises at North Adamsville High School are completed in June. (By the way Peter’s parents were only slightly less irate about their son’s activities and used the word “Negro” when they were referring to black people, black people they wished their son definitely not to get involved with were only slightly less behind the times than Mrs. Rowley and Mrs. Jackson and so requires no separate screed by Mrs. Dawson. See Peter did not mention word one about what he was, or was not, doing and thus spared himself the anguish that Edward and Judy put themselves through trying to “relate” to their parents, their mothers really since fathers were some vague threatened presence in the background in those households.)

They, trying to hold back their excitement have already been to some training sessions at the NAACP office over on Massachusetts Avenue in the Roxbury section of Boston and have purchased their tickets for the Greyhound bus as far as New York’s Port Authority where they will meet others who will be heading south on a chartered bus. But get this Pete turned to Edward and said, “Have you heard that song, Popsicles and Icicles by the Mermaids, it has got great melodic sense.” Yes, we are still just before the sea change after which even Peter will chuckle about “bubble gum” music. Good luck though, young travelers, good luck.

In Honor Of The Late Kate McGarrigle- "Talk To Me Of Mendocino" With Rufus And Martha Wainwright

In Honor Of The Late Kate McGarrigle- "Talk To Me Of Mendocino" With Rufus And Martha Wainwright

A "You Tube" film clip of Kate McGarrigle and her son and daughter. Rufus and Martha Wainwright, performing her classic "Talk To Me Of Mendocino" that she wrote to honor Lena Spenser of Caffe Lena in Saratoga, New York.


In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.

Kate & Anna Mcgarrigle Lyrics

"Kate & Anna Mcgarrigle (talk To Me Of) Mendocino lyrics"

(I bid farewell to the state of ol' New York
My home away from home
In the state of New York I came of age
When first I started roaming
And the trees grow high in New York state
And they shine like gold in Autumn
Never had the blues from whence I came
But in New York state I caught 'em

Talk to me of Mendocino
Closing my eyes I hear the sea
Must I wait, must I follow?
Won't you say "Come with me?"

And it's on to Southbend, Indiana
Flat out on the western plain
Rise up over the Rockies and down on into California
Out to where but the rocks remain

And let the sun set on the ocean
I will watch it from the shore
Let the sun rise over the redwoods
I'll rise with it till I rise no more

Talk to me of Mendocino
closing my eyes, I hear the sea
Must I wait, must I follow?
Won't you say "Come with me?"

Scenes In Search Of The Blue-Pink Great American West Night-Scenes In Search Of The Blue-Pink Great American West Night

Scenes In Search Of The Blue-Pink Great American West Night-Scenes In Search Of The Blue-Pink Great American West Night

Scene Two: Hayes-Bickford Breakout -October 1962


Here I am again sitting, 3 o’clock in the morning sitting, bleary-eyed, slightly distracted after mulling over the back and forth of the twelve hundredth run-in (nice way to put it, right?) with Ma that has driven me out into this chilly October 1962 early morning. And where do I find myself sitting at this time of morning? Tired, but excitedly expectant, on an uncomfortable, unpadded bench seat on this rolling old clickity-clack monster of a Red Line subway car as it now waggles its way out past Kendall Station on its way to Central Square and then to the end of the line, Harvard Square. My hangout, my muse home, my night home, at least my weekend night home, my place to make sense of the world in a world that doesn’t make much sense, at least not enough much sense. Sanctuary, Harvard Square Hayes-Bickford sanctuary, misbegotten teenage boy sanctuary, recognized by international law, recognized by canon law, or not.


That beef with Ma, that really unnumbered beef, forget about the 1200 I said before, that was just a guess, has driven me to take an “all-nighter” trip away from the travails of the old home town, North Adamsville, across Boston to the never-closed Hayes-Bickford cafeteria that beckons just as you get up the stairs from the Harvard subway tunnel. Damn, let me just get this off my chest and then I can tell the rest of the story. Ma said X, I pleaded for Y (hell this homestead civil war lent itself righteously to a nice algebraic formulation. You can use it too, no charge). Unbeknownst to me Y did not exist in Ma’s universe. Ever. Sound familiar? Sure, but I had to get it off my chest.


After putting on my uniform, my Harvard Square “cool” uniform: over-sized flannel brownish plaid shirt, belt-less black cuff-less chino pants, black Chuck Taylor logo-ed Converse sneakers, a now ratty old windbreaker won in a Fourth of July distance race a few years back when I really was nothing but a wet-behind-the ears kid to ward off the chill, and, and the absolutely required midnight sunglasses to hide those bleary eyes from a peeking world I was ready to go. To face the unlighted night, and fight against the dawn’s rising for another day. Oh ya, I forgot, I had to sneak out of the house stealthily, run like some crazed broken-field football player down the back of the property, and, after catching my breathe, walk a couple of miles over bridge and nasty, hostile (hostile if anyone was out, and anyone was sniping for a misbegotten teenage boy, for any purpose good or evil) Dorchester streets to get to the Fields Corner subway stop. The local Eastern Mass. bus had stopped its always erratic service hours ago, and, any way, I usually would rather walk than wait, wait my youth away, for those buses to amble along our way with their byzantine schedules.


Right now though I am thinking, as those subway car wheels rattle beneath my feet, who knows, really, how or why it starts, that wanderlust start, that strange feeling in the pit of your stomach that you have to move on, or out, or up or you will explode, except you also know, or you damn well come to know that it eats away at a man, or a woman for that matter, in different ways. Maybe way back, way back in the cradle it was that first sense that there was more to the world that the four corners of that baby world existence and that if you could just, could just get over that little, little side board there might be something better, much better over the horizon. But, frankly that just seems like too much of a literary stretch even for me, moody teenage boy that I am, to swallow so let’s just say that it started once I knew that the ocean was a way to get away, if you needed to get away. But see I didn’t figure than one out for myself even, old Kenny from the old neighborhood in third grade is the one who got me hip to that, and then Johnny James and his brother filled in the rest of the blanks and so then I was sea-worthy, dream sea-worthy anyway.


But, honestly, that sea dream stuff can only be music for the future because right now I am stuck, although I do not always feel stuck about it, trying to figure my way out of high school world, or at least figure out the raging things that I want to do after high school that fill up my daydream time (study hall time, if you really want to know). Of course, as well, that part about the ocean just mentioned, well there was a literal part to the proposition since ocean-at-my-back (sometimes right at my back) New England homestead meant unless I wanted to take an ill-advised turn at piracy or high-seas hijacking or some such thing east that meant I had to head west. Right now west though is Harvard Square, its doings and not doings, it trumpet call to words, and sounds, and actions in the October Friday night all-night storm brewing.


The train now rounds the squeaky-sounding bend out of Central Square and stops at the station. So now I leave my pensive seat and stand waiting, waiting for the driver to release the pressure to let the sliding train door open, getting ready to jump off the old subway, two-steps-at-a-time my way up the two flights of stairs and head for mecca to see if things jump for me tonight. The doors open at last. Up the two-stepped stairs I go, get to the surface and confront the old double-glassed Hayes door entrance and survey the vast table-filled room that at this hour has a few night owl stranglers spotted throughout the place.


You know the old Hayes-Bickford, or one of them, if you live in Boston, or New York City, or a few other places on the East Coast, don’t you? Put your tray on the metal slider (hey, I don’t know what you call that slider thing, okay) and cruise down the line from item to item behind the glass-enclosed bins of, mostly, steamy food, if you are looking for fast service, for a quick between doing things, pressing things, meal. Steamed and breaded everything from breakfast to lunch to dinner anytime topped off by dishwater quality coffee (refills on demand, if you feel lucky). But this is not the place to bring your date, certainly not your first date, except maybe for a quick cup of that coffee before going to some event, or home. What this is, really, is a place where you can hang out, and hang out with comfort, because nobody, nobody at all, is going to ask you to leave, at least if you act half-way human. And that is what this place is really about, the humans in all their human conditions doing human things, alien to you or not, that you see floating by you, as you take a seat at one of the one-size-fits all wooden tables with those red vinyl seat-covered chairs replete with paper place settings, a few off-hand eating utensils and the usual obligatory array of condiments to help get down the food and drink offered here.


Let me describe who is here at this hour on an early Saturday morning in October 1962. I will not vouch for other times, or other days, but I know Friday and Saturday nights a little so I can say something about them. Of course there is the last drink at the last open barroom crowd, said bar already well-closed in bluelaw Massachusetts, trying to get sober enough by eating a little food to traverse the road home. Good luck. Needless to say eating food in an all-night cafeteria, any all-night cafeteria, means only one thing-the person is so caught up in a booze frenzy that he (mainly) or she (very occasionally) is desperate for anything to hang the name food on to. Frankly, except for the obligatory hard-dollar coffee-steamed to its essence, then through some mystical alchemic process re-beaned, and served in heavy ceramic mugs that keep in the warmth to keep the eyes open the food here is strictly for the, well, the desperate, drunk or sober.

I might mention a little more about the food as I go along but it is strictly to add color to this little story. Maybe, maybe it will add color to the story but this is mainly about the “literary” life at the old Hayes and the quest for the blue-pink night not the cuisine so don’t hold me to it.

Here is the kicker though; there are a few, mercifully few this night, old winos, habitual drunks, and street vagabonds (I am being polite here) who are nuzzling their food, for real. This is the way that you can tell the "last drink" boys, the hail fellows well met, who are just out on the town and who probably go to one of the ten zillion colleges in the area and are drawn like moths (and like wayward high schools kids, including this writer) to the magic name, Harvard Square. They just pick at their food. Those other guys (again, mainly, guys) those habituals and professional waywards work at it like it is their last chance for salvation.


Harvard Square, bright lights, dead of nights, see the sights. That vision is nothing but a commercial, a commercial magnet for every young (and old) hustler within fifty miles of the place to come and display their “acumen”. Their hustle. Three card Monte, quick-change artistry, bait and hook, a little jack-rolling, fake dope-plying, lifting an off-hand wallet, the whole gamut of hustler con lore. On any given Harvard Square weekend night there have got to be more young, naïve, starry-eyed kids hanging out trying to be cool, but really, like me, just learning the ropes of life than you could shake a stick at to set a hustler’s heart, if he (mainly) or she (sometimes) had a heart.


I’ll tell you about a quick con that got me easy in a second but right now let me tell you that at this hour I can see a few con artists just now resting up after a hard night’s work around a couple of tables, comparing notes (or, more likely, trying to con each other, there is no honor among thieves in this little night world. Go to it, boys). As to the con that got me, hey it was simple, a guy, an older guy, a twenty-five year old or something like that guy, came up to me while I was talking to a friend and said did I (we) want to get some booze. Sober, sixteen years old, and thrill-seeking I said sure (drinking booze is the coin of the realm for thrills these days, among high school kids that I know, maybe the older set, those college guys, are, I hear, experimenting with drugs but if so it is very on the QT).


He said name your poison, I did, and then he “suggested” a little something for himself. Sure, whatever is right. I gave him the money and he returned a few minutes later with a small bag with the top of a liquor bottle hanging out. He split. We went off to a private area around Harvard Yard (Phillips Brook House, I think) and got ready to have our first serious taste of booze, and maybe get rum brave enough to pick up some girls. Naturally, the bottle was a booze bottle alright but it had been opened (how long before is anyone’s guess) and filled with water. Sucker, right. Now the only reason that I am mentioning this story right here is that the guy who pulled this con is sitting, sitting like the King of Siam, just a few tables away from where I am sitting. The lesson learned for the road, for the future road that beckons: don’t accept packages from strangers without inspecting them and watch out for cons, right? No, hell no. The lesson is this: sure don’t fall for wise guy tricks but the big thing is to shake it off, forget about it if you see the con artist again. You are way to cool to let him (or occasionally her) think that they have conned you. Out loud, anyway.


But wait, I am not here at almost four o’clock in the Hayes-Bickford morning, the Harvard Square Hayes-Bickford morning, to talk about the decor, the food if that is what it is, about the clientele, humble, slick, or otherwise. I am here looking for “talent”, literary talent that is. See, I have been here enough, and have heard enough about the ”beats” (or rather pseudo-beats, or “late phase” beats at this time) and the “folkies” (music people breaking out of the Pop 40 music scene and going back to the roots of America music, way back) to know that a bunch of them, about six in all, right this minute are sitting in a far corner with a light drum tapping the beat listening to a guy in black pants(always de rigueur black), sneakers and a flannel shirt just like me reciting his latest poem. That possibility is what drove me here this night, and other nights as well. See the Hayes is known as the place where someone like Norman Mailer had his buttered toast after one of his “last drink” bouts. Or that Bob Dylan sat at that table, that table right over there, writing something on a napkin. Or some parallel poet to the one now wrapping up his seventy-seven verse imitation Allen Ginsberg's Howl master work went out to San Francisco and blew the lid off the town, the City Lights town, the literary town.


But I better, now that the six-ish dawn light is hovering, trying to break through the night wars, get my droopy body down those subway stairs pretty soon and back across town before anyone at home notices that I am missing. Still I will take the hard-bitten coffee, re-beaned and all, I will take the sleepy eyes that are starting to weigh down my face, I will even take the con artists and feisty drunks just so that I can be here when somebody’s search for the blue-pink great American West night, farther west than Harvard Square night, gets launched.

On The 70th Anniversary- Magical Realism One-On-One- With Humphrey Bogart And Lauren Bacall’s “Dark Passage” (1947)

On The 70^th Anniversary- Magical Realism One-On-One- With Humphrey Bogart And Lauren Bacall’s “Dark Passage” (1947)

By Seth Garth

[At this point I am not involved in the so-called controversy between the younger and older writers of which I am one since I have moved on, have been actually trying to put stories together not let my bile jump up at me. Yes, I voted to retain my old friend Allan Jackson, but what of it-S.G]

It is a funny thing about breaks, about how things twist and turn in this crazy old world. Hey I should know, I, Pat Lynch, who has been in the private detection business for the past thirty-five years ever since I got out of the Army back at the end of World War II. (By the way private detection, detective is the way I like to hear it said not shamus, gumshoe, key-hole peeper like they say on television or in those silly crime detection novels as much as I liked reading guys like Dashiell Hammett and Raymond Chandler back before I got into the real profession and found they were mostly blowing smoke.) Take the Humphrey Bogart case, or what turned out to be the name of the case, a name I was told he did not use among his various names, his aliases, his akas as we say in the business, since he hated it from childhood when the kids thought he was humpty-dumpty and later when dope, marijuana was exotic and illegal hipsters would say “don’t bogart that joint.”

This Bogart case I worked off and on for the better part of twenty years in the days when the coppers, the public coppers, were offering five thou, big money then for the whereabouts dead or alive of the guy. Big money especially to a guy starting out a few years after the war in order to bring this guy to justice, or back to justice since he had escaped San Quentin, the Q and while on the lam he killed his best friend, some frail, some ex-girlfriend and some two-bit small time crook, con man really. They laid the whole mess on it in any case so it was the same thing.  Never did find him and I went to South America and Europe to try to collar him so he could be dead or alive some place. All I know is the case had plenty of twists and turns and Bogart got his share of bumps and breaks along the way so what I just said is true about breaks. And a little idea that maybe Bogart didn’t commit all those murders and was framed. Like I said breaks.            

Maybe you don’t remember the Bogart case? Back in the late 1940s it was all the rage in the papers for about six months in the days when they would run with a news story like that forever not like today when even murder cases get a day or two and then go with the breeze. This Bogart was supposed to have killed his wife in a rage with an iron from the fireplace. He did admit to having a quarrel with that wife before he left but he never hit her that day (neighbor testimony told a story that he was on other occasions abusive, had hit her at least one and she had had a black-eye to show for it). At trial which like I say was “page one” for weeks in Frisco though he was done in by that ex-girlfriend he later allegedly killed during his escape. She claimed she saw him hit that wife from the window outside the Bogart residence and the defense could never shake her story. So that and Bogarts’ being the only fingerprints on the iron doomed him. On defense Bogart claimed that this frail, this ex-girlfriend, Agnes, had never been his girlfriend, that she was jealous of the wife and despite their marital troubles he never had plans to leave that wife. The jury didn’t buy the story-life, life without parole.                

Which who knows should have been the end of the story and the only place Bogart should next have been seen anyway outside the Q was at his potter’s field funeral. But this Bogart was not only lucky in some ways which you have to be to escape any serious secured prison but he had planned it for years staying mostly to himself working out plans in his head (he had been an engineer before he fell down, before he took the big fall). Easy as pie from what I gathered as long as you don’t care about placing yourself in a garage barrel when they come to get rid of the trash on the outside. And Bogart didn’t. The next parts are a little murky since it was mostly pieced together from a lot of information that seemed contradictory-seemed to tempt the fates too much.     

He got out okay and along the road he jiggles the barrel enough to have it flip off the road down an embankment the clueless driver not noticing anything fall off the truck. In any case the coppers, once the warden declared an escape, were on the trail fast-caught up with that truck driver who knowing nothing noticed one barrel missing. So the cops started heading back up the road they had just come from.  Here is where luck plays a small role, part one, Bogart after discarding his shirt grabbed a ride from a passing car, from that two-bit small time con man. That funny little con man asked too many questions though and he bonked him one leaving him off to the side of the road. While he was doing that a stray car, a station wagon since she had to carry her art supplies around, pulled up and told him to get in, told him by name. This Lauren, Lauren Bacall, known in the Bay Area as something of an artist but also with dough left by a step-father who killed her mother and got the big sent-off, step-off really at Q for it had been following his case for years, had been at the trial (shades of her father’s case where she thought he too was innocent) and hearing the police reports over the radio decided to help Bogart along. Yeah, I know.

That’s the story anyway, once I heard the story from Bob, the dame’s boyfriend at the time who got wise once things didn’t add up about why she was giving him the deep freeze, the heave-ho really and she told him flat out she had another man after he found men’s clothing in her bedroom. But this was well after the whereabouts of Bogart, and Lauren, reached a dead end and I was looking for anything to get back on track.            

The way it figures from there is that she brought him to her place over on Russian Hill to keep him under wraps for a while. But a guy who every copper in California was looking for needed to hide out somewhere else. Needed that hideaway since he was going to get some plastic surgery done to change his looks enough to blow town, head to South America where they don’t ask questions, especially from gringos with a little dough to stop the questions. That is where his good friend, a stand-up guy, George was supposed to help keep him undercover after the surgery. No play. After the surgery Bogart went back to George’s place but he had been murdered by a party or parties unknown, and so back to Lauren’s place and some better plan because six, two and even he was going to take the fall for that George one too which if you at the frozen dead-ass cold files today you will see the Frisco coppers did.

So the surgery took after a week under the bandages. It was during this period that boyfriend Bob started getting the cold shoulder and later that is where his speculation started. Problem at this point is that nobody including Lauren would have known it was Bogart (Lauren would know once the bandages came off before all she had seen was a guy like a million other guys turned in another guy like a million other guys.) I had heard a rumor that a cabdriver was bragging to his buddies at the Irish Grille over off Fisherman’s Wharf that he would have the last laugh since he was probably the only guy alive who knew what Bogart looked after he tied him onto a disbarred plastic surgeon. Young and raw as I was at the time I still had some waterfront, skid row dive contacts who would have known who that surgeon was, or if there was more than one, it would be small work to locate him.

Bingo Doc Jamison who had been on the back alley work for several years after he botched a big-time starlet’s face so that not even her parents would recognize her. Doc was very upfront that he had done the job and what of it. The beauty for him is that after putting on the bandages he was as clueless as anybody about Bogart’s appearance, so he said. I could never shake anything out of him even after offering money. All we knew was he was five foot-ten, brown hair, brown eyes.           

Once Bogart was up and around, going out, with or without Lauren, was when he started going by the name of Parry, Victor Parry, which is ironic since that was the name of another guy in the Q who had murdered his wife. They got that bit of information from the real Victor Parry, a couple of months later after the trail was dead-ass cold, when he bargained for a reduction of sentence. So we had a name although a name which petered out after a place called Benson, Arizona. Benson is important to the story because that has been a jump-off point for people on the run since the old Wild West days. Once in Mexico, as I subsequently found out, the trail got even colder, colder than a witch’s tit as we used to say as kids, maybe they still do.           

So you know Bogart got away, you know Lauren blew town shortly after so it figured they had a meet-up place who knows where. End of five thou dreams. That is when I started working on the case from a different angle purely for professional reasons. Started to work an angle that he might have been framed, been the fall guy. When you think about it why would a guy who was on the lam bump off his best friend, a guy he had drinks with, a guy who just wanted according to Jimmy Lee at the Kit Kat Club to blow high white notes out to the China seas. That brings you up to who else had a motive to bump off Bogart’s wife. After talking to Bob, that ex-boyfriend of Lauren’s given the colds by her brought up that Agnes, that so-called ex of Bogart’s. According to Bob she was venomous like a snake enough to take advantage of what she saw looking into the Bogart apartment. Hated that wife with a passion the way she told it later after she put the big frame around Bogart. Problem, big problem which you might not remember from when I started. Agnes fell out a window under mysterious circumstances and shortly after a tenant saw a guy who’s over-all characteristics fit Bogart to a tee. So the coppers tagged him for it and let it sleep. What the hell he was going to hang for the other raps anyway so let him have every unsolved crime that needed cold storage.              

So you see where I was blocked even trying to work that other angle. Nothing, nothing except that added murder rap of that small time hood who may have had some information because when you put two and two together he might have been a guy who knew both ends of the Bogart face. He had after all picked Bogart upon that escape route before being tossed. Being, by all accounts, a guy who was always looking for the silver lining, he told one of his confederates that he was going to make a big score, a very big score , although cagey enough not be give details. So what if he figured the Bogart-Bacall connection. We’ll never know because he fell down on the rocks under the Golden Gate Bridge. See what I mean by breaks-both ways.   

HONOR THE THREE L’S-LENIN, LUXEMBURG, LIEBKNECHT-Honor The Historic Leader Of The Bolshevik Revolution-Vladimir Lenin

HONOR THE THREE L’S-LENIN, LUXEMBURG, LIEBKNECHT-Honor The Historic Leader Of The Bolshevik Revolution-Vladimir Lenin  

Every January leftists honor three revolutionaries who died in that month, V.I. Lenin of Russia in 1924, Karl Liebknecht of Germany and Rosa Luxemburg of Poland in 1919 murdered after leading the defeated Spartacist uprising in Berlin. I made my political points about the heroic Karl Liebknecht and his parliamentary fight against the German war budget in World War I in this space earlier (see review in April 2006 archives). I made some special points here last year about the life of Rosa Luxemburg (see review in January 2006 archives). This year it is appropriate, at a time when the young needs to find a few good heroes, to highlight the early struggles of Vladimir Lenin, the third L, to define himself politically. Probably the best way to do that is to look at Lenin’s experiences through the prism of his fellow revolutionary, early political opponent and eventual co-leader of the Bolshevik Revolution Leon Trotsky.

A Look At The Young Lenin By A Fellow Revolutionary

The Young Lenin, Leon Trotsky, Doubleday and Co., New York, 1972

The now slightly receding figure of the 20^th century Russian revolutionary Vladimir Lenin founder and leader of the Bolshevik Party and guiding light of the October 1917 Russian Revolution and the first attempt at creating a socialist society has been the subject to many biographies. Some of those efforts undertaken during the time of the former Soviet government dismantled in 1991-92, especially under the Stalin regime, bordered on or were merely the hagiographic. Others, reflecting the ups and downs of the post- World War II Cold War, painted an obscene diabolical picture, excluding Lenin’s horns, and in some cases not even attempting to exclude those. In virtually all cases these effort centered on Lenin’s life from the period of the rise of the Bolshevik Social Democratic faction in 1903 until his early death in 1924. In short, the early formative period of his life in the backwaters of provincial Russia rate a gloss over. Lenin’s fellow revolutionary Leon Trotsky, although some ten years younger than him, tries to trace that early stage of his life in order to draw certain lessons. It is in that context that Trotsky’s work contains some important insights about the development of revolutionary figures and their beginnings.

Although Trotsky’s little work, originally intended to be part of a full biography of Lenin, never served its purpose of educating the youth during his lifetime and the story of it discovery is rather interesting one should note that this is neither a scholarly work in the traditional sense nor is it completely free from certain fawning over Lenin by Trotsky. Part of this was determined by the vicissitudes of the furious Trotsky-Stalin fights for the soul of the Russian Revolution as Trotsky tried to uncover the layers of misinformation about Lenin’s early life. Part of it resulted from Trotsky’s status of junior partner to Lenin and also to his late coming over to Bolshevism. And part of it is, frankly, to indirectly contrast Lenin’s and his own road to Marxism. That said, this partial biography stands up very well as an analysis of the times that the young Lenin lived in, the events that affected his development and the idiosyncrasies of his own personality that drove him toward revolutionary conclusions. In short, Trotsky’s work is a case study in the proposition that revolutionaries are made not born.

To a greater extent than would be true today in a celebrity-conscious world many parts of Lenin’s early life are just not verifiable. Partially that is due to the nature of record keeping in the Russia of the 19^th century. Partially it is because of the necessity to rely on not always reliable police records. Another part is that the average youth, and here Lenin was in some ways no exception, really have a limited noteworthy record to present for public inspection. That despite the best efforts of Soviet hagiography to make it otherwise. Nevertheless Trotsky does an admirable job of detailing the high and low lights of agrarian Russian society and the vagaries of the land question in the second half of the 19^thcentury. One should note that Trotsky grew up on a Ukrainian farm and therefore is no stranger to many of the same kind of problems that Lenin had to work through concerning the solution to the agrarian crisis, the peasant question. Most notably, is that the fight for the Russian revolution that everyone knew was coming could only be worked out through the fight for influence over the small industrial working class and socialism.

I would note that for the modern young reader that two things Trotsky analyzes are relevant. The first is the relationship between Lenin and his older brother Alexander who, when he became politicized, joined a remnant of the populist People’s Will terrorist organization and attempted to assassinate the Tsar. For his efforts he and his co-conspirators were hanged. I have always been intrigued by the effect that this event had on Lenin’s development. On the one hand, as a budding young intellectual, would Lenin have attempted to avenge his brother’s fate with his same revolutionary intellectual political program? Or would Lenin go another way to intersect the coming revolutionary either through its agrarian component or the budding Marxist Social Democratic element? We know the answer but Trotsky provides a nicely reasoned analysis of the various influences that were at work in the young Lenin. That alone is worth the price of admission here.

The other point I have already alluded to above. Revolutionaries are made not born, although particular life circumstances may create certain more favorable conditions. Soviet historians in their voluntarist hay day tried to make of Lenin a superhuman phenomenon- a fully formed Marxist intellectual from his early youth. Trotsky once again distills the essence of Lenin’s struggle to make sense of the world, the Russian world in the first instance, as he tries to find a way out the Russian political impasse. Trotsky’s work only goes up to 1892-93, the Samara period, the period before Lenin took off for Petersburg and greener pastures. He left Samara a fully committed Marxist but it would be many years, with many polemics and by using many political techniques before he himself became a Bolshevik, as we know it. And that, young friends, is a cautionary tale that can be taken into the 21^st century. Read on.

An Encore-Yes, You Had Better Shake, Rattle And Roll That Thing-With Big Joe Turner In Mind

An Encore-Yes, You Had Better Shake, Rattle And Roll That Thing-With Big Joe Turner In Mind

 

From The Pen Of Bart Webber

 

In the old days, the old days when the songs were just starting to be weaned off of the old time religion gospel high heaven savior thing you know to testify, to consider yourself "saved" and had come down in the mud of speaking of hard, hard drinking, hard lovin’ maybe with your best gal's friend if it came right down to the core, maybe flipping the bird on you and running around all flouncy with your best friend, maybe some hard-hearted "do this do that" woman on your mind, yeah, the old birth of  the blues days, the blue being nothing but a good woman or man on your mind anyway, around the turn of the 20^th century and you can check this out if you want to and not take my word for it a black guy, a rascally black guy of no known home, a drifter, maybe a hobo for all I know, and who knows what else named Joe Turner held forth among the folk. Old Joe would come around the share-cropper down South neighborhoods and steal whatever was not nailed down, including your woman, which depending on how you were feeling might be a blessing and if you in a spooning mod might be a curse on that bastard's head. Then Joe Turner would leave and move on to the next settlement and go about his plundering ways. Oh sure like lots of blues and old country music as it got passed on in the oral traditions there were as many versions of the saga as there were singers everybody adding their own touch. But it was always old Joe Turner doing the sinning and scratching for whatever he could scratch for. 

But for the most part the story line about old ne’er-do-well Joe Turner rang very similar over time. So Joe Turner got his grizzly self put into song out in the Saturday juke joints out in places like the Mississippi Delta where more legends were formed than you could shake a stick, got sanctified once old  Willie’s liquor, white lightning home-made liquor got to working, and some guy, maybe not the best singer if you asked around but a guy who could put words together to tell a story, a blues story, and that guy with a scratch guitar would put some verses together and the crowd would egg him on. Make the tale taller as the night went until everybody petered out and that song was left for the next guy to embellish.

By most accounts old Joe was bad man, a very bad man, bad mojo man, bad medicine as the folk call what ails but can't be fixed just short of as bad as Mister’s plantation foremen where those juke joint listeners worked sunup to sundown six days a week or just short as bad as the enforcers of Mister James Crow’s go here, not there, do this not that, move here not there laws seven days a week. Yeah, Joe was bad alright once he got his wanting habits on, although I have heard at least one recording from the Lomaxes who went all over the South in the 1930s and 1940s trying to record everything they could out in the back country where Joe Turner was something like a combination Santa Claus and Robin Hood. Hell, maybe he was and some guy who lost his woman to wily Joe just got sore and bad mouthed him. Passed that bad mouth on and the next guy who lost his woman to somebody pinned on Joe, Joe Turner, yeah it was that old rascal that did her in. Stranger things have happened.

In any case the Joe Turner, make that Big Joe, Turner I want to mention here as far as I know only stole the show when he got up on the bandstand and played the role of “godfather” of rock and roll. Yeah, that is what I want to talk about, about how one song, and specifically the place of Big Joe and one song, Shake Rattle and Roll in the rock pantheon. No question Big Joe and his snapping beat has a place in the history of rhythm and blues which is one of the musical forbear strands of rock and roll. The question is whether Shake is also the first serious effort to define rock and roll. If you look at the YouTube version of Big Joe be-bopping away with his guitar player doing some flinty stuff and that sax player searching for that high white note and Big Joe snapping away being  very suggestive about who should shake and what she should shake you can make a very strong case for that place. Add in that Bill Haley, Jerry Lee, and Elvis among others in the rock pantheon covered the song successfully and that would seem to clinch the matter.      

In 2004, the fiftieth anniversary of the debut of Shake by Big Joe, there had been considerable talk and writing again as there is on such occasions by some knowledgeable rock critics about whether Shake was the foundational song of rock. That controversy brought back to my mind the arguments that me and my corner boys who hung out in front of Jimmy Jack’s Diner in Carver, a town about thirty miles south of Boston, had on some nothing better to do Friday nights during high school (meaning girl-less, dough-less or both nights). I was the primary guy who argued for Big Joe and Shake giving that be-bop guitar and that wailing sexy sax work as my reasoning while Jimmy Jenkins swore that Ike Turner’s frantic piano-driven and screeching sax Rocket 88 (done under an alias of the Delta Cats apparently for contract reasons a not uncommon practice when something good came up but you would not have been able to do it under the label you were contracted to) was the be-bop beginning and Sam Lowell, odd-ball Sam Lowell dug deep into his record collection, really his parents' record collection which was filled mainly with folk music and the blues edge played off that to find Elmore James’ Look On Yonder Wall. And the other corner boys like our leader Frankie Riley lined up accordingly (nobody else came up with any others so it was those three).

Funny thing Frankie and most everybody else except I think Fritz Taylor who sided with Jimmy Jenkins sided with me and Big Joe. The funny part being that several years ago with the advent of YouTube I started to listen to the old stuff as it became available on-line and now I firmly believe that Ike’s Rocket 88 beats out Shake for the honor of the be-bop daddy of rock and roll. As for the old time Joe Turner, done come and gone, well, he will have to wait in line like the rest of us. What do you think of that?