Friday, January 19, 2018

Smokestack Lightning, Indeed- With Bluesman Howlin’ Wolf Coming Up The Mississippi From The Mister James Crow South And Blowing High White Notes In Mind

Smokestack Lightning, Indeed- With Bluesman Howlin’ Wolf Coming Up The Mississippi From The Mister James Crow South And Blowing High White Notes In Mind




Sometimes a picture really can be worth a thousand words, a thousand words and more as in the case Howlin’ Wolf doing his Midnight creep in the photograph above taken from an album of his work but nowadays with the advances in computer technology and someone’s desire to share also to be seen on sites such as YouTube where you can get a real flavor of what that mad man was about when he got his blues wanting habits on. In fact I am a little hesitate to use a bunch of words describing Howlin’ Wolf in high gear since maybe I would leave out that drop of perspiration dripping from his overworked forehead and that salted drop might be the very thing that drove him that night or describing his oneness with his harmonica because that might cause some karmic funk. So, no, I am not really going to go on and on about his midnight creep but when the big man got into high gear, when he went to a place where he sweaty profusely, a little ragged in voice and eyes all shot to hell he roared for his version of the high white note. Funny, a lot of people, myself for a while included, used to think that the high white note business was strictly a jazz thing, maybe somebody like the “Prez” Lester Young or Duke’s Johnny Hodges after hours, after the paying customers had had their fill, or what they thought was all those men had in them, shutting the doors tight, putting up the tables leaving the chairs for whoever came by around dawn, grabbing a few guys from around the town as they finished their gigs and make the search, make a serious bid to blow the world to kingdom come. 

Some nights they were on fire at blew that big note out in to some heavy air and who knows where it landed, most nights though it was just “nice try.” One night I was out in Frisco when “Saps” McCoy blew a big sexy sax right out the door of Chez Benny’s over in North Beach when North Beach was just turning away from be-bop “beat” and that high white, I swear, blew out to the bay and who knows maybe all the way to the Japan seas. But see if I had, or anybody had, thought about it for a minute jazz and the blues are cousins, cousins no question so of course Howlin’ Wolf blew out that high white note more than once, plenty including a couple of shows I caught him at when he was not in his prime.         

The photograph (and now video) that I was thinking of is one where he is practically eating the harmonica as he performs How Many More Years (and now like I say thanks to some thoughtful archivist you can go on to YouTube and see him doing his devouring act in real time and in motion, wow, and also berating father Son House for showing up drunk). Yes, the Wolf could blast out the blues and on this one you get a real appreciation for how serious he was as a performer and as blues representative of the highest order.

Howlin’ Wolf like his near contemporary and rival Muddy Waters, like a whole generation of black bluesmen who learned their trade at the feet of old-time country blues masters like Charley Patton, the aforementioned Son House who had his own personal fight with the devil, Robert Johnson who allegedly sold his soul to the devil out on Highway 61 so he could get his own version of that high white note, and the like down in Mississippi or other southern places in the first half of the twentieth century. They as part and parcel of that great black migration (even as exceptional musicians they would do stints in the sweated Northern factories before hitting Maxwell Street) took the road north, or rather the river north, an amazing number from the Delta and an even more amazing number from around Clarksville in Mississippi right by that Highway 61 and headed first maybe to Memphis and then on to sweet home Chicago.  

They went where the jobs were, went where the ugliness of Mister James Crow telling them sit here not there, walk here but not there, drink the water here not there, don’t look at our women under any conditions and on and on did not haunt their every move (although they would find not racial Garden of Eden in the North, last hired, first fired, squeezed in cold water flats too many to a room, harassed, but they at least has some breathing space, some room to create a little something they could call their won and not Mister’s), went where the big black migration was heading after World War I. Went also to explore a new way of presenting the blues to an urban audience in need of a faster beat, in need of getting away from the Saturday juke joint acoustic country sound with some old timey guys ripping up three chord ditties to go with that jug of Jack Flash’s homemade whiskey (or so he called it).

So they, guys like Howlin’ Wolf, Muddy Waters, Magic Slim, Johnny Shines, and James Cotton prospered by doing what Elvis did for rock and rock and Bob Dylan did for folk and pulled the hammer down on the old electric guitar and made big, big sounds that reached all the way back of the room to the Red Hat and Tip Top clubs and made the max daddies and max mamas jump, make some moves. And here is where all kinds of thing got intersected, as part of all the trends in post-World War II music up to the 1960s anyway from R&B, rock and roll, electric blues and folk the edges of the music hit all the way to then small white audiences too and they howled for the blues, which spoke to some sense of their own alienation. Hell, the Beatles and more particularly lived to hear Muddy and the Wolf. The Stones even went to Mecca, to Chess Records to be at one with Muddy. And they also took lessons from Howlin’ Wolf himself on the right way to play Little Red Rooster which they had covered and made famous in the early 1960s (or infamous depending on your point of view since many radio stations including some Boston stations had banned it from the air originally).Yes, Howlin’ Wolf and that big bad harmonica and that big bad voice that howled in the night did that for a new generation, pretty good right.  




 




 

As The 2018 Elections Raise There Under Heads- From "The Nation"-On The U.S. Constitutional Convention Process-Article V

As The 2018 Elections Raise There Under Heads- From "The Nation"-On The U.S. Constitutional Convention Process-Article V   











The New Breed Of Sci-Fi Adventure-“Star Wars: The Force Awakens” (2015)-A Film Review

The New Breed Of Sci-Fi Adventure-“Star Wars: The Force Awakens” (2015)-A Film Review    




DVD Review

By Laura Perkins

Star Wars: The Force Awakens (VII), starring Daisy Ridley, Adam Driver, John Boyega, Oscar Isaac, Harrison Ford, Carrie Fisher, 2015

         
Science Fiction movies sure aren’t what they used to be. Although I was, am not a great fan of the genre and have taken this assignment to review one of the seemingly never-ending Star Wars sagas (number 7 if you can believe it) that ripple through the cinematic universe every few years to give flagging studio tickets sales a boost as our boss Greg Green said when he assigned this beast to “broaden my horizons” I sat through my fair share of them growing up. Growing up just outside of Albany, New York my older brother would in the interest making his “baby-sitting” of me woes lighter take us in his car to the Majestic Theater in downtown Albany on Saturday afternoon’s to the matinees.

Of course since the average film was much shorter then usually around an hour and one half there would be a double-feature, sometimes a horror movie and a sci fi or sometimes two sci fi’s for the afternoon. What has struck me as amazing according to my recollections (and some “cheap sheet” research via invaluable for movie summaries if not for everything Wikipedia) after viewing this chapter of Star Wars was how differently these films have tracked society in their respective times.  Then, the late 1950s maybe early 1960s these sci fi films had “aliens” (not earthly aliens seeking shelter from earth’s storms in places like America to work and raise families without fear of death and disaster from the forces controlling their home societies) who were inevitably scary and ready to wreak havoc on an unsuspecting earth. Were in those deep freeze Cold War days foreboding when we were not quite sure we would make it from one day to the next if the “big one,” the nuclear bombs we rightly feared would blow us away. And the storylines and bad guy monsters and weird forces from outer space left no room for compromise-it was earthly civilization, us, such as it was or them.

Naturally the earthly civilization won out over the mutants and creeps who tried to do us in (read in newspeak the Soviets). Naturally as well in those days the leaders, usually one leader, who figured out how to tame the alien menace was an All-American, uh, guy who as Si Lannon loves to say went mano a mano with these unearthly forces. Saved civilization and grabbed the good-looking young woman in the fall-out (some things haven’t changed witness the younger versions of Hans Solo and Princess now General Leia and their courting ritual in the first three Star War sagas from about a million years ago it seems). Alternatively beat down the mad scientist who created some kid scary stuff, usually grossly radioactive and had to take the fall.      

That was then though. Maybe it is the intervening years where the Soviet menace has turned to dust and those “alien” enemies, the “them” have gone from outer space to around the corner and the world having explored the skies and found nothing unfriendly or otherwise (the cynic would say thus far) that has changed things. Add in a little what I would call sarcastically “universal multi-culturalism” and you have a very different mix. Now those scary monsters who populate the Star Wars alternative planets are just regular guys and gals who hang around bars mixing in with humans and whatnot.

Gruesome monsters that still scare me who I wouldn’t want to run into in daylight much less a dark alley at night but who we can’t offend because they might be allies, and besides “body-shaming” is socially taboo these days. More hopefully real live earthling minorities as in this film actually do good in the struggle against what is now not just earthly evil but universal. But perhaps the biggest difference, surprise is that those delicate passive young women of the 1950s have been transformed into righteous warriors in their own right kicking ass and taking numbers just like the good guys of yore. Here the warrior Rey played by Daisy Ridley showing her metal to good effect and throwing down bad guys left and right.  

All of those changes are basically pluses but that does not stop the story line from being the same old same old-here the latest incarnation of the bad guys, the First Order, looking for universal dominance against the gnat-like Resistance (a very appropriate term these days in America). Here the line-up is a young woman, a young black man, a gung-ho pilot, Hans Solo, General Leia against that mass of incompetent soldiers in that silly white armor aided by massive firepower which would make the Pentagon generals green with envy, led by General Huk, directed by ugly Supreme leader Snoke with the ringer being an imitation Darth Vader dressed in Johnny Cash black Kylo.


The ringer part-this Kylo aka Ben is none other than the progeny of Hans and Leia when they were doing their own version of mano a mano. Get this though Kylo aka Ben is so enamored of the dark side that he kills his Oedipal father Hans. Nothing but mourning all around. Except the Resistance is able to crush the First Order (for now) and that young woman, that Rey, gets to Luke Skywalker which is what this whole trip was all about. Stay tuned for the next one (2017 already filmed and shown) and the next one for 2019 just in time once again to boost flagging studio ticket sales. Nothing here made me want to grab onto the genre for dear life.               

The Cambridge/Boston Women’s March 2018: The People Persist January 20 @ 1:00 pm - 4:00 pm

The Cambridge/Boston Women’s March 2018: The People Persist

January 20 @ 1:00 pm - 4:00 pm



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n January 20th, 2018, We the People of New England will take to the streets again to show that Women’s Rights are Human Rights and Human Rights are Women’s Rights. Rain or shine, we welcome everyone to our event, including families and people with disabilities.
Speakers
The January Coalition is thrilled to announce our roster of confirmed speakers for the Cambridge/Boston Women’s March 2018. Our speakers are all amazing women from a broad range of experiences, and they reflect the many identities and issues that intersect with women’s rights.
Don’t recognize some of the names? We’ll be profiling our speakers and their accomplishments individually in the days to come, so keep checking back!
Elected Officials:
Marc McGovern, Mayor of Cambridge
Maura Healey, Attorney General of Massachusetts
Marjorie Decker, State Representative
Sumbul Siddiqui, Cambridge City Council
Community Speakers:
Rhoda Gibson, MassADAPT
Valentine Moghadam, Northeastern University
Laura Rotolo, ACLU Massachusetts
Nichole Mossalam, CAIR Massachusetts
Andrea James, Families for Justice As Healing
Tina Chéry, Louis D. Brown Peace Institute
Michelle Cunha, Massachusetts Peace Action
Savina Martin, Poor People’s Campaign
Eva Martin Blythe, YWCA Cambridge
Tray Johns, #Fedfam4life
Aleksandra Burger-Roy, NEIC
Freedom for All Massachusetts (speaker TBA)
MC: Zayda Ortiz, Indivisible Mystic Valley
More logistical information is coming soon! Accessibility information will be posted here: https://www.facebook.com/events/862995990536253/permalink/884560728379779/
STATEMENT OF VALUES:
1) We are a coalition of diverse social justice, human rights, disability rights, women’s rights, and peace organizations that are coming together on the first anniversary of Donald Trump’s inauguration to voice our opposition to an administration that is systematically eroding the rights of women and other marginalized people, dismantling and destroying our democracy, and putting the entire world at risk.
2) We have come together to affirm our common values, and we seek to ensure the rights of all people to liberty, dignity, and equal protection under the law.
3) We are dedicated to the guarantee of these basic human rights for all individuals, regardless of gender, gender expression, sexual orientation, race, age, religion, nationality, immigration status, disability, economic status, geographical residence, health status, culture, and political affiliation, not just in the United States but across the planet.
4) We believe that we are strengthened as a society by our diversity, and we are committed to protecting and passing laws that protect and sustain the rights of all people in our multicultural and multiethnic society.
5) We are united to resist the harmful consequences of President Trump’s administration on women, other marginalized groups, and the planet itself.
6) We envision this event as an occasion to recognize the resistance efforts undertaken thus far, and to further mobilize our collective energies for the year ahead.

Co-Hosts and Endorsers
List of groups co-hosting the event, in alphabetical order:
Boston Persists—Events for the Resistance
Cambridge Area Stronger Together
Cambridge-Somerville for Change
Harvard-Epworth United Methodist Church
Human Rights Festival
Indivisible Mystic Valley
Indivisible Somerville
March Forward Massachusetts
Massachusetts Peace Action
Massachusetts People’s Budget Campaign
New England Independence Campaign
Not One Penny — Tax March
We Unite Organizations
… more coming soon!
List of groups endorsing the event:
American Civil Liberties Union of Massachusetts
MassADAPT
PowerMASS
Watertown Citizens for Peace, Justice, and the Environment
… more coming soon!
If you would like to volunteer or join us as a cosponsor, please contact us at januarycoalition@gmail.com.
We need your help (including your money) to put on a great event!  We need $10,000 to cover the costs of a stage, sound equipment, portable restrooms, a generator, etc. and have raised $3,550 as of January 15.  Every grassroots penny comes from YOU.  Donate on Paypal or on Eventbrite.
 



Make checks payable to Massachusetts Peace Action Education Fund, write “Women’s March 2018” on the memo line, and mail to MAPA EF, 11 Garden St, Cambridge, MA 02138
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From The Partisan Defense Committee-32nd Holiday Appeal Fundraiser For Political Prisoners In New York City January 27, 2018

From The Partisan Defense Committee-32nd Holiday Appeal Fundraiser For Political Prisoners In New York City January 27, 2018 



From Socialist Alternative-Women's Marches Coming Up — Subscribe to Socialist Alternative for News and Analysis

Thursday, January 18, 2018

An Encore -The Son Of Dharma-With Jack Kerouac’s On The Road In Mind

An Encore -The Son Of Dharma-With Jack Kerouac’s On The Road In Mind






From The Pen Of Sam Lowell



Bart Webber thought he was going crazy when he thought about the matter after he had awoken from his fitful dream. Thought he was crazy for “channeling” Jack Kerouac, or rather more specifically channeling Jack’s definitive book On The Road, definite in giving him and a goodly portion of his generation that last push to go, well, go search a new world, or at least get the dust of your old town growing up off of your shoes, that had much to do with his wanderings. Got him going in search of what his late corner boy, “the Scribe,” Peter Paul Markin called the search for the Great Blue-Pink American West Night (Markin always capitalized that concept so since I too was influenced by the mad man’s dreams I will do so here). Any way you cut it seeking that new world that gave Bart his fitful dream. That  “driving him crazy” stemmed from the fact that those wanderings, that search had begun, and finished shortly thereafter, about fifty years before when he left the road after a few months. Just like Jack Callahan who left for the hand of Chrissie McNamara and a settled life. Decided that like many others who went that same route he was not build for the long haul road after all.  
 
But maybe it is best to go back to the beginning, not the fifty years beginning, Jesus, who could remember, maybe want to remember incidents that far back, but to the night several weeks before when Bart , Frankie Riley, who had been our acknowledged corner boy leader out in front of Jack Slack’s bowling alleys from about senior year in high school in 1966 and a couple of years after when for a whole assortment of reasons, including the wanderings, the crowd went its separate ways, Jimmy Jenkins, Allan Johnson, Jack, Josh Breslin, Rich Rizzo, Sam Eaton and me got together for one of our periodic “remember back in the day” get-togethers over at “Jack’s” in Cambridge a few block down Massachusetts Avenue from where Jimmy lives. We have probably done this a dozen time over the past decade or so, more recently as most of us have more time to spent at a hard night’s drinking (drinking high-shelf liquors as we always laugh about since in the old days we collectively could not have afforded one high-shelf drink and were reduced to drinking rotgut wines and seemingly just mashed whiskeys, and draino Southern Comfort, and that draino designation no lie, especially the first time you took a slug, the only way to take it, before you acquired the taste for it).
 
The night I am talking about though as the liquor began to take effect someone, Bart I think, mentioned that he had read in the Globe that up in Lowell they were exhibiting the teletype roll of paper that Jack Kerouac had typed the most definitive draft of his classic youth nation travel book, On The Road in honor of the fiftieth anniversary of its publication in 1957. That information stopped everybody in the group’s tracks for a moment. Partly because everybody at the table, except Rich Rizzo, had taken some version of Kerouac’s book to heart as did thousands, maybe hundreds of thousands of certified members of the generation of ’68 who went wandering in that good 1960s night. But most of all because etched in everybody’s memory were thoughts of the mad monk monster bastard saint who turned us all on to the book, and to the wanderings, the late Peter Paul Markin.
 
Yeah, we still moan for that sainted bastard all these years later whenever something from our youths come up. It might be an anniversary, it might be all too often the passing of some iconic figure from those times, or it might be passing some place that was associated with our crowd, and with Markin. See Markin was something like a “prophet” to us, not the old time biblical long-beard and ranting guys although maybe he did think he was in that line of work, but as the herald of what he called “a fresh breeze coming across the land” early in the 1960s. Something of a nomadic “hippie” slightly before his time (including wearing his hair-pre moppet Beatles too long for working class North Adamsville tastes, especially his mother’s, who insisted on boys’ regulars and so another round was fought out to something like a stand-still then in the Markin household saga). The time of Markin’s “prophesies,” the hard-bitten Friday or Saturday night times when nothing to do and nothing to do it with he would hold forth, was however a time when we could have given a rat’s ass about some new wave forming in Markin’s mind (and that “rat’s ass” was the term of art we used on such occasions).
 
We would change our collective tunes later in the decade but then, and on Markin’s more sober days he would be clamoring over the same things, all we cared about was girls (or rather “getting into their pants”), getting dough for dates and walking around money (and planning small larcenies to obtain the filthy lucre), and getting a “boss” car, like a ’57 Chevy or at least a friend that had one in order to “do the do” with said girls and spend some dough at places like drive-in theaters and drive-in restaurants (mandatory if you wanted to get past square one with girls, the girls we knew, or were attracted to, in those days).           
 
Markin was whistling in the dark for a long time, past high school and maybe a couple of years after. He wore us down though pushing us to go up to Harvard Square in Cambridge to see guys with long hair and faded clothes and girls with long hair which looked like they had used an iron to iron it out sing, read poetry, and just hang-out. Hang out waiting for that same “fresh breeze” that Markin spent many a girl-less, dough-less, car-less Friday or Saturday night serenading us heathens about. I don’t know how many times he dragged me, and usually Bart Webber, in his trail on the late night subway to hear some latest thing in the early 1960s folk minute which I could barely stand then, and which I still grind my teeth over when I hear some associates going on and on about guys like Bob Dylan, Tom Rush and Dave Von Ronk and gals like Joan Baez, the one I heard later started the whole iron your long hair craze among seemingly rationale girls. Of course I did tolerate the music better once a couple of Cambridge girls asked me if I liked folk music one time in a coffeehouse and I said of course I did and took Markin aside to give me some names to throw at them. One girl, Lorna, I actually dated off and on for several months.
 
But enough of me and my youthful antics, and enough too of Markin and his wiggy ideas because this screed is about Jack Kerouac, about the effect of his major book, and why Bart like Jack Callahan of all people who among those of us corner boys from Jack Slack’s who followed Markin on the roads west left it the earliest. Jack who left to go back to Chrissie, and eventually a car dealership, Toyota, that had him Mr. Toyota around Eastern Massachusetts (and of course Chrissie as Mrs. Toyota).
 
In a lot of ways Markin was only the messenger, the prodder, because when he eventually convinced us all to read the damn book at different points when we were all, all in our own ways getting wrapped up in the 1960s counter-cultural movement (and some of us the alternative political part too) we were in thrall to what adventures Sal Paradise and Dean Moriarty were up to. That is why I think Jack had his dreams after the all-night discussions we had. Of course Markin came in for his fair share of comment, good and bad. But what we talked about mostly was how improbable on the face of it a poor working-class kid from the textile mill town of Lowell, Massachusetts, from a staunch Roman Catholic French-Canadian heritage of those who came south to “see if the streets of America really were paved with gold” would seem an unlikely person to be involved in a movement that in many ways was the opposite of what his generation, the parents of our generation of ’68 to put the matter in perspective, born in the 1920s, coming of age in the Great Depression and slogging through World War II was searching for in the post-World War II “golden age of America.”  Add in that he also was a “jock” (no slur intended as we spent more than our fair share of time talking about sports on those girl-less, dough-less, car-less weekend nights, including Markin who had this complicated way that he figured out the top ten college football teams since they didn’t a play-off system to figure it out. Of course he was like the rest of us a Notre Dame “subway” fan), a guy who played hooky to go read books and who hung out with a bunch of corner boys just like us would be-bop part of his own generation and influence our generation enough to get some of us on the roads too. Go figure.       
 
So we, even Markin when he was in high flower, did not “invent” the era whole, especially in the cultural, personal ethos part, the part about skipping for a while anyway the nine to five work routine, the white house and picket fence family routine, the hold your breath nose to the grindstone routine and discovering the lure of the road and of discovering ourselves, and of the limits of our capacity to wonder. No question that elements of the generation before us, Jack Kerouac’s, the sullen West Coast hot-rodders, the perfect wave surfers, the teen-alienated rebel James Dean and wild one Marlon Brando we saw on Saturday afternoon matinee Strand Theater movie screens and above all his “beats” helped push the can down the road, especially the “beats” who along with Jack wrote to the high heavens about what they did, how they did it and what the hell it was they were running from. Yeah, gave us a road map to seek that “newer world” Markin got some of us wrapped up in later in the decade and the early part of the next.
 
Now the truth of the matter is that most generation of ‘68ers, us, only caught the tail-end of the “beat” scene, the end where mainstream culture and commerce made it into just another “bummer” like they have done with any movement that threatened to get out of hand. So most of us who were affected by the be-bop sound and feel of the “beats” got what we knew from reading about them. And above all, above even Allen Ginsberg’s seminal poem, Howl which was a clarion call for rebellion, was Jack Kerouac who thrilled even those who did not go out in the search the great blue-pink American West night.              
 
Here the odd thing, Kerouac except for that short burst in the late 1940s and a couple of vagrant road trips in the 1950s before fame struck him down was almost the antithesis of what we of the generation of ’68 were striving to accomplish. As is fairly well known, or was by those who lived through the 1960s, he would eventually disown his “step-children.” Be that as it may his role, earned or not, wanted or not, as media-anointed “king of the beats” was decisive.           
 
But enough of the quasi-literary treatment that I have drifted into when I really wanted to tell you about what Bart Webber told me about his dream. He dreamed that he, after about sixty-five kinds of hell with his mother who wanted him to stay home and start that printing business that he had dreamed of since about third grade when he read about how his hero Benjamin Franklin had started in the business, get married to Betsy Binstock, buy a white picket fence house (a step up from the triple decker tenement where he grew up) have children, really grandchildren and have a happy if stilted life. But his mother advise fell off him like a dripping rain, hell, after-all he was caught in that 1960s moment when everything kind of got off-center and so he under the constant prodding of Markin decided to hit the road. Of course the Kerouac part came in from reading the book after about seven million drum-fire assaults by Markin pressing him to read the thing.
 
So there he was by himself. Markin and I were already in San Francisco so that was the story he gave his mother for going and also did not tell her that he was going  to hitchhike to save money and hell just to do it. It sounded easy in the book. So he went south little to hit Route 6 (a more easterly part of that road in upstate New York which Sal unsuccessfully started his trip on). There he met a young guy, kind of short, black hair, built like a football player who called himself Ti Jean, claimed he was French- Canadian and hailed from Nashua up in New Hampshire but had been living in Barnstable for the summer and was now heading west to see what that summer of love was all about.
 
Bart was ecstatic to have somebody to kind of show him the ropes, what to do and don’t do on the road to keep moving along. So they travelled together for a while, a long while first hitting New York City where Ti Jean knew a bunch of older guys, gypsy poets, sullen hipsters, con men, drifters and grifters, guys who looked like they had just come out some “beat” movie. Guys who knew what was what about Times Square, about dope, about saying adieu to the American dream of their parents to be free to do as they pleased. Good guys though who taught him a few things about the road since they said they had been on that road since the 1940s.
 
Ti Jean whose did not look that old said he was there with them, had blown out of Brockton after graduating high school where he had been an outstanding sprinter who could have had a scholarship if his grades had been better. Had gone to prep school in Providence to up his marks, had then been given a track scholarship to Brown, kind of blew that off when Providence seemed too provincial to him, had fled to New York one fine day where he sailed out for a while in the merchant marines to do his bit for the war effort. Hanging around New York in between sailings he met guys who were serious about reading, serious about talking about what they read, and serious about not being caught in anything but what pleased them for the moment. Some of this was self-taught, some picked up from the hipsters and hustlers.
 
After the war was over, still off-center about what to do about this writing bug that kept gnawing at him despite everybody, his minute wife, his love mother, his carping father telling him to get a profession writing wasn’t where any dough was, any dough for him he met this guy, a hard knocks guys who was something like a plebeian philosopher king, Ned Connelly, who was crazy to fix up cars and drive them, drive them anyway. Which was great since Ti Jean didn’t have a license, didn’t know step one about how to shift gears and hated driving although he loved riding shot-gun getting all blasted on the dope in the glove compartment and the be-bop jazz on the radio. So they tagged along together for a couple of years, zigged and zagged across the continent, hell, went to Mexico too to get that primo dope that he/they craved, got drunk as skunks more times than you could shake a stick, got laid more times than you would think by girls who you would not suspect were horny but were, worked a few short jobs picking produce in the California fields, stole when there was no work, pimped a couple of girls for a while to get a stake and had a hell of time while the “squares” were doing whatever squares do. And then he wrote some book about it, a book that was never published because there were too many squares who could not relate to what he and Ned were about. He was hoping that the kids he saw on the road, kids like Bart would keep the thing moving along as he left Bart at the entrance to the Golden Gate Bridge on their last ride together.
 
Then Bart woke up, woke up to the fact that he stayed on the road too short a time now looking back on it. That guy Ti Jean had it right though, live fast, drink hard and let the rest of it take care of itself. Thanks Markin.