An Encore -The Son Of Dharma-With Jack Kerouac’s On The Road In Mind

An Encore -The Son Of Dharma-With Jack Kerouac’s On The Road In Mind

Jack Callahan thought he was going crazy when he thought about the matter after he had awoken from his fitful dream. Thought he was crazy for “channeling” Jack Kerouac, or rather more specifically channeling Jack’s definitive book On The Road, definite in giving him and a goodly portion of his generation that last push to go, well, go search a new world, or at least get the dust of your old town growing up off of your shoes, that had much to do with his wanderings. Got him going in search of what his late corner boy, “the Scribe,” Peter Paul Markin called the search for the Great Blue-Pink American West Night (Markin always capitalized that concept so since I too was influenced by the mad man’s dreams I will do so here). Any way you cut it seeking that new world that gave Jack his fitful dream. That  “driving him crazy” stemmed from the fact that those wanderings, that search had begun, and finished shortly thereafter, about fifty years before when he left the road after a few months for the hand of Chrissie McNamara and a settled life. Decided that like many others who went that same route he was not build for the long haul road after all.  

But maybe it is best to go back to the beginning, not the fifty years beginning, Jesus, who could remember, maybe want to remember incidents that far back, but to the night several weeks before when Jack, Frankie Riley, who had been our acknowledged corner boy leader out in front of Jack Slack’s bowling alleys from about senior year in high school in 1966 and a couple of years after when for a whole assortment of reasons, including the wanderings, the crowd went its separate ways, Jimmy Jenkins, Allan Johnson, Bart Webber, Josh Breslin, Rich Rizzo, Sam Eaton and me got together for one of our periodic “remember back in the day” get-togethers over at “Jack’s” in Cambridge a few block down Massachusetts Avenue from where Jimmy lives. We have probably done this a dozen time over the past decade or so, more recently as most of us have more time to spent at a hard night’s drinking (drinking high-shelf liquors as we always laugh about since in the old days we collectively could not have afforded one high-shelf drink and were reduced to drinking rotgut wines and seemingly just mashed whiskeys, and draino Southern Comfort, and that draino designation no lie, especially the first time you took a slug, the only way to take it, before you acquired the taste for it).

The night I am talking about though as the liquor began to take effect someone, Bart I think, mentioned that he had read in the Globe that up in Lowell they were exhibiting the teletype roll of paper that Jack Kerouac had typed the most definitive draft of his classic youth nation travel book, On The Road in honor of the fiftieth anniversary of its publication in 1957. That information stopped everybody in the group’s tracks for a moment. Partly because everybody at the table, except Rich Rizzo, had taken some version of Kerouac’s book to heart as did thousands, maybe hundreds of thousands of certified members of the generation of ’68 who went wandering in that good 1960s night. But most of all because etched in everybody’s memory were thoughts of the mad monk monster bastard saint who turned us all on to the book, and to the wanderings, the late Peter Paul Markin.

Yeah, we still moan for that sainted bastard all these years later whenever something from our youths come up. It might be an anniversary, it might be all too often the passing of some iconic figure from those times, or it might be passing some place that was associated with our crowd, and with Markin. See Markin was something like a “prophet” to us, not the old time biblical long-beard and ranting guys although maybe he did think he was in that line of work, but as the herald of what he called “a fresh breeze coming across the land” early in the 1960s. Something of a nomadic “hippie” slightly before his time (including wearing his hair-pre moppet Beatles too long for working class North Adamsville tastes, especially his mother’s, who insisted on boys’ regulars and so another round was fought out to something like a stand-still then in the Markin household saga). The time of Markin’s “prophesies,” the hard-bitten Friday or Saturday night times when nothing to do and nothing to do it with he would hold forth, was however a time when we could have given a rat’s ass about some new wave forming in Markin’s mind (and that “rat’s ass” was the term of art we used on such occasions).

We would change our collective tunes later in the decade but then, and on Markin’s more sober days he would be clamoring over the same things, all we cared about was girls (or rather “getting into their pants”), getting dough for dates and walking around money (and planning small larcenies to obtain the filthy lucre), and getting a “boss” car, like a ’57 Chevy or at least a friend that had one in order to “do the do” with said girls and spend some dough at places like drive-in theaters and drive-in restaurants (mandatory if you wanted to get past square one with girls, the girls we knew, or were attracted to, in those days).           

Markin was whistling in the dark for a long time, past high school and maybe a couple of years after. He wore us down though pushing us to go up to Harvard Square in Cambridge to see guys with long hair and faded clothes and girls with long hair which looked like they had used an iron to iron it out sing, read poetry, and just hang-out. Hang out waiting for that same “fresh breeze” that Markin spent many a girl-less, dough-less, car-less Friday or Saturday night serenading us heathens about. I don’t know how many times he dragged me, and usually Bart Webber, in his trail on the late night subway to hear some latest thing in the early 1960s folk minute which I could barely stand then, and which I still grind my teeth over when I hear some associates going on and on about guys like Bob Dylan, Tom Rush and Dave Von Ronk and gals like Joan Baez, the one I heard later started the whole iron your long hair craze among seemingly rationale girls. Of course I did tolerate the music better once a couple of Cambridge girls asked me if I liked folk music one time in a coffeehouse and I said of course I did and took Markin aside to give me some names to throw at them. One girl, Lorna, I actually dated off and on for several months.

But enough of me and my youthful antics, and enough too of Markin and his wiggy ideas because this screed is about Jack Kerouac, about the effect of his major book, and why Jack Callahan of all people who among those of us corner boys from Jack Slack’s who followed Markin on the roads west left it the earliest. Left to go back to Chrissie, and eventually a car dealership, Toyota, that had him Mr. Toyota around Eastern Massachusetts (and of course Chrissie as Mrs. Toyota).

In a lot of ways Markin was only the messenger, the prodder, because when he eventually convinced us all to read the damn book at different points when we were all, all in our own ways getting wrapped up in the 1960s counter-cultural movement (and some of us the alternative political part too) we were in thrall to what adventures Sal Paradise and Dean Moriarty were up to. That is why I think Jack had his dreams after the all-night discussions we had. Of course Markin came in for his fair share of comment, good and bad. But what we talked about mostly was how improbable on the face of it a poor working-class kid from the textile mill town of Lowell, Massachusetts, from a staunch Roman Catholic French-Canadian heritage of those who came south to “see if the streets of America really were paved with gold” would seem an unlikely person to be involved in a movement that in many ways was the opposite of what his generation, the parents of our generation of ’68 to put the matter in perspective, born in the 1920s, coming of age in the Great Depression and slogging through World War II was searching for in the post-World War II “golden age of America.”  Add in that he also was a “jock” (no slur intended as we spent more than our fair share of time talking about sports on those girl-less, dough-less, car-less weekend nights, including Markin who had this complicated way that he figured out the top ten college football teams since they didn’t a play-off system to figure it out. Of course he was like the rest of us a Notre Dame “subway” fan), a guy who played hooky to go read books and who hung out with a bunch of corner boys just like us would be-bop part of his own generation and influence our generation enough to get some of us on the roads too. Go figure.       

So we, even Markin when he was in high flower, did not “invent” the era whole, especially in the cultural, personal ethos part, the part about skipping for a while anyway the nine to five work routine, the white house and picket fence family routine, the hold your breath nose to the grindstone routine and discovering the lure of the road and of discovering ourselves, and of the limits of our capacity to wonder. No question that elements of the generation before us, Jack Kerouac’s, the sullen West Coast hot-rodders, the perfect wave surfers, the teen-alienated rebel James Dean and wild one Marlon Brando we saw on Saturday afternoon matinee Strand Theater movie screens and above all his “beats” helped push the can down the road, especially the “beats” who along with Jack wrote to the high heavens about what they did, how they did it and what the hell it was they were running from. Yeah, gave us a road map to seek that “newer world” Markin got some of us wrapped up in later in the decade and the early part of the next.

Now the truth of the matter is that most generation of ‘68ers, us, only caught the tail-end of the “beat” scene, the end where mainstream culture and commerce made it into just another “bummer” like they have done with any movement that threatened to get out of hand. So most of us who were affected by the be-bop sound and feel of the “beats” got what we knew from reading about them. And above all, above even Allen Ginsberg’s seminal poem, Howl which was a clarion call for rebellion, was Jack Kerouac who thrilled even those who did not go out in the search the great blue-pink American West night.              

Here the odd thing, Kerouac except for that short burst in the late 1940s and a couple of vagrant road trips in the 1950s before fame struck him down was almost the antithesis of what we of the generation of ’68 were striving to accomplish. As is fairly well known, or was by those who lived through the 1960s, he would eventually disown his “step-children.” Be that as it may his role, earned or not, wanted or not, as media-anointed “king of the beats” was decisive.           

But enough of the quasi-literary treatment that I have drifted into when I really wanted to tell you about what Bart Webber told me about his dream. He dreamed that he, after about sixty-five kinds of hell with his mother who wanted him to stay home and start that printing business that he had dreamed of since about third grade when he read about how his hero Benjamin Franklin had started in the business, get married to Betsy Binstock, buy a white picket fence house (a step up from the triple decker tenement where he grew up) have children, really grandchildren and have a happy if stilted life. But his mother advise fell off him like a dripping rain, hell, after-all he was caught in that 1960s moment when everything kind of got off-center and so he under the constant prodding of Markin decided to hit the road. Of course the Kerouac part came in from reading the book after about seven million drum-fire assaults by Markin pressing him to read the thing.

So there he was by himself. Markin and I were already in San Francisco so that was the story he gave his mother for going and also did not tell her that he was going  to hitchhike to save money and hell just to do it. It sounded easy in the book. So he went south little to hit Route 6 (a more easterly part of that road in upstate New York which Sal unsuccessfully started his trip on). There he met a young guy, kind of short, black hair, built like a football player who called himself Ti Jean, claimed he was French- Canadian and hailed from Nashua up in New Hampshire but had been living in Barnstable for the summer and was now heading west to see what that summer of love was all about.

Bart was ecstatic to have somebody to kind of show him the ropes, what to do and don’t do on the road to keep moving along. So they travelled together for a while, a long while first hitting New York City where Ti Jean knew a bunch of older guys, gypsy poets, sullen hipsters, con men, drifters and grifters, guys who looked like they had just come out some “beat” movie. Guys who knew what was what about Times Square, about dope, about saying adieu to the American dream of their parents to be free to do as they pleased. Good guys though who taught him a few things about the road since they said they had been on that road since the 1940s.

Ti Jean whose did not look that old said he was there with them, had blown out of Brockton after graduating high school where he had been an outstanding sprinter who could have had a scholarship if his grades had been better. Had gone to prep school in Providence to up his marks, had then been given a track scholarship to Brown, kind of blew that off when Providence seemed too provincial to him, had fled to New York one fine day where he sailed out for a while in the merchant marines to do his bit for the war effort. Hanging around New York in between sailings he met guys who were serious about reading, serious about talking about what they read, and serious about not being caught in anything but what pleased them for the moment. Some of this was self-taught, some picked up from the hipsters and hustlers.

After the war was over, still off-center about what to do about this writing bug that kept gnawing at him despite everybody, his minute wife, his love mother, his carping father telling him to get a profession writing wasn’t where any dough was, any dough for him he met this guy, a hard knocks guys who was something like a plebeian philosopher king, Ned Connelly, who was crazy to fix up cars and drive them, drive them anyway. Which was great since Ti Jean didn’t have a license, didn’t know step one about how to shift gears and hated driving although he loved riding shot-gun getting all blasted on the dope in the glove compartment and the be-bop jazz on the radio. So they tagged along together for a couple of years, zigged and zagged across the continent, hell, went to Mexico too to get that primo dope that he/they craved, got drunk as skunks more times than you could shake a stick, got laid more times than you would think by girls who you would not suspect were horny but were, worked a few short jobs picking produce in the California fields, stole when there was no work, pimped a couple of girls for a while to get a stake and had a hell of time while the “squares” were doing whatever squares do. And then he wrote some book about it, a book that was never published because there were too many squares who could not relate to what he and Ned were about. He was hoping that the kids he saw on the road, kids like Bart would keep the thing moving along as he left Bart at the entrance to the Golden Gate Bridge on their last ride together.

Then Bart woke up, woke up to the fact that he stayed on the road too short a time now looking back on it. That guy Ti Jean had it right though, live fast, drink hard and let the rest of it take care of itself. Thanks Markin.              

In Honor Of Russian Revolutionary Vladimir Lenin’s Birthday (April 1870-Janaury 1924)-The Struggle Continues-Ivan Smilga’s Political Journey-Take Four

In Honor Of Russian Revolutionary Vladimir Lenin’s Birthday (April 1870-Janaury 1924)-The Struggle Continues-Ivan Smilga’s Political Journey-Take Four       

From The Pen Of Frank Jackman 



For a number of years I have been honoring various revolutionary forbears, including the subject of this birthday tribute, the Russian Bolshevik leader Vladimir Lenin architect (along with fellow revolutionary Leon Trotsky) of the October Revolution in Russia in 1917 in each January under the headline-Honor The Three L’s –Lenin, Luxemburg , Liebknecht. My purpose then was (and still is) to continue the traditions established by the Communist International in the early post-World War I period in honoring revolutionary forbears. That month has special significance since every January  

Leftists honor those three leading revolutionaries who died in that month, V.I. Lenin of Russia in his sleep after a long illness in 1924, and Karl Liebknecht of Germany and Rosa Luxemburg of Poland in 1919 murdered in separate incidents after leading the defeated Spartacist uprising in Berlin.



I have made my political points about the heroic Karl Liebknecht and his parliamentary fight against the German war budget in World War I in which he eventually wound up in prison only to be released when the Kaiser abdicated (correctly went to jail when it came down to it once the government pulled the hammer down on his opposition), on some previous occasions. The key point to be taken away today, still applicable today as in America we are in the age of endless war, endless war appropriations and seemingly endless desires to racket up another war out of whole cloth every change some ill-begotten administration decides it needs to “show the colors”, one hundred years later in that still lonely and frustrating struggle to get politicians to oppose war budgets, to risk prison to choke off the flow of war materials.  



I have also made some special point in previous years about the life of Rosa Luxemburg, the “rose of the revolution.” About her always opposing the tendencies in her adopted party, the German Social-Democracy, toward reform and accommodation, her struggle to make her Polish party ready for revolutionary opportunities, her important contributions to Marxist theory and her willing to face and go to jail when she opposed the first World War.



This month, the month of his birth, it is appropriate, at a time when the young needs to find, and are in desperate need of a few good heroes, a few revolutionaries who contributed to both our theoretical understandings about the tasks of the international working class in the age of imperialism (the age, unfortunately, that we are still mired in) and to the importance of the organization question in the struggle for revolutionary power, to highlight the  struggles of Vladimir Lenin, the third L, in order to define himself politically.

Below is a fourth sketch written as part of a series posted over several days before Lenin’s birthday on the American Left History blog starting on April 16^th (see archives) of a young fictional labor militant, although not so fictional in the scheme of the revolutionary developments in the Russia of the Tsar toward the end of the 19^th century and early 20^th century which will help define the problems facing the working-class there then, and the ones that Lenin had to get a handle on.

*******

Ivan Smilga was sitting at the quay on the Neva River in Saint Petersburg forlorn, more forlorn than he had been since sometime in his early childhood when he found out that the land that he lived on did not actually belong to him, or rather did not belong to his father, and he had run out into the fields in rage, had not understood the almost feudal arrangement that his father had with landlord owner, including service by any sons in case of war decreed by the Tsar. He did not know much about that, didn’t care a fig about that military service part since he was well under any conscript age but he did rage that his father, every year his father never got ahead, never tired as well of talking about the miseries of his life that defeated any chance of his getting ahead on land that he continually said had been played out by the previous tenant, Tsachev. Still his father did nothing about it, not even when he had heard that some young people had come out from Moscow to organize them and instead threatened to turn them in if they dared step on “his land” (although in the end that organization effort came to naught since the city radicals had made the cardinal error of calling themselves intellectuals which set them apart as well as the fact that they, as was their wont in the cities, produced much literature which only a few like Ivan would have been able to read).

This day Ivan was forlorn because they had taken Elena off, off to Siberia a place he himself had known having served a two year sentence there a few years before for political crimes against the state, in short trying to kidnap state officials for ransom to get money and to make the point they could do the deed with impunity,   when he had ill-advisedly and against his common sense took up with a revolutionary cell in Moscow and had been “fingered” by one of the worker comrades to the Okhrana in order to cut his own sentence. Elena had been taken in for trying to organize a demonstration for a shorter work day and other more political rights (ten instead of twelve hours days and half a day on Saturday, the right to organize trade unions, the right to free speech, etc.) in front of the Winter Palace on New Year’s Day to bring in the new year, and the new century [1900].

The direct reason for Ivan’s agitated state was that he had become “engaged” to Elena and had come to depend on her for his emotional support. (This engagement thing was not the old-fashioned type involving dowries and exchanges but a “new-type” where that “engagement” signified that they had already slept together in anticipation of marriage, or in more advanced circles just slept together. Ivan and Elena were the former.)

Yes, the year 1899 had not been a good year for the left-wing political struggles in Russia. The Tsar and his ministers had determined to crush any opposition in the bud and so even the organizing of trade unions, illegal but semi-tolerated especially in the foreign concessions, had become a point of contention. Ivan and Elena had clashed many times over that question. Elena, after they had met, or rather had re-met having worked in Moscow together at the Smythe and Son textile factory, at the Putilov Iron Works where he was an apprentice blacksmith and she worked in the foundry, had been involved in a strike action in which Elena was a central figure that wound up getting a number of fellow workers back on the job after they had been fired. As a result of that victory the previously hesitant Ivan (hesitant due to that very trip to Siberia of his own and a desire not to go back and well as fears for Elena that had now come true) had met Elena “half-way” and worked with her on trade-union organizing issues. He would however have no truck with the broader issues, the question of democratic right when he would have to confront the state in a more direct manner. He had had enough of that. Besides he had come to think, under the influence of various liberal and radical thinkers who were popping up in the capital and who were making some sense to Ivan’s mind that if they, the workers, could just get more pay, less work, and some time off that things would be better. Let others, other, smarter people worry about the larger issues. That day to day struggle fight was all that could be expected and that was enough.

When Elena (and her fellow political workers, mainly students at Saint Petersburg University and radical workers from the Vyborg, the working class quarters) determined that trade union organizing was not enough and that the Tsar had to be confronted with the issue of democratic rights and a street demonstration Ivan had gone off in a fit, had left Elena alone for several days to stew outside Saint Petersburg. During that time Elena, a crackerjack organizer and also a very committed revolutionary, had organized the march set for New Year’s Day. On that day there was no turning back for her and her comrades. The minute they stepped off at noon they were surrounded by sabre-welding Cossacks and arrested. Before Ivan could get back to the city, before he could attempt once again to talk her out of the rash action she had been arrested and faced deportation to Siberia. That is why one Ivan Smilga was sitting before the Neva River forlorn. But that is also one reason why Ivan thought that maybe, just maybe Elena had been right, that the struggle for a better life for him and her, them might need some more thought on his part.      

Turnabout Is Fair Play-With The Detective Fiction Writer Dashiel Hammett in Mind

Turnabout Is Fair Play-With The Detective Fiction Writer Dashiel Hammett in Mind

By Zack James

Fred Sims’ tales of his life as a real live private investigator, P.I., gumshoe, shamus, private dick, or whatever you call it in your neighborhood depending on whether you had been in thrall to the old time black and white detective films like The Maltese Falcon and The Big Sleep and picked the lingo there or just heard it on the streets, could only be taken in small doses. So said Alexander Slater, Alex, who for many years ran a print shop on the first floor of the Tappan Building in Carver where Fred had his office on the fifth floor. Many times the pair would run into one another at Dolly’s Diner across the street from the Tappan and they would sit and have their coffee and crullers together. Usually though the talk was on weather, of Alex’s children and grandchildren, Fred’s troubles with his latest girlfriend usually picked up from one of his cases since that was one of the few places where he would run into women who might be interested in him, or how the town of Carver, once the world famous hub of the cranberry industry, had gone to hell in a hand-basket over the past few decades who with the place turning into a vanilla no problems need apply “bedroom community” for the young who had flowed to the high tech industry on Interstate 495 about fifteen miles away.

If Alex wanted to hear some tale of Fred’s, maybe he had read some story in the Gazette or the Globe from Boston and wondered if Fred had run up against that kind of situation, he would go up to Fred’s office, plunk himself down in one of Fred’s drastically mismatched chairs (old-timer Fred did not believe in putting up a front and so his office did look like old Sam Slade’s cinematic one including the crooked coat rack), Fred would pull out a bottle of Johnny Walker Red, and Fred would answer his question with a story, or if he had no story that would match up with Alex’s inquiry then something from his files.                  

The story about the Malone brothers was just such a story, one that Fred told Alex even before he began to spin the thing was a prima facie case of turnabout is fair play, although he would admit that something about not being your brother’s keeper could have worked too. For this one Fred reached back into the 1950s when he was first starting out in the business, gotten himself the office in the Tappan Building and put up his sign, after he had gotten out of the Army where he had served as an MP in Germany during those Cold War days. Chester and Arthur Malone were financiers, or that is what they called themselves, guys who bought and sold stock for various clients’ accounts or for themselves if they saw a tidy profit in some hot stock. Strictly small potatoes around the Boston stock exchange and going nowhere fast until Chester hit upon the idea that he had read about that he, they could use one or more clients’ stock (or bonds although that was dicey) to buy high risk stock but which if it panned out would move them up the stock exchange food chain and into maybe some merger with a larger firm. Who knows what they would have finally wound up doing. This whole stock transfer idea aside from the questionable legal, moral and being smart questions was essentially a Ponzi scheme, a scheme that has been around since old Pharaoh out of Egypt bondage time maybe before, one way or another as long there have been suckers who have looked for high returns for little risk, so they think.

Well the long and short of it was that something went wrong, a few clients wanted their assets cashed in, something like that, and the Malones’ couldn’t cover fast enough. The clients squawked to the SEC and the boys went on the carpet, were going to jail for a nickel anyway. All the paper transfers though were in Arthur’s name and so they decided that since Arthur’s goose was cooked he wound take the fall, he would cop a plea saying that the whole operation had been his and Chester had nothing to do with his dealings. So he won the fiver, went down for the nickel. Arthur did his time, most of it anyway, but something happened in prison, who knows, maybe he became somebody’s “girl,” maybe he thought he had gotten a raw deal from his brother, maybe he didn’t like that his brother stole his wife, Mona,  away, stole her after she had divorced him when he went to prison. Whatever it was something had been eating at him by the time he got out.

Arthur though had his own game plan, kept his own consul, and when he got out he played the game so that Chester believed they were on good terms. Then Chester started getting threatening telephone calls, calls telling him that the party on the other line, a woman, but Chester though that was just a guy using a dame as a front that they knew he had been watering stock all the time that Arthur was in jail and that unless he forked up dough his life would be worthless. Chester was no fool though, had not been scamming for all those years to just fold up when some anonymous caller called. That’s when he called me, called me to his office saying that he had been getting threatening phone calls and wanted to know who was behind it.  I told him that would be a hard nut to crack but he insisted he needed help, wanted me to pursue the matter.

Here’s where everything got squirrelly though. Arthur, as part of his plan worked in the office after he got out, did his own hustling for accounts. While he had been away Chester had hired a secretary, what they now call administrative assistants but still are really secretaries with computer skills, Ms. Wyman, Bess, a looker about thirty. Arthur made a big play for her, which she tumbled too especially when he started dangling marriage in front of her. Of course, aside from the fact that after prison he could use a few off-hand tumbles which he considered a bonus, Arthur was using Bess to find out everything about Chester’s operations since he had been gone. It turned out that Chester had been up to his old tricks, another Ponzi scheme of sorts. So one day after he thought he had enough information on his brother Arthur called some of Chester’s clients and made them, a few anyway, believe that their accounts would be in trouble if they didn’t pull out fast. They did and as you might expect Chester couldn’t cover fast enough before the clients complained to the SEC. And so in his turn Chester did his nickel since all the transfers had his signature on them. It turned out that he had been the one who had sold Arthur out to the SEC on the previous scheme to save his own neck. So turnabout was fair play. As for me well I got paid off once the accounts were settled for basically doing nothing except trying to cover Chester from taking a fall which I couldn’t do. Oh yeah, I got paid off too with a few tumbles with that Bess once she gave Arthur the heave-ho when after she had figured out that he was playing her for a patsy just to get at Chester. People are strange, right.

In Honor Of Russian Revolutionary Vladimir Lenin’s Birthday (April 1870-January 1924)-The Struggle Continues-Ivan Smilga’s Political Journey-Take Four

In Honor Of Russian Revolutionary Vladimir Lenin’s Birthday (April 1870-January 1924)-The Struggle Continues-Ivan Smilga’s Political Journey-Take Four       

From The Pen Of Frank Jackman 



For a number of years I have been honoring various revolutionary forbears, including the subject of this birthday tribute, the Russian Bolshevik leader Vladimir Lenin architect (along with fellow revolutionary Leon Trotsky) of the October Revolution in Russia in 1917 in each January under the headline-Honor The Three L’s –Lenin, Luxemburg , Liebknecht. My purpose then was (and still is) to continue the traditions established by the Communist International in the early post-World War I period in honoring revolutionary forbears. That month has special significance since every January  

Leftists honor those three leading revolutionaries who died in that month, V.I. Lenin of Russia in his sleep after a long illness in 1924, and Karl Liebknecht of Germany and Rosa Luxemburg of Poland in 1919 murdered in separate incidents after leading the defeated Spartacist uprising in Berlin.



I have made my political points about the heroic Karl Liebknecht and his parliamentary fight against the German war budget in World War I in which he eventually wound up in prison only to be released when the Kaiser abdicated (correctly went to jail when it came down to it once the government pulled the hammer down on his opposition), on some previous occasions. The key point to be taken away today, still applicable today as in America we are in the age of endless war, endless war appropriations and seemingly endless desires to racket up another war out of whole cloth every change some ill-begotten administration decides it needs to “show the colors”, one hundred years later in that still lonely and frustrating struggle to get politicians to oppose war budgets, to risk prison to choke off the flow of war materials.  



I have also made some special point in previous years about the life of Rosa Luxemburg, the “rose of the revolution.” About her always opposing the tendencies in her adopted party, the German Social-Democracy, toward reform and accommodation, her struggle to make her Polish party ready for revolutionary opportunities, her important contributions to Marxist theory and her willing to face and go to jail when she opposed the first World War.



This month, the month of his birth, it is appropriate, at a time when the young needs to find, and are in desperate need of a few good heroes, a few revolutionaries who contributed to both our theoretical understandings about the tasks of the international working class in the age of imperialism (the age, unfortunately, that we are still mired in) and to the importance of the organization question in the struggle for revolutionary power, to highlight the  struggles of Vladimir Lenin, the third L, in order to define himself politically.

Below is a fourth sketch written as part of a series posted over several days before Lenin’s birthday on the American Left History blog starting on April 16^th (see archives) of a young fictional labor militant, although not so fictional in the scheme of the revolutionary developments in the Russia of the Tsar toward the end of the 19^th century and early 20^th century which will help define the problems facing the working-class there then, and the ones that Lenin had to get a handle on.

*******

Ivan Smilga was sitting at the quay on the Neva River in Saint Petersburg forlorn, more forlorn than he had been since sometime in his early childhood when he found out that the land that he lived on did not actually belong to him, or rather did not belong to his father, and he had run out into the fields in rage, had not understood the almost feudal arrangement that his father had with landlord owner, including service by any sons in case of war decreed by the Tsar. He did not know much about that, didn’t care a fig about that military service part since he was well under any conscript age but he did rage that his father, every year his father never got ahead, never tired as well of talking about the miseries of his life that defeated any chance of his getting ahead on land that he continually said had been played out by the previous tenant, Tsachev. Still his father did nothing about it, not even when he had heard that some young people had come out from Moscow to organize them and instead threatened to turn them in if they dared step on “his land” (although in the end that organization effort came to naught since the city radicals had made the cardinal error of calling themselves intellectuals which set them apart as well as the fact that they, as was their wont in the cities, produced much literature which only a few like Ivan would have been able to read).

This day Ivan was forlorn because they had taken Elena off, off to Siberia a place he himself had known having served a two year sentence there a few years before for political crimes against the state, in short trying to kidnap state officials for ransom to get money and to make the point they could do the deed with impunity,   when he had ill-advisedly and against his common sense took up with a revolutionary cell in Moscow and had been “fingered” by one of the worker comrades to the Okhrana in order to cut his own sentence. Elena had been taken in for trying to organize a demonstration for a shorter work day and other more political rights (ten instead of twelve hours days and half a day on Saturday, the right to organize trade unions, the right to free speech, etc.) in front of the Winter Palace on New Year’s Day to bring in the new year, and the new century [1900].

The direct reason for Ivan’s agitated state was that he had become “engaged” to Elena and had come to depend on her for his emotional support. (This engagement thing was not the old-fashioned type involving dowries and exchanges but a “new-type” where that “engagement” signified that they had already slept together in anticipation of marriage, or in more advanced circles just slept together. Ivan and Elena were the former.)

Yes, the year 1899 had not been a good year for the left-wing political struggles in Russia. The Tsar and his ministers had determined to crush any opposition in the bud and so even the organizing of trade unions, illegal but semi-tolerated especially in the foreign concessions, had become a point of contention. Ivan and Elena had clashed many times over that question. Elena, after they had met, or rather had re-met having worked in Moscow together at the Smythe and Son textile factory, at the Putilov Iron Works where he was an apprentice blacksmith and she worked in the foundry, had been involved in a strike action in which Elena was a central figure that wound up getting a number of fellow workers back on the job after they had been fired. As a result of that victory the previously hesitant Ivan (hesitant due to that very trip to Siberia of his own and a desire not to go back and well as fears for Elena that had now come true) had met Elena “half-way” and worked with her on trade-union organizing issues. He would however have no truck with the broader issues, the question of democratic right when he would have to confront the state in a more direct manner. He had had enough of that. Besides he had come to think, under the influence of various liberal and radical thinkers who were popping up in the capital and who were making some sense to Ivan’s mind that if they, the workers, could just get more pay, less work, and some time off that things would be better. Let others, other, smarter people worry about the larger issues. That day to day struggle fight was all that could be expected and that was enough.

When Elena (and her fellow political workers, mainly students at Saint Petersburg University and radical workers from the Vyborg, the working class quarters) determined that trade union organizing was not enough and that the Tsar had to be confronted with the issue of democratic rights and a street demonstration Ivan had gone off in a fit, had left Elena alone for several days to stew outside Saint Petersburg. During that time Elena, a crackerjack organizer and also a very committed revolutionary, had organized the march set for New Year’s Day. On that day there was no turning back for her and her comrades. The minute they stepped off at noon they were surrounded by sabre-welding Cossacks and arrested. Before Ivan could get back to the city, before he could attempt once again to talk her out of the rash action she had been arrested and faced deportation to Siberia. That is why one Ivan Smilga was sitting before the Neva River forlorn. But that is also one reason why Ivan thought that maybe, just maybe Elena had been right, that the struggle for a better life for him and her, them might need some more thought on his part.      

In Honor Of Russian Revolutionary Vladimir Lenin’s Birthday (April 1870-January 1924)-The Struggle Continues-Ivan Smilga’s Political Journey-Take Three

In Honor Of Russian Revolutionary Vladimir Lenin’s Birthday (April 1870-January 1924)-The Struggle Continues-Ivan Smilga’s Political Journey-Take Three      

From The Pen Of Frank Jackman 



For a number of years I have been honoring various revolutionary forbears, including the subject of this birthday tribute, the Russian Bolshevik leader Vladimir Lenin architect (along with fellow revolutionary Leon Trotsky) of the October Revolution in Russia in 1917 in each January under the headline-Honor The Three L’s –Lenin, Luxemburg , Liebknecht. My purpose then was (and still is) to continue the traditions established by the Communist International in the early post-World War I period in honoring revolutionary forbears. That month has special significance since every January  

Leftists honor those three leading revolutionaries who died in that month, V.I. Lenin of Russia in his sleep after a long illness in 1924, and Karl Liebknecht of Germany and Rosa Luxemburg of Poland in 1919 murdered in separate incidents after leading the defeated Spartacist uprising in Berlin.



I have made my political points about the heroic Karl Liebknecht and his parliamentary fight against the German war budget in World War I in which he eventually wound up in prison only to be released when the Kaiser abdicated (correctly went to jail when it came down to it once the government pulled the hammer down on his opposition), on some previous occasions. The key point to be taken away today, still applicable today as in America we are in the age of endless war, endless war appropriations and seemingly endless desires to racket up another war out of whole cloth every change some ill-begotten administration decides it needs to “show the colors”, one hundred years later in that still lonely and frustrating struggle to get politicians to oppose war budgets, to risk prison to choke off the flow of war materials.  



I have also made some special point in previous years about the life of Rosa Luxemburg, the “rose of the revolution.” About her always opposing the tendencies in her adopted party, the German Social-Democracy, toward reform and accommodation, her struggle to make her Polish party ready for revolutionary opportunities, her important contributions to Marxist theory and her willing to face and go to jail when she opposed the first World War.



This month, the month of his birth, it is appropriate, at a time when the young needs to find, and are in desperate need of a few good heroes, a few revolutionaries who contributed to both our theoretical understandings about the tasks of the international working class in the age of imperialism (the age, unfortunately, that we are still mired in) and to the importance of the organization question in the struggle for revolutionary power, to highlight the  struggles of Vladimir Lenin, the third L, in order to define himself politically.

Below is a third sketch written as part of a series posted over several days before Lenin’s birthday on the American Left History blog starting on April 16^th of a young fictional labor militant, although not so fictional in the scheme of the revolutionary developments in the Russia of the Tsar toward the end of the 19^th century and early 20^th century which will help define the problems facing the working-class there then, and the ones that Lenin had to get a handle on.

*************

Ivan Smilga was persona non grata in Moscow after his sojourn to bloody Siberia and that was the one and only reason he had crossed the country to Saint Petersburg. That and the feeling that he needed a new start, a fresh start. That bloody Siberia sojourn was the result of an unwise decision to right the wrongs of this world, or at least of his world, by conspiring with known radical students and worker militants in Moscow to kidnap various high officials for ransom in order to gain some small rights in return. The whole thing exploded in his face (in their faces) when one of the workmen “snitched” to save his own neck and Ivan got a two year sentence for his mistake (since he was late in on the conspiracy and the idea had come from that workman snitch he was given a lenient sentence. They others received ten to twenty years at hard labor, including ten to Suslov who had expected only two like Ivan. Perfidious Okhrana). After that Ivan swore, swore off of politics as a way to change the world, to change his world. Now that he had applied for and had been taken on as a blacksmith apprentice in the Putilov Ironworks he vowed to keep his hands busy and his head away from the world’s woes. Again Ivan got the job due to his size and strength which the head blacksmith noticed right away when he saw in him in the superintendent’s office and told the metal work foreman to grab him with both hands. Fortunately, fortunately for Ivan (and the revolution) he was able to cover up his two years in Siberia by saying he had gone back to the farm after being dismissed by Smythe and Son and unlike later under Stalin the legal “paper trail” behind him never caught up in sprawling Saint Petersburg where the foreign concessions were not as concerns about paperwork as by ability to adjust to the factory system.

Then Elena Kassova entered, or rather re-entered, his life. He had known her as a fellow-worker, a machine-tender, in the John Smythe and Son textile factory in Moscow where he worked taking the rolls of fabric off the machines, her machine, before he became a gang boss. Since in those days before he was finally laid off as “redundant” by the company he was well respected as a worker and had not taken to drink he was eyed by many young women as a possible “catch.” He had caught Elena’s eye as well although as a pious country girl she had refrained from flirting with Ivan like some of the other girl machine-tenders who practically threw themselves at the giant of a man. Through the vagaries of commerce Smythe and Son had closed their Moscow plant and relocated to Saint Petersburg. Elena had followed having no other recourse or resources in Moscow. While in Saint Petersburg she had applied to the Putilov works in order to better herself. After some time she was employed in the foundry doing small piecework. Ivan and Elena met one evening coming out of the plant, had greeted each other, and Ivan had walked her home.

That story about Elena moving on to the Putilov Works to better herself was just that though, a story. While in Moscow, Elena had joined a readers’ circle not just any readers’ circle, but a Workers Benefit Circle. These circles met ostensibly to read, but were actually organizing committees for establishing Tsarist-banned trade unions. Some had imbibed the new socialist ideas coming from Europe, especially Germany and especially the Marxist wing of that movement. (Other trends the Bakunin and Kropotkin tendencies in anarchism, workers co-operatives, social reformism, Christian socialism translated through the Orthodox religion held by most Russians got some play as well.) Elena had been drawn into the work by some students at Moscow University and had shown so much promise that she was “ordered” to go to Saint Petersburg in order to establish circles in that metropolis where there were many plants, including the expanding Putilov, that needed to be organized.  Her task at the time that she met Ivan was thus to help organize a strike at the Works for higher pay and only half a day’s work on Saturday. After several weeks she tried to recruit Ivan to the work knowing that he was well respected among the apprentice blacksmiths, knowing that he had been the organizer of the “Luddite” operation one Saturday night which wreaked hauling machinery at the Smythe factory in Moscow (it had become common knowledge among the tight-knit working class neighborhoods), and knew he had served “time” (that knowledge coming one night after Ivan had had too much vodka and was trying to impress Elena with his manly prowess).

Ivan turned Elena down cold, told her whatever she thought, that he had learned the error of his youthful ways and was looking to make no waves so that he could concentrate his energies on his dream of becoming a master blacksmith and eventually opening his own shop. Elena, wise to the ways of the world and trained to keep her full motives in check, continued to work on Ivan. Of course unknown to Ivan who thought it was just a matter of gaining higher wages and more time off that drove Elena was the hard fact that she had become a revolutionary, had come to see the trade union struggle as just an organizing tool to a grander scheme.

Then one day the workers on the night shift at the Putilov factory called a strike over the firing of several workers, including a couple of apprentice blacksmiths. The next morning Elena called out the workers in her section on the day shift, mainly women. She then cornered Ivan as he was about to walk into his work shed and told him to join the strike. She said it in such a way that Ivan knew that if he crossed the line that would be the last that he saw of Elena. And he was not finished with Elena, not by a long shot. And so he said this to her, “I will fight to get more money, I will fight for a shorter day and I will fight to get my brothers rehired but that is it. No more politics for me, no more.” Now due to some weaknesses of organization, and some crossing of the lines and increasing police menacing they did not get any more money or less time after that strike but after three days they were able to get those fired brothers back. And Ivan had thought they had done a fine thing. Elena had just scowled.                   

In Honor Of The Late Rocker Chuck Berry Who Helped Make It All Possible-Coming Of Age, Period-The Rock Music Of The 1950s

In Honor Of The Late Rocker Chuck Berry Who Helped Make It All Possible-Coming Of Age, Period-The Rock Music Of The 1950s

CD Review

Oldies But Goodies, Volume One, Original Sound Record Co., 1987


I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but now when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, moves away from ballady show tunes, rhymey Tin Pan Alley tunes and, most importantly, any and all music that your parents might have approved of, even liked, or at least left you alone to play in peace up in your room hit post World War II America like, well, like an atomic bomb.

Now, not all of the material was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of them had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who had two left feet on the dance floor. You didn’t need to dance toe to toe with that certain she (or he for shes). Ah, to be very young then was very heaven.

So what still sounds good on this CD compilation to a current AARPer and some of his fellows who comprise the demographic that such 1950s compilations “speak” to. “Earth Angel”, no question. Also, of course, Chuck Berry’s “Maybellene” but other things of his like “Roll Over Beethoven” and “Back In The U.S.A. are more rock anthem-worthy. Etta James still rocks. And the under-appreciated Lloyd Price on his version of the old standard, “Stagger Lee”. But for my money the best here musically are the great harmonics on “Eddy My Love” by the Teen Queens and the smooth sound of Sonny Knight on “Confidential”. Yes, I know, these are slow ones that you had to dance close on. And just hope, hope to high heaven that you didn’t destroy your partner's shoes and feet. But there you are.

Sonny Knight
Confidential lyrics

Confidential as a church at twilight
Sentimental as a rose in the moonlight
My love for you will always be
Confidential to me

Confidential as a mothers prayer
Too beautiful for other hearts to share
My love for you will always be
Confidential to me

CHORUS
Our loves our precious secret
A beautiful thing apart
There's no need for prying eyes
To look into my heart

Confidential as a babys cry
Sacred and holy as a lovers sigh
My love for you will always be
Confidential to me

Confidential as a babys cry
Sacred and holy as a lovers sigh
My love for you will always be
Confidential to me

Before The Fall- The Film Adaptation Of Graham Greene’s “The Quiet American” (2002)- A Film Review

Before The Fall- The Film Adaptation Of Graham Greene’s “The Quiet American” (2002)- A Film Review   

DVD Review

By Sandy Salmon

The Quiet American, starring Michael Caine, Brendan Fraser, Do Thi Hai Yen, 2002,  based on the novel by Graham Greene , 2002   

Before the fall of Saigon in Vietnam (now Ho Chi Minh City) in 1975 graphically and forever etched in the historical mind by the famous photograph of a helicopter trying to evacuate fleeing Americans and their Vietnamese cronies from atop the American Embassy and before the first inklings in the Western mind that something big was happening after the French defeat at Dien Bien Phu Indo-China (the generic name for the whole are controlled by the French) there was an unquiet little civil war, a guerrilla insurgency playing out in that benighted region. Enter the quiet American, the CIA operative, here the fictional Alden Pyle, who represented American interests even at that early date to attempt to stem the tide. That is the central theme of the film under review, The Quiet American. (This film is the second coming of the adaptation of Graham Greene’s insightful book. The other version in 1958 during high tide Cold War red scare times played down the anti-war aspects of his piece and the futility of the third force strategy which reportedly, and rightly, enraged Greene.)           

Of course with any political thriller there has to be a romantic piece to keep the plot moving between action scenes and in this case it is the “competition” between an English newspaperman, Thomas Fowler, a very married English newspaperman, played by Michael Caine and that quiet American, Alden Pyle, played by Brendon Fraser, for the hand of that Englishman’s beautiful Vietnamese mistress Phuong , played by Do Thi Hai Yen once he lands on the ground. But the central plot is about the doing of the CIA operative in trying to create a “third force,” a strategy which in every subsequent manifestation was doomed to failure since there in the end, the fall of Saigon end, there was no such force that could do anything against the two major forces contending for control of Indo-China, of Vietnam.

It is the intrigue involved in that futile action which eventually does our quiet American in. Finds him face down in the Pearl River with a couple of deep fatal knife wounds in him for his ill-disposed efforts. Alden posing as an aid worker (as in AID a known CIA conduit for all kinds of nefarious activities and still is) gets friendly with Fowler and even friendlier with his mistress and until his unquiet death and river dump was her lover. Along the way Alden tried to under cover of that aid worker ruse get a militia leader to be that “third force” leader to step in between the French colonials and the Communists. Of course that tin pot general was as corrupt as any subsequent “third force” general the Americans were able to rustle up and moreover had his own agenda of grabbing every dollar and every weapon old Uncle Sam would throw his way.       

Sound familiar?

The really beautiful part, the part that seems prescient, this Alden and his kept general decided to stir things up a little, create a little more chaos, by trying to discredit the commies. So they plant bombs in the marketplace in Saigon and let the commies take the blame for the atrocities committed by the action. Fowler though gets a chance to kill two birds with one stone by letting his pro-Communist assistant know what was what about Alden’s involvement in the action. Alden gone to the shades Phuong comes back to Fowler. Was Fowler an accessory in the Pyle murder? I’ll never tell but a friend of mine who served in Vietnam told me the intrigue level at every level except covering for the guys in your squad was so fierce that anything could happen, happen to make ordinarily rational people snap.  Watch this one if you want to get a flavor of up close and personal about why Vietnam was a quagmire the memory of which is still with us today.    

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-Billy’s, Billy From The Old Neighborhood, View-Jody Reynolds’ Endless Sleep

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-Billy’s, Billy From The Old Neighborhood, View-Jody Reynolds’ Endless Sleep

 JODY REYNOLDS
"Endless Sleep"
(Jody Reynolds and Dolores Nance)

The night was black, rain fallin' down

Looked for my baby, she's nowhere around

Traced her footsteps down to the shore

‘fraid she's gone forever more

I looked at the sea and it seemed to say

“I took your baby from you away.

I heard a voice cryin' in the deep

“Come join me, baby, in my endless sleep.

Why did we quarrel, why did we fight?

Why did I leave her alone tonight?

That's why her footsteps ran into the sea

That's why my baby has gone from me.

I looked at the sea and it seemed to say

“I took your baby from you away.

I heard a voice cryin' in the deep

“Come join me, baby, in my endless sleep.

Ran in the water, heart full of fear

There in the breakers I saw her near

Reached for my darlin', held her to me

Stole her away from the angry sea

I looked at the sea and it seemed to say

“You took your baby from me away.

My heart cried out “she's mine to keep

I saved my baby from an endless sleep.

[Fade]

Endless sleep, endless sleep

This is another of my tongue-in-cheek commentaries, the back story if you like, in the occasional sketches going back to the primordial youth time of the 1950s with its bags full of classic rock songs for the ages. Of course, any such efforts have to include the views of one Billy, William James Bradley, the mad-hatter of the 1950s rock jailbreak out in our “the projects” neighborhood down in Adamsville not far outside of Boston. The “projects” for those not in the know, those of you who came of age in the leafy suburbs that we “projects” boys fiercely dreamed about once we saw what they looked like on television (and the girls, “projects” girls too dreamed our dreams too although there wasn’t so much mixing of the two until later, until we, meaning we corner boys figured out that those sticks that used to annoy us as they got some shape seemed a lot more interesting that we had previously recognized)were usually poorly constructed multi-unit complexes (ours were four-unit complexes, with many, many such complexes) originally built to house house-hungry returning World War II G.I.s who needed a place to stay while they were waiting on the golden age of the American dream to hit them.

But enough of that for this sketch is not about growing up poor in the land of plenty but growing up in the golden age of rock and roll that we hungry kids and kids from the leafy suburbs could both relate to. In those days, unlike during his later fateful wrong turn trajectory days when he lost his moorings, went off to a hard scrabble life of crime, every kid, including one of his best friends, Markin, Peter Markin, me, lived to hear what he had to say about any song that came trumpeting over the radio, at least every song that we would recognize as our own. This song, Endless Sleep, came out at a time when my family had been at the beginning of the process of moving out of the projects, and, more importantly, I had begun to move away from Billy orbit, his new found orbit as king hell gangster wannabe. I was then in my 24/7 reading at the local public library branch phase unlike previously being Billy’s accomplice on various, well, let’s call them capers just in case the statute of limitations has not run out. Still Billy, king hell rock and roll king of the old neighborhood, knew how to call a lyric, and make us laugh to boot. Wherever you are Billy I’m still pulling for you. Got it.

*****

Billy back again, William James Bradley, if you didn’t know. Markin’s pal, Peter Paul Markin’s pal, from over at Snug Harbor Elementary School and the pope of rock lyrics down here in “the projects.” The Adamsville projects, if you don’t know. Markin, who I hadn’t seen for a while since he told me his family was going to move out of the projects and who has developed this big thing for the local library and books lately, came by the other day to breathe in the fresh air of my rock universe-adorned bedroom when we got to talking about this latest record, Endless Sleep, by Jody Reynolds. You can usually depend on Markin to show up when there is some song he is not sure about blasts over the radio, or maybe when he wants to go mano y mano with me on those ill-advised times when he thinks he has an edge on me.

All the parents around here, at least the parents that care anyway, or those who have heard the lyrics screaming from their kid’s electricity plug-in blaring living room radio (that’s why they invented transistor radios-so parents wouldn’t, or couldn’t, catch on to what we are listening to- smarten up is what I say to those kids still listening on the family radio, for Christ’s sake) about the not so subtle suicide pact theme. [See lyrics above.] Yah, like that silly pact to jump in the ocean is what every kid is going to do when the going gets a little tough in the love department. Take a jump in the ocean, and call one and all to join them. Come on, will you. It's only a song. Besides what is really good about this one is that great back beat on the guitar and Jody Reynolds’ cool clothes and sideburns. I wish to high heaven I had both.

But see the pope of rock lyrics, me, can’t just leave this song like that. I have to decode it for the teeny-boppers around here or they will be clueless, including big-time book guy Markin. And that is really what is going to make the difference between us here. We had a battle royal over this one. See, Markin always wants to give big play to the “social” meaning of a song, whatever that is, you know where the thing sticks in society, where it speaks to some teen concern, at least in teeny-bopper society. Or maybe he has read some newspaper article where some highly-paid guy, a professor usually has spotted a trend and wants to warn every parent, cop and rat teacher of the consequences. Jesus. Yeah, and Markin is also the “sensitive” guy, usually. Like, for example, one time when he was pulling for the girl to get her guy back, or at least go back to her old boyfriend who was waiting by the midnight phone after Eddie split for parts unknown for some back-up love, in Eddie My Love. Or Markin had a kind thing to say about the dumb cluck of a bimbo who went back to the railroad track-stuck car to get some cheapjack class ring that the boyfriend probably grabbed from a cracker-jacks box in Teen Angel (although he agreed, agreed fully, that the dame was a dumb cluck on other grounds, on the grounds that she should have dumped a guy long before if his foolish junk-box of a car got stuck on a forlorn railroad track).

Here though I am the sensitive guy, if you can believe that. Here’s why. It seems that Markin has some kind of exception to the “social” rule when it comes to the ocean, to the sea, christ, probably to some scum pond for all I know as the scene for suicide attempts. Apparently he is in the throes of some King Neptune frenzy and took umbrage (his word, not mind, I don’t go to the library much) at the idea that someone would desecrate the sea that way, our homeland the sea the way he put it. Like old Neptune hasn’t brought seventy-three types of hell on us with his hurricane tidal waves, his overflowing the seawalls across the channel from us, his flooding everything within three miles of the coast, or when he just throws his flotsam and jetsam (my words, from school, I like them) on the “projects” beaches whenever he gets fed up. So I have to defend this frail’s action, and gladly.

You know it really is unbelievable once you start to think about it how many of these songs don’t have people in them with names, real names, nicknames, anything to tag on them. Here it’s the same old thing. Markin would just blithely go on and makes up names but I’ll just give you the “skinny” without the Markin literary touches, okay. Rather than calling the girl every name in the book for disturbing the fishes or the plankton like Markin I am trying to see what happened here to drive her to such a rash action. Obviously they, the unnamed boy and girl, had an argument, alright a big argument if that satisfies you. What could it have been about? Markin, wise guy Markin, wants to make it some little thing like a missed date, or the guy didn't call or something. Maybe it was, but I think the poor girl was heartbroken about something bigger. Maybe boyfriend didn’t want to “go steady” or maybe he wasn’t ready to be her ever lovin’ one and only. Or maybe he didn’t was to satisfy her hormonal problem if you can believe that. Some guys are like that although I don’t know any, any that would pass that kind of thing up. Let me put it this way it was big, not Markin’s b.s. stuff.

Okay she went over the edge, no question, running down to the sea and jumping in. On a rainy night to boot. Hey she had it bad, whatever it was. But see old Neptune, Markin’s friend, maybe father for all I know, was taunting said boyfriend, saying he was going to take boyfriend’s baby away. Well, frankly, and old wimpy Markin dismissed this out of hand, those are fighting words in the projects, and not just the projects either, when one guy tries to horn in on another guy’s baby when he is not done with her, maybe even after too. Like I say those are fighting words around here.

And the girl, given the cold and what that does to you when you have been in the ocean too long was forced to taunt her lover boy, trying to bring him down too so no other frail could be with him. Just like a girl. This is the part I like though, although Markin would probably take umbrage (again), the boyfriend was ready to reclaim his honey, come hell or high water. He wasn’t done with her and so old man Neptune took a beating that night. Yah, he’s taking his baby, and taking her no questions asked, back from that nasty relentless sea. A little justice in this wicked old world. Chalk one up for our side. Yes, Billy, William James Bradley, is happy, pleased, delighted and any other words you can find in the library that this story has a happy ending. Markin’s homeland sea mush be damned.

Rock And Roll Will Never Die, Part Two- Jack Black’s “School Of Rock” (2003)-A Film Review

Rock And Roll Will Never Die, Part Two- Jack Black’s “School Of Rock” (2003)-A Film Review

DVD Review    

By Film Critic Emeritus Sam Lowell

[Recently in reviewing another rock and tribute film, Phillip Seymour Hoffman’s Pirate Radio I mentioned that I would be reviewing the film discussed below. I had noted in that previous review that although I am now retired I had done so with the caveat that I would on occasion dredge up my tired brain and write a little something if it interested me. I also noted that I had been compelled to review that film and now this one because the current film critic in this space, my old friend and adversary from American Film Gazette days, Sandy Salmon, has mentioned to me on many occasions that he had not been washed clean (my expression not his) by the high tide of rock and roll that was the common lynchpin of our generation. Moreover, if you can believe this about anybody who was young and breathing in the early 1960s, Sandy did not “give a damn” (his expression) about rock and roll reflecting in my view that stiff upper lip upbringing that he went through in New York City which included huge doses of classic music. You know Beethoven, Brahms, Mozart and the crew. The guys that the late rock and roll legend Chuck Berry gave notice to in his classic statement of the case for rock-Roll Over Beethoven- giving noteice that some new sheriffs were in town.

The long and short of it had been that I noticed one of the films up for review was Phillip Seymour Hoffman’s Pirate Radio which is nothing but a rather recent slice of life homage to the genre. Sandy was not going to review the film and so I entered the lists to save this beauty of a tribute from statutory neglect. Here is the other one I am trying to save from oblivion. Sam Lowell] 

School of Rock, starring Jack Black, Joan Cusack, 2003   

No question artists, poets, writers and musicians in order to follow their bitch muses who are hard taskmasters have to be willing to give up a lot, have to spend some sleepless nights worrying about what they can create-and worry, deep worry about where the rent and food dough will come from. That premise, that last part-the food and rent part, goes double for guys and gals who only have so-so talents but who struggle nevertheless with that damn taskmaster muse. All of this angst drives the film under review Jack Black’s School Of Rock as it pays homage to the third wave of the rock revolution (first classic 1950s with Elvis, Jerry Lee, Chuck and the like, second stepchildren in the 1960s British invasion led by the Beatles and the Stones, and the third led by, well, Led Zeppelin, AC/CD, Lou Reed, the Ramones, etc.)       

Here’s the way to the stairway to heaven. Average rocker Dewey Finn, Jack Black’s role, was in a bad slump. He had been dumped by his band for being a goof just before the big day Battle of the Bands was to take place, was being dunned by his roommate, a former rocker Ned, for the rent money when he had no dough, and nowhere to get any and worse, absolutely worse of all had to listen to nine to five, white picket fence, get a job Ned’s girlfriend who even I wanted to straggle if I could get my hands on her. Despite all this Dewey had the big dream wanting habits that drive every wannabe rock and roll star.   

But Dewey had a plan to get well on all fronts or rather he dropped into a few things that helped get him on his feet by a little, okay, okay, a lot of deception. See Ned was trying to break into bourgeois society as a teacher but just then like a lot of wannabe teachers he was “subbing” to make ends meet. One day he got a call from a high end private prep school. Except the guy who answered the phone call was our boy Dewey. Bingo, go sub and get the rent money-that was the hook-that was his short term way to get well. Now given the best of it to him Dewey was strictly grunge band and his style and affect reflected the culture. He showed up for his new class assignment looking like hell.

Worse for a high-toned (and expensive prep school) Dewey figured to slum his way through the assignment. Let the kids, fourth graders if you can believe this strategy if you know anything about nine and ten year olds, just hang out while he collected his dough and maybe worked on some new lyrics since he still had it bad to get that gig at the Battle of the Bands. Then he had an epiphany after hearing the kids go through their paces in music class. Here is the beautiful conversion that made every kid like me who grew up clutching every straw rock and roll had to offer beam with pride as he tells Mister Beethoven and his classical music brethren to move on over just like the late Chuck Berry prophesied. Dewey figured to take these “square” musical talents and create his own rock band of this clay. Nice touch, nice idea.

Naturally there have to be a bazillion roadblocks in the way from the totally justifiable skepticism of the kids who after all are straight-shooters to an uptight headmistress, played by Joan Cusack, to irate and upset parents. Naturally as well there have to be many snafus, many examples of the kids overcoming various adversities from poor self-esteem to being overweight to be left out by the other kids whose capacity for cruelty among their peers is well known and hardly a secret these days. Despite all the pitfalls they eventually get to the Battle of the Band auditions. They wow the audience but guess what.  Dewey’s old band wins the competition leaving the kids behind a little older but wiser. Get this though Dewey and Ned (after dumping his bitch nine to five world girlfriend) opened up a school of rock after school. And guess who some of the students were? Yeah, rock and roll will never die as the soundtrack filled with third wave rockers testifies to. Jack Black by the way is a true mad man in this one.