This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. We will be reviewing books, CDs, and movies we believe everyone needs to read, hear and look at as well as making commentary from time to time. Greg Green, site manager
*Songs To While Away The Class Struggle By-Bob Dylan's "Positively 4th Street"
In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here. Markin.
Positively 4th Street
You got a lotta nerve To say you are my friend When I was down You just stood there grinning
You got a lotta nerve To say you got a helping hand to lend You just want to be on The side that’s winning
You say I let you down You know it’s not like that If you’re so hurt Why then don’t you show it
You say you lost your faith But that’s not where it’s at You had no faith to lose And you know it
I know the reason That you talk behind my back I used to be among the crowd You’re in with
Do you take me for such a fool To think I’d make contact With the one who tries to hide What he don’t know to begin with
You see me on the street You always act surprised You say, “How are you?” “Good luck” But you don’t mean it
When you know as well as me You’d rather see me paralyzed Why don’t you just come out once And scream it
No, I do not feel that good When I see the heartbreaks you embrace If I was a master thief Perhaps I’d rob them
And now I know you’re dissatisfied With your position and your place Don’t you understand It’s not my problem
I wish that for just one time You could stand inside my shoes And just for that one moment I could be you
Yes, I wish that for just one time You could stand inside my shoes You’d know what a drag it is To see you
*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Kojo Bomani (Grailing Brown)
http://www.thejerichomovement.com/prisoners.html
A link above to more information about the class-war prisoner honored in this entry.
Make June Class-War Prisoners Freedom Month
Markin comment (reposted from 2010)
In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.
That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.
Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!
Bet, Bet Straight Up-With The Old Riverdale Neighborhood Corner Boys In Mind
By Film Critic Emeritus Sam Lowell
As everybody familiar with this space (or with the on-line version of the American Film Gazette )knows I have retired from the day to day grind of writing film reviews and have handed over that chore, at least temporary, to my in the not too distance future retiring old friend, colleague and competitor Sandy Salmon. I noted when I posted my retirement notice that I, like old time military men, would just fade away. I also noted that I would as the occasion warranted write a little something, a little commentary if the subject interested me. That is my purpose today.
Recently Sandy Salmon reviewed a 1947 film, a murder mystery of sorts that had a long prior pedigree, Seven Keys To Baldpate, which had been based on a play by the same name back in the early 20th century which in turn was based on a crime novel by the great crime writer Earl Derr Biggers (whose popular Charlie Chan series is perhaps much better known). Sandy did a good job of reviewing this film which hinged on the idea of a guy, a crime writer, making a bet with his publisher for five thousand cash that he could write a crackerjack mystery novel in twenty-four hours. As he attempted to do such out in the boondocks at an allegedly closed down inn with the only key to the place all hell broke loose, a couple of off-hand murders and such, by people who had collectively mysteriously come up with the six other keys of the title. One of those six people was a ringer, was the good-looking blonde with well-turned legs secretary to the guy who the crime writer made the bet with. No, not a sex lure like would be included in such a plotline now, at least not publicly, not in 1947 but to distract him anyway she could to make him miss his deadline. What the hell that ain’t fair, no way, especially when after the smoke cleared and the crime writer solved the whole mystery of why the other five people were there she flopped herself on his lap when he went to write that story to win the bet and dared him to ignore her. Needless to say the other guy won the bet
Sandy mentioned at the start of his review that some guys will bet on anything, any proposition to pass the time. That got me to thinking after I had read the review about what the deal was in the old days in my growing up hometown of Riverdale about forty miles west of Boston when me and my high school corner boys who hung around Sal’s Pizza Parlor would to while away the lonesome, girl-less, no dough, no serious dough to not be girl-less bet on all kinds of propositions for a couple of bucks, maximum five probably. Certainly not five thousand which as Sandy mentioned is nothing but walking around money now but then was a number which we could not get around, couldn’t believe existed, not in our neighborhood where rubbing nickels together was a tough enough battle.
Now a lot of the bets with guys like Sammy Young, Billy Riley, Jack Callahan the great school football player before Chrissie McNamara did her own flop down on his lap and dared him to move her which he had had absolutely no inclination to do, Sid Green, Pat Murphy and Ian Smith were on the outcome of various sports events. You know back in those days whether the hapless Red Sox would finish last in the American League (or how long a losing streak the team would go on once they started their inevitable losing), how many points would the golden age Celtics score (or allow). We also did our fair share of betting on football games, no so much the games themselves as each play, pass or run, stuff like that, which sounds exotic but except for one time when I got on a bad streak and lose twenty-two bucks which took me about six weeks of caddying for the Mayfair swells to pay was usually the difference of two or three dollars.
Other bets were a bit racier. Like whether Sally, who was going out with Pat, would let him “touch” her, and you know what I mean and don’t ask how we verified such bets but just know that we did do so. Or whether such and such a girl, a hot girl usually, would take the bait and give one of us a date. Hell, sometimes when the girls came into Sal’s to have some pizza, Cokes and to play the great jukebox that he had over in the corner we would bet on what song a girl would play. There was a certain art to that proposition for instance if a girl had just broken up with her boyfriend there would likely be some slow sad song chosen. You get what I mean. Sometimes it would be whether the notoriously late local bus would arrive on time or not. So anything was up for betting purposes.
That ringer secretary in the film though got me thinking about the strangest bet I ever made back then, maybe ever. One Friday night, another one of those girl-less ones, Jack Callahan, this is before fetching Chrissie McNamara snagged him, bet me on how high Sal would toss the pizza dough when he was kneading and stretching it to make his great pizza pies. Jack’s idea for calling the bet, mine too for taking it, was that one of us but not both could have enough kale for a date with Laura Lawrence on Saturday night. We were both interested in her and she liked us both well enough although Jack as the football hero probably had the edge aside from the money factor. So the bet was on. Oh, I forgot to tell you that if one of the corner boys made a proposition the other guy (or guys depending on the nature of the bet) had to take the bet, or lose and pay up anyway. So naturally I said “bet.”
The time of the bet was probably about seven o’clock so we had to wait a bit for Sal to start making more pizzas for the crowd that would be coming in around eight or so for their slice and soda before heading to some date or to the local lovers’ lane. Sal did eventually get going, maybe a half an hour later. The idea for who would win any individual bet on the toss was whether Sal flipped the dough above or below the Coke sign directly behind him. I got to call the first bet. Low. I won and the race was on taking my shots at high or low. I did pretty well for a while, was up maybe seven or eight dollars which would be enough to take Laura out, maybe a movie and something to eat. I figured I was in. Then my luck began to change, change dramatically and before long I was down about ten bucks before Sal stopped tossing the goddam stuff.
Jack smiled a knowing smile, knowing that he was going to escort Laura around and maybe get to “touch” her and you know what I mean by that and I don’t have to spell it out. Here’s where everything about that film review by Sandy comes into play. Sal was the ringer. Remember Jack was a football hero and Sal loved football, loved Jack’s prowess on the field and Jack had told him the situation earlier in the day before I showed up there. They had planned to let me win early to draw me in and had set up a silent signal about which position I had taken. How about that. Don’t you think now that I am thinking about it and getting burned up all over again that the next time I go over to Jack and Chrissie’s house in Hingham that I should ask for that ten bucks back-with interest. Yeah, Sandy had it right some guys will bet on anything.
An Encore- Coming Of Age, Political Age, In The 1960s Night- A Baptism Of Fire-Making War On The War-Makers
From The Pen Of Frank Jackman
He was scared. All of fourteen year old Peter Paul Markin’s body was scared. Of course he knew, knew just as well as anybody else, if anybody thought to ask, that he was really afraid not scared, but Peter Paul was scared anyway. No, not scared (or afraid for the literary correct types), not Frannie De Angelo demon neighborhood tough boy, schoolboy nemesis scared, scared that he would be kicked in the groin, bent over to the ground in pain for no reason, no reason except Frannie deep psycho hard boy reasons known only to himself. Markin was used to that kind of scared, not liking it, not liking getting used to it but he was not tough, not even close although he was wiry, but not Franny heavyweight tough, but used to it. And this certainly was not his usual girl scared-ness on the off chance that one, one girl that is, might say something to him and he would have no “cool” rejoinder. (Yes, girls scared him, not Franny scared but no social graces scared, except in the comfortable confines of a classroom where he could show off with his knowledge of two thousand arcane facts that he thought would impress them but no avail then, later he would be swarmed, well, maybe not swarmed but he didn’t have to spend many lonely weekend nights studying to get to three thousand arcane facts) This was different. This, and his handkerchief-dabbed wet palms and forehead did not lie, was an unknown scared.
See, Peter Paul had taken a bet, a “put your money where your mouth is" bet, from best freshman high school friend Frankie, Francis Xavier Riley, if you want to know the full name. Now these guys had previously bet on everything under the sun since middle school, practically, from sports game spreads, you know Ohio State by ten over Michigan stuff like that, to how high the master pizza man and owner at Salducci’s Pizza Parlor, Tonio, would throw his pizza dough one strange night when Frankie needed dough (money dough that is) for his hot date with girlfriend Joanne. So no bet was too strange for this pair, although this proposition was probably way too solemn to be bet on.
What got it started, the need for a bet started, this time, really had to do with school, or maybe better, the world situation in 1960. Peter Paul, a bundle of two thousand facts that he guarded like a king’s ransom, went off the deep end in 9th grade Civics class when he, during a current events discussion, exploded upon his fellow classmates with the observation that there were too many missiles, too many nuclear bomb-loaded guided missiles, in the world and that both sides in the Cold War (The United States and the Soviet Union and their respective hangers-on) should “ban the bomb.” But you have not heard the most provocative part yet, Peter Paul then argued that, as a good-will gesture and having more of them, the United States should destroy a few of its own. Unilaterally.
Pandemonium ensued as smarts guys and gals, simps and stups also, even those who never uttered a word in class, took aim at Peter Paul’s head. The least of it was that he was called a “commie” and a "dupe" and the discussion degenerated from there. Mr. Merck was barely able to contain the class, and nobody usually stepped out line in his class, or else. Somehow order was restored by the end of class and within a few days the class was back to normal, smart guys and girls chirping away with all kinds of flutter answers and the simps and stups, well the simp and stups did their simp and stup thing, as always.
Frankie always maintained that that particular day was one of the few that he wasn’t, and he really wasn’t, glad that Peter Paul was his friend. And during that class discussion he made a point, a big point, of not entering the fray in defense of his misbegotten friend. He thought Peter Paul was off the wall, way off the wall, on this one and let him know it after class. Of course, Peter Paul could not leave well enough alone and started badgering friend Frankie about it some more. But this was stone wall time because Frankie, irreverent, most of the time irreligious, and usually just happy to be girl-smitten in the world, and doing stuff about that, and not worried about its larger problems really believed, like the hard Roman Catholic-bred boy that he was underneath, that the evil Soviet Union should be nuclear fizzled-that very day.
But Peter Paul kept egging the situation on. And here is the problem with a purist, a fourteen year old purist, a wet behind the ears fourteen year old purist when you think about it. Peter Paul was as Roman Catholic-bred underneath as Frankie but with this not so slight difference. Peter Paul’s grandmother, Anna, was, and everybody who came in contact with her agreed, a saint. A saint in the true-believer catholic social gospel sense and who was a fervent admirer of Dorothy Day’s Catholic Worker for social justice movement started in the 1930s. So frequently The Catholic Worker, the movement newspaper, would be lying around her house. And just as frequently Peter Paul, taking grandmother refuge from the hell-bend storms at his own house, would read the articles. And in almost every issue there would be an article bemoaning the incredible increase in nuclear weapons by both sides, the cold war freeze-out that escalated that spiral and the hard fact that the tipping point beyond no return was right around the corner. And something had to be done about it, and fast, by rational people who did not want the world blown up by someone’s ill-tempered whim. Yah, heady stuff, no question, but just the kind of thing that a certain fourteen year old boy could add to his collection of now two thousand plus facts.
Heady stuff, yah, but also stuff that carried some contradictions. Not in grandmother Anna, not in Dorothy Day so much as in Peter Paul and through him Frankie. See, the Catholic Worker movement had no truck, not known truck, anyway with “commies" and "dupes”, although that movement too, more than once, and by fellow Catholics too, was tarred with that brush. They were as fervent in their denunciation of the atheistic Soviet Union as any 1950s red-baiter. But they also saw that that stance alone was not going to make the world safer for believers, or anybody else. And that tension between the two strands is where Frankie and Peter Paul kind of got mixed up in the world’s affairs. Especially when Peter Paul said that the Catholic Worker had an announcement in their last issue that in October (1960) they were going to help sponsor an anti-nuclear proliferation rally on the Boston Common as part of a group called SANE two weeks before the presidential elections.
Frankie took that information as manna from heaven. See, Frankie was just as interested in knowing two thousand facts in this world as Peter Paul. Except Frankie didn’t guard them like a king’s ransom but rather used them, and then discarded them like a tissue. And old Frankie, even then, even in 1960 starting to spread his wings as the corner boy king of the North Adamsville high school class of 1964, knew how to use his stockpile of facts better than Peter Paul ever could. So one night, one fiercely debated night, when Frankie could take no more, he said “bet.” And he bet that Peter Paul would not have the courage to travel from North Adamsville to Park Street Station in Boston to attend that SANE rally by himself (who else would go from old working- class, patriotic, red-scare scared, North Adamsville anyway). And as is the nature of fourteen year old boy relationships, or was, failure to take the bet, whatever bet was social suicide. “Bet,” said Peter Paul quickly before too much thinking time would elapse and destroy the fact of the bet marred by the hint of hesitation.
But nothing is ever just one thing in this wicked old world. Peter Paul believed, believed fervently, in the social message of the Catholic Worker movement especially on this nuclear war issue. But this was also 1960 and Irish Jack Kennedy was running, and running hard, to be President of the United States against bad man Richard Milhous Nixon and Peter Paul was crazy for Jack (really for younger brother, Bobby, the ruthless organizer behind the throne which is the way he saw his own future as a political operative). And, of course, October in election year presidential politics is crunch time, a time to be out hustling votes, out on Saturday hustling votes, especially every Irish vote, every Catholic vote, hell, every youth vote for your man.
On top of that Jack, old Irish Jack Kennedy, war hero, good-looking guy with a good-looking wife (not Irish though not as far as anyone could tell), rich as hell, was trying to out-Cold War Nixon, a Cold War warrior of the first degree. And the way he was trying to outgun Nixon was by haranguing everyone who would listen that there was a “missile gap,” and the United was falling behind. And when one talked about a missile gap in 1960 that only meant one thing, only brooked only one solution- order up more, many more, nuclear-bomb loaded guided missiles. So there it was, one of the little quirks of life, of political life. So, Peter Paul, all fourteen year old scared Peter Paul has to make good on his bet with Frankie but in the process put a crimp into his hoped-for political career. And just for that one moment, although with some hesitation, he decided to be on the side of the “angels” and to go.
That Saturday, that October Saturday, was a brisk, clear autumn day and so Peter Paul decided to walk the few miles from his house in North Adamsville over the Neponset Bridge to the first MTA subway station at Fields Corner rather than take the forever Eastern Mass. bus that came by his street erratically. After crossing the bridge he passed through one of the many sections of Boston that could pass for the streets of Dublin. Except on those streets he saw many young Peter Pauls holding signs at street corners for Jack Kennedy, other passing out literature, and others talking up Jack’s name. Even as he approached the subway station he saw signs everywhere proclaiming Jack’s virtues. Hell, the nearby political hang-out Eire Pub looked like a campaign headquarters. What this whole scene did not look like to Peter Paul was a stronghold place to talk to people about an anti-nuclear weapons rally. Peter Paul got even more scared as he thought about the reception likely at the Boston Commons. He pushed on, not without a certain tentative regret, but he pushed on through the turnstile, waited for the on-coming subway to stop, got on, and had an uneventful ride to the Park Street Station, the nearest stop to the Common.
Now Park Street on any given Saturday, especially in October after the college student hordes have descended on Boston, is a madhouse of activity. College student strolling around downtown looking for goods at the shops, other are just rubber-necking, other are sunning themselves on the grass or park benches in the last late sun days before winter arrives with a fury. Beyond the mainly civilized college students (civilized on the streets in the daytime anyway) there are the perennial street people who populate any big city and who when not looking for handouts, a stray cigarette, or a stray drink are talking a mile a minute among themselves about some supposed injustice that has marred their lives and caused their unhappy decline. Lastly, and old town Boston, historic old town Boston, scene of many political battles for every cause from temperance to liberty, is defined by this, there are a motley crew of speakers, soap-box speakers whether on a real soap-box or not, who are holding forth on many subjects, although none that drew Peter Paul’s attention this day. After running that gauntlet, as he heads for the Francis Parkman Bandstand where the SANE rally was to take place he was amused by all that surrounds him putting him in a better mood, although still apprehensive of what the day will bring forth.
Arriving at the bandstand he saw about twenty people milling around with signs, hand-made signs that showed some spunk, the most prominent being a large poster-painted sign that stated boldly, “Ban The Bomb.” He is in the right place, no question. Although he is surprised that there are not more people present he is happy, secretly happy, that those twenty are there, because, frankly, he thought there might be just about two. And among that crowd he spotted a clot of people who were wearing Catholic Worker buttons so he is now more fully at ease, and was starting to be glad that he came here on this day. He went over to the clot and introduced himself and tells them how he came to be there. He also noted that one CWer wore the collar of a priest; a surprise because at Sacred Heart, his parish church, it was nothing but “fire and brimstone” from the pulpit against the heathen communist menace.
Get this-he also met a little old lady in tennis sneakers. For real. Now Frankie, devil’s advocate Frankie, baited Peter Paul in their arguments about nuclear disarmament by stating that the “peaceniks” were mainly little old ladies in tennis shoes-meaning, of course, batty and of no account, no main chance political account, no manly Jack Kennedy stand up to the Russians account. Peter Paul thought to himself wait until I see Frankie and tell him that this little old lady knew more about politics, and history, than even his two thousand facts. And was funny too boot. Moreover, and this was something that he had privately noticed, as the youngest person by far at the rally she, and later others, would make a fuss over him for that very reason talking about young bravery and courage and stuff like that.
Over the course of the two hours or so of the rally the crowd may have swelled to about fifty, especially when a dynamic black speaker from the W.E.B. Dubois club at Harvard University linked up the struggle against nuclear weapons with the black struggle down South for voting rights that those in the North had been hearing more about lately. It was not until later, much later, that Peter Paul found out that this Dubois club business was really the name of the youth group of the American Communist Party (CP) at the time but by that time he was knowledgeable enough to say “so what.” And it was not until later that he found out that the little old lady with the tennis sneakers was a CPer, although she had said at the time he talked to her she was with some committee, some women’s peace committee, within the Democratic Party. Oh, well. But then he would also be able to say “so what” to that accusation in proper “family of the left” fashion.
But forget all that later stuff, and what he knew or did not know later. See, that day, that October 1960 autumn day, Peter Paul learned something about serious politics. If you are on the right side of the angels on an issue, a central issue of the day, you are kindred. And although there were more than a few catcalls from the passers-by about “commies”, “dupes”, and “go back to Russia” he was glad, glad as hell that he came over. Although nothing turned inside him, noticeably turned inside him that day, about his politics and his determination to see Jack Kennedy and the Democrats take the White House he thought about those brave people at the bandstand and what they were standing for a lot for a long time after the event faded from memory. Oh yah, it was good to be on the side of the angels. And it didn’t hurt that he won that Frankie bet, either.
In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!- Anthony Jalil Bottom
http://www.thejerichomovement.com/prisoners.html
A link above to more information about the class-war prisoner honored in this entry.
Make June Class-War Prisoners Freedom Month
Markin comment (reposted from 2010)
In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.
That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.
Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!
An Encore-Just Before The Sea Change - With The Dixie Cups Going To TheChapel Of Love In Mind
From The Pen Of Sam Lowell
There were some things about Edward Rowley’s youthful activities, those that he thought would bring some small honor to his name, that he would rather not forget, things that defined his life, gave him that “fifteen minutes of fame,” if only to himself and his, that everybody kept talking about that everyone deserved before they departed this life. That “fifteen minutes of fame” business which he thought had been uttered by the Pop-artist Andy Warhol in one of his prankster moments, one of his New York high society put-downs, was fine by him even if it had been the result of some small honor thing.
The subject of that small honor done in the spurt of his youth that had defined a lot of what came later is what got him thinking one sunny afternoon in September about five years ago as he waited for the seasons to turn almost before his eyes about the times around 1964, around the time that he graduated from North Adamsville High School, around the time that he realized that the big breeze jail-break that he had kind of been waiting for was about to bust out over the land, over America. (His world view did not encompass the entire world or what was the same thing the "youth nation" part of that view but later after making plenty of international connections from here and there he could have said he was waiting for that breeze to bust out over the world.)
It was not like Edward was some kind of soothsayer, like some big think tank thinker paid well to keep tabs on social trends for those in charge so they didn’t get waylaid like they did with the “rebel without a cause” and “beat” phenomena or anything like that back in the 1950s that had them all scared like hell that society was going down in the ditch. No, it was like he could read tea leaves or tarot cards like some latter day Madame La Rue who actually did read his future once down at the Gloversville Fair when she had come to that location with her daughter, Gypsy Anne, one hot August week when he was about twelve. Madame that day read that he was made for big events. The big event that he was interested in just then was winning a doll, a stuffed animal or something like that for dark-haired, dark-eyed just starting to fill outGypsy Anne at the Skee game of which he was an expert at. (For those clueless about Skee, have forgotten or have never spent their illicit youths around carnivals, small time circuses, or penny-ante amusement parks, the game is simplicity itself once you get the hang of it and play about 10,000 hours’ worth of games you roll small balls, which come down a chute once you pay your dough, or credit/debit card the way they have the machines worked nowadays, and you roll them like in bowling up to a target area like in archery and try to get a ton of points which gives you strips of coupons to win a prize depending on high your score is, and what you want. Like I say, simple.) And Edward did win his Gypsy Anne a stuffed animal, a big one, and got a very big long wet kiss for his heroics down by the beach when she gave her best twelve year old “come hither” look, not the last time he would be snagged by that look by her or any other women later (and by the way “copped a little feel” from that starting to fill out shape of hers and he finally solved, no, he solved for that one minute that budding girls turned to women were as interested in sex, or at least being “felt up” as the other guys around Harry’s Variety Store had told himthey were if approached the right way). No way though that tarot reading when he was twelve left an impression, left him with that vague feeling about the big breeze coming, not then when his hormones drove his big thoughts, and not for a long while thereafter.
That big breeze blowing through the land thing had not been Edward’s idea anyway, not his originally although he swore by it once he thought about the possibilities of breaking out of Podunk North Adamsville, but came from “the Scribe,” the late Peter Paul Markin, a corner boy at Jack Slack’s bowling alleys on Thornton Street where he occasionally hung out in high school since he had been childhood friends with the leader of that crowd, Frankie Riley. Markin, despite a serious larcenous heart which would eventually do him in, read books and newspapers a lot and would go on and on about the jail-break thing on lonesome Friday nights when all the guys were waiting, well, just waiting for something to happen in woebegone North Adamsville where the town mainly went to sleep by ten, or eleven on Friday and Saturday night when Jack Slack’s closed late. (For the younger set, Doc’s Drugstore, the place where he and Frankie hung in their younger days as well, the place where they all first heard rock and roll played loud on Doc’s jukebox by the soda fountain, every night was a nine o’clock close just when things were getting interesting as the shadows had time to spank vivid boy imaginations and you wonder, well, maybe not you, but parents wondered why their kids were ready to take the first hitchhike or hitch a freight train ride out of that “one-horse town” (an expression courtesy of the grandmothers of the town, at least the ones he knew, mostly Irish grandmothers with corn beef and cabbage boiling on their cast-iron stoves and smirks on their faces, if grandmothers could have smirks over anything, about how dear the price of everything was if you could get it a very big problem, including for Edward’s Anna Riley, where he first heard the words).
Here is where that big breeze twelve million word description thing Markin was talking about intersected with that unspoken trend for Edward (unknown and unspoken since the corner at Jack Slacks’ did not have a professional academic sociologist in residence to guide them since those “hired guns” were still hung up on solving the juvenile delinquency problem and so as usual were well behind the curve and Markin, the Scribe as smart as he was, was picking his stuff up strictly from newspapers and magazines who were always way also behind the trends until the next big thing hit them in the face). Edward’s take on the musical twists and turns back then is where he had something the kids at North Adamsville High would comment on, would ask him about to see which way the winds were blowing, would put their nickels, dimes and quarters in the jukeboxes to hear based on his recommendations.
Even Markin deferred to him on this one, on his musical sense, the beat or the “kicks” as he called then although he, Markin, would horn in, or try to, on the glory by giving every imaginable arcane fact about some record’s history, roots, whatever which would put everybody to sleep, they just wanted to heard the “beat” for crying out loud. Edward did have to chuckle though when he thought about the way, the main way, that Markin worked the jukebox scene since he was strictly from poverty, from the projects, poorer even than Edward’s people and that was going some if you saw the ramshackle shack of a house that he and his four older brothers grew up in. The Scribe used to con some lonely-heart girl who maybe had just broken up with her boyfriend, maybe had been dateless for a while, or was just silly enough to listen to him into playing what he wanted to hear based on what Edward had told him. But Markin was smooth in his way since he would draw a bee-line to the girl who just put her quarter in for her three selection on Jack Slack’s jukebox (Doc’s, sweet and kindly saint Doc whose place was a bee-hive after school for that very reason , had five for a quarter if you can believe that). He would become her “advisor,” and as the number one guy who knew every piece of teenage grapevine news in the town and whom everybody therefore deferred on that intelligence so he would let her “pick” the first selection, usually some sentimental lost love thing she could get weepy over, the second selection would be maybe some “oldie but goodie,” Breathless or At The Hop, which everybody still wanted to hear, and then on number three, the girl all out of ideas Markin would tout whatever song had caught his ear. Jesus, Markin was a piece of work. Too bad he had to end the way he did down in Mexico now lying in some unmarked grave in some town’s potter’s field back in the mid-1970s which guys from the old town were still moaning over.
That was Markin on the fringes but see Edward’s senses were very much directed by his tastes in music, by his immersion into all things rock and roll in the early 1960s where he sensed what he called silly “bubble gum” music that had passed for rock(what high priest Markin called something like the “musical counter-revolution” but he was always putting stuff in political bull form like that). Which, go figure, the girls liked, or liked the look of the guys singing the tunes, guys with flipped hair and dimples like Fabian and Bobby Rydell but was strictly nowhere with Edward. The breeze Edward felt was going to bury that stuff under an avalanche of sounds going back to Elvis, and where Elvis got his stuff from like Lonnie Johnson and the R&B and black electric blues guys, the rockabilly hungry white boys, and forward to something else, something with more guitars all amped to big ass speakers that were just coming along to bring in the new dispensation.
More importantly since the issue of jailbreaks and sea changes were in the air Edward was the very first kid to grasp what would later be called “the folk minute of the early 1960s,” and not just by Markin when he wrote stuff about that time later before his sorry end. Everybody would eventually hone in on Dylan and Baez, dubbed the “king and queen” of the moment by the mass media always in a frenzy to anoint and label things that they had belatedly found about out about and run into the ground. But when folk tunes started showing up on the jukebox at Jimmy Jack’s Diner over on Latham Street where the college guys hung out and where families went to a cheap filling dinner to give Ma a break from the supper meal preparations it was guys like the Kingston Trio, the Lettermen, and the Lamplighters who got the play after school and some other girls, not the “bubble gum” girls went crazy over the stuff when Edward made recommendations.
He had caught the folk moment almost by accident late one Sunday night when he picked up a station from New York City and heard Pete Seeger and Woody Guthrie songs being played, stuff that Mr. Dasher his seventh grade music teacher had played in class to broaden youthful minds, meaning trying to break the Elvis-driven rock and roll habit. So that musical sense combined with his ever present sense that things could be better in this wicked old world drilled into him by his kindly old grandmother, that Anna Riley with her boiling kettles and smirks mentioned before, who was an old devotee of the Catholic Worker movement kind of drove his aspirations (and Markin’s harping with the political and so-called historical slant triggered by his own grandmother’s devotion to the Catholic Worker movement added in). But at first it really was the music that had been the cutting edge of what followed later, followed until about 1964 when that new breeze arrived in the land.
That fascination with music had occupied Edward’s mind since he had been about ten and had received a transistor radio for his birthday and out of curiosity decided to turn the dial to AM radio channels other that WJDA which his parents, may they rest in peace, certainly rest in peace from his incessant clamoring for rock and roll records and later folk albums, concert tickets, radio listening time on the big family radio in the living room, had on constantly and which drove him crazy. Drove him crazy because that music, well, frankly that music, the music of the Doris Days, the Peggy Lees, the Rosemary Clooneys, the various corny sister acts like the Andrews Sisters, the Frank Sinatras, the Vaughn Monroes, the Dick Haynes and an endless series of male quartets did not “jump,” gave him no “kicks,’ left him flat. As a compromise, no, in order to end the family civil war, they had purchased a transistor radio at Radio Shack and left him to his own devises.
One night, one late night in 1955, 1956 when Edward was fiddling with the dial he heard this sound out of Cleveland, Ohio, a little fuzzy but audible playing this be-bop sound, not jazz although it had horns, not rhythm and blues although sort of, but a new beat driven by some wild guitar by a guy named Warren Smith who was singing about his Ruby, his Rock ‘n’ Roll Ruby who only was available apparently to dance the night away. And she didn’t seem to care whether she danced by herself on the tabletops or with her guy. Yeah, so if you need a name for what ailed young Edward Rowley, something he could not quite articulate then call her woman, call her Ruby and you will not be far off. And so with that as a pedigree Edward became one of the town’s most knowledgeable devotees of the new sound.
Problem was that new sound, as happens frequently in music, got a little stale as time went on, as the original artists who captured his imagination faded from view one way or another and new guys, guys with nice Bobby this and Bobby that names, Patsy this and Brenda that names sang songs under the umbrella name rock and roll that his mother could love. Songs that could have easily fit into that WJDA box that his parents had been stuck in since about World War II.
So Edward was anxious for a new sound to go along with his feeling tired of the same old, same old stuff that had been hanging around in the American night since the damn nuclear hot flashes red scare Cold War started way before he had a clue about what that was all about. It had started with the music and then he got caught later in high school up with a guy in school, Daryl Wallace, a hipster, or that is what he called himself, a guy who liked “kicks” although being in high school in North Adamsville far from New York City, far from San Francisco, damn, far from Boston what those “kicks” were or what he or Edward would do about getting those “kicks” never was made clear. But they played it out in a hokey way and for a while they were the town, really high school, “beatniks.” So Edward had had his short faux “beat” phase complete with flannel shirts, black chino pants, sunglasses, and a black beret (a beret that he kept hidden at home in his bedroom closet once he found out after his parents had seen and heard Jack Kerouac reading from the last page of On The Road on the Steve Allen Show that they had severely disapproved of the man, the movement and anything that smacked of the “beat” and a beret always associated with French bohemians and foreignness would have had them seeing “red”). And for a while Daryl and Edward played that out until Daryl moved away (at least that was the story that went around but there was a persistent rumor for a time that Mr. Wallace had dragooned Daryl into some military school in California in any case that disappearance from the town was the last he ever heard from his “beat” brother).
Then came 1964 and Edward was fervently waiting for something to happen, for something to come out of the emptiness that he was feeling just as things started moving again with the emergence of the Beatles and the Stones as a harbinger of what was coming.
That is where Edward had been psychologically when his mother first began to harass him about his hair. Although the hair thing like the beret was just the symbol of clash that Edward knew was coming and knew also that now that he was older that he was going to be able to handle differently that when he was a kid. Here is what one episode of the battle sounded like:
“Isn’t that hair of yours a little long Mr. Edward Rowley, Junior,” clucked Mrs. Edward Rowley, Senior, “You had better get it cut before your father gets back from his job working on repairing that ship up in Maine, if you know what is good for you.” That mothers’-song was being endlessly repeated in North Adamsville households (and not just those households either but in places like Carver, Hullsville, Shaker Heights, Ann Arbor, Manhattan, Cambridge any place where guys were waiting for the new dispensation and wearing hair a little longer than boys’ regular was the flash point) ever since the British invasion had brought longer hair into style (and a little less so, beards, that was later when guys got old enough to grow one without looking wispy, after they had taken a look at what their Victorian great-grandfathers grew and though it was “cool.” Cool along with new mishmash clothing and new age monikers to be called by after giving up their "slave" names.)
Of course when one was thinking about the British invasion in the year 1964 one was not thinking about the American Revolution or the War of 1812 but the Beatles. And while their music has taken 1964 teen world by a storm, a welcome storm after the long lonely mainly musical counter-revolution since Elvis, Bo, Jerry Lee and Chuck ruled the rock night and had disappeared without a trace, the 1964 parent world was getting up in arms.
And not just about hair styles either. But about midnight trips on the clanking subway to Harvard Square coffeehouses to hear, to hear if you can believe this, folk music, mountain music, harp music or whatever performed by long-haired (male or female), long-bearded (male), blue jean–wearing (both), sandal-wearing (both), well, for lack of a better name “beatniks” (parents, as usual, being well behind the curve on teen cultural movements since by 1964 “beat” except on silly television shows and by “wise” social commenters who could have been “Ike” brothers and sisters, was yesterday’s news).
Mrs. Rowley would constantly harp about “why couldn’t Edward be like he was when he listened to Bobby Vinton and his Mr. Lonely or that lovely-voiced Roy Orbison and his It’s Over and other nice songs on the local teen radio station, WMEX (he hated that name Eddie by the way, Eddie was also what everybody called his father so you can figure out why he hated the moniker just then). Now it was the Beatles, the Rolling Stones and a cranky-voiced guy named Bob Dylan that had his attention. And that damn Judy Jackson with her short skirt and her, well her… looks” (Mrs. Rowley like every mother in the post-Pill world refusing to use the “s” word, a throw-back to their girlish days when their mothers did not use such a word either and so everybody learned about sex is some strange osmotic way out in the streets, in the school boys' and girls' lavs Monday mornings before school when some Ben or Lisa would lie like crazy about their sex bouts weekend, and from older almost as clueless older brothers and sisters just like now.)
Since Mrs. Rowley, Alice to the neighbors, was getting worked up anyway, she let out what was really bothering her about her Eddie’s behavior, "What about all the talk about doing right by the down-trodden Negros down in Alabama and Mississippi. And you and that damn Peter Markin, who used to be so nice when all you boys hung around together at Jimmy Jack’s Diner [Edward: corner boys, Ma, that is what we were and at Jack Slack’s alleys not Jimmy Jack’s that was for the jukebox and for checking out the girls who were putting dough in that jukebox] and I at least knew you were no causing trouble, talking about organizing a book drive to get books for the little Negro children down there. If your father ever heard that there would be hell to pay, hell to pay and maybe a strap coming out of the closet big as you are. Worse though, worse than worrying about Negros down South is that treasonous talk about leaving this country, leaving North Adamsville, defenseless against the communists with your talk of nuclear disarmament. Why couldn’t you have just left well enough alone and stuck with your idea of forming a band that would play nice songs that make kids feel good like Gale Garnet’s We’ll Sing In The Sunshine or that pretty Negro girl Dionne Warwick and Her Walk On By instead of getting everybody upset."
And since Mrs. Rowley, Alice, to the neighbors had mentioned the name Judy Jackson, Edward’s flame and according to Monday morning before school girls’ “lav” talk, Judy’s talk they had “done the deed” and you can figure out what the deed was let’s hear what was going on in the Jackson household since one of the reasons that Edward was wearing his hair longer was because Judy thought it was “sexy” and so that talk of doing the deed may well have been true if there were any sceptics. Hear this:
“Young lady, that dress is too short for you to wear in public, take it off, burn it for all I care, and put on another one or you are not going out of this house,” barked Mrs. James Jackson, echoing a sentiment that many worried North Adamsville mothers were feeling (and not just those mothers either but in places like Gloversville, Hullsville, Shaker Heights, Dearborn, Cambridge any place where gals were waiting for the new dispensation and wearing their skirts a little shorter than mid-calf was the flash point) about their daughters dressing too provocatively and practically telling the boys, well practically telling them you know what as she suppressed the “s” word that was forming in her head. She too working up a high horse head of steam continued, "And that Eddie [“Edward, Ma,” Judy keep repeating every time Mrs. Jackson, Dorothy to the neighbors, said Eddie], and his new found friends like Peter Markin taking you to those strange coffeehouses in Harvard Square with all the unwashed, untamed, unemployed “beatniks” instead of the high school dances on Saturday night. And that endless talk about the n-----s down South, about get books for the ignorant to read and other trash talk about how they are equal to us, and your father better not hear you talk like that, not at the dinner table since he has to work around them and their smells and ignorance over in that factory in Dorchester. And don’t start with that Commie trash about peace and getting rid of weapons. They should draft the whole bunch of them and put them over in front of that Berlin Wall. Then they wouldn’t be so negative about America."
Scene: Edward, Judy and Peter Markin were sitting in the Club Nana in Harvard Square sipping coffee, maybe pecking at the one brownie between them, and listening to a local wanna-be folk singing strumming his stuff (who turned out to be none other than Eric Von Schmidt whose Joshua Gone Barbados and a couple of other songs would become folk staples and classics). Beside them cartons of books that they are sorting to be taken along with them when they head south this summer after graduation exercises at North Adamsville High School are completed in June. (By the way Peter’s parents were only slightly less irate about their son’s activities and used the word “Negro” when they were referring to black people, black people they wished their son definitely not to get involved with were only slightly less behind the times than Mrs. Rowley and Mrs. Jackson and so requires no separate screed by Mrs. Markin. See Peter did not mention word one about what he was, or was not, doing and thus spared himself the anguish that Edward and Judy put themselves through trying to “relate” to their parents, their mothers really since fathers were some vague threatened presence in the background in those households.)
They, trying to hold back their excitement have already been to some training sessions at the NAACP office over on Massachusetts Avenue in the Roxbury section of Boston and had purchased their tickets for the Greyhound bus as far as New York’s Port Authority where they will meet others who will be heading south down to Mississippi goddam and Alabama goddam on a chartered bus. But get this Peter turned to Edward and said, “Have you heard that song, Popsicles and Icicles by the Mermaids, it has got great melodic sense.” Edward made a very severe off-putting “no way” face. Yes, we are still in the time just before the sea change after which even Peter will chuckle about “bubble gum” music. Good luck on your journey though, young travelers, good luck.
*****Where Have All The Flowers Gone- With Legendary Folk-Singer Pete Seeger In Mind
A while back, a few months ago now I think I mentioned in a sketch about how I came to learn about the music of Woody Guthrie I noted that it was hard to pin just exactly when I first heard his music since it pre-dated my coming to the folk minute of the 1960s where the name Woody Guthrie had been imprinted on lots of work by the then “new breed” protest/social commentary troubadour folk singers like Bob Dylan (who actually spent time in Woody’s hospital room with him when he first came East from Hibbing out of Dinktown in Minneapolis and wrote an early paean called Song To Woody on his first or second album), Ramblin’ Jack Elliott (who made a very nice career out of being a true Woody acolyte and had expected Dylan who had subsequently moved on, moved very far on to more lyrical and electrified work to do the same), and Stubby Tatum, probably the truest acolyte since he was instrumental in putting a lot of Woody’s unpublished poems and art work out for public inspection and specialized in Woody songs, first around Harvard Square and then wherever he could get a gig, the going was tough which to say the least most of these efforts were not among the most well know or well thought out of Woody’s works, reflected that long curve decline in the genetically-based illnesses that laid him low by the end. After some thought, and some prodding by an old-time classmate who had stayed in town and who had been in the class with me, I pinpointed the first time I heard a Woody song to a seventh grade music class, Mr. Dasher’s class whom we innocently then called "Dasher the Flasher" just for rhyming purposes when being a rhyming simon was the cat's meow and was the subject of many strange rhyme schemes, some not publishable even today, but which also with today’s sensibilities in mind about the young would not play very well and would probably have him up before some board of inquiry just because a bunch of moody, alienated hormonally-crazed seventh graders were into a rhyming fad that lasted until the next fad a few weeks or months later, when he in an effort to have us appreciate various genre of the world music songbook made us learn Woody’s This Land Is Your Land. Little did we know until a few years later when some former student confronted him about why we were made to learn all those silly songs he made us memorize and he told that student that he had done so in order to, fruitlessly as it turned out, break us from our undying devotion to rock and roll, you know, Elvis, Chuck, Jerry Lee, Wanda, Brenda, Bo, Buddy, the Big Bopper and every single doo wop group, male or female we could get our hands on at Chip's Record Shop downtown or on the jukebox at the Dew Drop Diner where we corralled ourselves on many an after school afternoon. If anybody wants to create a board of inquiry over that particular Mister Dasher indiscretion complete with a jury of still irate "rock and roll will never die" aficionados you have my support.
In thinking about Woody the obvious subsequent question of import is when I first heard the late Pete Seeger sing, a man who acted as the transmission belt between generations, I came up against that same quandary since I know I didn’t associate him with the first time, the first wave of performers, I heard as I connected with the emerging folk minute of the early 1960s. That folk minute start which I do clearly remember the details of got going one Sunday night when tired of the vanilla rock and roll music that was being played in the fall of 1962 on the Boston sell-out rock stations I began flipping the small dial on my transistor radio settling in on this startling gravelly voice which sounded like some old-time mountain man, some old time Jehovah cometh Calvinist avenging angel, singing Come All You Fair And Tender Ladies (who turned outto be folk historian and seminal folk revival figure Dave Von Ronk, who as far as I know later from his politics had no particular religious bent,if any, but who sure sounded like he was heralding the second coming as he walked down from the mountaintop). I listened to a few more songs on what turned out to be a folk music program put on every Sunday evening between seven and nine on WBNC at the request of some college kids in the area who were going crazy for roots music according to the DJ.
After thinking about it for a while I realized that I had heard Pete not in solo performance but when he was with The Weavers and they made a hit out of the old Lead Belly tune, Good Night, Irene (a song that in the true oral tradition has many versions and depending on the pedigree fewer or more verses, Lead Belly’s being comparatively short but all speaking to a low-down guy trying to get back with his sweetie come hell or high water). In those days, in the early 1950s I think, the Weavers were trying to break into the popular music sphere and were proceeding very well on that path until the Cold War night descended upon them and they, or individual members including Pete were tarred with the red scare "reds under every bed" brush.
Still you cannot keep a good man down, a man with a flame-throwing banjo, with folk music DNA in his blood since he was the son of the well-known folk musicologist Charles Seeger who along with father and son Lomaxesdid so much to record the old time roots music out on location in the hills and hollows of the South, and with something to say to those who were interested in looking back into the roots of American music before it got commercialized (although now much of that early commercial music makes up the key folk anthology put together by Harry Smith and which every self-respecting folkie treated like the bible-and stole like crazy from like Dylan did with Rabbit Allen's James Alley Blues, I think that). Pete put a lot of it together, a lot of interests. Got the young interested in going back to the time when old cowboys would sing themselves to sleep around the camp fire out in the prairies, when sweat hard-working black share-croppers and plantation workers down South would get out a Saturday night illegal homemade jug and head to the electricity-less juke joint to chase the blues away, and when the people of the hills and hollows down in Appalachia would Saturday night get out the self-same illegal and homemade jug and run over to Bill Preston’s old seen better days red-painted barn and dance that last dance waltz to that weeping mountain fiddle as the mist rolled in from the damps.
Stuff like that, lots of stuff like that to fill out the American songbook. But Pete also put his pen to paper to write some searing contemporary lyrics just like those “new breed” protest folk singers he helped nurture and probably the most famous to come out of that period, asking a very good question then, a question still be asked now if more desperately than even then, Where Have All The Flowers Gone.Now a new generation looks like it too is ready to pick up the torch after the long “night of the long knives” we have faced since those days. The music is there to greet them in their new titanic struggles.
