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NEW WARS / OLD WARS – What Could Possibly Go Wrong Ocasio-Cortez', Peace Candidate
Ocasio-Cortez', Peace Candidate
By labeling her foreign policy platform “A Peace Economy,” Ocasio-Cortez, using a phrase popular with the peace movement, makes the financial connection without shying away from the immoral and criminal and counter-productive character of war. The fact is that war endangers rather than protecting, erodes rights, militarizes police and society, destroys the natural environment, directly kills and injures and traumatizes and harms millions, and — on top of that — does the most damage through the diversion of resources from where they could do good. War is the only place where enough money sits with which to try to protect the environment or to guarantee education or retirement or other basic rights. Candidates who do not mention war spending are not serious about the things they do mention. Many, like the incumbent Ocasio-Cortez defeated, are in the pay of weapons makers as well as just about every other corporate interest. More
An American Century of Brutal Overseas Conquest Began at Guantánamo Bay
Today, GTMO, as the base is called in military parlance, boasts a gift shop at its Navy Exchange, a stone’s throw from the Guantánamo McDonald’s. There, for $15, you can buy a Joint Task Force GTMO detainment operations T-shirt, embossed with a graphic of an armed prison guard tower and finished with barbed wire filigree. The 
memento is a troubling reminder of the normalcy with which U.S. empire has infiltrated our everyday, an iteration of what revisionist historian William Appleman Williams called “a way of life.” Indeed, U.S. malignancy in Cuba, from the Cold War to the so-called war on terror, is only part of the aggression that stemmed from the taking of Guantánamo. This June marks an important birthday for the Navy base, and for American overseas empire, too. Indeed, their origin story is one and the same… The invasion at Guantánamo marked the formal beginning of an American penchant for intervening militarily in the affairs of other nations. Historians of U.S. empire have long acknowledged 1898 as a watershed in the trajectory of America’s global posturing. More
memento is a troubling reminder of the normalcy with which U.S. empire has infiltrated our everyday, an iteration of what revisionist historian William Appleman Williams called “a way of life.” Indeed, U.S. malignancy in Cuba, from the Cold War to the so-called war on terror, is only part of the aggression that stemmed from the taking of Guantánamo. This June marks an important birthday for the Navy base, and for American overseas empire, too. Indeed, their origin story is one and the same… The invasion at Guantánamo marked the formal beginning of an American penchant for intervening militarily in the affairs of other nations. Historians of U.S. empire have long acknowledged 1898 as a watershed in the trajectory of America’s global posturing. More
NED Pursues Regime Change by Playing the Long Game
The general strategy of NED [National Endowment for Democracy] is to empower like-minded activists to build new political movements in their home countries. NED helps these activists become influential political actors, often with the goal of creating new possibilities for political change. Officials typically describe their approach as one of “democracy promotion.” They argue that they are helping democratic forces introduce democratic politics into countries ruled by authoritarian leaders. “These leaders, their strategic Achilles heel is fear of their own publics,” Twining explained. “And I think we should think about the old Reagan message of exploiting that a little bit.”
The strategy requires a long-term commitment in the countries where the NED is active. Twining calls it “playing the long game.” Gershman calls it “long-term work.” … The general feeling in Congress is that the U.S. government should continue to fund the work of the NED and its affiliated institutes. Most members of Congress view the organizations as important assets in the U.S. government’s toolkit, believing they play an important role in U.S. global strategy. More
WARS ABROAD, WARS AT HOME SO LONG, SCOTT PRUITT. WE KNEW YOU ALL TOO WELL.
WARS ABROAD, WARS AT HOME
SO LONG, SCOTT PRUITT. WE KNEW YOU ALL TOO WELL.
Good riddance, of course, though there is little doubt that his replacement will be any less destructive of the EPA’s mission. However, if you haven’t read the text of Pruit’s resignation letter, you are missing something startling – an evangelical-inflected, Nazi-sounding tribute to Trump that only seems to lack the “Dear Führer” salutation.
“No Happy Ending” for Planet as Coal Lobbyist Andrew Wheeler Takes Over EPA
“Before everyone gets excited about Pruitt, remember we’re going to get all the same horrific policy under Andrew Wheeler, without any of the comic, attention-drawing personal corruption,” Vox environment writer David Roberts tweeted after President Donald Trump announced on Thursday that he had accepted Pruitt’s resignation. “Pruitt’s departure may cost us some jokes,” added Public Citizen president Robert Weissman in a statement, “but it won’t change the Trump administration or help save the planet or Americans’ health. Next in line to run the EPA is a coal lobbyist.” Judith Enck, an Obama-era former EPA regional administrator, told Mother Jones in an interview ahead of Wheeler’s confirmation as deputy EPA administrator in April that Wheeler serving as EPA chief would be comparable to “having a tobacco lobbyist heading up the American Lung Association.” More
Real Border Security Comes From a Moral Foreign Policy
Half a century ago, Martin Luther King Jr. argued that “a true revolution of values will soon cause us to question the fairness and justice of many of our past and present policies.” Turning to the Western Hemisphere, King said, “It will look at our alliance with the landed gentry of South America and say, ‘This is not just.’” The time is now for such a revolution: By decisively breaking with long-standing US policy, we can ease the violence and misery south of our borders, so that people may finally lead dignified lives in stable communities throughout the Americas… A progressive vision for the hemisphere, then, must first end any US military support for repressive governments throughout Latin America and the Caribbean. Second, as President Trump has blithely entertained a “military option” for Venezuela, we must stop the pursuit of interventionism and regime change against governments that Washington dislikes, and instead support peaceful negotiations. Finally, a humane hemispheric policy must also overhaul the corporate-dominated trade and investment pacts that rob nations of their economic agency. On Capitol Hill and throughout Latin America, the beginnings of that moral revolution articulated by Martin Luther King Jr. are finally emerging. More
WEAPONIZED KEYNESIANISM IN WASHINGTON
Other than shouting about building a wall on the U.S.-Mexico border, one of Donald Trump’s most frequently proclaimed promises on the 2016 campaign trail was the launching of a half-trillion-dollar plan to repair America’s crumbling infrastructure (employing large numbers of workers in the process). Eighteen months into his administration, no credible proposal for anything near that scale has been made. To the extent that the Trump administration has a plan at all for public investment, it involves pumping up Pentagon spending, not investing in roads, bridges, transportation, better Internet access, or other pressing needs of the civilian economy… In reality, Pentagon spending is the Trump administration’s substitute for a true infrastructure program and it’s guaranteed to deliver public investments, but neglect just about every area of greatest civilian need from roads to water treatment facilities… . The $683 billion extra that the administration proposes putting into Pentagon spending over the next 10 years pales in comparison to the trillions of dollars the American Society of Civil Engineers claims are needed to modernize U.S. infrastructure. More
TRUMP’S AMERICAN CARNAGE
Whether American institutions would be resilient enough to resist Trump was one of the questions raised by his victory. We received a bleak answer last week from the Supreme Court, which voted by 5-4 both to weaken the collective bargaining power of public unions and to uphold the Muslim travel ban. Janus v. American Federation of State, County and Municipal Employees was a striking example of the topsy-turvy logic of Trump world, invoking the First Amendment right to free speech against the right of public unions to collect dues from non-members. Some commentators argued that the Muslim ban, an obvious case of animus against members of a religious minority, contradicted the Court’s recent decision in support of an Evangelical baker who refused to make a wedding cake for a gay couple. But the upholding of the ban was consistent in spirit, if not in logic, with the Court’s decisions in favour of the strong against the weak. In its judgment, the court took the opportunity to overturn the 1944 decision that authorised the Japanese-American internment camps. Like Trump’s pardon of the black boxer Jack Johnson, the decision used the victims of an earlier injustice as cover for new injustices… Voting him out may turn out to be the easy part. Repairing the damage he has caused, and containing the domestic forces he has unleashed, will be far more difficult. More
Ocasio-Cortez', Peace Candidate
By labeling her foreign policy platform “A Peace Economy,” Ocasio-Cortez, using a phrase popular with the peace movement, makes the financial connection without shying away from
In Boston- Come to the next monthly STANDOUT FOR BLACK LIVES Ashmont T Station Plaza Every fourth Thursday April-Oct. 5:30-6:30 pm July 26 * August 23 * September 27 * October 25
Come to the next monthly
STANDOUT FOR BLACK LIVES
Ashmont T Station Plaza
Every fourth Thursday April-Oct. 5:30-6:30 pm
July 26 * August 23 * September 27 * October 25
Please hold these dates! Spread the Word! All are welcome!
Hold our banner and Black Lives Matter signs * Hand out fliers.
contact: emmy@emmyrainwalker.com
*Back Down In Delta Country Again- The Blues Of Charley Patton
Click on title to link to YouTube's film clip of Charley Patton performing "Shake It And Break It"
CD Review
Charley Patton:Founder Of The Blues, Yazoo Records, 1995
Okay, so this review shows one way my reviewing choices get made. Recently I was reviewing Volume Eight of the Bob Dylan Bootleg series. One of the outstanding tracks on the CD is Dylan's tribute version of the old country blues singer Charley Patton's "High Water Everywhere (Parts 1&2)". So, naturally, I had to go back and check out Mr. Patton's version.
Oh, did I mention that along with many Dylan reviews I have lately been on a country blues tear. You know Robert Johnson, Son House, Skip James, Mississippi John Hurt and the like. That, my friends, is where this all comes together. You cannot mention Delta blues without mentioning the name and influence of Charley Patton. There is no question that he influenced Son House (who played with him on occasion) or that Robert Johnson sat at his feet (maybe Patton is the "devil" he sold his soul out of Highway 51 to ratchet up his blues work). Whether he, as assumed by the title here, was the founder of the blues is a question that I believe is up in the air.
Certainly looking through this compilation Patton's whinny-voiced but driven (a factor that leads me away from him as founder) version of "High Water Everywhere" makes it now totally understandably why Dylan honored Patton on that latest CD of his. Others that make the Patton "greatest hits" list are the raucous "Shake It And Break It", "Stone Pony Blues" and a fantastic "Tom Rushen Blues". Now you can see how all the folk/blues things I write about are interconnected, musically at least. There is indeed a method to my madness.
Blues Lyrics - Charley Patton
High Water Everywhere (Part 1)
All rights to lyrics included on these pages belong to the artists and authors of the works.
All lyrics, photographs, soundclips and other material on this website may only be used for private study, scholarship or research.
by
Charley Patton
recording of 1929-1934
from
Charley Patton: Founder Of The Delta Blues (Yazoo L-1020)
Well, backwater done rose all around
Sumner
now,
drove me down the line
Backwater done rose at Sumner,
drove poor Charley down the line
Lord, I'll tell the world the water,
done crept through this town
Lord, the whole round country,
Lord, river has overflowed
Lord, the whole round country,
man, is overflowed
You know I can't stay here,
I'll go where it's high, boy
I would goto the hilly country,
but, they got me barred
Now, look-a here now at
Leland
river was risin' high
Look-a here boys around Leland tell me,
river was raisin' high
Boy, it's risin' over there, yeah
I'm gonna move to
Greenville
fore I leave, goodbye
Look-a here the water now, Lordy,
Levee
broke, rose most everywhere
The water at Greenville and Leland,
Lord, it done rose everywhere
Boy, you can't never stay here
I would go down to
Rosedale
but, they tell me there's water there
Now, the water now, mama,
done took Charley's town
Well, they tell me the water,
done took Charley's town
Boy, I'm goin' to
Vicksburg
Well, I'm goin' to Vicksburg,
for that high of mine
I am goin' up that water,
where lands don't never flow
Well, I'm goin' over the hill where,
water, oh don't ever flow
Boy, hit Sharkey County and everything was down in Stovall
But, that whole county was leavin',
over that
Tallahatchie
shore
Boy, went to Tallahatchie and got it over there
Lord, the water done rushed all over,
down old Jackson road
Lord, the water done raised,
over the Jackson road
Boy, it starched my clothes
I'm goin' back to the hilly country,
won't be worried no more
__________
Note: this song tells the story of the great Mississippi flood of 1927. The two-part song is long, it covers both sides of a 78 rpm. The music of part one is very similar to Willie Brown's "Future Blues" and Son House's "Jinx Blues";
Note 1: origin: from the old French word levée, act of raising, from lever to raise. An embankment for preventing flooding, or a river landing place, also, a continuous dike or ridge (as of earth) for confining the irrigation areas of land to be flooded. A levee camp therefore is a work camp for building or improving dikes to prevent rivers from flooding the land, primarily in the
Mississippi Delta
area.
Part 2
Backwater at
Blytheville
, backed up all around
Backwater at Blytheville, done took Joiner town
It was fifty families and children come to sink and drown
The water was risin' up at my friend's door
The water was risin' up at my friend's door
The man said to his women folk, "Lord, we'd better go"
The water was risin', got up in my bed
Lord, the water was rollin', got up to my bed
I thought I would take a trip, Lord, out on the big ice sled
Oh, I can hear, Lord, Lord, water upon my door,
you know what I mean, look-a here
I hear the ice, Lord, Lord, was sinkin' down,
I couldn't get no boats there, Marion City gone down
So high the water was risin' our men sinkin' down
Man, the water was risin' at places all around,
boy, they's all around
It was fifty men and children come to sink and drown
Oh, Lordy, women and grown men drown
Oh, women and children sinkin' down
Lord, have mercy
I couldn't see nobody's home and wasn't no one to be found
__________
Blues Lyrics - Charley Patton
Shake It And Break It
All rights to lyrics included on these pages belong to the artists and authors of the works.
All lyrics, photographs, soundclips and other material on this website may only be used for private study, scholarship or research.
by
Charley Patton
recording of 1929-1934
from
Charley Patton: Founder Of The Delta Blues (Yazoo L-1020)
You can shake it, you can break it, you can hang it on the wall
Throw it out the window, catch it 'fore it roll
You can shake it, you can break it, you can hang it on the wall
...it out the window, catch it 'fore it falls
My
jelly, my roll
, sweet mama, don't let it fall
Everybody have a jelly roll like mine, I lives in town
I, ain't got no brown, I, an' I want it now
My jelly, my roll, sweet mama, don't let it fall
You can snatch it, you can grab it, you can break it, you can twist it,
any way that I love to get it
I, had my right mind since I, I blowed this town
My jelly, my roll, sweet mama, don't let it fall
Jus' shake it, you can break it, you can hang it on the wall
.. it out the window, catch it 'fore it falls
You can break it, you can hang it on the wall
...it out the window, catch it 'fore it...
My jelly, my roll, sweet mama, don't let it fall
I ain't got nobody here but me and myself
I, stay blue all the time, aw, when the sun goes down
My jelly, my roll, sweet mama, don't let it fall
You can shake it, you can break it, you can hang it on the wall
... it out the window, catch it 'fore it fall
You can break it, you can hang it on the wall
...it out the window, catch...
My jelly, my roll, sweet mama, don't let it fall
You can snatch it, you can grab it, you can break it, you can twist it,
any way that I love to get it
I, had my right mind, I, be worried sometime
'Bout a jelly, my roll, sweet mama, don't let it fall
Just shake it, you can break it, you can hang it on the wall
... it out the window, catch it 'fore it falls
You can break it, you can hang it on the wall
...it out the window, catch it 'fore it falls
My jelly, my roll, sweet mama, don't let it fall
I know I been to town, I, I walked around
I, start leavin' town, I, I fool around
My jelly, my roll, sweet mama, don't let it fall
Just shake it, you can break it, you can hang it on the wall
... it out the window, catch it 'fore it falls
You can break it, you can hang it on the wall
...it out the window, catch it 'fore it...
My jelly, my roll, sweet mama, don't let it fall
Jus' shake it, you can break it, you can hang it on the wall
... it out the window, catch it 'fore it...
My jelly, my roll, sweet mama, don't let it...
__________
Note: this song is an ode to... the jelly roll, a pastry but also, like in this case, a reference to the male genitals. The triple-dot parts are not missing lyrics, Patton just left them unspoken.
CD Review
Charley Patton:Founder Of The Blues, Yazoo Records, 1995
Okay, so this review shows one way my reviewing choices get made. Recently I was reviewing Volume Eight of the Bob Dylan Bootleg series. One of the outstanding tracks on the CD is Dylan's tribute version of the old country blues singer Charley Patton's "High Water Everywhere (Parts 1&2)". So, naturally, I had to go back and check out Mr. Patton's version.
Oh, did I mention that along with many Dylan reviews I have lately been on a country blues tear. You know Robert Johnson, Son House, Skip James, Mississippi John Hurt and the like. That, my friends, is where this all comes together. You cannot mention Delta blues without mentioning the name and influence of Charley Patton. There is no question that he influenced Son House (who played with him on occasion) or that Robert Johnson sat at his feet (maybe Patton is the "devil" he sold his soul out of Highway 51 to ratchet up his blues work). Whether he, as assumed by the title here, was the founder of the blues is a question that I believe is up in the air.
Certainly looking through this compilation Patton's whinny-voiced but driven (a factor that leads me away from him as founder) version of "High Water Everywhere" makes it now totally understandably why Dylan honored Patton on that latest CD of his. Others that make the Patton "greatest hits" list are the raucous "Shake It And Break It", "Stone Pony Blues" and a fantastic "Tom Rushen Blues". Now you can see how all the folk/blues things I write about are interconnected, musically at least. There is indeed a method to my madness.
Blues Lyrics - Charley Patton
High Water Everywhere (Part 1)
All rights to lyrics included on these pages belong to the artists and authors of the works.
All lyrics, photographs, soundclips and other material on this website may only be used for private study, scholarship or research.
by
Charley Patton
recording of 1929-1934
from
Charley Patton: Founder Of The Delta Blues (Yazoo L-1020)
Well, backwater done rose all around
Sumner
now,
drove me down the line
Backwater done rose at Sumner,
drove poor Charley down the line
Lord, I'll tell the world the water,
done crept through this town
Lord, the whole round country,
Lord, river has overflowed
Lord, the whole round country,
man, is overflowed
You know I can't stay here,
I'll go where it's high, boy
I would goto the hilly country,
but, they got me barred
Now, look-a here now at
Leland
river was risin' high
Look-a here boys around Leland tell me,
river was raisin' high
Boy, it's risin' over there, yeah
I'm gonna move to
Greenville
fore I leave, goodbye
Look-a here the water now, Lordy,
Levee
broke, rose most everywhere
The water at Greenville and Leland,
Lord, it done rose everywhere
Boy, you can't never stay here
I would go down to
Rosedale
but, they tell me there's water there
Now, the water now, mama,
done took Charley's town
Well, they tell me the water,
done took Charley's town
Boy, I'm goin' to
Vicksburg
Well, I'm goin' to Vicksburg,
for that high of mine
I am goin' up that water,
where lands don't never flow
Well, I'm goin' over the hill where,
water, oh don't ever flow
Boy, hit Sharkey County and everything was down in Stovall
But, that whole county was leavin',
over that
Tallahatchie
shore
Boy, went to Tallahatchie and got it over there
Lord, the water done rushed all over,
down old Jackson road
Lord, the water done raised,
over the Jackson road
Boy, it starched my clothes
I'm goin' back to the hilly country,
won't be worried no more
__________
Note: this song tells the story of the great Mississippi flood of 1927. The two-part song is long, it covers both sides of a 78 rpm. The music of part one is very similar to Willie Brown's "Future Blues" and Son House's "Jinx Blues";
Note 1: origin: from the old French word levée, act of raising, from lever to raise. An embankment for preventing flooding, or a river landing place, also, a continuous dike or ridge (as of earth) for confining the irrigation areas of land to be flooded. A levee camp therefore is a work camp for building or improving dikes to prevent rivers from flooding the land, primarily in the
Mississippi Delta
area.
Part 2
Backwater at
Blytheville
, backed up all around
Backwater at Blytheville, done took Joiner town
It was fifty families and children come to sink and drown
The water was risin' up at my friend's door
The water was risin' up at my friend's door
The man said to his women folk, "Lord, we'd better go"
The water was risin', got up in my bed
Lord, the water was rollin', got up to my bed
I thought I would take a trip, Lord, out on the big ice sled
Oh, I can hear, Lord, Lord, water upon my door,
you know what I mean, look-a here
I hear the ice, Lord, Lord, was sinkin' down,
I couldn't get no boats there, Marion City gone down
So high the water was risin' our men sinkin' down
Man, the water was risin' at places all around,
boy, they's all around
It was fifty men and children come to sink and drown
Oh, Lordy, women and grown men drown
Oh, women and children sinkin' down
Lord, have mercy
I couldn't see nobody's home and wasn't no one to be found
__________
Blues Lyrics - Charley Patton
Shake It And Break It
All rights to lyrics included on these pages belong to the artists and authors of the works.
All lyrics, photographs, soundclips and other material on this website may only be used for private study, scholarship or research.
by
Charley Patton
recording of 1929-1934
from
Charley Patton: Founder Of The Delta Blues (Yazoo L-1020)
You can shake it, you can break it, you can hang it on the wall
Throw it out the window, catch it 'fore it roll
You can shake it, you can break it, you can hang it on the wall
...it out the window, catch it 'fore it falls
My
jelly, my roll
, sweet mama, don't let it fall
Everybody have a jelly roll like mine, I lives in town
I, ain't got no brown, I, an' I want it now
My jelly, my roll, sweet mama, don't let it fall
You can snatch it, you can grab it, you can break it, you can twist it,
any way that I love to get it
I, had my right mind since I, I blowed this town
My jelly, my roll, sweet mama, don't let it fall
Jus' shake it, you can break it, you can hang it on the wall
.. it out the window, catch it 'fore it falls
You can break it, you can hang it on the wall
...it out the window, catch it 'fore it...
My jelly, my roll, sweet mama, don't let it fall
I ain't got nobody here but me and myself
I, stay blue all the time, aw, when the sun goes down
My jelly, my roll, sweet mama, don't let it fall
You can shake it, you can break it, you can hang it on the wall
... it out the window, catch it 'fore it fall
You can break it, you can hang it on the wall
...it out the window, catch...
My jelly, my roll, sweet mama, don't let it fall
You can snatch it, you can grab it, you can break it, you can twist it,
any way that I love to get it
I, had my right mind, I, be worried sometime
'Bout a jelly, my roll, sweet mama, don't let it fall
Just shake it, you can break it, you can hang it on the wall
... it out the window, catch it 'fore it falls
You can break it, you can hang it on the wall
...it out the window, catch it 'fore it falls
My jelly, my roll, sweet mama, don't let it fall
I know I been to town, I, I walked around
I, start leavin' town, I, I fool around
My jelly, my roll, sweet mama, don't let it fall
Just shake it, you can break it, you can hang it on the wall
... it out the window, catch it 'fore it falls
You can break it, you can hang it on the wall
...it out the window, catch it 'fore it...
My jelly, my roll, sweet mama, don't let it fall
Jus' shake it, you can break it, you can hang it on the wall
... it out the window, catch it 'fore it...
My jelly, my roll, sweet mama, don't let it...
__________
Note: this song is an ode to... the jelly roll, a pastry but also, like in this case, a reference to the male genitals. The triple-dot parts are not missing lyrics, Patton just left them unspoken.
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