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Wednesday, July 25, 2018
Feds extend deadline for comments on future draft Courage to Resist
The Night When The World Came Down Upon Peter Paul Markin’s Head-With Roy Lichtenstein’s 1968 Time Magazine Cover Of Bobby Kennedy In Mind
The Night When The World
Came Down Upon Peter Paul Markin’s Head-With Roy Lichtenstein’s 1968 Time Magazine Cover Of Bobby Kennedy In
Mind
By Bart Webber (with the
ghost hand of Sam Lowell on his shoulder)
The ghost of the late
sorely lamented Peter Paul Markin has hovered over this publication long after
his early, too early demise back in the 1970s (and in its sister publications
as well as a quick recent glance indicated starkly to me upon investigation).
Maybe it because we have begun reaching a milestone, 50th anniversary
commemorations of various youth-defining events, maybe arbitrary, maybe as the
late scientist Steven Jay Gould was fond of saying mere man-made constructs and
no more but which has infested a number of us older writers some of who knew
Markin personally and others who have been influenced by the hairy tales of his
existence. (The younger writers mostly, as one told me, could give a fuck about
an old junkie has been who didn’t have sense enough to not try some crazy
scheme to get rich quick in the cocaine trade against the growing Columbian
cartels so what could he expect.) Almost every event during this commemoration
period had Markin’s imprint on it. (We always called him Scribe but I will
stick with his surname here.)
Therefore it does not take
much to flicker a flame if something going back to those days jumpstarts
renewed thoughts of Markin. That happened one afternoon recently when Si Lannon
was on assignment to do an article on the Cezanne
Portraits exhibition at the National Gallery and as is his wont (and Sam
Lowell’s too especially if Laura Perkins is along) he runs up to the National
Portrait Gallery to see what is up there. Not much since the last time he was
there except on a wall on the first floor under the title Remembrance there was Roy Lichtenstein’s famous Time magazine cover
of Robert Kennedy done in the spring of 1968 shortly before his assassination
in California after his primary victory over Eugene in June of that year. Si
was so shaken by that picture that he immediately called me and I thereafter
called a few other guys and the mere mention of that cover got us back to
Markin square one.
See Markin, beyond being
the guy who in our circle named the fresh breeze coming through the land for
what would be called by others the Generation of ’68 and which we thanks to
Markin we were card-carrying members was also far and away the most political
of us all. Saw that any dreams of that newer world he was always hassling us
about was going to require serious changes in the political winds. Moreover
Markin had from I don’t remember how early on but as long as I had known him
tied his fate to becoming some kind of politician, some kind of mover and
shaker in that newer world. As for me I could have given a damn about politics
then since I was starting up my printing business and, truth, was busy trying
to get into my girlfriend’s pants. Not Markin though he had spent that whole
spring working his ass off for Robert Kennedy, had gone up and down the East
Coast trying to recruit resistant students not only to vote for Bobby but get
out on the trail. That student resistance factored in by the fact that Bobby
had not gotten into the presidential contest until after Lyndon Baines Johnson
the sitting President and odds on favored in 1968 to win the election decided
after the debacle of Vietnam, of Tet, not to run and the previously “Clean for
Gene” crowd was reluctant to go with Bobby. Saw him as an interloper.
Here is the beauty, maybe
treachery now that I think about the matter, of that bloody bastard Markin
before Lyndon blew himself up and Bobby entered the fray he was sitting on his
freaking hands perfectly willing to
give Johnson a pass as vile
as Vietnam was against the expected contest against Richard Nixon. Didn’t think
whatever lukewarm and ill-formed sympathy he had for McCarthy’s anti-war
positions he could beat Nixon (or anybody else he once mentioned after the New
Hampshire primary upended politics for good that year with McCarthy’s better
than expected showing-wasn’t Bobby-like ruthless enough). Two minutes after
Bobby announced he called up some Bobby operatives he knew from the Boston
mayor’s fight in 1967 and was on his way.
When Bobby went down I
think, and this is only speculation on my part since I didn’t see him much
after he went into the Army and then afterward headed out to California to
start “a new life,” something went out of Markin, some sense that the whole
thing had been a mirage and that he was doomed. He always thought of himself as
doomed, spoke of it sometimes when he was depressed, or things were tough at home.
So as the ghost of Bobby Kennedy showed up on that Lichtenstein cover know this
the ghost of Markin is right there too.
The 50th Anniversary Of The Summer Of Love (1967)****Channeling The Grateful Dead Minus…
The 50th Anniversary Of The Summer Of Love (1967)****Channeling The Grateful Dead Minus…
From The Pen Of Sam Lowell
No I was never a “Dead Head,” never would have accepted that designation in any case if somebody tried to lay that moniker on me, tried to tie me down with that crowd who lived and breathed (still do) for every tune the Grateful Dead ever produced. In the old days, the days of the 1960s mad dash to seek a newer world that got trashed about seven million ways before the deal went down and “the authorities,” as my mother used to say when speaking of the ruling class or its agents, pulled the hammer down and soured a whole generation, no, make that three generations now, working on a fourth recently born, since they are still furiously trying to keep us in lock-down mode, I went out in San Francisco by the moniker Prince of Love. So it wasn’t about the moniker, wasn’t about being type-cast, just wasn’t into the group, although half, more than half of whatever group I was travelling with at any particular time would have Dead-Heads and Dead music coming out the sound system to be heard in Afghanistan or some such place, personal musical preference is all.
By the way that "Prince Of Love" moniker was strictly among the brethren, those who were, literally, my mates on the yellow brick road converted school bus, Captain Crunch's bus purchased according to rumor never confirmed by me or admitted to by the Captain for obvious reasons, obvious legal reasons, by money made in a big dope deal, a marijuana/hash deal with some guys south of the border. Hell maybe I shouldn't be saying anything about the source now because who knows who is listening and looking and who knows if there isn't some infinite statute of no limitations on such transactions although I heard somewhere that murder was the only crime tagged with that designation. That old yellow brick road school bus converted into an itinerant home for wandering waywards and seekers was a mode of transportation which while not ubiquitous on the California roads, that distinction would go to Volkswagen mini-buses, they were not an infrequent sight and after a while were not remarked on by anybody but tourists averting their eyes and the eyes of their children aged five and up,and cops, the cops usually looking for that fatal violation, you know, the rear license plate light out, a sagging tire, too many people on the bus which allowed them to haul the beast to the side of the road and give some each dweller some hassle, some hassle man.( That "on the bus," our version of "on the bus" being an expression stolen from Ken Kesey and his Merry Pranksters, our blessed mothers and fathers who had come on the road a few year before us to signify "cool," to signify that one had made the leap from square-dom, to signify until one "got off the bus," that the iterant life was worth pursuing for a while anyway until the dope, the road itself, or about six thousand other reasons to go home, or go stationary for a while.
A group of us sometimes sticking together for months like the Be-Bop Kid, Peter Markin, my closest friend since he hailed from North Adamsville about twenty miles north of my hometown of Carver, Tiny Slim Tim as you might suspect a giant whose real name was Dexter something and Butterfly Swirl (Catherine Clark) from down in Carlsbad who was “slumming” from the perfect wave surfer crowd she hung with in high school to see what the next best thing was in the frenetic California night until she she decided to "get off the bus" and go back to her perfect yellow-haired pruned surfer boy and who every guy on the bus took a shot at, including Be-Bop, and me stuck together longest. (Markin as it turned would stay out on the road for years after the rest of us "got off" the road since psychologically he had much more invested that most of the rest of us in seeing what he called the "new breeze coming through the land" before he ended up badly down in Mexico, all sister crazy, over a busted drug deal he was trying to put together with the cartel boys who were not pleased).
Others, Mustang Sally (you can figure that one out if you know the song by the same name which went over as a wild rock hit when Mustangs, the cars, became the "boss" vehicle replacing the '57 Chevy in the imaginations of the generation of '68), Reefer Jones (ditto on the figuring out the "reefer" part just throw yourselves back to any urban college dorm, student ghetto apartment, rock concert and high school boys’ or girls’ lav when it filtered down to the teenagers after say 1965, 66 and sniff the air for a second-hand high and you will be on the right track), Guy Fawkes (after the high holy Catholic Church English plotter against the Protestant King James I who has had a resurgence lately between the NSA and the young libertarians, at least for wearing anonymous masks), Digger Stewart (after the 17th century English communists led by Gerrard Winstanley up on Saint George’s Hill for a while anyway, a movement before its time which unfortunately depended on the good graces of Lord Fairfax who soon withheld his favor and the whole affair when tumbling down but communists even today I notice still pay homage to those efforts and there is even an appropriate modern folk song The World Turned Upside Down commemorating that struggle) stayed for shorter periods.
Others, Mustang Sally (you can figure that one out if you know the song by the same name which went over as a wild rock hit when Mustangs, the cars, became the "boss" vehicle replacing the '57 Chevy in the imaginations of the generation of '68), Reefer Jones (ditto on the figuring out the "reefer" part just throw yourselves back to any urban college dorm, student ghetto apartment, rock concert and high school boys’ or girls’ lav when it filtered down to the teenagers after say 1965, 66 and sniff the air for a second-hand high and you will be on the right track), Guy Fawkes (after the high holy Catholic Church English plotter against the Protestant King James I who has had a resurgence lately between the NSA and the young libertarians, at least for wearing anonymous masks), Digger Stewart (after the 17th century English communists led by Gerrard Winstanley up on Saint George’s Hill for a while anyway, a movement before its time which unfortunately depended on the good graces of Lord Fairfax who soon withheld his favor and the whole affair when tumbling down but communists even today I notice still pay homage to those efforts and there is even an appropriate modern folk song The World Turned Upside Down commemorating that struggle) stayed for shorter periods.
I called the Captain Crunch Express home for a couple of years as we went up and down the coast looking for the heart of Saturday night, looking for the great blue-pink American West night as the Be-Bop Kid described it and everybody kind of bought into that idea, hell, maybe just looking to turn the world upside down like those Diggers up on Saint George Hill just looking to be left along to wander although none of us at the time either wanted to work the land somewhere almost all being strictly urban dwellers or find some old broken down house and convert it into a wayward-driven commune, and see if that life was any better than the gruel that was on tap for us by "straight" society, the gruel force-fed to us for no known reason.
The “Express” named after the guy, Captain Crunch (real name Slade Stokes, Haverford College Class of 1958), an older guy of indeterminate means (nice way to put that dope-injected rumor, right) who actually knew Ken Kesey and the Merry Pranksters, knew everybody who was anybody in the West Coast alternative cultural scene (for example could get “boss” tickets for 20 of us to the Fillmore to see the Jefferson Airplane when the Be-Bop Kid “married Butterfly Swirl, before she tired of the road, and after she tired of me, but that is a long story for another time), who bought and rigged the bus complete with outrageous high end sound system, or wink, wink, got it in some drug trade barter deal, and was some kind of father we never knew a la Jack Kerouac-Neal Cassady/drug lord/ philosopher king to us.
The “Express” named after the guy, Captain Crunch (real name Slade Stokes, Haverford College Class of 1958), an older guy of indeterminate means (nice way to put that dope-injected rumor, right) who actually knew Ken Kesey and the Merry Pranksters, knew everybody who was anybody in the West Coast alternative cultural scene (for example could get “boss” tickets for 20 of us to the Fillmore to see the Jefferson Airplane when the Be-Bop Kid “married Butterfly Swirl, before she tired of the road, and after she tired of me, but that is a long story for another time), who bought and rigged the bus complete with outrageous high end sound system, or wink, wink, got it in some drug trade barter deal, and was some kind of father we never knew a la Jack Kerouac-Neal Cassady/drug lord/ philosopher king to us.
No, as well, I never went to one of the Dead’s sold-out stoned out concerts at the Fillmore (which the Captain also could get tickets for since he knew the Dead drummer whose name I forget and who I think passed away a few years ago), and something of a ceremonial rite of passage for those who did consider themselves “Dead Heads” and insisted that each and every time out they eat so much acid (LSD, blotter, and so on not battery acid or some such thing), smoke so many reefers (for the clueless see reference above to Reefer Jones, student ghettos, dorms and the like about 1965 and after), swallow some many bennies (speed my drug of choice then and later in law school where I used them just to get through the damn silly case studies we were required to know at the cost of being berated by some professor who had shark’s teeth and was not afraid to use them or leave incriminating slashes) just like the very first time they heard the Dead in order to get that same guitar rush that drove them to eternal fan-dom.
And taking something from sports figures and their superstitions like the baseball players who eat exactly the same thing every day they on some kind of streak, a positive streak, who wear the same outfit, the same faded denim, throng sandals, flowered shirt, male, granny dress, sandals, flowers in hair, female, each time to be washed clean by the Dead magic. Of course those who never gave up the tradition had pretty threadbare outfits something just south of tramp/bum/hobo before Jerry went over the top, went to see the “fixer” man to get well one more time, one time too many. (Jerry should have read Nelson Algren’s The Man With The Golden Arm to know you can never mess with the fixer man, never trust him either especially if he is a junkie too, can never get washed clean no matter what they say).The fixer man no friend as the lyrics to The Pusher Man by Steppenwolf make perfectly clear, goddam. So like I say despite the voodoo macabre stuff I have any number of friends who were/are ardent fans and they seem to be, well, normal, normal except in those flashback moments where they see “colors, man, colors,” speak of having “far out” experiences when they would/will get ready for a Dead concert.
Remind me to tell you sometime about a friend of mine, a stone-cold Dead Head, from back in Carver, my growing up hometown about thirty miles south of Boston, who to give you an idea of the tenor of the times back then went from a foul-mouthed corner boy looking to do a nickel or dime in some state pen for armed robbery, or at least straight up robbery although if you are going to make a career of that you should probably be armed against the crazies out there, if the ‘60s hadn’t come along, actually using that moniker "foul-mouth" in high school, he said it turned the girls on, and maybe it did, to “Far-Out Phil” when he came West to join us. So even the best of them would succumb to the western winds and the ghost dance night until the wheels kind of fall off ….for a while.
And taking something from sports figures and their superstitions like the baseball players who eat exactly the same thing every day they on some kind of streak, a positive streak, who wear the same outfit, the same faded denim, throng sandals, flowered shirt, male, granny dress, sandals, flowers in hair, female, each time to be washed clean by the Dead magic. Of course those who never gave up the tradition had pretty threadbare outfits something just south of tramp/bum/hobo before Jerry went over the top, went to see the “fixer” man to get well one more time, one time too many. (Jerry should have read Nelson Algren’s The Man With The Golden Arm to know you can never mess with the fixer man, never trust him either especially if he is a junkie too, can never get washed clean no matter what they say).The fixer man no friend as the lyrics to The Pusher Man by Steppenwolf make perfectly clear, goddam. So like I say despite the voodoo macabre stuff I have any number of friends who were/are ardent fans and they seem to be, well, normal, normal except in those flashback moments where they see “colors, man, colors,” speak of having “far out” experiences when they would/will get ready for a Dead concert.
Remind me to tell you sometime about a friend of mine, a stone-cold Dead Head, from back in Carver, my growing up hometown about thirty miles south of Boston, who to give you an idea of the tenor of the times back then went from a foul-mouthed corner boy looking to do a nickel or dime in some state pen for armed robbery, or at least straight up robbery although if you are going to make a career of that you should probably be armed against the crazies out there, if the ‘60s hadn’t come along, actually using that moniker "foul-mouth" in high school, he said it turned the girls on, and maybe it did, to “Far-Out Phil” when he came West to join us. So even the best of them would succumb to the western winds and the ghost dance night until the wheels kind of fall off ….for a while.
But here is my take on the Dead just to keep things in perspective, just to keep things right. I, after a couple of years on the road out there, and maybe not directly in the inner circle of the hippie/drug/literary scene but close enough to get tangled up in the new dispensation I liked to look at the connections, the West Coast connections, where a lot of the energy of the 1960s got its start or if started elsewhere got magnified there. Liked to draw the lines, if you will, from the wild boy alienated, there is no other word that says it so well, bikers over in Oakland and the edges of other working-class towns, mostly white, mostly with some kind of Okie/Arkie background roaring up the streets of Squaresville in search of the village daughters and putting the fear in the average citizen who thought Attila the Hun’s kin had descended, but remember that alienated part that is the hook-in to all the other stuff. Hot rod after midnight “chicken run” runners out in the valleys, alienated too but with a little dough and some swag and a hell-bend desire to go fast, go very fast, if for no other reason than to break out of valley ennui (although they would punch somebody out, fag bait somebody if they ever used such a word in their presence- if they knew what it meant) and surfer boys, coast boys and with a little more laid back approach in search of the perfect wave (read: Nirvana), maybe not quite so alienated because of that golden tan blonde dish sitting on the beach waiting to see if Sir Galahad finds the holy grail, golden tan blonde dishes like Butterfly Swirl who was a fox even when she wore a granny dress, to the “beat” guys Kerouac, Cassady, Ginsberg and friends running across America just to keep running, writing up a storm, wenching, whoring , pimping, white blue-eyed hipsters “speaking” be-bop to a jaded world, to sainted Ken Kesey and the Merry Pranksters (and our Captain Crunch, leader of our own merry prankster psychedelic bus), the Hell’s Angels (bad dudes, bad dudes, no question), Fillmore with strobe light beams creating dreams, et. al and you have the skeleton for what went on then, right or wrong. Wasn’t that a time, yes, Lord, wasn’t that a time. And the Dead were right in the mix.
Yeah, No Question War Is Hell-With Peter Weir’s “Gallipoli” In Mind
Yeah, No Question War Is Hell-With Peter Weir’s “Gallipoli” In Mind
By Film Critic Emeritus Sam Lowell
As the readers of this site [this review initially posted on the American Left History blog and the on-line at American Literary Gazette site] may know I recently have retired, maybe semi-retired is a better way to put it, from the day to day, week to week grind of reviewing film old and young as I just hit my sixty-fifth year on this whacky old planet. That stepping aside to let Sandy Salmon, my friend and competitor from the Gazette, take his paces on a regular basis did not mean that I would be going completely silent as I intended, and told the site administrator Pete Markin as much, to do an occasional film review and general commentary. This is one of those general commentary times.
What has me exercised is Sandy’s recent review of Australian director Peter Weir’s World War I classic Gallipoli starring Mark Lee and Mel Gibson. I take no issue with Sandy since he did a fine job. What caught my attention was Sandy’s comment about Archie’s, the role played by Mark Lee, fervent desire to join his fellow Aussies on Gallipoli peninsula as a patriotic duty and a manly adventure. When I did my own review of the film back in 1981 when it first came out I make a number of comments about my own military experiences and those of some of the guys I hung around with in high school who had to make some decisions about what to do about the war of our generation, the Vietnam War of the decade of the 1960s.
While the action of the Australian young men itching to get into the “action” of World War I (which by the way we are commemorating the 100th anniversary of the third year of this year) preceded us by fifty years a lot of the same ideas were hanging around our old-time working class neighborhood in Vietnam War times. More than a few guys like Jim Leary and Freddie Lewis were like Archie ready, willing and able to go fight the “red menace,” tip the dominoes our way, do their patriotic duty take your pick of reasons. Maybe in Freddie’s case to get out of the hostile household that he grew up in and maybe Jim like Archie a little for the adventure, to prove something about the questions he had about his manhood. I did not pick those two names out accidently for those names now are permanently etched on that hallowed black granite wall down in Washington that brings tears to my eyes old as I am every time I go there.
Then there were guys like me and Jack Callahan, Pete Markin who didn’t want to go into the military, didn’t want to enlist like Jim and Freddie but who having no real reason not to go when our local draft boards sent “the letter” requesting our services did go and survived. The main reason that we did not want to go, at least at the time, not later when we got a serious idea of what war was about, was it kind of cramped our style, would put a crimp in our drinking, doping, and grabbing every girl who was not nailed down style. Later Pete and I got religion on the issues of war and peace and being on the right side of the angels on the question, realized that the other options like draft refusal which might have meant jail or fleeing to Canada were probably better options. But we were like Archie and Frank in Gallipoli working class kids even though we had all been college students as well. When in our past was there even a notion of not going when the military called, of abandoning the old life in America for who knows what in Canada. We did what we did with what made sense to us at the time even if we were dead-ass wrong.
And then of course there is a story from our town like Frank Jackman’s who grew up in a neighborhood even down lower on the social scale than ours, grew up in “the projects,” the notorious projects which our parents would threaten us with if we didn’t stop being a serious drain the family’s resources. Frank somehow was a college guy too and like us “accepted” induction although he had more qualms about what the heck was going on in Vietnam and about being a soldier. But like us he also accepted induction because he could see no other road out. This is where the story changes up though. Frank almost immediately upon getting to basic training down at Fort Dix knew that he had made a mistake-had no business in a uniform. And by hook or by crook he did something about it, especially once he got orders for Vietnam. The “hook” part was that through a serious of actions which I don’t need to detail here he wound up doing a little over a year in an Army stockade for refusing to go to Vietnam. Brave man. The “crook” part was also through a series of actions which need not detain us now, mostly through the civilian courts, he was discharged, discharged from the stockade, honorably discharged as a conscientious objector.
Archie, Frank and their Aussie comrades only started to get an idea, a real idea about the horrors of war when they were in the trenches in front of the Turks also entrenched on Gallipoli peninsula and being mowed down like some many blades of grass. Archie and most of the crew that joined up with him were among those blades of grass. It was at the point where Archie was steeling himself to go over the top of the trenches after two previous waves had been mowed down and then being cut down by the Turkish machine-gun firing that I realized how brave Frank Jackman’s actions were in retrospect.
In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)- A Kerouac/Burroughs Joint Effort From The Pre-"Beat" Days
In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)- A Kerouac/Burroughs Joint Effort From The Pre-"Beat" Days
By Book Critic Zack James
To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just kicks, stuff, important stuff has happened or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation. Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my older brother Alex thy called “blowing to the China seas” out in West Coast jazz and blues circles, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the mean streets of New York, Chi town, North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps, half stirred left on corner coffees and cigarette stubs when the Bull Durham ran out).
I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50th anniversary is being commemorated this year as well. So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind. The kind that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter which would drive Alex west before he finally settled down to his career life (and to my sorrow and anger never looked back).
Of course anytime you talk about books and poetry and then add my brother Alex’s name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Jack, Jimmy, Si, Josh, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967 just mentioned. Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before (and which nobody in the crowd paid attention to, or dismissed out of hand what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.
But it was above all Jack’s book, Jack’s book which had caused a big splash in 1957, and had ripple effects into the early 1960s (and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain desert night but staying unsettled for a while anyway.
Like I said above Alex was out two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely end. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly from hunger working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some hot chick’s pants as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.
What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley the “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan that was for smooth as silk Frankie to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.
The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Dylan above all else) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)
Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like he wrote the final version of the thing on a damn newspaper scroll. So it was through Markin via Alex that I got the Kerouac bug. And now on the 60th anniversary I am passing on the bug to you.
Book Review
And The Hippos Were Boiled In Their Tanks, Jack Kerouac and William Burroughs, Grove Press, New York, 2008
In the past I have looked at Jack Kerouac’s densely-packed explanations of his early days in such thinly-veiled autobiographical novels as “Maggie Cassidy” and “Visions Of Dulouz”, detailing his leap from working class Lowell to the bright lights of New York City in the very early 1940s. I have also gone on and on about the importance of William Burroughs’ “Naked Lunch” in the modern American literary canon. Here, in “Hippos” (for short), we are treated to both a very, very thinly- veiled novel about the fate of their mutual friend, Lucien Carr, and his troubles with the law as a result of his killing of an older man who was seemingly psychotically sexually attracted to the young man.
The novel is meant to work at the level of straight forward, straight talking exploration of the milieu behind the Carr crime and in the process gave this reader a very interesting take on war time New York, the goings-on of the emerging “Beat” crowd and their antics, and a look at the budding literary careers of two stalwarts of the American literary canon. None of those antics, however, are remarkable or really much different from the youth adventures of other writes except the always surprising New York City night life in war time. Parties, men who want women, dope, booze, jazz, blues, women who want men, men who want men, women who want women, more booze, more dope, and a few more cigarettes. Sounds very familiar. What makes this story a cut above the rest for an early literary effort is the crime story embedded in the overall scheme of things.
Does this joint effort work? Certainly this novel tells me that both authors are “literary” men destined for bigger things, even this early on. The literary device of telling the tale from two perspectives that do not necessarily give the same emphasis to events is interesting. However, whatever reason, literary or confessional, that drove this joint effort describing a story that both were personally involved in (including some criminal complicity, after the fact) there is not enough of either man giving his all to the telling. As community-oriented (fellow “beat” community-oriented, that is) as Kerouac and Burroughs were something is missing here. And what explains what is missing is the hard fact that “beat” writers, whatever their philosophical inclinations were primarily loners, at least loner writers. See if you agree.
Note: Although this novel has been touted mainly as a prime example of an early “beat” work the real virtue of its publication is the Afterword where William Burroughs’ literary executioner gives a very detailed and important description about how this “lost” work came to see the light of day. For “beat” literary scholars presumably already familiar with the Carr case in the careers of the authors this is priceless. Even I was fascinated by the twists and turned needed to get the thing published at all.
In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-“The Drugstore Cowboy”, William Burroughs’-“Naked Lunch”
In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-“The Drugstore Cowboy”, William Burroughs’-“Naked Lunch”
By Book Critic Zack James
To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just kicks, stuff, important stuff has happened or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation. Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my older brother Alex thy called “blowing to the China seas” out in West Coast jazz and blues circles, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the mean streets of New York, Chi town, North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps, half stirred left on corner coffees and cigarette stubs when the Bull Durham ran out).
I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50th anniversary is being commemorated this year as well. So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind. The kind that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter which would drive Alex west before he finally settled down to his career life (and to my sorrow and anger never looked back).
Of course anytime you talk about books and poetry and then add my brother Alex’s name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Jack, Jimmy, Si, Josh, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967 just mentioned. Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before (and which nobody in the crowd paid attention to, or dismissed out of hand what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.
But it was above all Jack’s book, Jack’s book which had caused a big splash in 1957, and had ripple effects into the early 1960s (and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain desert night but staying unsettled for a while anyway.
Like I said above Alex was out two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely end. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly from hunger working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some hot chick’s pants as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.
What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley the “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan that was for smooth as silk Frankie to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.
The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Dylan above all else) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)
Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like he wrote the final version of the thing on a damn newspaper scroll. So it was through Markin via Alex that I got the Kerouac bug. And now on the 60th anniversary I am passing on the bug to you.
Naked Lunch, William S. Burroughs, Olympia Press, 1959
As I have explained in another entry in this space in reviewing the DVD of “The Life And Times Of Allen Ginsberg”, recently I have been in a “beat” generation literary frame of mind. I mentioned there, as well, and I think it helps to set the mood for commenting on Jack Kerouac’s ‘mentor’ William S. Burroughs and his famous (or infamous) work “Naked Lunch”, that it all started last summer when I happened to be in Lowell, Massachusetts on some personal business. Although I have more than a few old time connections with that now worn out mill town I had not been there for some time. While walking in the downtown area I found myself crossing a small park adjacent to the site of a well-known mill museum and restored textile factory space.
Needless to say, at least for any reader with a sense of literary history, at that park I found some very interesting memorial stones inscribed with excerpts from a number of his better known works dedicated to Lowell’s “bad boy”, the “king of the 1950s beat writers”, Jack Kerouac. And, just as naturally, when one thinks of Kerouac then Allen Ginsberg, William S. Burroughs, Gregory Corso, Neal Cassady and a whole ragtag assortment of poets, hangers-on, groupies and genuine madmen and madwomen come to mind. They all showed up, one way or another (under fictional names of course- Burroughs as Bull Lee), in Kerouac’s “On The Road”. So that is why we today, fifty years after its original publication (and only after much literary and governmental controversy), are under the sign of Burroughs’ minor classic “Naked Lunch”.
Minor classic? Well, yes. The various sketches, pieces and partials that make up the commentary in this science fiction-like exposition is filled with “weird " characters and likewise is filled with future prophecies that became, in some cases like AIDS-type diseases, realities at a later time. No question this is a difficult book to get through cold sober. In fact I put it down a few times before I completed it back in the days. But look at it this way, if Kerouac represented a different way of telling a story through his use of spontaneous writing Burroughs also showed innovation by taking the haphazard, the derelict and the off-beat and made literary music out of it.
Maybe not your music, or for that matter mine, but surely music nevertheless. This “novel”, moreover, extols thing that today are rather taken for granted like personal (and in the book and in Burroughs personal seemingly excessive) drug use, homosexuality, the use of ‘obscene language’, the dehumanization of modern society. Sound familiar? Of course, but Burroughs said it when it was not fashionable to do so. No wonder he was the ‘mentor’ for those young kids, Kerouac, Ginsberg, Corso, etc. when they hit New York in the mid-1940s looking for “something”.
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