Sunday, August 12, 2018

On The 50th Anniversary Of The Death Of Singer From The Soul Otis Redding


On The 50th Anniversary Of The Death Of Singer From The Soul Otis Redding





By Josh Breslin



The beauty of art, music, you know cultural artifacts is that they can last, outlast their creators. The beauty of art, music you know cultural artifacts in the modern age is that you can access almost anything via some site on the Internet. What you cannot do is get a sense of certain personalities, certain singers in this case that you had seen in person once that have passed on. That was the case with the singer from the soul Otis Redding who passed away fifty years ago this year. (Hell, even I can’t believe it has been that long). Saw Otis in his prime, saw Otis with my then flame, a gal we all called Butterfly Swirl (real name Carol Callahan) a surfer girl from Carlsbad out on the Pacific Coast Highway just then slumming, thank god, with “hippies” on Captain Crunch’s yellow brick road bus tooling up and down the Pacific Coast at the Monterey Pop Festival in 1967. Was there at the creation of the short sweet legend of Otis. Enough said



Link to a Christopher Lydon Open Source NPR program on the life and times of Otis Redding for an audience 50 years later.



radioopensource.org/afterlife-otis-redding/

On The 50th Anniversary of the May Days in France in 1968

On The 50th Anniversary of the May Days in France in 1968




By Frank Jackman

Allan Jackson labeled the post-World War II generation that came of age in the 1960s the “Generation of ’68.” A lot of things happened that year, including our respective draft call notices for induction in those days when a whole generation of young men, pro or anti-war had decisions to make not always easy or right). We both in retrospect should have refused to do so but you learn a few things in this wicked old world and that is worth something. This publication in any case has publicized a fair part of the world-historic occasions from Tet 1968 in January on through to the seminal 1968 elections.

A lot of the reason that Allan tagged us as the Generation of ’68 though was not for the jangle of events in general but in homage to the events in France in May and June of 1968 which kind of got everything shifted to the left-for a while. There, in Paris first as usual and then the outlying areas, the radicalized students first and then the students and workers came within a hair’s breathe of turning the world upside down, of making the newer world we were all looking for and which the many times mentioned Markin, the Scribe, whose name Allan had used as a moniker on this site in honor of his fallen friend mentioned many times not always to good effect. You cannot look at the period without seeing the treacherous role of the Communist Party, the organization which was supposed to represent the workers, in the stillborn nature of what happened. Unfortunately “almost” is usually not good enough when you are trying to overthrow the “king” and the moment which might have shifted Western history a little bit differently on its axis passed. That notion is history in the conditional of course but a definite possibility. Certainly in the objective sense if nothing else revolution was in the air-if you could keep it. We now know two things about that Paris and French uprising. Revolutionary moments are few and far between and, at least in the United States where nothing even close to a revolutionary period was in play whatever a small chunk of the radicalized young thought, defeat has put us in a forty plus year cultural war against the accumulated night-takers which we have not won and are still fighting almost daily.

The Paris days though have a more personal frame of reference since at the time, in 1968, neither Allan nor I were anything but maybe left liberals and not much interested in revolutions and the like. We come by our “Generation of ’68” credentials by a more roundabout way although the events in Paris, the visual example possibilities of revolution play a role later. As mentioned above both Allan and I accepted induction into the Army at different points in 1969 after receiving our draft notices in 1968 (which puts us in a different class of ’69 connected with Vietnam which I won’t go into now). We both came out of the Vietnam War experience very changed in many ways but most directly by a shift in our political perspectives. Neither of us whatever our feelings about the war in Vietnam while students were active in the anti-war movement. Mostly after the Summer of Love experiences out in California in 1967 we were what might be called life-style hippies or some such. Like I said the Army experience changed that. Mainly before that we cared about girls, having sex with girls, and getting an occasional drug connection.     

When we got our respective discharges we were all over the place both as to life style and political seriousness. That is where the Paris days in 1968 came into play. It was obvious by 1971 that massive, mostly student-led, peace marches were not going to end the war. What to do next preoccupied the minds of many of the better elements of that movement. That is where 1968 came in. A cohort of radicals and others started thinking about something like a united front between students and workers strange as that sounded then, and now come to think of it, like what almost brought the French government down.

Maybe because we were from the working class, really a notch below, the working poor, this idea sounded good to us although knowing what working class life was really like unlike many of the middle class students we had our doubts about the viability of the strategy. As it turned out not only are revolutionary moments fleeting but mass action moments short of that are as well and so nothing really ever came of that idea. Still if you think about it today if you could get the kids who are in political motion these days not matter how inchoate to join up with some radical workers (leftist workers not though who gave their endorsements by voting against their immediate and long term interests to one Donald J. Trump, POTUS in tweet speak) we could shake things up. History doesn’t really repeat itself but if something rises up out of all of this current movement by the young which is where you have to look for starters looking back at the Paris days, looking back to those barricades in 1968 would not be a bad idea.   

What Is In A Name-The Film Adaptation Of Oscar Wilde’s “The Importance Of Being Earnest”(1952)-A Review

What Is In A Name-The Film Adaptation Of Oscar Wilde’s “The Importance Of Being Earnest”(1952)-A Review




DVD Review

By Film Critic Sandy Salmon

The Importance Of Being Earnest, starring Michael Redgrave, Michael Denison, Dame Edith Evans, directed by Anthony Asquith, 1952    

No question the great late 19th century English playwright Oscar Wilde took a terrible beating from hypercritical late Victorian society for his little ‘vice’-“the act that dare not speak its name” to use the quant phrase used in polite society for homosexuality. (Victorian society hypercritical since as far as the upper crust and certainly in the literary and culture milieus there were plenty of closeted, and not so closeted in some places, homosexuals who were tolerated if not celebrated). Certainly today his activities would have drawn little attention in Western society anyway but then such exposure devastated his career.

Before Wilde’s fall, before he took his court room beating sending him to Reading Gaol and infamy he wrote and had produced the play upon which the film under review is based, The Importance Of Being Earnest. A play which was a humorous sent-up of all the hypocrisy, manners and tedium of upper-crust bourgeois society. There was not necessarily any great political message to the work but by virtue of the truly great use of dialogue Oscar was able to drive his spears in all the better. The film adaptation by Anthony Asquith is pretty fateful to the original play and the acting is of a high order so we get today a fairly decent sense of what was going on in some circles in those bygone days.             

Here’s the simple plotline on which the fast-paced dialogue rises and falls. A couple of free-wheeling gentleman, representing country and city, Jack and Algy having time on their hands and wicked senses of humor carry around some assumed names, Ernest for the former and Bunbury for the latter in order to brush off any untoward questions or people. They both have the same problem or aspects of the same problem. They long for female companionship, for proper marriages. Jack is in love with Algy’s cousin the aristocratic Gwendolyn and Algy is in love with Jack’s ward out in his country estate Cecily.Therein lies the dilemma. Jack is caught up in a bind because having under the assumed name Ernest he has caught Gwen’s attentions although she is fickle enough only to want to marry a man named Ernest. Cecily by a certain sleight of hand by Algy only wants to marry a man named Ernest as well.         

With that conundrum in mind the chase is on. Jack has to invent a younger brother Ernest whom he tries to kill off but who shows up at the country estate door but Algy posing as Jack’s supposedly late brother Ernest. Then Gwen, mother in tow shows up as well to find out whether Jack, who has willingly proposed to Gwen and she has accepted, has the correct lineage to betroth her daughter. Every social and cultural prejudice of the day gets a work-out as in the end love conquers all once Jack, who turned out to be a foundling, actually had been born with the name Ernest. Nice touch. A great sent-up and great fun if not a big time look at the foibles of late Victorian society.           


An Encore Salute To The Untold Stories Of The Working- Class 1960s Radicals-“The Sam And Ralph Stories”- When The Wobblies, You Know The Industrial Workers Of The World (IWW) Bloomed


An Encore Salute To The Untold Stories Of The Working- Class 1960s Radicals-“The Sam And Ralph Stories”- When The Wobblies, You Know The Industrial Workers Of The World (IWW) Bloomed

Greg Green, site manager Introduction 

 [In early 2018, shortly after I had taken over the reins as site manager at this on-line publication I “saw the light” and bowed to the wisdom of a number of older writers who balked at my idea of reaching younger and newer audiences by having them review films like Marvel/DC Comics productions, write about various video games and books that would not offend a flea unlike the flaming red books previously reviewed here centered on the now aging 1960s baby-boomer demographic which had sustained the publication through good times and bad as a hard copy and then on-line proposition. One senior writer, who shall remain nameless in case some stray millennial sees this introduction and spreads some viral social media hate campaign his way, made the very telling observation that the younger set, his term, don’t read film reviews or hard copy books as a rule and those hardy Generation of ’68 partisans who still support this publication in the transition from the old Allan Jackson leadership to mine don’t give a fuck about comics, video games or graphic novels. I stand humbled.

Not only stand humbled though but in a valiant and seemingly successful attempt to stabilize this operation decided to give an encore presentation to some of the most important series produced and edited by Allan Jackson-without Allan. That too proved to be an error when I had Frank Jackman introduce the first few sections of The Roots Is The Toots Rock And Roll series which Allan had sweated his ass over to bring out over a couple of years. Writers, and not only senior writers who had supported Allan in the vote of no confidence fight challenging his leadership after he went overboard attempting to cash in on the hoopla over the commemoration of the 50th anniversary of the Summer of Love in 1967 but also my younger writer partisans, balked at this subterfuge. One called it a travesty.

Backing off after finding Allan, not an easy task since he had fled to the safer waters of the West looking for work and had been rumored to be any place from Salt Lake City to some mountainous last hippie commune in the hills of Northern California doing anything from pimping as press agent for Mitt Romney’s U.S. Senate campaign in Utah to running a whorehouse with Madame La Rue in Frisco or shacking up with drag queen Miss Judy Garland in that same city, we brought Allan back to do the introductions to the remaining sections. That we, me and the Editorial Board established after Allan’s demise and as a guard against one-person rule, had compromised on that gesture with the last of the series being the termination of Allan’s association with the publication except possibly as an occasional writer, a stringer really, when some nostalgia event needed some attention.      

That was the way things went and not too badly when we finished up the series in the early summer of 2018. But that is not the end of the Allan story. While looking through the on-line archives I noticed that Allan had also seriously edited another 1960s-related series, the Sam and Ralph Stories, a series centered on the trials and tribulations of two working-class guys who had been radicalized in different ways by the 1960s upheavals and have never lost the faith in what Allan called from Tennyson “seeking a newer world” would resurface in this wicked old world, somebody’s term.

I once again attempted to make the mistake of having someone else, in this case Josh Breslin, introduce the series (after my introduction here) but the Editorial Board bucked me even before I could set that idea in motion. I claimed, somewhat disingenuously, that Allan was probably out in Utah looking for some residual work for Mitt Romney now that he is the Republican candidate for U.S. Senator for Utah or running back to Madame La Rue, an old flame, and that high- end whorehouse or hanging with Miss Judy Garland at her successful drag queen tourist attraction cabaret. No such luck since he was up in Maine working on a book about his life as an editor. To be published in hard cop y by well-known Wheeler Press whenever he gets the proofs done. So hereafter former editor and site manager Allan will handle the introductions on this encore presentation of this excellent series. Greg Green]                  

Allan Jackson, editor The Sam And Ralph Stories -New General Introduction

[As my replacement Greg Green, whom I brought in from American Film Gazette originally to handle the day to day site operations while I concentrated on editing but who led a successful revolt against my regime based on the wishes of the younger writers to as they said at the time not be slaves to the 1960s upheavals a time which they only knew second or third hand, mentioned in his general introduction above some of the series I initiated were/are worth an encore presentation. The Sam and Ralph Stories are one such series and as we go along I will try to describe why this series was an important testament to an unheralded segment of the mass movements of the 1960s-the radicalized white working- class kids who certainly made up a significant component of the Vietnam War soldiery, some of who were like Sam and Ralph forever after suspicious of every governmental war cry. Who also somewhat belatedly got caught up in the second wave rock and roll revival which emerged under the general slogan of “drug, sex and rock and roll” which represented a vast sea change for attitudes about a lot of things that under ordinary circumstances would have had them merely replicating their parents’ ethos and fate.        

As I said I will describe that transformation in future segment introductions but today since it is my “dime” I want to once again clear up some misapprehensions about what has gone on over the past year or so in the interest of informing the readership, as Greg Green has staked his standing at this publication on doing to insure his own survival, about what goes on behind the scenes in the publishing business. This would not have been necessary after the big flap when Greg tried an “end around” something that I and every other editor worth her or his salt have tried as well and have somebody else, here commentator and my old high school friend Frank Jackman, act as general introducer of The Roots Is The Toots  rock and roll coming of age series that I believe is one of the best productions I have ever worked on. That got writers, young and old, with me or against me, led by Sam Lowell, another of my old high school friends, who had been the decisive vote against me in the “vote of no confidence” which ended my regime up in arms. I have forgiven Sam, and others, as I knew full well from the time I entered into the business that at best it was a cutthroat survival of the fittest racket. (Not only have I forgiven Sam but I am in his corner in his recent struggles with young up and coming by-line writer Sarah Lemoyne who is being guided through the shoals by another old high school friend Seth Garth as she attempts to make her way up the film critic food chain, probably the most vicious segment of the business where a thousand knives wait the unwary from so-called fellow reviewers.) The upshot of that controversy was that Greg had to back off and let me finish the introducing the series for which after all I had been present at the creation.               

That would have been the end of it but once we successfully, and thankfully by Greg who gave me not only kudos around the water cooler but a nice honorarium, concluded that series encore in the early summer of 2018 he found another way to cut me. Going through the archives of this publication to try to stabilize the readership after doing some “holy goof” stuff like having serious writers, young and old, reviewing films based on comic book characters, the latest in video games and graphic novels with no success forgetting the cardinal rule of the post-Internet world that the younger set get their information from other sources than old line academic- driven websites and don’t read beyond their techie tools Greg found another series, the one highlighted here, that intrigued him for an encore presentation. This is where Greg proved only too human since he once again attempted an “end around,” by having Josh Breslin, another old friend whom I meet in the Summer of Love, 1967 out in San Francisco, introduce the series citing my unavailability as the reason although paying attention to the fact that I had sweated bullets over that one as well.      

This time though the Editorial Board, now headed by Sam Lowell, intervened even before Greg could approach Josh for the assignment. This Ed Board was instituted after my departure to insure the operation would not descend, Sam’s word actually, into the so-called autocratic one-person rule that had been the norm under my regime. They told Greg to call me back in on the encore project or to forget it. I would not have put up with such a suggestion from an overriding Ed Board and would have willingly bowed out if anybody had tried to undermine me that way. I can understand fully Greg’s desire to cast me to the deeps, have done with me as in my time I did as well knowing others in the food chain would see this as their opportunity to move up.  

That part I had no problem with, told Greg exactly that. What bothered me was the continuing “urban legend” about what I had done, where I had gone after that decisive vote of no confidence. Greg continued, may continue today, to fuel the rumors that not only after my initial demise but after finishing up the Roots Is The Toots series I had gone back out West to Utah of all places to work for the Mormons, or to Frisco to hook up with my old flame Madame La Rue running that high-end whorehouse I had staked her to in the old days, or was running around with another old high school pal, Miss Judy Garland, aka Timmy Riley the high priestess of the drag queen set out in that same town whom I also helped stake to  his high-end tourist attraction cabaret. All nonsense, I was working on my memoir up in Maine, up in Olde Saco where Josh grew up and which I fell in love with when he first showed me his hometown and its ocean views.          

If the reader can bear the weight of this final reckoning let me clear the air on all three subjects on the so-called Western trail. Before that though I admit, admit freely that despite all the money I have made, editing, doing a million pieces under various aliases and monikers, ballooning up 3000 word articles to 10,000 and having the publishers fully pay despite the need for editing for the latter in the days before the Guild when you worked by the word, accepting articles which I clearly knew were just ripped of the AP feed and sending them along as gold I had no dough, none when I was dethroned. Reason, perfectly sane reason, although maybe not, three ex-wives with alimony blues and a parcel of kids, a brood if you like who were in thrall to the college tuition vultures.

Tapped out in the East for a lot of reasons I did head west the first time looking for work. Landed in Utah when I ran out of dough, and did, DID, try to get a job on the Salt Lake Star and would have had it too except two things somebody there, some friend of Mitt Romney, heard I was looking for work and nixed the whole thing once they read the articles I had written mocking Mitt and his white underwear world as Massachusetts governor and 2012 presidential candidate. So it was with bitter irony when I heard that Greg had retailed the preposterous idea that I would now seek a job shilling for dear white undie Mitt as press agent in his run for the open Utah United States Senate seat. Here is where everybody should gasp though at the whole Utah fantasy-these Mormons stick close together, probably ingrained in them from Joseph Smith days, and don’t hire goddam atheists and radicals, don’t hire outside the religion if they can help it. You probably had to have slept with one of Joseph Smith’s or Brigham Young’s wives to even get one foot in the door. Done.              

The helping Madame La Rue, real name of no interest or need to mention,  running her high-end exclusive whorehouse out in Half Moon Bay at least had some credence since I had staked her to some dough to get started after the downfall of the 1960s sent her back to her real world, the world of a high class hooker who was slumming with “hippies” for a while when it looked like our dreams were going to be deterred in in the ebbtide. We had been hot and heavy lovers, although never married except on some hazed drug-fogged concert night when I think Josh Breslin “married” us and sent us on a “honeymoon” with a fistful of cocaine. Down on dough I hit her up for some which she gave gladly, said it was interest on the “loan: she never repaid and let me stay at her place for a while until I had to move on. Done

The whole drag queen idea tells me that whoever started this damn lie knew nothing about my growing up days and had either seen me in The Totem, Timmy Riley’s aka Miss Judy Garland’s drinking with a few drag queen who worked and drew the wrong conclusions or was out to slander and libel me for some other nefarious reason. See Miss Judy Garland is the very successful drag queen and gay man Timmy Riley from the old neighborhood who fled to Frisco when he could no longer hide his sexual identity and preferences. To our great shock since Timmy had been the out-front gay-basher of our crowd, our working-class corner boy gay-bashing crowd. I had lent, after getting religion rather late on the LGBTQ question, Timmy the money to buy his first drag queen cabaret on Bay Street and Timmy was kind enough to stake me to some money and a roof before I decided I had to head back East. Done.

But enough about me.  This is about two other working- class guys, Sam Eaton and Ralph Morris, met along life’s road one from Carver about fifty miles away from where Seth, Sam, Timmy and a bunch of other guys grew up and learned the “normal” working-class ethos-and broke, tentatively at times, from that same straitjacket and from Troy, New York. Funny Troy, Carver, North Adamsville, and Josh’s old mill town Olde Saco all down-in-the-mouth working class towns still produced in exceptional times a clot of guys who got caught up in the turmoil of their times-and lived to tell the tale. I am proud to introduce this encore presentation and will have plenty more to say about Sam and Ralph in future segments.]



Allan Jackson Introduction To Sam and Ralph-The Wild Boys of Cambridge When Cambridge Was Jammed Full Of Wild Girls And Boys    

[Some guys from the old days, from the old growing up poor in the working-class Acre section of North Adamsville, I still have contact with over fifty years later. Guys like Seth Garth who is now in a “battle” along with his new protégé Sarah Lemoyne who looks for all the world to be an up and coming contributor to this publication against his, and my, old time friend Sam Lowell who promised me he would retire, especially after he provided the key last and decisive vote when the younger writers rose up against my editorship and forced me to retire. Forced me West seeking another job to keep myself solvent causing all kinds of rumors and fairy tales to enter the world which only muddied up the already murky waters. Other guys like beautiful Si Lannon and generous benefactor to this publication Jack Callahan also come to mind. Of course the elephant in the room has always been, and probably always will be, one Peter Paul Markin, who taught us many things before his sadly untimely demise caused by his own hubris many years ago. I honored his memory for years using his name as my moniker in various publishing efforts and will detail the genesis of that decision in the memoir of my time in the publishing industry which I am working on and expect to complete by next year.     

I am proud to have had the chance to keep so many friendships from the old neighborhoods days as I am a man who puts a great deal into things like loyalty and camaraderie. Of course those relationships do not exhaust the number of long friendships and close working relationships. Josh Breslin met in the Summer of Love, 1967, Zack James, youngest brother of my closest friend in high Alex, and Lance Lawrence come readily to mind. Then there are guys, I am only talking guys today as I will deal with gals in an up-coming introductory segment, like fellow Vietnam veteran Ralph Morris from over in Troy, New York whom I met I believe down in Washington, D.C. in 1971 a few weeks before we, Vietnam Veterans Against The War (VVAW), did our part to try to shut down the government to shut down the war on May Day -and failed. Guys like his friend Sam Eaton from Carver about fifty miles from North Adamsville,  not a veteran since he was exempted from the draft as the sole support of his mother and four sisters after his father passed away suddenly of a heart attack, whom Ralph “met” after both had been arrested in those May Day actions in “jail” at the RFK football stadium. They, Sam and Ralph, and I have stayed in contact over the years and have worked on many political projects mostly against war together.    

That brings me to the idea behind having Sam and Ralph as the central characters in a series I helped plan around the story- and fate- of some working- class radicals who for the most part had kept the faith, had not retreated to self, had not given up the mist of change we were struggling for in those halcyon and heady 1960s upheaval days. At the cost of over-generalization the thing that united the North Adamsville remnant, including me, guys like Josh Breslin and guys like Sam and Ralph was our working-class backgrounds. While the road to new understandings of the ways of the world were different we all arrived at some similar conclusions and since then have seen no reason to dramatically change them if in the aging process we are less able to stir the old energies. Have been ready to “pass the torch” for a while. The stories of the old North Adamsville corner boys had by 2012 or so been done to death as had the stories centered on other working-class guys like Josh Breslin from places like Olde Saco up in Maine and so the natural place to turn was the long-time relationship between Sam and Ralph. Things seemed right in the universe doing the series then-and now with this encore.]          

********

When The Wobblies Bloomed

Sam Eaton comment:

Everybody, or practically everybody, knows the story of how my old friend Ralph Morris from Troy, New York and I met on May Day 1971 so I will just give the highlights since what I want to really talk about is what we discussed and decided to do as a result of what happened that day. See I had gone down to Washington D.C. with several groups (collectives, was what we called them) of red-hot “reds” and radicals from Cambridge in order to “capture” the White House. That is not as weird as it sounds now since what we were trying to do along with thousands of others who opposed the Vietnam War (and shared similar positions on other social questions as well) was to “shut down the government, if it did not shut down the war.” We were angry, we were desperate and some of us, not me then anyway, were acting under the impression that we were opening a second front here in America in aid of the liberation fighters in Vietnam.  

Ralph, an ex-veteran with eighteen months under his belt in Vietnam, had become totally disgusted with what he had done there, what his buddies had done there, and what the American government had made them do to people who were not bothering anybody, at least nobody in America.  He had joined the Vietnam Veterans Against the War organization and had come down to Washington with a group from New York state who were going to shut down their old boss, the Pentagon, as part of that same May Day action. They at least had enough sense, unlike us, to realize that this would be a symbolic action. In either case what we all got for our troubles was tear-gassed, billy-clubbed and as Ralph put it once, sent to the bastinado, the RFK football stadium then being used as a holding pen for all those arrested that day. And there is where Ralph and I met when he saw I had a VVAW supporter button on (in respect for my friend Jeff Mullins from my hometown of Carver, Massachusetts who got blown away in Vietnam and got me out in the streets as a result).     

Like I said what was important was not so much that we met, although that did start a lifetime personal friendship and politically active association, but that we began what would be a several years stretch of activity and study in order to see what had gone wrong that day, and what we really needed to do when the government went to war and we needed to stop it in its tracks. After we left RFK and hitchhiked back up North we continued to talk and to make study plans which due to one thing or another didn’t get a big boost until the summer of 1972. That summer I had been living in a Cambridge commune, a very common living arrangement during those years for comradery and to share the bills among people who had little dough. I invited Ralph over from Troy to stay with me and to join a study group/ action group run by one of the many “red collectives” that were sprouting up around Cambridge in those days. He came and spent the summer, although his father who ran a high precision electrical shop was furious since Ralph had been cheap labor for him.

Not everything that we learned that summer, or later when we studied with other groups or on our own, was etched in gold, had a lot of relevance to what we were trying to do but a lot did. A grounding in the basics of classical Marxism except for the book sealed with seven seals Das Capital, the experiences of the Bolsheviks and the three Russian revolutions, the work of Che Guevara and Leon Trotsky on colonial revolutions, closer to home the American Civil War, and the early labor movement here. And of course a drill through of what were called questions, questions with a big “Q” like the black question, the Russian question, the women question, the gay question, the labor party question and so on.         

We wound up not joining any particular group, including not joining the Socialist Workers Party that we were interested in because of its connection with the heroic figure of Leon Trotsky and his windmill facing tasks to save the Russian revolution and because of James P. Cannon whose work in the political prisoner field, especially when he was with the International Labor Defense and its central involvement in the Sacco and Vanzetti case in the 1920s we admired. While we had political disagreements with most groups we were in contact with (and disagreements between us especially on the Labor Party question since I was red-hot to try and use the Democratic Party as a way to change things and Ralph would have none of that since it was a Democrat, LBJ, who sent his “young ass” [his term] to Vietnam) would join and unjoin various ad hoc groups around particular issues much preferring that avenue to joining a hard political organization. The real reason though was that sometime in the mid-1970s while we were still deep in trying to figure things out the glow of the big 1960s jail break-out was beginning to lose steam. And we were beginning to lose steam as well wanting to get on with careers and starting families.

Ralph, who still lives in Troy as I still live around Boston, since we are both practically retired and the kids are grown have gotten together more recently when he makes periodic trips to Boston. One night not long ago we were sitting in our favorite bar, Jack Higgins’ Grille down by the Financial District downtown, talking about this and that, you know of course political this and that, when Ralph mentioned that he had run into Hugo Gans, the old Industrial Workers of the World organizer (IWW, Wobblies) who was out there trying to organize some small clot of restaurant workers in Saratoga Springs. That got us talking about those old study groups and about the process we went through trying to figure out what group we would join in order to do more effective political work (remember we wound up not joining any on-going group).         

No question we were under the sway of Che and Leon Trotsky and that it would be hard to see ourselves in an organization hostile to the work of either men but we paid very close attention in one study class run by an anarchist who went root and branch through the virtues of the old time Wobblies. We caught some of the fever he put out, if only as an historical moment. We stood in thrall to guys like Big Bill Haywood and his Western miners who went through hell to get what they wanted. We admired Frank Little and the others who were martyred to the cause and the heroic struggle against great odds of the IWWs opposition to World War I which put the organization right in the cross-hairs of the government bent on war and which basically crushed organization as an effective pole of attraction for young labor militants. We admired Jim Cannon as well for making the big move from the Wobblies but shared his old time sentimental feeling that the organization grabbed some very good cadre in the early days.

And of course there was Hugo who could always be counted on to bring whoever he could round-up to add bodies to whatever protest we were planning. So it was something of a treat to pick up a copy of a newspaper from one of the young earnest Marxists hocking their wares at an anti-war Iraq and Syria rally that featured some words by Cannon on the subject of the Wobblies. He had a good sense of their strengths in the early day and their limitations when things had changed and the deal went down the wrong way.

[In the original segment there was a short sentence informing the reader to “read on” referring to a major essay by James P. Cannon on the IWW. I have not placed that essay here but it can ne easily accessed by Googling the James P. Cannon Internet website and scrolling to 1954. AJ]

When The Whole World Reached Out For One Sweet Breathe Of Hollywood Glamour When It Counted-In Honor Of The Commemoration of 100th Birthday Of Rita Hayworth-Out In The Tex-Mex Be-Bop Night- Ex-Rita Husband Orson Welles’ “ Touch Of Evil"

When The Whole World Reached Out For One Sweet Breathe Of Hollywood Glamour When It Counted-In Honor Of The Commemoration of 100th Birthday Of Rita Hayworth-Out In The Tex-Mex Be-Bop Night- Ex-Rita Husband Orson Welles’ “ Touch Of Evil"





Click on the headline to link to a Wikipedia entry for Orson Welles' Touch of Evil.

DVD Review

Touch Of Evil, Orson Welles, Charlton Heston, Janet Leigh, directed by Orson Welles, 1957

Put the blame on Mame. Or rather on the quintessential 1940s film star Rita Hayworth for her role in the 1946 film noir classic as the good femme fatale in Gilda. I was so smitten by Ms. Hayworth’s performance that I had to run out and get several other of her films. First place amount those works was her bad (very bad, indeed) femme fatale role in The Lady From Shang-hai, directed by the director of the film under review, Orson Welles. I might add that Welles also co-starred in that film as the roustabout sailor who also was very smitten by Rita’s charms, Irish Blackie. (See I am not the only one who was taken in by Ms. Hayworth’s charms).

In this film, Touch Of Evil, old beanbag (and I am being kind about his girth) star Orson Welles(Sheriff Hank Quinlan) is very much smitten as well, but not by any such sensible thing as being smitten by a beautiful dame but is rather in thrall to small time Tex-Mex border police power and a rather overblown sense of what passes for “justice”, his rough and tumble justice, as meted out in the hinterlands. The plot line is rather straight forward. Old Orson has to investigate what turns out to be a second-rate romantic variant of murder for hire of a well-known Texas citizen ( along with his, ah,lady friend) who is murdered when his car is blown up by a planned bomb, said bomb planted on the Mexican side of the border. Enter newlywed ace Mexican honest cop Miguel Vargas played by Charlton Heston (gee, I didn't know he was Mexican he could have fooled me with that makeup)just married to a very fetching gringa, played by Janet Leigh. But duty calls, at least the script call for it, especially when Mike becomes wary, very wary of Orson’s investigative techniques which include putting the “frame” on the nearest Mexican national that he can get his hands on. The rest of the film is highlighted by the struggle by Orson to cover up his dirty work and by Charlton to expose Orson as just another red-necked gringo sheriff with no respect for third world sensibilities.

The plot may be simple, and the political incorrectness by the gringos, led by Orson, may be way too obviously incorrect for today’s audiences but this is a classic Welles break-out of a film. Both the direction that, by the end, forces you to almost smell the evil of small town, last of the old frontier life, down in gringo good-time borderland Texas in the 1950s and by Welles’ performance where you can almost smell the corrupted human flesh as it loses its relationship to any rational view of the world are what makes this a late noir classic. Add in the always engrossing close-up black and white photography that is a Welles hallmark and that enhances the grittiness of the scenes and highlights the sometimes startling grotesqueness of the human animal when held under a microscope and there you have it. Thanks, Rita.

Saturday, August 11, 2018

As The 100th Anniversary Of The Armistice Day 11/11/1918 at 11 AM Commences-Some Artists Who Fought/Died/Lived Through The Nightmare That Destroyed The Flower Of European And American Youth -Horace Pippin

As The 100th Anniversary Of The Armistice Day 11/11/1918 at 11 AM Commences-Some Artists Who Fought/Died/Lived Through The Nightmare That Destroyed The Flower Of European And American Youth -Horace Pippin  



By Seth Garth


A few years ago, starting in August 2104 the 100th anniversary of what would become World War I, I started a series about the cultural effects of the slaughter which mowed down the flower of the European youth including an amazing number of artists, poets and other cultural figures. I had my say there in a general sense but now as we are only a few months away from the 100th anniversary of, mercifully, the armistice which effectively ended that bloodbath I want to do a retrospective of artistic works by those who survived the war and how those war visions got translated into their works with some commentary if the spirit moves me but this is their show-no question they earned a retrospective.



As The 100th Anniversary Of The Armistice Day 11/11/1918 at 11 AM Commences-Some Artists Who Fought/Died/Lived Through The Nightmare That Destroyed The Flower Of European Youth -Otto Dix

As The 100th Anniversary Of The Armistice Day 11/11/1918 at 11 AM Commences-Some Artists Who Fought/Died/Lived Through The Nightmare That Destroyed The Flower Of European Youth -Otto Dix  

The War


By Seth Garth

A few years ago, starting in August 2104 the 100th anniversary of what would become World War I, I started a series about the cultural effects of the slaughter which mowed down the flower of the European youth including an amazing number of artists, poets and other cultural figures. I had my say there in a general sense but now as we are only a few months away from the 100th anniversary of, mercifully, the armistice which effectively ended that bloodbath I want to do a retrospective of artistic works by those who survived the war and how those war visions got translated into their works with some commentary if the spirit moves me but this is their show-no question they earned a retrospective

Blues Legend Henry Butler Passes To The Great High White Note Search Beyond

Blues Legend Henry Butler Passes To The Great High White Note Search Beyond