Friday, September 14, 2018

Remember Attica Blood in the Water The Attica Prison Uprising of 1971 and Its Legacy by Heather Ann Thompson (Pantheon, 2016) A Review

Remember Attica Blood in the Water The Attica Prison Uprising of 1971 and Its Legacy by Heather Ann Thompson (Pantheon, 2016) A Review


Workers Vanguard No. 1103





13 January 2017
Remember Attica
Blood in the Water
The Attica Prison Uprising of 1971 and Its Legacy
by Heather Ann Thompson
(Pantheon, 2016)
A Review
On the morning of 9 September 1971, nearly 1,300 inmates—predominantly black and Puerto Rican—took over the state prison at Attica, New York. Four days later 29 of them lay dead, cut down in a hail of bullets fired by New York State Police, sheriffs and corrections officers. Governor Nelson Rockefeller gave the order. President Richard Nixon cheered them on. In the aftermath, the surviving prisoners were subjected to hideous torture and later charged with a total of 1,300 crimes. Among these were kidnapping and, most obscenely, unlawful imprisonment based on taking prison guards hostage, ten of whom were gunned down by Rockefeller’s stormtroopers when they retook the prison.
For many years, Democratic and Republican administrations in Albany, along with the courts, have covered up much of the truth of what took place at Attica, assisted by the same capitalist press that peddled the lie that the prisoners shot the guards. A significant part of that shroud has been peeled back by Heather Ann Thompson in her recent book, Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy. Thompson’s book brings to life the dignity and humanity of the prisoners who were treated as little more than dirt by Rockefeller and his ilk. She describes in vivid detail the dehumanizing conditions that gave rise to the rebellion and the racist venom that ran from the governor’s mansion down to the cops and prison guards who hunted down the uprising’s leaders. Thompson got her own sampling of that venom for naming the prison guards who carried out assassinations and torture.
Thompson’s comprehensive history is a result of her many years of diligent archival research and a bit of good fortune in uncovering key sources that had been suppressed. As she notes, “The most important details of this story have been deliberately kept from the public. Literally thousands of boxes of documents relating to these events are sealed or next to impossible to access.” Regarding the most explosive documents she uncovered, Thompson says, “All of the Attica files that I saw in that dark room of the Erie County courthouse have now vanished.”
For millions around the world, Attica became a potent symbol of rebellion against brutal repression—and a stark emblem of racist state murder. To this day it continues to inspire struggles against the racist degradation of black people inside and outside of prison walls. The first issue of Workers Vanguard (October 1971) led with the headline “Massacre at Attica.” We stated bluntly: “The brutal, bloody murderers of Attica are none other than the ruling class of this society,” saying further:
“Rockefeller cut down the Attica prisoners in the manner of his father and grandfather before him—ruthlessly and to protect the system from which his profits spring. From the murder of the Ludlow miners to the present, this family has carried the policies of the armed fist over the entire globe.... The Rockefeller name and the Rockefeller practice symbolize, more than any other, the American capitalist class—a class that will stop at nothing to extend and protect its profitable holdings.”
Attica was an explosion waiting to happen. The 2,200 men warehoused in a facility built for 1,600 were routinely beaten by guards, locked in cells 16 hours a day, rationed one sheet of toilet paper daily, one bar of soap a month and one shower per week—even in the heat of summer. Among the main grievances was censorship of reading materials—no newspapers, very few books, and nothing at all to read in Spanish. It wasn’t an absolute ban—the prison authorities mocked the prisoners by supplying magazines such as Outdoor LifeField and StreamAmerican Home and House Beautiful.
Hours after the revolt began, L.D. Barkley, a 21-year-old Black Panther Party member imprisoned for violating parole by driving without a license, read out the prisoners’ powerful declaration: “We are men! We are not beasts and we do not intend to be beaten or driven as such.”
The prisoners called for the minimum wage for prison work (they were paid slave wages of between 20 cents and one dollar per day), accompanied by an end to censorship and restrictions on political activity, religious freedom, rehabilitation, education and decent medical care. They expressed solidarity with the Vietnamese workers and peasants as well as others fighting U.S. imperialism. The main demand was amnesty for participating in the rebellion, along with “speedy and safe transportation out of confinement, to a Non-Imperialist country.” Most likely in mind were Cuba, where the capitalist rulers had been overthrown and a bureaucratically deformed workers state led by Fidel Castro established, or Algeria, a capitalist state governed by left nationalists that had given refuge to Black Panthers in exile.
As Thompson points out, many of the prisoners at Attica were veterans of eruptions over similar conditions at Manhattan’s Tombs detention center and the prison in Auburn, New York, the prior year. The bitter anger that was about to explode at Attica was displayed 19 days earlier when word spread through the cells that prison authorities at California’s San Quentin prison had assassinated Black Panther Party member George Jackson on 21 August 1971. The next day, over 800 Attica inmates marched silently into breakfast wearing black armbands and held a fast in protest. California prison officials had targeted Jackson, along with W.L. Nolen and Hugo Pinell, for forging solidarity of black, Latino and white prisoners. New York officials were no less alarmed by the interracial unity growing among Attica’s inmates.
The prison revolt reflected the growing ferment and struggles taking place outside prison walls, not least the “black power” movement and radical protests against the war in Vietnam. Many of the black inmates identified with the Black Panther Party for Self-Defense (BPP) and Puerto Ricans looked to the Young Lords, which was inspired by the Panthers. Playing a leading role in the rebellion was Sam Melville, a white member of the Weather Underground who was serving 18 years for placing explosives in government buildings in protest against the war in Vietnam. As Thompson observes, the presence of such activists “offered Attica’s otherwise apolitical men—like [Frank] Big Black Smith—a new understanding of their discontents and a new language for articulating them.” Smith ended up leading the prisoners’ security force, made up largely of Black Muslims. His group treated the prison guards taken hostage with a humanity that the prisoners had been denied.
For a long time before Blood in the Water, the biggest window into what took place at Attica came from Tom Wicker’s A Time to Die. Wicker, a New York Times reporter, along with radical attorney William Kunstler, was among the outside observers whom the prisoners demanded to negotiate through rather than directly with prison and state authorities. Prison officials granted this one demand, intending to use the observers to convince the prisoners to release the hostages and surrender without amnesty. To his credit, BPP leader Bobby Seale, whom the prisoners also sought as an observer, uniquely refused to be involved in attempts to nudge the inmates toward surrender. Seale made clear the BPP position that “all political prisoners who want to be released to go to non-imperialistic countries should be complied with.”
The retaking of Attica began in the morning of September 13 with a cloud of CN and CS gas dropped from a helicopter that covered every prisoner with a nauseating, incapacitating powder and it ended with a bloodbath. The rebellion’s leadership paid dearly. Barkley, Melville and others were assassinated in the prison yard. Surviving prisoners, including the wounded, were stripped naked, made to crawl through the mud and the blood, then lined up to run a gantlet over broken glass and be beaten by cops and guards wielding what they called their “n----r sticks.” After being threatened with castration, Big Black Smith was forced to lie on a table for five hours with a football tucked under his chin, under threat of being shot if it rolled loose.
For the capitalist ruling class, Attica had to be crushed with particular vengeance because the rebels had begun to see their struggle in political and even revolutionary terms. One of Thompson’s discoveries is Nixon’s celebration of the bloodbath: “I think this is going to have a hell of a salutary effect on future prison riots.... Just like Kent State had a hell of a salutary effect” (referring to the 4 May 1970 National Guard killing of four students protesting the invasion of Cambodia—an extension of U.S. imperialism’s dirty war against the heroic Vietnamese workers and peasants). Nixon added, “They can talk all they want about force, but that is the purpose of force.”
Attica Nation
Thompson, a historian at the University of Michigan and expert on mass incarceration, is particularly motivated by prison reform. She notes that the immediate aftermath of the Attica revolt saw some improvements in food, medical care, clothing, mail censorship and number of showers permitted. However, as she points out, this was followed by an “unprecedented backlash against all efforts to humanize prison conditions in America.”
Inmates today continue to be used as slave labor, face censorship of political literature and conditions at least as dehumanizing and sadistic, including the increasing use of solitary confinement—universally recognized as a form of torture. Brutality by prison guards is a daily fact of life, especially for the black and Latino victims disproportionately singled out for discipline.
The backlash to which Thompson refers is one expression of the bipartisan rollback of the limited democratic gains for black people attained by the liberal-led civil rights movement. Its most glaring manifestation for the past three decades has been the mass incarceration of black people, largely a consequence of the “war on drugs.” This overt war on black people was accompanied by escalating cop terror against the ghettos and barrios.
Today’s plethora of drug laws is an outgrowth of the state repression under the “war on crime” kicked off by Democratic president Lyndon Johnson’s 1968 “Safe Streets Act” and Nixon’s 1970 “Drug Abuse Prevention and Control Act” and carried on by Democratic and Republican administrations since. The number of people languishing in U.S. prisons and jails, 2.2 million, is six times what it was in 1971. The costs of maintaining this vast prison complex have led to calls for easing up on the war on drugs.
Prisons are the concentrated expression of the depravity of this society. They are a key instrument in coercing, torturing and brutalizing those who have been cast off as the useless residue of a system rooted in exploitation and racial oppression. The deindustrialization of much of the U.S. that began in the late 1960s drove millions of black people out of the workforce and into the ranks of the permanently outcast. In the calculations of the American bourgeoisie, a substantial part of the black population, who used to provide labor for the auto plants and steel mills, is simply written off as an expendable population. Having condemned black as well as Latino youth to desperate poverty, the rulers whipped up hysteria painting the ghettoized poor as criminal “superpredators,” whom cops can gun down with impunity, and for whom no sentence is too long, no prison conditions too harsh. This demonization of the black population has served to deepen the wedge between white and black workers in a period of virtually no class struggle.
Marxists support the struggle for any demand that meets the immediate needs of prisoners. But under capitalism no reforms can fundamentally alter the repressive nature of the prisons. Along with the cops, military and courts, prisons are a pillar of the capitalist state, whose basic function is to maintain, through force or threat of force, the rule of the capitalist class and its economic exploitation of the working class. In the U.S., where racial oppression is at the core of the capitalist system, any alleviation of prison conditions must be linked to the fight against black oppression in general. We fight to abolish the prison system, which will be done only when the capitalist order—with its barbaric state institutions—is shattered by a proletarian socialist revolution that establishes a planned, collectivized economy with jobs and quality, integrated housing and education for all.
Thompson’s sympathies clearly lie with the Attica prisoners. Yet she evinces a soft spot for the prison guards, whom she sees as victims as well. Her poster boy for humanizing the guards is Mike Smith, a 22-year-old former machinist apparently liked by the prisoners and sympathetic to their demands. Smith, after being taken hostage by the prisoners, was shot by the cops and grievously wounded. Thompson writes, “Like so many other small town boys who had grown up in rural New York Mike needed to make a living, and prisons were the going industry.” Thompson also gives voice to the guards taken hostage and the families of the ten of them whom Rockefeller’s assassins gunned down, who resent the fact that the surviving Attica prisoners won a paltry monetary settlement from the state after nearly three decades.
As Bolshevik leader Leon Trotsky pointed out 85 years ago, the worker who becomes a policeman in the service of the capitalist state is a bourgeois cop, not a worker, an admonition no less applicable to prison guards. As we noted at the time of the Attica massacre, “These despicable racist guards are despised even by the ruling class that cynically uses them. The governor not only served notice on the prisoners that rebellion does not pay, and rebellion linked with revolutionary ideas means certain death, but he had a message for the guards too: Keep the upper hand or else!”
The basic function of the prisons is lost on the liberal academic Thompson, whose call for prison reform envisions a commonality of interests between inmates and prison guards—a relationship akin to that of slave and overseer. In a 2011 paper, “Rethinking Working-Class Struggle Through the Lens of the Carceral State: Toward a Labor History of Inmates and Guards,” she declares, “It is time once again for the American working class to pay attention to penal facilities as sites of productive labor and wage competition and to recognize that its destiny is tied in subtle but important ways to the ability of inmates as well as prison guards to demand fair pay and safe working conditions.” Thompson lauds the return of prison guards to municipal unions, such as the American Federation of State, County and Municipal Employees (AFSCME).
What, then, are “safe working conditions” for prison guards? In our 1971 article, we sharply criticized Jerry Wurf, the AFSCME president, as he threatened a “slowdown” by union guards after the Attica massacre:
“Wurf demanded more and better riot equipment—helmets, tear gas and masks, to be borrowed from police departments if necessary, and hiring of more guards. Yet he had the effrontery to maintain, ‘We’re not at war with the inmates; the state of New York is at war with them.’ What forces does the state of New York employ to make war on the inmates if not the cops and guards Wurf is happy to represent?... No union can represent both workers and the sworn servants of the capitalist class, the police and prison guards.”
The increasing prominence of cops and prison guards—workers’ class enemies—in the shrinking union movement underscores the need for ousting the pro-capitalist bureaucrats and forging a class-struggle leadership in the basic organs of workers struggle.
Three years before L.D. Barkley read out the Attica Brothers’ powerful declaration, striking black sanitation workers in Memphis, Tennessee, famously walked picket lines with signs declaring, “I am a man.” Today, the racist capitalist ruling class continues to treat black people as if they were less than human and their lives don’t matter. But there is a reservoir of social power in the organized working class, in which black workers, who make up the unions’ most loyal and militant sector, remain disproportionately represented. Under revolutionary leadership, black workers, who form an organic link to the anger of the oppressed ghetto poor, will play a vanguard role in the struggles of the entire U.S. working class. It is the purpose of the Spartacist League to build a workers party that links the fight for black freedom to the struggle for proletarian state power. Workers rule on a world scale will open the road to a communist future in which the modern instruments of incarceration and death will be discarded as relics of a decaying social order that deserved only to perish.

Thursday, September 13, 2018

“Shoot Pools ‘Fast Eddie,’ Shoot Pools”-With Paul Newman’s “The Hustler” In Mind


“Shoot Pools ‘Fast Eddie,’ Shoot Pools”-With Paul Newman’s “The Hustler” In Mind





By Lance Lawrence



“Fast Eddie” Felson was the greatest pool player to ever put chalk to stick and you had better believe that hard fact because I know from whence I speak. In most quarters, among the serious followers of the game, I, Jackie “Big Man” Gleason think that title belongs to me. Think an old tub who learned the game in Hell’s Kitchen at Jackie Kane’s dimly lit pool hall from guys who would break your knuckles if they even had seen a breath of air that you might be hustling them. I never had my knuckles broken but they also never knew when I hustled their carfare home if I had the chance. I was that raw and thought I was that good. Until “Fast Eddie” came strolling in the door one day all hungry and eager to take on “Big Man,” make a name for himself and put me on cheap street. I knew that I would take that strutting bastard down at first but I also knew deep down that whatever the “official” rankings which in those days was how much jack you took from the competition I also knew that someday I would be uttering those words that I just said to start my story about “Fast Eddie”



Maybe you never heard of “Fast Eddie,” never knew the story behind the story of how for a couple of years anyhow, maybe three, he ruled the roost, he was the king of the hill. All I know is from the first moment Eddie entered Sharkey’s Pool Hall, the place where my manager, Bart, and I hustled all comers at the sport of kings, down on 12th Avenue in the teeming city of New York I was afraid to play him. Afraid he would damage my reputation as the king of the hill. I had never played game one against him but still I sensed something in his swagger, in his bravado that made my hands shake. Shaky hands the kiss of death in our profession.

I don’t know if I can explain that pit in my stomach feeling I am not much given to introspection a word I never heard of before the guy who I first told this story, a journalist, he called himself, and as long as he was not blowing smoke my way I believe him and if this little story ever gets published that my view of fucking hard luck sports reporters who get assigned to interview “retired” sports figure like me will improve greatly. If not, fuck it I just wanted to get the tale told and that is that. This introspection stuff, this thinking about why I had that pit in the stomach and why I worried about cheap street like a lot of other guys, Willie Hoppe, the legendary “Minnesota Fats, “Jersey Fats,” guys like that who had to hang up their hats when they magic left their fingers when a guy like me, like “Big Man” or then “Fast Eddie” came up and took all the dingy pool hall air away. Let me try to give you an idea, okay. I was a guy, a wiseass guy no question, laughing at the idea that some two bit strong arms would miff my play, would do my knuckles in when I was in my Jake. But see I had learned the game, learned all angles and hustles by putting what they nowadays call doing the 10,000 hours of work to perfect whatever skill you were trying to perfect. I knew at any given time on any given night what I could and could not do with the rack when they spread their wings. That and maybe a cynical hustler’s sense of another man’s weaknesses (woman as far as I knew did not play, play high stakes pool then at least I never ran across and who wanted to play although I ran into plenty of women was wanted to help me spend my money, and they did).

“Fast Eddie” though the minute he came in the door, the minute he put chalk to stick just had a feel for what to do. Maybe he spent about five minutes doing the work I spent those lonely 10, 000 hours doing and the rest was pure spirit, karma, Zen whatever the fuck you want to call it. Made me almost pee my pants when he strutted up the table all lean and hungry, a guy named Shakespeare I remember from school or maybe my father who loved the cat, told everybody to watch out for those kinds and avoid them like the plague. Yeah, strutted right up to the table knowing that I was sitting right there with my manager Bart and proceeded to run the rack without stopping to look, closing those damn blue eyes before every fucking shot. So I knew I was done except I also knew, or maybe Bart had a better handle on it just then that I would take him down the first time he wanted to challenge me. He had to be bloodied first before he took over the kingship. There was no other way. Bart and I laughed, maybe a cynical laugh, how we would skin that cat before he even knew what hit him. See young lean and hungry guys, blue eyes or not forget about the barrelful of tricks an old pro had accumulated to keep the landlord from the door.                       



In case you don’t know, and maybe some readers might not having decided to read my homage to “Fast Eddie” based on the “hook” that this was about Paul Newman the movie actor shooting big-time pool, hustling pool in the old days before Vegas, Atlantic City, Carson City started putting up money to have high dollar championships was about more that learning technique, having a vision of where the fucking balls would enter the pockets like your mother’s womb. A lot more. It was about having heart, about something that they would call Zen today but which we called “from hunger” in my day. Eddie’s too. That’s what Eddie had, that is what I sensed, what brought me to cold sweats when that swaggering son of a bitch came looking for me like I was somebody’s crippled up grandfather. It took a while, Eddie took his beatings before he understood what drove his art but he got it, got it so good that I left the game for a couple of years and went out West to hustler wealthy Hollywood moguls who loved the idea of “beating” “Big Man” Gleason at ten thousand a showing just for the sake of playing with a big time pool hustler.             

But forget about me and my troubles once Fast Eddie came through that long ago door after all this is about how the best man who ever handled a stick got to earn that title in my book. Like a lot of guys after the war, after World War II, after seeing the world in one way Eddie was ready to ditch his old life, was ready to take some chances and say “fuck you” to the nine to five world that would be death to a free spirit like him (that “free spirit” would put a few daggers in his heart before he was done but that is for later). Eddie, against my doughty frame, my big man languid frame, was a rangy kid, kind of tall, wiry, good built and Hollywood bedroom eyes like, well, like Paul Newman when he was a matinee idol making all the women, girls too, wet. Strictly “from hunger” just like in my time, the Great Depression, I had been the same before I left Minnesota for the great big lights of the city and “action.” Like I said raw and untamed but I could tell that very first time he put the stick to the green clothe he had the magic, had that something that cannot be learned but only come to the saints and those headed for the sky.           

So Eddie came in with a few thousand ready to take on the “Big Man.” While I feared this young pup I sensed that I could teach him a lesson, maybe a lesson that would hold him in good stead, maybe not, but which would at least give me enough breathing room to figure out what I would do when Eddie claimed his crown. His first mistake, a rookie error that I myself had committed was not having a partner, a manager to rein him in, to hold him back in tough times. He had some old rum dum, Charley, Billy, something like that, who cares except this rum dum was a timid bastard who couldn’t hold up his end. His end being strictly to estimate his opponent and rein the kid in when he was off his game like we all get sometimes. Me, like I said after I wised up, teamed up with Bart, Bart who knew exactly who was and who was not a “loser” and who didn’t lose my money by making bad matches or bad side bets (those side bets were the cushion money that got us through hard times and many times were more than whatever we won at straight up games).      

All I am saying is that this kid’s manager did Fast Eddie wrong, let him go wild that first night when he was all gassed up to beat the Big Man. You already know that I whipped his ass or you haven’t been paying close enough attention. But that was all a ruse like I said, all kid bravado and swagger added in so it was like taking candy from a baby that first night. But I knew I was beat, beat bad in a straight up contest. What saved me that night was two things, no three. First, Fast Eddie like lots of kids figured that he could beat an old man with his hands tied behind his back and so he started his “victory lap” drinking, drinking hard high-end scotch even before the match had started. Second, he was cocky enough to declare that the only way to determine the winner was who cried “uncle” first (Bart smiled and whispered “loser” in my ear at hearing that). Third and last he had picked up this broad, some boozer and maybe a hooker named, Sandy, Susie, no, Sarah whom he was trying to impress somehow. She looked like a lost kitten but I didn’t give a damn about that just that Fast Eddie’s mind would be half on getting her down under the sheets, maybe had dreams of getting a blow job for his efforts she looked the type who was into some kinky stuff just for kicks. At least that was the way it looked at the time. As I will tell you later it was very different and I was totally wrong about the dame.          

It took almost twenty-eight hours in that dark dank smelly booze-strewn Sharkey pool hall which looked like something out of the movies’ idea of what a low rent pool hall should look like complete with low-lifes but eventually between the booze, the bravado, and the broad I took Eddie down, left him about two hundred bucks “walking around” money. Left him to cry “uncle.” Cry it for the last time. Between grabbing Fast Eddie’s money and the side bets Bart made I, we were able to lay off for a couple of months (usually after a big score that was standard practice since the one-time suckers who want to brag to the hometown folks that they played hard and fast with the Big Man and almost won scatter to the winds for a while before they inevitably come back for their well-deserved beatings). Bart said, no crowed, that he had had Fast Eddie’s number, a “loser.” Was another gone guy, forget him.  But I had seen some moves, some moves especially before the booze got the better of the kid that I could only dream of trying without looking like a rube.         

This part of the story coming up I pieced together from what Bart told me, what Sharkey had heard, and what little Fast Eddie let on when he came back at me in earnest, in that Zen state or whatever the fuck you want to call it when a guy is “walking with the king.” Eddie went into “hiding,” went licking his wounds, which in the pool world meant that he was trying to put a stake together hustling at pool halls in bowling alleys, places like that where the rubes are dying to lose a fin or double sawbuck and not cry about it. A player at the kid’s level though would have a hard time of making much scratch with the carnival-wheelers so unbeknownst to me Eddie got in touch with Bart who staked him to some dough for a big cut of the proceedings. They made money, a fair amount, but Bart, at least this is what he told me later after I pistol-whipped him before I left for Hollywood and the big beautiful suckers there figured that would just come back to me in the end because Bart still had the kid down as a loser, a big bad loser.         

This part is murkier still. Along the way on this trip that Bart and Fast Eddie took to fleece the rubes this Sarah started to get religion, started wanted to settle down with Eddie, make Eddie settle down. After I had beaten him when he was laying low he moved in with her, they got along okay until Eddie connected with Bart whom Sarah definitely did not like, I guess she was off the bottle for a while but started in again once she saw that Eddie wouldn’t give up his dream, his dream of beating the Big Man. This part is even murkier but one night Eddie was hustling some Bourbon king and Bart and Sarah were left behind to drink the night away. Somehow Bart, who except when negotiating bets and matches was a pretty smooth talker, conned Sarah who was miffed at Eddie like I said into bed. Got her to either take him around the world or let him take her anally (or he forced the issue figuring she was just a bent whore anyway he had odd sexual desires from what I was able to figure out after a few years with him). The boozy haze, the rough sex, being unfaithful to Eddie, maybe her whole fucking life marching before her left her with who knows what angry feelings. In any case that night before Eddie got home she had slit her wrists.     

This last part is not murky, not murky at all. After beating the hell out of Bart he took the bus back to New York and one night he came through Sharkey’s door and I knew I was roasted (Bart had telegrammed about what had happened and told me that he would put up fifty thousand dollars against Fast Eddie’s luck). I had no choice but to play the play out. After Fast Eddie took that fifty thousand and another twenty-five that I had put up I cried “uncle.” Cried uncle and left for Hollywood and the bright lights. Left Fast Eddie to play out his string, left Eddie to “shoot pools, ‘Fast Eddie’, shoot pools.”     

Feds extend deadline for comments on future draft Courage to Resist

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Feds extend deadline for public comments on future draft

The feds initially provided only a few days for the public to submit comments regarding the future of the draft in the United States. This mirrored their process of announcing public hearings with only a few days notice. Due to pressure, they have extended the deadline for your online comments until September.

They need to hear from us!

  • It's time to end draft registration once and for all.
  • Don't expand the draft to women. End it for everyone.
  • No national service linked to the military--including immigration enforcement.
  • Until the US is invaded by a foreign power, stop pretending that the draft is about anything other than empire.
  • Submit your own comments online here.
As we have been reporting to you, a federal commission has been formed to address the future of draft registration in the United States and whether the draft should end or be extended.
The press release states "The Commission wants to learn why people serve and why people don’t; the barriers to participation; whether modifications to the selective service system are needed; ways to increase the number of Americans in service; and more."
Public hearings are currently scheduled for the following cities. We encourage folks to attend these hearings by checking the commission's website for the actual dates and locations of these hearings (usually annouced only days before).
  • June 26/27, 2018: Iowa City, IA
  • June 28/29, 2018: Chicago, IL
  • July 19/20, 2018: Waco, TX
  • August 16/17, 2018: Memphis, TN
  • September 19/21, 2018: Los Angeles, CA
For more background information, read our recent post "Why is the government soliciting feedback on the draft now?"
And if you haven't yet, check out our podcast on this issue  . . .
hasbrouck

Courage to Resist Podcast: The Future of Draft Registration in the United States

We had draft registration resister Edward Hasbrouck on the Courage to Resistpodcast this week to explain what's going on. Edward talks about his own history of going to prison for refusing to register for the draft in 1983, the background on this new federal commission, and addresses liberal arguments in favor of involuntary service. Edward explains:
When you say, "I'm not willing to be drafted", you're saying, "I'm going to make my own choices about which wars we should be fighting", and when you say, "You should submit to the draft", you're saying, "You should let the politicians decide for you." What's happening right now is that a National C…
COURAGE TO RESIST ~ SUPPORT THE TROOPS WHO REFUSE TO FIGHT!
484 Lake Park Ave #41, Oakland, California 94610 ~ 510-488-3559
www.couragetoresist.org ~ facebook.com/couragetoresist

Veterans for Peace: Ring Church Bells on Armistice Day 8/9/2018 Veterans for Peace is calling on churches to ring their bells at 11 AM on Sunday, November 11 - Armistice Day - in recognition of the futility of war and to show our commitment to world peace. This year is the 100th anniversary of the original Armistice Day, a day of celebration marking the end of fighting during World War I (the Great War). Today, Armistice Day is a call to Americans, in recognition of the horrors and futility of that war, to rededicate themselves to world peace. While November 11 was declared Veteran's Day in 1954, Armistice Day legislation (1919; 1926 and 1938) remains in place to this day. Read excerpts from that legislation here. Veterans For Peace (VFP) is an international organization made up of military veterans, military family members, and allies dedicated to building a culture of peace, exposing the true costs of war, and healing the wounds of war. Their goal is to change public opinion in the U.S. from an unsustainable culture of militarism and commercialism to one of peace, democracy, and sustainability. They do this primarily, although not exclusively, through grassroots organizing and education at the local level. Learn more about the organization Veterans for Peace, or the local chapter, Smedley Butler Brigade. Contact Doug Stewart, VFP Chapter Leader in Boston and member of the Eliot Church of Newton, a Mass. Conference church, here. Ring your Bells on November 11!


Veterans for Peace: Ring Church Bells on Armistice Day


8/9/2018
Veterans for Peace is calling on churches to ring their bells at 11 AM on Sunday, November 11 - Armistice Day - in recognition of the futility of war and to show our commitment to world peace.

This year is the 100th anniversary of the original Armistice Day, a day of celebration marking the end of fighting during World War I (the Great War). Today, Armistice Day is a call to Americans, in recognition of the horrors and futility of that war, to rededicate themselves to world peace.

While November 11 was declared Veteran's Day in 1954, Armistice Day legislation (1919; 1926 and 1938) remains in place to this day. Read excerpts from that legislation here.
                     
Veterans For Peace (VFP)  is an international organization made up of military veterans, military family members, and allies dedicated to building a culture of peace, exposing the true costs of war, and healing the wounds of war. Their goal is to change public opinion in the U.S. from an unsustainable culture of militarism and commercialism to one of peace, democracy, and sustainability. They do this primarily, although not exclusively, through grassroots organizing and education at the local level.  

Learn more about the organization  Veterans for Peace, or the local chapter, Smedley Butler Brigade. Contact Doug Stewart, VFP Chapter Leader in Boston and member of the Eliot Church of Newton, a Mass. Conference church,  here.

Ring your Bells on November 11!





On The Anniversary Of The Nat Turner-Led Slave Insurrection-The Confessions Of Nat Turner- Novelist William Styron's View

On The Anniversary Of The Nat Turner-Led Slave Insurrection-The Confessions Of Nat Turner- Novelist William Styron's View




BOOK REVIEW/COMMENTARY

FEBRUARY IS BLACK HISTORY MONTH

Directly below is a review (January 29,2007)of William Styron's book (originally written in 1967) "The Confessions Of Nat Turner", an imaginative literary treatment (for the most part) of the justly famous 1831 slave rebellion led by the heroic Turner and his band of fellow slaves. The fall-out from that event (Turner's revolt) had not been the subject (to my knowledge) of such a literary treatment previously and the fall out from that latter event(the subsequent all-around open season furor over Styron's take on the matter from black nationalist, pro-segregationist and other sources)was not, I believe, anticipated by him at the time. I am reposting the original review because in essentials I continue to stand by the main political (and literary) points made there. I have added a few other points below that repost as I have thought about this book recently.



From The Archives: January 29, 2007

"THE CONFESSIONS OF NAT TURNER, WILLIAM STYRON,VINTAGE PRESS, NEW YORK, 2004

I came of political age during the civil rights struggle here in America in the early 1960's. Part and parcel with that awakening struggle came an increased interest in the roots of the black struggle, especially in slavery times. Such intellectuals as Herbert Apteker, the Genoveses, the Foners, Harold Cruise, James Baldwin, John Hope Franklin and others, black and white, were very interested in exploring or discovering a black resistance to the conditions of slavery not apparent on any then general reading of the black experience in America. This is the place where the recently deceased William Styron and his novelistic interpretation of one aspect of that struggle- Nat Turner's Virginia slave rebellion enters the fray.

No Styron is not politically correct in his appreciation of Turner or his followers. Nor are latter day Southern whites and their sympathizers who have recoiled in horror at what expansion of Turner's rebellion might have meant for the `peculiar institution'. But being politically correct, etc. now or historically is beside the point. Slavery was brutal. Slavery brutalized whole generations of black people for a very long time. If one expected nature's noblemen and women to come out of such a process, one would certainly be very sadly mistaken. That the white beneficiaries of this system were brutalized is a given. Human progress has come about through fits and starts, not a seamless curve onward and upward. Nevertheless all our sympathies are with Nat and his fellow rebels.

Moreover, here are some things to think about if you are not worried about your political correctness status. Outside of John Brown at Harper's Ferry Turner's rebellion represented the highest achievement of resistance to the white slaveholders in the early 19th century. Although the fight was not pretty on either side every progressive today should stand in historical solidarity with that fight. Then one will understand not only that oppression oppresses but also that the military conditions for a successful rebellion for isolated blacks in pre- Civil War American were slim. The later incorporation of 200,000 black soldiers and sailors among the Northern forces in the Civil War are a very, very profound argument that once off the plantation blacks were as capable of bravery, courage and honor as any other American. As difficult as it is, if you do not have access to the original chronicles of the Turner uprising, read this book to get a flavor of how hard the struggle for the abolition of slavery in this country was going to be."

February 4, 2009

In rereading the above review I feel that although I made the right political points that one can take from this essentially literary treatment of the person of the black preacher/ craftsman and intellectual Nat Turner by a seemingly sympathetic white writer writing over a century later in the heat of the turmoil over what direction the previously integrationist civil rights movement of the early 1960’s was headed I think I failed to give enough weight to the particulars of Turner’s leadership qualities. Although most of Stryon’s dialogue and descriptive narrative is, as he stated in his introduction, purely literary conjecture the portrait that emerges of a revolutionary black leader does not seem to be that far from some “truth”. As the careers of the later black liberation fighters John Brown and Frederick Douglass (and I might add what we know about the earlier slave general, Spartacus) also demonstrated, in the matter of revolutionary leadership the ‘norms’ of political acumen are of a different magnitude. That is a point I wish to expand on here.

Styron has done credible job of setting the framework for Nat Turner’s emergence as a leader of a slave rebellion. Precocious as a child, Turner strived to learn to read and write, by hook or by crook, in a culture that enacted laws (the infamous Black Codes) to prevent such an occurrence. In fact, even among sympathetic whites there was a feeling that Turner was unusual and that his ability to read and write was an exceptional experience. In short, as W.E.B. Dubois later put it in another context, Turner was one of the “talented tenth”. Moreover, Turner’s personal existence as a trained craftsman, self-taught preacher and one with time and opportunity to become a budding slave general would seem to conform to a historical pattern about the way plebeian leaderships are formed. Contrary to intuitive reasoning the most oppressed are not necessarily the most revolutionary (proven here by the betrayal by fellow slaves and by history a million times in a million ways). Some can be lead to see their plight. But they, initially at least must be led by the Nat Turners of the world. That, my friends, is where the ‘lessons’ of Styron’s book apply today. We better get busy.

Every Time You Leave - Shelby Lynne & Allison Moorer

Darin and Brooke Aldridge - "Everytime You Leave"

AMERICAN LEFT HISTORY: As The 100th Anniversary Of The Armistice Day 11/1...

AMERICAN LEFT HISTORY: As The 100th Anniversary Of The Armistice Day 11/1...: As The 100 th Anniversary Of The Armistice Day 11/11/1918 at 11 AM Commences-Some Artists Who Fought/Died/Lived Through The Nightmare Tha...

Wagoner's Lad

Once Again When The Golden Age Of Screwball Comedy Ruled The Known World-Loretta Young And Tyrone Powers’ “Love Is News” (Which We All Knew, Right) (1937)-A Film Review


Once Again When The Golden Age Of Screwball Comedy Ruled The Known World-Loretta Young And Tyrone Powers’ “Love Is News” (Which We All Knew, Right) (1937)-A Film Review




DVD Review

By Si Lannon

Love Is News, Tyrone Powers, Loretta Young, Don Ameche, directed by legendary director Tay Garnett, 1937

Bang right out of the box-the late 1930s and early 1940s meaning before Pearl Harbor blew the smiles off of our faces and that generation slogged through the ensuing wars were the halcyon days of the screwball comedy. Names like Preston Sturgis, Frank Capra, Tay Garnett the director of the film under review Love Is News, and Sam Stein could name their price, could take the pick of the litter for story-lines and cast and for the producers it was like finding money on the ground. That last name by the way is important, the Stein name, since Sam’s son Abraham who went to school with my father having spent what even he called his misbegotten childhood watching his father perform miracles wrote what is still the definitive book on the genre, Sam Stein and the Heyday of Screwball Comedy. A whole generation of film reviewers, cranky editors, erudite professors and doctoral candidates feasted on his references and sometimes his ideas as well although they now for the past half century or so seem to have been eclipsed by a more serious strain of screwball comedy which may or may not make the viewer laugh a week later thinking about some inane episode. That is the true mark of a great screwball comedy.          

Abe Stein’s major premise, kind of counter-intuitive now perhaps, was not that the plotline was filled with period piece jokes or skits which made people laugh but that people, people in the late 1930s after the height of the Great Depression had brought many very low and before the war cut funny-bones a bit could see themselves if somewhat obscurely in those situations. Back in the late 1940s and early 1950s a whole generation of screenwriters and directors made great films and lots of money based on that single deep perception. Hell, Professor Logan over at the UCLA film school did his dissertation on that single threaded idea-and his well-known students like Marty Ames, Billy Williams and Sally Lyons learned that simple lesson well.        

To the plot as laid out by legendary director Tay Garnett a man who should never have been in the shadow of Sturgis and Capra. No, I just thought of something that will better explain what Abe was presenting and which his father and the others were creating. This Love Is News, a classic look at the newspaper business as well as boy meets girl love, starring darkly handsome Tyrone Powers as the energetic newshound and winsome Loretta Young as the no fool heiress to a big daddy fortune was remade in 1947 with Powers in the lead and demur Gene Tierney in Loretta Young’s role as That Wonderful Urge. WTF. The thing couldn’t be flatter, was a flop since while Ms. Tierney was alluring as hell in the film noir Laura she was wooden in this comedy business and any retrospective of hers should avoid re-running that dog.

Now forward. Steve ace reporter for some Gotham-type daily newspaper whose city editor is none other than Don Ameche who was built for the role since he had started out life as a newspaper reporter out in Lima, Ohio needs to keep up a head of steam to get back on top after a couple of tumbles down the mountain having been scooped on the Lifton and Hayworth cases. Tony, winsome Tony, is the much put upon heiress who is utterly tired of having her name splashed all over the tabloids for no known reason except that she is as rich as King Midas maybe more so. Here is where Abe Stein’s observation gets a real workout, proves it mettle. Frankly nobody in 1937, no serious movie-goer anyway, whose own lives were nothing but misery and squalor at least according to my grandmother, would have given a tinker’s damn about some stray debutante gone amok. Except this Tony beyond being winsome liked to burst balloons like most of us do. Liked the idea of seeing a meddling reporter take a fall.

Presto Ms. Tony turns the tables, declares that she will go to the altar with our Steve. For an independent reporter, hell, for an independent guy back then that was a badge of dishonor despite the fact that he was being congratulated and hounded by everybody for stepping onto easy street. A lot of ships would rise. Again, most people could see themselves jumping at that prospect just as today people wish to the high heavens that they would win some big take lottery. So Steve gets led by the nose through most of the rest of the film as he and Tony keep sparring away, Don Ameche gets crazy for lack of a story and Steve’s reporter buddies titter on the sidelines. Naturally and this is part of screwball comedy, romantic version, all their sparring is covering up a growing attraction for each other just like any of the six million Hollywood films that have been salvaged by that trope. So yes Tony and Steve get together but that too was a relief for 1930s audiences. If you don’t believe me check out Professor Lawrence’s classic Boy Meets Girl In Hollywood. And don’t bother with that dud The Wonderful Urge.