Artists’ Corner-In The Aftermath Of World War I- Dada Takes A Stab
At Visually Understanding A Broken World After the Bloodbath
By Lenny Lynch
I don’t know that much
about the Dada movement that swept through Europe in the early part of the 20th
century in response to the creation of modern industrial society that was going
full steam and the modern industrial scale death and destruction such mass
scale techniques brought upon this good green earth by World War I.
(Foreshadowed it is agreed by the industrial carnage at places like Cold Harbor
in the American Civil War, the butchery of the Franco-Prussian War and
subsequent river of blood by its own rulers of the Paris Commune and the Boer
War.) The war to end all wars which came up quite short of that goal but did
decimate the flower of the European youth, including vast swaths of the working
class. Such massive blood-lettings for a precious few inches of soil like at
the Battle of the Somme took humankind back more than a few steps when the
nightmare ended-for a while with the Armistice on November 11, 1918. An event
which in observing its centennial every serious artist should consider putting
to the paint. And every military veteran to take heart including the descendants
of those artists who laid down their heads in those muddy wretched trenches.
Should reclaim the idea behind Armistice Day from the militarists who could
learn no lessons except up the kill and fields of fire ratios.
I don’t know much but
this space over this centennial year of the last year of the bloody war, the
armistice year 1918 which stopped the bloodletting will explore that
interesting art movement which reflected the times, the bloody times. First up
to step up George Groz, step up and show your stuff, show how you see the
blood-lusted world after four years of burning up the fields of sweet earth
Europe making acres of white-crossed places where the sullen, jaded, mocked,
buried youth of Europe caught shells and breezes. Take one look Republican Automatons. Look at the urban
environment, look at those tall buildings dwarfing mere mortal man and woman,
taking the measure of all, making them think, the thinking ones about having to
run, run hard away from what they had built, about fear fretting that to
continue would bury men and women without names, without honor either.
Look too at honor
denied, look at the handless hand, the legless leg, the good German flag, the
Kaiser’s bloody medal, hard against the urban sky. The shaky republic, the
republic without honor, shades of the murders of the honest revolutionary
Liebknecht walking across Potsdam Plaza to go say no, no to the war budget and
grab a hallowed cell the only place for a man of the people in those hard times
and gallant Luxemburg, the rose of the revolution, mixed in with thoughts of
renegade burned out soldiers ready for anything. Weimar, weak-kneed and
bleeding, would shake and one George
Groz would know that, would draw this picture that would tell the real story of
why there was a Dada-da-da-da-da movement to chronicle the times if not to
fight on the barricades against that beast from which we had to run.
Channel Firing
By Thomas Hardy
That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window-squares,
We thought it was the Judgment-day
And sat upright. While drearisome
Arose the howl of wakened hounds:
The mouse let fall the altar-crumb,
The worms drew back into the mounds,
The glebe cow drooled. Till God called, “No;
It’s gunnery practice out at sea
Just as before you went below;
The world is as it used to be:
“All nations striving strong to make
Red war yet redder. Mad as hatters
They do no more for Christés sake
Than you who are helpless in such matters.
“That this is not the judgment-hour
For some of them’s a blessed thing,
For if it were they’d have to scour
Hell’s floor for so much threatening....
“Ha, ha. It will be warmer when
I blow the trumpet (if indeed
I ever do; for you are men,
And rest eternal sorely need).”
So down we lay again. “I wonder,
Will the world ever saner be,”
Said one, “than when He sent us under
In our indifferent century!”
And many a skeleton shook his head.
“Instead of preaching forty year,”
My neighbour Parson Thirdly said,
“I wish I had stuck to pipes and beer.”
Again the guns disturbed the hour,
Roaring their readiness to avenge,
As far inland as Stourton Tower,
And Camelot, and starlit Stonehenge.