Tuesday, October 16, 2018

A View From The Left-Democratic Hypocrites, Republican Bigots Capitalist Parties Spar Over Supreme Court

Workers Vanguard No. 1141
5 October 2018
 
Democratic Hypocrites, Republican Bigots
Capitalist Parties Spar Over Supreme Court
Millions watched the second set of sordid hearings over Brett Kavanaugh, Trump’s ultra-reactionary pick for the Supreme Court. Dripping with contempt, the Republican white old boys on the Senate Judiciary Committee went to bat in defense of Kavanaugh’s “virtue” against allegations of attempted rape and other sexual abuse in his younger years. The Democrats, who had initially given their due deference—albeit critically—to Kavanaugh, now oozed with concern over his moral fitness to serve on the high court of racist American capitalism. With consummate hypocrisy, Democrats seized on the allegations to have their #MeToo moment, grandstanding as defenders of women’s rights without having to deal with such “divisive” issues as abortion on the eve of the midterm elections.
Disappeared from the media spotlight were the crimes and crimes-to-be of Kavanaugh, an avowed enemy of abortion rights, who is dedicated to rolling back black voting rights and other such gains as remain from the civil rights movement. His curriculum vitae includes advocating torture and indefinite detention for “enemy combatants” abroad and the racist death penalty and mass surveillance of the population at home. At bottom, the Democrats agree with their Republican counterparts, including Kavanaugh, on issues like the death penalty even if they are not as vocal in supporting them. Notwithstanding the Democrats’ posturing against torture, earlier this year six Democratic Senators provided the margin of victory to approve Trump’s nominee to run the CIA, Gina Haspel, who was an architect of the Bush/Cheney torture program. As for mass surveillance, the Obama administration was second to none.
The policy differences between the Democrats and Republicans represent different factions within a single capitalist ruling class. The capitalist class—the owners of industry and the banks—runs the Republican and Democratic parties, whose main distinction is not what they do but how they do it. The Democrats offer up the same anti-working-class program with a bit of bread and/or circuses, as the Roman emperors sometimes gave the plebeians.
Every capitalist politician lies for a living—and the biggest lie of all is that “the people” have any control over the government. The working class and the oppressed masses have no side in the donkey and elephant show about which bourgeois candidate wears the black robes. The Supreme Court is and always will be a reactionary institution that is part of the core of the capitalist state, which also includes the police, prisons and military. The purpose of this state is to defend the rule and profitability of American capitalism against the working class and oppressed through repression and subjugation. The rulers also rely on indoctrination and co-optation to maintain their reign.
Hoping to cash in at the polls in November, the Democrats are using the showdown over Kavanaugh as a proxy battle against the president, who they have attacked for his moral turpitude as part of their “resistance.” What really has the Democrats (and some Republicans) concerned is that the recklessness of the Trump administration, with its promotion of all-around bigotry, will threaten the image of American “democracy.” Supreme Court judge Elena Kagan warned that if people lose trust in the “integrity” of the system, they would “have no reason to accept what the court does.” As Marxists, we seek to puncture the illusions working people have in the institutions of capitalist class rule.
The recent decisions of the Supreme Court—from the anti-union Janus ruling to upholding Trump’s racist travel ban—are a harbinger of what reactionaries have in mind as they aim to overturn the 1973 Roe decision on abortion rights, which have been whittled away for decades with the acquiescence and collusion of the Democrats. What is desperately needed is militant class struggle alongside mass mobilizations of black people, women and the oppressed to strike a blow against the endless ruling-class onslaught. It is through the intervention of communist militants into such struggles that a multiracial revolutionary workers party will be forged as the necessary instrument to lead the fight for socialist revolution.
The liberals always counsel the masses to rely on some institution of the capitalist system, which includes the courts. This is a dead end that pegs the fate of the workers and the oppressed to what goes on in the class enemy’s government. Any significant gains—from unionization to black and women’s rights—have been wrested through hard-fought class and social struggle against the exploiters, their political parties and their state. That the capitalist rulers have been able to get away with so many attacks against working people and the oppressed is primarily because the labor movement has been on its back under the misleadership of the pro-capitalist union bureaucracy.
Judge Not Lest Ye Be Judged
The only person at the Kavanaugh hearings who exhibited any dignity and decency was Dr. Christine Blasey Ford, whose allegations that Kavanaugh attempted to rape her 36 years ago when she was a 15-year-old high school student exploded the confirmation proceedings. Her compelling testimony struck a chord among numerous women across the country. Victims of sexual violence are subjected to rigorous moral scrutiny by the authorities and courts, and face indifference, humiliation and threats. Obviously, we don’t know if Kavanaugh is guilty, but we can say that Blasey Ford’s testimony was believable and his was, as they say, hard to swallow. At the same time, we do not subscribe to the patronizing notion promoted by #MeToo and bourgeois feminists to “believe all women,” which reduces the horrific reality of sexual abuse to that of a faith-based belief that women always and forever speak the truth. The feminist #MeToo movement supports the capitalist system to which the subjugation and oppression of women is intrinsic.
A creature of privilege, Kavanaugh was a sports jock at the elite Georgetown Prep and later a frat rat at Yale, where he was also a member of an all-male “secret society” called Truth and Courage, popularly known as “tit and clit.” In his testimony, Kavanaugh feigned virginal purity: “devil’s triangle” was a “drinking game,” “boof” meant “flatulence,” “Renate Alumnius” referred to “innocent” dating. Sure. The chauvinist, entitled creeps spawned by the ruling-class cesspools that Kavanaugh comes from believe that abusing women and others deemed beneath them is their “God-given” right.
In the hearing, Kavanaugh launched a tirade, amid manufactured sobs, claiming he was the victim of a well-funded left-wing conspiracy. This was throwing red meat to Trump’s base, in particular the bible-thumping evangelicals for whom accusations of attempted rape play second fiddle to their drive to outlaw abortion. Trump boasted that Kavanaugh’s performance demonstrated why he had nominated him. Indeed. But the vote to advance his nomination by the Judiciary Committee, with its Republican majority, was not the shoo-in the administration thought it would be. Republican Senator Jeff Flake flaked and called for an FBI investigation. The involvement of the FBI was cause for celebration among Democrats, who champion the spies, torturers and murderers of the “deep state” as today’s freedom fighters against an unrestrained Trump.
Supreme Court of Injustice
Democrats point to the allegations against Kavanaugh as evidence that he lacks the moral integrity and honesty to serve on the Supreme Court. On the contrary. If appointed, Kavanaugh would join a long list of justices who in their time ruled that black people “had no rights which the white man was bound to respect”; proclaimed “separate but equal” segregation to be the law of the land; wielded anti-trust laws to attack unions, break strikes and hold the workers responsible for “damages” to the employer’s property; and upheld the internment of Japanese Americans in concentration camps in World War II. In the past several decades, Supreme Court decisions have shredded much of what reality there was to the Bill of Rights.
The Supreme Court was consciously designed as an anti-democratic protection for the ruling class against the masses. It was conceived by the founding fathers as part of the separation of powers among the executive, the legislative and judicial branches of government. This schema of “checks and balances” was crafted as a defense against what was considered the tyranny of the majority. In the words of Alexander Hamilton in The Federalist Papers (1788), the judiciary was intended to be a “barrier to the encroachments and oppressions of the representative body,” i.e., Congress, and “an essential safeguard against the effects of occasional ill humors in the society.”
To insulate the government against the “ill humors” of the masses, no one other than white male property owners was given the franchise. The president, elected through the Electoral College, was empowered to nominate Supreme Court judges who were then to be approved by the Senate, which until the early 20th century was installed by state legislatures. Invested with the power to overturn legislation and to effectively enact laws, Supreme Court justices are appointed for life with no “check” by the electorate.
The Federalist Society
In an article titled, “Brett Kavanaugh’s Wayward Penis: A New Twist” (CounterPunch, 26 September), William Kaufman notes, “Democrats have provided the margin of victory needed for nearly every right-wing Republican appointee who now sits on the Supreme Court, even when they had the votes to mount a blocking filibuster.” This includes current Chief Justice John Roberts as well as his fellow judges Samuel Alito and Clarence Thomas. Rolling the clock back a little further, the appointment of the (now-dead) arch-clerical reactionary Antonin Scalia sailed through without a single “nay” vote. What these judges have in common, together with Neil Gorsuch and a substantial number of the current federal judiciary, is their membership in the Federalist Society.
Since its founding in 1982, the Federalist Society, which is described as “the heirs of James Madison’s legacy,” has been dedicated to overturning the Civil Rights and Voting Rights Acts. James Madison, a slaveowner from Virginia and the fourth president of the U.S., is credited with being the father of the Constitution. The judges of the Federalist Society proclaim constitutional “originalism,” or adherence to the Constitution as it was originally written, which is the judicial equivalent of the racist call, “The South will rise again.” The original Constitution enshrined black chattel slavery and gave the slavocracy the whip hand of power by allowing Southern states to count black slaves as three-fifths of a person for the purpose of federal representation.
One might ask how Clarence Thomas, a black man, got into the Federalist Society. As we noted at the time of his nomination in “Supreme Court of Injustice” (WV No. 531, 19 July 1991), “Were it not for his skin color, Thomas’ political record would qualify him for membership in the KKK.” Indeed, his opposition to the 1954 Brown v. Topeka Board of Education decision, support for the racist death penalty and opposition to Roe v. Wade as an affront to “natural law” won Thomas the support of “former” Klan Grand Wizard David Duke.
As with Kavanaugh, what exploded the confirmation hearings for Thomas was not his judicial record but charges of sexual harassment brought by Anita Hill. The televised spectacle of the Senate fraternity of white male millionaires (and two women) sitting in judgment of Hill, a black woman, and Thomas, a black man, was a peculiarly American display of racism and sexism.
Thomas was the handpicked nominee of Bush Senior, who rode into office by fanning the flames of racist fearmongering against “black criminals.” Anita Hill, whose testimony was graphic and articulate and exuded credibility, was raked over the coals, slammed as a “vengeful woman” who had invented a “fantasy” because Thomas had “spurned” her. As we pointed out at the time, “Although pitched over the question of ‘sexual harassment,’ in fact the fight on Thomas’ nomination was over abortion rights” (“Sex, Race and Reaction,” WV No. 537, 25 October 1991). Still, Thomas was confirmed in a Senate where the Democrats had the majority.
Liberal Mythology and the Judiciary
For decades, liberals have been pushing reliance on the federal courts as the motor of social progress. Today, with the Republicans in control of the White House and both houses of Congress, liberals view the composition of the Supreme Court as decisive. This same outlook is shared by the pseudo-socialists of the International Socialist Organization (ISO). In their September 24 editorial (socialistworker.org), they claim that “Kavanaugh is unfit to determine what justice is on numerous grounds,” concluding with the main goal, “Stop Kavanaugh.” In another article, ISO honcho Lance Selfa (2 October) tries to give this abject reformism some kind of left cover, including by pointing out that the Supreme Court is the “least democratic part of the U.S. government.” Nonetheless, he lauds progressives and some liberals for “advocating structural reforms to weaken the conservative hold on the courts,” linking to an Intercept article (30 September) that advocates packing the Court with Democrats.
Contrary to the ISO’s fantasy, Marxists understand that the capitalist courts cannot be taken over and made to operate in the interests of working people. Under capitalism, whatever its constitutional format—be it a democratic republic, a constitutional monarchy or a fascist dictatorship—the judiciary is an arm of the bourgeois state which, as Friedrich Engels pointed out, “is an organization for the protection of the possessing class against the non-possessing class.” This is as true of the liberal Supreme Court justices as of the right-wing ones.
Those who promote illusions in the courts often refer to the Supreme Court era ushered in by the 1954 Brown decision under Chief Justice Earl Warren, who retired in 1969 after serving under both Republican and Democratic administrations. Warren, himself a Republican, earned his spurs as Alameda County district attorney in orchestrating the 1936 redbaiting frame-up trial of three organizers of the Marine Firemen’s union on charges of murdering the chief engineer on the SS Point Lobos. Later as California attorney general during World War II, he spearheaded a drive to evict and put Japanese Americans in camps.
What conditioned the rulings of the Warren Court (which included Hugo Black, a former Klansman) was not its “progressiveness,” but the mass struggles of the period, beginning with the civil rights movement through to the mass protests against the Vietnam War. Concerned that this radicalism could spill over into a restive working class, the capitalist rulers recognized the need to contain it. It was in this tumultuous period that the Court made a number of decisions affirming particular civil liberties, such as ruling that defendants had the right to counsel. In 1972 the Court declared the death penalty unconstitutional as practiced and prompted states to rewrite their laws. A year later came the landmark Roe decision.
But this was a brief moment in American history. After the U.S. withdrawal from Vietnam, the antiwar movement fell apart. Many black radicals who weren’t murdered by the FBI or imprisoned were co-opted by the Democratic Party. Underlining that reforms under capitalism are reversible, the Supreme Court, with few personnel changes, immediately began to roll back the gains of the previous two decades, marked by the restoration of the death penalty in 1976. This went along with a bipartisan onslaught against working people, carried out by Reagan and the Bushes, as well as by Carter, Clinton and Obama, which included the gutting of affirmative action and welfare and the evisceration of habeas corpus, to name a few.
Today, the U.S. imperialist bourgeoisie is the foremost enemy of workers and the oppressed around the world. In the U.S., this is expressed not only in the increasing attacks on the black masses and the working class but in the growing influence of Dark Ages attitudes toward sex and women. The piggishness and revolting hypocrisy of the bourgeoisie are a measure of the decrepitude of this outmoded capitalist system. For our part, we seek to do away with the Supreme Court along with the imperial presidency and all the institutions of the bourgeois state, as part of a thoroughgoing socialist revolution which will place the only progressive class, the proletariat, at the helm of society.

From "Courage To Resist" -Troops: Immigrant detention camps are illegal. Don't collaborate!


Courage to Resist
banner image
Message to the troops: Do not collaborate with the immigrant detention camps
Dear Alfred.
With your help, we’ll spend one penny per military service member--$20,000--on a strategic outreach campaign.  Our stretch goal is two cents.
This summer, what might have been the defining low point of previous administrations, was simply the outrage of the moment: A plan to have the military host massive concentration camps of upward of 200,000 immigrant detainees across the United States, as we reported to you in July.
stop separating families
On the Texas border at Tornillo Port of Entry, a tent city that first detained a couple hundred children a few months ago will hold nearly 4,000 kids by the end of the year.
Few people actually join the military to travel to distant lands to kill people. Fewer still join to help run concentration camps. Under both US and international law, military personnel have a moral and legal obligation to refuse to comply with any order that involves collaboration with these camps, but unfortunately few are aware of this fact.
That’s why we need your help. Together, we’re going to launch a strategically targeted communications campaign to reach service members across the country with this message:
  • These camps are illegal and immoral.
  • You have a responsibility to refuse and expose these orders.
  • Direct military resistance is powerful.
D O N A T E
to support resistance
oct 2018 newsletter
  • US military ordered to host massive immigrant concentration camps
  • Army Capt. Brittany DeBarros tweets truth
  • Shutting down recruiting center; Hoisting peace flag
  • Presidio 27 “mutiny” 50th anniversary events
  • Whistleblower Reality Winner update--“So unfair” says Trump
COURAGE TO RESIST ~ SUPPORT THE TROOPS WHO REFUSE TO FIGHT!
484 Lake Park Ave #41, Oakland, California 94610 ~ 510-488-3559
www.couragetoresist.org ~ facebook.com/couragetoresist

As The 100th Anniversary Of The Armistice Day 11/11/1918 at 11 AM Commences-Some Creative Artists Who Fought/Died/Lived Through The Nightmare That Destroyed The Flower Of European And American Youth

As The 100th Anniversary Of The Armistice Day 11/11/1918 at 11 AM Commences-Some Creative Artists Who Fought/Died/Lived Through The Nightmare That Destroyed The Flower Of European And American Youth –



By Seth Garth





A few years ago, starting in August 2014 the 100th anniversary of what would become World War I, I started a series about the cultural effects, some of them anyway, of the slaughter which mowed down the flower of the European youth including an amazing number of artists, poets, writers and other cultural figures. Those culturati left behind, those who survived the shellings, the trenches, the diseases, and what was then called “shell shock,” now more commonly Post-Traumatic Stress Disorder (PTSD) which is duly recognized, and compensated for at least in the United States by the Veterans Administration in proven cases reacted in many different ways. Mainly, the best of them, like the ordinary dog soldiers could not go back to the same old, same old, could not revive the certitudes of the pre-war Western world with it distorted sense of decorum and went to what even today seem quirky with moderns like Dada, Minimalism, the literary sparseness of Hemingway, and so on. I had my say there in a general sense but now as we are only a few months away from the 100th anniversary of, mercifully, the armistice which effectively ended that bloodbath I want to do a retrospective of creative artistic works by those who survived the war and how those war visions got translated into their works with some commentary if the spirit moves me but this is their show-no question they earned a retrospective.



Poets’ Corner-In The Aftermath Of World War I- Poets Take A Stab At Visually Understanding A Broken World After the Bloodbath    



By Lenny Lynch



I don’t know that much about the Dada movement that swept through Europe in the early part of the 20th century in response to the creation of modern industrial society that was going full steam and the modern industrial scale death and destruction such mass scale techniques brought upon this good green earth by World War I. (Foreshadowed it is agreed by the industrial carnage at places like Cold Harbor in the American Civil War, the butchery of the Franco-Prussian War and subsequent river of blood by its own rulers of the Paris Commune and the Boer War.) The war to end all wars which came up quite short of that goal but did decimate the flower of the European youth, including vast swaths of the working class. Such massive blood-lettings for a precious few inches of soil like at the Battle of the Somme took humankind back more than a few steps when the nightmare ended-for a while with the Armistice on November 11, 1918. An event which in observing its centennial every serious artist should consider putting to the paint. And every military veteran to take heart including the descendants of those artists who laid down their heads in those muddy wretched trenches. Should reclaim the idea behind Armistice Day from the militarists who could learn no lessons except up the kill and fields of fire ratios. 



I don’t know much but this space over this centennial year of the last year of the bloody war, the armistice year 1918 which stopped the bloodletting will explore that interesting art movement which reflected the times, the bloody times. First up to step up George Groz, step up and show your stuff, show how you see the blood-lusted world after four years of burning up the fields of sweet earth Europe making acres of white-crossed places where the sullen, jaded, mocked, buried youth of Europe caught shells and breezes. Take one look Republican Automatons. Look at the urban environment, look at those tall buildings dwarfing mere mortal man and woman, taking the measure of all, making them think, the thinking ones about having to run, run hard away from what they had built, about fear fretting that to continue would bury men and women without names, without honor either.         



Look too at honor denied, look at the handless hand, the legless leg, the good German flag, the Kaiser’s bloody medal, hard against the urban sky. The shaky republic, the republic without honor, shades of the murders of the honest revolutionary Liebknecht walking across Potsdam Plaza to go say no, no to the war budget and grab a hallowed cell the only place for a man of the people in those hard times and gallant Luxemburg, the rose of the revolution, mixed in with thoughts of renegade burned out soldiers ready for anything. Weimar, weak-kneed and bleeding,  would shake and one George Groz would know that, would draw this picture that would tell the real story of why there was a Dada-da-da-da-da movement to chronicle the times if not to fight on the barricades against that beast from which we had to run.



The Battle of the Bulge

BY ROBERT W. SERVICE                         
This year an ocean trip I took, and as I am a Scot
And like to get my money’s worth I never missed a meal.
In spite of Neptune’s nastiness I ate an awful lot,
Yet felt as fit as if we sailed upon an even keel.
But now that I am home again I’m stricken with disgust;
How many pounds of fat I’ve gained I’d rather not divulge:
Well, anyway, I mean to take this tummy down or bust,
So here I’m suet-strafing in the
                                                      Battle of the Bulge.

No more will sausage, bacon, eggs provide my breakfast fare;
On lobster I will never lunch, with mounds of mayonnaise.
At tea I’ll Spartanly eschew the chocolate Ã©clair;
Roast duckling and pêche melba shall not consummate my days.
No more nocturnal ice-box raids, midnight spaghetti feeds;
On slabs of pâté de foie gras I vow I won’t indulge:
Let bran and cottage cheese suffice my gastronomic needs,
And lettuce be my ally in the
                                                      Battle of the Bulge.

To hell with you, ignoble paunch, abhorrent in my sight!
I gaze at your rotundity, and savage is my frown.
I’ll rub you and I’ll scrub you and I’ll drub you day and night,
But by the gods of symmetry I swear I’ll get you down.
Your smooth and smug convexity, by heck! I will subdue,
And when you tucker in again with joy will I refulge;
No longer of my toes will you obstruct my downward view ...
With might and main I’ll fight to gain the
                                                      Battle of the Bulge.


As The 100th Anniversary Of The Armistice Day 11/11/1918 at 11 AM Commences-Some Creative Artists Who Fought/Died/Lived Through The Nightmare That Destroyed The Flower Of European And American Youth

As The 100th Anniversary Of The Armistice Day 11/11/1918 at 11 AM Commences-Some Creative Artists Who Fought/Died/Lived Through The Nightmare That Destroyed The Flower Of European And American Youth –



By Seth Garth





A few years ago, starting in August 2014 the 100th anniversary of what would become World War I, I started a series about the cultural effects, some of them anyway, of the slaughter which mowed down the flower of the European youth including an amazing number of artists, poets, writers and other cultural figures. Those culturati left behind, those who survived the shellings, the trenches, the diseases, and what was then called “shell shock,” now more commonly Post-Traumatic Stress Disorder (PTSD) which is duly recognized, and compensated for at least in the United States by the Veterans Administration in proven cases reacted in many different ways. Mainly, the best of them, like the ordinary dog soldiers could not go back to the same old, same old, could not revive the certitudes of the pre-war Western world with it distorted sense of decorum and went to what even today seem quirky with moderns like Dada, Minimalism, the literary sparseness of Hemingway, and so on. I had my say there in a general sense but now as we are only a few months away from the 100th anniversary of, mercifully, the armistice which effectively ended that bloodbath I want to do a retrospective of creative artistic works by those who survived the war and how those war visions got translated into their works with some commentary if the spirit moves me but this is their show-no question they earned a retrospective.



Poets’ Corner-In The Aftermath Of World War I- Poets Take A Stab At Visually Understanding A Broken World After the Bloodbath    



By Lenny Lynch



I don’t know that much about the Dada movement that swept through Europe in the early part of the 20th century in response to the creation of modern industrial society that was going full steam and the modern industrial scale death and destruction such mass scale techniques brought upon this good green earth by World War I. (Foreshadowed it is agreed by the industrial carnage at places like Cold Harbor in the American Civil War, the butchery of the Franco-Prussian War and subsequent river of blood by its own rulers of the Paris Commune and the Boer War.) The war to end all wars which came up quite short of that goal but did decimate the flower of the European youth, including vast swaths of the working class. Such massive blood-lettings for a precious few inches of soil like at the Battle of the Somme took humankind back more than a few steps when the nightmare ended-for a while with the Armistice on November 11, 1918. An event which in observing its centennial every serious artist should consider putting to the paint. And every military veteran to take heart including the descendants of those artists who laid down their heads in those muddy wretched trenches. Should reclaim the idea behind Armistice Day from the militarists who could learn no lessons except up the kill and fields of fire ratios. 



I don’t know much but this space over this centennial year of the last year of the bloody war, the armistice year 1918 which stopped the bloodletting will explore that interesting art movement which reflected the times, the bloody times. First up to step up George Groz, step up and show your stuff, show how you see the blood-lusted world after four years of burning up the fields of sweet earth Europe making acres of white-crossed places where the sullen, jaded, mocked, buried youth of Europe caught shells and breezes. Take one look Republican Automatons. Look at the urban environment, look at those tall buildings dwarfing mere mortal man and woman, taking the measure of all, making them think, the thinking ones about having to run, run hard away from what they had built, about fear fretting that to continue would bury men and women without names, without honor either.         



Look too at honor denied, look at the handless hand, the legless leg, the good German flag, the Kaiser’s bloody medal, hard against the urban sky. The shaky republic, the republic without honor, shades of the murders of the honest revolutionary Liebknecht walking across Potsdam Plaza to go say no, no to the war budget and grab a hallowed cell the only place for a man of the people in those hard times and gallant Luxemburg, the rose of the revolution, mixed in with thoughts of renegade burned out soldiers ready for anything. Weimar, weak-kneed and bleeding,  would shake and one George Groz would know that, would draw this picture that would tell the real story of why there was a Dada-da-da-da-da movement to chronicle the times if not to fight on the barricades against that beast from which we had to run.


In Flanders Fields

BY JOHN MCCRAE                         

In Flanders fields the poppies blow
Between the crosses, row on row,
    That mark our place; and in the sky
    The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
    Loved and were loved, and now we lie,
        In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
    The torch; be yours to hold it high.
    If ye break faith with us who die
We shall not sleep, though poppies grow
        In Flanders fields.

T For Texas, Texas Blues-Willie Nelson’s Milk Cow Blues (2000)-A CD Review

T For Texas, Texas Blues-Willie Nelson’s Milk Cow Blues (2000)-A CD Review

CD Review

By Zack James

Milk Cow Blues, Willie Nelson and others, 2000

My old high school friend Greg Garret whom I am still in close touch with reminded me the other day when he was over at my house and I had the CD under review playing in the background, Willie Nelson’s Milk Cow Blues, that back in the early 1980s he recalled that I had had what he called my “outlaw country cowboy moment.” I didn’t recall that I uttered that particular expression although I did recall that I had for a brief period been drawn to the likes of Willie, Waylon Jennings, Townes Van Zandt and a number of other singer-songwriters who broke out of the traditional stylized Nashville formula mold epitomized then by guys like George Jones and gals like Loretta Lynn and Tammy Wynette. Just then rock and roll was taking one of its various detours which I could not follow, folk music, the social protest kind anyway that had attracted me in my youth was fading fast even among aficionados and the blues was losing its star performers by the day and the younger crowd was heading to what would become the hip-hop tradition so I was up for listening to something different. Willie, not clean-shaven, pony-tailed, not shining sparkly suit Willie filled the bill.           

Yeah, Willie filled the bill with songs about two-timing men, women too, lost love, the heartache of love relationships, getting out from under some rock that was weighting him down but down in soulful, thoughtful way with a bit of a gravelly voice, a kind of voice that always had the ability to draw me in, to make me stop what I was doing and listen up. Of course I had remembered back then that Willie had written a song that Patsy Cline whom I had always liked had made famous in the late 1950s, Crazy, which I had learned about when I was at Cheapo Records over in Cambridge looking for some bluesy stuff back in the 1960s. 


Fast forward to 2000 and this CD. I had expected that Willie, now ancient Willie if he had written Crazy back in the 1950s, would still be grinding out in his twangy way the old classics which fill out this album. Would put his Texas touch on these standards. Guess what-he switched up on me, made an album of well-known covers made hits by some very famous like Cline, Bessie Smith, B.B. King (who is featured on a couple of songs here), Jerry Lee but changed the tempo. Put everything in a bluesy frame, and let the beat go on. Let the music carry the day with whoever was singing along with him on each cut. Not a recognizable cowboy sound in the house. Now part of that switch-up represented the hard fact that age had like with Bob Dylan rusted up his voice and so he no longer tried, or was capable of , hitting the high white notes. Part of it was to let the other singers or the musicians carry the force of the songs. But guess what if you, and Greg agreed with me on this, need some nice jazzy, bluesy background music this one fills the bill. Yeah, we all have come a long way from that old “outlaw country cowboy moment” Greg claimed I was in thrall to. Enough said.