Tuesday, October 16, 2018

On The 50th Anniversary Of Tet- “What The Hell Are We Fighting For-Next Stop Is Vietnam”-Never Forgive, Never Forget” From The North Adamsville Vietnam War Class of 1969- Novack-Ken Burns’ “The Vietnam War” Documentary

On The 50th Anniversary Of Tet- “What The Hell Are We Fighting For-Next Stop Is Vietnam”-Never Forgive, Never Forget” From The North Adamsville Vietnam War Class of 1969- Novack-Ken Burns’ “The Vietnam War” Documentary




For “Mogie” Crocker and all the other brothers and sisters who laid down their heads in that goddam war. Never forget, never forgive-Sam Lowell, Si Lannon, and Allan Jackson-War Class of 1969  

By Sam Eaton

If 1967 was dominated by the Summer of Love (the 50th anniversary of which was commemorated last year mainly on the West Coast which was the central axis of the movement and which had a hell of a lot of space in this blog in 2017 since a goodly number of the older writers from North Adamsville were involved one way or another) then 1968 was the Year Of Tet, the year of war, real war for a lot of the same guys around our way who celebrated the “drugs, sex, and rock and roll” cultural explosion of the previous year. You may wonder why I, Sam Eaton am writing this piece since usually in this space I do a little political commentary, mainly around war issues, books, and music and am not one of the guys listed in the epitaph. That answer is simple and two-fold. First, none of those North Adamsville guys after seeing the ten part Ken Burns/Lynn Novack series and the memories it stirred in them felt up to the task of actually writing about those old-time war experiences. (Even Frank Jackman who was in his own way part of the North Adamsville War Class of ’69, a soldier in the Army at that time but one who unlike them refused orders to Vietnam and served some serious time in an Army stockade which will be expanded upon below refused to write about his experiences.) Secondly, I too am a member of the War Class of ’69 although I came from Carver about forty miles south of North Adamsville and have unlike the other guys never mentioned that hard fact in the public prints. Hell most of the people I know do not know I was in Vietnam during that hellish war. In the Burns’ documentary very early on one of the “talking head” ex-Vietnam Marines mentioned that a very close friend of hers husband had been in Vietnam as well as her own husband but it was not until twelve years into their friendship that the even knew that mutual fact. So this is me coming out of the closet and so bear with me if I stumble a bit. (By the way my association with the North Adamsville guys happened a few years later after Vietnam when we were all way or another in Vietnam Veterans Against the War, VVAW, mostly in Boston with former Secretary of State John Kerry and later, and now too, with Veterans Peace Action, VPA)  

One of the big things that jogged my memories while watching the early parts of the documentary was how very similar the backgrounds and attitudes of the various “grunts,” the guys who fought the war on the ground, the mainly white working class and black and Hispanic (Latino if that is the preferred reference) whose stories were being told. How much of a true cross-section of the millions of men who went to that war I don’t know but the stories “spoke to me,” spoke of my own upbringing. Spoke too of a lot of the values and unquestioning subservience that we all were brought up in during that heinous Cold War red scare time. “Better dead that red,” “if your mommy is a commie turn her in” real slogans that expressed the underlying terms which we dealt with for anything that moved anywhere not 100 per cent pro-American “my country right or wrong” another key slogan, could be construed as pro-Soviet or pro-“Red Chinese’ an actual expression used to describe that country after the victory of Mao and his brethren.)

I will go into the very similar “life-styles” of the North Adamsville guys, the “corner boys” which meant something in working class culture in the 1950s and 1960s but is something I was not part of down in Carver since in those days before it became something of a bedroom community for the high tech industry about twenty miles away it didn’t have anything like a corner pizza parlor, bowling alleys or variety store to be a corner boy around. Or enough guys with time on their hands to hold up the wall in front of the place. Carver in those days was something like the cranberry capital of the world and those in the town, including four generations as far as I can figure on the Eaton side and three on the O’Brian side, who actually worked the bogs, were called derisively “boggers” which defined the class division in the town. Including where you lived, our section called the “Hump.” 

For our purposes though the “boggers” and the other cohort, the middle class cohort called “the Pilgrims” since many of those families could trace their roots pretty far back although I do not remember that any family could claim forebear’s passage on the Mayflower shared common patriotic holiday traditions with parades and other festivities which is the only time there was social mingling. With the exception of a couple of great bogger football players those lines held all through school, most rigidly in high school where you had no chance with the Pilgrim girls and either tied up with a bogger girl or looked out of town, something which I tended to do since I couldn’t deal with what the bogger girl expected on their guys, marriage right out of high school and some Hump small apartment.

The big thing though is that in the Hump you went into the military when called up by the draft, or more usually since the high school drop-out rate for boggers was pretty high volunteer. In my own family, mostly uneducated, I would be the first to actually go to college and get a degree, those four generations of boggers all went to war when called going back to World War I. On the O’Brian side likewise and my mother’s uncle, Frank, has a square still named after him in the town common having died in World War I. So, and it came through loud and clear in the various documentary interviews, where was there room for not going into the military when I was drafted. Where was there a support system if I, or anybody in town, had refused. At the time this town would have crucified any young man who refused the draft, thought about Canada which was not even on the radar, or even thought to express an anti-war opinion whatever they thought instead and whatever doubts they had about going to war especially in my time, my war class time of 1969 when all hell was breaking loose in Vietnam, and in this country. So I went in, did what I had to do to survive and tried to forget about the awful things I did, and had seen done to people I had no quarrel with. It took a few years to shake that horror loose before I grabbed a life-line from a bunch of guys, fellow veterans, who wanted to stop the war madness- and still do.

The impetus for my getting off my duff had been watching a bunch of Vietnam veterans marching in silence (and in an orderly march manner something which tended to be lacking up to this day in later anti-war veterans peace marches and such), down a hot and humid Miami boulevard during the week of the Republican National Convention in 1972. The sight of those be-medaled soldiers, sailors, Marines, airmen, stirred something in me that no dope, no alcohol my previous remedies of sorts could slake. Their rough treatment by the Nixon-fired up forces of law and order further made something in me snap. Don’t ask me now some fifty years later to explain everything I was thinking that pushed me on to the brink of self-destruction and everything that pulled me back any more than you could ask all those soldiers and Marines on the Ken Burns interviews what moved them to anti-war action. Amazingly when asked to articulate some of that experience and the why of it those interviewees stopped and could not come up with an answer other than the very familiar “I don’t know.”  Except I knew, they knew,  all roads led back to Vietnam, led back to the bad stuff we did there, stuff that we could never live down.  

Back in 1972, maybe 1971 too I was living in Rhode Island to be away from friends, family, girlfriends, everybody while I sorted things out. Didn’t let anybody but growing up friend Will Badger know where I was since while he had been in the Navy during the war shelling the hell out of places like Da Nang and far from the daily butchery on the ground he was a troubled soul as well. He did slip up one time and somehow my girlfriend who had been my fiancé before I left for Vietnam but as was the nature of the times we decided not to “go bourgeois” and get little white house with picket fence, kids, and dog married and wind up like our respective parents followed him one day. After something of a screaming match initiated by me we decided to keep company, be companions again and I was glad of that in the end even though we drifted apart a few years later when she wanted to get married and I was against the idea.

All through those experiences I kept thinking about that powerful silent veterans march and that fall of 1972 I went up to Boston once I found out where there was an active VVAW chapter. (This remember before the days of the Internet which would have let me find the organization in about two minutes. Then I had to check the telephone directory and got no information since the phone number was not listed as yet in that publication and only found out where they had an office and telephone number by going to Providence and Brown University to a Vietnam Mobilization office where they had such information about what was what in New England.)          

At that first meeting in Boston two things happened which marked me then and to this day. One was that in the political divide within the organization about what is always an issue with left-wing groups whether to push the electoral button or go for street confrontations I tended toward the street cred guys, the flame-throwers against guys like former Secretary of State (and U.S. Senator from Massachusetts) John Kerry who even then was looking for the “main chance” which he sought with a vengeance. This issue tended to draw something of a class line as well since those who favored the electoral essentially reformist way to deal with social change, with the struggle against the military machine and war tended to have been ROTC or OCS officers and from very middle class backgrounds and those like the guys from North Adamsville who I will discuss in a minute and me who wanted to “burn the mother-fucker down,” go after those in the mansions.            

The other thing that has stayed with me to this day are the friendships, social and political friendships, I struck up with the guys from North Adamsville and guys they had gathered around them like Josh Breslin from up in Maine whom they met out in California during that Summer of Love, 1967 that was the hot topic here last year and Fritz Taylor and Ralph Morse met in the Army. Everyone was a flame-thrower, a “burn the mansion down” guy then, and not far from that now either although time has mellowed them (and me) personally-a bit. The basis of that mutual attraction was the incredible similarity of all of our growing up experiences, the white working class and white trash poor backgrounds whether in North Adamsville, Carver, Olde Saco, Maine or with Fritz Fulton County, Georgia, the unquestioning patriotism, the anti-communism culled from the red scare Cold war night that enveloped us all, and the small town-ish values about “Mom, God and apple pie” Fourth of July parade façade that we swallowed hook, line and sinker.

Here is an antidote from the mad wizard Seth Garth which kind of sums up the social milieu around the war issue mid-1960s working class style which tells a lot, maybe all you need to know about how Uncle Sam got the “cannon fodder,” not my term originally but one that we all have adopted since back in the days, to fight his wars then, now too probably even with an all-volunteer army, the volunteer part subject to lots of social, class, racial, ethnic, and economic provisos. Seth had decided to attend his fiftieth class reunion, the Class of 1964 but the other classes around that time produced the same fact once the corner boys from different graduation years compared notes on the subject, a few years ago and as a prelude to that the organizers of the reunion (not so strangely the same “social butterflies,” male and female who were the “in crowd” back in high school at least the ones who were still standing), set up a class website to gather information about those still standing.

That class, that heart of the baby-boomer class, had about five hundred members of which about two hundred or so responded, about evenly divided between male and female. (By way of comparison my whole combined junior and senior high school had five hundred students to give another example of how small Carver was then.) One of the questions asked was about military service which in that day would have been a question asked and answered almost totally by males. Of that one hundred or so respondents ninety of them put down some military service from National Guard to Vietnam including a small clot of military lifers. That alone tells the tale about who went and what the environment was like for anybody who thought for a minute about resistance or even just questioning the aims of the war, or of war.           

We still gnash our teeth over our collective naïve, our collective taking in the bullshit without question and our failures to do something about the whole damn thing long before we were drafted or enlisted. (That latter condition, drafted or enlisted, the only thing that separated the entire collective which was as much about personal circumstances as anything since it never entered anybody’s mind, even special case, Frank Jackman, not to go into the military in our youth.)
The North Adamsville guys, I will deal with Josh, Fritz, and a couple of other guys in passing, were cemented together by one thing, they all grew up in the desperately poor working class and working poor neighborhood of the town called the “Acre.” All were members of the North Adamsville classes of 1963, 64, 65 (the prime years for young men who would face the grist mill of Vietnam which cut too many from those years in their prime). Josh was Olde Saco Class of 1967, Fritz Robert E. Lee High Class of 1962). More importantly the social glue that kept them together centered in their high school days around Tonio’s Pizza Parlor where they were the so-called corner boys, a mainly derogatory sociological and cultural term coined by legal professionals, cops, and academics who were worried about the angst and alienation of this swath of  youth. The term fit so completely that they adopted the expression for their own amusement. Mainly that amusement was hanging around Tonio’s since they rarely had dough for dates and such or going on what they called the “midnight creep,” grabbing stuff through burglaries to get dough for dates and such.  A hard dollar any way you look at it and it was a close thing that they mainly survived to tell the tale.       

You cannot, I cannot although I only him slightly personally and more through endless talk of his legend, talk about the North Adamsville corner boys without mentioning their “leader” Peter Paul Markin, always known as “Scribe.” (This is the real Markin who died in the 1970s not the former site manager of this blog who used the moniker on-line in honor of his fallen comrade which explains a lot of that “leader” point just made.) The Scribe was not the leader, leader, you know the one who kept things in order that was Frankie Riley who wound up 4-F (unfit for military duty) and who later became a very successful lawyer in Boston, but something like the intellectual leader. He was the guy who got Sam Lowell, Si Lannon, Jack Callahan, Bart Webber, Allan Jackson, Seth Garth, Frank Jackman, Jimmy Jenkins who would die in Vietnam in 1968, and Frankie all except Frankie who would be drafted or enlist in the military to head out to California in the summer of 1967 and get knee-deep, no, neck-deep in the Summer of Love. (Other North Adamsville corner boys Rick Rizzo and Johnny Kelly who lived right next door to each other and joined the Army together laid down their heads in Vietnam in 1966 so never got the chance to experiment with the “drugs, sex, and rock and roll” that drove those days.) Josh met this crew out there as well before his military service. Fritz came into the group through Sam when they were in the Army together.

Markin too was the guy who probably was the most affected by his loss of innocence from his Vietnam experience, by the shattering of his Summer of Love-like dreams for a new world which he really expected to happen according to all the guys. Like me his was “lost” coming back to the “real” world as we called it after landing in the U.S.A from Vietnam. He would drift back out to California and start writing for a bunch of alterative newspapers which were flourishing out there for a while. Did some award-winning work when he found and joined an alternative society of returned Vietnam War G.I.s who like him could not adjust to the “real” world and lived along the railroad tracks and bridges of South California doing the best they could. Singer/songwriter Bruce Springsteen would name a song later which would fit-“brothers under the bridge.” Markin wrote, or rather let them tell their stories for a while.

Josh who lived out in Oakland with him in a communal house then said he was starting to come out of his shell with that work. Not for long though because later in the mid-1970s he would develop a very serious cocaine habit which he fed by dealing the drug, always a bad proposition and wound up getting killed, murdered, down in Mexico after a botched drug deal with a couple of slugs in his head in some back alley. Nobody knows to this day exactly what happened although they still shed a tear every time his name is mentioned.

All of that was a few years later though when it was unmistakable that the “newer world” was not going to make it.  In 1972 they were under Markin’s guidance members of VVAW and in attendance that that first meeting I went to. They all had, except Frank Jackman who I will discuss in a minute, various evidences of their service on. As had I. My 101st Airborne patch on an old faded olive drab shirt with my name tag on it. Si had been attached to the same division and was the first to welcome me. The meeting, the long meeting as such things went in those days when in the interest of “democracy” everybody got to speak for as long as they wanted and seemingly whatever they wanted even if off-topic, went as expected as they were planning an action on Boston Common in conjunction with the inevitable Fall/Spring semi-annual anti-war mobilizations coming up a few weeks later. They invited me to Durgin Park for some food and drink (mostly drink and later some dope). During this meal/drink-fest Markin, who was back from California for a while since he was looking for a couple of guys who he had met “under the bridge” to get their “back stories” asked for my story.

Everybody except me laughed when I had finished my seemingly sad little tale of a story. Laughed a sardonic laugh when you think about it because Si asked me whether I had grown up in North Adamsville. I didn’t understand the question until he said that my story, like their stories, like the stories of Mogie, Mulgrave, Sullivan in the Burns’ documentary, was too familiar. That the working class from small towns and sections of cities and poor bastards in the ghettoes and barrios bore the brunt of the crap that went down in Vietnam no matter what happened at home (or among those groupings in Vietnam, not always brotherly, no way, the racial tensions would sometimes get hot and heavy especially when the mainly white officers overplayed placing black men on point or down in the fucking tunnels but also when guys from small white bread towns like me couldn’t figure out what made the black guys tick and the same the other way).   So I was “initiated” and like Josh and Fritz (and Remmy and Jamal, a couple of black brothers who have since died one of an overdose of heroin started out in the Golden Triangle madness) became an honorary North Adamsville corner boy. And I still am, proudly am.                 

The Scribe was one end of what happened to some guys during and after the war but I would be remiss if I didn’t mention the special case of Frank Jackman, another North Adamsville corner boy. In the Burns documentary the famous Vietnam War writer Tim O’Brien laments, no anguishes over the fact that he had not refused to be drafted, not refused to go to Vietnam. Others both in that presentation and in real life in the organizations I have belonged to most recently Veterans Peace Action where there are clots of guys who anguished over those kinds of decisions that young people, young soldiers are forced to deal  just like Tim O’Brian had had to do. It may be hard for the couple of generations that have now come of age since Vietnam time to fathom what EVERY young male had to go through back then even those who were gung-ho to go. Draft refusal, going to Canada or Sweden, going to jail, going to the stockade, faking all kind of injuries that would make one 4-F (unfit for military duty) some of them pretty gruesome, faking mental disorders,. faking homosexuality then a way out, scrambling to get into National Guard or Armed Forces Reserved units. I could go on but you get the picture, decisions all around the subject. So plenty of similar stories and regrets. After the service, after the fact. That was my case and the case of all the North Adamsville corner boys, real and honorary, everybody except beautiful and righteous Frank Jackman was did refuse to go, who let his conscience and maybe a few generations of hard won integrity and thoughtfulness DNA guide his decisions. A little balls too as we used to say back in the day when somebody did some action worthy of such a note, jail time always a qualifier, once he had orders to do so, to report to Fort Lewis for transit to Vietnam.     

Now we all know, and if the reader doesn’t then a run though this ten-part Burns-Novack series will enlighten you to the fact, that during the American portion of the war, the American War as the Vietnamese rightly called it, every and I mean every young man had a decision to make, consciously or unconsciously, about what to do about his participation in the war machine. Like I said above some refused the draft, some went to Canada, some filed and received civilian conscientious objector status of some kind, some when in the service went AWOL, and a lot of other things. Maybe Burns could have spent more time on those anguishing decisions and on the resistance in the military itself especially after Tet, 1968. A few, and Frank Jackman was one of them, were of that small, small as against a couple of million man army, category of military resister. Went in like the rest of us did but at some point said no-no to Vietnam, no to the killing the rest of us, anti-war and pro-war, proud of service or not, have spent the rest of our lives trying to square up. Funny because of all the guys who hung around the corner one would have expected the wild man Scribe, Markin, to have been a resister if anybody was. Still Frank Jackman’s story can serve as a very graphic example of the anguish of the generation of ’68.

If you noticed the headline to this piece there is a reference to the War Class of 1969. That is because everyone who I have mentioned here from North Adamsville to Fulton County, Georgia, including myself, served in the military during that fateful year, the year after Tet proved to all who cared to see, all who had anything but a hidebound refusal to see, that the war, the American war once again as the Vietnamese correctly called it, was unwinnable. Meaning that those who served in say 1969, who were the grunts, the “cannon fodder” were serving for no reasonable reason except as we learned later through The Pentagon Papers and other Freedom of Information documents governmental hubris. Only the names changed throughout the changes in government the hubris remained until almost the very end. They, we, all served and forevermore called ourselves the class of 1969. That class included one soldier, Frank Jackman, who did not serve in Vietnam but who will forevermore also be a member of that class of 1969.

Frank Jackman had had orders to report to Fort Lewis in Washington for transit to Vietnam and through a rather long process including stockade time refused to go. We would often talk, we still do although not when Frank is around because he like a ton of Vietnam era guys, military guys, don’t like to talk about those times even if he was righteous and as courageous as anybody who went to death trap Vietnam, about how Frank out of the almost dozen guys was the one guy who refused to go, refused to righteously go despite no support at home and no history of there being anything like it done in his town, my town, our collective clot of towns, before. Frank was not a leader among the North Adamsville corner boys like Frankie Riley or the Scribe but a sideliner, a guy who was as comfortable with a book as a jimmy for those infamous midnight creeps. (Everybody, all hands, except the Scribe who planned many of the creeps but who was totally incompetent to carry them out participated in every caper on principal-or would have gotten the boot.) Make no mistake he had imbibed, believed all of the stuff us other guys did about duty, patriotism and the like but there was something of the quietude in him that spoke of something more, or maybe as he pointed out when we discussed it later, that was so much eyewash.

Frank like all the others accepted induction in his case after he finished college in 1968 and received his draft notice to report in January 1969 (he had received four years of deferment for going to college standard at the time dependent on decent grades but in a way the kiss of death for the army with smart civilian citizens mixed in with the usual high school graduates and drop-outs). It was about after three days down in Fort Gordon for basic training far from home that he realized that he had made a mistake, that he should have refused induction. Being isolated down in the South he waited until he got back home after receiving order to Vietnam as an infantryman to decide what to do in August 1969. (Yes, the August 1969 when half a million other kids, boys and girls, were like lemmings to the sea to Woodstock nation and good luck.)

All he knew was that the war was over for him. He made his way over to Cambridge and the Quaker Meeting House where they were offering G.I. counselling for those who were military refuse-niks. For years the anti-war movement had bene centered on draft resistance and maybe rightly so but as the years rolled on and the number of Frank-like guys started needing help organizations like the Friends expanded their operation. There was a political component to it as well since protesting government policy was leading up a blind alley and if the natural objective of the anti-war was to stop the war then they had to get to the troops. Get down in the mud at the base and stop depending on some politician-savior to break the fall, to half-heartedly call the whole thing dust in the eyes.  

Through the counselling process plans were outlined, options presented the most reasonable given Frank’s situation was for him to go absent without leave (AWOL) for more than thirty days which would leave him dropped from the rolls out in Fort Lewis (AWOL a chargeable offense itself although pretty far down on the totem pole of penalties) and then turn himself to the nearest local fort, Fort Devens about forty miles from Boston to put in an application for status as a conscientious objector. A strategy while outlined which was aided by assigning him a pro bone civilian lawyer. (Not all G.I.s sought, desired, or received civilian lawyers partially because so few of them were familiar with the arcane Code of Military Justice but the way Frank presented himself, presented the case they thought he could use good legal advice and make some splash. That turned out to be true on all counts.)  
As that time conscientious objector status for those who were actually in the military was rare, very rare, and in due course he was turned down although at every level those who interviewed him believed he was sincere which would help him later when he got to civilian federal court. By a stroke of luck, and a good attorney, he was able to get his case into the federal court in Boston along with a temporary restraining order to keep him in the jurisdiction of the court. (The stroke of luck was getting a notoriously conservative judge to see that Frank had a case in civilian court that he could win. That too would come in handy later. But that was only the surface, the technical stuff.)            

That is where that idea of whatever Frank had inside him, whatever grit the generations had left in his DNA came to the fore. He decided that he would no longer play the soldier and so one Monday morning when the weekly formation came up he walked onto the parade field in civilian clothing and a sign “Bring the boys home.” Immediately a couple of lifer sergeants grabbed him and that started his road to the stockade. He would eventually serve two six month sentences for refusing to obey orders to wear the uniform. For years he would make the few people he told his story to laugh when he told them that if the federal court had not granted his writ of habeas corpus he might still be in that stockade he was so determined to fight the bastards to the end. So maybe that story should have gotten some play, or stories like that when Ken Burns was trying to tie the knot around what the whole thing meant. Might have thought twice, as a civilian, about a remark attributed to him about “war being in the DNA of the human species and hence all beyond the pale, all doomed to bloody up the world and let untold number lay down their heads for some stupid cause. Still and all Frank belongs in that small cohort of the war class of 1969 as some kind of beacon. That says it all, all that needs to be said.                          
        

Put Out The Fire In Your Head-With Patti Griffith's "You Are Not Lone" In Mind

Put Out The Fire In Your  Head-With  Patti Griffith's "You Are Not Lone" In Mind   







In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-You’re On The Bus, Or Off The Bus- An Ode To Aging Hippies- Ken Kesey’s “The Further Inquiry”

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-You’re On The Bus, Or Off The Bus- An Ode To Aging Hippies- Ken Kesey’s “The Further Inquiry”




Click on the headline to link to a Wikipedia entry for American novelist and 'mad monk', Ken Kesey.

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)
By Book Critic Zack James


To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just for kicks, for stuff, important stuff that had happened down in the base of society where nobody in authority was looking or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all-night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation. (Yes,  I know that the actual term “beat” was first used by Kerouac writer friend John Clemmon Holmes in an article in some arcane journal but the “feel” had to have come from a less academic source so I will crown the bandit prince Corso as genesis)
Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my oldest brother Alex who was washed clean in the Summer of Love, 1967 but must have known the edges of Jack’s time since he was in high school when real beat exploded on the scene in Jack-filled 1957, they called “blowing to the China seas” out in West Coast jazz and blues circles, that high white note he heard achieved one skinny night by famed sax man Sonny Johns, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all Jack’s kid stuff high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the poet princely mean streets of New York, Chi town, Mecca beckoning North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps (and the fleas were real no time for metaphor down in the bowels where the cowboy junkies drowse in endless sleeps, raggedy winos toothless suck dry the dregs and hipster con men prey on whoever floats down), half stirred left on corner diners’ coffees and groundling cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50th anniversary is being commemorated this year as well and so very appropriate to mention since there were a million threads, fibers, connections between “beat” and “hippie” despite dour grandpa Jack’s attempts to trash those connection when the acolytes and bandit hangers-on  came calling looking for the “word.” So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind (not found on the AAA, Traveler’s Aid, Youth Hostel brochure circuit if you please although Jack and the crowd, my brother and his crowd later would use such services when up against it in let’s say a place like Winnemucca in the Nevadas or Neola in the heartlands).
Literary stuff for sure but the kind of stuff that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter of which would drive Alex west before he finally settled down to his career life as a high-road lawyer (and to my sorrow and anger never looked back which has caused more riffs and bad words than I want to yell about here).             

Of course anytime you talk about books and poetry and then add my brother’s Alex name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Frankie, Jack, Jimmy, Si, Josh (he a separate story from up in Olde Saco, Maine and so only an honorary corner boy after hitching up with the Scribe out on a Russian Hill dope-filled park), Bart, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967, their birthright event, just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker, what did Jack call his generation’s such, oh yeah, holy goofs,   who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before 1967 (and which nobody in the crowd paid any attention to, or dismissed out of hand, what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s travel adventure book which had caused a big splash in 1957(after an incredible publishing travail since the story line actually related to events in the late 1940s and which would cause Jack no end of trauma when the kids showed up at his door looking to hitch a ride on the motherlode star, and had ripple effects into the early 1960s and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway, like I say I think the best part, have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain, desert night but staying unsettled for a while anyway.    

Like I said above Alex was out on the road two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely and semi-tragic end down some dusty Jack-strewn road in Mexico cocaine deal blues. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that for fear of being tarred with those brushes. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly “from hunger” working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants any way they could as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little bit “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law back then when the coppers were just waiting for corner boy capers to explode nay Friday or Saturday night, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan. That was for smooth as silk Frankie now also like Alex a high-road lawyer to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Bob Dylan above all else.) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)

Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like Jack wrote the final version of the thing on a damn newspaper scroll in about three weeks. So it was through the Scribe via Alex that I got the Kerouac bug. And now on the 60th anniversary I am passing on the bug to you.           



Book Review

The Further Inquiry, Ken Kesey, Viking Press, New York, 1990


In a recent DVD review of the late Dennis Hopper’s role as a fugitive radical in the 1990 comedy on the subject of the 1960s counter-culture, Flashback, I noted, no I exclaimed, no I shouted out that I was not to blame for this reach back but that the reader should blame it on Ken Kesey and his Merry Pranksters (including “beatnik” holdover/ bus driver Neal Cassady). Or blame it on a recent re-read of Tom Wolfe’s classic The Electric Kool-Aid Acid Test that pays “homage” to Kesey, his Pranksters, their psychedelically-painted bus "Further", and their various adventures and misadventures. Or, better, blame it on Jack Kerouac and that self-same central character Cassady (as Dean Moriarty) for his On The Road. The same sentiment can serve here in reviewing Ken Kesey’s concept book on the occasion of the 25th anniversary (1989) of the famous coast to coast (West to East, if you can believe that) bus ride/drug trip/self-awareness adventure/madcap escape that Tom Wolfe chronicled in the above-mentioned novel.

I used the words "concept book" here in exactly the right sense. Kesey, although having apparently exhausted himself in the literary field after his early successes with One Flew Over The Cukoo’s Nest and Sometimes A Great Notion still had enough savvy in him to come up with an appropriate way to celebrate his most well-known adventure. The book is set up in the form of a trial transcript. Wait a minute who is on trial at this late date? Ken Kesey, for cooking up the perhaps ill-advised adventure, or on some belatedly-revealed drug charge? No. The WASP West Coast college students out on a romp who formed the core of the Merry Pranksters finally get their comeuppance from the neo-con counter-revolutionaries ? No. Here is the funny part. It’s the bus driver, stupid-Neal Cassady-the refugee from the “beat" generation, and one of the "fathers" of the 1960s cultural uprising. And what is the charge (or charges)? Well, the modern day version of “corrupting the youth.” That makes sense, right? He should have pleaded guilty, very guilty, and be done with it.

Along the way on this "bus ride" we get plenty of "contrite" testimony about the evil genie out of the bottle Cassady, heart-rending tales about the spell he put on those “innocent” young people, about his non-stop spiel, and about his fantastic, if just slightly unorthodox, driving habits. We also get plenty of testimony in his defense, as well. And all of this is accompanied by over one hundred photographs from the old “family” album, including many, many photos of the arch-villain Cassady himself. Just a point here though. You should read Wolfe’s book before you try to read this one-this is strictly for aficionados of the “beat” and “hippie” cultural movements.

Note: The volatile figure of Neal Cassady was central to Jack Kerouac’s On The Road (as Dean Moriarty, and as Cody Pomeroy in Visions of Cody, a similar exposition). Although Neal is central to this book, a reading of Wolfe’s book places his role in a much more secondary position- something of a highly energetic, fast-talking grand old man of the “beat” generation teaching the youth “the ropes” and passing the “break the mold” bug to a new generation. That seems about right. Kerouac will be remembered as long as youth yearn for the open road, literally or spiritually. Kesey, to a lesser extent, will hold that same position. Neal Cassady will be remembered mainly for being the guy, an important guy, who glued everything together.

Finally, off of a reading of Cassady’s “testimony” here, which is somewhat painful to read at this far remove, is more incoherent drug-induced ranting than “hipness”, or wisdom for the ages. A reading of any single page of Kerouac (or Kesey, for that matter) will provide much more insight into that period. Some of the other “testimony” of the other “witnesses” reads rather obtusely as well. But hell, these guys (Kerouac, Kesey, Ginsberg, et al.) went looking for, and got, their authentic "All-American" drugstore cowboy/untutored plebeian philosopher king/jack-of-all trades/ manly sex symbol for the post-World War II world, warts and all. Neal Cassady was his name.

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-Poet's Corner- Jack Kerouac’s Be-Bop Poetry-“Book Of Blues”

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-Poet's Corner- Jack Kerouac’s Be-Bop Poetry-“Book Of Blues”





In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)
By Book Critic Zack James


To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just kicks, stuff, important stuff has happened or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation.  Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my older brother Alex thy called “blowing to the China seas” out in West Coast jazz and blues circles, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the mean streets of New York, Chi town, North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps, half stirred left on corner coffees and cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50th anniversary is being commemorated this year as well. So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind. The kind that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter which would drive Alex west before he finally settled down to his career life (and to my sorrow and anger never looked back).              

Of course anytime you talk about books and poetry and then add my brother Alex’s name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Jack, Jimmy, Si, Josh, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967 just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before (and which nobody in the crowd paid attention to, or dismissed out of hand what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s book which had caused a big splash in 1957, and had ripple effects into the early 1960s (and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain desert night but staying unsettled for a while anyway.    

Like I said above Alex was out two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely end. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly from hunger working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley the “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan that was for smooth as silk Frankie to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Dylan above all else) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)


Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like he wrote the final version of the thing on a damn newspaper scroll. So it was through Markin via Alex that I got the Kerouac bug. And now on the 60th anniversary I am passing on the bug to you.           


Book Review

Book Of Blues, Jack Kerouac, Penguin Books, New York, 1995


Some of the general points made below have been used in other reviews of books and materials by and about Jack Kerouac.


“As I have explained in another entry in this space in a DVD review of the film documentary “The Life And Times Of Allen Ginsberg”, recently I have been in a “beat” generation literary frame of mind. I think it helps to set the mood for commenting on Jack Kerouac’s lesser non-prose work, the poems under review here, “Book Of Blues” that it all started last summer when I happened to be in Lowell, Massachusetts on some personal business. Although I have more than a few old time connections with that now worn out mill town I had not been there for some time. While walking in the downtown area I found myself crossing a small park adjacent to the site of a well-known mill museum and restored textile factory space. Needless to say, at least for any reader with a sense of literary history, at that park I found some very interesting memorial stones inscribed with excerpts from a number of his better known works dedicated to Lowell’s ‘bad boy’, the “king of the 1950s beat writers”.


And, just as naturally, when one thinks of Kerouac then, “On The Road”, his classic modern physical and literary ‘search’ for the meaning of America for his generation which came of age in post-World War II , readily comes to mind. No so well known, however, is the fact that that famous youthful novel was merely part of a much grander project, an essentially autobiographical exposition by Kerouac in many volumes starting from his birth in 1922, to chart and vividly describe his relationship to the events, great and small, of his times. Those volumes bear the general title “The Legend Of Duluoz”. Perhaps even less well known are his poetic works, although given his spontaneous writing style method and association with many of the key poets of the 1940s and 1950s, beat or not, it is less understandable. That is why we today, in the year of the forty anniversary of Kerouac’s death, are under the sign of a compilation of his poetry, aptly titled, “Book Of Blues”.


Kerouac, in a couple of famous essays and in various places in some of his novels, makes a very big point that he was deeply influenced by the rhythm of jazz and by the be-bop language associated with it. Certain passages from “On The Road” and other works clearly emphasize that point. Although Kerouac was not known as a major beat poet, and will not be remembered as such, he certainly rated as a talented minor one, as these poems, especially “San Francisco Blues” indicate. It is hard to get a sense, unlike with Allen Ginsberg, of Kerouac’s ideas how these poems should “sound” from merely reading them on the page. But there is a method to the couple of hundred choruses that are included here in various forms broken into several interrelated poems. Let’s put it this way, read a couple of Kerouac’s books and then come back to this.



Bowery Blues


The story of man

Makes me sick
Inside, outside,
I don't know why
Something so conditional
And all talk
Should hurt me so.

I am hurt

I am scared
I want to live
I want to die
I don't know
Where to turn
In the Void
And when
To cut
Out

For no Church told me

No Guru holds me
No advice
Just stone
Of New York
And on the cafeteria
We hear
The saxophone
O dead Ruby
Died of Shot
In Thirty Two,
Sounding like old times
And de bombed
Empty decapitated
Murder by the clock.

And I see Shadows

Dancing into Doom
In love, holding
TIght the lovely asses
Of the little girls
In love with sex
Showing themselves
In white undergarments
At elevated windows
Hoping for the Worst.

I can't take it

Anymore
If I can't hold
My little behind
To me in my room

Then it's goodbye

Sangsara
For me
Besides
Girls aren't as good
As they look
And Samadhi
Is better
Than you think
When it starts in
Hitting your head
In with Buzz
Of glittergold
Heaven's Angels
Wailing

Saying


We've been waiting for you

Since Morning, Jack
Why were you so long
Dallying in the sooty room?
This transcendental Brilliance
Is the better part
(of Nothingness
I sing)

Okay.

Quit.
Mad.
Stop.

Poet's Corner- Edwin Arlington Robinson's "John Brown"-On The Anniversary Of Harper's Ferry

Poet's Corner- Edwin  Arlington Robinson's "John Brown"-On The Anniversary Of Harper's Ferry


Edwin Arlington Robinson (1869–1935). Collected Poems. 1921.

VII. The Three Taverns

11. John Brown


THOUGH for your sake I would not have you now
So near to me tonight as now you are,
God knows how much a stranger to my heart
Was any cold word that I may have written;
And you, poor woman that I made my wife, 5
You have had more of loneliness, I fear,
Than I—though I have been the most alone,
Even when the most attended. So it was
God set the mark of his inscrutable
Necessity on one that was to grope, 10
And serve, and suffer, and withal be glad
For what was his, and is, and is to be,
When his old bones, that are a burden now,
Are saying what the man who carried them
Had not the power to say. Bones in a grave, 15
Cover them as they will with choking earth,
May shout the truth to men who put them there,
More than all orators. And so, my dear,
Since you have cheated wisdom for the sake
Of sorrow, let your sorrow be for you, 20
This last of nights before the last of days,
The lying ghost of what there is of me
That is the most alive. There is no death
For me in what they do. Their death it is
They should heed most when the sun comes again 25
To make them solemn. There are some I know
Whose eyes will hardly see their occupation,
For tears in them—and all for one old man;
For some of them will pity this old man,
Who took upon himself the work of God 30
Because he pitied millions. That will be
For them, I fancy, their compassionate
Best way of saying what is best in them
To say; for they can say no more than that,
And they can do no more than what the dawn 35
Of one more day shall give them light enough
To do. But there are many days to be,
And there are many men to give their blood,
As I gave mine for them. May they come soon!

May they come soon, I say. And when they come, 40
May all that I have said unheard be heard,
Proving at last, or maybe not—no matter—
What sort of madness was the part of me
That made me strike, whether I found the mark
Or missed it. Meanwhile, I’ve a strange content, 45
A patience, and a vast indifference
To what men say of me and what men fear
To say. There was a work to be begun,
And when the Voice, that I have heard so long,
Announced as in a thousand silences 50
An end of preparation, I began
The coming work of death which is to be,
That life may be. There is no other way
Than the old way of war for a new land
That will not know itself and is tonight 55
A stranger to itself, and to the world
A more prodigious upstart among states
Than I was among men, and so shall be
Till they are told and told, and told again;
For men are children, waiting to be told, 60
And most of them are children all their lives.
The good God in his wisdom had them so,
That now and then a madman or a seer
May shake them out of their complacency
And shame them into deeds. The major file 65
See only what their fathers may have seen,
Or may have said they saw when they saw nothing.
I do not say it matters what they saw.
Now and again to some lone soul or other
God speaks, and there is hanging to be done,— 70
As once there was a burning of our bodies
Alive, albeit our souls were sorry fuel.
But now the fires are few, and we are poised
Accordingly, for the state’s benefit,
A few still minutes between heaven and earth. 75
The purpose is, when they have seen enough
Of what it is that they are not to see,
To pluck me as an unripe fruit of treason,
And then to fling me back to the same earth
Of which they are, as I suppose, the flower— 80
Not given to know the riper fruit that waits
For a more comprehensive harvesting.

Yes, may they come, and soon. Again I say,
May they come soon!—before too many of them
Shall be the bloody cost of our defection. 85
When hell waits on the dawn of a new state,
Better it were that hell should not wait long,—
Or so it is I see it who should see
As far or farther into time tonight
Than they who talk and tremble for me now, 90
Or wish me to those everlasting fires
That are for me no fear. Too many fires
Have sought me out and seared me to the bone—
Thereby, for all I know, to temper me
For what was mine to do. If I did ill 95
What I did well, let men say I was mad;
Or let my name for ever be a question
That will not sleep in history. What men say
I was will cool no cannon, dull no sword,
Invalidate no truth. Meanwhile, I was; 100
And the long train is lighted that shall burn,
Though floods of wrath may drench it, and hot feet
May stamp it for a slight time into smoke
That shall blaze up again with growing speed,
Until at last a fiery crash will come 105
To cleanse and shake a wounded hemisphere,
And heal it of a long malignity
That angry time discredits and disowns.

Tonight there are men saying many things;
And some who see life in the last of me 110
Will answer first the coming call to death;
For death is what is coming, and then life.
I do not say again for the dull sake
Of speech what you have heard me say before,
But rather for the sake of all I am, 115
And all God made of me. A man to die
As I do must have done some other work
Than man’s alone. I was not after glory,
But there was glory with me, like a friend,
Throughout those crippling years when friends were few, 120
And fearful to be known by their own names
When mine was vilified for their approval.
Yet friends they are, and they did what was given
Their will to do; they could have done no more.
I was the one man mad enough, it seems, 125
To do my work; and now my work is over.
And you, my dear, are not to mourn for me,
Or for your sons, more than a soul should mourn
In Paradise, done with evil and with earth.
There is not much of earth in what remains 130
For you; and what there may be left of it
For your endurance you shall have at last
In peace, without the twinge of any fear
For my condition; for I shall be done
With plans and actions that have heretofore 135
Made your days long and your nights ominous
With darkness and the many distances
That were between us. When the silence comes,
I shall in faith be nearer to you then
Than I am now in fact. What you see now 140
Is only the outside of an old man,
Older than years have made him. Let him die,
And let him be a thing for little grief.
There was a time for service and he served;
And there is no more time for anything 145
But a short gratefulness to those who gave
Their scared allegiance to an enterprise
That has the name of treason—which will serve
As well as any other for the present.
There are some deeds of men that have no names, 150
And mine may like as not be one of them.
I am not looking far for names tonight.
The King of Glory was without a name
Until men gave Him one; yet there He was,
Before we found Him and affronted Him 155
With numerous ingenuities of evil,
Of which one, with His aid, is to be swept
And washed out of the world with fire and blood.

Once I believed it might have come to pass
With a small cost of blood; but I was dreaming— 160
Dreaming that I believed. The Voice I heard
When I left you behind me in the north,—
To wait there and to wonder and grow old
Of loneliness,—told only what was best,
And with a saving vagueness, I should know 165
Till I knew more. And had I known even then—
After grim years of search and suffering,
So many of them to end as they began—
After my sickening doubts and estimations
Of plans abandoned and of new plans vain— 170
After a weary delving everywhere
For men with every virtue but the Vision—
Could I have known, I say, before I left you
That summer morning, all there was to know—
Even unto the last consuming word 175
That would have blasted every mortal answer
As lightning would annihilate a leaf,
I might have trembled on that summer morning;
I might have wavered; and I might have failed.

And there are many among men today 180
To say of me that I had best have wavered.
So has it been, so shall it always be,
For those of us who give ourselves to die
Before we are so parcelled and approved
As to be slaughtered by authority. 185
We do not make so much of what they say
As they of what our folly says of us;
They give us hardly time enough for that,
And thereby we gain much by losing little.
Few are alive to-day with less to lose. 190
Than I who tell you this, or more to gain;
And whether I speak as one to be destroyed
For no good end outside his own destruction,
Time shall have more to say than men shall hear
Between now and the coming of that harvest 195
Which is to come. Before it comes, I go—
By the short road that mystery makes long
For man’s endurance of accomplishment.
I shall have more to say when I am dead.

*Poet's Corner- Langston Hughes' John Brown Tribute- "October 16"

*Poet's Corner- Langston Hughes' John Brown Tribute- "October 16"



Look to Wikipedai link to an article about the relationship between Langston Hughes' forbears and Captain John Brown, late of Kansas on the anniversary of the Harpers Ferry raid.


October 16-Langston Hughes

Perhaps
You will remember
John Brown.

John Brown
Who took his gun,
Took twenty-one companions
White and black,
Went to shoot your way to freedom
Where two rivers meet
And the hills of the
North
And the hills of the
South
Look slow at one another-
And died
For your sake.

Now that you are
Many years free,
And the echo of the Civil War
Has passed away,
And Brown himself
Has long been tried at law,
Hanged by the neck,
And buried in the ground-
Since Harpers Ferry
Is alive with ghost today,
Immortal raiders
Come again to town-

Perhaps
You will recall
John Brown.

On Becoming Jane- With “The Jane Austen Book Club” (2007)-A Film Review

On Becoming Jane- With “The Jane Austen Book Club” (2007)-A Film Review




DVD Review

By Senior Film Critic Sandy Salmon  

The Jane Austen Book Club, starring Kathy Baker , Maria Bello, based on tehe novel of the same name which in turn is loosley based on the characters in Austen's six major novels, 2007  

Recently in reviewing a couple of song and dance films in two separate reviews which I titled “Gene Kelly And Free Astaire Go  Mano a Mano” I led off with a tale of woe story about the strange ways that film critics, hell any critics, any writers if it came to that get their assignments. In that particular case my general editor, the usually genial Pete Markin, had after grabbing Kelly’s An American In Paris and Astaire’s Shall We Dance for the sole purpose of seeing which man was the max daddy male popular music dancer in all recorded history he had waylaid me at the Monday morning water cooler with an explosive confession that he no longer thought durable Fred Astaire deserved the title. My response in short, after all this review is about venerable sweet pea Jane Austen she of the million word romance novels which have gotten umpteen numbers of female generation through the blahs of young maidenhood, was that he perhaps, just perhaps had spent too much time on the hash pipe of late. In any case as those who have read the pieces know that he has paid dearly in taunting words from me for his treason-and error. 

As this duel within a duel unfolded (the duel between Markin and me inside the Kelly-Astaire tiff for the clueless) at least one reader was looking for other examples of the way that poor film critics are abused and forced to write, well, write stuff that assures that they will have a one way ticket to the gates of hell when they leave this mortal coil. I gave her this Markin gem. A few months ago, through a friend, he got all wound up in the celebration of the Summer of Love, 1967 and having himself participated in that wild and wooly drug, sex and rock and roll time ordered me and my esteemed associate film editor Alden Riley to write a stuff about the music (“acid: rock), films and documentaries of the times. After reviewing the famous D.A Pennebaker documentary about the first Monterey International Pops Festival in 1967 also out in California where Janis Joplin among others made their first big splashes I asked the much younger Alden what he thought of Janis Joplin. He responded that he had never heard of her. Somehow the ear to the ground Markin heard about this egregious travesty and ordered Alden, over my serious objections, to review a Joplin documentary Little Girl Blues.So that is another way.


But not everything is odd-ball editorial or putative marching orders on the question of how we reviewers come up with ideas for subjects for review. And that brings us back to Jane Austen world, to the film under review, The Jane Austen Book Club, and how I have started a “run” on reviewing the film adaptations of a number of her novels and other literary pieces. Let me get this clear when I was a kid, when I was young, 1960s young, say in high school back in down in the poor River Bottom section of Riverdale in New Jersey where I grew up I would not have voluntarily touched a Jane Austen book for love nor money. (Well maybe for love as I do now remember that I let one foxy young thing I was pining over talk to me endlessly one afternoon over sodas at Doc’s Drugstore while I was trying to listen to the jukebox as she prattled on about Austen’s Sense and Sensibility.) You see in those days in our neighborhood among the street wise guys those were strictly “girl’s books” and not anything called great literature or anything for rough-hewn larcenous guys to look at. So time passed without having dipped into the Austen well until recently I happened to see this DVD in the local library and thought that it was maybe directly about dear Jane and I could learn something about her on the cheap without having to read all that great literature. Well, as I will discuss below, this film is using Miss Austen as a “cover” to explore and exploit the plots of her novels for today’s still romantically ambiguous world although I am sure she would not mind. What is important is that I have now started that “run” through the film adaptations of her major works (the six major novels which pace the action in this film). That would not have happened I am sure if I had gone to the fiction section of that same library looking for something to read.           

As old friend Sam Lowell liked to change-up say when he tired of saying “here’s the play” in a review here is the “skinny” of this film adaptation of Karen Joy Fowler’s 2004 book of the same name which has added itself to the Jane Austen explosion of the past decade or so when she has become the epitome of the wise woman on all things romantic (and of duplicity, greed, squalor and self-serving place-holding). One of the characters decided she wanted to start a book club based on a reading per month of Jane Austen’s six major novels. She corrals one way or another five others, four women and a man, in various condition or romance or romance-lite (or un-romance in one case) for a monthly take turns swirl through the Austen playlist. As the film unfolds we find that the collective of captive readers in the club have problems or circumstances which parallel the various themes in Austen’s books-infidelity, boredom, ennui, marital neglect, lust, disinterest in sex, philandering and other gems from the pantheon. A nice literary device on author Fowler’s part as the various character try to navigate around their desires and their fates. 

In the end Austen medicine (not applicable to herself I hear since she was unmarried although once briefly engaged) is the balm for all wounds, or most wounds as a neglected housewife school teacher attracted to a young student in her class reconciles with her formerly boorish sports-addicted husband. The leader-founder of the pack trots off to her seventh marriage (wouldn’t just living together be better at least a bevy of lawyers would not get rich off the proceedings). A strictly single gal and a pining for her guy get together after a film-long series of ups and downs, mostly downs. A middle-aged wife with a philandering husband get back together after a cold civil war in the household. The only one not requited, as least not that I could see, was the kind of madcap lesbian daughter of that middle-aged women with the philandering husband problem. Maybe if you follow the staid, proper if comic Austen you could not deal with the “sin that dare not speak its name” in a positive manner in early 19th century England at least in polite society and so that lesbian daughter, madcap or not, could find no trace in an Austen plot.