Saturday, November 10, 2018

Ideologues of Decaying Capitalism The Bankruptcy of Liberal Economists By Joseph Seymour and Bruce André

Workers Vanguard No. 1125
12 January 2018
 
Ideologues of Decaying Capitalism
The Bankruptcy of Liberal Economists
By Joseph Seymour and Bruce André
(Part One)
“This expropriation [of capitalist property] will make it possible for the productive forces to develop to a tremendous extent. And when we see how incredibly capitalism is already retarding this development, when we see how much progress could be achieved on the basis of the level of technique already attained, we are entitled to say with the fullest confidence that the expropriation of the capitalists will inevitably result in an enormous development of the productive forces of human society.” [emphasis in original]
— V.I. Lenin, The State and Revolution (1917)
Lenin thus summarized Karl Marx’s fundamental critique of the capitalist system as well as the ultimate goal of socialism. Marxists gauge human progress by the development of mankind’s productive forces, from the stone tools of primitive society to present-day science, technology and the modern factory. With the advent and development of industrial capitalism beginning in the late 18th and early 19th centuries, one could envisage for the first time a future end to scarcity and class divisions. However, the private ownership of the means of production increasingly acted as a brake on the further development of the productive forces, not least through periodic economic crises. The emergence of modern imperialism at the end of the 19th century marked the onset of an epoch of global capitalist decay. The major capitalist powers, having divided the world through imperial conquest, embarked on a series of wars for its redivision, seeking to expand their colonial holdings and spheres of domination at the expense of their rivals.
The goal of proletarian revolution is to resolve the contradiction at the heart of capitalism, in which production for private profit stifles overall productive growth. Collectivizing the means of production and making the bounty of society available to all, a workers state will organize all of industry in the way that an individual assembly line is today conceived: according to a rational plan. An international socialist economy, by applying scientific planning to the entire economic system, will unleash a qualitative development of the productive forces and of labor productivity. This will liberate the productive capacities of mankind, ultimately eliminating economic scarcity and, with that, laying the material basis for the disappearance of classes and the withering away of the state.
In contrast to that Marxist view, the equation of capitalism with unlimited economic growth was an article of faith for bourgeois economists of the post-World War II generation. Today, that faith has largely faded. In the eyes of liberal economists, the meager rate of economic growth experienced in the U.S. in the past few decades has become the “new normal.” Lawrence Summers, a key economic operator in the Bill Clinton administration in the 1990s, sees the advanced capitalist countries as having entered a prolonged period of “secular stagnation,” reviving a notion that originated among liberal Keynesians like Alvin Hansen during the Great Depression of the 1930s.
That view was reflected in the 2016 presidential election as Hillary Clinton offered nothing except more of the same—“America is great”—with maybe some minor tinkering. Even her left-liberal (“progressive”) Democratic Party challenger Bernie Sanders did not claim that his policies would lead to a substantial boost in economic output but only that they would bring about a somewhat more equitable redistribution of income. Right-wing demagogue Donald Trump promoted the patent lie that he would double the current annual rate of economic growth from 2 percent to 4 percent, or even triple it.
Now, Trump and the Republican-dominated Congress, resurrecting Ronald Reagan’s supply-side economics, have pushed through a massive tax cut for corporations and the ultrarich. The idea that the benefits resulting from tax breaks for the wealthy will “trickle down” to the rest of the population in the form of increased investment, more jobs and higher wages is even more ludicrous today than it was in the 1980s, when it was the centerpiece of Reaganomics. American businesses are already sitting on an unprecedented stockpile of more than $2.4 trillion in cash. Apple and General Motors are hoarding almost 30 percent of their total value in cash. Why are companies not investing those staggering sums in new plants, machinery and additional workers? The obvious answer is that they lack confidence that such investment would generate an acceptable rate of return.
Meanwhile, the Democrats do not even pretend to offer a policy alternative that might significantly increase the rate of growth. Paul Krugman, probably the country’s best-known “progressive” economist because of his regular column in the New York Times, defended Hillary Clinton during the presidential campaign on the grounds that government policy has little effect on economic growth, a supposedly mysterious process beyond the ken of his profession to understand, much less change:
“What do we know about accelerating long-run growth? According to the [Congressional] budget office, potential growth was pretty stable from 1970 to 2000, with nothing either Ronald Reagan or Bill Clinton did making much obvious difference. The subsequent slide began under George W. Bush and continued under Mr. Obama. This history suggests no easy way to change the trend.”
New York Times, 15 August 2016
The Falling Rate of Profit
A recent, book-length version of the “there’s not much we can do about economic growth” school of thought is Marc Levinson’s An Extraordinary Time: The End of the Postwar Boom and the Return of the Ordinary Economy (2016). A former economics and finance editor of the Economist, house organ of Anglo-American bankers, Levinson strikes a contrarian pose, gleefully debunking the economic policy doctrines of both wings of the bourgeois political spectrum: Keynesianism on the left and monetarism and supply-side economics on the right. He contends that the relatively high rates of growth experienced by the advanced capitalist countries in the three decades after World War II amounted to a fortuitous historical accident that cannot be replicated by any kind of government policy.
A much weightier expression (in every respect) of historical pessimism with regard to the American economy is a recent book by a prominent liberal academic economist, Robert J. Gordon, The Rise and Fall of American Growth: The U.S. Standard of Living Since the Civil War (2016). Unlike An Extraordinary Time, which has a slapdash, journalistic quality, Gordon’s book (a 700-plus-page tome) is a work of serious scholarship. While Gordon’s argumentation differs somewhat from that of Levinson, as does the historical scope of his study, his conclusion is basically the same:
“This is a book about the drama of a revolutionary century when, through a set of miracles, economic growth accelerated, the modern world was created, and then after that creation the potential for future inventions having a similar impact on everyday life of necessity was inevitably diminished. The implications for the future of U.S. and world economic growth could not be more profound....
“The economic revolution of 1870 to 1970 was unique in human history, unrepeatable because so many of its achievements could happen only once.”
Gordon’s use of the term “miracles” underscores his belief that mere mortals cannot consciously control the quantity and content of the material wealth created by their labor.
In the introductory section of An Extraordinary Time, Levinson defends Obama against a charge leveled by right-wing scribe George F. Will, who stated: “Making slow growth normal serves the progressive program of defining economic failure down.” To this Levinson replies, “as if the rate of economic growth were a matter of presidential discretion.” It is, of course, true that in capitalist America the policies of a given administration usually have a marginal effect on economic growth.
The expansion (or contraction) of the production of marketable goods and services under capitalism is mainly determined by the extent to which the executives of large corporations and Wall Street financiers invest profits in new productive facilities, especially those embodying more advanced (labor-saving) technologies. What drives capitalist investment is not the impulse to maximize output or labor productivity but rather to maximize the rate of profit (i.e., the ratio of profit to the market value of the means of production).
However, Marx, in one of his key insights, demonstrated that there is an inherent tendency for the rate of profit, the driving force of the capitalist system, to decline over time. By prompting capitalists to cut back their investments, a falling rate of profit generates periodic crises, usually triggered in financial markets. The result is a contraction of output and increased unemployment.
Marx’s explanation for the falling tendency of the rate of profit flowed from his understanding that surplus value—the unpaid portion of workers’ labor—is the source of profit, not the capitalists’ expenditures on the means of production (e.g., machinery and raw materials). Marx observed that especially in periods of economic boom, when workers can feel emboldened to demand higher wages, individual capitalists invest an increased amount of capital in plant upgrades and such in order to cut labor costs. By doing so, the capitalist gains a competitive advantage. However, as all capitalists follow suit, the total amount of surplus value generated per amount of capital invested—i.e., the average profit rate—declines.
Capitalists invest in expanding productive capacity on the assumption that they will be able to sell the goods produced at a particular rate of profit. However, as the profit rate drops, they find themselves unable to sell their products at the expected profit rate. They cut back investments and slash production, resulting in an economic downturn. Workers are thrown out onto the street; entire factories become rusted relics.
Bourgeois economic ideologues, from Keynesians to monetarists and supply-siders, identify the laws governing the capitalist mode of production with the laws governing production as such. In the absence of a revolutionary working-class alternative, the appeal of Trump’s right-wing populist demagogy is enhanced by the fact that both liberals, like Krugman and Gordon, as well as centrists on the bourgeois political spectrum, like Summers and Levinson, insist that it is not possible to overcome the decades-long stagnation in the living standards of American working people.
From Kennedy’s “New Economics” to Obama’s “New Normal”
In the past, Democratic politicians, especially those on the more liberal wing of the party, promised to deliver a new era of economic prosperity. John F. Kennedy’s successful 1960 presidential campaign against Richard Nixon, who had been vice president in the Republican Eisenhower administration (1953-61), was dominated by Cold War tensions with the Soviet Union and fears among the ruling class that the U.S. was falling behind in science and technology. In its economic message, Kennedy’s campaign resembled Trump’s. His platform called for boosting economic growth and dynamism under the slogan “Let’s get this country moving again.” He pointed to the sluggish economic performance, punctuated by two recessions, during Eisenhower’s second term. In this respect, the campaign tactics used by Kennedy against Nixon and Eisenhower were similar to those used by Trump against Hillary Clinton and Barack Obama.
In An Extraordinary Time, Levinson retrospectively criticizes liberal Keynesians like Walter Heller, chief economic adviser to both the Kennedy and Lyndon Johnson administrations. Heller claimed that fiscal policy (taxation and government expenditure) could be fine-tuned so as to maintain full employment and maximize economic growth. By the late 1970s, Democratic politicians and their intellectual apologists were singing a different, more downbeat, tune.
Capitalizing on the downfall of Nixon resulting from the Watergate scandal, in 1977 Jimmy Carter, a centrist Southern Democrat (like Bill Clinton), entered the White House. A few years later, the hapless Carter administration confronted an unusual condition termed “stagflation”: rapidly rising prices combined with a recession. Levinson describes the widespread economic insecurity that propelled the right-wing Republican Reagan to the presidency in 1981: “The conservative ascendance came only as mortgage interest rates above 11 percent made young people despair of ever buying a home and as layoff notices went out to ironworkers on construction sites and toolmakers in auto plants.”
Surveying those dismal times, a mainstream liberal academic economist, Lester C. Thurow, published a book in 1980 on the state of the U.S. economy titled The Zero-Sum Society: Distribution and the Possibilities for Economic Change. As indicated by the title, Thurow argued that it was no longer possible to substantially increase the size of the economic pie so that everyone would get a somewhat bigger piece. Economic policy now involved recutting the existing pie such that some people would get a larger slice and others a smaller one:
“For most of our problems there are several solutions. But all these solutions have the characteristic that someone must suffer large economic losses. No one wants to volunteer for this role, and we have a political process that is incapable of forcing anyone to shoulder this burden. Everyone wants someone else to suffer the necessary economic losses, and as a consequence none of the possible solutions can be adopted.”
In fact, the almost four decades since Thurow wrote those lines have seen an unremitting war by the bourgeoisie to force workers, minorities and the poor to “suffer the necessary economic losses” to bolster capitalist profits. That one-sided war on workers has been facilitated by the trade-union bureaucracy, which maneuvers for crumbs while peddling a mythical “partnership” of labor with the bosses and their parties, particularly Democrats who falsely pose as “friends of labor.”
Technological Innovation and Capitalist Investment
The main theme of Levinson’s An Extraordinary Time is that economic growth, based on increasing labor productivity through technological innovation, is impervious to government policy. After listing several explanations offered by academic economists for the slower growth of labor productivity in the advanced capitalist countries since the 1970s, Levinson concludes:
“None of these explanations sufficed to explain the productivity bust afflicting countries with vastly different economies and divergent approaches to economic policy. The more deeply the scholars mined the data, the more confused they became. What the data could not yet show was that the world had moved to a new stage of economic growth, one that would develop in a far different way....
“Future advances in well-being would depend heavily on developing innovations and putting them to effective use.”
The last statement is manifestly true. Increases in labor productivity under capitalism are determined by two main factors: the extent to which capitalists invest their profits in new productive facilities (plant and equipment) embodying more advanced technology and the degree to which the new technology increases output per unit of labor input.
Levinson does recognize a causal link between the slowdown in the growth of labor productivity and a decline in the rate of capital investment:
“Across the wealthy economies, business investment, which had increased an average of 5.6 percent per year between 1960 and 1973, grew at a far slower rate, barely 4 percent per year, for the next two decades. Sluggish investment left steel mills operating antiquated blast furnaces and insurance offices using high-speed computer printers to spit out form upon form for clerks to organize in file cabinets. Technological innovations usually arrive in the business world incorporated in new equipment and facilities. With firms deferring such investments at every turn, their workers’ productivity improved at less than half the rate in the decades after 1973 as in the decades before.”
However, Levinson makes no effort to explain why the rate of investment has declined to such an extent. In particular, he does not consider the interrelationship between capital investment, technological innovation and the rate of profit.
As Marx underlined, capitalists will invest in new facilities incorporating more advanced technology if, and only if, they believe the increase in profit per worker will be greater than the increased market value of capital per worker. If capitalists discover that their investments are not generating a competitive rate of profit, they will halt or cut back their investments, often triggering an economic downturn.
Marx thus proved that capitalist production increasingly puts the brakes on historical development, at the same time that it creates capitalism’s own gravedigger, the proletariat. He and Friedrich Engels explained that the only way to end the boom-bust cycles inherent to capitalism is for the working class to take control of the means of production through socialist revolution and institute a planned, collectivized economy.
[TO BE CONTINUED]

Workers Vanguard No. 1126
26 January 2018
 
Ideologues of Decaying Capitalism
The Bankruptcy of Liberal Economists
By Joseph Seymour and Bruce André
(Part Two)
This part concludes the article, Part One of which appeared in WV No. 1125 (12 January).
Economist Marc Levinson in An Extraordinary Time and his more liberal counterpart Robert J. Gordon in The Rise and Fall of American Growth both address the slowdown in the U.S. growth rate since the 1970s. Levinson at least recognizes that the slowdown was rooted in a decline in investment, although he provides no explanation for that decline. Gordon provides an explanation that is more apologetic for the capitalist system and even more pessimistic regarding future prospects.
Gordon’s implicit premise is that all progressive technological innovations—in the spheres of both production and consumer goods—have been and will be transformed into new, widely marketed (that is, generally affordable) commodities, although in some cases with a lengthy time lag. To paraphrase Voltaire’s parody of the German philosopher Gottfried Leibniz, with regard to technological innovation Gordon views American capitalism as the best of all possible worlds. If the possibilities for growth have diminished in recent decades, it is because the intrinsic character of technological innovations has changed in a way that diminishes their effect on productivity.
The structure of Gordon’s historical study of U.S. economic growth is based on the concept of three successive industrial revolutions. The first industrial revolution (IR #1) derived from inventions developed between 1770 and 1820, primarily the steam engine and its offshoots—railroads, steamships and the shift from wood to iron and steel. The second industrial revolution (IR #2) derived from technology developed in the late 19th century, particularly electricity and the internal combustion engine. The third industrial revolution (IR #3), beginning in the 1960s, was centered on new information and communication technology (ICT), such as computers and smartphones.
According to Gordon, the root cause of the slowdown in U.S. economic growth in recent decades was the diminishing effects of the second industrial revolution and the insufficient potency of the third:
“This decline in productivity growth by almost half reflects the ebbing tide of the productivity stimulus provided by the great inventions of IR #2. Its successor, the ICT-oriented IR #3, was sufficiently potent to cause a revival in the productivity growth trend to an average of 2.05 percent during the decade 1995-2004. But the power of ICT-related innovations to boost productivity growth petered out after 2004.”
Gordon never considers the possibility that some progressive technological innovations might not be transformed into widely marketed commodities because it is not profitable to do so. Later we will address his insistence that computerization and new digital technologies in general cannot significantly increase labor productivity in the future. In fact, he maintains that these technologies have pretty much exhausted their potential.
Here we will consider Gordon’s implicit assumption that all new, widely marketed commodities were more efficient than those they replaced and improved the living standards of the populace. In particular, let’s consider the partial replacement of electrified streetcars and subway and elevated trains by the automobile, which began between 1910 and 1930. Gordon analyzes the transition from one means of personal transportation to another in some detail. However, he does not attempt to measure their comparative techno-economic efficiency. Did electrified subways and elevated trains expend greater or lesser economic resources per passenger mile than Model T Fords? And if lesser, wherein lay the advantages of the automobile?
Gordon does acknowledge that the ascendancy of the automobile was not just the result of the workings of “free market” capitalism. Government policy was a very important causal factor:
“Government policies encouraged urban sprawl and undermined the financial viability of urban transit and passenger railways. Even before World War II, public policy was skewed in favor of the automobile by building streets and highways with public funds while leaving urban transit and interurban electric railways to operate as self-sufficient private companies. Many of the early roads were built by issuing bonds on which the interest was paid by local property taxes, so the automobile owner and transit rider paid equally to build a road system that made the automobile ever more attractive than transit.”
However, Gordon offers no judgment on whether government policies that favored automobile travel at the expense of public mass transit were economically rational and socially beneficial. Nor does he address why state and local governments pursued auto-friendly policies. The answer, of course, is primarily rooted in the capitalist drive for profits: The bourgeois politicians involved were beholden to the owners of the big car companies, like Henry Ford and Alfred P. Sloan of General Motors, and also the rubber and oil companies that provided tires and gasoline.
Class Struggle and a Shorter Workweek
Gordon states: “This book is about not just the standard of living from the viewpoint of the consumer, but also the quality of working conditions both outside and inside the home.” In keeping with his main theme, that the American people experienced a qualitative improvement in everyday conditions of life during the first half of the 20th century, Gordon cites the reduction in the average workweek from 60 hours at the turn of the century to 41 hours by 1950. But his liberal worldview blinds him to both the fundamental cause of that important change in the lives of working people and the inherent limitation of its impact on their quality of life.
According to Gordon, the decrease in the average workweek resulted from an interest shared by business owners and their workers in having a rested and healthy workforce:
“Interpretations of the movement for shorter hours center on the widespread belief on the part of both firms and labor leaders that a reduction in hours would improve work performance and increase production. Higher productivity and higher real wages made possible a gradual reduction of hours of work, for the onerous demands of sixty- and seventy-two-hour work weeks had created an exhausted male working class.”
To back up his view, Gordon cites legislation passed during the Progressive Era in the early 20th century and the New Deal in the 1930s.
In fact, the 40-hour workweek was won through decades of hard-fought and often bloody class battles by the workers movement. Agitation by the nascent industrial working class for the eight-hour day and for unions led to the Great Rail Strike of 1877, which was brutally suppressed by the Army. In the 1886 Haymarket massacre, Chicago police attacked workers rallying for the eight-hour day and arrested eight anarchist labor organizers who were subsequently framed up and imprisoned or executed. In the 1937 “Little Steel” strike, whose demands included a 40-hour week, police killed ten workers near the gates of Republic Steel in South Chicago in what became known as the “Memorial Day Massacre.”
Today, after decades of one-sided class warfare by the bourgeoisie and givebacks by the hidebound trade-union bureaucracy, the 40-hour workweek has been substantially eroded. The average workweek for full-time U.S. workers has risen to about 47 hours, nearly a full extra eight-hour day per week. About one in five full-time workers toil 60 or more hours a week, while millions are unemployed or forced to work part-time.
Workers need to fight for a shorter workweek with no loss in pay, linking the fight for decent working conditions to the struggle for jobs for all. A 30-hour workweek at 40 hours’ pay, with the available work divided among everyone, would go a long way toward addressing both unemployment and the serious safety problems resulting from fatigue and understaffing.
The capitalists would, of course, reply that such demands are not practical—at least, not if they are to maintain their obscene wealth. Indeed, the felt needs of the working class run right up against the inability of the capitalist system to satisfy them. The solution will not be found in the struggle, however necessary, by workers for a slightly bigger share of society’s wealth against a capitalist ruling class determined to maximize its profits. The goal must be a wholly different type of society, a workers America where the productive wealth has been ripped out of the hands of the tiny capitalist elite and put at the disposal of the vast majority. Such a society can be achieved only when the working class, led by a revolutionary party, overthrows capitalist class rule through a socialist revolution and establishes a workers government.
On Labor and the Quality of Life
Like the class battles that won the 40-hour week, the steady erosion of this historic gain for labor since the late 1970s is for Gordon a closed book. Yet even if we accept his focus on the first half of the 20th century, when the workweek was reduced from 60 to 40 hours, this gain actually constituted something less than a qualitative change in the lives of American working people. While deploring growing income inequality in the U.S. in recent decades, Gordon does not address or even recognize a more fundamental inequality in all capitalist societies in all times: between the vast majority who have to perform what Marx called “alienated labor” to secure the means of subsistence for themselves and their families and the privileged few who can engage in creative, satisfying work.
In the preface to The Rise and Fall of American Growth, Gordon recounts that his interest in the changing rates of economic growth and labor productivity over the course of U.S. history goes back to his days as a graduate student in economics at the Massachusetts Institute of Technology in the mid 1960s. The research for this book was undertaken to satisfy his intellectual curiosity, not because he had to do so to earn a living. But very few people have the luxury of working to satisfy their intellectual curiosity or express their creative impulses.
Consider, for example, the employees of Princeton University Press, who transformed Gordon’s manuscript into the printed pages of a book. True, they use technology that is radically different from that used by their predecessors in the 1920s, who set type for books by prominent academic economists of the time like Irving Fisher and Wesley C. Mitchell. And they work in more comfortable facilities. Nonetheless, they do the same kind of work for the same personal reason, to earn a livelihood.
Reading Gordon’s book, one would conclude that the 40-hour workweek and 11-plus-month work year, as in the U.S., is the highest possible level of organized society with regard to the necessary labor time expended by its members. However, in a planned socialist economy it would be possible, through a progressive, self-reinforcing increase in labor productivity, to radically reduce the total labor time necessary to produce both the means of production and articles of consumption. Within no more than a few generations, people would only be working, say, 20 hours a week and six months a year. Everyone would then have both the available time and access to material and cultural resources to acquire the scientific and technological knowledge that is now the province of a privileged elite. Projecting a future communist society, Marx wrote more than a century and a half ago:
“Free time—which is both leisure and time for higher activity—has naturally transformed its possessor into another subject; and it is then as this other subject that he enters into the immediate production process. This process is simultaneously discipline, with respect to the developing human being, and application, experimental science, material creative and self-objectifying science, with respect to the developed man, whose mind is the repository of the accumulated knowledge of society.”
— “Outlines of the Critique of Political Economy” (1857-58)
In a future communist society, there would be a vast expansion of the number of people capable of developing technological innovations on the order of Gordon’s heroes of the past, like Thomas Edison, Karl Benz (inventor of the automobile) and Guglielmo Marconi (a developer of the radio).
World War II: An Instance of State Capitalism
For Marxists, the most valuable part of Gordon’s book is his analysis of the “great leap forward” in labor productivity that occurred during the Second World War (1939-45) and carried into the first few decades of the postwar era. Gordon concludes: “World War II saved the U.S. economy from secular stagnation, and a hypothetical scenario of economic growth after 1939 that does not include the war looks dismal at best.” This was the one moment in modern American history when the expansion of productive facilities embodying new, more advanced technologies was not determined by the profit-making calculations of corporate executives and Wall Street financiers. In order to defeat its capitalist-imperialist enemies, the U.S. government—the executive agency of the American ruling class as a whole—directed and financed the unprecedented construction of industrial plant and equipment.
A standard economic history of the Second World War states:
“The period 1940 to 1944 saw a greater expansion of industrial production in the United States than any previous period.... Between 1940 and 1944 the total output of manufactured goods increased 300 per cent and that of raw materials by about 60 per cent. Investment in new plant and equipment, much of it direct investment by the government, is estimated to have increased the productive capacity of the economy by as much as 50 per cent.”
— Alan S. Milward, War, Economy and Society 1939-1945 (1977)
Government-funded factories and other productive facilities were turned over free of charge to corporate capitalists, thereby greatly increasing their profits both during and after the war. Gordon comments in this regard: “Though private capital input stagnated during 1930-45, the amount of capital input financed by the government surged ahead throughout that fifteen-year interval. Of particular interest was the creation of new plant facilities paid for by the government but operated by private firms to produce military equipment and supplies.”
Franklin D. Roosevelt and the other political directors of the U.S. imperialist state (for example, Secretary of War Henry L. Stimson and Secretary of the Treasury Henry Morgenthau) were intimately familiar with the workings of industrial corporations and banks. They knew from firsthand experience that they could not depend on the normal mechanisms of the capitalist market to maximize the output of armaments in the shortest possible time. Big industrialists like Henry Ford and Henry Kaiser were therefore guaranteed profits through the cost-plus method of setting procurement prices. Their firms were paid whatever they claimed it cost them to build battleships, bombers, tanks, etc., with an additional markup for profit. Over the course of the war, the after-tax profits of industrial firms increased by 120 percent.
Far more important in its long-term economic effects was direct government financing of the construction of factories and other industrial infrastructure. Gordon emphasizes that the number of machine tools—the core component of an industrial economy—doubled from 1940 to 1945, and “almost all of these new machine tools were paid for by the government rather than by private firms.” Ford’s gigantic bomber-building plant in Willow Run, Michigan, was government-financed. Likewise were major pipelines, still in use today, conveying petroleum from the Texas oil fields to the Northeast. Moreover, the basic technology underlying what Gordon termed the “third industrial revolution,” beginning in the 1960s, also originated in the U.S. military during the Second World War. The prototype of the mainframe computer, ENIAC (Electronic Numerical Integrator and Computer), was developed by scientists and engineers, employed by the war department, at the University of Pennsylvania.
When the American capitalist-imperialist state maximized production, labor productivity and technological innovation, it was in order to bring death and destruction to other peoples. Arguably the most important scientific and technological breakthrough in the 20th century, the unleashing of nuclear energy, was used to incinerate the civilian populations of the Japanese cities of Hiroshima and Nagasaki.
Gordon Versus the “Techno-Optimists”
Gordon’s main foil in his book is an intellectual current he deems “techno-optimists,” who foresee new technologies such as robotics and artificial intelligence placing the American economy on the cusp of a wave of economic growth. Like Gordon, these techno-optimists (including Joel Mokyr, Gordon’s colleague at Northwestern University, as well as Andrew McAfee and Erik Brynjolfsson at MIT, among others) believe that it is technological innovation above all else that determines the course of society. The dispute involves two very different questions. One concerns the sphere of consumption in the present, the other the sphere of production in the future.
Gordon argues that the effect of the new information and communications technologies on the quality of everyday life has been relatively meager compared to the major innovations and inventions in the century between 1870 and 1970. Those ranged from indoor plumbing, electric lighting and central heating to automobiles, airplanes and television. Gordon writes:
“Though there has been continuous innovation since 1970, it has been less broad in its scope than before, focused on entertainment and information and communication technology (ICT), and advances in several dimensions of the standard of living related to food, clothing, appliances, housing, transportation, health, and working conditions have advanced at a slower pace than before 1970.”
At another level, the dispute between Gordon and the techno-optimists is over the “futurology” of the likelihood of dramatically transformative new technologies developing and being put into widespread use in the near future. Both sides implicitly treat capitalism as a system that best fosters technological innovation. Both, of course, write off the perspective of a collectivized planned economy as not meriting serious consideration.
In a 2014 essay titled “The Next Age of Invention: Technology’s Future Is Brighter than Pessimists Allow,” Mokyr rhapsodizes about supercomputers, 3-D printing, genetic engineering and the like. There is, however, no mention of wages, production costs, markets or profits. These basic categories determining capitalist production and investment in new technologies are likewise absent from his brief polemical response to Gordon’s recent book, “Is Our Economic Future Behind Us?” (29 November 2016). In the unlikely event that Mokyr becomes CEO of Apple or General Electric, these companies would likely face bankruptcy. If he followed his own prescriptions, Mokyr would use the most advanced and therefore most expensive equipment, irrespective of whether this elevated production costs above those of competing firms.
In his 2014 essay, Mokyr does advance an economic argument in the service of techno-optimism: “A second reason technological progress will continue unabated has to do with the emergence of a competitive global marketplace, which will encourage the spread of new technology from its originating locations to other users who do not wish to be left behind.” In fact, the extension of international trade and capital export hardly represents an unambiguous encouragement to the development of technology. In the imperialist epoch, the international economy runs up against the very nation-states upon which the imperialists base their power, constituting an obstacle to the further development of humanity’s productive forces. Production in Europe, Japan and some spots in Asia may use modern methods. However, the vast pool of cheap labor available in South and East Asia and Latin America tends to inhibit investment in laborsaving technology in both the Third World and the imperialist centers.
When U.S. and European industrial firms shift manufacturing operations to poor countries, they often tend to use less capital-intensive methods of production. Consider clothing manufacture. While the technology exists to perform this in capital-intensive, highly automated plants, it remains cheaper for companies to pay workers in oppressed neocolonies like Bangladesh pennies on the dollar to sew clothing in conditions that are closer to those of the 19th century than the 21st.
In First World countries, too, current scientific and technological knowledge is not used in a rational and socially beneficial way, and in many cases is willfully misused. Consider the field of medical research, where major efforts are made to treat baldness and erectile dysfunction while only a pittance is invested in new drugs and vaccines for potentially fatal tropical diseases.
In the U.S. alone, some 23,000 people die every year of infections from antibiotic-resistant bacteria. A study commissioned by the British government reported that by midcentury as many as ten million people a year globally could die from drug-resistant bacteria if new treatments are not discovered. Yet despite the critical social need, most of the world’s largest pharmaceutical companies long ago stopped developing new antibiotics, citing low returns on investment.
Likewise, some 25 million people in the U.S. suffer from so-called rare diseases, such as Lou Gehrig’s disease and cystic fibrosis as well as sickle cell anemia, which overwhelmingly affects black people. Yet investment in research on treatments and cures for such diseases is notoriously meager, even though rare-disease research has often uncovered fruitful pathways for treating and curing some of the most prevalent ailments. The Center for Health Journalism at the University of Southern California explained the reluctance of pharmaceutical companies: “Most say investing in treatments for rare diseases—ones that affect tens of thousands of people—does not make for good business sense.”
Disregarding the laws governing the capitalist mode of production, Mokyr, McAfee, Brynjolfsson & Co. project a quantum leap in productivity in the near future through the use of “brilliant technologies.” Gordon implicitly accepts the limitations of the capitalist system in denying the very possibility of such a development. With regard to robotics, he writes: “The exponential increase in computer speed and memory has apparently raced far ahead of the capability of robots to duplicate human movements.” Gordon offers no argument for why this gap could not be greatly reduced by future advances in scientific and technological knowledge. He makes no assessment of the resources currently expended on robotics research.
Most of the vast amount of scientific research conducted by universities is directly funded by the federal government, and the biggest chunk of federal funding is directed toward military ends. The U.S. budget last year directed $6.5 billion in R&D to the National Science Foundation, while the R&D budget of the Air Force alone totaled almost $27 billion. Research in the physical sciences, including robotics, even if at some layers of remove, tends toward the ultimate end of building better drones and other machinery to blow up things and kill people in the interests of capitalist imperialism. Mathematics funding tends toward algorithms for securing state secrets and operations while hacking into the secrets of others. The National Security Agency is widely thought to be the largest employer of mathematicians in the U.S.
At every turn, despite its thirst for technological innovation, capitalism is not the ally of scientific advance but its opponent. From intellectual property laws and the perverse incentives of the market to the tens of billions spent on more effective weaponry, capitalism directs research in the interests of the ruling class and its state apparatus. If those same resources were directed toward advancing human knowledge, furthering human happiness and putting mankind in control of its destiny, what could be accomplished is nearly unimaginable. This requires overturning the capitalist-imperialist system through a series of proletarian revolutions, laying the basis for a globally planned socialist economy. It is to lead the proletariat in that fight that the International Communist League seeks to reforge the Fourth International, world party of socialist revolution.

The Resurrection And The Light-The 50th Anniversary Revival Of Doctor King’s Poor People’s Campaign-Join Us, Join The Struggle Against Poverty-Join The Resistance

The Resurrection And The Light-The 50th Anniversary Revival Of Doctor King’s Poor People’s Campaign-Join Us, Join The Struggle Against Poverty-Join The Resistance  


By Leslie Dumont

Doctor Martin Luther King was personally a brave man. Brave in that understated way that young women like myself could admire and follow if it came down to that as it had down in hell-hole Alabama, Mississippi, North Carolina, all those places where the anguished cries for justice could be heard. Bravely withstood jails, beatings and blood.   

I was a young girl actually since I was only twelve when the whirlwind of 1968 hit my home in Cambridge, North Cambridge like a storm (although social and cultural movement like the folk and poetry music period of the early 1960s, the bulk of the black civil rights struggle as it headed north, the draft resistance and anti-Vietnam War protests which were a daily occurrence happening right down the street in Harvard Square). The Tet offensive in Vietnam by the North Vietnamese which meant that the war there was far from over and that I had a sneaking suspicion filtered down by my father that America was on the short end of the stick as far was winning went. Doctor King’s death which left his last great project The Poor People’s Campaign the revival of which I am introducing here. Ruthless, idealistic beautiful Robert Kennedy dead as well so that the hopes for a “newer world” he kept touting would be stalled, continue to be stalled. The disaster of the Democratic National Convention in Chicago, a bloodbath that I wept tears for a long time. All too much for a twelve year old girl to understand, to take in. Still hard fifty years later when 2018 places all those events before the still-divided, cold civil war divided, country again.             

The war, the Vietnam War, Sam Lowell keeps telling me we have to reference which war for the younger crowd to distinguish that war from the myriad others the American government has pursued or purchased proxies for since then, took the stuffing out of a lot of other social movements, other points on the national social agency. That stuffing being pulled including the War on Poverty that then President thought might be his legacy but which went to ground in the rice fields and highlands of Vietnam. Like I say I was too young to appreciate all of that, of the lost. But I still kept thinking and reading about it, about how to reduce the poverty around that was not doing anybody any good. My father, my late father, was deeply concerned about the poverty issue especially the white Appalachian Mountains poverty from whence he came. He had this book, this The Other America by Michael Harrington which dealt with just that neglected (and still neglected) rural poverty, in his library which I asked him about after I read it.  He told me some stories about his growing up dirt poor with nothing to hang onto but some bastardized dream of getting the hell out of there one way or another.

So I was very disappointed, very concerned when the first Poor People’s Campaign, the Resurrection City campaign down in Washington produced nothing, or not enough to banish poverty from this great over abundant country. And now in some truly ironic twist of silly fate there is a movement, a recent movement, afloat to go back to the ideas presented in Doctor King’s dream of eradicating poverty. The damnation is that in the 2018 as in 1968 the poor are still with us and still need champions working like seven dervishes to get the story back on the public agenda. Good luck to you, good luck to me too since unlike that twelve and too young to fathom the whole thing I am ready to roll now.

***************



  

"America, Where Are You Now...."- Steppenwolf’s The Monster-Take Three

"America, Where Are You Now...."- Steppenwolf’s The Monster-Take Three





YouTube Film Clip Of Steppenwolf Performing Monster. Ah, 

Those Were The Days

From The Pen Of Frank Jackman

Steppenwolf: 16 Greatest Hits, Steppenwolf, Digital Sound, 1990

America where are you now?
Don't you care about your sons and daughters?
Don't you know we need you now
We can't fight alone against the monster
Chorus Line From The Monster

The heavy rock band Steppenwolf (maybe acid rock is better signifying that the band started in the American dream gone awry 1960s night when the likes of the Jefferson Airplane, The Doors, The Byrds and groups like the transformed Beatles and Stones held forth, rather than in the ebb-tide 1970s when the harder sounds of groups like Aerosmith and Black Sabbath were  needed to drown out the fact that  we were in decisive retreat),  one of many that was thrown up by the musical counter-culture of the mid to late 1960's was a cut above and apart from some of the others due to their scorching lyrics provided mainly, but not solely, by gravelly-voiced lead singer John Kay.

That musical counter-culture not only put a premium on band-written materials, as against the old Tin Pan Alley somebody wrote the lyrics, somebody else sang the song division before Bob Dylan and the Beatles made singer-songwriters fashionable) but also was a serious reaction to the vanilla-ization of rock and popular music in the earlier part of the decade that drove many of us from the AM radio dials and into “exotic” stuff like electric blues from Chicago with mad monks Muddy Waters and Howlin’ Wolf jumping (country too from whence they all came in the great World War II to the factories migration leaving the old-timers like Son House, Skip James,John Hurt back in the woods  to carry on that tradition, come to think of it) and the various strands of folk music from hard rain falling, times are changing, blowing in the wind protest fuss to rediscovery of old time traditional music from the mountains (think the original Carters) to the hollows with Hobart Smith and Buell Kazee.    

Some bands played, consciously played, to the “drop out” notion popular at the times. “Drop out” of rat-race bourgeois society and it money imperative, its “white picket fence with little white house attached” visions. That the place where many of the young, the post-World War II baby-boomer young, now sadly older, had grown up and were in the process of repudiating for a grander vision of the world, the “world turned upside down” as an old time British folk tune had it (and reflecting an earlier turned upside down world around the 17th century English revolution. Drop out and create a niche somewhere (a commune maybe out away from the rat-race places which did spring up in the likes of Taos, Oregon, and the hills of old Vermont which if you care to see what happened to that old vision once the seekers got older you can go to and witness first hand these days but take your heart medicine along cause it ain’t pretty), so some physical somewhere perhaps but certainly some other mental somewhere and the music reflected that disenchantment.

That mental somewhere involved liberal use of drugs to induce, well, who knows what it induced but it felt like a new state of consciousness so make of that what you. The drugs used, in retrospect, to make you less “uptight” not a bad thing then, or today. The whole underlying premise though whether well thought out or not was that music, the music of the shamans of the youth tribe, mimicking recently learned Native American traditions was the revolution. An idea that for a short while before all hell broke loose with the criminal antics of Lyndon Johnson and one Richard M. Nixon, all hell broke loose with Tet 1968, with May 1968, with Chicago 1968, with the “days of rage,” with Altamont and with a hundred other lesser downers I subscribed to (hence the expression “generation of ’68” to signify that portion of youth always a minority that took the plunge to the “newer world.” That before those events and a draft notice made me get “religion” on the need for “in-their-face” political struggle. And every other young man and not a few young women have to decide to cooperate or seek that second road.       

Musically much of that stuff was ephemeral, merely background music, and has not survived (except in lonely YouTube cyberspace). Yeah, Neal Young, the Airplane, the Doors, the Byrds still sound good but a lot of it is wha-wha music now you know Ten Years After, a lot of Rod Stewart, even the acid-etched albums by the Beatles and Stones, it is no wonder that the latter do not have any tunes from Their Satanic Majesties on their playlists). [CL1] Others, flash pan “music is the revolution,” period exclamation point, end of conversation bands assumed a few pithy lyrics would carry the day and dirty old bourgeois society would run and hide in horror leaving the field open, open for, uh, us. That music too, except for gems like The Ballad Of Easy Rider, is safely ensconced in vast cyberspace.

Steppenwolf was different, was political from the get-go taking on the deadliness of bourgeois culture, worse the chewing up of their young in unwinnable wars with no apologies or second thoughts, the pusher man, the draft resister and lots of other subjects (and a few traditional songs too about the love that got away, things like that which hadn’t, hasn’t change much whatever the new vision and dreams).  Not all the lyrics worked, then or now. (See below for some that do). Not all the words are now some forty plus years later memorable. After all every song is written with some current audience in mind, and notions of immortality as the fate of most songs are displaced. Certainly some of the less political lyrics seem entirely forgettable. As does some of the heavy decibel rock sound that seems to wander at times like, as was the case more often than not, and more often that we, deep in some a then hermetic drug thrall, would have acknowledged, or worried about. But know this- when you think today about trying to escape from the rat-race of daily living then you have an enduring anthem Born To Be Wild that still stirs the young (and not so young). If Bob Dylan's Like A Rolling Stone was one musical pillar of the youth revolt of the 1960's then Born To Be Wild was the other.

And if you needed (or need) a quick history lesson about the nature of American society in the 1960's, what it was doing to its young, where it had been and where it was heading (and seemingly still is as we seek to finish up the endless Afghan wars and the war signals for deep intervention into the Syria civil war or another war in Iraq get louder, or both are beating the war drums fiercely) then the trilogy under the title "The Monster" (the chorus which I have posted above and lyrics below) said it all.

Then there were songs like The Pusher Man a song that could be usefully used as an argument in favor of decriminalization of drugs today and get our people the hell out of jail and moving on with their lives and others then more topical songs like Draft Resister to fill out their playlist. The group did not have the staying power of others like The Rolling Stones but if you want to know, approximately, what it was like for rock groups to seriously put rock and roll and a hard political edge together give a listen to the group sometime.

Words and music by John Kay, Jerry Edmonton, Nick St. Nicholas and Larry Byrom

(Monster)
Once the religious, the hunted and weary
Chasing the promise of freedom and hope
Came to this country to build a new vision
Far from the reaches of kingdom and pope
Like good Christians, some would burn the witches
Later some got slaves to gather riches
But still from near and far to seek America
They came by thousands to court the wild
And she just patiently smiled and bore a child
To be their spirit and guiding light
And once the ties with the crown had been broken
Westward in saddle and wagon it went
And 'til the railroad linked ocean to ocean
Many the lives which had come to an end
While we bullied, stole and bought our a homeland
We began the slaughter of the red man
But still from near and far to seek America
They came by thousands to court the wild
And she just patiently smiled and bore a child
To be their spirit and guiding light
The blue and grey they stomped it
They kicked it just like a dog
And when the war over
They stuffed it just like a hog
And though the past has it's share of injustice
Kind was the spirit in many a way
But it's protectors and friends have been sleeping
Now it's a monster and will not obey
(Suicide)
The spirit was freedom and justice
And it's keepers seem generous and kind
It's leaders were supposed to serve the country
But now they won't pay it no mind
'Cause the people grew fat and got lazy
And now their vote is a meaningless joke
They babble about law and order
But it's all just an echo of what they've been told
Yeah, there's a monster on the loose
It's got our heads into a noose
And it just sits there watchin'
Our cities have turned into jungles
And corruption is stranglin' the land
The police force is watching the people
And the people just can't understand
We don't know how to mind our own business
'Cause the whole worlds got to be just like us
Now we are fighting a war over there
No matter who's the winner
We can't pay the cost
'Cause there's a monster on the loose
It's got our heads into a noose
And it just sits there watching
(America)
America where are you now?
Don't you care about your sons and daughters?
Don't you know we need you now
We can't fight alone against the monster
© Copyright MCA Music (BMI)
All rights for the USA controlled and administered by
MCA Corporation of America, INC

--Used with permission--
Born To Be Wild

Words and music by Mars Bonfire
Get your motor runnin'
Head out on the highway
Lookin' for adventure
And whatever comes our way
Yeah Darlin' go make it happen
Take the world in a love embrace
Fire all of your guns at once
And explode into space
I like smoke and lightning
Heavy metal thunder
Racin' with the wind
And the feelin' that I'm under
Yeah Darlin' go make it happen
Take the world in a love embrace
Fire all of your guns at once
And explode into space
Like a true nature's child
We were born, born to be wild
We can climb so high
I never wanna die
Born to be wild
Born to be wild
© MCA Music (BMI)
All rights for the USA controlled and administered by
MCA Corporation of America, INC

--Used with permission--
THE PUSHER
From the 1968 release "Steppenwolf"
Words and music by Hoyt Axton
You know I've smoked a lot of grass
O' Lord, I've popped a lot of pills
But I never touched nothin'
That my spirit could kill
You know, I've seen a lot of people walkin' 'round
With tombstones in their eyes
But the pusher don't care
Ah, if you live or if you die
God damn, The Pusher
God damn, I say The Pusher
I said God damn, God damn The Pusher man
You know the dealer, the dealer is a man
With the love grass in his hand
Oh but the pusher is a monster
Good God, he's not a natural man
The dealer for a nickel
Lord, will sell you lots of sweet dreams
Ah, but the pusher ruin your body
Lord, he'll leave your, he'll leave your mind to scream
God damn, The Pusher
God damn, God damn the Pusher
I said God damn, God, God damn The Pusher man
Well, now if I were the president of this land
You know, I'd declare total war on The Pusher man
I'd cut him if he stands, and I'd shoot him if he'd run
Yes I'd kill him with my Bible and my razor and my gun
God damn The Pusher
Gad damn The Pusher
I said God damn, God damn The Pusher man\
© Irving Music Inc. (BMI)
--Used with permission--



*The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-LessonsForToday- Up Close And Personal- John Reed and The Russian Revolution Of 1917





BOOK REVIEW


This is the Anniversary of the Bolshevik-led Russian Revolution. It is fitting that I review a book that did much to give Westerners a bird's-eye view of what happened during that tumultuous year. Forward To New Octobers!


Ten Days That Shook The World, John Reed, New American Library Edition, New York, 1967



I, on more than one occasion, have mentioned that for a detailed history of the ebb and flow of the Russian Revolution of 1917 from February to October of that year your man is the great Russian revolutionary Leon Trotsky. Trotsky’s "History of the Russian Revolution" is partisan history at its best. One does not and should not, at least in this day in age, ask historians to be ‘objective’. One simply asks that the historian present his or her narrative and analysis and get out of the way. Trotsky meets that criterion. I have also mentioned in that same context that there are other excellent sources on this subject, depending on your needs. If you are looking for a general history of the revolution or want an analysis of what the revolution meant for the fate of various nations after World War I or its affect on world geopolitics look elsewhere. E.H. Carr’s "History of the Bolshevik Revolution" offers an excellent multi-volume set that tells that story through the 1920’s. Or if you want to know what the various parliamentary leaders, both bourgeois and Soviet, were thinking and doing from a moderately leftist viewpoint read Sukhanov’s "Notes on the Russian Revolution". If you need a more journalistic account for the period of the seizure of power by the Bolsheviks and the immediate aftermath, the book under review, John Reed’s classic "Ten Days That Shook the World" is invaluable.

If we do not, as mentioned above, expect our historians to be ‘objective’ then we have a lesser expectation of those journalists who write the ‘first draft of history’. Reed makes no bones about the fact that that he is a partisan of the Bolshevik-led social revolution that he was witnessing. He, nevertheless, tells his story reasonably well for those who are not partisans. Moreover, Reed seems to have been everywhere in Petersburg during those days. He is as likely to have been reporting from Petersburg’s Winter Palace, the seat of the Kerensky's Provisional Government, as Smolny, the seat of the insurgent Soviets. We can find him among the bourgeois politicians of the City Duma or at the Russian Army General Staff headquarters. Hell, he was also in Moscow when things were hot there as the Soviet forces tried to seize the Kremlin. He is at meetings large-Peasant Soviet size- or in some back room at Smolny with Trotsky’s Military Revolutionary Committee that directed the uprising. To that extent, as a free lancer on the move, he covers physically during this period much more territory than Trotsky could as central director of the action and thus has more first hand observations.

Reed’s style tends toward straight forward reportage with little obvious sense of irony in the various situations that he is witnessing. Of course, against Trotsky’s masterly ironic sense he is bound to suffer by comparison. Nevertheless Reed gets us into places like the City Duma and into the heads of various characters like the Mayor of Petersburg that Trotsky, frankly, displayed no interest in dealing with. Probably the greatest compliment that one could pay Reed is that he is widely quoted as a reliable source in many historical accounts from Trotsky on the winning side to someone like Kerensky on the losing side. For those who want a quick but serious overview of the dynamic of the October Revolution then here is your man. Add in his companion Louise Bryant’s separate account, "Six Month In Red Russia" (if you can find it), and some very good primary source poster, pamphlet and newspaper material in the appendices of Reed’s book and you are on your way.

The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-LessonsForToday- "The Internationale"




As is always appropriate on international working class holidays and days of remembrance here is the song most closely associated with that movement “The Internationale” in English, French and German. I will not vouch for the closeness of the translations but certainly of the spirit. Workers Of The World Unite!

The Internationale [variant words in square brackets]

Arise ye workers [starvelings] from your slumbers
Arise ye prisoners of want
For reason in revolt now thunders
And at last ends the age of cant.
Away with all your superstitions
Servile masses arise, arise
We'll change henceforth [forthwith] the old tradition [conditions]
And spurn the dust to win the prize.

So comrades, come rally
And the last fight let us face
The Internationale unites the human race.
So comrades, come rally
And the last fight let us face
The Internationale unites the human race.

No more deluded by reaction
On tyrants only we'll make war
The soldiers too will take strike action
They'll break ranks and fight no more
And if those cannibals keep trying
To sacrifice us to their pride
They soon shall hear the bullets flying
We'll shoot the generals on our own side.

No saviour from on high delivers
No faith have we in prince or peer
Our own right hand the chains must shiver
Chains of hatred, greed and fear
E'er the thieves will out with their booty [give up their booty]
And give to all a happier lot.
Each [those] at the forge must do their duty
And we'll strike while the iron is hot.




________________________________________

L'Internationale

Debout les damnés de la terre
Debout les forçats de la faim
La raison tonne en son cratère
C'est l'éruption de la fin
Du passe faisons table rase
Foules, esclaves, debout, debout
Le monde va changer de base
Nous ne sommes rien, soyons tout

C'est la lutte finale
Groupons-nous, et demain (bis)
L'Internationale
Sera le genre humain

Il n'est pas de sauveurs suprêmes
Ni Dieu, ni César, ni tribun
Producteurs, sauvons-nous nous-mêmes
Décrétons le salut commun
Pour que le voleur rende gorge
Pour tirer l'esprit du cachot
Soufflons nous-mêmes notre forge
Battons le fer quand il est chaud

L'état comprime et la loi triche
L'impôt saigne le malheureux
Nul devoir ne s'impose au riche
Le droit du pauvre est un mot creux
C'est assez, languir en tutelle
L'égalité veut d'autres lois
Pas de droits sans devoirs dit-elle
Egaux, pas de devoirs sans droits

Hideux dans leur apothéose
Les rois de la mine et du rail
Ont-ils jamais fait autre chose
Que dévaliser le travail
Dans les coffres-forts de la bande
Ce qu'il a crée s'est fondu
En décrétant qu'on le lui rende
Le peuple ne veut que son dû.

Les rois nous saoulaient de fumées
Paix entre nous, guerre aux tyrans
Appliquons la grève aux armées
Crosse en l'air, et rompons les rangs
S'ils s'obstinent, ces cannibales
A faire de nous des héros
Ils sauront bientôt que nos balles
Sont pour nos propres généraux

Ouvriers, paysans, nous sommes
Le grand parti des travailleurs
La terre n'appartient qu'aux hommes
L'oisif ira loger ailleurs
Combien, de nos chairs se repaissent
Mais si les corbeaux, les vautours
Un de ces matins disparaissent
Le soleil brillera toujours.


________________________________________

Die Internationale

Wacht auf, Verdammte dieser Erde,
die stets man noch zum Hungern zwingt!
Das Recht wie Glut im Kraterherde
nun mit Macht zum Durchbruch dringt.
Reinen Tisch macht mit dem Bedranger!
Heer der Sklaven, wache auf!
Ein nichts zu sein, tragt es nicht langer
Alles zu werden, stromt zuhauf!

Volker, hort die Signale!
Auf, zum letzten Gefecht!
Die Internationale
Erkampft das Menschenrecht

Es rettet uns kein hoh'res Wesen
kein Gott, kein Kaiser, noch Tribun
Uns aus dem Elend zu erlosen
konnen wir nur selber tun!
Leeres Wort: des armen Rechte,
Leeres Wort: des Reichen Pflicht!
Unmundigt nennt man uns Knechte,
duldet die Schmach langer nicht!

In Stadt und Land, ihr Arbeitsleute,
wir sind die starkste Partei'n
Die Mussigganger schiebt beiseite!
Diese Welt muss unser sein;
Unser Blut sei nicht mehr der Raben
und der machtigen Geier Frass!
Erst wenn wir sie vertrieben haben
dann scheint die Sonn' ohn' Unterlass!
Labels: communism, COMMUNIST INTERNATIONAL, KARL LIEBKNECHT, karl marx, leon trotsky, russian revolution, V.I. Lenin

On the Anniversary of the Russian Revolution

Workers Vanguard No. 1100
18 November 2016

TROTSKY

LENIN
On the Anniversary of the Russian Revolution
(Quote of the Week)
November 7 was the 99th anniversary of the Bolshevik Revolution, a historic victory for working people and the oppressed internationally and the only successful proletarian revolution to date. Later undermined by nearly 70 years of Stalinist betrayal, the workers state that issued from the revolution was ultimately destroyed by capitalist counterrevolution in 1991-92. Trotskyist leader James P. Cannon emphasized that a critical element for the success of the revolution was that the Bolsheviks maintained a revolutionary program even during the most difficult conditions of the period.
The party that made the Russian revolution didn’t begin with victory. The Bolsheviks really began with the defeat of the 1905 revolution and persevered through the long years of the tsarist reaction from 1906 to 1917. It was precisely in that period, when all the fainthearted people, when all the disillusioned, ran for cover, when they all gave up the fight and renounced it as hopeless—it was precisely in that period that Bolshevism showed its caliber. In the depths of darkest reaction and defeat the Bolsheviks forged the party that was destined to lead the victorious revolution in 1917....
The Russian revolution of November 1917 showed the workers of the whole world the way to power, to the overthrow of the capitalist property system, to the reorganization of economy on a rational basis. There is no other way to save mankind on an international scale than the Russian way. From that point of view we salute the great revolution tonight, as the initiator and inspirer of greater things to come. Therein lies its greatest significance....
Just as the Russian Bolsheviks gave us the model of a victorious revolution, so also they gave us the model of a party fit to lead and organize the revolution. If we take the Russian Bolshevik party for our model—and there is no other model worth even talking about—this means a party that is orthodox Marxist in its theory, that is firm in principle, and strong in its unity and its discipline. Only such a party is fit to organize and lead a revolution.


—James P. Cannon, “The Russian Revolution—Twenty-eight Years After” (4 November 1945), reprinted in The Struggle for Socialism in the “American Century” (1977)

You Ain’t In Paris Anymore-Kate Winslet’s “The Dressmaker” (2015)-A Film Review

You Ain’t In Paris Anymore-Kate Winslet’s “The Dressmaker” (2015)-A Film Review




DVD Review

By Associate Film Critic Alden Riley   

The Dressmaker, starring Kate Winslet, Judy Davis, Liam Hensworth, 2015   

This is a first at least according to my boss Senior Film Critic Sandy Salmon. The first being in this case reviewing a film like the one here, The Dressmaker, produced by an on-line operation, a streaming affair, Amazon the giant merchandise mart. Although Sandy (and film critic emeritus Sam Lowell) have shied away from reviewing such productions these operations probably are a fair representation of where the film industry might very well be heading since Netflix and others have also entered the fray.

Taking that idea into consideration I must say I was impressed by the production values and the acting, especially of the versatile Kate Winslet last seen in this space according to Sam in a review of Titanic although maybe his memory is not what it used to be since that was many moons ago and she has performed in many films between times so he must have reviewed something more current previously. This is a quirky film no question set in the Outback of Australia apparently the new Wild West of film-dom (another film Australia with Nicole Kidman also showing that tendency). What I don’t get though is why in the blubs about film consider this venture a comedy despite some marginal (and again quirky) moments.

Let me explain. Myrtle, Ms. Winslet’s role, returned home to that Outback after making a name for herself as a dressmaker (hence the appropriately named title) in the high-end fashion industry, okay, okay haute couture in Paris, that is in France not Texas. The at first murky reasons for her return after having been unceremoniously sent away from the town after she allegedly had murdered a fellow student who was tormenting her are what formally drives the plot. She ostensibly returned to take care of her ailing and seemingly unstable mother, Molly played by Judy Davis, and to try to figure out what actually happened back at that incident. (That taking care of “unstable” mother who as the film proceeds gets very, very stable and wise another example of film’s ability to raise the dead.)  And discover whether she is cursed by that event. Or should seek righteous revenge for being displaced out of spite since she was illegitimate and her un-acknowledging local bigwig father had been instrumental in sending her away.         
              
Of course as a professional dressmaker (she only brought one piece of luggage and a sewing machine home) Myrtle or rather Tilly as she preferred to be called was able to gain some cache in town by both wearing high fashion and making such for the braver women of the town. Still the past held her back. Held her back even when handsome Johnny Teddy, played Liam Hensworth, who really was something out of a New Age thoughtful male fantasy despite the 1950s feel of the film, started courting her and helping her retrace her steps to that dark past. And his work paid off as she is made to realize that that so-called murder was actually the tormenting boy killing himself in the act of physically abusing her. That the good part.


That said here is where the thing gets kind of mixed up in the genre department despite some off-beat funny moments. Gallant Teddy after Tilly and he became lovers dies in a freak grain elevator accident. Her “father” is murdered by his unstable wife after Tilly tells her what was what about her son’s so-called murder. In the final scenes Tilly after seeking and gaining revenge at the professional level gains final revenge by burning the town down. You figure out the genre and weird twists but don’t blame the fine performances by Ms. Winslet and Ms. Davis.    

Once Again On The Cultural Front of The 1960s Uprising-The 50th Anniversary Of The Musical “Hair” On Broadway-A Few Thoughts

Once Again On The Cultural Front of The 1960s Uprising-The 50th Anniversary Of The Musical “Hair” On Broadway-A Few Thoughts 



A link to an National Public Radio On Point program featuring the 50th anniversary of the musical and it meaning then, and now:

http://www.wbur.org/onpoint/2018/05/04/fifty-years-of-hair 



By Si Lannon


The first time I heard that Seth Garth was going to preempt political aficionado Frank Jackman and do the 200th anniversary of the birth of Communist Manifesto writer Karl Marx was upon publication under the former’s name. Which pisses me off since I have been squeezed out apparently of getting any assignments around the incredible number of 1968 events which are having their 50th anniversary commemorations. (The Marx 200th birthday anniversary thing intersects 1968 via a then growing interest in his theories among students and young radicals once the old tactics and strategy around Democratic Party takeover politics went asunder.) Upon privately complaining to site manager Greg Green he gave me this assignment to make a few comments of the 50th anniversary of the musical Hair, on Broadway at least although it had been off-Broadway the year before, one of the few musicals that could have possibly captured some of the pathos, bathos and essence of what was going on in all its messy splendor in that year.

Hair represented that trend away from goodie two shoes formula entertainment like song and dance musicals and thinly pitched family dramatic productions. That represented what the audiences of the 1950s were interested in and still had, have a place in the Great White Way scheme of things. But the unacknowledged (at the time not so now once the cultural critics took their long look at the subject) effect of the vanguard work that was being done in little theaters for little money for little audiences finally took root. Artaud’s Theater of the Absurd, Brecht’s didactic efforts and the like finally found a more receptive general audience. So Hair in 1967-68 did not raise as many hairs (no pun intended among the theater going public as it might have earlier in the decade when it would have been treated as an end of run “beat” saga. That is no to say the subject of intense profanity, vivid sexual reference, an interracial cast and endless paeans to drugs of all sorts didn’t raise hackles, didn’t have members of the audience walking out shaking their heads but as word got out that this was a generational sage for the agents of the Age of Aquarius the thing couldn’t be stopped. And as one voice in the above-mentioned link noted she was still playing in, albeit in Vermont one of the last real refuses of the survivors of the Generation of ’68 along with the Oregon woods and maybe Seattle now that nobody with any left-over hippie aspiration could afford to live in any part of San Francisco except maybe the streets, is still being produced someplace in this wild wicked old land.         

In a funny sort of way the saga of Hair almost accidently traced the line of the 1960s explosion but more importantly in one place stamped “youth nation” as a tribal village like it had never been before, although you could have seen around the edges of it all the way back to the wild boys of the West Coast in their souped up jalopies and hot rods with a “don’t give fuck” about the golden age of American prosperity aborning, the bad boys offspring of the Okie migration that said the more menacing “fuck you up” of the outlaw bikers with their big “hogs” and larcenous hearts, the alienated teen angst misunderstood “please don’t fuck with my head” rebel without a cause types who cooled on James Dean, and the “fuck, fuck, fuck” beat boys talking a blue streak about junkies, negro streets and jailbreaks. And you wonder why youth nation jumped right in the middle of all this when the social situation ran up against racial segregation, sexual uptightness, the fucking war in Vietnam which formed on the corners that Hair hung its hat on since every single guy, and it was all guys then, from the most gung ho Green Beret film watcher to the most ardent draft resister had to deal with the draft and the generational question-go or resist-and the weird queer drag queen fag baiting and women’s liberation.

That draft issue, that each and every guy and by extension their lovers, caught between a rock and a hard place was no joke. Was centrally why Hair spoke to a generation struggling with that very issue-to go or resist- a question that the parents’ generation had almost no conception of since they had fought, or waited anxiously at the door, in their “good war” and could not understand their kids and their idea that maybe going off to kill people, poor people, who they had no quarrel had to be thought about. Claude, a lead character had plenty to think about doped up to the gills or not. The other stuff about race, sex, dope, the signs of the Zodiac, karma, mediation, oneness with the world flow from that central concern.

It wasn’t all beautiful by any means and the threads that hung “youth nation” together came asunder readily enough once the counter-offensive by the night-takers began in earnest (and as Seth Garth and Frank Jackman have said we have been fighting a forty plus year cultural rearguard action against the bastards ever since with no letup in sight). Even in the halcyon days of the Summer of Love in 1967 which is the framework a lot of us had from my town under the guidance of the one and only Scribe, the late Peter Paul Markin who in the end fell under the bus himself, there was plenty of bad stuff going with people ripping people off for drugs, food, anything that was not nailed down. But that was a side issue like many things when something new is trying to breakout and not everybody is as pure as the driven snow and who knows who will show up.

The Captain Crunch-led converted yellow brick road bus we ran up and down the Pacific Coast Highway on picking up vagrant travelers and the wanderers of the youth nation world mostly were seekers, ranters, good people to have on your side when you are trying create a newer world out of what late capitalism and its social norms had left us to pick up the pieces with.

Like I said not everybody, not the Scribe in the end, could go the distance and once that critical mass which sustained the youth nation lost it love of plainsong, of seeking for the mysteries of the universe in a million different ways from tarot cards to LSD and everything in between, and the sense that we could win the drift went against us as people headed back to the confines of late capitalist bourgeois society. Headed back from that youthful detour, except of course those small enclaves mentioned earlier still existing in places like Vermont and Oregon if you ever get up that way. Everybody has some timeline for when the whole thing ebbed, after the hellish 1968 year of events being the prime candidate but that was/is for academics to ferret out. As Frank Jackman has said repeating what the Scribe said before he fell off the world-Wasn’t that a time, yeah, wasn’t that a time.



Friday, November 09, 2018

From The American Songbook-Irene Dunne and Douglas Fairbank, Jr.’s “Joy Of Loving” (1938)-A Film Review

From The American Songbook-Irene Dunne and Douglas Fairbank, Jr.’s “Joy Of Loving” (1938)-A Film Review



  
DVD Review

By Film Critic Emeritus Sam Lowell

Joy Of Loving, starring Irene Dunne, Douglas Fairbanks, Jr., 1938 


I am a child of rock and roll, period. I was present at the creation, or close to it of the classic age of rock when Elvis, Chuck Berry, Jerry Lee, Bully Holly, Bill Haley and a million other hungry for new music musicians came thundering out of the bland Cold War 1950s night and helped us break out of jail. While I have acquired tastes for other kinds of music like foundation blues and traditional folk I still to this day identify as a child or rock. Which is neither here nor there except in grabbing this film under review The Joy of Loving from Senior Film Critic Sandy Salmon I noticed that the subject matter features a Broadway musical performer which is a very different part of the American Songbook that what has moved me musically over the years.

Of course the minute I (and some of my old-time high school friends) touch on the subject of musicals then I automatically think about the late Pete Markin who while also a child of rock and roll, maybe the child of rock and roll amongst the old crowd he was crazy for musicals, for the Cole Porter/Gershwins/Rodgers and Hammerstein and here Jerome Kern/Dorothy Fields segment of the American Songbook. Knew most of the lyric from the old shows that filtered into the popular culture by heart once he had seen the film version of Camelot back in the early 1960s and drove us crazy singing the title son and If Ever I Would Leave You until we almost ran him out of town. Broadway musical lyrics were not what drove a bunch of poor boy working-class corner boy kids to anything but serious doubts about a person’s, about Markin’s masculinity. Pete would have had a field day with reviewing this film and I wonder if he might have seen it back then at Mr. Cadger’s old long gone to condos Strand Theater where he would periodically do what are now called retrospectives of the old black and white films rather than first runs to cut down on expenses.

But so much for old touches. Let’s get to a look at what goes on here in this little sidebar musical about musicals. As usual in such vehicles the plotline is pretty thin, if existent. (The person I viewed it with kept asking me what the plot was, when it was going to develop.) Margaret, the role played by Irene Dunne, is a Broadway musical star who is apparently the greedy sole support of her entire extended stage-bound family (including a sister with two kids and a lightweight husband played by a young pre-I Love Lucy Lucille Ball). Despite making a ton of dough she is always behind due to said sponges and that has left her distraught despite her successes. Still her rags-to-riches success has made adamant about taking care of her kin.              


Enter one Dan, played by handsome Johnny Douglas Fairbanks, Jr. who one theater performance night tries to get to see her among the throngs. She thinking him a “masher” (quaint term) calls the coppers. Score one for Margaret. But Dan is smitten so he takes another stab at it on another night. Again thwarted but this time Margaret gets him in court and winds up as his “probation officer.” Naturally as such things go along the way Margaret’s interest in the lug (who turns out to the scion of a wealthy family) grows as she gets to know him. Know him and his idea that she should enjoy herself and dump that spongy family. The long and short of it is they get married but have tiff over that family business. Not to worry while Dan is heading to the great China seas, or claims to be, our girl sees the light and gives the family the old heave-ho. Thus the big number Kern/Fields song You Couldn’t Be Cuter is very apt for this little film.  Yeah Markin would have had a field day with this one.