AMERICAN LEFT HISTORY

This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. We will be reviewing books, CDs, and movies we believe everyone needs to read, hear and look at as well as making commentary from time to time. Greg Green, site manager

Thursday, December 27, 2018

Once Again On The 1960s Folk Minute-The Cambridge Club 47 Scene

Once Again On The 1960s Folk Minute-The Cambridge Club 47 Scene

By Bart Webber

[As of December 1, 2017 under the new regime of Greg Green, formerly of the on-line American Film Gazette website, brought in to shake things up a bit after a vote of no confidence in the previous site administrator Peter Markin was taken among all the writers at the request of some of the younger writers abetted by one key older writer, Sam Lowell, the habit of assigning writers solely to specific topics like film, books, political commentary, and culture is over. Also over is the designation of writers in this space, young or old, by job title like senior or associate. After a short-lived experiment by Green designating everybody as “writer” seemingly in emulation of the French Revolution’s “citizen” or the Bolshevik Revolution’s “comrade” all posts will be “signed” with given names only. The Editorial Board]

[Personally I find this disclaimer above or whatever it purports to be by the "victorious" new regime headed by Greg Green and his so- called Editorial Board annoying. Those of us who defended Allan Jackson (aka Peter Paul Markin) here have taken our "beating" and have moved on as far as I can tell. Going on and on about the internal purging process that did Allan in to disinterested readers who want to read the main piece without disruptions presented under some theory that it is informative about such inner social media workings is beyong me. Bart Webber]

I am not the only one who recently has taken a nose-dive back in time to that unique moment from the late 1950s to the mid-1960s when folk music had its minute as a popular genre. People may dispute the end-point of that minute like they do about the question of when the 1960s ended as a counter-cultural phenomenon but clearly with the advent of acid-etched rock by 1967-68 the searching for and reviving the folk roots had passed. As an anecdote in support of that proposition that is the period when I stopped taking dates to the formerly ubiquitous home away from home coffeehouses, cheap poor boy college student dates to the Harvard Square coffeehouses where for the price of a couple of cups of coffee, a shared pastry, and maybe a couple of dollars admission charge you could hear up and coming talent working out their kinks, and took them instead to the open-air fashion statement rock concerts that were abounding around the town. Some fifty years out in fits of nostalgia and maybe to sum up life’s work there have been two recent documentaries concerning the most famous Harvard Square coffeehouse of them all, the Club 47 (which still exists under the name Club Passim in a similar small venue across from the Harvard Co-Op Bookstore Annex).

One of the documentaries, Club 47 Revisited put out a few years ago traces the general evolution of that club in its prime when the likes of Bob Dylan, Joan Baez, Tom Rush, Eric Von Schmidt, the members of the Jim Kweskin Jug Band (the forming of jug bands itself a part of the roots revival we were in thrall to), and many others sharpened up their acts there. The other documentary, No Regrets (title taken from one of his most famous songs) which I have reviewed elsewhere in this space is a biopic centered on the fifty plus years in folk music of Tom Rush. Both those visual references got me thinking about how that folk scene, or better, the Harvard Square coffeehouse scene kept me from going off the rails, although that was a close thing.

Like about a billion kids before and after in my coming of age in the early 1960s I went through the usual bouts of teenage angst and alienation aided and abetted by growing up “from hunger” among the very lowest rung of the working poor with all the pathologies associated with survival down at the base of society where the bonds of human solidarity are often times very attenuated. All of this “wisdom” of course figured out, told about, made many mistakes to gain, came later, much later because at the time I was just feeling rotten about my life, my place in the sun, and how I didn’t have a say in what was going on. Then through one source or another mainly by the accident of tuning my life-saver transistor radio on one Sunday night to listen to a favorite rock and roll DJ I found a folk music program that sounded interesting (it turned out to be the Dick Summer show on WBZ, a DJ who is featured in the Tom Rush documentary) and I was hooked by the different songs played, some mountain music, some jug, some country blues, some protest songs. Each week Dick Summer would announce who was playing where for the week and he kept mentioning various locations, including the Club 47, in Harvard Square. I was intrigued.

One Saturday afternoon I made connections to get to a Redline subway stop which was the quickest way for me to get to Harvard Square, and which was also the last stop on that line then, walked around the Square looking into the various clubs and coffeehouses that had been mentioned by Summer and a few more as well. You could hardly walk a block without running into one or the other. Of course during the day all people were doing was sitting around drinking coffee and reading, maybe playing chess, or as I found out later huddled in small group corners working on their music (or poetry which also had some sway as a tail end of the “beat” scene) so I didn’t that day get the full sense of what was going on. A few weeks later, having been hipped to the way things worked, meaning that as long as you had coffee or something in front of you in most places you were cool I always chronically low on funds took a date, a cheap date naturally, to the Club Blue where you did not pay admission but where Eric Von Schmidt was to play. I had heard his Joshua Gone Barbados covered by Tom Rush on Dick Summer’s show and I flipped out so I was eager to hear him. So for the price of, I think, two coffees each, a stretched-out shared brownie and two subway fares we had a good time, an excellent time (although that particular young woman and I would not go on much beyond that first date since she was looking for a guy who had more dough to spend on her, and maybe a “boss” car too.

I would go over to Harvard Square many weekend nights in those days, including sneaking out of the house a few time late at night and heading over since in those days the Redline subway ran all night. That was my home away from home not only for cheap date nights depending on the girl I was interested in but when the storms gathered at the house about my doing, or not doing, this or that, stuff like that when my mother pulled the hammer down. If I had a few dollars make by caddying for the Mayfair swells at a private club a few miles from my house I would pony up the admission, or two admissions if I was lucky, to hear Joan Baez or her sister Mimi with her husband Richard Farina, maybe Eric Von Schmidt, Tom Paxton when he was in town at the 47.

If I was broke I would do my alternative, take the subway but rather than go to a club I would hang out all night at the famous Harvard Square Hayes-Bickford just up the steps from the subway stop exit. That was a crazy scene made up of winos, grifters, con men, guys and gals working off barroom drunks, crazies, and… almost every time out there would be folk-singers or poets, some known to me, others from cheap street, in little clusters, coffee mugs filled, singing or speaking low, keeping the folk tradition alive, keeping the faith that a new wind was coming across the land and they, I, wanted to catch it. Wasn’t that a time.

Armies Of The Night, Oops, Armies Of The Day- The October 21, 2018 Women’s March On The Pentagon-Another Sam Eaton And Ralph Morris Story From The Archives

By Frank Jackman

Ralph Morris and Sam Eaton have never been skimpy about doing things for the cause, the cause for them some peace in this wicked old world, some end to the endless wars their county, their America is embroiled in, leading to wicked out of whack U.S. military budgets that are wasteful and wanton. It was not always like that for this pair-they were as patriotic as any other 1960s citizen having in Ralph’s case served in the U.S. Army in Vietnam during the hellish times in 1967 and 1968. Sam Eaton not thinking much about the war since he had a serious childhood leg deformation and therefore was militarily unfit had his sad epiphany when his best friend Jeff Mullins had sent him a letter begging him that if anything happened to him in Vietnam to tell everybody who would listen to oppose the damn war against peasants who were fighting for their land and independence and we had no rationale quarrel with them.

Ralph had come back from Vietnam without any illusions about what he had done, what he had watched others do to people he had no quarrel with and Jeff Mullins had not returned from the war. This unlikely pairing despite both being from serious working-class backgrounds and hence tight in some matters met in the field of fire down in Washington, D.C. on May 1971 where they “met” in Robert Kennedy Stadium not for a professional game but having been rounded up in a police sweep on the streets when they were among thousands who had decided to up the ante and try to shut down the government if it would not shut down the war. Those were desperate times for anti-war advocates, Ralph ha gone down there with a contingent from Vietnam Veterans Against The War (VVAW) from the Albany area. The area where he grew up and Sam had come down with a cohort of radicals from Cambridge near where he grew up in Carver (at one time the cranberry bog capital of the world he would tell everybody who would listen.

That meeting, better meeting of the minds would last until this day through thick and thin. Both men had raised families and that had curtailed their activities somewhat over the years. They would not meet sometimes for extended periods of time but they always felt a bond that time and distance would not, could not break. Ralph had joined Veterans for Peace in the early part of the 21^st century and Sam had joined as an associate so a lot of the events they went to were under the black and white dove-etched flags of that organization. As they had come of retirement age, Ralph turning over the high end electronics business his father had started to his youngest son and Sam’s his printing business over to a trusted employee they had become if anything more active as the times demanded their efforts what with endless wars, bloated military budgets and cuts in necessary social programs rocking the country well beyond even the most egregious acts of the Vietnam War governments. Ralph would make Sam laugh when he suggested that they buy a condo in Washington they were down there so much lately back in June around the Poor Peoples Campaign.

That endless war, endless increase in the military budgets and the endless cuts in social programs (and add in general boorishness of the governments of late) made them prime subjects for any event that would highlight those issues. During the summer of 2018 they had seen during one march or other an advertisement calling for a women’s march on the Pentagon in October. Actually the exact days of the 1967 actions, October 20^th and 21^st. The call issued by antiwar activist Cindy Sheehan. The combination of the name Cindy Sheehan and March of the Pentagon sent flashes through their minds. Cindy Sheehan whatever her subsequent trajectory, not all for the better, earned a lot of “street cred,” an important characteristic to them when she almost single-handedly revived the peace movement, the anti-Iraq opposition when that war turned into another long-term American military quagmire when she “camped out” down at George W. Bush’s ranch in Crawford, Texas back in 2005-2006 looking for answers to one question-why was her son killed in Iraq when there was no rational reason to have gone into that benighted country in the first place since there were no weapons of mass destruction on the premises. That got a lot of peace activists, including Ralph and Sam, back on track after a period of quiescence after the invasion was started despite mass opposition. No, forget “back on track” shamed them back onto the streets. Her name alone was enough for them to make plans.

Sam, the reader and writer of the pair, although Ralph had plenty of ideas in his own right and on those occasions would do himself proud with whatever “think piece” he would put together, had been indifferent to the anti-war movement as mentioned before in 1967 and of course Ralph had been in Vietnam then so neither for their respective reasons had been involved in the original march on the Pentagon that year. Sam had actually later read Norman Mailer’s account of his part the action, his self-serving part in the award-winning Armies of the Night and despite some of Mailer’s over the top language in explaining the course of events had at that point wished he had been part of the action which included many acts of civil disobedience when got those, including Mailer himself, a taste of federal or local justice. (This “later” after Sam had, and Ralph too their own fair share of arrest for acts of non-violent civil disobedience.)

When the pair discussed the up-coming action they knew, given the marginal condition of the active anti-war/peace movement that there would be no literati like Mailer, Dwight MacDonald from Partisan Review and a fistful of other writerly types. No glitterati like William Sloane Coffin and Doc Spock, they of draft resistance fame for which they would stand trial. And no known heavy politicos like Allan Ginsberg OMing the building to the mist of mind, Abbie Hoffman “levitating” the place or even left-liberal types and if things of late ran true to form despite a deluge of press releases no mainstream press (although they knew from Boston/Albany/New York City/ Washington D.C. experience there would be plenty of student journalists sent by their professors to hone their skills on the cheap to people talking to like Ralph and Sam who had learned that talking “to the kids” would hone their own interviewing skills at least giving some pithy line worthy of the mainstream press-if they had bothered to show up. The long and short of it was that this pair were pumped to go do battle against Moloch on its terms and see what came of it.

Only to be for one of the few times in their long and sometimes lonely anti-war careers disappointed or rather perplexed at what had been so promising but which was by any standard a bust. There would be no blame placed, although some scuttlebutt placed blame on the lack of organization, lack of a united front with other peace and social action groups beyond Ms. Sheehan’s name, lack of proper publicity and lack of dramatic effect. Both men had come down by plane from Boston, gone were the days when they would think nothing of the ten hour drive from either Albany or Boston, think nothing of having to go through or around bitch New York City traffic, think nothing of sleeping on church floors sleeping bag in hand, think nothing of the gruel provided for food, thinking nothing of no sleep for three days running of necessary. But poor bladders, poor eyesight, poor energy levels and a little sense that bourgeois flight was not so bad for the soul after all that had made that previous mode of travel outmoded. Even the million bus rides were out for those same reasons.

The plan of action was for the “masses” to meet at Pentagon City Metro stop which Sam knew from previous trips down was the perfect place to meet to head to the Pentagon a mile or two away. But that meeting spot should have also rung bells in their ears because no way would the place take a mass march. And it didn’t since perhaps three or four hundred, at the outside five, people showed up before the noon starting time (which for one of the few times in anti-war march history actually did go off around that time-both men thinking that fact amazing). (By Sam’s count there between police and military far more of them than demonstrators which is a sad commentary on the state of the peace movement as refracted trough this event. The march route was fairly short by Washington march standards but the route, the Sunday-driven route, meant that there would be nothing but empty parking lots that ring the building to greet the crowd. In the event the march ended at the North Parking lot and the dwindling crowd ( a “choir” crowd so once the march was completed there was drift since the line-up of speakers and performers in the vast empty parking lot, mercifully though with a sizable number of port-a- johns for the AARP-worthy crowd was not enough to hold those who had heard it all before) heard what they expected to hear from anti-warrior veterans and performers.

If this was to be the jump-off to a new revived anti-war movement like the 1967 Pentagon march had been this did not go down well with two long-time activists. If this was that start-please have mercy. They left the place late that afternoon scratching their heads searching for answers-no doubt about that hard fact

Upon The 50th Anniversary Of The "King OF The Beats" Jack Kerouac-

Upon The 50th Anniversary Of The "King OF The Beats" Jack Kerouac-

“Advertisements for Myself”-Introduction by Allan Jackson, a founding member of the American Left History publication back in 1974 when it was a hard copy journal and until 2017 site manager of the on-line edition.

[He’s back. Jack Kerouac, as described in the headline, “the king of the beats” and maybe the last true beat standing. That is the basis of this introduction by me as we commemorate the 50^th anniversary of his untimely death at 47. But before we go down and dirty with the legendary writer I stand before you, the regular reader, and those who have not been around for a while to know that I was relieved of my site manage duties in 2017 in what amounted to a coup by the younger writers who resented the direction I was taking the publication in and replaced me with Greg Green who I had brought on board from American Film Gazette to run the day to day operations while I oversaw the whole operation and planned my retirement. Over the past year or so a million rumors have, had mostly now, swirled around this publication and the industry in general about what had happened and I will get to that in a minute before dealing with Jack Kerouac’s role in the whole mess.

What you need to know first, if you don’t know already is that Greg Green took me back to do the introductions to an encore presentation of a long-term history of rock and roll series that I edited and essentially created after an unnamed older writer who had not been part of the project balled it all up, got catch flat-footed talking bullshit and other assorted nonsense since he knew nada, nada nunca and, about the subject having been apparently asleep when the late Peter Markin “took us to school” that history. Since then Greg and I have had an “armed truce,” meaning I could contribute as here to introductions of some encore and some origin material as long as I didn’t go crazy, his term, for what he called so-called nostalgia stuff from the 1950s and 1960s and meaning as well that Greg will not go crazy, my term, and will refrain from his ill-advised attempt to reach a younger audience by “dumbing down” the publication with odd-ball comic book character reviews of films, graphic novels and strange musical interludes. Fair is fair.

What I need to mention, alluded to above, is those rumors that ran amok while I was on the ropes, when I had lost that decisive vote of no confidence by one sullen vote. People here, and my enemies in the industry as well, seeing a wounded Allan Jackson went for the kill, went for the jugular that the seedy always thrive on and began a raggedy-ass trail on noise you would not believe. In the interest of elementary hygiene, and to frankly clear the air, a little, since there will always be those who have evil, and worse in their hearts when “the mighty have fallen.”  Kick when somebody is down their main interest in life.

I won’t go through the horrible rumors like I was panhandling down in Washington, D.C., I was homeless in Olde Saco, Maine (how could that be when old friend and writer here Josh Breslin lives there and would have provided alms to me so at least get an approximation of the facts before spinning the wild woolly tale), I had become a male prostitute in New York City (presumably after forces here and in that city hostile to me put in the fatal “hard to work with” tag on me ruining any chances on the East Coast of getting work, getting enough dough to keep the wolves from my door, my three ex-wives and that bevy of kids, nice kids, who nevertheless were sucking me dry with alimony and college tuitions), writing press releases under the name Leonard Bloom for a Madison Avenue ad agency. On a lesser scale of disbelief I had taken a job as a ticket-taker in a multi-plex in Nashua, New Hampshire, had been a line dishwasher at the Ritz in Philadelphia when they needed day labor for parties and convention banquets, had been kicking kids out of their newspaper routes and taking that task on myself, and to finish off although I have not given a complete rundown rummaging through trash barrels looking for bottles with deposits. Christ.

Needless to say, how does one actually answer such idiocies, and why. A couple of others stick out about me and some surfer girl out in Carlsbad in California who I was pimping while getting my sack time with her and  this one hurt because it hurt a dear friend and former “hippie girl” lover of mine, Madame La Rue, back in the day that I was running a whorehouse with her in Luna Bay for rich Asian businessmen with a taste for kinky stuff. I did stop off there and Madame does run a high-end brothel in Luna Bay but I had nothing to do with it. The reason Madame was hurt was because I had lent her the money to buy the place when it was a rundown hotel and built it up from there with periodic additional funds from me so she could not understand why my act of kindness would create such degenerate noise from my enemies who were clueless about the relationship between us.
I will, must deal with two big lies which also center of my reluctant journey west (caused remember by that smear campaign which ruined by job opportunities in the East, particularly New York City. The first which is really unbelievable on its face is that I hightailed it directly to Utah, to Salt Lake City, when I busted out in NYC looking for one Mitt Romney, “Mr. Flip-Flop,” former Governor of Massachusetts, Presidential candidate against Barack Obama then planning on running for U.S. Senator from Utah (now successful ready to take office in January) to “get well.” The premise for this big lie was supposedly that since I have skewered the guy while he was governor and running for president with stuff like the Mormon fetish for white underwear and the old time polygamy of his great-grand-father who had five wives (and who showed great executive skill I think in keeping the peace in that extended family situation. The unbelievable part is that those Mormon folk, who have long memories and have pitchforks at the ready to rumble with the damned, would let a sinner like me, a non-Mormon for one thing anywhere the Romney press operation. Christ, I must be some part latter day saint since I barely got out of that damn state alive if the real truth were known after I applied for a job with the Salt Lake Sentinel not knowing the rag was totally linked to the Mormons. Pitchforks, indeed.

The biggest lie though is the one that had me as the M.C. in complete “drag” as Elsa Maxwell at the “notorious” KitKat Club in San Francisco which has been run for about the past thirty years or so by Miss Judy Garland, at one time and maybe still is in some quarters the “drag queen” Queen of that city. This will show you how ignorant, or blinded by hate, some people are. Miss Judy Garland is none other that one of our old corner boys from the Acre section of North Adamsville, Timmy Riley. Timmy who like the rest of us on the corner used to “fag bait” and beat up anybody, any guy who seemed effeminate, at what cost to Timmy’s real feelings we will never really know although he was always the leader in the gay-bashing orgy. Finally between his own feeling and Stonewall in New York in 1969 which did a great deal to make gays, with or with the drag queen orientation, a little less timid Timmy fled the Acre (and his hateful family and friends) to go to friendlier Frisco. He was in deep personal financial trouble before I was able to arrange some loans from myself and some of his other old corner boys (a few still hate Timmy for what he has become, his true self) to buy the El Lobo Club, his first drag queen club, and when that went under, the now thriving tourist trap KitKat Club. So yes, yes, indeed, I stayed with my old friend at his place and that was that. Nothing more than I had done many times before while I ran the publication.

But enough of this tiresome business because I want to introduce this series dedicated to the memory of Jack Kerouac who had a lot of influence on me for a long time, mostly after he died in 1969
******
All roads about Jack Kerouac, about who was the king of the beats, about what were the “beats” lead back to the late Pete Markin who, one way or another, taught the working poor Acre neighborhood of North Adamsville corner boys what was up with that movement. Funny, because we young guys were a serious generation removed from that scene, really our fathers’ contemporaries and you know how far removed fathers were from kids in those days especially among the working poor trying to avoid going  “under water” and not just about mortgages but food on tables and clothing on backs, were children of rock and roll, not jazz, the beat musical medium, and later the core of the “Generation of ‘68” which took off, at least partially, with the “hippie” scene, where the dying embers of the beat scene left off. Those dying embers exactly the way to put it since most of our knowledge or interest came from the stereotypes-beards before beards were cool and before grandfather times -for guys, okay, berets, black and beaten down looks. Ditto on black for the gals, including black nylons which no Acre girl would have dreamed of wearing, not in the early 1960s anyway. Our “model” beatnik really came, as we were also children of television, from sitcom stories like Dobie Gillis with stick character Maynard G. Krebs standing in for all be-bop-dom.

So it is easy to see where except to ostracize, meaning harass, maybe beat up if that was our wont that day, we would have passed by the “beat” scene, passed by Jack Kerouac too without the good offices, not a term we would have used then, if not for nerdish, goof, wild and woolly in the idea world Markin (always called Scribe for obvious reasons but we will keep with Markin here). He was the guy who always looked for some secret meaning to the universe, that certain breezes, winds, metaphorical breezes and winds, were going to turn things around, were going to make the world a place where Markin could thrive. Markin was the one who first read Kerouac’s breakthrough travelogue of a different sort novel On The Road.
Now Markin was the kind of guy, and sometimes we let him go on and sometimes stopped him in his tracks, who when he was on to something would bear down on us to pay attention. Christ some weekend nights he would read passages from the book like it was the Bible (which it turned out to be in a way later) when all we basically cared about is which girls were going to show up at our hang-out spot, the well-known Tonio’s Pizza Parlor and play the jukebox and we would go from there. Most of us, including me, kind of yawned at the whole thing even when Markin made a big deal that Kerouac was a working-class guy like us from up in Lowell cut right along the Merrimac River. The whole thing seemed way too exotic and moreover there was too much homosexual stuff implied which in our strict Irish-Italian Catholic neighborhood did not go down well at all -made us dismiss the whole thing and want to if I recall correctly “beat up” that Allan Ginsberg character. Even Dean Moriarty, the Neal Cassidy character, didn’t move us since although we were as larcenous and “clip” crazy as any character in that book we kind of took Dean as a tough car crazy guide like Sonny Jones from our neighborhood who was nothing but a hood in Red Riley’s bad ass motorcycle gang which hung out at Harry’s Variety Store. We avoided him and more so Red like the plague. Both wound up dead, very dead, in separate attempted armed robberies in broad daylight if you can believe that.

Our first run through of our experiences with Kerouac and through him the beat movement was therefore kind of marginal-even as Markin touted for a while that whole scene he agreed with us that jazz-be-bop jazz always associated with the beat-ness was not our music, was grating to our rock and roll-refined and defined ears. Here is where Markin was always on to something though, always had some idea percolating in his head. There was a point where he, we as well I think, got tired of rock and roll, a time when it had run out of steam for a while and along with his crazy home life which really was bad drove him to go to Harvard Square and check out what he had heard was a lot of stuff going on. Harvard Square was, is still to the extent that any have survived like Club Passim, the home of the coffeehouse. A place that kind of went with the times first as the extension of the beat generation hang-out where poetry and jazz would be read and played. But in Markin’s time, our time there was the beginnings of a switch because when he went to the old long gone Café Nana he heard folk music and not jazz, although some poetry was still being read. I remember Markin telling me how he figured the change when I think it was the late Dave Von Ronk performed at some club and mentioned that when he started out in the mid-1950s in the heat of beat time folk singers were hired at the coffeehouses in Greenwich Village to “clear the house” for the next set of poetry performers but that now folk-singing eclipsed poetry in the clubs. Markin loved it, loved the whole scene of which he was an early devotee. Me, well, strangely considering where I wound up and what I did as a career, I always, still do, hated the music. Thought it was too whinny and boring. Enough said though.

Let’s fast forward to see where Kerouac really affected us in a way that when Markin was spouting forth early on we could not appreciate. As Markin sensed in his own otherworldly way a new breeze was coming down the cultural highway, a breeze push forward by the beats I will confess, by the folk music scene, by the search for roots which the previous generation, our parents’ generation, spent their adulthoods attempting to banish and become part of the great American vanilla melt, and by a struggling desire to question everything that had come before, had been part of what we had had no say in creating, weren’t even asked about. Heady stuff and Markin before he made a very bad decision to quit college in his sophomore years and “find himself,” my expression not his, spent many of his waking hours figuring out how to make his world a place where he could thrive.

That is when one night, this is when we were well out of high school, some of us corner boys had gone our separate ways and those who remained in contact with the brethren spent less time hanging out at Tonio’s, Markin once again pulled out On The Road, pulled out Jack’s exotic travelogue. The difference is we were all ears then and some of us after that night brought our own copies or went to the Thomas Murphy Public Library and took out the book. This was the spring of the historic year 1967 when the first buds of the Summer of Love which wracked San Francisco and the Bay Area to its core and once Markin started working on us, started to make us see his vision of what he would later called, culling from Tennyson if I am not mistaken a “newer world.” Pulling us all in his train, even as with Bart Webber and if I recall Si Lannon a little, he had to pull out all the stops to have them, us, join him in the Summer of Love experience. Maybe the whole thing with Jack Kerouac was a pipe dream I remember reading about him in the Literary Gazette when he was down in Florida living with his ancient mother and he was seriously critical of the “hippies,” kind of banged on his own beat roots explaining that he was talking about something almost Catholic beatitude spiritual and not personal freedom, of the road or anything else. A lot of guys and not just writing junkies looking for some way to alleviate their inner pains have repudiated their pasts but all I know is that when Jack was king of the hill, when he spoke to us those were the days all roads to Kerouac were led by Markin. Got it. Allan Jackson

The Search For The Great Blue-Pink American Night-Part 32-With Western Artist Ed Ruscha In Mind

By Sam Lowell

Just then Bart Webber was in a California state of mind, was ready to chuck everything and go back on the road, the road to perdition to hear his wife, of thirty plus years, Betty Salmon, tell it when he went off on his tirade about the old days, and worse, the old guys, guys like Markin who had dragged him out West kicking and screaming. Now to hear him tell it Bart was the guy who propelled the sluggish Markin westward. We will get to the why of Bart’s new found interest in retracing his youthful fling in the bramble-filled West, out there where the states are square and you had better be as well on the way to the edge of the continent and the dreaded Japans sea for failure but first the what.

It seemed that Bart had jumped the gun somewhat because he found himself out in San Francisco, the place where he met up with Markin and some of the other North Adamsville corner boys in that fateful year of 1968 when he rode for a few months with the guys on Captain Crunch’s yellow brick road converted school bus come travelling caravan home, at a printing and media conference, what would be his final conference since he was putting his printing business in the capable hands of his youngest son who truth be told had been handling the day to day operations of the shop anyway and was itchy to run the operation himself. While riding on the BART into the city he noticed on a billboard that the deYoung Museum in Golden Gate Park was featuring a retrospective by the Western artist Ed Ruschua, an artist that Bart had always admire ever since he had seen his series on gas stations and their role in the great post-World War II golden age of the American automobile, the wide open highways and cheap gas.

Taking an afternoon off he went over to Golden Gate and viewed the exhibit, a show that had well over one hundred paintings, photographs, prints and petro-maps. One set of photographs taken on one of Ruscha’s trips from his native Oklahoma to Los Angeles via the southern desert-etched route drove Bart to distraction as there he saw gas stations in places like Needles, on the California-Arizona border, Kingman, Flagstaff, Gallup, and a few other places he had passed through on one of his hitchhike or car-sharing trips to California. Saw too coyotes, Native American reservations, buffalos roam. Saw a series of prints and paintings of the famous Hollywood sign that told him the first time that he had seen the sign up in the hills that he had arrived in the land of sun and fantasy. Saw a darkly troubling painting all done in dark somber colors of the death of the Joshua trees in the high desert, a place where he had performed under the influence of serious dope inhalation the “ghost” dance with Markin, Jack Callahan, Josh Breslin and Frankie Riley. Saw plenty of photographs and paintings detailing the degradation of that part of California Ruscha had travelled through on those golden age trips. He was, well-known as a man not to show much public emotion, shaken almost to tears at the vistas that he witnessed. Could not get the thoughts of his old “hippie” minute out of his mind. (That “minute” then signifying that he finally came to a realization after a few months that unlike Markin, Josh, or Sam Lowell another late arrival in California from the corner boys who stayed on the road for a few years that he was a stationary person, missed old North Adamsville and missed old ball and chain Betty Salmon.)

Here’s how the whole thing played out back then and maybe, just maybe you will begin to understand why Bart was shaken almost to tears for visions of his long lost youth. Despite the urban legend Bart tried to create lately around his role in sending Markin westward Markin, and only Markin was the guy who led the charge west. Had been the guy of all the guys on the corner who predicted, predicted almost weekly from about 1962 on that a big sea-change was coming and they had better be ready to ride the wave. They all, Bart included blew Markin’s predictions off out of hand because frankly if the subject around Tonio’s Pizza Parlor come Friday night wasn’t about girls, cars, money, getting drunk or any combination of those subjects they didn’t give a rat’s ass as Frankie Riley would say about some seaweed change.

Things pretty much stayed that way all through high school although that didn’t stop Markin from his predictions especially when the black down south got all uppity (signifying that the corner boys except Markin didn’t give a rat’s ass about that subject either and maybe worse) and folk music, the urban folk revival as Markin called it, took off. All that meant and this was stretching it was cheap dates with girls who might put on. Bart was even less interested in the latter since Betty was still stuck in some Bobby Rydell crush and did not like folk music (and still didn’t so Bart only played it when she was out of the house). Stayed that way for a couple of years after high school as they went their separate ways except the Friday night reunions at Tonio’s to,well, kill time. Then the Vietnam War came on strong which they did give a rat’s ass about, wanted to see the commies bit the dust although except for Sal Russo and Jimmy Jenkins who laid down his head over there and whose name now is on black marble down in Washington and in granite in North Adamsville, they did not volunteer. (Those who were called eventually all went including Markin who lost a lot over there, had serious troubels with the “real” world coming back and in the end couldn’t shake whatever it was that took the life out of him.)

Then in the spring of 1967 Markin did two things, one, the fateful decision to drop out of Boston University after his sophomore year to go “find himself,” a characteristic of the times, of the generation, of the best part of the generation and the other, the less fateful but still fraught with danger decision to head west, to hitchhike west to California after he had read Jack Kerouac’s On The Road about six times and declared that now was the moment that he had been talking about all those Friday nighst in front of Tonio’s. So he headed west with no compulsion, wound up hooking up with a caravan out there. The Captain Crunch yellow brick road caravan that would eventually be composed of at least a half dozen North Adamsville corner boys turned “hippies” for varying lengths of time. Bart was pretty late on that “train” didn’t go out until the summer of 1968 after he found out that due to a childhood injury that left him with a pronounced limp despite a couple of surgeries was declared 4-F, unfit for military service by the friends and neighbors at his local draft board. That pretty late also meant that Markin who shortly after he got out to San Francisco received his own draft notice and was an additional reason why Bart left the road early since he knew the ropes.

Bart, despite whatever happened later, was happy to be heading out and once he decided to go he also decided that he would hitchhike out like all the other guys except Sam Lowell who to placate anxious parents, really an anxious mother went out by bus. Even Sam after five plus days on a stinking Greyhound bus with the usual screaming kids left to wander the aisles and the inevitable overweight seatmate who snored and despite a couple of pleasant days from New York to Chicago with a chick who caught his eye and whom he flirted like crazy with said later that he would have rather hitched than go through that again (and all his later trips would be done that way. Bart figured that although the road might be slow with the many false starts and being left in some strange places where grabbing a ride was not easy that it would be interesting once he got past the stifling East and Great Plains to see what was what in the West (that stifling Ruscha could attest to since he was nothing but a child of the Great Plains, hell, an Okie so he knew he had to head west in that big old Chevy Bart had heard he went out to L.A. in that fateful 1956 year when he went to art school there.

Bart thinking about the experience, that first road out, that always served as a hallmark for every guy’s trip out remembered more or less vividly all those dusty side roads he got left on after his own trip through Oklahoma. Although the big Eisenhower-driven national security Interstate highway system made it easier in the mid-1960s to travel the hitchhike road than all the back roads and Route 66 that Bart had read about in Jack Kerouac’s travel the open road book On The Road that Markin made everybody read when they all were in high school even though he wasn’t much of a reader, didn’t think as much of the be-bop beats as Markin did who thought they were the max daddies he was waiting for even though by their time the beat thing was passe was old news, ancient history it was actually easier to get rides on the smaller roads where people could see you from down or up the road. In any case you were sure to be left off on more than one back road since that was just the way it was, nobody who was say going to Denver was going to let you off in the middle of Interstate 80 when you saw the sign for Cheyanne just ahead.

Funny all the strange signs he saw out on the open back roads like the mere fact of putting a sign up would draw people to your Podunk town , or your Podunk store. He had had to laugh when he saw Ruscha’s photograph of a town out in nowhere which probably had a population of less than one thousand but which had a sign documenting all the about ten church denominations that kept the good people of the town on their feet. He had seen more Jesus Save signs and the like than you could shake a stick at the further west he went until they stopped, stopped dead the closer you got to coastal California. Saw more signs for cigarettes, beer, whiskey, dry goods (quaint), no trespassing, no loitering, no anything than he ever noticed back home. He wondered if people travelling through North Adamsville had that same feeling about his own Podunk town. He knew for sure that there were not top-heavy signs about all the religious denominations of the town at least not in the Acre where all you saw was a fistful of Catholic churches, Roman Catholic for the unknowing about differences.

Had seen above all the signs that directed you to the nearest gas stations, almost a ritualistic sign that you were still in the golden age of the automobile, of the superhighway and of cheap gas. Hell even in North Adamsville right across from the high school he remembered the service station owners who had business right next to each other would have “gas wars,” would have signs out with prices like 30 cents per gallon versus say 29 cents. Yeah, cheap gas, and plenty of service too. Lots of guys, guys who needed to support their “boss” car habits worked as gas jockeys filling up tanks, checking oil and tires and wiping off windshields. Saw every kind of gas station from the one franchised out by Esso and Texaco to little fly-by-night operations with no name gas, a rundown coke machine that barely worked and bathrooms with stained sinks and broken plumbing and had been cleaned since Hector was a pup. You had to use your own handkerchief to wipe your hands. Even some of the diners, diners like Jimmy Jack’s back home where all the guys hung out after leaving off their dates if they didn’t get lucky and wind up down at the far end of Squaw Road on Adamsville Beach fogging up some “boss” car into the wee hours of the morning had gas stations or at least pumps out on those long stretch deserted roads so nobody would get stranded on in the hot sun (and the owners probably figured that while stopping for gas the little family might as well have something to eat at the high carbohydrate steamed everything counters and booths.

Saw plenty of weird natural formations along the way getting twenty mile rides here from ranchers or farmers going up the road, fifty miles there from high-rollers taking the high side to Vegas, a few miles from high school kids joy-riding to while away the afternoon to avoid the dreaded chores that awaited them at home. Saw every kind dusty dried out tree seeking nourishment from the waterless ground. Saw rock formations hounded by the winds and sheered to perfection. Saw every color of brown, of beige, of grey. Saw too in Joshua Tree of a thousand tears, tears for the creeping civilization that was choking them away and tears one high doped up night when Markin and a few others channeled the shamans of the past in a ghost dance off the flickering canyon walls, hah, walls of brown, of beige, of grey. Bart never got over that experience, never saw what the white man, what his people had done so clearly even if he wasn’t about to do anything about it except load up on peyote buttons and ancient dreams of mock revenge.

Saw above all as he grabbed that last one hundred, maybe one hundred and fifty mile stretch to Frisco town the refuge of the high speed road, the broken glass, the road kill, the busted fences where some fool had gone off the highway drunk or doped up so he didn’t feel a thing, saw stripped off bare truck tires blocking easy passage on the road ahead. Saw the bramble, the flotsam and jetsam of modern day life. Saw too though as he got closer to Frisco, as he could almost smell the ocean, the land’s end, the Japan seas or back home that the West was very different, that those who had make the trek, maybe were forced to make the trek were very different from the East that he knew. But maybe too they would have to run from a thing which they had built.

Later. after he arrived in San Francisco, met Markin, Josh and Frankie on Russian and then joined them on the journey south for a few months (with a couple of trips back home in between) he would see Ruscha L.A. would see those luscious Hollywood signs, and would like any tourist from Podunk image that he had the wherewithal to make it as a star, or something like that name in lights. Got to know L.A. too well, couldn’t handle the freeway craziness, couldn’t handle the sameness of the endless strip malls, the endless rows of tickey-tack houses, couldn’t handle the sprawl that was turning a small town into a nega-town. Yeah he knew exactly what Ruscha was driving at, was trying to chronicle. Bot still he missed the opportunity to see if he did have what it took to survive in California, to have drunken in the scenes.

And you wonder why Bart just then as he approached retirement as he approached his seventh decade he was in a frenzy to repeat his past.

Down And Dirty In The Delta-With Bluesman Skip James In Mind

CD Review

By Zack James

Skip James Unchained, Skip James Around Records, 1985

“Hey, Josh, Sally Ann and I are headed to Newport this weekend for the folk festival, do you want to go?” asked Seth Garth plaintively knowing that Josh would give his right arm to be there that weekend, the weekend when the great old time country blues singers “discovered” by the young urban folk archivists and aficionados were going to “duel” it out for the “king of the hill” title. Of course Josh, stuck in a job as a research assistant in order to pay his way through college could not go since Professor Levin had some paper he was going to present to a conference out in California, out at Berkeley that needed last minute upgrading and footnoting, a fact of life in the profession, and so would be drudging around at least until Tuesday. Even if he had been able to sneak away for several hours to run down there some seventy miles away he knew that Seth and Sally Ann would be heading down courtesy of the Greyhound bus and so that was strictly out.

Seth, knowing of Josh’s plight thought that it had really been something for a couple of guys from the working poor Acre neighborhood of North Adamsville were deeply into blues by guys from down in places like the Delta in Mississippi and the swamps of Alabama, places like that. City boys really and to the core, corner boys by inclination and so previously heavily attuned to nothing but bad boy rock and roll, you know, Elvis, Chuck Berry and Jerry Lee, country boys too but guys who had hooked into some primal beat that moved them, spoke to them, hell, spoke for them, in a way that no sociologist could ever figure out in a hundred years. Strangely it had almost been an accidental occurrence since one night Seth had taken Annie Dubois from Olde Saco up in Maine to a blues concert in Cambridge where an old blues man from rural Texas, Mance Lipscomb was playing at the Café Algiers. He had been “found” by Alan Battles down in some Podunk town in Texas and came North via bus in tow with Alan. His Ella Speed and a couple of other tunes wowed him and he began studying up on Harry Smith’s anthology, Charles Seegers playlist and that of the Lomaxes, father and son. Watched too when unnamed aficionados were combing the South for country blues guys they had heard on old RCA records from the 1920s when that company sent out scouts to find talent for their “race records section.” Surprising some the guys, some of the best ones too, were still alive working in farm jobs or in small trades maybe playing the juke joints for drinks and pocket change.

Then in golden age 1963 (that golden age a true retrospective since many of the great bluesmen like Mississippi John Hurt, ditto Mississippi Fred McDowell, Sam Sloan, Bubba Ball, Bukka White would pass away within a few years of discovery so yes golden age) news came from Newport as they were announcing the festival program that Allan Battles had found Son House and Skip James to go with John Hurt. Now there was no publicity like today that would make the thing some kind of a shoot-out among the three for the title but Seth had a sneaking suspicion that that would happen. Would happen on the assumption that if you put three big gun bluesmen (or any three big guns in any musical genre) you were bound to have a shoot-out. That is what had animated all the conversations between Seth and Josh all spring on the assumption that Josh would be going along.

In the event Seth had been right, at least in the end right. Each of the three men had their individual sets in a tent area set aside for them which actually was too small by the time serious folkies heard what was afoot. Seth and Sally Ann had gotten seat pretty close to the front because Seth although murder on any instrument he might play had a sense about who could play the guitar and who, beside him, could not. They all did a pretty good job, took a break and then came back together supposedly for one final collective song, John Hurt’s Beulah Land. Son House jumped out first but Seth detected that tell-tale glint he knew from his own drinking experiences that he had been at the bottle. John Hurt did well as would be expected on one of his signature covers. But then Skip James, not as good as a guitarist as the other two pulled down the hammer, came soaring out with that big falsetto voice and kept the field for himself.

And if you don’t believe Seth then check out this CD and then weep for your error.

From The Living Archives Of Boston Veterans For Peace-They Ain't Your Grandfather's Veterans-By Site Manager Greg Green-VFP Efforts In The March 2018 March For Our Lives

[Ralph Morris who has lived in Troy, New York most of his life, been raised there and raised his own family there, went to war, the bloody, horrendous Vietnam War which he has made plain many times he will never live down, never get over what he did, what he saw others do, and most importantly for the long haul, what his evil government did with no remorse to people in that benighted country with whom he had no quarrel never was much for organizations, joining organizations when he was young until he came upon a group formed in the fire of the Vietnam War protests -Vietnam Veteran Against the War (VVAW) which he joined after watching a contingent of them pass by in silent march protesting the war in downtown Albany one fall afternoon. Somebody in that contingent with a microphone called out to any veterans observing the march who had had enough of war, had felt like that did to “fall in” (an old army term well if bitterly remembered). He did and has never looked back although for the past many years his affiliation has been with a subsequent anti-war veterans’ group Veterans for Peace.

Sam Eaton, who has lived in Carver, Massachusetts, most of his life, been raised there and raised his own family there, and did not go to war. Did not go for the simple reason that due to a severe childhood accident which left him limping severely thereafter he was declared no fit for military duty, 4-F the term the local draft board used. He too had not been much for organizations, joining organizations when he was young. That is until his best friend from high school, Jeff Mullins, died in hell-hole Vietnam and before he had died asked Sam that if anything happened to him to let the world that he had done things, had seen others do things, and most importantly for the long haul, what his evil government did with no remorse to people in that benighted country with whom he had no quarrel. As part of honoring Jeff’s request after Sam found out about his death he was like a whirling dervish joining one anti-war action after another, joining one ad hoc group, each more radical than the previous one as the war ground away, ground all rational approach vapid, let nothing left but to go left, until the fateful day when he met Ralph down in Washington, D.C.

That was when both in their respective collectives, Ralph in VVAW and Sam in Cambridge Red Front, were collectively attempting one last desperate effort to end the war by closing down the government if it would not shut down the war. All they got for their efforts were tear gas, police batons, arrest bracelets and a trip to the bastinado which was the floor of Robert F. Kennedy stadium which is where they would meet after Sam noticed Ralph’s VVAW pin and told him about Jeff and his request. That experience would form a lasting friendship including several years ago Sam joining Ralph’s Veterans for Peace as a supporter, an active supporter still trying to honor his long- gone friend’s request and memory.

No one least of all either of them would claim they were organizing geniuses, far from it but over the years they participated, maybe even helped organize many anti-war events. One day their friend, Josh Breslin, who writes a by-line at this publication, and who is also a veteran asked them to send some of events they had participated in here to form a sort of living archives of the few remaining activist groupings in this country, in America who are still waging the struggle for peace.

Periodically, since we are something of a clearing house and historic memory for leftist activities, we will put their archival experiences into our archives. As mentioned above Sam and Ralph “met” each other down in Washington, D.C. during the May Day anti-war demonstrations of 1971 when out of desperation clots of anti-war radicals, veterans and civilians alike, tried unsuccessfully to shut down the government if it would not shut down the war. They “met,” their in forever quotation marks not mine, on the floor of Robert F. Kennedy football stadium after they had been arrested along with members of their respective collectives, Ralph’s VVAW and Sam’s Red Front Brigade after getting nothing but tear gas, police batons and a ride in the paddy wagon for their efforts. What they were doing, what for each of the them, according to Josh Breslin who met them shortly after they got “sprung,” also then a member of VVAW and also arrested but had been held in a D.C. city jail, were their first acts of civil disobedience. The first of a long time of such actions which is the lead in to the archival material presented in this piece.

Josh, who introduced the pair to me several years ago when I first came on board to manage the day to day operations of this publication after Allan Jackson, aging and ready to retire, brought me on board for that purpose so he could work on where the publication was heading. He mentioned the Washington action as their calling card although then, in 1971, I was about a decade too young to have realized what they were doing and how important it was for their future political trajectories, their political commitments to “fight the monster,” their term, on the questions of war and peace and other social issues. Not have realized, not having done any such actions how important civil disobedience, or the threat of such actions was, is to their political perspectives.

By the way, as Josh was at pains under pressure from Ralph and Sam, to report to me that May Day action was not the first attempt by either man to “get arrested,” to “put their bodies on the line” as Sam articulated it to me one night when we were putting this piece together. May Day was just the first time when the cops, National Guard, Regular Army was willing, with a vengeance, to take them up on the offer. Both men had tried repeatedly to get arrested “sitting down” at their respective local draft boards in Carver and Troy in order to warn off young men on signing up for the draft. Maybe it was the nature of the times but the local police would not arrest them.]

**********

[One of Ralph Morris and Sam Eaton’s proudest moments in their recent anti-war activities associated with VFP was not directly related to war, although certainly part of war culture pervasive in the gun-drizzled society at large but with acting as peace-keepers in the local anti-gun rally organized by March for Our Lives at the end of March of 2018 after the horrendous Parkland High School massacre. There was no question a split opinion within VFP on the question of providing peacekeeping cadre when the March organizers asked for assistance after threats from the Alt-Right materialized and in the wake of Charlottesville down in Virginia in 2017 had to be taken seriously, very seriously. Since all actions by the organization are voluntary Sam and Ralph naturally volunteered to help keep the peace but also to help train what will be the next generation of activists in the continuing struggle for more peaceful world where guns and endless wars have lost their appeal.]

Saturday’s March-Marchers from Madison Park

Doug, Jeff and all-make comment and then incorporate whatever you want to use in an e-mail to list

Dan and I went to the peacekeeping training/organizing meetings last night and here is the updated information we have been provided with.

The Alt-Right and allies are having an unpermitted rally at the State House starting at eleven o’clock so we can expect at least some counter-protesters and infiltrators throughout the day so all need to be vigilant around the Common at least.

The police have indicated no poles allowed. What else is not allowed we don’t know but travelling light and warm is the best bet.

This is the kids’ march (under 25) and no others, kids and family march with the adults in back of the independent kids. They will lead everything from the beginning and will be at the front of the stage at the Common. They will have their own staging area on Tremont Street.

The Boston Globe today has a map of the march route which is essentially down Tremont Street from Madison Park to Columbus to Park Plaza (Stuart Street and Arlington) and then to the Copley entrance to the Common (the place where we start to march on Armistice Day right after the “officials” step off). The stage is set up at the Charles Street and Beacon Street entrance (the place where we stage on Armistice Day).

There will be a place complete with banner at Dartmouth and Columbus for those who cannot or do not want to march the whole two miles from Madison Park.

Those who are neither marchers nor peacekeepers should show up at the Common after 12 noon. The organizer emphasized that point so those peacekeepers on the Common can do their work before then.

The March step-off time is expected to no later than 11:30 AM with arrival at Dartmouth and Columbus by 12:45 and entry into the Common about 1:30 with a 2:00 start time and finish about 4:00 which means a long day so pacing and hydration is important.

At Madison Park the head marshal (think marshal and peacekeeper as essentially the same thing) will be set-up at 6:30-marshals will arrive at 7:00 and be assigned areas in the staging area and along the parade route. People are expected to be starting to arrive by 9:00. About 10:45 there will be a pep rally for people in the back of the march. About 11:15 for the front. Then off.

There will be contingents of medics, National Lawyers Guild observers and others like social workers to aid along the route. After arriving at the Common there will “safe havens” for those who need a quiet space for any reason can’ at the First Church on Marlborough Street, the Old South Church on Boylston and Saint Peter’s on Tremont right across from the Common.

There are no portable toilets at Madison which will be locked down as far as we know nor along the route so be inventive. There will be facilities at the Common.

Wednesday, December 26, 2018

*Woody Allen On Tour- "Vicky Cristina Barcelona"

DVD REVIEW

Vicky Cristina Barcelona, Scarlett Johansson, Rebecca Hall, Javier Barmen, Penelope Cruz, directed by Woody Allen, 2008

I have been reviewing Woody Allen productions in this space over the past year or so. I have highly rated such old Woody classics as “Annie Hall, “Manhattan” and “Radio Days”, those memorable films with New York City its trials, tribulations and traumas as an epicenter. I have also given mixed reviews to some of his later productions like “Manhattan Mystery” and others based in other geographic locales (“Purple Rose Of Cairo”, etc.). I was, however, fully prepared to fulsomely praise the film under review, “Vicky Cristina Barcelona”, after having heard the hype about Penelope Cruz’s performance as, Maria Elena, the talented estranged artsy wife of the central male character, Juan Antonia (Javier Bardem), a Spanish avant guarde artist. After viewing the film Ms. Cruz's performance was certainly Oscar-worthy. Nevertheless the overall production falls flat. And here is why.

Woody Allen has created an important cinematic niche for himself as a performer, director, writer and producer in that netherworld of the alienated modern urbanite, especially of distracted women unsure of their place in the world and their ability to navigate it with (or without) a man. The classic examples of such angst and confusion were various film vehicles created for Diane Keaton (“Annie Hall”) Mia Farrow (“Broadway Danny Rose”, “Stardust Memories”) and along the way Woody himself, his doubts and his inhibitions (in about six billion of his films starting with “Take The Money And Run”). Here Woody has gathered the old familiar concerns about sexual inhibitions, the vacuity of upper middle class suburban life, the eternal problems with the opposite sex and various social conventions like bisexuality, adultery, threesomes and the like. All very familiar Woody material, although not always set in Barcelona.

With the above-mentioned exception of Ms. Cruz the other characters are Woody’s stock and trade of late: young woman with various personal and social problems, with or without Woody as conduit. The truly beautiful and talented Scarlett Johansson is wooden here as Cristina. The lesser known actress, Rebecca Hall, playing Vicky's role is the same. In the end I did not care whether the two women (or three, if we include Ms. Cruz) got their issues resolved, or not. That is not a good sign in a Woody Allen film where in earlier, better film , if nothing else, we are at least left wondering about their fates. Woody, come back to your New York hearth and home with all its tangled energies, excitement, enigmas and hangups. There you are “king of the hill”. Leave Europe for the kids.