Sunday, January 27, 2019

Didn’t Your Mother Ever Tell You Not To Talk To The Cops-Visions From The Acre Neighborhood-With The Hollywood Version Of “The Mod Squad” (1999) -Social Commentary Disguised As A Film Review


Didn’t Your Mother Ever Tell You Not To Talk To The Cops-Visions From The Acre Neighborhood-With The Hollywood Version Of “The Mod Squad” (1999) -Social Commentary Disguised As A Film Review   


DVD Review

By Seth Garth

The Mod Squad, Claire Danes, Giovanni Ribisi, Omar Epps, 1999  

[Those who have read my film reviews in various incarnations of American Left History and its associated publications or way back
in the early 1970s as a free-lance stringer at American Film Gazette know that at times I have gone off on a tangent when I have something which I think is socially relevant or political to say. Have a few times used the review as a vehicle to get something off my chest. This however is the first time, thanks to site manager Greg Green that I have telegraphed my intentions up front, have stated that this is social commentary fronted by a review of the movie version of the successful and fairly long-running television series The Mod Squad.

My problem as confessed to Greg was that I really wanted to take a swipe at the idea of young “hippie” type felons recruited by the public cops to get into places where a young straight crew-cut cop wearing a plaid shirt and chinos would not dare to go. To essentially for no jail time become civilian snitches. That strange arrangement is so contrary to both my own and a number of older writers here experiences with the cops in our own “hippie” period and more decisively going back to the old Acre neighborhood of North Adamsville where both cops hassling us and us having a code of corner boy honor (which extended to other corner boy groupings as well, even hostile cohorts) to have no truck with them really has my blood pressure up even forty or fifty years later. So be forewarned that this is a screed and that film is just an occasion to vent. S.G]    

******
Hollywood is nothing if not ingenious, or opportunist as the case may be grabbing onto an idea that got its first workout on television which is kind of ass backwards since most of the time it is the other way around. Back in the 1970s after the dust of the 1960s had started to clear somebody got the bright idea that a cop show had to take a different twist if you were going to retain or grab the youth audience. A tough problem when so many kids had been busted for dope, been teargassed and billy-clubbed  for speaking out on a range of issues (then beaten again for mumbling out some answer when they were in the bastinado getting third degree grilling). Got hassled for hitchhiking (hell for jaywalking when they wanted to pull the hammer down) , and a ton of other things that among older more respectable folk would not have gotten them off their duffs at the local donut shop cadging their coffee and cakes and harassing the cute young waitresses who weren’t sure exactly how to respond to such unsolicited crap before #MeToo was not even a dreamed up idea. I will speak more personally on that issue and the growing up absurd ways that we dealt with the police back in the old Acre neighborhood.

For now though some wizard figured out that maybe if you took a clot of young troubled people, three, a manageable number to corral, two white, one black, two men, one women who were in legal distress and you offered them the lifeline of playing copper rather than jail maybe that battered youth nation might be brought back into the fold. I am not sure what the numbers were, the demographics either but the television show was on for a while. Solving crimes real coppers would not get off their duffs at the local donut shop for all while looking very civilian. Then they took their wares to Hollywood or glitter town took their idea and ran with it.

Bullshit. No self-respecting hippie, boy or girl, would be caught dead acting for the coppers, would rather do hard time among honest thieves, black-jack artists, armed robbers, mother murders and worse than be a snitch, which is what these Mod Squad pillars of society were really doing making the cops’ jobs easier for them. I won’t even deal with all the crap the FBI under one J. Edgar Hoover did on the national and local political fronts framing every militant, black or white but especially black when the Panthers raised the stakes and attempted to organize community youth with a very different perspective. Won’t even deal with the massive arrests, sweeps really grabbing everyone in their paths from New York 1966 to bloody Chicago 1968 to May Day in 1971 and beyond. That was the stuff of headlines, of archives. That was the coordination of national, state and local police working up a lather.
What I will mention is about the time the recently passed on Jimmy Higgins was sitting on the side of the road in Todos el Mundo out south of Big Sur in California, just sitting there backpack, rucksack really, in front of him when some Highway Patrol copper stopped and asked him why he was hitchhiking. After some argument, that was Jimmy’s way and not a bad one this time, the copper yanks him in the cruiser and takes him to the police barracks for transport to the clink. Jimmy had no dough, had nobody he knew out there although about a month before a half dozen of the old gang from the Acre neighborhood had been out there checking out the suburbs of the Summer of Love, 1967. I won’t even count the number of times we were hassled or busted by the notorious quota-driven Connecticut staties who would jack us up in full view of passing cars filled with respectables on the side of whatever highway they grabbed us on. Chickenshit drug busts for a simple joint would fill a book, thirty days here, fifteen there. This was life for a not insignificant number of young people, hippies if you will, just trying to break out for a while anyway from the nine to five number that society had hatched for us and would snare a lot of us later when the ebb tide of the times came crashing down around our heads.              

Going back even further No self-respecting corner boy would haul anything but bile for them, for the blood-stained coppers. What a lame excuse for a movie who’s only redeeming quality was that its plot involved getting the best of a bunch of crooked cops who had their hands in the till come drug trafficking time. The Acre reality was that you avoided the cops like black death, even though it seemed that every family that had three or more sons had a cop in one position (the other two, oneot the  of course was the gangster and the other was the boy with the “calling,” going into the priesthood, throw in a sister and you had a nun, or a whore maybe). The idea that you would say word one to a cop, to say hello, was beyond comprehension. Even though everybody knew that some outlier was singing his song to get out from under some serious jailtime (even that was not the same as being recruited to do the coppers’ dirty work for them as against the code as it was and as life-threatening as such a rash decision was if anything happened to anybody due to the ratting out)         

The classic case for how the code of honor worked, Omerta I heard it called in some neighborhoods although not ours even though it was the same thing when Red Riley, the king of the hill of the toughest corner boy crowd over at Harry’s Variety, just because he suspected some guy from some rival corner was “trespassing”  on his turf chain-whipped the guy into a bloody pool and just walked away. When the ambulance and coppers came nobody who had witnessed the scene including me said word one to the coppers. Not even the guy who got chain-whipped. A serious object lesson. (By the way Harry’s was just a front for a protected book-making operation with Red and friends as the protection. The cops? Well they just came in from their police cruisers to make their bets and grab some quick coffee and cakes.) There are a million stories but hey all run to a type. Later when we sort of outgrew the code of honor etched in the old neighborhood we would have rather lost a limp that given anything to the coppers but guff. Making this tale of three kids of no known origin frankly weird.    

Frankly I don’t understand why Freddie Murphy, an Acre product and a guy who had one brother doing time in the state pen and the other doing Hail Marys at Blessed Sacrament Church, about par for the course, who I knew for many years before he turned copper in LA wanted some young kids to see what was happening to the drug evidence boxes that were going out the door at the station house in Hollywood. Hell, even a rookie cop, a cop who had not gotten into the donut shop coffee and crullers groove, knew it was an inside job including protection going pretty far up the ladder, the chain of command. The older guys in the locker room come wash up time were laughing about the poor suckers who were going to have to do twenty and out if some perp didn’t waste them and they would have to not cash their checks. While they bathed on easy street with a couple of big scores, a couple of knock-offs.    

Frank was a funny guy, quirky, until he turned copper, until he broke the pledge, the old corner boy pledge never to say boo to a copper much less be one. But he had this idea, obviously he didn’t hang around the locker room, that it was guys who were running a high end nightclub who were getting a rogue cop to come up with the dope to keep their hipster young and wild crowd high as kites.  So the kids’ idea to get in and see what they could see. But before they could do their work, Frank made the cardinal error of trying to set a trap assuming it was just one bad apple copper-and got wasted out in some LA drainage ditch for his efforts. The boys in the know in the locker room had a big laugh as they put on their ceremonial blues to give Frank his big sent-off.        
        
Here is the funny thing though these kids, and forgive me if I don’t remember their names but like I said one was a holy goof white-bread, a surly black guy with a chip on his shoulder and a young white woman with tracks up her arms and the look of somebody who had worked the streets to support her habit who was trying to break a jones and not having much success decided to find out who killed their  mentor, who wanted Freddie six feet under over this drug stuff. And they did a pretty good job at least as far as they went. They went up a million wrong alleys before they realized that they were looking outside when they should have been looking inside. Looking more closely at that hostile, to them, locker room since they were outside the loop, weren’t anything but rent-a-cops really.

The key was when the young woman who was having an rekindled affair with an old boyfriend found out he was cheating on her, was a junkie with connections to the mob and to the coppers, wired. From there it was ABC to drag the deadbeat coppers out of their lair once they knew that they had to act fast to grab dope and go down easy street-one way. In the end though why did the kids do it, why did they give up their dignity just to find out what they already knew, knew what their mothers told them when they had to do the “talk,” the old Acre neighborhood talk that every mother even with cop sons had to do. The coppers are not your friends.   


Shady Lady In Three-Quarters Time-That Inkwood Dame- Marlene Dietrich’s “Stage Fright” (1950)-A Film Review

Shady Lady In Three-Quarters Time-That Inkwood Dame- Marlene Dietrich’s “Stage Fright” (1950)-A Film Review







DVD Review

By William Bradley

Stage Struck, starring Marlene Dietrich, Jane Wyman, Richard Todd, Michael Wilding, directed by Sir Alfred Hitchcock, 1950 

[Normally a great if sullied* director like Sir Alfred Hitchcock would be cited in the headline but since this review links tangentially two aspects of Marlene Dietrich’s career she gets top billing. 

* “Sullied” since earlier this year, 2017, during the height of the sexual harassment and sexual crimes by high level powerful Hollywood men and later others in high positions it was revealed by Tippi Hendron who most famously starred in the Hitchcock classic The Birds that he had incessantly sexually harassed her and moreover ruined her career after she had rebuffed him. Greg Green]
******

Sometimes I can’t figure out the how or why of our new site manager Greg Green’s madness in making assignments. Or in the case here linking two different pieces of work only tangentially related together. Here’s what I mean. A few months ago when I was first hired on by Greg to bring in younger writers and give them decent assignments I happened to be headed to Washington, D.C. on other business when he asked me to stop off at the National Gallery of Art on the National Mall and view and review the big Vermeer and friends exhibit (not the official museum title but that is what it is about) of 16th and 17th Dutch and Flemish art. (That “younger writers” deserves some additional comment since I am a little older at twenty-eight than the youngest writer Kenny Jacobs but almost two decades younger that what under the old regime, sorry I can’t mention his name under an agreement that we would not do so with Greg, were considered young writers against the old guard who have hovered around since the 1960s-and apparently never got over it-the 1960s that is.)

I did as asked so and did what I thought was a good review given that I didn’t know a damn thing about the subject. The subject of Dutch and Flemish painting which mostly seemed boring and repetitious around family portraits and infinite scenes of fruits, vegetables and game not art in general where my tastes run to the Abstract Expressionists who I don’t know much about either but appeal to my eye. Expressed my like/dislike views and left it at that. I did make a mistake in citing another writer here, an old-timer, Frank Jackman, and his quasi –Marxist views on art and we went back and forth about it as he earnestly tried to “teach” me about this ancient painters and their “milieu,” Frank’s word. You can read that exchange elsewhere under the archival title When Capitalist Was Young….  

That was all well and good. What I had also done on that trip as well was sneak after my business was over to the National Portrait Gallery since it stays open until seven to view some American art that I was interested in when I noticed that there was a photographic display on the career of well-known (and much “drag queen”- imitated) German turned American citizen actress Marlene Dietrich. I thereafter mentioned that exhibit in passing to Greg who must have put that fact in the back of his mind because when he had finished previewing the film under review Stage Fright a thriller by director Alfred Hitchcock starring Ms. Dietrich he cornered me by the water cooler and gave me the assignment. Again I knew nada about Ms. Dietrich other than what I had read at the exhibit not being either a fan of Mr. Hitchcock, hers, or of old time movies. So here it is as good as I can make it without much experience with this kind of film.                              

Marlene Dietrich had a certain style about her, a certain independent don’t give a damn attitude which permeated her role as Charlotte Inkwood, a chanteuse and actress who had both a lover, Johnny, played Richard Todd and a husband she did not much like, wanted to see dead. So, yes, didn’t like much is right if understated like her role here.     That is the drift of the storyline, with that not “much like” unseen husband lying on the living room floor. The first twist and turn of the film which drives it in a certain direction revolved around the very clear implication that Charlotte had done the deed. It sure looked like it as every emotive breath she took when she told lover-boy Johnny about it kept saying guilty as hell. Also in her apparent duplicity looked like she had used Johnny to cover her tracks and make him the fall guy.        

Enter Eve, played by Jane Wyman, a friend of Johnny’s who thought she was in love with him and did everything she could to hide him and who was bewitched by his story that Charlotte had done the deed. Including producing a telltale and fatal bloodstained dress she had allegedly worn to do the deed. By hook or by crook to save darling Johnny Eve directly confronted Charlotte via a ruse as her temporary dresser, an institution in the theater world. Enter Detective Smith, played by Michael Wilding, who turns Eve’s head away romantically from Johnny who made it very clear that he had gone over the edge for Charlotte.


Meanwhile this Smith and his fellow police officers are looking high and low for Johnny boy. Not getting anyway especially since Eve, and her family, not suspecting anything untoward of him were keeping him a step or two ahead of the law. With his help. As things moved toward a climax, toward the capture of on the run Johnny it was revealed via another ruse by the coppers that Johnny, under Charlotte’s cunning bidding had actually killed dear sweet Mr. Inkwood. This revelation occurred while both he and Eve are hiding under the stage of the theater that Charlotte played at. Oh no, Eve was a goner. Not so fast since the clever Ms. Eve was able to put herself out of danger and old Johnny got his just desserts. Of course Charlotte will get hers as well taking as Sandy Salmon says quoting Sam Lowell the big step-off. 

I don’t know if this is a big time Dietrich work although she certainly could emote when the deal went down, could act whatever she needed to act to stay out of the clutches of the law. Perhaps know it all Frank Jackman will give me the same working over he gave me on those freaking Dutch and Flemish painters who grabbed up the great art when they ruled the roost and “teach” me what is what about the legacy of Ms. Dietrich.        

On The Anniversary Of The Russian Revolution Of 1905-


On The Anniversary Of The Russian Revolution Of 1905-





By Frank Jackman

For the attentive reader of this unabashedly left-wing publication which moreover not only takes history seriously but commemorates some historical nodal points worthy of attention today I have drawn attention this month of January to the 100th anniversary of the assassinations of key nascent German Communist Party leaders Rosa Luxemburg, the rose of the revolution, and Karl Liebknecht the heart of the left-wing German workers movement. In that commentary I noted that history in the conditional, especially when things turned out badly as they did in Germany with the failure of the Communists to take power within a few years of the Armistice and aid the struggling isolated and devastated Russian revolution, is tricky business. There were certainly opportunities closed off by the decimation of the heads of the early German Communist Party that were never made up. That failure helps in its own way to pave the road to the Nazi takeover and all that meant for Europe and the world later. I also cautioned against stretching such conditionals out too far without retreating to an idea that the rise of the Nazis was inevitable. Give it some thought though.
History in the conditional applies as well to events that would in the future turn out well, well at the beginning in any case, and that leads to the role played by what many parties including Vladimir Lenin and Leon Trotsky referred to as the “dress rehearsal” for the October Revolution in Russia in 1917. That was the Revolution of 1905 which although it was shattered and many of the leading participants either killed, exiled or banished still provided some hope that things would turn on that proverbial historical dime in the end. The key organization structure set up in 1905, the Workers Soviets, councils, which in embryo provided the outline for the workers government everybody from Marx and to his left argued for to bring socialist order to each country, to the world in the end almost automatically was reestablished in the early days of 1917. Who knows in conditions of war and governmental turmoil what would have happened if that organizational form had not already been tested in an earlier revolutionary episode. Again, let’s not get too wide afield on history in the conditional on this end either. Think about those episodes though as we commemorate that 1905 revolution. 

  

The Man Who Fell From the Sky | Thursday, February 14, 7:00 PM @ E5 Boston Socialist Unity Project 1/20/2019 7:54 PM To bostonunity@googlegroups.com, act-ma@act-ma.org Quick reply allReplyForwardDelete The Man Who Fell From the Sky *A Valentine's Day Book Launch & Discussion with Bill Fletcher, Jr.* Thursday, February 14, 2019, 7:00 p.m. @ encuentro5, 9A Hamilton Place, Boston, MA 02108 *Co-sponsored by the Boston Socialist Unity Project. * Join award-winning journalist and lifelong social justice advocate Bill Fletcher, Jr., for the launch of his first work of fiction: *The Man Who Fell From the Sky*, a crime novel. Bill will discuss his novel's exploration of racism and inequality through the eyes of a young journalist of Cape Verdean descent who investigates a murder in a small Cape Cod community in 1970 while covering the anti-Viet Nam War protests and the Black Panthers. Bill will also discuss the unique ways in which a work of fiction can explore and reveal important truths about the human condition, as well as touch the heart and stir a people to take action. A reception and book signing will follow the discussion. ------------------------------ Please note: encuentro5 is NOT wheelchair accessible. This is unacceptable, but, until e5 able to afford a long-term lease, it will be unable to ensure accessibility. While we are making progress, it is still too inadequate for us to project when we will be accessible. If you are unable to attend an event, please consider remote participation via phone or online: https://hello.freeconference.com/conf/call/6607826 Or, call in using your phone: United States: +1 605-562-0400 United States: +1 218-339-7800 United States: +1 712-832-8330 Access code: 660 7826 One click call on your mobile: +1 605-562-0400,,6607826# [Note: some mobile phone users may incur charges; for example, T-Mobile charges a penny a minute.] ReplyReply allForward ______________________________ *Boston Socialist Unity Project* *Together we fight. Together we win.* _______________________________________________ Act-MA mailing list Act-MA@act-ma.org http://act-ma.org/mailman/listinfo/act-ma_act-ma.org To set options or unsubscribe http://act-ma.org/mailman/options/act-ma_act-ma.org

Boston Socialist Unity Project<bostonsocialistunity@gmail.com>
The Man Who Fell From the Sky *A Valentine's Day Book Launch & Discussion
with Bill Fletcher, Jr.*
Thursday, February 14, 2019, 7:00 p.m. @ encuentro5, 9A Hamilton Place,
Boston, MA 02108
*Co-sponsored by the Boston Socialist Unity Project. *

Join award-winning journalist and lifelong social justice advocate Bill
Fletcher, Jr., for the launch of his first work of fiction: *The Man Who
Fell From the Sky*, a crime novel. Bill will discuss his novel's
exploration of racism and inequality through the eyes of a young journalist
of Cape Verdean descent who investigates a murder in a small Cape Cod
community in 1970 while covering the anti-Viet Nam War protests and the
Black Panthers. Bill will also discuss the unique ways in which a work of
fiction can explore and reveal important truths about the human condition,
as well as touch the heart and stir a people to take action. A reception
and book signing will follow the discussion.
------------------------------
Please note: encuentro5 is NOT wheelchair accessible. This is unacceptable,
but, until e5 able to afford a long-term lease, it will be unable to ensure
accessibility. While we are making progress, it is still too inadequate for
us to project when we will be accessible.

If you are unable to attend an event, please consider remote participation
via phone or online:

https://hello.freeconference.com/conf/call/6607826
Or, call in using your phone:
United States: +1 605-562-0400
United States: +1 218-339-7800
United States: +1 712-832-8330

Access code: 660 7826

One click call on your mobile:
+1 605-562-0400,,6607826#

[Note: some mobile phone users may incur charges; for example, T-Mobile
charges a penny a minute.]

ReplyReply allForward

______________________________

*Boston Socialist Unity Project*
*Together we fight. Together we win.*
_______________________________________________
Act-MA mailing list
Act-MA@act-ma.org
http://act-ma.org/mailman/listinfo/act-ma_act-ma.org
To set options or unsubscribe
http://act-ma.org/mailman/options/act-ma_act-ma.org

Tech & Revolution: A Participatory Workshop | Saturday, February 2, 1:00PM @ E5 Boston Socialist Unity Project

Boston Socialist Unity Project<bostonsocialistunity@gmail.com>
Tech & Revolution: A Participatory Workshopfeaturing Alfredo Lopez and
Rajesh Kasturirangan
*Saturday, February 2nd, 1:00 - 4 p.m., 9A Hamilton Place, Boston, MA 02108*
*encuentro5* (e5), *DigBoston, *Agaric Design, and Boston Socialist Unity
Project invite your participation in an important discussion on Technology
and Revolution. The event is part of a series of discussions being held
nationwide and coordinated by May First/People Link and the Center for
Media Justice—leading up to an international convergence in Mexico City
later this year.

Notable participants include: Alfredo Lopez, author, Puerto
Rican independista, and co-director of May First/People Link; and
Rajesh Kasturirangan, mathematician, cognitive scientist, and professor at
the National Institute of Advanced Studies in India.

Over the last few decades, technological advances have not only radically
changed methods of human communication but have also started to change
humanity itself in ways that grassroots organizations on the political left
have been slow to address. To the extent we have done so, it has been
mostly to advocate for disenfranchised communities’ access to computers and
broadband internet service.

But we have largely failed to grapple with issues beyond the rise of
the internet and huge corporate social media platforms like Facebook
and Twitter. And we’ve barely scratched the surface of those key
changes, let alone put much thought into analyzing the effects of
newer technologies like robotics, artificial intelligence, big data,
and genetic
engineering on our communities. This is all the more alarming because rapid
technological has aggravated the inequalities about which the left has
traditionally cared.

Nonetheless, social-change movements continuously emerge, often
in unexpected spaces, but especially in artistic and youth spaces or from
insurgent social movements of the oppressed and exploited. They
create campaigns to challenge potentially negative technological
developments and propose more helpful community-centered technologies in
their place.

In the interest of promoting these movements and their just agendas, this
gathering will convene organizers for an afternoon of sharing and thinking
together. We will be sharing information and analyses about these topics in
short, plain-spoken, manageable conversations. Our thinking together will
be strategic, asking and answering straightforward questions:

- What are the most urgent and important challenges connected with
technology?
- What are the key areas for intervention?
- Who are our allies?
- What are our resources?
- Before we can talk about joint and/or coordinated campaigns and
targeting, what do we need?

Please let us know if your organization will be able to attend - please
contact us at info@encuentro5.org

*Co-sponsored by the Boston Socialist Unity Project. *


______________________________

*Boston Socialist Unity Project*
*Together we fight. Together we win.*
_______________________________________________
Act-MA mailing list
Act-MA@act-ma.org
http://act-ma.org/mailman/listinfo/act-ma_act-ma.org
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Honor King: End Racism and Poverty! Reverend Dr. William J. Barber II and Reverend Dr. Liz Theoharis

To  

“The emergency we now face is economic, and it is a desperate and worsening situation. The dispossessed of this nation — the poor, both white and Negro — live in a cruelly unjust society. They must organize a revolution against the injustice, not against the lives of the persons who are their fellow citizens, but against the structures through which the society is refusing to take means which have been called for, and which are at hand, to lift the load of poverty. There are millions of poor people in this country who have very little, or even nothing, to lose. If they can be helped to take action together, they will do so with a freedom and a power that will be a new and unsettling force in our complacent national life.”
--(Martin Luther King Jr., Massey Lectures, November-December, 1967)
Our growing movement of poor folks is that new and unsettling force. We’ve organized rallies. Flooded state capitols. Made thousands of calls. Now, on Martin Luther King Jr. Day, we’re living up to his words with action by delivering the Campaign’s full demands to each and every state lawmaker.
Let’s remind our leaders that Dr. King called on us to fight poverty, racism, militarism and the structures and systems that keep them going. He called on us to bring about a revolution of values.
There is no time to waste. Already this year, we have been canvassing, organizing hearings, speaking out against these conditions and building power in over 40 states. We’re going from Cancer Alley in Louisiana to Paradise, California, from Little Rock, Arkansas to Albany, New York, and elsewhere, delivering our demands and putting our elected representatives on notice: We will not be silent anymore!
They have tried to shut us out, but they can't; they have tried to shut us up, but they can't. We are here, we are coming back, bigger and bolder than we were in 2018, preparing to come back to D.C. in June. Get ready!
Forward together, not one step back,
Reverend Dr. William J. Barber II and Reverend Dr. Liz Theoharis
President of Repairers of the Breach & Director of the Kairos Center
Co-Chairs of the Poor People’s Campaign: A National Call for Moral Revival
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Socialist Feminism: Build a New Women's Movement Socialist Alternative

Socialist Alternative<boston@socialistalternative.org>


PUBLIC MEETING


Socialist Feminism:

Build a New Women's Movement



Wednesday, 1/23 6:30pm
Encuentro 5,
9A Hamilton Pl.
[Downtown Boston; 1 block from Park St, 2 blocks from Downtown Crossing]
 


A new women’s movement has developed through the giant women’s marches, the online explosion of #MeToo, and now through workers taking job action to fight sexual harassment. Increasingly women are enraged by there being one set of rules for the elites and another for everyone else.

Over the past decade, feminism has mainly been about celebrating the achievements of individual elite women. These “feminist” CEO’s and capitalist politicians want to see more women at the top, but they still actively work against working class women’s interests. The for-profit health care system, the severe crisis of housing affordability, and low wage jobs, alongside the rollback of reproductive rights and rampant sexual violence all contribute to women’s oppression.

We need a women’s movement with an organized socialist feminist wing that will fight to center the needs of working class women, women of color and LGBTQ people. A socialist feminist movement would point away from the capitalist system organized solely on the basis of profit and toward a new egalitarian society where meeting human needs and eradicating oppression will be the top priority.



Join Socialist Alternative this Wednesday to discuss building the fight against sexism and all oppression under capitalism, and for a socialist society based on our needs, not profit!
 
 
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