Saturday, February 09, 2019

Alfred,
Right now, two of the world’s biggest mining companies want to mine Apache sacred lands just an hour east of Phoenix in Oak Flat, Arizona.
If Congress lets them get away with it, they will be violating indigenous people’s rights and creating a toxic trash dump that will release airborne chemicals for miles around the site.
SIGN THE PETITION
Activists and indigenous people had successfully stopped companies from mining Oak Flat for a decade before Congress snuck the sale of the lands into a bill funding the military.
After so many votes rebuffing pro-mining interests when the deal was debated openly, Congress sneakily put Oak Flat up for sale.
But the sale can still be stopped.
On Saturday, the Poor People’s Campaign: A National Call for Moral Revival joins the Apache Stronghold in Arizona on their Fifth Annual March to Oak Flat. Because:
  • The Apache Stronghold’s struggle is the struggle of families in Detroit whose water was shut off.
  • The struggle of disenfranchised people in Kentucky, where 9% of the state can’t vote.
  • The struggle at the border, where federal workers are pawns in a battle for a wall while land is secretly sold off to multinational corporations on the other side of the fence.
Corporate America has shown it is willing to ignore the needs of the poor in almost every way, including by dumping toxic chemicals on the poor and indigenous people again and again.
Meanwhile, the U.S. federal government acts unaccountable to its own treaties with native and indigenous people. From the Doctrine of Discovery that was used to justify the takeover of indigenous lands to the ongoing attempt to undermine tribal sovereignty and steal native people’s resources, the U.S. has been assaulting the very right of indigenous people to exist.
We are all people of conscience -- Apache, Christian, Jewish, Muslim, people of other faiths and not of faith -- who refuse to be silent while Congress and corporate interests attempt to destroy indigenous people’s right to political independence and their very right to exist.
We stand in solidarity with the Apache Stronghold. Our fight is one.
Forward together, not one step back!
Rev. Dr. William J. Barber II and Rev. Dr. Liz Theoharis
Co-Chairs of the Poor People’s Campaign: A National Call for Moral Revival
Sent via ActionNetwork.org. To update your email address, change your name or address, or to stop receiving emails from The Poor People's Campaign: A National Call for Moral Revival, please click here.

2/10 Worcester Report Back: WFP Cuba Food Justice Delegation

Charlie Welch<cwelch@tecschange.org>
Worcester Report Back: WFP Cuba Food Justice Delegation

Sun. Feb 19th 6:30 PM – 8:30 PM
Stone Soup
<https://www.facebook.com/stonesoupworcester/?eid=ARCnnLKb4Cv2yNohgaoUOUMcAyWf1x8oRygle3i1wxr2kujNGL9jBmvchYE_afQV2u9A3JAzVx0jzOrw>

4 King St, Worcester, Massachusetts 01610

Come join Witness for Peace New England
<https://www.facebook.com/WFPnewengland/> at Stone Soup
<https://www.facebook.com/stonesoupworcester/> on Sunday Feb. 10th at
6:30 pm for a community dinner and report back from our food justice
delegation to Cuba last month.

From December 12-21, a mostly Boston-based group of urban farmers and
activists of color from the Urban Farming Institute of Boston
<https://www.facebook.com/urbanfarminginstituteboston/>, Farmers
Collaborative <https://www.facebook.com/farmcollab/>, Healing, Empathy,
Redemption, Oasis <https://www.facebook.com/herocenter22/>, The Food
Project <https://www.facebook.com/thefoodproject/>, Spanish Immersion
<https://www.facebook.com/spanish.immersion.3> and other organizations
traveled in solidarity to Havana, Artemisa and Pinar del Río, alongside
the Centro Memorial "Martin Luther King"
<https://www.facebook.com/MartinLutherKing30/>, in order to learn about
sustainable food, farming and activism.

Meet our delegates as they share photos and stories, explain useful
practices in agroecology and community resilience, discuss
cross-movement solidarity building, and give updates on how they have
been incorporating lessons from Cuba into their own work for food
sovereignty and environmental justice.

We will have art, literature and artesanía for sale to help support
scholarships for this delegation, and will also provide information on
an upcoming Worcester-based delegation to Cuba in June 2019! Please
reach out to Lee at 857-636-8479 or Shahbaz A. Soofi
<https://www.facebook.com/M.shahbazA.soofi> if you have any questions or
are able to bring a dish for our community dinner!

https://www.facebook.com/events/461907331009141/


_______________________________________________
Act-MA mailing list
Act-MA@act-ma.org
http://act-ma.org/mailman/listinfo/act-ma_act-ma.org
To set options or unsubscribe
http://act-ma.org/mailman/options/act-ma_act-ma.org

How did Jeffrey Sterling get through his long ordeal in prison for more than two and a half years? With enormous help from his wonderful wife Holly, many friends, and countless supporters he’d never met. And from Shakespeare.

RootsAction Education Fund<info@rootsaction.org>
How did Jeffrey Sterling get through his long ordeal in prison for more than two and a half years? With enormous help from his wonderful wife Holly, many friends, and countless supporters he’d never met. And from Shakespeare.

Below are some new reflections that Jeffrey has written for the RootsAction Education Fund. He asked that we send them along to you -- with his deep appreciation for the wide range of support that so many people have provided.

Jeffrey went to prison in mid-2015, after proceedings that BBC News called “trial by metadata.” Now, he says, “I would like to address the need for accountability of power.”

You can help Jeffrey do that by supporting his new work as the coordinator of The Project for Accountability. You’ll give him a lift with the project if you make a tax-deductible donation in support of this exciting new venture.

The RootsAction Education Fund is sponsoring this project for the same reason that we’ve actively supported Jeffrey for the last four years, while he withstood the vengeful weight of the “national security” state.

Jeffrey infuriated powerful CIA officials when he sued the agency for racial discrimination, and later when he went through channels to tell Senate Intelligence Committee staffers about a botched and dangerous covert operation by the CIA. In retaliation, the CIA unleashed its unaccountable power against Jeffrey.

You can help The Project for Accountability if you click here and make a tax-deductible contribution. Half of every dollar you donate will go directly to Jeffrey as he works to rebuild his life, while the other half will go to sustaining his project.

If you don’t already know about Jeffrey’s real-life nightmare of harassment, legal threats and persecution by the CIA hierarchy and the Justice Department, please take a look at the Background information we link to at the bottom of this email.

We plan to keep you informed about Jeffrey’s future activities on behalf of The Project for Accountability. A tax-deductible donation of whatever you can afford would be greatly appreciated.

Here’s the latest from Jeffrey Sterling:



It has been a year since I walked out of a federal prison after two and a half years of incarceration. Though “free” of the prison, I remain a prisoner of the criminal justice system for a time longer -- having been wrongfully tried, wrongfully convicted and wrongfully sentenced as a whistleblower. A big question for me has been, What has this all really been about?

I have not been really sure if I could be categorized as a whistleblower, at least in the sense of the current times. I had indeed blown the whistle on wrongs I witnessed and experienced while in the Central Intelligence Agency, but unlike what had been in the charges and the trial, I did so officially to both the House and Senate Intelligence Committees. And for those actions, I was sent to prison.

There have been so many moments during this ordeal -- from the time when I decided to file a lawsuit against the CIA to being found guilty and sent to prison for a crime I did not commit -- I have struggled mightily to find any meaning to it all. The search may be in vain, but I may have found at least some semblance of meaning to add to this ordeal through one of my saving graces while in prison, Shakespeare.

While in the hell of prison, I was hungry for the words of the Bard. I had always found a comfort in the tales told by Shakespeare and did my best to read any and everything of his I could get my hands on. I was so very fortunate that so many supporters sent me many analytical works to go along with my tattered, unabridged version.

That hunger has continued since leaving prison.

I recently finished reading Stephen Greenblatt’s excellent book Tyrant: Shakespeare on Politics and had my eyes opened to an interpretation of the whistleblower I had known for longer than I realized.

What has always attracted me to Shakespeare was his depiction of us and the drama of our lives. What is wonderful about Tyrant is that Greenblatt once again reminds us that the supposed uniqueness of today is nothing new, it was depicted over four hundred years ago. I was particularly struck by what Greenblatt wrote about King Lear. I had no idea when I first read King Lear so many years ago that Shakespeare had written about whistleblowers.

The very definition of the whistleblower is embodied in one of the most un-noted characters in Shakespeare, Cornwall’s servant from King Lear. I find that some of the most didactic characters in Shakespeare can come from so-called lesser knowns, the “knocking” porter in Macbeth, the asp-bearing clown in Antony and Cleopatra and the gravedigging clown in Hamlet. Greenblatt teaches of another unsung character with the servant’s first lines in King Lear, “Hold your hand, my lord…”

It is such a powerful first line as Greenblatt points out, “The words are not spoken by one of Gloucester's sons, by a noble bystander, by a gentleman in disguise, or even by someone in Gloucester's household. They are spoken by one of Cornwall's own servants, someone long accustomed simply to doing his bidding. ‘I have served you ever since I was a child,’ he declares. ‘But better service have I never done you/Than now to bid you hold.’ … it stages unforgettably a moment when someone in the ruler's service feels compelled to stop what he is witnessing.”

Greenblatt also is astute in noting how Shakespeare depicts how power does not react kindly to those who have the nerve to stand up to it; the punishment is swift and terrible. Greenblatt shows in Tyrant how “Regan is outraged at the interruption: ‘How now, you dog?’ And Cornwall, drawing his sword and using the term for feudal vassal, is no less so: ‘My villein?’ There follows a violent skirmish, master against servant, that ends when Regan, astonished that a menial would dare anything of the kind -- ‘A peasant stand up thus?’ -- runs him through and kills him.”

That scene, as a servant attempts to stop Cornwall from gouging out the eyes of Gloucester, is the very embodiment of what it means to be a whistleblower and what a whistleblower faces. This man, this nameless minor character stands up to the powers that be, the powers that he dutifully serves and says “stop.”

I particularly like the way Greenblatt summarizes this nameless hero and where he stood with Shakespeare: “Shakespeare did not believe that the common people could be counted upon as a bulwark against tyranny. They were, he thought, too easily manipulated by slogans, cowed by threats, or bribed by trivial gifts to serve as reliable defenders of freedom. His tyrannicides are drawn, for the most part, from the same elite whose members generate the unjust rulers they oppose and eventually kill. In King Lear’s nameless servant, however, he created a figure who serves as the very essence of popular resistance to tyrants. That man refuses to remain silent and watch. It cost him his life, but he stands up for human decency. Though he is a very minor figure with only a handful of lines, he is one of Shakespeare's great heroes.”

It was difficult reading that scene while in prison, and Greenblatt has helped me understand why. I won’t go so far as to see myself as a hero. But, I can certainly identify with that nameless character and the anguish he must have felt. Against discrimination at the CIA and a dangerously flawed operation I stood up and said “Hold your hand…” And much like that nameless servant, for such insolence I was essentially “run through” by the Department of Justice who played an effective Regan to the CIA’s Cornwall.

Whether I am to be considered a whistleblower or not, having some meaning to grasp onto provides some peace despite the hurt and loss. Finding this identification has been like discovering a sort of acceptance with other nameless servants like John Kiriakou, Thomas Drake, Daniel Ellsberg, Terry Albury among countless, un-noted others who also said “Hold your hand…” to power. They remind us as Greenblatt points out that it is usually the unsung who take a stand and usually pay an unjust price.

As I near the time when the shackles of my ordeal are removed, I feel a motivation and obligation to give name to the nameless and fight against the condemnation that has been the unfortunate norm when the servant stands up to the wrongs of power. The RootsAction Education Fund is part of that effort and I am grateful for the platform and assistance it continues to provide.

Jeffrey Sterling
February 2019


_____________________________

PS from the RootsAction Education Fund team:

Jeffrey’s refusal to knuckle under to illegitimate power has come at a very steep personal cost. That’s the way top CIA officials wanted it. His enduring capacity to speak truthfully can help strengthen a wide range of whistleblowers -- past, present and future.

You can help make that happen with a tax-deductible donation of any amount.

Please do what you can to support Jeffrey’s new work as coordinator of The Project for Accountability.

Thank you!



Please share on Facebook and Twitter.

--- The RootsAction Education Fund team

Background:
>>  BBC News: "Jeffrey Sterling's Trial by Metadata"
>>  John Kiriakou: “CIA Whistleblower Jeffrey Sterling Placed in Solitary Confinement”
>>  ExposeFacts: Special Coverage of the Jeffrey Sterling Trial
>>  Marcy Wheeler, ExposeFacts: "Sterling Verdict Another Measure of Declining Government Credibility on Secrets"
>>  Norman Solomon, The Nation: "CIA Officer Jeffrey Sterling Sentenced to Prison: The Latest Blow in the Government's War on Journalism"
>>  Reporters Without Borders: "Jeffrey Sterling Latest Victim of the U.S.' War on Whistleblowers"
>>  AFP: "Pardon Sought for Ex-CIA Officer in Leak Case"
>>  Documentary film: "The Invisible Man: CIA Whistleblower Jeffrey Sterling"


Donate buttonFacebook buttonTwitter button

Click here to unsubscribe and stop ALL email from RootsAction.
empowered by Salsa
RootsAction Education Fund<info@rootsaction.org>
How did Jeffrey Sterling get through his long ordeal in prison for more than two and a half years? With enormous help from his wonderful wife Holly, many friends, and countless supporters he’d never met. And from Shakespeare.

Below are some new reflections that Jeffrey has written for the RootsAction Education Fund. He asked that we send them along to you -- with his deep appreciation for the wide range of support that so many people have provided.

Jeffrey went to prison in mid-2015, after proceedings that BBC News called “trial by metadata.” Now, he says, “I would like to address the need for accountability of power.”

You can help Jeffrey do that by supporting his new work as the coordinator of The Project for Accountability. You’ll give him a lift with the project if you make a tax-deductible donation in support of this exciting new venture.

The RootsAction Education Fund is sponsoring this project for the same reason that we’ve actively supported Jeffrey for the last four years, while he withstood the vengeful weight of the “national security” state.

Jeffrey infuriated powerful CIA officials when he sued the agency for racial discrimination, and later when he went through channels to tell Senate Intelligence Committee staffers about a botched and dangerous covert operation by the CIA. In retaliation, the CIA unleashed its unaccountable power against Jeffrey.

You can help The Project for Accountability if you click here and make a tax-deductible contribution. Half of every dollar you donate will go directly to Jeffrey as he works to rebuild his life, while the other half will go to sustaining his project.

If you don’t already know about Jeffrey’s real-life nightmare of harassment, legal threats and persecution by the CIA hierarchy and the Justice Department, please take a look at the Background information we link to at the bottom of this email.

We plan to keep you informed about Jeffrey’s future activities on behalf of The Project for Accountability. A tax-deductible donation of whatever you can afford would be greatly appreciated.

Here’s the latest from Jeffrey Sterling:



It has been a year since I walked out of a federal prison after two and a half years of incarceration. Though “free” of the prison, I remain a prisoner of the criminal justice system for a time longer -- having been wrongfully tried, wrongfully convicted and wrongfully sentenced as a whistleblower. A big question for me has been, What has this all really been about?

I have not been really sure if I could be categorized as a whistleblower, at least in the sense of the current times. I had indeed blown the whistle on wrongs I witnessed and experienced while in the Central Intelligence Agency, but unlike what had been in the charges and the trial, I did so officially to both the House and Senate Intelligence Committees. And for those actions, I was sent to prison.

There have been so many moments during this ordeal -- from the time when I decided to file a lawsuit against the CIA to being found guilty and sent to prison for a crime I did not commit -- I have struggled mightily to find any meaning to it all. The search may be in vain, but I may have found at least some semblance of meaning to add to this ordeal through one of my saving graces while in prison, Shakespeare.

While in the hell of prison, I was hungry for the words of the Bard. I had always found a comfort in the tales told by Shakespeare and did my best to read any and everything of his I could get my hands on. I was so very fortunate that so many supporters sent me many analytical works to go along with my tattered, unabridged version.

That hunger has continued since leaving prison.

I recently finished reading Stephen Greenblatt’s excellent book Tyrant: Shakespeare on Politics and had my eyes opened to an interpretation of the whistleblower I had known for longer than I realized.

What has always attracted me to Shakespeare was his depiction of us and the drama of our lives. What is wonderful about Tyrant is that Greenblatt once again reminds us that the supposed uniqueness of today is nothing new, it was depicted over four hundred years ago. I was particularly struck by what Greenblatt wrote about King Lear. I had no idea when I first read King Lear so many years ago that Shakespeare had written about whistleblowers.

The very definition of the whistleblower is embodied in one of the most un-noted characters in Shakespeare, Cornwall’s servant from King Lear. I find that some of the most didactic characters in Shakespeare can come from so-called lesser knowns, the “knocking” porter in Macbeth, the asp-bearing clown in Antony and Cleopatra and the gravedigging clown in Hamlet. Greenblatt teaches of another unsung character with the servant’s first lines in King Lear, “Hold your hand, my lord…”

It is such a powerful first line as Greenblatt points out, “The words are not spoken by one of Gloucester's sons, by a noble bystander, by a gentleman in disguise, or even by someone in Gloucester's household. They are spoken by one of Cornwall's own servants, someone long accustomed simply to doing his bidding. ‘I have served you ever since I was a child,’ he declares. ‘But better service have I never done you/Than now to bid you hold.’ … it stages unforgettably a moment when someone in the ruler's service feels compelled to stop what he is witnessing.”

Greenblatt also is astute in noting how Shakespeare depicts how power does not react kindly to those who have the nerve to stand up to it; the punishment is swift and terrible. Greenblatt shows in Tyrant how “Regan is outraged at the interruption: ‘How now, you dog?’ And Cornwall, drawing his sword and using the term for feudal vassal, is no less so: ‘My villein?’ There follows a violent skirmish, master against servant, that ends when Regan, astonished that a menial would dare anything of the kind -- ‘A peasant stand up thus?’ -- runs him through and kills him.”

That scene, as a servant attempts to stop Cornwall from gouging out the eyes of Gloucester, is the very embodiment of what it means to be a whistleblower and what a whistleblower faces. This man, this nameless minor character stands up to the powers that be, the powers that he dutifully serves and says “stop.”

I particularly like the way Greenblatt summarizes this nameless hero and where he stood with Shakespeare: “Shakespeare did not believe that the common people could be counted upon as a bulwark against tyranny. They were, he thought, too easily manipulated by slogans, cowed by threats, or bribed by trivial gifts to serve as reliable defenders of freedom. His tyrannicides are drawn, for the most part, from the same elite whose members generate the unjust rulers they oppose and eventually kill. In King Lear’s nameless servant, however, he created a figure who serves as the very essence of popular resistance to tyrants. That man refuses to remain silent and watch. It cost him his life, but he stands up for human decency. Though he is a very minor figure with only a handful of lines, he is one of Shakespeare's great heroes.”

It was difficult reading that scene while in prison, and Greenblatt has helped me understand why. I won’t go so far as to see myself as a hero. But, I can certainly identify with that nameless character and the anguish he must have felt. Against discrimination at the CIA and a dangerously flawed operation I stood up and said “Hold your hand…” And much like that nameless servant, for such insolence I was essentially “run through” by the Department of Justice who played an effective Regan to the CIA’s Cornwall.

Whether I am to be considered a whistleblower or not, having some meaning to grasp onto provides some peace despite the hurt and loss. Finding this identification has been like discovering a sort of acceptance with other nameless servants like John Kiriakou, Thomas Drake, Daniel Ellsberg, Terry Albury among countless, un-noted others who also said “Hold your hand…” to power. They remind us as Greenblatt points out that it is usually the unsung who take a stand and usually pay an unjust price.

As I near the time when the shackles of my ordeal are removed, I feel a motivation and obligation to give name to the nameless and fight against the condemnation that has been the unfortunate norm when the servant stands up to the wrongs of power. The RootsAction Education Fund is part of that effort and I am grateful for the platform and assistance it continues to provide.

Jeffrey Sterling
February 2019


_____________________________

PS from the RootsAction Education Fund team:

Jeffrey’s refusal to knuckle under to illegitimate power has come at a very steep personal cost. That’s the way top CIA officials wanted it. His enduring capacity to speak truthfully can help strengthen a wide range of whistleblowers -- past, present and future.

You can help make that happen with a tax-deductible donation of any amount.

Please do what you can to support Jeffrey’s new work as coordinator of The Project for Accountability.

Thank you!



Please share on Facebook and Twitter.

--- The RootsAction Education Fund team

Background:
>>  BBC News: "Jeffrey Sterling's Trial by Metadata"
>>  John Kiriakou: “CIA Whistleblower Jeffrey Sterling Placed in Solitary Confinement”
>>  ExposeFacts: Special Coverage of the Jeffrey Sterling Trial
>>  Marcy Wheeler, ExposeFacts: "Sterling Verdict Another Measure of Declining Government Credibility on Secrets"
>>  Norman Solomon, The Nation: "CIA Officer Jeffrey Sterling Sentenced to Prison: The Latest Blow in the Government's War on Journalism"
>>  Reporters Without Borders: "Jeffrey Sterling Latest Victim of the U.S.' War on Whistleblowers"
>>  AFP: "Pardon Sought for Ex-CIA Officer in Leak Case"
>>  Documentary film: "The Invisible Man: CIA Whistleblower Jeffrey Sterling"


Donate buttonFacebook buttonTwitter button

Click here to unsubscribe and stop ALL email from RootsAction.
empowered by Salsa

All That Is Hollywood Tinsel Is Not Gold- F. Scott Fitzgerald At The End-“The Pat Hobby Stories”

All That Is Hollywood Tinsel Is Not Gold- F. Scott Fitzgerald At The End-“The Pat Hobby Stories”




Book Review

By Seth Garth

The Pat Hobby Stories, F. Scott Fitzgerald, originally printed in Esquire magazine, 1940-1941, collected 1962   

I had in earlier times, a few years ago now, gone on and on about who best represented the so-called Jazz Age F. Scott Fitzgerald whose works either coined the phrase or so well the times he owned the term or his fellow Parisian ex-pat Ernest Hemingway. Both exiles from a sullen America that was turning in on itself just when looking outward was necessary. Sound familiar? During that joust I came decidedly out on the side of Fitzgerald based on the great classic novel The Great Gatsby which put a microscope to the whole sordid mess of post-World War I America. Having answered that rather narrow question I have never done so, nor have never been asked by the previous site manager who gives out such assignment Allan Jackson, or the current one Greg Green to tackle the broader question of who had the more powerful collective novel output. For that I would have to flip to Hemingway both because he left a greater treasure-trove of such work and because he worked better in that genre. I have also never been asked to evaluate the better of the two when it comes to short stories. Then I would have to flip back to Fitzgerald since he wrote a ton more mainly to keep the dunning debt collector wolves from the door and live a life-style his wife Zelda was accustomed to and because he had a certain lyricism that hit the mark on this genre.

That brings us kind of full circle to the short story collection under review Fitzgerald’s  The Pat Hobby Stories written late in his career and while he was working like seven dervishes as a screen-writer in the Hollywood trying to salvage whatever scripts came his way while drinking up half the liquor cabinets in Beverly Hills. That drinking curse aside even at the end he had “it,” had that certain feel for what makes a short story entertaining and make a point, a social or literary point. In the interest of transparency, a trait, which Greg Green seems to be trying to cultivate here, the reason I was given this assignment by him was that I was the only one who had previously done any work on either author. According to Greg some of the other younger writers if you can believe this had never read anything but either man and only knew of them by reputation. Jesus.   

The title tells the story all of these twenty or so stories revolved around one Pat Hobby. One has-been screenwriter who had been around the Hollywood studio scene since Hector was a pup. Since the silent film days if anybody was asking. The former a very different kind of screenwriting skill from that of the “talkies” which depended on dialogue more than the earlier visual props setting to get through. Back in the day Pat had been king of the hill, had been a go to guy for every producer and director who needed an idea or a sick script worked on.  That was reflected in his upscale life-style (including the status symbol obligatory swimming pool to announce you had arrived), his bevy of wives who as he memorably noted later “fed out of his pocket” were in turn discarded and his more than nodding acquaintance with the stars of the era, male and female.             

But that was then, that was some ten years before the time of these stories which were written by Fitzgerald in 1939-1941 and so tell me that our Pat didn’t transition very well to the new milieu. At the time of the stories he is a forty-nine year old has-been hanging around studio lots “doing the best he can.” Grabbing a turkey of a script nobody else wanted to do, cadging his old director and producer friends to put him on contract salary at much diminished rates from the old top dollar days. Trying to “steal” other younger writers thunder when working with other writers. In short a man who is in decline.   

Pat though is not solely the victim of outside objective forces. He has a drinking problem, seems to have been an alcoholic, like Fitzgerald’s which would kill the author at an early age. He also seems to have liked to “play the ponies” which when you have no dough can be a dicey proposition as Bart Webber who has written about his own very real gambling jones here can tell you. Moreover it seems that it was touch and go about here he would be laying down his head any given night. A studio set empty bed or the back of his repo man’s delight car on its last legs (and not even owned by him).

Yeah, a guy on the skids, a guy a couple of inches away from the “row.” The big problem though is Pat has lost a step or seven in the “idea” department, has gotten stale. Not so off of this collection Fitzgerald though since I was eager, more than eager, to get to the next story to see what was what with Pat as a writer. From me that is a high compliment to an author. Enough said.   


Junkie’s Sonata-Your Innocent When You Dream-This Is Not Johnny Milton’s Paradise Found- The Film Adaptation From The Jesse Stone Series Of Robert Parker’s “Innocents Lost” (2011)-A Short Made For Television Film Review


Junkie’s Sonata-Your Innocent When You Dream-This Is Not Johnny Milton’s Paradise Found- The Film Adaptation From The Jesse Stone Series Of Robert Parker’s “Innocents Lost” (2011)-A Short Made For Television Film Review




DVD Review

By Josh Breslin

Innocents Lost, starring Tom Selleck, 2011       

The late crime novel writer Robert B Parker, I think he liked to be called private detection writer but I prefer crime novel and since it is my dime there you have it, was a prophet, was man before his time in writing about the junkie wave that has descended upon the land of late. (Called the opioid crisis in polite society since this involves some of those polite society relatives but junkie wave is more like it, more the way novelist Nelson Algren who wrote the definitive novel on the subject The Man With The Golden Arm would have put it.) I was looking for a film, having already reviewed the film adaptation of Algren’s novel starring Frank Sinatra long along, that would bring a more contemporary edge to the subject. I didn’t want the sudden newspaper wave baloney detailing how the streets are not safe now with junkies shooting the works in every corner scaring little children or about some poor bastard being bopped on the head for his kale so some sullen cretin could see his (or her as we will see here) fixer man to get well-for a minute. So after some light scouting I found Innocents Lost and this is just the vehicle I need to do a modern day screed on junkie-hood, the junkie sonata.  

In the background of this one is the profound notion that a cop will always be a cop and that is the case with deposed police chief Jesse Stone who got bounced from his job for reasons unknown is pouting about getting back in harness.  (Unknown to me since I have not seen the previous eight films I think already produced in this series.) Getting back in harness in land’s end, in Paradise by the sea in some mythical Cape Ann locale if only he can overcome whatever it was that got him the boot. One thing for sure there was no heavy lifting on this job with crime and criminals staying far from this upscale town-which is exactly the way the uppity town’s people liked it-what the hell was Haverhill for anyway. (There were rumors that this Jesse Stone whose previous experience before falling down in Paradise was as a coffee and donut shop patrolman in La La land had put his name in for the vacant police commissioner’s job in New York City. The search committee had a good laugh as they tossed that one out on the first round. Everybody thought it was a joke since nobody had ever heard of Paradise, or knew it never existed and were hardly going to hire a stool-sore patrolman for their top gun.)  

While Jesse broods (and hard liquor drinks which may be the key to his getting kicked out of Paradise) in splendid isolation as he watches the tide come in he gets the nod on a couple of cases. Only one of which concerns us here, the junkie shoot-up case. (In the other one white-bread Jesse helps a stumble-down Boston cop figure out that a guy in a fatal hold-up was not the guy although that did the black suspect no good since his “alibi” was that he had raped some helpless woman some blocks away from the felony robbery. That is a Jesse resume builder for sure).    

While Jesse was wiling away the hours at the dingy Paradise police department offices he befriended a young woman, a college student named Laura, don’t get tied up with names when dealing with junkies especially those who have to hustle their asses in the street to get their fixer man dough, who before spiraling downward had been picked for DUI. This Laura was the daughter of a rich woman recently divorced from her husband, presumably for adultery although it could have been plenty of other things, who had zero concern for parenting or for her daughter. Laura as kids will took it hard and started slippery-slope drinking which brought her fatefully foursquare with Jesse. Jesse took her under his wing for a while but with his own drinking problems, his divorce and the pressures of the cop job (are you kidding the heaviest duty making the monthly quota for parking tickets) he lost track of her. Lost track until she wound up down the road from that splendid isolation place he lived in while plotting his comeback. Wound up dead from an overdose, from heroin, from sister, from boy, from H, whatever you call it in your neighborhood. Except in Jesse-less tourist trap Paradise they called it an accident by some stumblebum stranger passing through.  

The suddenly quasi-parental Jesse gets on the case, stops drinking for a couple of days if I recall. This Laura thing had to have been if not murder then not the official accident everybody in Paradise had bought into, had wished into with a vengeance. So Jesse goes on his own down and dirty investigation starting with that rehab mill she had gone into for the drinking problem (and it really was, they were pushing them out the minute the insurance stopped or Daddy Warbucks stops payments) over in Haverhill run by a doctored who lived in Paradise. Through cashing in a few favors, Jesse found out that this Laura had been busted for trafficking in drugs and her ass. How did that happen taking a young college girl and turning her into a junkie whore. Somebody was behind the whole thing, somebody had turned her on to the drugs and her spiral downward.

Of course Jesse finds the guy, a Russian guy naturally like this was still the Cold War who worked at that rehab mill. This bastard’s MO was to work the rehab mills, knowing that orderly help was hard to get for minimum wages. He would scout out the vulnerable ones, girls, guys it didn’t matter, load them up with feel good drugs and then put them on the street safe in the knowledge that he was connected with the right mobsters. End of story. Well not quite Jesse traps the guy by luring him and his next hustling girl to a hotel and humiliates him. Tough Russian guys though, connected or not, are not about to let some ex-cop have the last laugh so he goes after Jesse out there in Paradise splendor. Wrong move though in Jesse’s home turf. KIA. That didn’t bring back that fallen Laura, didn’t seem to be a resume-builder, didn’t do much to put a dent in society’s drug problems, didn’t stop his brooding and plotting but did allow him to get that fresh whiskey bottle out and pour a few fingers of the nectar. More later.