The 50th Anniversary Of The Summer Of Love (1967)-From The Archives-FEAR AND LOATHING ON CAMPAIGN TRAIL 2008

The 50th Anniversary Of The Summer Of Love (1967)-From The Archives-FEAR AND LOATHING ON CAMPAIGN TRAIL 2008

Zack James’ comment (June 2017):

You know it is in a way too bad that “Doctor Gonzo”-Hunter S Thompson, the late legendary journalist is not with us in these times both this 50^th anniversary commemoration of the Summer of Love, 1967 which he worked the edges of while he was doing research (live and in your face research by the way) on the notorious Hell’s Angels. His “hook” through Ken Kesey and the Merry Pranksters down in Kesey’s place in La Honda where many an “acid test” took place and where for a time the Angels, Hunter in tow, were welcomed. He had been there and later as well when he saw the ebb tide of the 1960s coming a year or so later. He would have “dug” the exhibition at the de Young Museum at the Golden Gate Park highlighting the events of the period.    

Better yet he would have had this Trump thug wrapped up and bleeding from all pores just like he regaled us with the tales from the White House bunker back in the days when Trump’s kindred one Richard Milhous Nixon, President of the United States and common criminal was running the same low rent trip before he was run out of town by his own like some rabid rat. Hunter Thompson wherever you are –help. Selah. Enough said-for now  

COMMENTARY


In my old age I am getting a little weak-kneed about having to wade through the basically vacuous blather coming out of the Democratic and Republican presidential nominating processes. While we are in a little period of ‘doldrums’ before the deluge I keep falling back to the work of Hunter Thompson on earlier presidential campaigns to try to keep a little sanity. Here’s a little tribune to the fallen journalist. Damn, Hunter we sure as hell could use you now. Call me collect from wherever you are. I’ll gladly accept the charges. Selah.

This commentary was originally used as part of a review of Hunter Thompson's Songs of the Doomed. Since most of the points I made in my review of that book apply here I will let that review stand in here for the essential thrust of his whole body of political work. Obviously each book written by Thompson on the various presidential campaigns is formatted differently but whether Thompson was skewering the Nixon era, the Reagan era, the Clinton era or the Bush eras the song is the same. And it was not (and is not) pretty.

Generally thinkers and writers who work outside the realm of bourgeois society, notably socialists and other progressive thinkers, have done the most the trenchant social criticism, commentary and analysis complete with a prescriptive social program ripe for implementation. Bourgeois society rarely allows itself, in self-defense, to be skewered by trenchant criticism from within. This was particularly true when it came from a known dope fiend, gun freak and all-around lifestyle addict like the late, lamented Dr. Hunter S. Thompson. Although he was far from any thought of a socialist solution and would reject such a designation we could travel part of the way with him. We saw him as a kindred spirit. He was not one of us- but he was one of us. All honor to him for pushing the envelope of journalism in new directions and for his pinpricks at the hypocrisy of bourgeois society. Such men are dangerous.

I am not sure whether at the end of the day Hunter Thompson saw himself or wanted to been seen as a voice, or the voice, of his generation but he would not be an unworthy candidate. In any case, his was not the voice of the generation of 1968 being just enough older to have been formed by the earlier, less forgiving milieu of the 1950's. His earlier writings show his struggle to break out of formalistic journalism. Nevertheless, only a few, and with time it seems fewer in each generation, allow themselves to search for some kind of truth even if they cannot go the whole distance. This compilation under review is a hodgepodge of articles over the best part of Thompson's career. As with all journalists, as indeed with all writers especially those who are writing under the gun of a deadline for mass circulation media these works show an uneven quality. However the total effect is to blast old bourgeois society almost to its foundations. Others will have to push on further.

One should note that `gonzo' journalism is quite compatible with socialist materialism. That is, the writer is not precluded from interpreting the events described within himself/herself as an actor in the story. The worst swindle in journalism, fostered by the formal journalism schools, as well as in other disciplines like history and political science is that somehow one must be `objective'. Reality is better served if the writer puts his/her analysis correctly and then gets out of the way. In his best work that was Hunter's way.

As a member of the generation of 1968 I would note that this was a period of particular importance which won Hunter his spurs as a journalist. Hunter, like many of us, cut his political teeth on one Richard Milhous Nixon, at one time President of the United States and all- around political chameleon. Thompson went way out of his way, and with pleasure, skewering that man when he was riding high. He was moreover just as happy to kick him when he was down, just for good measure. Nixon represented the `dark side' of the American spirit- the side that appears today as the bullyboy of the world and as craven brute. Sound familiar? If for nothing else Brother Thompson deserves a place in the pantheon of journalistic heroes for this exercise in elementary political hygiene. Anyone who wants to rehabilitate THAT man before history please consult Thompson's work. Hunter, I hope you find the Brown Buffalo wherever you are. Read this book. Read all his books.

The 50th Anniversary Of The Summer Of Love (1967)-In The 1960s Time Of Fear And Loathing- The Movie-Hunter S. Thompson’s “Fear And Loathing In Las Vegas”

The 50th Anniversary Of The Summer Of Love (1967)-In The 1960s Time Of Fear And Loathing- The Movie-Hunter S. Thompson’s “Fear And Loathing In Las Vegas” 

Zack James’ comment:

You know it is in a way too bad that “Doctor Gonzo”-Hunter S Thompson, the late legendary journalist is not with us in these times both this 50^th anniversary commemoration of the Summer of Love, 1967 which he worked the edges of while he was doing research (live and in your face research by the way) on the notorious Hell’s Angels. His “hook” through Ken Kesey and the Merry Pranksters down in Kesey’s place in La Honda where many an “acid test” took place and where for a time the Angels, Hunter in tow, were welcomed. He had been there and later as well when he saw the ebb tide of the 1960s coming a year or so later. He would have “dug” the exhibition at the de Young Museum at the Golden Gate Park highlighting the events of the period.    

Better yet he would have had this Trump thug wrapped up and bleeding from all pores just like he regaled us with the tales from the White House bunker back in the days when Trump’s kindred one Richard Milhous Nixon, President of the United States and common criminal was running the same low rent trip before he was run out of town by his own like some rabid rat. Hunter Thompson wherever you are –help. Selah. Enough said-for now   

Fear And Loathing In Las Vegas, starring Johnny Depp, based on the gonzo journalism of Doctor Hunter S. Thompson.

Make no mistake I have read everything of Hunter Thompson’s that I could get my hands on. I love Johnny Depp as an actor. However, this film does a true disservice to both of their talents. Johnny makes no sense as Hunter, although he was legitimate wild man Hunter’s friend. More importantly, Fear and Loathing, driven by stuff internally spinning in Thompson’s head, does not translate on the screen as anything but a diffused and nonsensical homage to late counter-cultural self-indulgence, drug division. Of the worse sort.

Thompson always claimed that his literary attempt to use the tenets of ‘gonzo’ journalism in the book was a failure. I disagree with that evaluation for the book but certainly not for the film. Let us face it this is classic case of the film being very, very inferior to the book, although the episodes and language hew fairly close to it. Please, please read the book. And please, please read many times that little gem snippet of his about his take on the high (and low) side of the 1960s experience, what it meant to those who got caught up in the excitement and danger, and when he could see the whole thing literally ebbing. Classic. You will also laugh and be entertained by his drug-induced attempt to find the meaning of the American experience in the post-World War II world. As for the film it will give you nothing but fear and loathing.

The 50th Anniversary Of The Summer Of Love (1967)-A Random Word … On The Late Hunter S. Thompson-Doctor Gonzo

The 50th Anniversary Of The Summer Of Love-A  Random Word … On The Late Hunter S. Thompson-Doctor Gonzo   

Zack James’ comment:

You know it is in a way too bad that “Doctor Gonzo”-Hunter S Thompson, the late legendary journalist is not with us in these times both this 50^th anniversary commemoration of the Summer of Love, 1967 which he worked the edges of while he was doing research (live and in your face research by the way) on the notorious Hell’s Angels. His “hook” through Ken Kesey and the Merry Pranksters down in Kesey’s place in La Honda where many an “acid test” took place and where for a time the Angels, Hunter in tow, were welcomed. He had been there and later as well when he saw the ebb tide of the 1960s coming a year or so later. He would have “dug” the exhibition at the de Young Museum at the Golden Gate Park highlighting the events of the period.    

Better yet he would have had this Trump thug wrapped up and bleeding from all pores just like he regaled us with the tales from the White House bunker back in the days when Trump’s kindred one Richard Milhous Nixon, President of the United States and common criminal was running the same low rent trip before he was run out of town by his own like some rabid rat. Hunter Thompson wherever you are –help. Selah. Enough said-for now  

Make no mistake the late, lamented Hunter Thompson was always something of a muse for me going way back to the early 1970’s when I first read his seminal work on the outlaw bikers, Hell’s Angels. Since then I have devoured, and re-devoured virtually everything that he has written. I have reviewed many of those efforts elsewhere in this space. As I noted recently in reviewing his 2004 work Hey, Rube not all his efforts have been equally compelling. That was the case in panning Hey, Rube but here we are on much more solid tradition ‘gonzo’ style from the old days. Maybe it is because this work is in the form of a memoir and thus intentionally places the good Doc’s actions in the center of the writing that makes this more in the mold of his better compilations like the Great Shark Hunt and Songs of the Doomed.

Thompson uses a stream of consciousness trope going from the present (early 2000’s) and his then current doings and splices them together, in some segments randomly, to events as far back as his childhood in Louisville, Kentucky. Along the way we find out him at age nine in trouble with the FBI. Down and dirty in Rio with the crazies. Incessantly testing his beloved guns and various hot motorcycles at various and sundry appropriate and inappropriate times. Taking trips to places like Vietnam just before the fall, Cuba, Grenada after the invasion and elsewhere where the journalistic action might be and a story, in the Thompson style, might develop. Needless to say there is plenty of ink about sex, drug and rock and rock including his deeply affecting and traumatic tangle with the law in the early 1990’s. That, my friends, was a close call. And throughout, as usual, there are pithy political comments about the various idiots-in-chiefs and their henchman that he spent his life hammering. Maybe not your way, definitely not my way but his way. His fateful run for Sheriff of Aspen on the Freak Power ticket in 1970 probably set the tone of his politics accurately. For those who have read other works by Thompson some of the signature language may be old hat as he meanders along in this volume. For others it is a chance to learn the lingo. Enough said.               

In The Time Of The Soviet-American World War II Friendship-With Edward Myrtryk’s Seven Miles From Alcatraz In Mind

In The Time Of The Soviet-American World War II Friendship-With Edward Myrtryk’s Seven Miles From Alcatraz In Mind  

By Film Critic Emeritus Sam Lowell

Okay, okay regular readers of this space (and of the on-line version of the American Film Gazette) know that I have, how did Pete Markin put it, oh yeah, put myself out to pasture. In other words retired from the day to day grind of film reviews what with the inevitable deadlines sneaking up and giving me heartburn when I haven’t figured out a “hook” to tie the review up with and Pete is e-mailing every other minute I had had enough. I had conned my old friend, colleague and competitor Sandy Salmon (from that same American Film Gazette where he was a regular film critic with a by-line long before I began to occasionally write for the publication) into doing the yeoman’s work until he in his turn will retire and let younger hands get their chance. I also mentioned in that notice of retirement that I would occasionally comment on whatever I felt like commenting on as long as I didn’t have to meet some damn deadline.     

I have of late been impressed by some of Sandy’s reviews which are pretty good and which I have no quarrel with. What I have noticed when he reviews older films which is what this space is more and more dedicated to is that some remark he makes or some insight of his gets me to the computer to make a comment. That is what I am up to today in regard to a recent review he did of a 1940s World War II film, part propaganda, part action thriller entitled Seven Miles From Alcatraz. The “hook” for me was not the fact that it was directed by Edward Myrtryk who would after the war be red-baited and scapegoated as one of the Hollywood Ten, guys who wouldn’t snitch on their fellows who might have in the past been reds, you know, communists . Honorably done at the time although unlike Howard Fast and Dalton Trumbo he eventually spilled his guts to whoever would listen to save his career. That direction might have been part of what I was looking at which I will explain in a minute since the thrust of the film fit in very well with what the American Communist Party on orders from Moscow were doing to help the war effort once the Soviets became allies in 1941.        

No, what got me about this film was that even hardened criminals could under the story-line presented aid the war effort, could in this case be anti-Nazi fighters. My first reaction was WTF, yeah, that is exactly what I thought. Here is the gist of the story. A couple of hard cases tired of Alcatraz, the “Rock”, the supposedly inescapable Rock out in the dangerous Frisco Bay escaped to a lighthouse out in the harbor, out by the Japan currents from what I could gather. At that lighthouse there was the lighthouse keeper (an important job in the treacherous waters in the Bay), his daughter and a couple of other guys, one a goof but the other who just so happened to turn out to be a Nazi spy. A Nazi spy who is connected in with a group of fellow conspirators who have plans to blow up half of Frisco town once they grab a submarine off that lighthouse and get back to the Fatherland. Naturally they get nowhere once these cons get their patriotic fervor up after they “realize” that if Frisco town goes the Rock goes too if they get captured and are returned there before that event takes place. The conspiracy and the sub once the military gets a fix on them from the lighthouse keeper after the cons struggle with the Nazi agents trying to get back home goes to the briny deep. Fair enough nobody liked the idea, least of all me, of half of Frisco town being blown up.

What is really galling though is the idea that these hardened hoods were to be considered cinematically part of the great united front to wipe the Nazis and their allies off the face of the earth. Such guys from Steubenville, Ohio and Hazard, Kentucky who were itching to volunteer once the Japanese did their dastardly deeds at Pearl Harbor I understand as part of the front. Guys building ships, welding like crazy on three shifts to produce a ship a day I get it. Rosy the riveter picking up the slack when the menfolk went off to war great. Granny planting her Victory Garden, nice work. Kids running around getting string and aluminum foil for the war effort good young citizens. But cons who would as soon as put a slug in you, hey, in that light-keeper if it came to it before they “got religion” on what was what with the damn Nazis no I cannot buy that. What was Dmytryk thinking anyway when he took on this film.                

  

Out In The 1940s Crime Noir Night –Humphrey Bogart and Lauren Bacall’s “Key Largo”

Out In The 1940s Crime Noir Night –Humphrey Bogart and Lauren Bacall’s “Key Largo”

DVD Review

Key Largo, starring Humphrey Bogart, Lauren Bacall, Edward G. Robinson, Lionel Barrymore, and Claire Trevor, Warner Brothers, 1948


“One Johnny Rocco, more or less, in the world is no business of mine.” So says one world-wise, world weary, been-through- the-mill ex-World War II military man, Frank McCloud (played, understatedly, by one cinematic 1940s tough guy, Humphrey Bogart) in the film under review, Key Largo. And he was right, dead right that a single guy , a single guy singed by life’s pitfalls could, would, or should take on one more hoodlum in this wicked old world.

But, of course dead right or not, this would be an exceedingly short film if Frank threw in the towel when he faced one real live Johnny Rocco hoodlum (played to a sleazy tee by serious 1940s gangster-type Edward G. Robinson). Moreover I set up the last paragraph to see if those who follow crime noir in all its glory were paying attention. Crime noir, for the one hundredth time, no, the one thousandth time, is based, for good or evil, on one premise, crime at the end of the day does not pay. And criminals must pay, either forfeiting their lives or doing one to ninety-nine in stir, the can, prison, okay.

And so world-weary, world wary, seen it all Frank McCloud must once more call on the better angel of his nature to eradicate one very live Johnny Rocco. Let’s give a few plot details to flush on this story and see why Frank had to bust up some two-bit racketeer. One Johnny Rocco and his courtly entourage of petty thugs decided to hit Key Largo, specifically the Key Largo Hotel, off-season, maybe to save a little dough on the room rates. No, no, no to make a score off of some counterfeit dough hot off the presses that his old crony Ziggy will pass off as real kale. But see Johnny has a problem because although a few years back he was king of the hill up in the Midwest he has been deported as, if you can believe this, an undesirable alien and has been cooling his heels in anything goes Batista-era Cuba waiting for his big comeback. So this deal, real dough for fake (at a serious discount of course) brings him back to old Estatos Unidos, well, Key Largo which is only a stone’s throw from Cuba.

And everything would have been fine except just then one ex-serviceman, our friend Frank McCloud, who happened to have been the hotel owner’s (played by Lionel Barrymore) killed in action son’s commanding officer in the European Theater, decided to stop by and commiserate on his way to Key West. And everything would have been very fine if a big blow, a hurricane, did not also gum up the works forcing everybody (everybody except the Native Americans left to fend for themselves during the storm) into the claustrophobic hotel lobby area where the frayed nerves of all were exposed.

Naturally since old Johnny had all the guns, all the gunsels, and a very nasty disposition when he was crossed he was hands down the winner, right. No, no you were not paying attention. See a dame, well, actually two dames, come in to muck things up. No femme fatales here though, just Nora (played, very understatedly by Lauren Bacall), who was married to the owner’s deceased son and is pretty easy on the eyes. While the sparks between Bogart and Bacall do not light up the screen like they did in To Have And Have Not they go for each other. So Frank’s hands off the world approach is doomed, doomed big time, if he wants to get anywhere with Ms. Nora. And then there is Johnny’s lush girlfriend, Gaye, who old Johnny does not treat right, no way. Add a slap or two to Nora by Johnny and Johnny is doomed, doomed big time. RIP. Thus there is, whether it makes any different in the great mandela in fact one less Johnny Rocco in the world. Got it.

Out In The 1940s Crime Noir Night –Humphrey Bogart and Lauren Bacall’s “Key Largo”

Out In The 1940s Crime Noir Night –Humphrey Bogart and Lauren Bacall’s “Key Largo”

DVD Review

Key Largo, starring Humphrey Bogart, Lauren Bacall, Edward G. Robinson, Lionel Barrymore, and Claire Trevor, Warner Brothers, 1948


“One Johnny Rocco, more or less, in the world is no business of mine.” So says one world-wise, world weary, been-through- the-mill ex-World War II military man, Frank McCloud (played, understatedly, by one cinematic 1940s tough guy, Humphrey Bogart) in the film under review, Key Largo. And he was right, dead right that a single guy , a single guy singed by life’s pitfalls could, would, or should take on one more hoodlum in this wicked old world.

But, of course dead right or not, this would be an exceedingly short film if Frank threw in the towel when he faced one real live Johnny Rocco hoodlum (played to a sleazy tee by serious 1940s gangster-type Edward G. Robinson). Moreover I set up the last paragraph to see if those who follow crime noir in all its glory were paying attention. Crime noir, for the one hundredth time, no, the one thousandth time, is based, for good or evil, on one premise, crime at the end of the day does not pay. And criminals must pay, either forfeiting their lives or doing one to ninety-nine in stir, the can, prison, okay.

And so world-weary, world wary, seen it all Frank McCloud must once more call on the better angel of his nature to eradicate one very live Johnny Rocco. Let’s give a few plot details to flush on this story and see why Frank had to bust up some two-bit racketeer. One Johnny Rocco and his courtly entourage of petty thugs decided to hit Key Largo, specifically the Key Largo Hotel, off-season, maybe to save a little dough on the room rates. No, no, no to make a score off of some counterfeit dough hot off the presses that his old crony Ziggy will pass off as real kale. But see Johnny has a problem because although a few years back he was king of the hill up in the Midwest he has been deported as, if you can believe this, an undesirable alien and has been cooling his heels in anything goes Batista-era Cuba waiting for his big comeback. So this deal, real dough for fake (at a serious discount of course) brings him back to old Estatos Unidos, well, Key Largo which is only a stone’s throw from Cuba.

And everything would have been fine except just then one ex-serviceman, our friend Frank McCloud, who happened to have been the hotel owner’s (played by Lionel Barrymore) killed in action son’s commanding officer in the European Theater, decided to stop by and commiserate on his way to Key West. And everything would have been very fine if a big blow, a hurricane, did not also gum up the works forcing everybody (everybody except the Native Americans left to fend for themselves during the storm) into the claustrophobic hotel lobby area where the frayed nerves of all were exposed.

Naturally since old Johnny had all the guns, all the gunsels, and a very nasty disposition when he was crossed he was hands down the winner, right. No, no you were not paying attention. See a dame, well, actually two dames, come in to muck things up. No femme fatales here though, just Nora (played, very understatedly by Lauren Bacall), who was married to the owner’s deceased son and is pretty easy on the eyes. While the sparks between Bogart and Bacall do not light up the screen like they did in To Have And Have Not they go for each other. So Frank’s hands off the world approach is doomed, doomed big time, if he wants to get anywhere with Ms. Nora. And then there is Johnny’s lush girlfriend, Gaye, who old Johnny does not treat right, no way. Add a slap or two to Nora by Johnny and Johnny is doomed, doomed big time. RIP. Thus there is, whether it makes any different in the great mandela in fact one less Johnny Rocco in the world. Got it.

An Encore -Looking For The Heart Of Saturday Night, Christ The Heart Of Any Night-Elegy For Tom Waits

An Encore -Looking For The Heart Of Saturday Night, Christ The Heart Of Any Night-Elegy For Tom Waits

From the pen of the late Peter Paul Markin who fell by the wayside, fell to his notoriously monstrous “wanting habits” accumulated since childhood looking too hard, looking to hard in the wrong places down among the weeds in Mexico, looking for train smoke and dreams if you really thought about the matter, looking for his own heart of Saturday night-RIP, Brother,RIP.     

****** 


If you, as I do, every once in a while, every once in a while when the norms of today’s bourgeois-driven push, bourgeois a better term than capitalist or imperialist if you are in America since it gives a better view of the unhindered social norms, the ethos rather than the sheer grab for filthy lucre; you know grab goods, grab the dough, grab every cheap-jack convenience like it was God’s own gold, grab some shelter from the storm, the storm that these days comes down like a hard rain falling, to get ahead in this wicked old world have to step back and take stock, maybe listen to some words of wisdom, or words that help explain how you got into that mess then you have come to the right address, the address of Mister Tom Waits if you missed the headline or missed who is writing this thing. (Or better "wrote" since this piece is being edited posthumously by Zack James who found this and three companion pieces in the attic of Josh Breslin's Olde Saco family house in Olde Saco, Maine when they were looking to dispose of whatever could be disposed of in preparation for selling the place so Josh and Lana could move into smaller quarters and Josh told him the long and at the end the sad story about Josh's and Markin's meeting out in San Francisco in the summer of love 1960s times and about Markin's awful fate down in Mexico. That story drove Zack to the editing job in order that a genuine mad monk writer could some forty years after his death receive a small recognition of his ambitious talent.) 


Okay, okay on that bourgeois-driven today thing once I describe what was involved maybe it didn’t just start of late. Maybe the whole ill-starred rising went back to the time when this continent was, just like F. Scott Fitzgerald said way back in the 1920s when he made up the Jazz Age and reeled back in dismay once he saw how those coupon-clippers devoured all good sense and sober ethos, just a fresh green breast of land eyed by some hungry sailors, some hungry Dutch sailors who took what they wanted back the homeland and made a grave attempt to fatten their own chests. Just check out any Dutch master painting to see what I mean.


Going back to Calvinist Puritan avenging angels times with John Winthrop and the Mayflower boys and their city on the hill but you best ask Max Weber about that since he tried to hook these world-wise and world weary boys were no longer worrying about novenas and indulgences against some netherworld to the wheel of the capitalist profit. Profit (grab the dough, grab the goods, grab stuff cheap) for "you at the expense of me" system with the new dispensation coming out like hellfire from Geneva and points east and west. The eternal story of the short end of the stick if you aren’t ready for sociological treatises and rely on guys like Tom Waits to wordsmith the lyrics to set you right about what is wrong. But you get the point.


If all that to-ing and fro-ing (nice touch, right) leaves you wondering where you fell off the edge, that edge city (edge city where you danced around with all the conventions of the days, danced around the get ahead world, grab the dough, grab the goods, grab stuff cheap,  with blinkers on before you got stuck in the human sink that you have still not been able to get out of) where big cloud outrageous youthful dreams were dreamt and you took risks, damn did you take risks, thought nothing of that fact either, landed on your ass more than a few times but just picked yourself up and dusted your knees off and done stick around and listen up. Yeah, so if you are wondering,  have been pushed off your saintly wheels, yeah, pushed off your sainted wheels, and gotten yourself  into some angst-ridden despair about where you went off that angel-driven dream of your youth, now faded, tattered, and half- forgotten(but only half, only half-forgotten, the wisp of the dream, the eternal peace dream, the figuring out how to contain that fire, that wanting habits fire in your belly dream sisters and brothers), and need some solace (need some way to stop the fret counting the coffee cups complete with spoons to measure that coffee out as the very modernist poet once said making his modern statement about the world created since the turn of the 19th century that while away your life). Need to reach back to roots, reach back to roots that the 1950s golden age of America, the vanilla red scare Cold War night that kicked the ass out of all the old to make us crave sameness, head down, run for cover, in order to forget about those old immigrant customs, made us forget those simple country blues, old country flames, Appalachia mountain breeze coming through the hills and hollows songs, lonely midnight by the fire cowboy ballads, Tex-Mex big ass brass sympatico squeezes Spanish is the loving tongue, Irish desperate struggles against John Bull  sorrows and cautionary tale Child ballads, plucked out early by a professor over on Brattle Street back when the Brahmins very publicly ruled the roost, or Cajun Saturday night stewed drunks that made the people feel good times, reach back to the primeval forest maybe, put the headphones on some Tom Waits platter [oops, CD, YouTube selection, etc.- “platter” refers to a, ah, record, vinyl, put on a record player, hell, look it up in Wikipedia, okay-Zack James] and remember what it was like when men and women sang just to sing the truth of what they saw and heard.


If the norms of don’t rock the boat (not in these uncertain times like any times in human existence were certain, damn, there was always something scary coming up from the first man-eating beast to the human race-eating nuclear bombs, brother even I Iearned early that it was a dangerous world, yeah, learned very early in the Adamsville projects where you got a very real taste of danger before you got too much older than five or six), the norms of keep your head down (that’s right brother, that’s right sister keep looking down, no left or rights for your placid world), keeping your head down being an art form now with appropriate ritual (that ritual looking more and more like the firing squad that took old Juan Romero’s life when he did bad those days out in Utah country), and excuses, because, well, because you don’t want to wind up like them (and fill in the blank of the “them,” usually dark, very dark-skinned like some deathless, starless night disturbing your sleep, begging, I swear, begging you to put that gun in full view on the table, speaking some unknown language, maybe A-rab or I-talian, maybe gibberish for all you know, moving furtively and stealthily against your good night) drive you crazy and you need, desperately need, to listen to those ancient drum beats, those primeval forest leave droppings maybe, that old time embedded DNA coda long lost to, oh yes, civilization, to some civilizing mission (think of that Mayflower gang and that fresh green breast of land  and that city on a hill that drove them cross-eyed and inflamed or ask Max Weber, he footnoted the whole thing, put paid to any idea of otherworldly virtue), that spoke of the better angels of your nature when those angel dreams, half-forgotten but only half-forgotten remember, ruled your days. Turn up the volume up another notch or two on that Tom Waits selection, maybe Jersey Girl or Brother, Can You Spare A Dime (can you?), Hold On, or Gunn Street Girl.


If you need to hear things, just to sort things out, just to recapture that angel-edge, recapture the time when you did no fear, you and everybody else’s sisters and brothers, that thing you build and from which you now should run, recapture that child-like wonder that made you come alive, made you think about from whence you came and how a turn, a slight turn this way or that, could have landed you on the wrong side of the fence. And I have the list of brothers and sisters who took that wrong road, like that time Jack from Carver wound up face down in some dusty back road arroyo down Sonora way when the deal went bust or when she, maybe a little kinky for all I know, decided that she would try a needle and a spoon, I swear, or she swore just for kicks and she wound up in Madame LaRue’s whorehouse working that sagging bed to perdition and worse losing that thing she had for sex once she started selling it by the hour. Hey, sweet dreams baby I tried to tell you when you play with fire watch out.


So if you need to sort things out about boozers (and about titanic booze-crazed struggles in barrooms, on beaches, in the back seats of cars, lost in the mist of time down some crazed midnight, hell, four in the morning, penniless, cab fare-less night), losers (those who have lost their way, those who had gotten it taken away from them like some maiden virginity, those who just didn’t get it frankly in this fast old world taken in by some grifter’s bluster), those who never had anything but lost next to their names, those who never had a way to be lost, dopesters inhaling sweet dream snow in solitary hotel rooms among junkie brethren, gathering a needle and spoon in some subterranean dank cellar, down in dark alleys jack-rolling some poor drunk stiff out of his room rent for kicks (how uncool to drink low-shelf whiskeys or rotgut wines hell the guy deserved to be rolled, should feel lucky he got away with just a flipped wallet), out in nighttime canyons flame blaring off the walls, the seven seas of chemical dust, mainly blotter, maybe peyote (the sweet dreams of ten million years of ghost warriors working the layered canyon walls flickering against the campfire flames and the sight of two modern warriors shirtless, sweaty, in a trance, high as kites, dancing by themselves like whirling dervishes   ready to do justice for the white man's greed until the flames flickered out and they fell in a heap exhausted) if that earth angel connection comes through (Aunt Sally, always, some Aunt Sally coming up the stairs to ease the pain, to make one feel, no, not feel better than any AMA doctor without a prescription pad), creating visions of long lost tribes trying, trying like hell, to get “connected,” connected in the campfire shadow night, hipsters all dressed in black, mary mack dressed in black, speeding, speaking be-bop this and be-bop that to stay in fashion, hustling, always hustle, maybe pimping some street urchin, maybe cracking some guy’s head to create a “new world order” of the malignant, always moving, fallen sisters (sisters of mercy, sisters who need mercy, sisters who were mercifully made fallen in some mad dash night, merciful sister feed me, feed me good), midnight sifters (lifting in no particular order hubcaps, tires, wrenches, jacks, an occasional gem, some cheap jewelry in wrong neighborhoods, some paintings or whatever is not saleable left in some sneak back alley, it is the sifting that counts), grifters (hey, buddy watch this, now you see it, now you don’t, now you don’t see your long gone John dough, and Mister three card Monte long gone too ), drifters (here today gone tomorrow with or without dough, to Winnemucca, Ogden, Fresno, Frisco town, name your town, name your poison and the great big blue seas washing you clean out into the Japan seas), the drift-less (cramped into one room hovels, shelters, seedy rooming houses, hell, call them flop houses, afraid to stay in-doors or to go outside, afraid of the “them” too, afraid to be washed clean, angel clean), and small-time grafters (the ten-percent guys, failed insurance men, repo artists, bounty hunters, press agents, personal trainers, need I go on). You know where to look, right.


If you need to be refreshed on the subject of hoboes, bums, tramps (and remind me sometime to draw the distinction, the very real and acknowledged distinction between those three afore–mentioned classes of brethren once told to me by a forlorn grand master hobo, a guy down on his luck moving downward to bum), out in the railroad jungles in some Los Angeles ravine, some Gallup, New Mexico Southern Pacific  trestle (the old SP the only way to travel out west if you want to get west), some Hoboken broken down pier (ha, shades of the last page of Jack Kerouac’s classic), the fallen (fallen outside the gates of Eden, or, hell, inside too), those who want to fall (and let god figure out who made who fall, okay), Spanish Johnnies (slicked back black hair, tee shirt, shiv, cigarette butt hanging from a parted lip, belt buckle ready for action, leering, leering at that girl over there, some gringa for a change of pace, maybe your girl but watch out for that shiv, the bastard), stale cigarette butts (from Spanish Johnnie and all the johnnies, Camels, Luckies, no filters, no way), whiskey-soaked barroom floors (and whiskey-soaked drunks to mop the damn place up, for drinks and donuts, maybe just for the drinks), loners (jesus, books, big academic books with great pedigrees could be written on that subject so let’s just let that one pass by), the lonely (ditto loners), sad sacks (kindred, one hundred times kindred to the loners and the lonely but not worthy of study, big book academic study anyway), the sad (encompassing all of the above) and others at the margins of society, the whole fellahin world (the big mass of world sweated field braceros, sharecroppers, landless peasants and now cold-water flat urban dwellers fresh from the played out land, or taken land) then Tom Waits is your stop.


Tom Waits is, frankly, an acquired taste, one listen will not do, one song will not do, but listen to a whole record [CD or download okay-Zack] and you won’t want to turn the thing off, high praise in anyone’s book, so a taste well worth acquiring as he storms heaven in words, in thought-out words, in cribbed, cramped, crumbled words, to express the pain, angst and anguish of modern living, yes, modern living.


See he ain’t looking for all haloed saints out there, some Saint Jerome spreading the word out to the desert tribes, out on the American mean streets he has pawed around the edges, maybe doesn’t believe in saints for all I know, but is out looking for busted black-hearted angels all dressed in some slinky silk thing to make a man, a high-shelf whiskey man having hustled some dough better left unexplained that night going off his moorings feeding her drinks and she a liquor sponge (who left him short one night in some unnamed, maybe nameless, gin mill when she split, after she split her take with the bartender who watered her drinks, hell, the thing was sweet all she needed to do when he leaned into her was grab his sorry ass and get the damn wallet). Looking too, a child of the pin-up playboy 1950s, for girls with Monroe hips (hips swaying wickedly in the dead air night, and enflaming desire, hell lust, getting kicked out of proper small town hells by descendants of those aforementioned Mayflower boys for promising the world for one forbidden night), got real, and got left for dead with cigar wrapping rings. Yeah, looking for the desperate out there who went off the righteous path and wound up too young face down in some forsaken woods who said she needed to hold on to something, and for all the misbegotten. 



Tom Waits once you get the habit gives voice in song, a big task, to the kind of characters that peopled Nelson Algren’s novels (The Last Carousel, Neon Wilderness, Walk on the Wild Side, and The Man with the Golden Arm). The, frankly, white trash Okie/Arkie Dove Linkhorns and Frankie Machines of the world who had to keep moving just for the sake of moving something in the DNA driving that whirlwind, genetically broken before they begin, broken before they hit these shores (their forbears thrown out of Europe for venal crimes and lusts, pig-stealing, deer-pouching, working the commons without a license, highwaymen, ancient jack-rollers, the flotsam and jetsam of the old world, damn them, the master-less men and women, ask old Max about them too), having been chased out, cast out of Europe, or some such place. In short, the people who do not make revolutions, those revolutions we keep hearing and reading about, far from it, the wretched of the earth and their kin, the ones who the old blessed Paris communards were thinking of when they hanged a sign saying “Death to Thieves” from the Hotel de Ville balcony, but those who surely, and desperately could use one. If you want to hear about those desperate brethren then here is your stop as well.


If, additionally, you need a primordial grizzled gravelly voice to attune your ear to the scratchy earth and some occasional dissonant instrumentation to round out the picture go no further. Hey, let’s leave it at this- if you need someone who “feels your pain” for his characters you are home. Keep looking for the heart of Saturday night, Brother, keep looking.

In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!- Sundiata Acoli

In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!- Sundiata Acoli



http://www.thejerichomovement.com/prisoners.html



A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month 

Markin comment (reposted from 2010)

In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.



That last notion set me to the task at hand. Readers of this space know that I am a long-time supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.



Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!




Who is Sundiata Acoli?
Sundiata Acoli, a New Afrikan political prisoner of war, mathematician, and computer analyst, was born January 14, 1937, in Decatur, Texas, and raised in Vernon, Texas. He graduated from Prairie View A & M College of Texas in 1956 with a B.S. in mathematics and for the next 13 years worked for various computer-oriented firms, mostly in the New York area.
During the summer of 1964 he did voter registration work in Mississippi. In 1968 he joined the Harlem Black Panther Party and did community work around issues of schools, housing, jobs, child care, drugs, and police brutality.
In 1969 he and 13 others were arrested in the Panther 21 conspiracy case. He was held in jail without bail and on trial for two years before being acquitted, along with all other defendants, by a jury deliberating less than two hours.
Read More…

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Ruchell Cinque Magee (Co-defendant from the Angela Davis Case, the forgotten one when CP defense publicity time came)

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Ruchell Cinque Magee (Co-defendant from the Angela Davis Case, the forgotten one when CP defense publicity time came)

Ruchell Cinque Magee

http://www.thejerichomovement.com/prisoners.html



A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month 

Markin comment (reposted from 2010)

In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!



*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Abdul Majid (Anthony Laborde)



http://www.thejerichomovement.com/prisoners.html



A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month 

Markin comment (reposted from 2010)

In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!

MAGEE, RUCHELL CINQUE

"Man and Superman"-The Immoralist, Andre Gide-A Book Review

"Man and Superman"-The Immoralist, Andre Gide-A Book Review 

BOOK REVIEW

The Immoralist, Andre Gide, Penguin Classics, New York, 2001

Andre Gide was always justly famous for writing tight little novels that presented unusual moral dilemmas that did not, as in real life, necessarily get resolved or resolved in a way that one would think.  That is the case here with one of his early and perhaps most famous offerings. The story line centers on the bedraggled life of a consummate French bourgeois scholar who is going through a personal crisis after the death of his father and his unsought `shot gun' marriage in the early part of the 20th century. The newly weds travel to various exotic outposts of French imperialism, including the dry Northern African coast. Along the way he becomes sick with a life-threatening illness but by an act of will, and the extraordinary care of his new wife, overcomes that crisis. As a result of her loving efforts she in turn gets sick (during her pregnancy). He is decidedly inattentive to her illness. The scholar, in the final analysis, permits her to die by his self-centered actions.

Now, after his illness, and as a result of overcoming that experience the scholar begins to believes that he is `superman' a la Nietzsche and therefore consciously or unconsciously becomes the agent of his wife's descend into greater illness and eventually death. Quite a dilemma, to be sure, but he is not crying over it. The real question here is whether, in a hard and unforgiving world where each person is his or her own agent, that it was his duty to thoughtfully care for his wife or whether his need to take actions to `understand' himself was paramount.

Some other moral questions concerning his role as landlord in his inherited rural estate pop up along the way, as well. Also, just a hint of homosexual tension in his dealings with the young Arab boys in the neighborhood hovers in the background. This is a subject that then was almost always covered in discreet language so it is hard to tell the full extent of the attraction. And whether he did anything about it. This is a question that concerned Gide personally, as well.

I would note that this theme (and the sub theme of homosexuality) and the book itself at the start of the 20th century may have been somewhat scandalous but reading it after some of the harrowing events done by humankind in the last century has cut deeply into the impact that it was intended to have. Still it is a great book and a quick read. Any lessons to be drawn about the dark side of human nature, as it has evolved thus far, take a lot longer.

An Encore -Out In The Be-Bop 1950s Night- The Time Of Motorcycle Bill-Take Two

An Encore -Out In The Be-Bop 1950s Night- The Time Of Motorcycle Bill-Take Two

From The Pen Of Joshua Lawrence Breslin

[My old friend, Sam Lowell, whom I have known since the summer of love days out in Frisco days in the late 1960s when we though all the world could be turned upside down and we were the hail fellows, well met who were going to help do it and all we got for our troubles was tear gas, cops' nightsticks and the bastinado for our efforts, oh yeah, and forty year blow-back from the night-takers, and who hails from Carver down in Massachusetts asked me to fill in a few more details about this relationship between Motorcycle Bill and Lily. He thought I was originally kind of skimpy on why a nice Catholic girl would go all to pieces over a motorcycle guy, would get on his bike like she was some low-rent tart from the wrong side of town the usual type that went for motorcycle guys in his book. Sam didn’t get the idea that when that cycle surge came along just like us with the heroic antics of the summer of love lots of ordinary teens went with the flow. So here is a little extra, a take two for Sam, and maybe for others who missed that big motorcycle moment.]      

 ********

There was a scourge in the land, in the 1950s American land. No, not the one you are thinking of from your youth or from your history book, not the dreaded but fatalistically expected BIG ONE, the mega-bomb that would send old mother earth back to square one, or worst, maybe only the amoebas would survive to start the long train of civilization up the hill once again. Everybody expected that blow to come if it did come and we in America were not vigilant, did not keep our shoulders to the wheel and not ask questions from the nefarious Russkies (of course we that were just coming to age in the rock and roll night would not have had a clue as to what questions to ask if asking questions was acceptable then and it was not and we as young as were knew that it was not from parents to teachers to Grandpa Ike and his cabinet). We, if not vigilant, would take it in the back from a guy named Joe Stalin which one of our teachers said meant “steel” in Russian but it could have been from any Russian guy as we learned later after Stalin died and other atomic bomb-wielding guys took over in Red Square.

Sure that red scare Cold War was in the air and every school boy and girl had their giggling tales of having to hide, hide ass up, under some desk or other useless defense in air raid drill preparations for that eventually. I wasn’t any revolutionary or radical or “red” although one teacher looked at me kind of funny when I mentioned it but I couldn’t get behind the purpose of hiding under some old-timey elementary school wooden desk when every film I ever saw of what an atomic blast looked like said you might as well not have your ass sticking up in the air when Armageddon came. Like I said one teacher looked at me very funny. So sure the air stunk of red scare, military build-up cold war “your mommy is a commie turn her in" (and there were foolish kids who did try to use that ploy when dear mother said no to some perfectly reasonable request and junior thought to get even he would rat her out).

But the red scare, the Cold War ice tamp down on society to go along to get along was not the day to day scare for every self-respecting parent from Portsmouth to the Pacific. That fear was reserved for the deadly dreaded motorcycle scare that had every father telling his son to beware of falling under the Marlon Brando sway once they had seen the man complete with leather jacket, rakish cap and surly snarl playing Johnny Bad in The Wild One at the Strand Theater on Saturday afternoon and deciding contrary to the cautionary tale of the film that these Johnnies were losers spiraling down to a life, a low life of crime and debauchery (of course said son not knowing of the word, the meaning of debauchery, until much later) just shrugged his innocent shoulders.

More importantly, more in need of a five alarm warning, every mother, every blessed mother, self-respecting or not, secretly thinking maybe a toss in the hay with Marlon would bring some spice to her otherwise staid ranch house with breezeway existence warned off their daughters against this madness and perversity in leather. Warned those gleaming-eyed daughters also fresh from the Saturday afternoon matinee Stand Theater to not even think about hanging with such rascals contrary to the lesson that cute waitress in the film gave about blowing Johnny off as so much bad air. (Of course forgetting, as dad had with junior, to bring up the question of sex which is what Sissy had on her mind after one look at that cool attire of Johnny and her dream about how she could get that surly smirk off of his face.)     

Of course that did not stop the wayward sons of millworkers slated for work in the mills when their times came from mooning over every Harley cat that rode his ride down Main Street, Olde Saco (really U.S. Route One but everybody called it Main Street and it was) or the daughters slated for early motherhood under proper marriage or maybe sales clerks in the Monmouth Store from mooning (and maybe more) over the low- riders churning the metal on those bad ass machines when they went with their girlfriends over to Old Orchard Beach on sultry sweaty weekend nights in summer.

This is how bad things were, how the cool cats on the bikes sucked the air out of any other guys who were looking for, well, looking whatever they could get from the bevies of girls watching their every move like hawks. Even prime and proper Lily Dumont, the queen of Saint Brigitte’s Catholic Church rectitude on Sunday and wanna-be “mama” every other waking minute of late. Now this Lily was “hot” no question so hot that my best friend in high school Rene Dubois, the best looking guy around the Acre where we all lived and who already had two girlfriends (and later in life would have four, count them, four wives before he gave the marriage game up and just shacked up with whatever romantic interest he had at the moment), would go to eight o’clock Mass every Sunday and sit a couple of rows in back of her and just watch her ass. (I know because I was sitting beside him watching that same ass).

He never got anywhere with her, she knew about the two girlfriends since they were friends of hers, and neither did I. Lily was a classic French-Canadian beauty long thin legs, petite shape but with nice curves, long black hair and pop-out blue eyes. Nice but like I said but strictly the ice queen as far as we could tell. Especially when she would constantly talk about her friendship with Jesus and the need to say plenty of rosaries and attend many novenas to keep in touch with him.        

In this time of the motorcycle craze though something awoken in her, maybe just the realization that Jesus was okay but guys who thought she was hot maybe needed some tending too. In any case, and I didn’t find this out until several years later after Lily had left town, my sister who was one of Lily’s close friends then and Lily could confide girl talk to her during this motorcycle dust up Lily would find herself restless at night, late at night and contrary to all good Catholic teachings would put her hand in a place where she shouldn’t (this is the way my sister put it you know Lily was just playing  with herself a perfectly natural feeling for teenagers, and older people too) and she was embarrassed about it, didn’t know if she could go to confession and say what sin she committed to old Father Pierre. I don’t know if she ever did confess or things got resolved a different way and that idea was out of play but there you have it.     

And the object of her desire? One “Motorcycle Bill,” the baddest low- rider in all of Olde Saco. Now baddest in Olde Saco (that’s up in ocean edge Maine for the heathens and others not in the know) was not exactly baddest in the whole wide world, nowhere as near as bad as say Sonny Barger and his henchmen outlaws-for- real bikers out in Hell’s Angels Oakland as chronicled by Doctor Gonzo (before he was Gonzo), Hunter S. Thompson in his saga of murder and mayhem sociological- literary study Hell’s Angels. But as much is true in life one must accept the context. And the context here is that in sleepy dying mill town Olde Saco mere ownership, hell maybe mere desire for ownership, of a bike was prima facie evidence of badness. So every precious daughter was specifically warned away from Motorcycle Bill and his Vincent Black Lightning 1952 (although no mother, and maybe no daughter either, could probably tell the difference between that sleek English bike and a big pig Harley). But Madame Dumont felt no need to do so with her sweet sixteen Lily who, maybe, pretty please maybe was going to be one of god’s women, maybe enter the convent over in Cedars Of Lebanon Springs in a couple of years after she graduated from Olde Saco High along with her Class of 1960.

But that was before Motorcycle Bill appeared on the horizon. One afternoon after school walking home to Olde Saco’s French- Canadian (F-C) quarter, the Acre like I said where we all lived, all French-Canadians (on my mother’s side, nee LeBlanc for me) on Atlantic Avenue with classmate and best friend Clara Dubois (my sister was close to Lily but not as close as Clara since they had gone to elementary school together), Lily heard the thunder of Bill’s bike coming up behind them, stopping, Bill giving Lily a bow, and them revving the machine up and doing a couple of circle cuts within a hair’s breathe of the girls. Then just a suddenly he was off, and Lily, well, Lily was hooked, hooked on Motorcycle Bill, although she did not know it, know it for certain until that night in her room when she tossed and turned all night and did not ask god, or any of his associates, to guide her in the matter (the matter of that wayward hand for those who might have forgotten).

One thing about living in a sleepy old town, a sleepy old dying mill town, is that everybody knows everybody’s business at least as far as any person wants that information out on the public square. Two things are important before we go on. One is that everybody in town that counted which meant every junior and senior class high schooler in Olde Saco knew that Bill had made a “play” for Lily. And the buzz got its start from none other than Clara Dubois who had her own hankerings after the motorcycle man (her source of wonder though was more, well lets’ call it crass than Lily’s, Clara wanted to know if Bill was build, build with some sexual power, power like his motorcycle. She had innocently, perhaps, understood the Marlon mystique). The second was that Bill, other than his bike, was not a low life low- rider but just a guy who liked to ride the roads free and easy. See Bill was a freshman over at Bowdoin and he used the bike as much to get back and forth to school from his home in Scarborough as to do wheelies in front of impressionable teenage girls from the Acre.

One day, one afternoon, a few days after their Motorcycle Bill “introduction,” when Lily and Clara were over at Seal Rock at the far end of Olde Saco Beach Bill came up behind them sans his bike. (Not its real name but had been given the name Seal Rock because the place was the local lovers’ lane at night and many things had been sealed there including a fair share of “doing the do,” you know hard and serious sex. During the day it was just a good place to catch a sea breeze and look for interesting clam shells which washed up in the swirling surf there.) Now not on his bike, without a helmet, and carrying books, books of all things, he looked like any student except maybe a little bolder and a little less reserved.

He started talking to Lily and something in his demeanor attracted her to him. (Clara swore, swore on seven bibles, that Lily was kind of stand-offish at first but Lily said no, said she was just blushing  a lot.) They talked for a while and then Bill asked Lily if she wanted a ride home. She hemmed and hawed but there was just something about him that spoke of mystery (who knows what Clara thought about what Lily thought about that idea). She agreed and they walked a couple of blocks to where he was parked. And there Lily saw that Vincent Black Lightning 1952 of her dreams. Without a word, without anything done by her except to tie her hair back and unbutton a couple of buttons from her starched white shirt she climbed on the back of the bike at Bill’s beckon. And that is how one Lily Dumont became William Kelly’s motorcycle “mama” when the high tide of the motorcycle as sex symbol hit our town.

Once Again-Go Where The Money Is-Robert Redford’s “The Old Man And The Gun” (2018)- Film Review

Once Again-Go Where The Money Is-Robert Redford’s “The Old Man And The Gun” (2018)- Film Review  

By Lance Lawrence

The Old Man and the Gun, Robert Redford, Sissy Spacek, Danny Glover, Tom Waits, 2018

Around our neighborhood, our growing up neighborhood in Riverdale west of Boston, in the late 1950s we had our fair share of heroes. Mostly guys who had made the coppers cry for one reason or another or who had pulled some fast one on some high roller. Best of all were the guys who pulled armed robberies, stick-ups. Part of that lure was that the infamous Trigger Burke had set the tone having taken part in the famous Brink’s armored truck robbery of the early 1950s. Part of it was from my our household, and that of a few others when my late oldest brother, Prescott, started his long criminal career robbing the local Esso gas station at gunpoint at the age of seventeen (he got about thirty dollars, got caught and was given “the choice” by the judge-go in the military or go to jail for a long while-he took the military but I remember him saying after the service, he got a bad conduct discharge for some reason I can’t remember, but you can figure it out that he had made the wrong decision.) Something like he could have learned more important career skills in the slammer.

All of this to lead up to two things. First one of the key anthems of the neighborhood toughs when figuring out how to get money was to think about what the famous bank robber Willie Sutton said when, presumably captured after a heist, why he did it. And came back with the classic (and by his lights rational reason)- “that’s where the money is.” Fair enough. But as a recently watched film produced and starring ancient Robert Redford The Old Man and The Gun suggests that is only part of the motivation for a guy like the famous “gentleman” bank robber Forrest Tucker when he held sway back in the days. Maybe it was the excitement, the planning, the cunning or just liking the “life” but the actual money was just something shiny to pursue. All of these ideas got connected through my brother Prescott who actually did time with Forrest back in the early 1960s and so rather than the abstract Sutton that we were not that familiar with the big-time bank robber we knew about was Tucker. Probably if the film had not been made I would have thought nothing about it but since it was made the plot brought back memories of Prescott and his always having what we called his “wanting habits,” his almost constant scheming up some job, some robbery, or some con usually of women to get front money for a job. (Prescott was particularly attractive to women, and not just whores and bar girls there were always college girls around him, even one lawyer, looking for kicks before going off to the suburbs and that kind of good life not on the wild side.)

     

The way the story line played out Redford was trying to pitch to the idea that to some guys the “life” is in their DNA, to live to figure out the next scheme. Maybe if Bertolt Brecht was right in his play The Three Penny Opera the line as to personality types between criminal and businessman is not so far apart. The telling detail of this thought came graphically through at the end of the film when after a big bank robbery spree (which you probably can’t do anymore with the way banks are set up now and where, probably easier to rob ATMs I don’t know) he is finally caught, again, does some time and then is released to his lady friend, played by previously clueless Sissy Spacek who wants him to stay put-with her on her ranch. But it does not take much intuition to know that every look, every move Tucker makes is calling him back to the “life” as old and he was. Just one more spree. And that would be the last spree since he died in prison.

Let’s give few highlights of the film, points about his professional skills (including many escapes from prison and many dodging the coppers) though because Forrest was very clever and smart about the way he worked his grift. As mentioned above his act involved his acting the “gentleman” robber, sometimes on his own and others with a couple of ex-cons dubbed by the media the Over the Hill Gang played by Danny Glover and Tom Waits). Here’s the beauty of his scheme-mild-mannered old guy, an average harmless depositor   Forrest walks up to a teller or a manager and indicated he had a gun aimed right at them. That will usually loosen up those parties to give him what he wants-the dough and then he just as casually walks out the door and all hell breaks loose once the coppers are notified. But see he has a police scanner, extra well-placed automobiles and a route away from danger-usually. Of course the many escapes from prison us that he wasn’t always successful and so perhaps one had better think about a more rational occupation for his energies. Still although it was a close thing, very close in my case as a kid it seemed pretty exciting to live on the edge like that.