Tuesday, July 09, 2019

The Average Joe Fall Guy Falls-With "Kansas City Confidential" In Mind

The Average Joe Fall Guy Falls-With "Kansas City Confidential" In Mind





By Bart Webber 


No question Joe Rolfe, formerly Joey Bops, was built for the frame, built for that frame to fit snuggly around his head. Not that Joe was stupid, far from it he had received his high school diploma and was in his first year of college when December 7, 1941 happened, when the world changed and he was all wrapped in the mess. Not that Joe wasn’t brave either since he received a couple of big military ribbons all shiny bright as a result of his service. And not that he wasn’t good-looking, good-looking to girls good-looking and so always had a girl on his arm in the old days before the war. Still when the deal went down Joey always seemed to be in the wrong place at the wrong time, always seemed to be the fall guy falling.

It had not always been like that. Before the war, during high school, during the days when he wore the moniker Joey Bops since he was crazy for swing music, you know Benny Goodman and Artie Shaw, guys like that, when he hung around with Frankie Riley, James Riordan, Lefty Kelly, and Rusty Shea in front of Harry’s Drugstore in Carterville, that’s out in “show me” Missouri, he could do no wrong. He and what did they call them then, oh yeah, the corner boys, led by the ingenious Frankie Riley, “Sparks” Riley, would carry out every midnight caper in search of loot that one could think of and never got in trouble with the law, any that would wind up on the books. Not even when the very, very suspicious Carterville police thought they had the lot of them nailed tight for the heist at the Lamar mansion. Yeah those were the days when even nice Catholic girls who went to church every Sunday and for the public record said their rosaries and swore they had a Bible between their knees at all other times would that previous Saturday night give up what they had had to give up, those sweet pussies, when they went out on a date with a Harry’s Drugstore corner boy they knew some nice jewelry or maybe some dough would go with the giving that sweet thing up. And good-looking Joey Bops got all he wanted, even from those Bible-worn girls, maybe especially from them.      

But the war, well, the war changed Joey Bops a lot, like I said, Joey had seen a lot of action in Europe, had gotten those medals, those well-earned medals, but he had lost a step, had lost the beat, maybe the be-bop beat of his youth, but most importantly the beat of how to beat the rap on some midnight adventure. Once he got home, after the fanfare was over and he went back to being just average Joey Rolfe citizen, after he decided all he saw and did in Europe made it kind of silly for him to go back to State U even though the newly enacted GI Bill would have pulled him through like it would many other ex-soldiers, he kind of lost his moorings and figured that he would go back to that sweet life of crime. Maybe it was because he went solo (the other corner boys had all dispersed, gone on, except Rusty Shea who was buried over in France during the war after being killed by a German mortar), maybe it was because he had lost the touch, maybe it was because he was crazy to hit a foolish gas station but Joey, Joey Bops of all people, got pegged for the robbery, armed robbery, when he tried to pull the caper just as a cop car was passing by Fred’s Esso station. So Joey got a nickel, did three and that was that.          

That was that until he got out, got his probation. Got himself into another town, got himself into the city, the big city, Kansas City, where he picked up a job delivering flowers, simple stuff, but one of the few jobs an ex-con on probation could get-driving a truck. But getting that job turned out to be the kiss of death for old Joey. See one of the delivery stops that he made was to Jones’ Funeral Home, not the one on Center Street in K.C. but over on Main, next to the First National Bank. One day while he was parked out front of Jones’ delivering a rack of roses for some departed soul next door the bank was being robbed in broad daylight by some guys in masks. They got away with half a million in cool hard cash (just walking around money today but then real dough). Got away clean in a sweet job. Naturally the coppers looking around saw Joey’s silly flower truck, checked it and him out, and once they found out that he was an ex-con and had served time they took him downtown (and they had contacted as well the Carterville cops who put the blast on him for all the crimes that they couldn’t prove he committed). There he stayed for a couple of weeks until the coppers found enough information about the robbery plan to know that he was not part of the caper and they had to let him go.

Here’s the lesson Joey learned though from that experience he was never going to be able to go straight if he didn’t find out who pulled the First National Bank caper. (Or if he decided to go crooked again he would always have that fall guy tag on him for any “cold cases” the cops caught nothing on and he would spent many nights before those stupid police lights blaring line-ups.)  So hunting down the guys who did the deed was his next “career.” His new reason to get up in the morning. For this he needed a little help, help from the only private detective that he could afford at the time, Philip Larkin. Phil had been a guy that he met in the Army overseas and they had been transported home on the troop ships together landing in New York Harbor, spent a few days getting drunk as skunks and laid seven different ways including Joe’s first blow job in a long time, since before the world when some of those Catholic girls in Carterville who didn’t want to “do the do” would piece a guy off with some head to save their reputations, as virgins and yet at the same time as willing to be frisky, and you can figure what that “frisky” part meant  as best you can. They then parted Joe to Carterville and the slammer and Phil up north to Riverdale in Massachusetts to join the cops.        

They had stayed in contact via the U.S. mails and Phil had gone out to the Missouri State pen a couple times to visit Joe after he got himself booted off the Riverdale cops for not going along with the cover-up of a vehicular homicide case involving one of the town’s Mr. Bigs. Those were the days when Phil was just starting out in the private detection business before the Altman case which put him in the local headlines for a while. That had been a whirlwind which soon faded and when Joe contacted Phil he was more than happy to help out an old buddy since he had been shuffling along doing key-hole peeping, getting the goods on adulterous guys or gals for their ever-loving spouses in order for those ever-loving spouses to take to court and get divorces and grab as much dough at the traffic would bear from their shamefully unfaithful spouses. Tough wormy work. That and hitting the bottle stashed conveniently in the bottom desk drawer of his dust-filled office a little too much while killing time between jobs.      

Here’s the stuff they don’t show or tell you on detective shows on television or in those glossy-covered crime detection novels where the P.I. always outsmarts the public cops. Even on the obvious cases like where the distraught wife has a smoking gun in her hand with three bullets gone into a philandering husband now dead who just so happens to have three bullets in his worthless body. Even they, the public cops, can figure that one out, as long as there are three bullets in the body. Less or more all bets are off.  But as a rule a private eye if he or she wants to have any career better either leave the serious crime detection to the public cops or report everything he or she finds out in a case they are handling involving crime to them. That had been Phil’s policy early on in his career and he kept his license no sweat because of that hard fact. What that sound policy had allowed Phil to do for Joe was to get access to the First National Bank job stuff the cops there in K.C. knew about via his connections with a couple of Riverdale detectives whom he had helped out a couple of times.    

Funny the layout of the K.C. job was simplicity itself and even Joe had wished he had thought of the plan rather than having been the fall guy falling. See the truck that delivered the bank its working money, say it  had a half million or so in the back for such deliveries, arrived at the about the same time as Joe made his fucking flower deliveries to the funeral parlor. What happened was that on the day of the armored bank truck robbery the robbers had a replica of the flower truck to throw the coppers off the scent. The robbers, four in all, all wearing Jimmy Cagney gangster masks, pulled the heist of the armored vehicle leaving two guards severely wounded (they would recover), and taking off for parts unknown in the fake flower truck. Leaving Joe the fucking fall guy of fall guys once the APB went out and his truck was the only one still in sight. With Phil’s information as a guide and stuff he had heard when the K.C. cops were giving him the “third degree” Joe figured to figure the whole scam out before he was done. Joe thanked Phil for his help and that is the last we will see of Phil in this caper because Joe couldn’t afford the twenty-five bucks a day, plus expenses, that Phil needed to stay on the case and Joe was itching to blam blam the bad hombres who put him in that tight spot on his own.        

Don’t let the fall guy Joe thing fool you too much, that probation straight and narrow  either since Joe who did his drinking at Matty’s Tavern a well know hang-out for hoods and other loose-livers was pretty well-connected to the underworld even if he had to in the over-world play the probation game. Matty, working the bar himself one night when Joe came, gave him the tip that was the first step in getting his handle on the guys who set the frame on him. One of the hoods, name undisclosed, that hung around Matty’s had told Matty that Zeke Zimmer, a low-life gambler who had owed him money, five Gs, had  blown town  after paying  him off, was headed south to sunny Mexico and the gambling joints there. This Zeke was a serious low-life who half the time didn’t have two dimes to rub together and when he did he bet them on the roulette wheel, the blackjack table, the ponies, or the queen of hearts so his having dough was the lead that got Joe going, had him heading down to Juarez and some Touch of Evil madness.  This tip was proof positive, as much proof positive as Joe needed to follow the trail south since it was much more than likely that Zeke had been in on the bank heist.   

Juarez was and still is a tough town to get anything out of, any kind of information about anything even directions to Rosa’s Cantina and that place to this day is still etched with a huge neon sign so you can see it almost from across the border in El Paso. Back in the 1950s it really was something out of Orson Welles’ Touch of Evil you could smell the corruption the minute you got over the international border, the minute you had to hand some foul-breathed Federale five dollars American to let you through without the usual hassle inspection, maybe planting some illegal drugs or other contraband on you if you didn’t fork over the fiver.  It got worst from there as every con man, hooker, drifter, and all the batos locos descended on your head looking for his or her piece. Joe, after spending an hour in Senorita Santa Maria’s whorehouse since he had not had a piece of a woman’s flesh for a while and the Senorita specialized in fresh young fluff from the country, made his way to Rosa’s Cantina where there was 24/7/365 casino action, action that an in the chips guy like Zeke would naturally gravitate toward to see how fast he could lose his shirt and begin his usual begging gringos for two dimes to rub together. 

Rosa’s like all such places in Juarez in those days was no place to be asking any questions about gringos with money to spend, maybe asking any questions at all so Joe just kind of plunked himself on a barstool, ordered some tequila, and waited until he spotted a low-rent gambler who fit the description given to him at Matty’s. The key piece of information Joe had received had been that Zeke always wore (except when it was in hock) a gold-plated onyx ring with a diamond stud set in the center which you could see from a distance. So Joe waited, waited a couple of hours getting a little blasted on that harsh high-shelf tequila he was ordering (and fending off the barmaids who were offering blow jobs over in a quiet corner if he would buy them a drink, yeah, Rosa’s was that kind of place, you could get anything there you wanted from sex to gold-plated dentures you just had to ask, no, just had to wait long enough and somebody would come by selling themselves or something).

Finally Zeke rolled in and headed to the blackjack table. Joe waited and watched looking for an opening to “talk” to Zeke. About two in the morning Zeke went outside for a breather, went out with a lot less dough that he had come in with. So when Joe approached him with the intend of collaring him to find out who and where the other guys were Zeke surprised him when he asked if he had five bucks he could lend him until “pay day.” Joe flagged Zeke off, gave him the fiver and then quick as a rabbit strong-armed Zeke and force-marched him to a quiet area where they could talk.

Zeke filled with anger, hubris, and morphine was ready to talk, or else as Joe made very clear. Joe was persuasive enough against this low-life punk that he found out that the other three guys were in Sonora further south and that Zeke was supposed to head there in a couple of days to meet up with them and divvy up the rest of the dough. Zeke even under extreme pressure from the gun that Joe had at his head could not come up with the names of the three other guys because they had all worn masks at all meetings and on the job. The only name Zeke knew was of the guy who planned the whole caper, a guy who called himself Mister Big, a lot of help that was. At the meeting in Sonora Zeke was to go to the El Dorado Cantina and present his calling card-a sad ass joker from a special deck of cards Mister Big gave each confederate.      

Joe convinced Zeke in the most dramatic way possible that he was going to Sonora with him and that dramatic encounter was enough for Zeke to see the light. The very next morning after some tacos and tomales one Joey Bops and one Zeke Zimmer were seen heading taking a dusty old bus headed south to Sonora. The ride down was uneventful except the endless dust, the locals with their Mexican luggage and their sweaty smells and goddam fowls brought along like children, and the story that Zeke, going slightly cold turkey from the morphine, had to tell.

Tell about how Mister Big put the whole production together. It was Mister Big who had figured out that the similar arrival times of the flower truck at the funeral home and the armored car at the bank gave a few minute opportunity to grab the cash and take off in a “fake” flower truck. They had practiced the route and run about twenty times before Mister Big told them they were ready. It was also Mister Big who thought of the idea of the masks so nobody could fink on the other guys to the coppers if caught and of laying off for a while before splitting up the big dough. It was his caper but they were to split four ways even, and that was why they each had a card from the special deck as identification. (Joe thought to himself knowing stoolies since he was about twelve years old Mister Big was smart enough to know guys like Zeke and the others who were probably dredged from the same barrel bottom would sell their mothers for five bucks and change if they were in a squeeze and were looking to get out from under some rap. This Mister Big would be a tough nut to crack.)

Arriving in the early morning in Sonora Joe checked into the Rio Grande Hotel, which unlike it high class sounding name was a flea-bag joint but which had the best bar in town, a bar that the touristas did not frequent and so adequate for Joe’s needs (naturally with Zeke as his boon roommate and drinking companion). The next morning, late, Joe left Zeke in the room, taking the added precaution of grabbing that joker as insurance for his survival and so that Zeke could not sneak away to grab his dough forgetting about his boon companion Joe and went down to the bar to grab a few quicks shots of tequila that he was getting to like very much. At the bar he noticed a gringa, a good-looking gringa, brunette, blue eyes, a little on the tall side, thin, nice shape, well-turned legs and wondered what she was doing in hot, sweaty dusty, Mexico. He walked over to her, asked her name, she answered Laura, asked her if she would like a drink, she accepted and then he asked her why she was down in dusty Sonora apparently by herself. Laura replied that she was down with her father who was there on business, she was bored and had decided that she would drink the morning away.

As it turned out this Laura, after a few more drinks, was in the time of her time, was looking for little sexual escapade to while away the hours while her father did his business. That was her story to Joey anyway. Joe obliged her, grabbed a bottle from off the bar and they went to her room. They stayed drunk and sexed-up for a couple of days as it turned out. Then coming out of his alcoholic and sex haze he remembered Zeke, told this Laura that he had to check into his own hotel to finish some business but would be back the next day. Naturally by the time Joe got back to his hotel Zeke was long gone. Joe decided that he would sleep for a while and then the next day head back to Laura’s place and figure out how to keep her in tow and go about the business of finding the bank robbers. 

Joe needn’t have been in any rush because by the time he got back to Laura’s room the next late morning he was met with a “welcoming” committee of four guys, three in Jimmy Cagney masks, Zeke, and of course Laura. What he had not known although he should have figured it out was that the father that Laura was down in Sonora on business with was none other than Mister Big. See the hood that had given Matty the information about Zeke up in K.C., later identified as Lefty Finley, a known pimp and bad guy to mess with, had been one of the robbers keeping an eye on Zeke who with his morphine habit was the “loose cannon” in the operation. All that special joker card stuff Zeke talked about to avoid stoolies by Mister Big in the end was so much razzle-dazzle for the paying public.   

Yeah Joe shouldn’t have been in any rush to see that Laura since a few days later he was found with two big bullets in his head in a dusty back road in Sonora with a joker in his coat pocket and some hundred dollar bills later identified as being from the robbery. Alongside him in that back alley were Zeke, Lefty and the other member of the gang, Bugs Malone, a known drug runner and another bad hombre. They also had special jokers and some hundred dollar bills in their coat pockets. End of case, end of case for the Sonora police, the Federales, since they chalked it up to some Mexican bad guys wasting some gringos trying to cut in on their play. The K.C. cops, having unloaded an unsolved bank robbery and four creeps wrote the whole thing down to what they knew they knew at first. Joe had been the Mister Big of the operation all along and had out-smarted himself somehow. A wise guy double-dipping on that fake flower truck stuff. The real Mister Big and his daughter, Laura, well they were never heard from again as far as anybody knew- if they had ever existed. Yeah, Joe Rolfe, Joey Bops, All-American fall guy falling the big fall.          

Scenes From An Ordinary Be-Bop 1960s Life - When "Stewball" Stu Stewart’s ’57 Chevy Ruled The “Chicken” Roads

Scenes From  An Ordinary Be-Bop 1960s Life - When "Stewball" Stu Stewart’s ’57 Chevy Ruled The “Chicken” Roads






[A while back we, a bunch of us who knew Markin who wrote the sketch below back in sunnier days, in hang around corner boy high school days and afterward too when we young bravos imbibed in the West Coast dragon chase he led us on in the high hellish mid-1960s summers of love, got together and put out a little tribute compilation of his written sketches that we were able to cobble from whatever we collectively still had around. Those writings were from a time when Markin was gaining steam as a writer for many of the alternative magazines, journals and newspapers that were beginning to be the alternative network of media resources that we were reading once we knew the main media outlets were feeding us bullshit on a bun, were working hand in glove with big government, big corporations, big whatever that was putting their thumbs in our eyes.

On big series, a series that Markin was nominated, or won, I don’t remember which an award for, which I will tell you about some other time was from a period toward the end of his life, a period when he was lucid enough to capture such stories. He had found himself out in Southern California with a bunch of homeless fellow Vietnam veterans, no homeless was not the right word, guys from ‘Nam, his, their word not mine since I did not serve in the military having been mercifully declared 4-F, unfit for military duty by our local draft board, who having come back to the “real” world just couldn’t, or wouldn’t adjust and started “creating” their own world, their own brethren circle, such as it was out along the railroad tracks, rivers and bridges. Bruce Springsteen would capture the pathos and pain of the situation in his classic tribute-Brothers Under The Bridge.  Markin’s series was called To The Jungle reflecting both the hard ass jungle of Vietnam from which they ahd come to the old-timey hobo railroad track jungle they found themselves in.     

Yeah, those were the great million word and ten thousand fact days, the mid to late 1960s, and after he had gotten back from Vietnam the early 1970s say up to 1974 or so when whatever Markin wrote seemed like pure gold, seemed like he had the pulse of what was disturbing our youth dreams, had been able to articulate in words we could understand the big jail-break out he was one of the first around our town to anticipate. Had gathered himself to cut the bullshit on a bun world out.

That was before Markin took the big fall down in Mexico, let his wanting habits, a term that our acknowledged high school corner boy leader Frankie Riley used incessantly to describe the poor boy hunger we had for dough, girls, stimulants, life, whatever, get the best of him. Of course Frankie had “cribbed” the term from some old blues song, maybe Bessie Smith who had her habits on for some no good man cheating on her and spending all her hard-earned dough, maybe Howlin’ Wolf wanting every gal he saw in sight, skinny or big-legged to “do the do” with that Markin also had turned us onto although I admit in my own case that it took me many years, many years after Markin was long gone before I appreciated the blues that he kept trying to cram down our throats as the black-etched version of what hellish times were going through in the backwaters of North Adamsville while the rest of the world was getting ahead. Heading to leafy suburban golden dreams while we could barely rub two dimes together and hence made up the different with severe wanting habits-even me.  

From what little we could gather about Markin’s fate from Josh Breslin, a guy from Maine, a corner boy himself, who I will talk about more in a minute and who saw Markin just before he hit the lower depths, before he let sweet girl cousin cocaine “run all around his brain, the say it is going to kill you but they won’t say when” let the stuff alter his judgment, he went off to Mexico to “cover” the beginnings of the cartel action there. Somewhere along the line the down there Markin decided that dealing high heaven dope was the way that he would gather in his pot of gold, would get the dough he never had as a kid, and get himself well. “Well” meaning nothing but his nose so full of “candy” all the time that the real world would no longer intrude on his life. Somehow in all that mixed up world he had tried his usual end-around, tried to do either an independent deal outside the cartel, a no-no, or stole some “product” to start his own operation, a very big no-no. Either scenario was possible when Markin got his wanting habits on and wound up dead, very mysteriously dead, in a dusty back street down Sonora way in 1975, 1976 we don’t even have the comfort of knowing that actual date of his passing.

Those were the bad end days, the days out in Oakland where they were both staying before Markin headed south when according to Josh he said “fuck you” to writing for squally newspapers and journals and headed for the sweet dream hills. But he left plenty of material behind that had been published or at the apartment that he shared with Josh in Oakland before the nose candy got in the way. That material wound up in several locations as Josh in his turn took up the pen, spent his career writing for lots of unread small journals and newspapers in search of high-impact stories and drifted around the country before he settled down in Cambridge working as an free-lance editor for several well-known if also small publishing houses around Boston. So when the idea was proposed by Jack Callahan to pay a final written tribute to our fallen comrade we went looking for whatever was left wherever it might be found. You know from cleaning out the attics, garages, cellars looking for boxes where an old newspaper article or journal piece might still be found after being forgotten for the past forty or so years.

The first piece we found, found by Jack Callahan, one of the guys who hung around with us corner boys although he had a larger circle since as a handsome guy he had all the social butterfly girls around him and as a star football player for North Adamsville High he had the girls and all the “jock” hangers-on bumming on his tail, was a story by Markin for the East Bay Other about the transformation of Phil Larkin from “foul-mouth” Phil to “far-out’ Phil as a result of the big top social turmoil events which grabbed many of us who came of political, social, and cultural age in the roaring 1960s. Markin like I said before had been the lead guy in sensing the changes coming, had us following in his wake not only in our heads but his gold rush run in the great western trek to California where a lot of the trends got their start.

That is where we met the subject of the second piece, or rather Phil did and we did subsequently too as we made our various ways west, Josh Breslin, Josh from up in Podunk Maine, actually Olde Saco fast by the sea, and he became in the end one of the corner boys, one of the North Adamsville corner boys. But before those subsequent meetings he had first become part of Phil’s “family,” and as that second story documented also in the East Bay Other described it how Josh, working his new life under the moniker Prince Love, “married” one of the Phil’s girlfriends, Butterfly Swirl. The third one in the series dealt with the reality of Phil’s giving up that girlfriend to Prince Love and the “marriage” and “honeymoon,” 1960s alternative-style that cemented that relationship.

Yeah, those were wild times and if a lot of the social conventions accepted today without too much rancor like people living together as a couple without the benefit of marriage, same-sex marriage, and maybe even friends with benefits let me clue in to where they all started, or if not started got a big time work-out to make things acceptable. But that was not all he wrote about, just the easy to figure a good story about 1960s. Markin also wrote about those wanting habits days, our growing up poor in the 1950s days which while we had no dough, not enough to be rich was rich in odd-ball stuff we seemingly were forced to do to keep ourselves just a little left of the law, very little sometimes. Naturally he wrote about the characters like the one here, Stew-ball Stu, whom I hope doesn’t read this sketch if he is still alive because he might still take umbrage and without Markin around he might come after me with a wrench or jackknife, who we young boys, maybe girls too but then it was boys’ world mostly looked up to. The actual Stew-ball Stu he sued here was from a story told to him by Josh Breslin long after he shed his 1960s moniker of Prince Love when Markin was looking for corner boy stories. But believe me while the names might have been different old North Adamsville had its own full complement of Stus.        

       

For those not in the know, for those who didn’t read the first Phil Larkin piece where I mentioned what corner boy society in old North Adamsville was all about Phil was one of a number of guys, some say wise guys but we will let that pass who hung around successively Harry’s Variety Store over on Sagamore Street in elementary school,  Doc’s Drugstore complete with soda fountain and more importantly his bad ass jukebox complete with all the latest rock and roll hits as they came off the turntable on Newport Avenue in junior high school and Salducci’s Pizza “up the Downs” in high school, don’t worry nobody in the town could figure that designation out either, as their respective corners as the older guys in the neighborhood in their turn moved up and eventually out of corner boy life.

More importantly Phil was one of the guys who latter followed in “pioneer” Markin’s wake when he, Markin, headed west in 1966 after he had finished up his sophomore year in college and made a fateful decision to drop out of school in Boston in order to “find himself.” Fateful in that without a student deferment that “find himself” would eventually lead him to induction into the U.S. Army at the height of the Vietnam War, an experience which he never really recovered from for a lot of reasons that had nothing to do directly with that war but which honed his “wanting habits” for a different life than he had projected when he naively dropped out of college to see “what was happening” out on the West Coast.

Phil had met, or I should say that Josh had met Phil, out on Russian Hill in San Francisco when Josh, after hitchhiking all the way from Maine in the early summer of 1967, had come up to the yellow brick road converted school bus (Markin’s term for the travelling caravan that he and Phil were then part of and which the rest of us, including even stay-at-home me for a few months ) he and a bunch of others were travelling up and down the West Coast on and had asked for some dope. Phil was the guy he had asked, and who had passed him a big old joint, and their eternal friendship formed from there. (Most of us would meet Josh later that summer as we in our turns headed out. Sam Lowell, Frankie Riley, Jack Callahan, Jimmy Jenkins and me all headed out after Markin who had “gone native” pleaded with us to not miss this big moment that he had been predicting was going to sea-change happens for a few years.) Although Markin met a tragic end murdered down in Mexico several years later over a still not well understood broken drug deal with some small cartel down there as a result of an ill-thought out pursuit of those wanting habits mentioned earlier he can take full credit for our lifetime friendship with Josh.-Bart Webber]


From The Pen Of The Late Peter Paul Markin   

Scene: Brought to mind by the cover artwork that graces the front of the booklet that accompanied an album  I had been reviewing. The artwork contained, in full James Dean-imitation pout, one good-looking, DA-quaffed, white muscle-shirted young man, an alienated young man, no question, leaning, leaning gently, very gently, arms folded, on the hood of his 1950’s classic automobile, clearly not his father’s car, but also clearly for our purposes let us call it his “baby.”


And that car, that extension of his young manhood, his young alienated manhood, is Friday night, Saturday night, or maybe a weekday night if it is summer, parked, priority parked, meaning nobody with some Nash Rambler, nobody with some foreign Volkswagen, no biker even , in short, nobody except somebody who is tougher, a lot tougher, than our alienated young man better breathe on the spot while he is within fifty miles of the place, directly in front of the local teenage (alienated or not) "hot spot." And in 1950s America, a teenage America with some disposal income (allowance, okay), that hot spot was likely to be, as here, the all-night Mel’s (or Joe’s, Adventure Car-Hop, whatever) drive-in restaurant opened to cater to the hot dog, hamburger, French fries, barbecued chicken cravings of exhausted youth. Youth exhausted after a hard night, well, let’s just call it a hard night and leave the rest to your knowing imagination, or their parents’ evil imaginations.


And in front of the restaurant, in front of that leaned-on “boss” automobile stands one teenage girl vision. One blondish, pony-tailed, midnight sun-glassed, must be a California great American West night teeny-bopper girl holding an ice cream soda after her night’s work. The work that we are leaving to fertile (or evil, as the case may be) imaginations. Although from the pout on Johnny’s (of course he has to be a Johnny, with that car) face maybe he “flunked out” but that is a story for somebody else to tell. Here is mine.

********

Not everybody, not everybody by a long-shot, who had a “boss” ’57 cherry red Chevy was some kind of god’s gift to the earth; good-looking, good clothes, dough in his pocket, money for gas and extras, money for the inevitable end of the night stop at Jimmy John’s Drive-In restaurant for burgers and fries (and Coke, with ice, of course) before taking the date home after a hard night of tumbling and stumbling (mainly stumbling). At least that is what one Joshua Breslin, Josh, told me, he a freshly minted fifteen- year old roadside philosopher thought as for the umpteenth time “Stewball” Stu left him  by Albemarle Road off Route One and rode off into the Olde Saco night with his latest “hot” honey, fifteen year old teen queen Sally Sullivan. Here is the skinny as we used to say as per one Joshua Breslin:


Yah, Stewball Stu was nothing but an old rum-dum, a nineteen year old rum-dum, except he had that “boss” girl-magnet ’57 cherry red and white two-toned Chevy (painted those colors by Stu himself) and he had his pick of the litter in the Olde Saco, maybe all of Maine, night. By the way Stu’s official name, was Stuart Stewart, go figure, but don’t call him Stuart and definitely do not call him “Stewball” not if you want to live long enough not to have the word teen as part of your age. The Stewball thing was strictly for local boys, jealous local boys like Josh,  who when around Stu always could detect a whiff of liquor, usually cheap jack Southern Comfort, on his breathe, day or night.


Figure this too. How does a guy who lives out on Tobacco Road in an old run-down trailer, half-trailer really, from about World War I that looked like something out of some old-time Great Depression Hoover-ville scene, complete with scrawny dog, and tires and cannibalized car leavings every which way have girls, and nothing but good-looking girls from twelve to twenty (nothing older because as Stu says, anything older was a woman and he wants nothing to do with women, and their women’s needs, whatever they are). And the rest of us got his leavings, or like tonight left on the side of the road on Route One. And get this, they, the girls from twelve to twenty actually walk over to Tobacco Road from nice across the other side of the tracks homes like on Atlantic Avenue and Fifth Street, sometimes by themselves and sometime in packs just to smell the grease, booze, burnt rubber, and assorted other odd-ball smells that come for free at Stu’s so-called garage/trailer.


Let me tell you about Stu, Sally, and me tonight and this will definitely clue you in to the Stu-madness of the be-bop Olde Saco girl night. First of all, as usual, it is strictly Stu and me starting out. Usually, like today, I hang around his garage on Saturdays to get away from my own hell-house up the road on Ames Street, meaning almost as poor as Stu except they are not trailers but, well, shacks, all that the working poor like my people could afford in the golden age and I am kind of Stu’s unofficial mascot. Now Stu had been working all day on his dual-exhaust carburetor or something, so his denims are greasy, his white tee-shirt (sic) is nothing but wet with perspiration and oil stains, he hasn’t taken a bath since Tuesday (he told me that himself with some sense of pride) and he was not planning to do so this night, and of course, drinking all day from his silver Southern Comfort flask he reeked of alcohol (but don’t tell him that if you read this and are from Olde Saco because, honestly, I want to live to have twenty–something as my age). About 7:00 PM he bellows out to me, cigarette hanging from his mouth, an unfiltered Lucky of course (filtered cigarettes are for girls in Stu world), let’s go cruising.


Well, cruising means nothing but taking that be-bop ’57 cherry red and white two-toned Chevy out on East Grand and look. Look for girls, look for boys from the hicks with bad-ass cars who want to take a chance on beating Stu at the “chicken run” down at the flats on the far end of Sagamore Beach, look for something to take the edge off the hunger to be somebody number one. At least that last is what I figured after a few of these cruises with Stu. Tonight it looks like girls from the way he put some of that grease (no not car grease, hair-oil stuff) on his nappy hair. Yes, I am definitely looking forward to cruising tonight once I have that sign because, usually whatever girl Stu might not want, or maybe there are a couple of extras, or something I get first dibs. Yah, Stu is righteous like that.

So off we go, stopping at my house first so I can get a little cleaned up and put on a new shirt and tell my brother to tell our mother that I will be back later, maybe much later, if she ever gets home herself before I do. The cruising routine in Olde Saco means up and down Route One (okay, okay Main Street), checking out the lesser spots (Darby’s Pizza Palace, Hank’s Ice Cream joint, the Colonial Donut Shoppe where I hang during the week after school and which serves a lot more stuff than donuts and coffee, sandwiches and stuff, and so on). Nothing much this Saturday. So we head right away for the mecca, Jimmy John’s. As we hit Stu’s “saved” parking spot just in front I can see that several stray girls are eyeing the old car, eyeing it like tonight is the night, tonight is the night Stu, kind of, sort of, maybe notices them (and I, my heart starting to race a little in anticipation and glad that I stopped off at my house, got a clean shirt, and put some deodorant on and guzzled some mouthwash, am feeling tonight is the night too).



But tonight is not the night, no way. Not for me, not for those knees-trembling girls. Why? No sooner did we park than Sally Sullivan came strolling out (okay I don’t know if she was strolling or doo-wopping but she was swaying in such a sexy way that I knew she meant business, that she was looking for something in the Olde Saco night and that she had “found” it) to Stu’s Chevy and with no ifs, ands, or buts asked, asked Stu straight if he was doing anything this night. Let me explain before I tell you what Stu’s answer was that this Sally Sullivan is nothing but a sex kitten, maybe innocent-looking, but definitely has half the boys, hell maybe all the boys at Olde Saco High, including a lot of the guys on the football team drooling over her. I know, because I have had more than one sleepless night over her myself.



See, she is in my English class and because Mr. Murphy lets us sit where we want I usually sit with a good view of her. So Stu says, kind of off-handedly, like having the town teen fox come hinter on him was a daily occurrence, kind of lewdly, “Well, baby I am if you want to go down Sagamore Rocks right now and look for dolphins?” See, Sagamore Rocks is nothing but the local lovers’ lane here and “looking for dolphins” is the way everybody, every teenage everybody in town says “going all the way,” having sex for the clueless. And Sally, as you can guess if you have been following my story said, “Yes” just like that. At that is why I was dumped, unceremoniously dumped, while they roared off into the night. So like I said not every “boss” car owner is god’s gift to women, not by a long shot. Or maybe they are.

The 50th Anniversary Of The Summer Of Love, 1967- An Encore -Out In The Be-Bop 1960s Night- When The Music’s Over-On The Anniversary Of Janis Joplin’s Death

The 50th Anniversary Of The Summer Of Love, 1967- An Encore -Out In The Be-Bop 1960s Night- When The Music’s Over-On The Anniversary Of Janis Joplin’s Death






From The Pen Of Sam Lowell

Scene: Brought to mind by the cover art on some deep fogged memory producing, maybe acid-etched flashback memory at the time, accompanying CD booklet tossed aside on the coffee table by a guy from the old days, the old New York University days, Jeff Mackey, who had been visiting Sarah, Josh Breslin’s wife of the moment. Jeff had just placed the CD on the CD player, the intricacies of fine-tuned down-loading from YouTube beyond anybody’s stoned capacity just then and so the “primitive” technology (stoned as in “turned on,” doped up, high if you like just like in the old days as well although Josh had gone to State U not NYU but the times were such that such transactions were universal and the terms “pass the bong” and “don’t bogart that join” had passed without comment). Don’t take that “wife of the moment” too seriously either since that was a standing joke between Sarah and Josh (not Joshua, Joshua was dad, the late Joshua Breslin, Jr.) since in a long life they had managed five previous  marriages (three by him, two by her) and scads of children and two scads of grandchildren (who had better not see this piece since grandma and grandpa have collectively expended many jaws-full hours of talk  about the danger of demon drugs, the devil’s work even if only with a half-hearted sincerity since they fully expected that those younger kids like their own kids would experiment, would "puff the magic dragon" and then move on).

When Josh had picked up that tossed aside booklet he noticed a  wispy, blue-jeaned, blouse hanging off one shoulder, bare-foot, swirling mass of red hair, down home Janis Joplin-like female performer belting out some serious blues rock in the heat of the “Generation of ‘68” night. (The Generation of "68 designation a term of art among the brethren still standing who had faced down that seminal year in the history of the 1960s, some calling it the ebb tide year although Josh had pushed that forward over the years to 1971 the year when they had utterly failed to shut down the government if it would not shut the Vietnam War.) The woman maybe kin to Janis, maybe not, but certainly brethren who looked uncannily like his first ex-wife, Laura, who had taught him many little sex things learned from a trip to India and close attention to the Kama Sutra which he had passed on to everybody thereafter including Sarah. And no again don’t take that wistful though about Laura as anything but regret since their civil wars had passed a long time before and beside Laura had not been heard from since the time she went down to Rio and was presumably shacked up with some dope king or diamond king or something probably still earning her keep with those little India tricks. (Strange to think that straight-laced Forest Lawn-raised Laura knew all the tricks that some courtesans would blush at sine a look at her would say virgin until marriage. No way. 

Still looking at the tantalizing artwork Josh thought of the time of our time, passed. Of wistful women belting out songs, band backed-up and boozed-up, probably Southern Comfort if the dough was tight and there had been ginger ale or ice to cut the sweet taste or if it was late and if the package store was short of some good cutting whiskey, but singing, no, better evoking, yes, evoking barrelhouse down-trodden black empresses and queens from somewhere beyond speaking troubled times, a no good man taking up with that no good best girlfriend  of hers who drew a bee-line to him when that empress advertised his charms, no job, no prospect of a job and then having to go toe to toe with that damn rent collector man on that flattened damn mattress that kept springing holes, maybe no roof over a head and walking the streets picking up tricks to pass the time, no pocket dough, no prospects and a ton of busted dreams in some now forgotten barrelhouse, chittlin’ circuit bowling alley complete with barbecued ribs smoking out back or in a downtown “colored” theater. Or the echo of that scene, okay. Jesus, maybe he had better kick that dope thing before he actually did start heading to Rio.

*******

Josh Breslin (a. k. a. the Prince of Love, although some merry prankster yellow brick road bus wit made a joke of that moniker calling him the Prince of Lvov, some Podunk town in Poland, or someplace like that, maybe Russia he was not sure of the geography all he knew was that he had made a wag wiggle a little for his indiscretion)  was weary, weary as hell, road- weary, drug-weary, Captain Crunch’s now Big Sur–based magical mystery tour, merry prankster, yellow brick road bus-weary, weary even of hanging out with his “papa,” “Far-Out” Phil Larkin who had gotten him through some pretty rough spots weary. Hell, he was girl-weary too, girl weary ever since his latest girlfriend, Gypsy Lady (nee Phyllis McBride but in a time when everyone in youth nation was shedding "slave" names the moniker of the day or week was the way that you identified most fellow travelers-that was just the way it was and kind of nice when you thought about it-wouldn't you rather be Moonbeam than some Susan something), decided that she just had to go back to her junior year of college at Berkeley in order to finish up some paper on the zodiac signs and their meaning for the new age rising.

Yeah, okay Gypsy, do what you have to do, the Prince mused to himself. Chuckled really, term paper stuff was just not his “thing” right then. Hell, he had dropped out of State U, dropped out of Laura Perkin’s life, dropped out of everything to chase the Western arroyo desert ocean washed dream that half his generation was pursuing just then.

Moreover this summer of 1968, June to be exact, after a year bouncing between summers of love, 1967 version to be exact, autumns of drugs, strange brews of hyper-colored experience drugs and high shamanic medicine man aztec druid flame throws, winters of Paseo Robles brown hills discontent, brown rolling hills until he sickened of rolling, the color brown, hills, slopes, plains, everything, and springs of political madness what with Johnson’s resignation, Robert Kennedy’s assassination piled on to that of Martin Luther King’s had taken a lot out of him, including his weight, weight loss that his already slim former high school runner’s frame could not afford.

Now the chickens had come home to roost. Before he had joined Captain Crunch’s merry prankster crew in San Francisco, got “on the bus,” in the youth nation tribal parlance, last summer he had assumed, after graduating from high school, that he would enter State U in the fall (University of Maine, the Prince is nothing but a Mainiac, Olde Saco section, for those who did not know). After a summer of love with Butterfly Swirl though before she went back to her golden-haired surfer boy back down in Carlsbad (his temperature rose even now every time he thought about her and her cute little tricks to get him going sexually and she had never heard of the Kama Sutra) and then a keen interest in a couple of other young women before Gypsy Lady landed on him, some heavy drug experiences that he was still trying to figure out, his start–up friendship with Phil, and the hard fact that he just did not want to go home now that he had found “family” decided that he needed to “see the world” for a while instead. And he had, at least enough to weary him.

What he did not figure on, or what got blasted into the deep recesses of his brain just a couple of days ago, was a letter from his parents with a draft notice from his local board enclosed. Hell’s bells he had better get back, weary or not, and get some school stuff going real fast, right now fast. There was one thing for sure, one nineteen-year old Joshua Lawrence Breslin, Olde Saco, Maine High School Class of 1967, was not going with some other class of young men to ‘Nam to be shot at, or to shoot.

Funny, Josh thought, as he mentally prepared himself for the road back to Olde Saco, how the past couple of months had just kind of drifted by and that he really was ready to get serious. The only thing that had kind of perked him up lately was Ruby Red Lips (nee Sandra Kelly), who had just got “on the bus” from someplace down South like Georgia, or Alabama and who had a great collection of blues records that he was seriously getting into (as well as seriously into Miss Ruby, as he called her as a little bait, a little come on bait, playing on her somewhere south drawl, although she seemed slow, very slow, to get his message).

Josh, all throughout high school and even on the bus, was driven by rock ‘n’ roll. Period. Guys like Elvis, Chuck, Jerry Lee, even a gal like Wanda Jackson, when they were hungry, and that hunger not only carried them to the stars but slaked some weird post-World War II, red scare, cold war hunger in guys like Josh Breslin although he never, never in a million years would have articulated it that way back then. That was infernal Captain Crunch’s work (Captain was the “owner” of the “bus” and a story all his own but that is for another time) always trying to put things in historical perspective or the exact ranking in some mythical pantheon that he kept creating (and recreating especially after a “dip” of Kool-Aid, LSD for the squares, okay).

But back to Ruby love. He got a surprise one day when he heard Ruby playing Shake, Rattle, and Roll. He asked, “Is that Carl Perkins?” Ruby laughed, laughed a laugh that he found appealing and he felt was meant to be a little coquettish and said, “No silly, that's the king of be-bop blues, Big Joe Turner. Want to hear more stuff?” And that was that. Names like Skip James, Howlin’ Wolf, Robert Johnson, Son House, Muddy Waters and Little Walter started to fill his musical universe.

What got him really going though were the women singers, Sippie Wallace that someone, Bonnie Raitt or Maria Muldaur, had found in old age out in some boondock church social or something, mad Bessie Smith squeezed dry, freeze-dried by some no account Saint Louis man and left wailing, empty bed, gin house wailing ever after, a whole bunch of other barrelhouse blues-singers named Smith, Memphis Minnie, the queen of the double entendre, sex version, with her butcher, baker, candlestick-maker men, doing, well doing the do, okay, and the one that really, really got to him, “Big Mama” Thornton. The latter belting out a bluesy rendition of Hound Dog made just for her that made Elvis' seem kind of punk, and best of all a full-blast Piece Of My Heart.

Then one night Ruby took him to club over in Monterrey just up the road from the Big Sur merry prankster yellow bus camp, the Blue Note, a club for young blues talent, mainly, that was a stepping-stone to getting some work at the Monterrey Pop Festival held each year. There he heard, heard if you can believe this, some freckled, red-headed whiskey-drinking off the hip girl (or maybe some cheap gin or rotgut Southern Comfort, cheap and all the in between rage for those saving their dough for serious drugs).

Ya just a wisp of a girl, wearing spattered blue-jeans, some damn moth-eaten tee-shirt, haphazardly tie-dyed by someone on a terminal acid trip, barefoot, from Podunk, Texas, or maybe Oklahoma, (although he had seen a fair share of the breed in Fryeburg Fair Maine) who was singing Big Mama’s Piece of My Heart. And then Ball and Chain, Little School Girl, and Little Red Rooster.

Hell, she had the joint jumping until the early hours for just as long as guys kept putting drinks in front of her. And maybe some sweet sidle promise, who knows in that alcohol blaze around three in the morning. All Josh knew was this woman, almost girlish except for her sharp tongue and that eternal hardship voice, that no good man, no luck except bad luck voice, that spoke of a woman’s sorrow back to primordial times, had that certain something, that something hunger that he recognized in young Elvis and the guys. And that something Josh guessed would take them over the hump into that new day they were trying to create on the bus, and a thousand other buses like it. What a night, what a blues singer.

The next day Ruby Red Lips came over to him, kind of perky and kind of with that just slightly off-hand look in her eye that he was getting to catch on to when a girl was interested in him, and said, “Hey, Janis, that singer from the Blue Note, is going to be at Monterrey Pops next month with a band to back her up, want to go? And, do you want to go to the Blue Note with me tonight?” After answering, yes, yes, to both those questions the Prince of Love (and not some dinky Lvov either, whoever that dull-wit was) figured he could go back to old life Olde Saco by late August, sign up for State U., and still be okay but that he had better grab Ruby now while he could.

Songs To While Away The Class Struggle By-In Honor Of The Frontline Defenders Of The International Working Class-From Our Forebears The Diggers Of The English Revolution-“The World Turned Upside Down”

Songs To While Away The Class Struggle By-In Honor Of The Frontline Defenders Of The International Working Class-From Our Forebears The Diggers Of The English Revolution-“The World Turned Upside Down”




YouTube film clip of Billy Bragg (Known In This Space As Narrator Of Woody Guthrie And His Guitar: The Machine Kills Fascists )performing The World Turned Upside Down.
****
An Injury To One Is An Injury To All!-Defend The International Working Class Everywhere!
********
Fight-Don’t Starve-We Created The Wealth, Let's Take It Back! Labor And The Oppressed Must Rule!
********
A Five-Point Program As Talking Points
*Jobs For All Now!-“30 For 40”- A historic demand of the labor movement. Thirty hours work for forty hours pay to spread the available work around. Organize the unorganized- Organize the South- Organize Wal-Mart- Defend the right for public and private workers to unionize.

Defend the working classes! No union dues for Democratic (or the stray Republican) candidates. Spent the dough instead on organizing the unorganized and on other labor-specific causes (good example, the November, 2011 anti-union recall referendum in Ohio, bad example the Wisconsin gubernatorial recall race in June 2012).

*End the endless wars!- Immediate, Unconditional Withdrawal Of All U.S./Allied Troops (And Mercenaries) From Afghanistan! Hands Off Pakistan! Hands Off Iran! U.S. Hands Off The World!

*Fight for a social agenda for working people!. Quality Healthcare For All! Nationalize the colleges and universities under student-teacher-campus worker control! Forgive student debt! Stop housing foreclosures!

*We created the wealth, let’s take it back. Take the struggle for our daily bread off the historic agenda. Build a workers party that fights for a workers government to unite all the oppressed.
************
As Isaac Deutscher said in his speech “On Socialist Man” (1966):

“We do not maintain that socialism is going to solve all predicaments of the human race. We are struggling in the first instance with the predicaments that are of man’s making and that man can resolve. May I remind you that Trotsky, for instance, speaks of three basic tragedies—hunger, sex and death—besetting man. Hunger is the enemy that Marxism and the modern labour movement have taken on.... Yes, socialist man will still be pursued by sex and death; but we are convinced that he will be better equipped than we are to cope even with these.”
**************
Emblazon on our red banner-Labor and the oppressed must rule! 

***********
Markin comment:

In this series, presented under the headline Songs To While Away The Class Struggle By, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.

THE FOLLOWING IS A SONG BASED ON THE DIGGER EXPERIENCE IN 1650

If John Milton was the literary muse of the English Revolution then the Diggers and their leader, Gerrard Winstanley, were the political muses.

The World Turned Upside Down


We will not worship the God they serve, a God of greed who feeds the rich while poor folk starve.
In 1649 to St. George's Hill
A ragged band they called the Diggers came to show the people's
will
They defied the landlords, they defied the laws
They were the dispossessed reclaiming what was theirs.
We come in peace, they said, to dig and sow
We come to work the lands in common and make the waste
ground grow

This earth divided we will make whole
So it may be a common treasury for all "**
The sin of property we do disdain
No man has any right to buy or sell the earth for private gain

By theft and murder they took the land
Now everywhere the walls spring up at their command
They make the laws to chain us well
The clergy dazzle us with heaven, or they damn us into hell

We will not worship the God they serve,
a God of greed who feeds the rich while poor folk starve
We work and eat together, we need no swords
We will not bow to masters, nor pay rent to the lords

Still we are free, though we are poor
Ye Diggers all, stand up for glory, stand up now!
From the men of property the orders came
They sent the hired men and troopers to wipe out the Diggers'
claim

Tear down their cottages, destroy their corn
They were dispersed - only the vision lingers on
Ye poor take courage, ye rich take care
This earth was made a common treasury for everyone to share
All things in common, all people one
They came in peace - the order came to cut them down

WORDS AND MUSIC BY LEON ROSSELSON, 1981

In The Age Of A Cold Civil War-Immigrant Or Citizen- Know Your Rights From The ACLU-Short Course

In The Age Of A Cold Civil War-Immigrant Or Citizen- Know Your Rights From The ACLU-Short Course 

Comment

          In the age of Trump no matter how many generations you and yours have been here in America the beginning of wisdom is to know your rights such as they are and who to contact if they “come in the morning” for you and yours.






   

The 50th Anniversary Of The Summer Of Love-And Of The Beatles "Sgt. Pepper's Lonely Heart Club" Album (2017)

The 50th Anniversary Of The Summer Of Love-And Of The Beatles "Sgt. Pepper's Lonely Heart Club" Album (2017)   

Zack James comment;

Frankly although I was only a young very young teenager at the time I was not as enamored of this album as my older brothers and sisters were who were knee deep into the drug, sex and counter-cultural revolutions (which drove my conservative parents crazy) which I only knew about in passing. 50 years later I have the same impression-this album like the Stones' effort of the same time period Their Satanic Majesties have not to my ear aged well. (You do not see a single song from that album on any recent Stones' concert playlists.) Whereas let's say the almost unique It's A Beautiful Day album or some of the Jefferson Airplane albums like After Bathing At Baxter's seem still pretty fresh and representative of that sweet world time.  










The 100th Anniversary Of The Birth Of Film Actor, Noir Film Actor, Robert Mitchum (2017) -Hats Off!

The 100th Anniversary Of The Birth Of Film Actor, Noir Film Actor, Robert Mitchum (2017) -Hats Off!


Film Critic Emeritus Sam Lowell comment:

No question I am despite my putting myself "out to pasture" more than happy to do a short guest appearance to pay tribute to the 100th anniversary of the birth of film actor Robert Mitchum. The headline speaks of a film noir actor although he did many more types of films. But to my mind his classic statement of his acting persona came in the great performance he did in Out Of The Past where between being in the gun sights of an angry gangster and the gun sights of a gun crazy femme played by Jane Greer damn did he have his hands full. More later but check this little clip out as a sampler.     


The Centennial Of Pete Seeger’s Birthday (1919-2014)- *Legends Of The Country Blues Tradition

DVD REVIEWS

February Is Black History Month

Legends Of The Country Blues, Vol. 1, Vestapol Productions, 2002


I have spent some considerable effort in this space reviewing various trends in the blues tradition, including country blues. As is fairly well known country blues got its start down in the South during the early part of the 20th century (if not earlier) as a way for blacks (mainly) to cope with the dreaded, deadly work on the plantations (picking that hard to pick cotton). In this volume (and a second volume that will be reviewed separately) Stefan Grossman, the renowned guitar teacher and performer in his own right has taken old film clips and segments from early television and produced an hour of classic performances by the masters of country blues guitar picking and singing (Sorry, no women players presented in these productions, although there were a few. Women blues singers came into their own a little later.).

Country acoustic blues guitar playing was a central form of entertainment for those who lives in the country, desperately needed entertainment during and after work and for the most part had no access to electricity. Thus, this favored form of entertainment was provided in the backwoods “juke joints” where the whiskey, women and words came fast and furious after a hard work week. A small body of men, mainly in Mississippi, but also elsewhere in the South (notably Texas and North Carolina) fought to be “king of the blues”. And the qualifications to win that title included being able to wield that old National Steel guitar for all it was worth and sing something about two-timing women, the rascally boss or overseer or just plain not having any money to show for the week’s work after that Saturday nights bout. In this volume the “king of the hill” is one Son House. This film contains the famous television performance of House’s "Death Letter Blues". It is mesmerizing as he flails away at that old National Steel guitar and trance-like invokes the ghost of his dead woman friend whom he has come to regret treating so badly.

Also present here are other classic performers such as Mississippi John Hurt, one of the key influences on the Northern urban folk revival of the early 1960’s, and his quiet style of picking and singing: Josh White with his more urbane, almost jazz-like style; Big Bill Broonzy, a performer worthy of more extensive separate comment, in several pieces; Mance Lipscomb and his Texas style: and the Reverend Gary Davis and his clean picking and deeply religious moanings. I might note that some of the performances were done on a show that Pete Seeger hosted so that is an added treat although he, and others, are reduced to looking on in awe. That seems about right. This DVD is useful both for the experienced guitar player who is looking to see how the masters did it and for those novices unfamiliar with this kind of music as a good potpourri of styles to introduce the genre.

Legends Of The Country Blues, Vol. 2, Vestapol Productions, 2002

Part of this review has been used in a separate review of Volume One.


I have spent some considerable effort in this space reviewing various trends in the blues tradition, including country blues. As is fairly well known country blues got its start down in the South during the early part of the 20th century (if not earlier) as a way for blacks (mainly, although here Sam Chatman is given some space I think to represent the mountain music contribution to this rural music) to cope with the dreaded, deadly work on the plantations (picking that hard to pick cotton). In this volume (and a first volume that has been reviewed separately) Stefan Grossman, the renowned guitar teacher and performer in his own right has taken old film clips and segments from early television and produced an hour of classic performances by the masters of country blues guitar picking and singing (Sorry, no women players presented in these productions, although there were a few. Women blues singers came into their own a little later.).

Country acoustic blues guitar playing was a central form of entertainment for those who lives in the country, desperately needed entertainment during and after work and for the most part had no access to electricity. Thus, this favored form of entertainment was provided in the backwoods “juke joints” where the whiskey, women and words came fast and furious after a hard work week. A small body of men, mainly in Mississippi, but also elsewhere in the South (notably Texas and North Carolina) fought to be “king of the blues”. And the qualifications to win that title included being able to wield that old National Steel guitar for all it was worth and sing something about two-timing women, the rascally boss or overseer or just plain not having any money to show for the week’s work after that Saturday nights bout.

In this volume the “king of the hill” is one Bukka White. Son House the star of Volume One is relegated to second place here as Bukka just flat out plays that old guitar better, with more feeling and a better sense of showmanship in presenting the material. "Aberdeen Mississippi Women" is an extremely good example of his mastery. I have mentioned in a previous review that Bukka White was not as familiar to me and those who I know who share my interest in the blues. That deserves immediate correction and Brother White will certainly be the subject of a later, separate entry in this space.

Also included here is the previously mentioned Son House, again flailing away for all he is worth; The Reverend Gary Davis demonstrating his prowess as a guitarist: Huston Stackhouse with his playful voice; Big Joe Williams being, well, Big Joe with some guitar that I could not count the number of strings on (as usual); and, Lead Belly. Lead Belly, who may have been one of the most well-known black country blues performers of all time (certainly through his connection to "Goodnight, Irene"), is rather flat here. Too bad. There are better clips of his performances elsewhere.

From The Winter Palace (Oops White House) Archives-When The Cossacks Kept The Peace-Of The Graveyard


From The Winter Palace (Oops White House) Archives-When The Cossacks Kept The Peace-Of The Graveyard 


By Brad Fox, Junior

Nobody wanted to touch this archival piece with a ten-foot pole. Not because anybody was afraid that they might be taken away in the dead of night although that is a greater possibility now that previously given the police-military state like atmosphere displayed on July 4th 2019 in front of Lincoln Memorial but because nobody had anything but bad or hurtful memories from being within a mile of the White House, or even in Washington in the old days when one only went to that town to bait the bear, so to speak. That is anybody who was old enough to have been around when this publication (in hard copy form) first started to spin news and commentary and sent guys, mostly guys but a few bravo women too, to Washington not only to cover the actions but get knee -deep in them (with arrests to show for their efforts and expense reimbursements.)

So it was left to a younger guy, me, not tarred by any direct experience but plenty of “war” stories from my father Brad, Senior. According to him this photograph (since verified as correct) was taken in the Spring, March or 2011 when the Obama, get this the Obama administration, he of the Nobel Peace Prize and such, when some veterans my father was connected with, and acted in this case as press agent for, decided to handcuff themselves to the White House fence (a legal no-no, okay)to oppose yet another escalation in troop levels in Afghanistan after short drawdown.

The Obama administration like all previous ones and subsequently too since we are in never-ending war mode in Afghanistan and elsewhere did not take kindly to this very active form of protest by a band of what by any definition were winter soldiers in the best sense of that word, akin to those who saw what their duty was in Valley Forge days. This day though maybe because of the early season hot spell, the Cossacks, the horse coppers who are part of every round-up of protesters decided to press the issue at least among those not tied to the fences. As in the days of the Russian Revolution that Leon Trotsky, a participant, so eloquently wrote some people had to scramble under the horses to get away (since they were not committed to arrest). Some things never change and as Trotsky also pointed out the role of the coppers, on foot, in wagons, or on horse is the same. Also the same is the hard fact that reporter Brad Fox, Senior was one of some one hundred plus protesters, arrested, booked, and fined that day. Thanks, dad, you did good.
  




When The Winds Of War Do Shift-From The Archives- The Crimea-This Isn't Your Father's Light Brigade



When The Winds Of War Do Shift-From The Archives- The Crimea-This Isn't Your Father's Light Brigade

By Lance Lawrence

I am not sure why I was assigned to do the caption on this archival piece since I am neither Russian nor Ukrainian. Have no organic stake in what happened there several years ago.  Or for that matter British which is the last reference point I remember about this piece of geography from background about The Charge Of The Light Brigade by Alfred Lord Tennyson when Lord Cardigan goofed during the Battle of Balaclava (great name). Moreover, I am not like Fritz Taylor a military man who could tell what the details were of the Russian advances into the Ukraine. Nor am I like Frank Jackman who would put this whole event in a basket and give some cogent geopolitical analysis of the meaning of what occurred there several years ago.

I do not like Vladimir Putin, nobody does except maybe Donald Trump and then maybe it is because the guy has some dirt on him or better that he would like to run Operation USA like Putin runs Operation Russia (with Crimea). I do not like politics particularly except to hold my nose up at them while bathing in the cultural waters that are my bailiwick. I do like people, peoples if that is the case, to have their own country, nation I guess is a better way to say it so I like, and maybe support what is called the right to self-determination. Hell, we in the United States, in Operation USA practically invented the concept.

I also like that right to be more than abstract and not a matter of accident like in Crimea. The accident part by fiat from Moscow by dead ass Nikita Khrushchev back a few decades ago throwing Crimea into the Ukraine. That despite a fairly long history of that place being as filled with Russians with cultural affinities as any Russian in Saint Petersburg. So maybe, just may site manager Greg Green remembered from a few years ago that what bad boy Putin did in support of the Crimea I said then I could support -while holding my nose.        



From The World Cross-Country Championship Archives-The Day Boomer Cadger Caught Socks And Shin-Splits


From The World Cross-Country Championship Archives-The Day Boomer Cadger Caught Socks And Shin-Splits


By Bart Webber
  
Boomer Cadger was a piece of work, although I only knew of him, had been run ragged by him when he was just coming up as a high school star in cross country back in the day, back in the 1960s. Maybe I shouldn’t even be touting this guy since back in those days everybody, and believe me everybody, saw guys running around in their “underwear” (see below) as some kind of perverts. Menaces on the roads in case of cross- country runners who were subjected to honks, near side swipes and angry snarls from irate motorists. Girls, yes, the all important girls, would titter and point at runners, us, with nothing but distain. More than one time trying to “talk up” some girl in school I would mention that I was on the cross-country team would tell me they did not know the school had a team. Even my own mother wondered what she had raised to young adulthood when I would mention the sport of kings.        

But enough of the bad days social milieu, enough of my humiliations for this is about legendary Boomer Cadger who was so lithe he could do cross-country and so fast that the football coach at his school, North Quincy High School some twenty miles from North Adamsville and historic rivals since we were the same size wanted him as a wide receiver. Boomer though had such a wretched home life, his father a drunk and his mother filled with morphine dreams and who knows what else that running was what kept him alive during high school. He would from what I understand flee his home the minute the drunken fireworks started and go out and run say five miles to “cleanse his soul” if he treated the run as I did when I had my own slight home troubles.

Like I said North Quincy High and North Adamsville High were rivals in most sports and so I would run against Boomer (I never did learn why he had such a nickname which seemed more appropriate for a baseball or football player) and get my ass whipped by him starting in ninth grade. It seemed each year that I improved he leaped ahead even more. I would find out from an interview Boomer did with the now defunct, I think, Cross-Country Runner that in summertime he would travel all the way over to Adamsville Beach, the closest beach to North Quincy and spent the morning running the sand dunes down at the Squaw Rock end of the beach. I knew automatically that he had been influenced by an Australian coach who trained the legendary miler Herb Elliott on the sand dunes down under.    

Now, I guess after all this time I would have to call it a tribute to Boomer, what I want to finish up with is what happened to Boomer when he qualified his senior year in high school for the World Junior Cross-Country championships held in New York City. The race was run through Central Park then and maybe four or five hundred runners were at the starting line. Now Boomer’s people were poor Oakie types beyond their drug and alcohol problems.  Boomer only had one pair of running socks, white, which he washed by hand himself but they had given out so the day of the race he had on new socks, new thicker socks which were tight against his running shoes. As the race progressed along the five-mile hill and dale course Boomer was among the pack of several leaders, for a while. Then, and I am not sure how or why it happened when I read about in our local newspaper as a result of those bunched tight socks bothering him he developed shin splints, a very painful condition and a bane to runners. Instead of dropping out though, or maybe stopping and getting rid of those socks Boomer toughed it out. Toughed it out to a fifth- place finish which given the circumstances may have been a victory if he been healthy.

I might have been kinder to Boomer’s memory, certainly during high school, if I had had my ass whipped by a world champion. To see him in memory’s eye running like the wind will have to do. The last I heard of Boomer Cadger, remember those were the days when running was not like today a big- time sport and so no colleges sought his services, he had joined the Navy out of high school to get away from that hellish homelife.