Sunday, September 15, 2019

A Slice Of Teenage Life-Circa 1960s-With Myrna Loy And Cary Grant’s “The Bachelor And The Bobby-Soxer” In Mind

A Slice Of Teenage Life-Circa 1960s-With Myrna Loy And Cary Grant’s “The Bachelor And The Bobby-Soxer” In Mind    




By Guest Film Critic Prescott Blaine

[Prescott Blaine, now comfortably retired, comfortably for those editors, publishers and fellow writers particularly those who have tangled with him on the film criticism beats for the past forty years or so decided he just had to comment about his own growing up in the 1950s teenage life. I had done a short film review on a 1940s film The Bachelor and the Bobby-Soxer. Cary Grant the bachelor to Shirley Temple’s bobby-soxer with Myrna Loy more well-known as the helpful detective in her own right wife Nora Charles opposite William Powell’s Nick in the seemingly never-ending The Thin Man series of the same decade. I had in passing mentioned my reasoning for even touching this piece of fluff. The key was in the title, or part of it, the “bobby-soxer” part which represented to my mind one of the key terms from teenage times in the 1940s where bobby-soxers were associated with the fast jitter-bugging set since those socks made it easier to traverse those slippery high school gym floor where sock hops have been held since, well, since they started having school dances to keep unruly and wayward kids in check. I figured I would get a low-down on what was what.

I had followed a false lead though since despite the enticing possibility that I would learn something about teenage life in the immediate post-World War II period the real thrust of the film was the inevitable romancing between Grant and Loy’s characters. I should have sensed that if goody-goody Shirley Temple was holding forth I would learn less about that decade’s teen concerns than if I had asked a surviving elderly uncle of mine.

Oh sure I did learn that girls went crazy for guys with “boss” cars, worried, worried somewhat about their reputations meaning worrying about being known as high school sluts and that they were as perfidious when the deal went down as the teenage girls in Prescott’s and my generation and probably now too. When I mentioned that to him one day in his office at the American Film Review where he still shows up occasionally to do pinch-hit work when the editor Ben Goldman needs a quick “think” piece to fill up an issue he laughed at me. Laughed at me foremost because of my, his term, sophomoric idea that you could learn anything about teen life in any age when you had certified stars like Grant and Loy tangling just short of the satin sheets and because it would not be until the 1980s when Hollywood produced some films based on S.E. Hinton’s novels that you would get anything like an informative look at a slice of real teen life.        


Follow me here to get an idea of what Mr. Blaine is like when he gets on his hobby-horse. From that “profound” (my quotation marks) comment he asked, I won’t say begged because Prescott is not like that most of the time, or at least he wasn’t in the old days, to let me use my space here to go back into his teenage days in the 1950s, the mid-1950s when rock and roll came running up the road (although we are near contemporaries my coming of age teenage time was about five years later and reflected a drought period in rock and roll which I filled in by “discovering” the blues). Needless to say since this piece has Prescott’s by-line he sold me on the idea-for one shot anyway. Below is what he wants to share about 1950s teenage culture-Sam Lowell]    

WTF Sam (a term I would not have used in my professional career in print and certainly not to start an article but as Sam has mentioned I am comfortably ensconced in retirement and besides I am playing on his dime) even a wet behinds the ears kid in the 1950s who didn’t figure out what was what until sometime in the mid-1960s knows that when the fresh breeze of rock and roll hit the planet the whole thing opened up the big three that was on every alive and awake teenager, teenage boy (the girls can speak for themselves but they will tell the same basic story) mind-drive-in theaters, drive-in restaurants and grabbing every loose girl not tied down. (Not literally but then we had a strange male-driven code honored I think more in the breech than the observance that if a girl had a guy that meant she was off-limits to other guys. Like I said honored in the breech much mother that the observance.)

WTF sex is what I am talking about because all three things were connected by a million threads, a million threats that made up  1950s teenage life (maybe now too but since drive-in movies and restaurants and maybe access to girls too depended on the golden age of the automobile car, borrowed or sweated for, which today’s youth are not nearly as enamored of, hell, some of them don’t even have driver’s licenses that premise may be questioned). Tie all that in with rock and roll and the rest of what I have to say makes total sense even to a guy like Sam.

A lot of what was what then had to do with corner boy life something that has for the most part gone by the boards between the rise of the malls (and “mall rats” a totally different thing than on the edge, quasi-illegal corner boy life reflecting certain hungers that never could be satisfied in a strictly legal way which the denizens of the mall do not exhibit since they are fixed up pretty well) and the totally bizarre actions of local police departments to hustle kids off the street corners on behalf of  local businessmen and satraps. Let’s face it the whole mix had to be cemented with dough, dough anyway we could get it, or we would still be standing on those forlorn corners (or doing time in some state or county institution).

Not to belabor the point but it bears notice it is amazing how much our waking hours, maybe dreaming hours too centered on girls (and those dreaming hours included the then forbidden talk about masturbation, about what Father Lally up at Sacred Heart Catholic Church called “touching” yourself but we all knew what he meant even if we were not quite sure what masturbation was and would have never dared asked parents about such an evil thing (according to Lally who would later be transferred out because he “touched” boys and girls and was an early figure of interest in the breakthrough Catholic priest abuse scandal that rocked  the archdiocese of Boston, via the spotlight from The Boston Globe). Nor would they have voluntarily or involuntarily been forthcoming about sex issues and so we learned most of it on the streets-mainly wrong or stupid.                 

There were some funny parts, maybe not funny at the time but funny now and stuff I want to tell about for the record since not only are we fading from the scene but the two- generation social media-driven gap between my growing up time and today is far greater than between box-soxers of the 1940s and the cashmere sweaters of the 1950s. A staple of existence then for poor boys especially was the weekly school and/or church dance since we could not afford other pay dances held in various locations for the progeny of the town swells. The dances although touted by the school and church authorities as keeping us youth from going over the edge on the rock and roll craze which they saw as just an episode, a fade really were our lifeline into social existence. (That Father Lally mentioned early used the dances for laying a trap for his prey as it turned out and more than one teacher chaperone at school dances got a little over the top when the girls came along looking all sexy and serene.)   They at least got us to bathe, shave if necessary, use deodorant, slick our hair and wear something other than cuff-less chinos or blue jeans since sports jackets and dress shirts were required.

But that was all social graces stuff. What we craved, what we spent the week day-dreaming and talking about was who we would dance with (or who would dance with us). Above all else who would we dance the last slow dance of the night with after our night’s efforts. Most of the music of the times, mercifully in many cases, was geared to fast dancing which meant each partner was more or less free to do their own gyrations and keep a safe distance from toes and other vulnerable body parts of that partner but the last dance was always a slow one, one that those “going steady” immediately got up and danced to, and others who had some prior arrangement as well.

Saturday, September 14, 2019

A Writer’s Tale-Vincente Minnelli’s Film Adaptation Of James Jones’ “Some Came Running” (1958)-A Film Review

A Writer’s Tale-Vincente Minnelli’s Film Adaptation Of James Jones’ “Some Came Running” (1958)-A Film Review



DVD Review

By Josh Breslin  

Some Came Running, starring Frank Sinatra, Dean Martin, Shirley MacLaine, Martha Hyer, directed by Vincente Minelli, adapted from the novel by James Jones, 1958  

No question I was first drawn to Some Came Running, a film based on the novel of the same name by James Jones whose more famous novel Here To Eternity also was adapted to the screen and stands as one of the great classic films of the modern cinema, by the ex-soldier’s story and then by his plight as a blocked writer. The draw of the ex-soldier’s story reflected something that had been in my own experience about coming back to the “real” world after the military. That seems to be the character played by Frank Sinatra Dave Hirsh’s situation. That inability to go to the nine to five routine, to settle down after military service had shaken him out of his routine rang a bell. In my own military service generation, in my own service, I ran across plenty of guys who couldn’t deal with the “real” world coming back from Vietnam and who tried to hide from that fact as “brothers under the bridges” alternate communities out in places like Southern California. I see and hear about young Iraq and Afghanistan War service personnel having the same woes and worse, having incredibly high suicide rates. So yeah, I was drawn to Dave’s sulky, moody, misshapen view of the world.           

The story line is a beauty. Dave, after a drunken spree, finds he was shipped by bus back in that state by some guys in Chicago to his Podunk hometown in Parkman, Indiana, a town he had fled with all deliberate speed when he was a kid orphaned out by his social-climbing older brother Frank because, well, because he was in the way of that social-climb after their parents die. Dave was not alone in his travels though since he had picked up, or had been attached to, a floozy named Ginny, played by Shirley MacLaine, who will make life hell for him in the end. As he became accustomed to his old hometown and while deciding whether to stay or pick up stakes (the preferred fate of his brother and his also social-climbing wife) he was introduced to a local school teacher Gwen, played by Martha Hyer, who will also make hell for him in the end since he was quickly and madly in love with her but she was seriously stand-offish almost old maid stand-offish since she had had a few tastes of his rough-hewn low life doings. Doings which were encouraged by a gambler, Bama, played by Dean Martin who became his sidekick.        

But here is the hook that almost saved Dave and almost lit a spark under dear Gwen. Dave was a blocked writer, had some time before written a couple of books that were published and had gathered some acclaim, were well written. Gwen attempted to act as his muse, and did prove instrumental in getting a work of his published. To no avail since Dave was not looking for a muse, well, not a muse who wasn’t thinking about getting under the silky sheets. No go, no go despite Dave’s ardent efforts. Frustrated Dave turned to Ginny and whatever charms she had-and the fact that she loved him unconditionally despite their social and intellectual differences. In the end Dave in a fit of hubris decided to marry Ginny after being rebuffed by Gwen enough times. The problem though was that Ginny had a hang on gangster guy trailing her who was making threatening noises about putting Dave, and/ or Ginny underground. In the end they were not just threatening noises as he wounded Dave and killed poor bedraggled Ginny.

Watch this one-more than once and read James Jones’ book too which includes additional chapters about those soldiers who could not relate to the “real” world after their military experiences. This guy could write, sure could write about that milieu based on his own military service. (There is a famous photograph of Jones, Norman Mailer, and William Styron, the three great soldier-boy American literary lights of the immediate post-World War II war period with Jones in uniform if I recall.)                

Afterward by Greg Green-site manager:

When I first assigned Josh Breslin this film review my intention was for him to discuss a bit his own, Dave-like, writer’s troubles and more importantly, his troubles with the “real” world when he came back from his military service in Vietnam during the 1960s. Josh had initially agreed to put some material about that in to bring the reader into the picture about what was eating at Dave (really author James Jones), what drove him over the edge. When it came time to do so though Josh balked, said he couldn’t do it, couldn’t  bring back those hard times without serious mental disturbance even fifty years later.
What I did not know at the time but which when I confronted Josh about breaking the terms of our agreement it turned out those hard times had a name, a name which I have since become painfully familiar with-Peter Paul Markin, the Scribe as his old hometown growing up guys forever called him. Josh was not one of them but had met the Scribe out in San Francisco in the Summer of Love, 1967 when he had just graduated from high school and before he was to start college at State U up in Maine, his home state in the fall. That led to a big-time friendship which was only broken up by the Scribe’s own military service the next year.
No, that is not right. Their friendship in the final analysis was broken up a few years later by that fiendish war in Vietnam which took its toll on both of them. The Scribe, like Josh, had his problems coming back to the “real: world, got seriously into drugs, dried out a bit, did some great stories on those “brothers under the bridge” for which he won a bunch of awards which helped for a while. Josh made the turn but the Scribe, for wanting habits, for his own hubris, for kicks, for his whole freaking overblown life to hear Josh tell the story didn’t, got caught up in the cocaine craze and made the cardinal mistake of using what he was trying to sell. For his efforts he got a potter’s field grave down in Sonora, Mexico courtesy of some ill-advised and deadly busted drug deal with the emerging drug cartels that went awry. So Josh, maybe someday you will tell us Josh, you are right to balk on your part of this assignment now though.      

Happy, Happy 100th Birthday Poet Lawrence Ferlinghetti-Max Daddy Of Famed “City Lights Bookstore” In “Beat” San Francisco When It Counted And Muse Of His Generation’s Poets

Happy, Happy 100th Birthday Poet Lawrence Ferlinghetti-Max Daddy Of Famed “City Lights Bookstore” In “Beat” San Francisco When It Counted And Muse Of His Generation’s Poets


By Liam Leahy

When the deal went down the hell with street ruffian and gangster of words and thefts Gregory Corso, the hell with Zen Buddha lotus flowers sulks Gary Snyder, the hell with bright lights in the headlights like some virgin Bambi Mike McClure, double the hell with clear the coffeehouses and jazz bars out with his primal wailing to Keil, devil servant, Phil Larkin, ditto double the hell with trying to hit that high white note that only jazz boys and girls can aspire to MaJohn Dupree, back to single hells for Dante boys all choir practice glow bum-tucked like Kenneth Rexforth (and don’t forget Rexforth’s daughter who everybody took a run at and why not even gay boys like Ginsberg), to hell as well the drag queen artless Tim Riley before he fanned the flames of Miss Judy Garland’s hem and made bluegrass green in ocean spray to the China seas bays filled with oil tankers and sodomites sing his naughty boy praises. And in the end, the bookend three hot dog fucks like Miss Julie Johnson in some Joe and Nemo alley.

More retrospective, more circumspect rumbling fullback out of some Merrimack estuary looking hot dog hungry, looking like some holy goof displaced out of European DP camps and he only Icelandic run bound dropping to the titanic seas.  So Jack, Jack, Kerouac, the fuck with that Jack stuff Ti Jean of ten million Allan Ginsberg dreams and Neal Cassidy lost father’s gets some play, okay  Very much more circumspect and there is no way around it this time Moloch of modern times stripping poor Tom Eliot of everything but his shoddy bedding and his lost in the hills and trenches of Eastern France cursive language as wave after wave fell to complete one square yard Carl Solomon’s dear friend and his mother howler in the dust for all the good it did him, or her, Allan Ginsberg. Yeah, the beat down, beat around, beat sound, beatitude beat to hear holy goof Jack tell it in his Tanqueray funks, crowd that took up plenty of air come 1950s in the states come desolation row time.


Then there was the glue, the guy who kept the torch bright, the guy who had enough knowledge of business which almost to a man (or woman of that matter), beats heating squares up like toast, scorned except come poetry reading time some foggy and rainy nights, book signing when Random House said piss off, putting money in the bucket for the Thunderbird struck nights, back room shacking up to keep from the coldest days in August world. Yeah, Happy Birthday Baby, Buddha in cowboy boots and tepid wrangler jeans Lawrence Ferlinghetti on the magic 100 years. Connection,  brother, connection. 

Click on the heading to link to the William Blake Archives to view some of his illustrations and other artwork for which he was also famous.

Markin comment:

Okay, here is the chain of thought to this entry. I recently posted some work by the "beat" poet (and San Fransisco City Lights Bookstore creator)Lawrence Ferlinghetti (from Coney Island Of The Mind). And that made me think once again of fellow "beat' poet Allen Ginsberg. And if you think of Allen Ginsberg you have to think of mad poet Walt Whitman (singer of 19th century America as Ginsberg sang of the 20th century). And if you think of Whitman you have to go back to the "max daddy", mad, mad William Blake. Simple, right?


Milton [excerpt]
by William Blake


And did those feet in ancient time
Walk upon England’s mountains green?
And was the holy Lamb of God
On England’s pleasant pastures seen?

And did the Countenance Divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among these dark Satanic Mills?

Bring me my bow of burning gold!
Bring me my arrows of desire!
Bring me my spear! O clouds, unfold!
Bring me my chariot of fire!


A Divine Image
by William Blake


Cruelty has a Human heart
And Jealousy a Human Face,
Terror, the Human Form Divine,
And Secrecy, the Human Dress.

The Human Dress is forgéd Iron,
The Human Form, a fiery Forge,
The Human Face, a Furnace seal'd,
The Human Heart, its hungry Gorge.

Proverbs of Hell
by William Blake


From "The Marriage of Heaven and Hell"


In seed time learn, in harvest teach, in winter enjoy.
Drive your cart and your plow over the bones of the dead.
The road of excess leads to the palace of wisdom.
Prudence is a rich ugly old maid courted by Incapacity.
He who desires but acts not, breeds pestilence.
The cut worm forgives the plow.
Dip him in the river who loves water.

A fool sees not the same tree that a wise man sees.
He whose face gives no light, shall never become a star.
Eternity is in love with the productions of time.
The busy bee has no time for sorrow.
The hours of folly are measur'd by the clock, but of wisdom: no clock can measure.

All wholsom food is caught without a net or a trap.
Bring out number weight & measure in a year of dearth.
No bird soars too high, if he soars with his own wings.
A dead body, revenges not injuries.
The most sublime act is to set another before you.
If the fool would persist in his folly he would become wise.
Folly is the cloke of knavery.
Shame is Prides cloke.

~

Prisons are built with stones of Law, Brothels with bricks of Religion.
The pride of the peacock is the glory of God.
The lust of the goat is the bounty of God.
The wrath of the lion is the wisdom of God.
The nakedness of woman is the work of God.
Excess of sorrow laughs. Excess of joy weeps.
The roaring of lions, the howling of wolves, the raging of the stormy sea, and the
destructive sword, are portions of eternity too great for the eye of man.
The fox condemns the trap, not himself.
Joys impregnate. Sorrows bring forth.
Let man wear the fell of the lion, woman the fleece of the sheep.
The bird a nest, the spider a web, man friendship.
The selfish smiling fool, & the sullen frowning fool, shall be both thought wise, that
they may be a rod.
What is now proved was once, only imagin'd.
The rat, the mouse, the fox, the rabbit: watch the roots; the lion, the tyger, the horse,
the elephant, watch the fruits.
The cistern contains; the fountain overflows.
One thought, fills immensity.
Always be ready to speak your mind, and a base man will avoid you.
Every thing possible to be believ'd is an image of truth.
The eagle never lost so much time, as when he submitted to learn of the crow.

~

The fox provides for himself, but God provides for the lion.
Think in the morning. Act in the noon. Eat in the evening. Sleep in the night.
He who has suffer'd you to impose on him knows you.
As the plow follows words, so God rewards prayers.
The tygers of wrath are wiser than the horses of instruction.
Expect poison from the standing water.
You never know what is enough unless you know what is more than enough.
Listen to the fools reproach! it is a kingly title!
The eyes of fire, the nostrils of air, the mouth of water, the beard of earth.
The weak in courage is strong in cunning.
The apple tree never asks the beech how he shall grow, nor the lion, the horse,
how he shall take his prey.
The thankful reciever bears a plentiful harvest.
If others had not been foolish, we should be so.
The soul of sweet delight, can never be defil'd.
When thou seest an Eagle, thou seest a portion of Genius, lift up thy head!
As the catterpiller chooses the fairest leaves to lay her eggs on, so the priest
lays his curse on the fairest joys.
To create a little flower is the labour of ages.
Damn, braces: Bless relaxes.
The best wine is the oldest, the best water the newest.
Prayers plow not! Praises reap not!
Joys laugh not! Sorrows weep not!

~

The head Sublime, the heart Pathos, the genitals Beauty, the hands &
feet Proportion.
As the air to a bird of the sea to a fish, so is contempt to the contemptible.
The crow wish'd every thing was black, the owl, that every thing was white.
Exuberance is Beauty.
If the lion was advised by the fox, he would be cunning.
Improvement makes strait roads, but the crooked roads without Improvement,
are roads of Genius.
Sooner murder an infant in its cradle than nurse unacted desires.
Where man is not nature is barren.
Truth can never be told so as to be understood, and not be believ'd.
Enough! or Too much!

I will not cease from mental fight,
Nor shall my sword sleep in my hand,
Till we have built Jerusalem
In England’s green and pleasant land.

Puerto Rico For a Revolutionary Workers Party Down With the Colonial Junta! For the Right of Independence!

Workers Vanguard No. 1159
23 August 2019
 
Puerto Rico
For a Revolutionary Workers Party
Down With the Colonial Junta!
For the Right of Independence!
After some of the largest protests in Puerto Rican history forced the resignation of despised governor Ricardo Rosselló last month, Puerto Rico is confronting an ongoing political crisis. The match in the powder barrel was the leaked cache of private chat messages between Rosselló and his cronies, which oozed bigotry, misogyny and derision for the poor. For the 3.2 million citizens residing on a territory under the boot of U.S. colonial domination, the grievances run much deeper: brutal austerity, massive unemployment and deteriorating schools, hospitals and transportation. Now, the American overlords, with the help of Puerto Rican bourgeois politicians, are openly plotting to intensify their iron grip on their colony. First and foremost is enforcing the diktats of Wall Street’s fiscal control board, known as the “junta,” to make the impoverished masses pay billions of dollars in debt to the same U.S. capitalists who wrecked the country’s economy.
Following a five-day gubernatorial stint by Rosselló’s handpicked successor Pedro Pierluisi, a lawyer for the junta, the new occupant of the governor’s mansion La Fortaleza is former justice secretary Wanda Vázquez, another Rosselló crony. Washington has its eyes on Jenniffer González, a Trump supporter and resident commissioner to the U.S. House of Representatives, in the event that Vázquez meets with widespread opposition. Vázquez, notorious for covering up government corruption in her previous position, is reviled for having refused to investigate diverted Hurricane Maria relief funds and aid. That 2017 disaster was marked by the U.S. rulers’ criminal and chauvinist contempt for Puerto Ricans—over 4,000 were left to die in Maria’s wake and whole swaths of the island chain remain devastated to this day.
Ever since seizing the Caribbean territory during the Spanish-American War 121 years ago, U.S. imperialism has looted Puerto Rico’s land, exploited its labor and then laid it to waste. While Puerto Rico has been euphemistically designated a “commonwealth” since 1952 to give the illusion of self-government, to this day the U.S. government calls all the shots, controlling everything from currency and communications to trade relations and shipping. This colonial subjugation is a modern-day version of “white man’s burden,” whereby the white imperialist power lords over its darker-skinned subjects in the name of “civilizing” them. Puerto Ricans are second-class U.S. citizens, and those living in Puerto Rico are barred from voting in federal elections (even their House representative has no official Congressional vote) but held hostage to federal plenary powers, including the FBI and military. We demand: All U.S. troops and federal agents out of Puerto Rico now!
Hoping to quell the recent upheaval and return to business as usual, Democrats and Republicans called for Rosselló to step down. On August 2, the White House announced it would punitively suspend over $8 billion in federal aid to Puerto Rico due to political unrest. While Trump is an open embodiment of racist arrogance and capitalist greed, the Democrats represent the same imperialist ruling class. It was Barack Obama who implemented the 2016 PROMESA law that appointed the fiscal control board of bankers and CEOs—drawn from companies that have directly profited from decades of financial swindles—to further bleed and starve Puerto Rico. Proclaiming some $74 billion in bond debt alone, the junta is a tyrannical collection agency for vulture creditors, and makes its decisions behind closed doors.
While some calm has returned to the streets for now, Puerto Ricans are beyond fed up. What is vital is for the working class to emerge as the leader of the country’s unemployed, students and all the oppressed, particularly women, who suffer violence and degraded status. The working class is the one force with the social power and historic interest to put an end to both colonial oppression and capitalist misery through socialist revolution.
Workers in the U.S. and in Puerto Rico share a common class enemy: the U.S. capitalist rulers. There is also a link of flesh and blood—Puerto Ricans make up a key component of the organized working class in many U.S. cities, where they are subjected to racist abuse by the forces of the capitalist state. The U.S. working class must take a side with its class brothers and sisters and demand: Cancel Puerto Rico’s debt! Opposing the entire system of debt peonage would speak to the righteous anger of Puerto Ricans over the secret machinations of the junta, which refuses to divulge its austerity plans.
We advocate independence for Puerto Rico as part of our opposition to U.S. imperialism. At the same time, we are aware that most Puerto Ricans feel ambivalent about independence. While they detest their colonial status and have a strong sense of nationhood, they are legally allowed to live and work in the U.S., as over five million do, without the same threat of deportation or I.C.E. detention faced by Latino immigrants. It should be up to the Puerto Rican masses to decide how they want to exercise their national self-determination. Therefore, we stress the right of independence for Puerto Rico.
Our aim is to build a Leninist vanguard party in Puerto Rico that can intervene into the struggles against colonial oppression, fighting to direct them against not only the U.S. masters but also their local bourgeois lackeys, with the goal of establishing working-class rule. Only the proletariat in power can begin to lay the material basis for emancipating the Puerto Rican masses from imperialist subjugation.
A Puerto Rican workers republic would face enormous obstacles and powerful enemies, centrally the U.S. bourgeoisie. Proletarian rule in Puerto Rico would have to be extended internationally. What is posed is the forging of Leninist parties in the imperialist heartland and throughout the Caribbean as part of a revolutionary international. A multiracial workers party in the U.S. would win American workers to helping advance the national liberation struggles of Puerto Rico, which are indispensable to tearing down the capitalist order at home.
For a Class-Struggle Perspective
The popular protest slogan “que se vayan todos” (all of them must go) was an expression of the intense mistrust toward Washington’s loyal stooges, including both the governing, pro-statehood New Progressive Party (PNP) as well as the historically pro-“commonwealth” Popular Democratic Party (PPD). The PPD mayor of San Juan, Carmen Yulín Cruz, participated in the demonstrations, declaring her opposition to corruption and the junta. But for over six years as the chief executive of the capital, she has overseen austerity measures and commands the repressive police force in San Juan. Cruz, a target of Trump’s wrath and a co-chair for the Bernie Sanders campaign, is plugging herself as a populist to capitalize on widespread discontent in her electoral bid for governor in 2020.
Many politicians from the two main parties in Puerto Rico are directly affiliated with the U.S. bourgeois parties that preside over their colonial “backyard.” (Rosselló and Cruz are both Democrats.) In the U.S., “progressive” Democrats like Sanders aim to refurbish the party’s image so that they can run the same machine of imperialist domination. A major obstacle to the working class mobilizing in its own interest is the lie that Democrats—who uphold the same profit-driven order as the Republicans—can be pressured to act on behalf of the exploited and the oppressed. This strategy is promoted by much of the left and the trade-union bureaucracy, which makes up a layer of the Democratic Party.
In Puerto Rico over the last several years, mass mobilizations of students, teachers and others, as well as labor strikes, have been carried out against privatization threats, school closures, pension theft and budget slashing. Unions like the UTIER electrical workers and the FMPR teachers have been in the front line of protests against union-busting and cutbacks, and both played a role in the July 22 one-million-strong work stoppage to oust Rosselló. But rather than standing at the head of the oppressed and dispossessed masses, the proletariat was dissolved by union misleaders into the “people,” which serves to disappear the unique social power of the working class, whose labor makes society run.
The union tops saddle the combative working class with the nationalist notion that “we are all Puerto Ricans,” which translates to unity with the local capitalists and their political representatives. Following the swearing-in of Vázquez as governor, an array of Puerto Rican unions, including UTIER and FMPR, issued a formal appeal to the administration. A 17 August press release describes how union leaders called on the new government to “take a stand in defense of the interests of the Puerto Rican people against the fiscal control board” and “address the demands for labor and social justice.”
The laboring masses have nothing in common with the capitalist government. What is needed is a class-struggle leadership of the unions that proceeds from this standpoint, opposing all politicians and parties that support capitalism—from the PNP and the PPD to the petty-bourgeois Puerto Rican Independence Party. Such a leadership would be committed to help build a revolutionary workers party.
A nationalist outlook can also be seen in the frequent appeal to the cops as fellow workers and victims of budget cuts. The police, known as la uniformada, are not workers or potential allies, but rather a core part of the bourgeois state. Their role is as strikebreakers, and their associations have no place in the union movement. Even if they come from poor or working-class backgrounds, the cops are the violent enforcers of the system of colonial subjugation and the hired guns of the bosses. When the cops mobilize for pay and pensions, it is to be better able to mete out all-sided repression. From its origins in 1899, the year after the U.S. military invaded and took possession of the country, the Puerto Rican police have helped keep Washington’s colonial subjects under its heel, including in the decades-long bloody war against independentistas.
Amid the current crisis, some leftists have put forward alternatives that merely seek to tinker with the colonial arrangement and capitalist rule. Such is the case with the reformists around the U.S. publication Left Voice, affiliated to the Trotskyist Fraction-Fourth International. While claiming to oppose the colonial regime and to be for socialist revolution, Left Voice argues to convene a “free and sovereign Constituent Assembly” that “would allow the working class, in the heat of the struggle, to develop its own bodies of self-organization” (“A Revolutionary Perspective for Puerto Rico,” 3 August). They claim that a constituent assembly “must discuss and make democratic decisions on the great structural transformations required by the country to win its national liberation, end imperialist plunder and rebuild its economy.”
In fact, the call for a constituent assembly is a barrier to the working class developing the kind of revolutionary class consciousness and organization necessary for its own emancipation. A constituent assembly is a bourgeois government, and the call for it has historically been used to derail proletarian revolution. Only after the working class has seized state power and established a workers government will it be able to decide how to rebuild society to the benefit of the vast majority of the population, including the provision of jobs, as well as quality housing, education and health care.
In the end, only socialist revolution extended internationally can satisfy the basic needs of the masses: the end of poverty, freedom from the yoke of imperialism, and social equality for women and other deeply oppressed layers like gay and trans people. For us in the belly of the U.S. imperialist beast, the fight for the national liberation of Puerto Rico is especially important. As was emphasized in the “21 Conditions” for membership in the then-revolutionary Communist International, adopted in 1920, it is the duty of communists “to support every liberation movement in the colonies not only in words but in deeds.” This task includes instilling “in the hearts of the workers of its country a truly fraternal attitude toward the laboring people in the colonies and toward the oppressed nations.”