Upon The 50th Anniversary Of The Death Of "King OF The Beats" Jack Kerouac-As Hometown Lowell Celebrates- In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-When You’re Lost In The Rain In Sonora -“Tristessa”

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-When You’re Lost In The Rain In Sonora -“Tristessa”

In Honor Of Jean Bon Kerouac On The 60^th Anniversary Of “On The Road” (1957)

By Book Critic Zack James

To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just for kicks, for stuff, important stuff that had happened down in the base of society where nobody in authority was looking or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all-night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation. (Yes,  I know that the actual term “beat” was first used by Kerouac writer friend John Clemmon Holmes in an article in some arcane journal but the “feel” had to have come from a less academic source so I will crown the bandit prince Corso as genesis)

Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my oldest brother Alex who was washed clean in the Summer of Love, 1967 but must have known the edges of Jack’s time since he was in high school when real beat exploded on the scene in Jack-filled 1957, they called “blowing to the China seas” out in West Coast jazz and blues circles, that high white note he heard achieved one skinny night by famed sax man Sonny Johns, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all Jack’s kid stuff high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the poet princely mean streets of New York, Chi town, Mecca beckoning North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps (and the fleas were real no time for metaphor down in the bowels where the cowboy junkies drowse in endless sleeps, raggedy winos toothless suck dry the dregs and hipster con men prey on whoever floats down), half stirred left on corner diners’ coffees and groundling cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50^th anniversary is being commemorated this year as well and so very appropriate to mention since there were a million threads, fibers, connections between “beat” and “hippie” despite dour grandpa Jack’s attempts to trash those connection when the acolytes and bandit hangers-on  came calling looking for the “word.” So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind (not found on the AAA, Traveler’s Aid, Youth Hostel brochure circuit if you please although Jack and the crowd, my brother and his crowd later would use such services when up against it in let’s say a place like Winnemucca in the Nevadas or Neola in the heartlands).

Literary stuff for sure but the kind of stuff that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter of which would drive Alex west before he finally settled down to his career life as a high-road lawyer (and to my sorrow and anger never looked back which has caused more riffs and bad words than I want to yell about here).             

Of course anytime you talk about books and poetry and then add my brother’s Alex name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Frankie, Jack, Jimmy, Si, Josh (he a separate story from up in Olde Saco, Maine and so only an honorary corner boy after hitching up with the Scribe out on a Russian Hill dope-filled park), Bart, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967, their birthright event, just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker, what did Jack call his generation’s such, oh yeah, holy goofs,   who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before 1967 (and which nobody in the crowd paid any attention to, or dismissed out of hand, what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s travel adventure book which had caused a big splash in 1957(after an incredible publishing travail since the story line actually related to events in the late 1940s and which would cause Jack no end of trauma when the kids showed up at his door looking to hitch a ride on the motherlode star, and had ripple effects into the early 1960s and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway, like I say I think the best part, have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain, desert night but staying unsettled for a while anyway.    

Like I said above Alex was out on the road two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely and semi-tragic end down some dusty Jack-strewn road in Mexico cocaine deal blues. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that for fear of being tarred with those brushes. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly “from hunger” working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants any way they could as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little bit “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law back then when the coppers were just waiting for corner boy capers to explode nay Friday or Saturday night, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan. That was for smooth as silk Frankie now also like Alex a high-road lawyer to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Bob Dylan above all else.) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)

Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like Jack wrote the final version of the thing on a damn newspaper scroll in about three weeks. So it was through the Scribe via Alex that I got the Kerouac bug. And now on the 60^th anniversary I am passing on the bug to you.           

Book Review

Tristessa, Jack Kerouac, Avon Press, New York, 1960

…sure she was a whore, a small buxom brown-skinned with dancing eyes mex whore with nice sex hips, sex thighs and sex legs, with the blood of about six civilizations, mex, gringo, atzec, spain, carib, injun who knows what else got mixed in, maybe more, all mixed together, but a whore nevertheless, she never said otherwise, and he, Jack Deval, never believed otherwise, and that was her attraction, that and her ability to drive him up a wall with her little bag of whore tricks passed down from older sisters, and who knows maybe going back to some Eve whore bag. Still he dug her, dug her fire, dug her desire, often expressed, to be the best whore in Mexico (expressed in a desire to graduate to some big Mexico City bordello and show the gringos that flocked to those establishments what a mex whore could do, and not do, if he was generous enough, and to give each man she serviced not what he wanted, but what he needed). She studied sex books and sexy literature, some of it kind of high-brow, and not all only modern either, for a while in order to prep herself for the move up.

Yah, he dug, her, her and even, for a while, her sister habit that was keeping her in Sonora and away from Mexico City mex whore dreams (and around him as long as he dug her). He dug too, that while she was a whore, she had something else, something white, pure white, saving white, in that fellahin dusty Sonora world not saint, not church saint (although she confessed to him that she liked to do her anointed work in church sometimes and then confess to a priest right after thus saving steps, time, and the hypocrisy of staring old peasant women eyes. Sometimes she could hear the priest’s breathe quicken and she would add a couple of extra details, usually how she took it in her mouth or up her bum, to get him going even more to cut down on the penance.), when after making love, or after she met sister (and he bonged the weed or hash pipe) they talked about dreams, about the other world (not heaven or hell but some state where things were cool, cool when all the craziness of the world passed them by)

Her name, her whore name? Hope, you know but in mex hope. Her real name, her sanctified name, Happy but in mex happy. Where did they meet? Where the hell do you think they met, in church ? Nah, not him , although the thought turned him on sometimes, he could never get up the nerve to break with his boyhood awe of the incense, the wine (he had been an altar boy),the high holy day choir, the plainsong of the church, the search for meaning in this wicked old world that he still craved and was trying to get a handle on down in the fellahin Sonora nights. They met in the bar at the Durango Hotel when he blew into town from Juarez , she, off duty just then, sized him up as a long gone daddy from Estados Unidos, maybe had some dough, or some wisdom (at least that is what she said later, although that could have been a con, she was always conning him and everybody that she knew, except her pimp, Felipe, who had given her a few too many welts to con), came over and offered to buy him a drink, he said scotch, she said okay and what else. That night she had on her tight dress that showed all the boys what she had without showing them all she had, the one that was split down one side so that all those hungry boys could see a little silky brown thigh and imagine, well, just imagine whatever guys imagine when they see that much skin, and inflame that much desire.

Before long they were talking the spiritual talk that he mentioned before and she told him, in the same tone she would use if she were a librarian, that she was a whore (she didn’t go into the details of her expected career path that night), but that she was off the clock and kind of man hungry, and he looking kind of fellaheen beat, beatified beat, gringo beat, and not some texas cowboy beat that usually came into the Durango, or hell no, some mex fellaheen beat that was all around her, drew her eye. They finished their drinks and hustled off to her room (her own room, not her whore room a couple of streets over, that would come later), a room in the pobre mex part of town, all crazy and million people, kin, not kin, ninos, hermanos, whatever, and some barnyard animals floating around the lobby of the building. She said not a word, nor did he, but both as if in a trance blazed through the craziness, their first mex adventure.

As they climbed the stairs to her third floor room she stopped on the second floor, knocked on the door, and an old geezer beat gringo daddy, later he would be introduced as Sunshine Sam, came to the door. Nothing was said but Sam went away and came back a couple of minutes later with small wrapped package and some cigarettes that had the distinct smell of weed. Okay, it was going to be that kind of party. That night was the first time in his presence where she met sister, although it would not be the last, not by a long shot. And he smoked that righteous mex gold weed.

What did Jack say she said before, oh yah, she didn’t care about what a man wanted but what he needed. That night, sister high which seemed counter-intuitive to him from what he had seen in ‘Frisco and the Village where those sister adapts tended to go coma-like, she displayed all her arts, or as much as he could handle before crying no mas early the next morning. She just smiled and started playing with herself with a little sex toy she took out of her bureau drawer. After she aroused herself and let out an immense murmur she too cried no mas and they both fell asleep, both sweaty in the mex night. Next day she resolved and he put up no argument that he would move in, do his writing there and they would talk, world talk, have sex, world sex, and let the craziness of dusty mex streets, the world craziness, float past.

Of course like all thing, all Jack Deval things, the routine of mex living, mex whore living, the thing could not, would not, last forever, or even six months.Hope was getting deeper in the sister trenches, making less dough since her pimp was taking a bigger cut sensing maybe that her days as a meal ticket were getting shorter and since she had lost her place at the Durango pick-up and was working the desperado streets against some just off the farm peasant whores, and was frankly less sexy, and less interested in sex as they progressed. Jack, for his part, came to recognize that his secular beat saint program was not going to work, not compared to what Sunshine Sam had to offer. One night, one rainy night, mud puddles forming in the dirt-encrusted streets he walked down those three flights of stairs while Happy was out working a texas cowboy trick, walked toward the bus station and headed for El Paso, and world sorrows. He never did hear from other guys who headed to Sonora later what happened to her (although he could guess) but he always remembered those nights when she gave him what he needed, and he would tip his fingers to his hatless head and whisper her name, happy.

For Ti Jean Kerouac On The 50th Anniversary Of His Death And The “Assistant King Of The Beats” Allan Ginsberg-Hard Rain’s A Going To Fall With Kudos To Bob Dylan “King Of The Folkies"- In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)- On The 60th Anniversary Of Allan Ginsberg’s “Howl”*Beat Poet's Corner- Allen Ginsberg's "Howl"

For Ti Jean Kerouac On The 50^th Anniversary Of His Death And The “Assistant King Of The Beats” Allan Ginsberg-Hard Rain’s A Going To Fall With Kudos To Bob Dylan “King Of The Folkies"

By Lance Lawrence

[In the interest of today’s endless pursue of transparency which in many cases covers up the real deal with a few fake pieces of fluff I admit that I knew Jack Kerouac’s daughter, Janet always called me and those I knew Jan now late daughter (she died in 1996)  whom he never really recognized as his despite the absolute likeness and later testing for whatever cramped reason and which took its toll on her with like her father an early death, met out in Todo el Mundo south of Big Sur off the famous Pacific Coast Highway. We, a group of us from the Boston area who had been told by some guys from North Adamsville, about forty miles south of Boston who we met through Pete Markin* who I went to Boston University with before he dropped out in the Summer of Love, 1967 about Todo and how it was a cooler place down the road from Big Sur which had become inundated with holy goofs and tourists and a rip off. That s is still true today although the rip-off part is submerged since it in no longer a hippie Garden of Eden except among those who were so stoned that couldn’t find their ways out of the hills above the ocean and have wound up staying there as models for what the 1960s were all about (and what I remember hearing a few parents tell their children to avoid at all costs-oh, to be very young-then)

We had been staying at a cabin owned by the writer Steven Levin (mostly novels and essays for publications like City Lights and Blue Dial Press and regional literary journals) when one Saturday night we held a party and in walked Jan then maybe seventeen or eighteen, nice and who wanted to be a writer like her dad. The hook for me to meet her was the Boston-Lowell connection (one of the few times being from Boston did me any good). We became friendly the few days she stayed at the cabin (at my request) and I saw her a few times later. I was having my own troubles just then and as the world knows now she had a basketful from that crass rejection by her father and frustrations at not being taken seriously as a writer always following in her father’s two-million-word shadows. Funny it did not take any DNA testing for me to see that she was pure Kerouac in features and frankly from what I read of his style that too.    

I also knew Allan Ginsburg in his om-ish days when we fired up more than one blunt (marijuana cigarette for those who are clueless or use another term for the stick) to see what we could see out in the National Mall where he would do his sleek Buddha Zen mad monk thing and later Greenwich Village night where he did serious readings to the Village literary set. I was just a little too young to have appreciated his Howl which along with the elegant Kaddish (for his troubled late mother) fully since the former in particular was something like the Beat anthem to Kerouac’s On The Road bible. He had kind of moved on from beat and was moving on from hippie a bit as well and it would not be until later when the dust settled that he would go back to the later 1940s and early 1950s to explain to a candid audience including me over grass and some wine what it was all about, what drove the startlingly images and weird noises of that former poem. (Which I have read and re-read several times as well as through the beauty of YouTube has him reading forming background while I am working on the computer. 

This piece first appeared in Poetry Today shortly after Allan Ginsburg’s Father Death death without accordion and caused a great deal of confusion among the readers, a younger group according to the demographics provided to me by the advertising department when I was trying to figure out where the thing got lost in the fog, why these younger folk missed some terms I took for granted with which every reader was at least vaguely familiar. Some readers thought because I mentioned the word “cat” I was paying homage to T.S. Eliot generally recognized in pre-Beat times as the ultimate modernist poet. Meaning for Eliot aficionados the stuff that Broadway used to make a hit musical out of although it would have been better if they, either the confused young or the Broadway producers had counted their lives in coffee spoons. That cat reference of mine actually referred to “hep cats” as in a slang expression from the 1940s and 1950s before Beat went into high gear not a cat, the family pet.

Some readers, and I really was scratching my head over this one since this was published in a poetry magazine for aficionados and not for some dinky survey freshman college English class, that because I mentioned the word “homosexual” and some jargon associated with that sexual orientation when everybody was “in the closet” except maybe Allan Ginsburg and his Peter although they were in friendlier Frisco mainly thought I was referring W.H. Auden. There had been some coded words for the sexual acts associated with homosexually then, and maybe in some older sets still in use  Jesus, Auden, a great poet no question if not a brave one slinking off to America when things got too hot in his beloved England in September 1939 and a self-confessed homosexual in the days when that was dangerous to declare in late Victorian public morality England especially after what happened to Oscar Wilde when they pulled down the hammer was hardly the only homosexual possibility. That despite his game of claiming every good-looking guy for what he called the “Homintern.” Frankly I didn’t personally think anybody even read Auden anymore once the Beats be-bopped.

There were a few others who were presented as candidates as the person I was championing. James Lawson because some of his exploits were similar to the ones I described but those events were hardly rare in the burned over 1950s down in the mud of society. Jack Weir because of some West Coast references. Jeffery Stein, the poet of the new age shtetl because of the dope. All wrong. That poet had a name an honored name Allan Ginsburg who howled in the night at the oddness and injustice of the world after saying Kaddish to his mother’s memory and not be confused with this bag of bones rough crowd who refused to learn from the silly bastard. This piece was, is for ALLAN GINSBURG who wrote for Carl Solomon in his hours of sorrow just before he went under the knife in some stone- cold crazy asylum and I now for him when he went under the ground. Lance Lawrence]

*(We have, those of us who knew Markin back in the 1960s when he hung around the Cambridge coffeehouses with his cheap date girlfriends (he was a scholarship boy who had no money, came from some slack family house so coffeehouses, the ones with no admission charges and cheap coffee to maintain a seat), have often wondered whether Markin and Kerouac would have gotten along if they had been of the same generation. That generation born in the 1920s, his parents’ generation if not lifestyle. From Markin’s end would Jack have been the searched for father he had never known. From Jack’s end whether the two-million question Markin would have clashed or meshed with the two-million- word Kerouac. I know as early as in the 1980s when I was dating an English Literature graduate student from Cornell that Jack was in bad odor as a literary figure to emulate and subsequently anybody who wanted to be “school of Kerouac found hard sledding getting published. This is probably worthy of a separate monogram in this 50^th anniversary year of the passing of Kerouac ) 

***********

I have seen the best poet of the generation before mine declare that he had seen that the best minds of his generation had turned to mush, turned out in the barren wilderness from which no one returned except for quick stays in safe haven mental asylums. Saw the same Negro streets he saw around Blue Hill Avenue and Dudley Street blank and wasted in the sweated fetid humid Thunderbird-lushed night (and every hobo, vagrant, escapee, drifter and grafter yelling out in unison “what is the word-Thunderbird-what is the price forty twice” and ready to jackroll some senior citizen lady for the price-ready to commit mayhem at Park Street subway stations for their “boy,” to be tamped by girl but I will be discrete since the Feds might raid the place sometime looking for the ghost of Trigger Burke who eluded them for a very long time. Thought that those angel-headed hipsters, those hep cats hanging around Times, Lafayette, Dupont, Harvard squares crying in pools of blood coming out of the wolves-stained sewers around the black corner would never stop bleating for their liquor, stop until they got popular and headed for the sallow lights of Harvard Square where they hustled young college students, young impressionable college students whose parents had had their best minds, those hallowed students, wasted in the turbid streets of south Long Island (not the West Egg of Gatsby’s dream of conquering everything in sight like any other poor-boy arriviste with too much money and not enough imagination and not East Egg of the fervid elites but anytown, Levitttown of those who would escape to Boston or Wisconsin to face the angel of death up front and say no go, pass, under luminous moons which light up sparks and say to that candid world which could have given a fuck hard times please come again no more.

Saw hipsters cadging wine drinks from sullen co-eds staying out too late in the Harvard Square night who turned out to be slumming from some plebian colleges across the river maybe good Irish girls from frail Catholic parishes with rosaries in their fair-skinned hands and a novena book between their knees who nevertheless has Protestant lusts in their pallid hearts but unrequited (here’s how-they would arrive at the Café Lana with ten bucks and their virginity and leave with both and some guy with dreams of salty sucking blowjobs walking out the backdoor and doing the whack job behind the dumpster –a waste of precious fluids and according to Norman Mailer world-historic fucks which would product the best minds of the next generation all dribbled away). Maybe tasty Jewish girls from the shtetl in not East or West Egg who flocked to the other side of the river and gave Irish guys who previously had dribbled their spunk behind dumpsters after losing out to ten bucks and virginity in tack tickey-tack Catholic girls who refused to give that head that would have brought some of the best minds some freaking relief (better not say fucking relief because that would be oxymoronic). Maybe some sullen fair-skinned and blonded Protestant girls who spouted something about one god and no trinities, no god and no trinities and just feel good stuff. All three varieties and yes there were more but who knew of Quakers, Mennonites, lusty Amish girls run away from home, Tantic card-wheelers, and fresh- faced red light district sluts who at least played the game straight-played the cash nexus for pure pleasure and maybe to even up some scores. All-Catholic, Jewish, Protestant, yeah, Quakers (fakirs, fakers and Shakers included), the sluts, Mennonites and yes those lusty red-faced Amish runaways all coming together after midnight far from the negro streets but not far from the all night hustlers and dime store hipsters with their cigar store rings and cheap Irish whiskeys bought on the installment plan who converged around the Hayes-Bickford just a seven league jump from the old end of the line dead of night Redline subway stop in order to keep the angel of death at arms’ length. There to listen until dawn to homosexuality- affixed hungry for the keyhole blast or the running sperm fakir poets and slamming singsters fresh out of cheapjack coffeehouses where three chords and two- line rhymes got you all the action you wanted although maybe a little light on the breadbasket sent around to show that you were appreciated. Yeah, now that I think about the matter more closely hard times please come again no more.                    

Saw the angel of death make her appearance one night at the Café Lana and then backstopped the Club Nana to fetch one young thing who warbled like heaven’s own angel. Some Norman Mailer white hipster turned her on to a little sister and then some boy and she no longer warbled but did sweet candy cane tricks for high-end businessmen with homely wives or fruitless ones who had given up that sort of “thing” after the third junior had been born and who were ready to make her his mistress if she would just stop singing kumbaya after every fuck like she was still a freaking warbler, a freaking virgin or something instead of “used” goods or maybe good for schoolboys whose older brothers took them to her for their first fling at going around the world, welcome to the brotherhood or maybe some old fart who just wanted to relive his dreams before the booze, the three wives and parcel of kids did him in and then the hustler sent her back to the Club Nana to “score” from the club owner who was connected with Nick the dream doper man, the Christ who would get him- and her well –on those mean angel-abandoned death watch streets but who knew that one night at the Hayes (everybody called it just that after they had been there one night), one after midnight night where they had that first cup of weak-kneed coffee replenished to keep a place in the scoreboarded night where hari-kara poets dreamed toke dreams and some Mister dreamed of fresh-faced singer girls looking for kicks. So please, please, hard times come again no more.              

I have seen frosted lemon trees jammed against the ferrous night, the night of silly foolish childhood dreams and misunderstanding about the world, the world that that poet spoke of in a teenage dream of indefinite duration about who was to have who was to have not once those minds were de-melted and made hip  to the tragedies of life, the close call with the mental house that awaits us all.

In Honor Of Jean Bon Kerouac On The 60^th Anniversary Of “On The Road” (1957)

By Book Critic Zack James

To be honest I know about On The Road Jack Kerouac’s epic tale of his generation, what he, or something associated with him, maybe the bandit poet Gregory Corso, called the “beat” generation (beat of the drum, dead beat, dread beat, beaten down, beatified like saintly you take your pick of the meanings-hell they all did, the guys, and it was mostly guy who hung out on the mean streets of New York, Chi town, North Beach in Frisco town) strictly second-hand as I was too young to have had anything but a vague passing reference to the thing through my oldest brother Alex. Alex, and his crowd, about more in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50^th anniversary is being commemorated this year as well. So even Alex and his crowd were really too young to have been there, being an understanding there at the creation.         

Of course anytime you talk about books and my brother Alex the name that automatically comes up is that of the late Peter Paul Markin. Markin who Alex and the rest of the North Adamsville corner boys still alive recently had me put together tribute book for in connection with the Summer of Love since he, Markin, was the vanguard guy who got several of them off their asses and out to the West Coast to see what there was to see. (Like I said Alex was out two years and other guys from a few months to a few years.)  Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included were strictly from hunger working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants as anything else. After all this was what was what for corner boys then, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different was Markin, Markin called by Frankie Riley the “Scribe” and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them was also crazy for books and poetry. Always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle.

The books and poetry is where Jack Kerouac and On The Road come in. Markin was something like an antennae for anything that any working class guy did. Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what new breeze was coming down the road. Markin flipped out when he found out that Kerouac had grown up in Lowell a working class town very much like North Adamsville and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. So it was through Alex I got the Kerouac bug. And now on the 60^th anniversary I am passing on the bug to you.           

On The 60th Anniversary Of Allan Ginsberg’s “Howl”*Beat Poet's Corner- Allen Ginsberg's "Howl"

Click on title to link to YouTube's film clip of the 1994 film documentary "The Life And Times Of Allen Ginsberg" reviewed in a separate entry in this space on this date.


HOWL
by Allen Ginsberg

I saw the best minds of my generation destroyed by
madness, starving hysterical naked,
dragging themselves through the negro streets at dawn
looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
connection to the starry dynamo in the machinery of night,
who poverty and tatters and hollow-eyed and high sat
up smoking in the supernatural darkness of
cold-water flats floating across the tops of cities
contemplating jazz,
who bared their brains to Heaven under the El and
saw Mohammedan angels staggering on tenement roofs illuminated,
who passed through universities with radiant cool eyes
hallucinating Arkansas and Blake-light tragedy
among the scholars of war,
who were expelled from the academies for crazy &
publishing obscene odes on the windows of the skull,
who cowered in unshaven rooms in underwear,
burning their money in wastebaskets and listening
to the Terror through the wall,
who got busted in their pubic beards returning through
Laredo with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in
Paradise Alley, death, or purgatoried their
torsos night after night
with dreams, with drugs, with waking nightmares,
alcohol and cock and endless balls,
incomparable blind; streets of shuddering cloud and
lightning in the mind leaping toward poles of Canada & Paterson,
illuminating all the motionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery
dawns, wine drunkenness over the rooftops,
storefront boroughs of teahead joyride neon
blinking traffic light, sun and moon and tree
vibrations in the roaring winter dusks of Brooklyn,
ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless
ride from Battery to holy Bronx on benzedrine
until the noise of wheels and children brought
them down shuddering mouth-wracked and
battered bleak of brain all drained of brilliance
in the drear light of Zoo,
who sank all night in submarine light of Bickford's
floated out and sat through the stale beer after
noon in desolate Fugazzi's, listening to the crack
of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to
pad to bar to Bellevue to museum to the Brooklyn Bridge,
lost battalion of platonic conversationalists jumping
down the stoops off fire escapes off windowsills
off Empire State out of the moon,
yacketayakking screaming vomiting whispering facts
and memories and anecdotes and eyeball kicks
and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days
and nights with brilliant eyes, meat for the
Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a
trail of ambiguous picture postcards of Atlantic City Hall,
suffering Eastern sweats and Tangerian bone-grind-ings and
migraines of China under junk-with-drawal in Newark's bleak furnished room,
who wandered around and around at midnight in the
railroad yard wondering where to go, and went,
leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
through snow toward lonesome farms in grand-father night,
who studied Plotinus Poe St. John of the Cross telepathy
and bop kabbalah because the cosmos instinctively
vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking visionary
indian angels who were visionary indian angels,
who thought they were only mad when Baltimore
gleamed in supernatural ecstasy,
who jumped in limousines with the Chinaman of Oklahoma on the impulse of winter midnight street
light smalltown rain,
who lounged hungry and lonesome through Houston
seeking jazz or sex or soup, and followed the
brilliant Spaniard to converse about America
and Eternity, a hopeless task, and so took ship to Africa,
who disappeared into the volcanoes of Mexico leaving
behind nothing but the shadow of dungarees
and the lava and ash of poetry scattered in fireplace Chicago,
who reappeared on the West Coast investigating the
F.B.I. in beards and shorts with big pacifist
eyes sexy in their dark skin passing out incomprehensible leaflets,
who burned cigarette holes in their arms protesting
the narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union
Square weeping and undressing while the sirens
of Los Alamos wailed them down, and wailed
down Wall, and the Staten Island ferry also wailed,
who broke down crying in white gymnasiums naked
and trembling before the machinery of other skeletons,
who bit detectives in the neck and shrieked with delight
in policecars for committing no crime but their
own wild cooking pederasty and intoxication,
who howled on their knees in the subway and were
dragged off the roof waving genitals and manuscripts,
who let themselves be fucked in the ass by saintly
motorcyclists, and screamed with joy,
who blew and were blown by those human seraphim,
the sailors, caresses of Atlantic and Caribbean love,
who balled in the morning in the evenings in rose
gardens and the grass of public parks and
cemeteries scattering their semen freely to
whomever come who may,
who hiccuped endlessly trying to giggle but wound up
with a sob behind a partition in a Turkish Bath
when the blond & naked angel came to pierce
them with a sword,
who lost their loveboys to the three old shrews of fate
the one eyed shrew of the heterosexual dollar
the one eyed shrew that winks out of the womb
and the one eyed shrew that does nothing but
sit on her ass and snip the intellectual golden
threads of the craftsman's loom,
who copulated ecstatic and insatiate with a bottle of
beer a sweetheart a package of cigarettes a candle and fell off the bed, and continued along
the floor and down the hall and ended fainting
on the wall with a vision of ultimate cunt and
come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling
in the sunset, and were red eyed in the morning
but prepared to sweeten the snatch of the sun
rise, flashing buttocks under barns and naked in the lake,
who went out whoring through Colorado in myriad
stolen night-cars, N.C., secret hero of these
poems, cocksman and Adonis of Denver-joy
to the memory of his innumerable lays of girls
in empty lots & diner backyards, moviehouses'
rickety rows, on mountaintops in caves or with
gaunt waitresses in familiar roadside lonely petticoat upliftings & especially secret gas-station
solipsisms of johns, & hometown alleys too,
who faded out in vast sordid movies, were shifted in
dreams, woke on a sudden Manhattan, and
picked themselves up out of basements hung
over with heartless Tokay and horrors of Third
Avenue iron dreams & stumbled to unemployment offices,
who walked all night with their shoes full of blood on
the snowbank docks waiting for a door in the
East River to open to a room full of steamheat and opium,
who created great suicidal dramas on the apartment
cliff-banks of the Hudson under the wartime
blue floodlight of the moon & their heads shall
be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested
the crab at the muddy bottom of the rivers of Bowery,
who wept at the romance of the streets with their
pushcarts full of onions and bad music,
who sat in boxes breathing in the darkness under the
bridge, and rose up to build harpsichords in their lofts,
who coughed on the sixth floor of Harlem crowned
with flame under the tubercular sky surrounded
by orange crates of theology,
who scribbled all night rocking and rolling over lofty
incantations which in the yellow morning were
stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht
& tortillas dreaming of the pure vegetable kingdom,
who plunged themselves under meat trucks looking for an egg,
who threw their watches off the roof to cast their ballot
for Eternity outside of Time, & alarm clocks
fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccessfully, gave up and were forced to open antique
stores where they thought they were growing
old and cried,
who were burned alive in their innocent flannel suits
on Madison Avenue amid blasts of leaden verse
& the tanked-up clatter of the iron regiments
of fashion & the nitroglycerine shrieks of the
fairies of advertising & the mustard gas of sinister intelligent editors, or were run down by the
drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually happened and walked away unknown and forgotten
into the ghostly daze of Chinatown soup alley
ways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of
the subway window, jumped in the filthy Passaic, leaped on negroes,
cried all over the street,
danced on broken wineglasses barefoot smashed
phonograph records of nostalgic European
1930s German jazz finished the whiskey and
threw up groaning into the bloody toilet, moans
in their ears and the blast of colossal steam whistles,
who barreled down the highways of the past journeying
to each other's hotrod-Golgotha jail-solitude
watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out
if I had a vision or you had a vision or he had
a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who
came back to Denver & waited in vain, who
watched over Denver & brooded & loned in
Denver and finally went away to find out the
Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying
for each other's salvation and light and breasts,
until the soul illuminated its hair for a second,
who crashed through their minds in jail waiting for
impossible criminals with golden heads and the
charm of reality in their hearts who sang sweet
blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky
Mount to tender Buddha or Tangiers to boys
or Southern Pacific to the black locomotive or
Harvard to Narcissus to Woodlawn to the
daisychain or grave,
who demanded sanity trials accusing the radio of hyp
notism & were left with their insanity & their
hands & a hung jury,
who threw potato salad at CCNY lecturers on Dadaism
and subsequently presented themselves on the
granite steps of the madhouse with shaven heads
and harlequin speech of suicide, demanding instantaneous lobotomy,
and who were given instead the concrete void of insulin
Metrazol electricity hydrotherapy psychotherapy occupational
therapy pingpong & amnesia,
who in humorless protest overturned only one symbolic
pingpong table, resting briefly in catatonia,
returning years later truly bald except for a wig of
blood, and tears and fingers, to the visible mad
man doom of the wards of the madtowns of the East,
Pilgrim State's Rockland's and Greystone's foetid
halls, bickering with the echoes of the soul,
rocking and rolling in the midnight solitude-bench
dolmen-realms of love, dream of life a nightmare,
bodies turned to stone as heavy as the moon,
with mother finally ******, and the last fantastic book
flung out of the tenement window, and the last
door closed at 4. A.M. and the last telephone
slammed at the wall in reply and the last furnished room
emptied down to the last piece of mental furniture,
a yellow paper rose twisted on a wire hanger in the closet,
and even that imaginary,
nothing but a hopeful little bit of hallucination
ah, Carl, while you are not safe I am not safe, and
now you're really in the total animal soup of time
and who therefore ran through the icy streets obsessed
with a sudden flash of the alchemy of the use
of the ellipse the catalog the meter & the vibrating plane,
who dreamt and made incarnate gaps in Time & Space
through images juxtaposed, and trapped the
archangel of the soul between 2 visual images
and joined the elemental verbs and set the noun
and dash of consciousness together jumping
with sensation of Pater Omnipotens Aeterna Deus
to recreate the syntax and measure of poor human
prose and stand before you speechless and intelligent
and shaking with shame,
rejected yet confessing out the soul to conform to the rhythm
of thought in his naked and endless head,
the madman bum and angel beat in Time, unknown,
yet putting down here what might be left to say
in time come after death,
and rose reincarnate in the ghostly clothes of jazz in
the goldhorn shadow of the band and blew the
suffering of America's naked mind for love into
an eli eli lamma lamma sabacthani saxophone
cry that shivered the cities down to the last radio
with the absolute heart of the poem of life butchered
out of their own bodies good to eat a thousand years.
What sphinx of cement and aluminum bashed open
their skulls and ate up their brains and imagination?
Moloch! Solitude! Filth! Ugliness! Ashcans and unob
tainable dollars! Children screaming under the
stairways! Boys sobbing in armies! Old men
weeping in the parks!
Moloch! Moloch! Nightmare of Moloch! Moloch the
loveless! Mental Moloch! Moloch the heavy
judger of men!
Moloch the incomprehensible prison! Moloch the
crossbone soulless jailhouse and Congress of
sorrows! Moloch whose buildings are judgment!
Moloch the vast stone of war! Moloch the stunned governments!
Moloch whose mind is pure machinery! Moloch whose
blood is running money! Moloch whose fingers
are ten armies! Moloch whose breast is a cannibal dynamo!
Moloch whose ear is a smoking tomb!
Moloch whose eyes are a thousand blind windows!
Moloch whose skyscrapers stand in the long
streets like endless Jehovahs! Moloch whose factories
dream and croak in the fog! Moloch whose
smokestacks and antennae crown the cities!
Moloch whose love is endless oil and stone! Moloch
whose soul is electricity and banks! Moloch
whose poverty is the specter of genius! Moloch
whose fate is a cloud of sexless hydrogen!
Moloch whose name is the Mind!
Moloch in whom I sit lonely! Moloch in whom I dream
Angels! Crazy in Moloch! Cocksucker in
Moloch! Lacklove and manless in Moloch!
Moloch who entered my soul early! Moloch in whom
I am a consciousness without a body! Moloch
who frightened me out of my natural ecstasy!
Moloch whom I abandon! Wake up in Moloch!
Light streaming out of the sky!
Moloch! Moloch! Robot apartments! invisible suburbs!
skeleton treasuries! blind capitals! demonic
industries! spectral nations! invincible mad
houses! granite cocks! monstrous bombs!
They broke their backs lifting Moloch to Heaven! Pave-
ments, trees, radios, tons! lifting the city to
Heaven which exists and is everywhere about us!
Visions! omens! hallucinations! miracles! ecstasies!
gone down the American river!
Dreams! adorations! illuminations! religions! the whole
boatload of sensitive bullshit!
Breakthroughs! over the river! flips and crucifixions!
gone down the flood! Highs! Epiphanies! Despairs!
Ten years' animal screams and suicides!
Minds! New loves! Mad generation! down on
the rocks of Time!
Real holy laughter in the river! They saw it all! the
wild eyes! the holy yells! They bade farewell!
They jumped off the roof! to solitude! waving!
carrying flowers! Down to the river! into the street!
Carl Solomon! I'm with you in Rockland
where you're madder than I am
I'm with you in Rockland
where you must feel very strange
I'm with you in Rockland
where you imitate the shade of my mother
I'm with you in Rockland
where you've murdered your twelve secretaries
I'm with you in Rockland
where you laugh at this invisible humor
I'm with you in Rockland
where we are great writers on the same dreadful typewriter
I'm with you in Rockland
where your condition has become serious and
is reported on the radio
I'm with you in Rockland
where the faculties of the skull no longer admit
the worms of the senses
I'm with you in Rockland
where you drink the tea of the breasts of the
spinsters of Utica
I'm with you in Rockland
where you pun on the bodies of your nurses the
harpies of the Bronx
I'm with you in Rockland
where you scream in a straightjacket that you're
losing the game of the actual pingpong of the abyss
I'm with you in Rockland
where you bang on the catatonic piano the soul
is innocent and immortal it should never die
ungodly in an armed madhouse
I'm with you in Rockland
where fifty more shocks will never return your
soul to its body again from its pilgrimage to a
cross in the void
I'm with you in Rockland
where you accuse your doctors of insanity and
plot the Hebrew socialist revolution against the
fascist national Golgotha
I'm with you in Rockland
where you will split the heavens of Long Island
and resurrect your living human Jesus from the
superhuman tomb
I'm with you in Rockland
where there are twenty-five-thousand mad com-
rades all together singing the final stanzas of
the Internationale
I'm with you in Rockland
where we hug and kiss the United States under
our bedsheets the United States that coughs all
night and won't let us sleep
I'm with you in Rockland
where we wake up electrified out of the coma
by our own souls' airplanes roaring over the
roof they've come to drop angelic bombs the
hospital illuminates itself imaginary walls collapse
O skinny legions run outside O starry
spangled shock of mercy the eternal war is
here O victory forget your underwear we're free
I'm with you in Rockland
in my dreams you walk dripping from a sea-
journey on the highway across America in tears
to the door of my cottage in the Western night

On The 60th Anniversary Defend The Gains Of The Cuban Revolution- From The Archives Of The Spartacist League (U.S.)- Marxist Bullentin Number 8- Cuba and Marxist Theory

Click on the headline to link to the article described in the title.

In Honor of Anniversary Of The July 26^th Movement

From The Pen Of Frank Jackman (2015)

Every leftist, hell, everybody who stands on the democratic principle that each nation has the right to self-determination should cautiously rejoice at the “defrosting” of the long-time diplomatic relations between the American imperial behemoth and the island of Cuba (and the freedom of the remaining Cuban Five in the bargain). Every leftist militant should understand that each non-capitalist like Cuba going back to the establishment of the now defunct Soviet Union has had the right (maybe until we win our socialist future the duty) to make whatever advantageous agreements they can with the capitalist world. That despite whatever disagreements we have with the political regimes ruling those non-capitalist states. That is a question for us to work out not the imperialists.

For those who have defended the Cuban Revolution since its victory in 1959 under whatever political rationale (pro-socialist, right to self-determination, or some other hands off policy) watching on black and white television the rebels entering Havana this day which commemorates the heroic if unsuccessful efforts at Moncada we should affirm our continued defense of the Cuban revolution. Oh yes, and tell the American government to give back Guantanamo while we are at it.    

Markin comment:

Earlier this month I started what I anticipate will be an on-going series, From The Archives Of The Socialist Workers Party (America), starting date October 2, 2010, where I will place documents from, and make comments on, various aspects of the early days of the James P. Cannon-led Socialist Worker Party in America. As I noted in the introduction to that series Marxism, no less than other political traditions, and perhaps more than most, places great emphasis on roots, the building blocks of current society and its political organizations. Nowhere is the notion of roots more prevalent in the Marxist movement that in the tracing of organizational and political links back to the founders, Karl Marx and Friedrich Engels, the Communist Manifesto, and the Communist League.

After mentioning the thread of international linkage through various organizations from the First to the Fourth International I also noted that on the national terrain in the Trotskyist movement, and here I was speaking of America where the Marxist roots are much more attenuated than elsewhere, we look to Daniel DeLeon’s Socialist Labor League, Eugene V. Deb’s Socialist Party( mainly its left-wing, not its socialism for dentists wing), the Wobblies (IWW, Industrial Workers Of The World), the early Bolshevik-influenced Communist Party and the various formations that led up to the Socialist Workers Party, the section that Leon Trotsky’s relied on most while he was alive. Further, I noted that beyond the SWP that there were several directions to go in but that those earlier lines were the bedrock of revolutionary Marxist continuity, at least through the 1960s.

Today I am starting what I also anticipate will be an on-going series about one of those strands past the 1960s when the SWP lost it revolutionary appetite, what was then the Revolutionary Tendency (RT) and what is now the Spartacist League (SL/U.S.), the U.S. section of the International Communist League (ICL). I intend to post materials from other strands but there are several reasons for starting with the SL/U.S. A main one, as the document below will make clear, is that the origin core of that organization fought, unsuccessfully in the end, to struggle from the inside (an important point) to turn the SWP back on a revolutionary course, as they saw it. Moreover, a number of the other organizations that I will cover later trace their origins to the SL, including the very helpful source for posting this material, the International Bolshevik Tendency.

However as I noted in posting a document from Spartacist, the theoretical journal of ICL posted via the International Bolshevik Tendency website that is not the main reason I am starting with the SL/U.S. Although I am not a political supporter of either organization in the accepted Leninist sense of that term, more often than not, and at times and on certain questions very much more often than not, my own political views and those of the International Communist League coincide. I am also, and I make no bones about it, a fervent supporter of the Partisan Defense Committee, a social and legal defense organization linked to the ICL and committed, in the traditions of the IWW, the early International Labor Defense-legal defense arm of the Communist International, and the early defense work of the American Socialist Workers Party, to the struggles for freedom of all class-war prisoners and defense of other related social struggles.
******************
Markin comment on Cuba and Marxist Theory:


Scenario One: A Russian-centered, European-leaning political party based on the working class, and infused with Marxist doctrine, in 1917 leads a socialist revolution in the aftermath of a democratic upheaval caused by the dislocations of World War in a war-torn, war-weary, bread hungry, land hungry country that is predominantly peasant. That party, a Bolshevik vanguard-type party led by professional revolutionaries takes power base on previously established soviets, legislative and executive bodies composed of workers, peasants, and soldier (mainly from that same peasantry) on an immediate program of land to the tiller, peace (an immediate armistice), and bread. In the wake of its victory it is required to establish a worker-centered red army to defend itself against bourgeois and feudal counter-revolution in a bloody civil war. The regime also established a Communist International explicitly created in order to guide and create further communist revolutions and soviet regimes (particularly in the more advanced sectors of Europe) required to bring about an international socialist division of labor. Its continual isolation for an extended period turns that initial impulse into its opposite, a Stalin-led “night of the long knives” regime based on generation of soviet bureaucracy that continues to distort socialist prospects until the demise of the Soviet Union in 1991-92.

Scenario Two: A Cuban-based political party based on students, ex-student, landless and serf-like peasants, middle class urban elements and a sliver of the working class leads a democratic, anti-imperialist revolution in 1959 based on the victory of a rural-based guerilla army that is militarily victorious against a hated American-backed dictatorship. The rebel army takes power based on a democratic program of land reform, civil rights and undefined economic changes. In the wake of counter-revolutionary efforts, spearheaded by some defeated elements of the old regime and backed by American imperialism, the new revolutionary regime is forced to turn toward extensive nationalizations and long-term links to the Soviet-led bloc. After the demise of the Soviet Union it continued (and continues) to adhere to Stalinist conceptions of economic and political rule.

The above scenarios are rather broad sweeps of what both the Russian and Cuban revolutions meant in terms of Marxist theory, and more importantly, in practice for working class revolutionaries in the struggle for world socialism in the early 1960s. As the documentation put forth in the linked post indicates this “new” Cuban model for revolutionary action upset the apple cart not only in the world Stalinist and third world movement but in its Trotskyist tendencies as well. Two things stick out in 2010 as one reads (or rather re-reads) this material; both revolutionary models have had only one “chemically pure” occurrence; and, whatever, other differences both states created in the wake of their respective revolutions required working class revolutionaries to defend them against internationalism imperialism and internal counter-revolution until the bitter end. In the case of the Soviet Union until 1992 and in the case of Cuba, a continuing duty.
******************

 

 Marxist Bulletin No. 8

Cuba and Marxist Theory

http://www.marxists.org/history/etol/document/icl-spartacists/cuba/index.htm

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Published: 1966/1973
Source: Cuba and Marxist Theory, Marxist Bulletin No. 8, New York.
Transcription/Markup/Proofing: John Heckman.
Public Domain: Encyclopedia of Trotskyism On-Line 2006. You can freely copy, display and otherwise distribute this work. Please credit the Marxists Internet Archive as your source, include the url to this work, and note the transcribers & editors above.

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Table of Contents

Preface; Addition to MB No. 8 Preface

Note

The Cuban Revolution and Marxist Theory by Mage, Wohlforth and Robertson, 17 August 1960

Introductory Note (to “Cuba and the Deformed Workers States”) by JR, 9 June 1966

Cuba and the Deformed Workers States by Tim Wohlforth, 20 July 1961

The Cuban Revolution, Minority resolution to the YSA Convention, by Shane Mage, 21 December 1961

Notes on the Cuban Discussion within the Revolutionary Tendency by James Robertson, 30 April 1963

Theoretical Clarification, a section from the remarks to the International Committee Conference in London, by James Robertson, 6 April 1966

Out In The Riverdale Drive-In Night-With 007 Jame Bond’s “Doctor No” (1962) In Mind-A Film Review

Out In The Riverdale Drive-In Night-With 007 Jame Bond’s “Doctor No” (1962) In Mind-A Film Review

DVD Review

By Special Guest Film Critic Bart Webber

Doctor No, starring Sean Connery, Ursala Andress, 1962

Hey, me, Bart Webber, I was the guy with the car my father’s passed down 1956 Chevy (two-toned with the classic fins that people today are ready to die if they have enough dough to grab one at some high-priced automobile auction). Usually that would mean nothing except that recently Sam Lowell, the now retired film critic in this space, called me up one night after watching, or rather re-watching after a fifty-five year hiatus, the film adaptation of Ian Fleming’s 007 James Bond thriller, Doctor No (1962) the first of what would appear to be an endless number of sequels and asked me to do a review (after he sent over the DVD for me to watch). See Sam, the Scribe, Jack, Frankie, Alex and I watched that film the first time in my car, in that 1956 Chevy two-toned, cherry red and white, at the now long gone and converted to an open air park along the river Riverdale Drive-In. (For those who don’t know what a drive-in is or are too lazy to look it up on Wikipedia that was an open air place where you went in a car to see movies on a big screen and heard through a speaker places athwart the driver’s side care window, usually a double feature and cartoon with intermissions in between to stock up on food and drink from the refreshment stand at night, the first feature starting at dusk so sometimes hard to see). A cheap way for a family or more importantly in the time frame I am speaking of cheap date with lots of promise at least starting out of foggy car windows before the night was over (and an inability to tell mother what the plot of the movie had been about.       

But the night I am talking about was not such a cheap date night although as usual with the gang who hung around Tonio’s Pizza Parlor some dreams of girls and foggy car windows entered into it. But mainly we were there that night to see this Doctor No film because the Scribe (the late Peter Paul Markin who was the guy who had more zany ideas than anybody else)  had, as usual read the Ian Fleming book and had heard that this guy Sean Connery who was playing the lead character 007 James Bond was very cool. Who am I kidding we went because we also heard through that same Scribe that this cool chick Ursala Andress was going  to be running around half-naked in some scenes. Hey we were sixteen, maybe seventeen years old, without dough, and most of the time dateless because of the no dough so what did you expect. If we ran into some real live girls at the refreshment stand so much the better.    

So that was where the car deal came in (and sometimes I think I got to be in the Tonio crowd because I was the only one with a car and I am sure that was the Scribe’s motivation but he is no longer around to confirm the truth of that statement. Here is how the thing played out that night and many other drive-in nights. This little con courtesy of the Scribe who was a combination saint, brain and con artist all wrapped into one explosive package. He figured out, or maybe I had better say he had heard about this scam to get into the drive-in cheap. Since those of us who lived in the Acre section of North Adamsville where Tonio’s was located were always hard pressed for dough we would listen to any scheme that would get us what we wanted. In those days before I think the drive-in theater owners got wise and started charging by the carload there used to be individual admissions. To get around this problem the Scribe suggested that a few of us, maybe three of the six who went that night hide on the floor of the back seat and in the trunk of car. That way we would only have to pay for three admissions and would have money enough for some stuff at the refreshment stand (and give us reason to go there to check out the girls. This idea always worked and I have often wondered why until one day I figured out that the ticket-taker could have given a fuck about who was in the car all he or she cared about was moving the line of cars forward.    

See though the Acre girls would do the same thing although maybe they wouldn’t throw somebody in the trunk. Beautiful right and that is where the boy-girl mingle would get started and wind up at the refreshment stand. Needless to say single daters didn’t do this, at least I never did on cheap date night. Needless to say as well that we Acre kids, boys and girls alike, had our own meeting section far away from the parents with their young kids (conversely what young parents would subject their sweet charges to the bombast of high school mad monks and sisters).   

Frankly I don’t remember what happened on the boy-girl front that night because I was enthralled by the film. I had always liked action adventure films so this was like catnip to me. Funny after a fifty-five hiatus this one unlike a couple of other later Sean Connery-starring Bond vehicles that I have watched, re-watched, does not seem dated. Certainly the theme of good guys battling evil genius bad guys who want to take over the world is as fresh as today’s headlines.

Here’s the play as Sam Lowell always likes to say when he is giving his take on the plotline. A British intelligence agent in Jamaica is missing and presumed dead and government paid killer agent James Bond, Sean Connery’s role is sent to find out why and why as well why there is some interference with the booming American rocket program then in its early stages. Once landed Bond is on the case and finds out that some serious skullduggery is happening in an off-shore island by the nefarious evil genius bad guy Doctor No and his minions. So Bond has to see what is what on that island. As it turned out this No was some kind of nuclear physics freak who had associated himself with a criminal syndicate first in Tong China and later the nefarious SPECTRE international crime organization. While discovery all this information about what was being produced on the island up pops this Honey, really a honey, nothing but a fox as we used to say played by Ursala Andress who looked just fine in skimpy bathing suits. While this pair were are playing footsies they were captured by Doctor No’s security apparatus. Bond and Honey took a beating for a while but in time-honored good guy tradition the bad guys must take a fall-and they do. No is no more. At the end Bond and Honey make their getaway on a small craft and that was that.

So you can see why I was involved in the film to the exclusion of checking out the girls at the refreshment stand that night. When we left we only had four guys since Jack and Frankie had hit pay-dirt with a couple of girls who said they were bored by the movie and had only come because their girlfriends needed to fill up their car for that cheapjack caper at the admission booth. Nice, right.      

On The 60th Anniversary Defend The Gains Of The Cuban Revolution- *On The Anniversary Of The July 26th Movement-The Legend Of Ernesto “Che” Guevara-The Heroic Guerrilla Face

Click on the title to link to the "Che-Lives" Web site (that also has links to other Che-related material).

In Honor of Anniversary Of The July 26^th Movement

From The Pen Of Frank Jackman (2015)

Every leftist, hell, everybody who stands on the democratic principle that each nation has the right to self-determination should cautiously rejoice at the “defrosting” of the long-time diplomatic relations between the American imperial behemoth and the island of Cuba (and the freedom of the remaining Cuban Five in the bargain). Every leftist militant should understand that each non-capitalist like Cuba going back to the establishment of the now defunct Soviet Union has had the right (maybe until we win our socialist future the duty) to make whatever advantageous agreements they can with the capitalist world. That despite whatever disagreements we have with the political regimes ruling those non-capitalist states. That is a question for us to work out not the imperialists.

For those who have defended the Cuban Revolution since its victory in 1959 under whatever political rationale (pro-socialist, right to self-determination, or some other hands off policy) watching on black and white television the rebels entering Havana this day which commemorates the heroic if unsuccessful efforts at Moncada we should affirm our continued defense of the Cuban revolution. Oh yes, and tell the American government to give back Guantanamo while we are at it.    

DVD Review (2011)

This year is the 58th Anniversary of the July 26th Movement, the 52nd Anniversary of the Cuban revolution and the 44th anniversary of the death of Ernesto, “Che”, Guevara. Defend The Cuban Revolution

Che, starring Eduardo Noriega, 2006

On more than one occasion I have mentioned that “Che” Guevara, as icon and legend, despite his left Stalinist politics (at best) and the political gulf that separated him from those who fought, and fight, under the banner of Leon Trotsky and the Fourth International, was, and is, a justifiably appealing revolutionary militant for the world’s youth to consider. A number of films have come out over the years that portray one or another aspect of the “Che” personality. Here the central thrust of the film is the creation of “Che” as a revolutionary cadre in the guerrilla warfare movement that dominated much of the radical political action of the 1960s, in the wake of the success and survival of the Cuban revolution in the face of American Yankee imperialism.

This little film, really a docu-drama since there is an abundance of black and white newsreel film footage to set the story line throughout most of the 1950s, goes, up close and personal, into the transformation of the Argentine free spirit and free- booter. In short, from the pre-“Che” of the “Motorcycle Chronicles” period into a commandant of the Second Front in the Fidel and Raul Castro-led rural insurgence against the hated dictator (except in Miami) Batista.

In that sense it almost does not work. Eduardo Noriega is “Che” in his mannerisms, his good and manly looks, and in his earnestness (no pun intended) to free the Americas of the Yankee beast. However, the film is saved when “Che” gets to show more aspects of his personality when he is being interviewed by an American women reporter in the post-victory period. And also by his determination to end up where he started, as a guerrilla fighter extraordinaire fighting against the world’s injustices. And an enemy's bullet.

That, my friends, today is refreshingly appealing. That said though, as I have repeatedly pointed out on other occasions, Che deserved a better fate that to be caught out in the bush in Bolivia. And here is where the irony (and the political differences) between us comes in. What the hell was he doing in the Bolivian bush, of all places in Bolivia when they was a working class (mainly miners) who had a history of extreme militancy and readiness to do class battles against the state (and have done so since then). “Che”, mainly deserves his status as icon, as a personal exemplar, but a whole generation of militants in Latin America and elsewhere got torn up based on that wrong strategic assumption. That is the real lesson of the film, any worthwhile film on Che.