Friday, October 25, 2019

From The Archives- November 11, 2018 will mark the 100th anniversary of the armistice that brought the cease fire in the “war to end all wars,” the bloodiest in human history up to that time.


         November 11, 2018 will mark the 100th anniversary of the armistice that brought the cease fire in the “war to end all wars,” the bloodiest in human history up to that time. Europeans suffered utter carnage with deaths in the millions. American forces entered the war only in its last year and suffered the least number of casualties-approximately 110,000 deaths, many of them due to the influenza epidemic of that year. Thus only a small fraction of the American public suffered the terrors of World War I- the troops themselves, their families and closest friends. It is by no means inaccurate to note that a similar measure applies to the numerous wars waged by the United States today. Less than 1 percent of the U.S. population is making the grievous sacrifices required of soldiers in the various overseas conflicts in which the United States is involved. We say this not to disparage our fellow citizens but because we believe that the public’s removal from the reality of war and militarism blinds many to its logical and utterly negative outcomes.
In commemoration of this day we, as Veteran For Peace, ask our fellow citizens to inquire of themselves honestly - What has been achieved by these wars and have the dreadful costs been worth the  consequences past and potential?
The national holiday of remembrance observed at the eleventh hour of the eleventh day of the eleventh month is today called Veterans Day to honor all who have worn the uniform and we certainly mourn the sacrifices and losses endured by all who have served. We also lament the actuality that the cession of war in 1918 failed to reconcile the belligerents or bring about the amity envisioned by Wilson and by all Americans who believed the U.S. should never have entered the war. To cite the most fateful outcome of the so-called “peace” in its aftermath the conflicts in the Middle East and the wider region today derive from the betrayal by American allies, Britain and France, of their pledge of Arab independence.
President Woodrow Wilson invested the original day with the following words.
         …with gratitude for the victory, both because of the thing from        which it has freed us and because of the opportunity it has     given America to show her sympathy with peace and justice in   the councils of the nations…
We entreat our fellow citizens to note and process the irony of his words. War had somehow freed us from war and foreshadowed a world order of peace and justice!
The tragedy of the postwar world that Wilson envisioned to be a “world made safe for democracy” is that the treaty signed at Versailles in 1919 incontestably made the world safe only for yet more war.
Wilson hoped that his famous Fourteen Points, and especially his League of Nations, could lead the great powers away from fevered economic competition, mutual suspicion, ultra-nationalism and an all-inclusive arms race toward a “peace without victory” and a new international order whereby states that had long antagonized each other could collaborate and manage a new era of comity, internationalism and an end to the general and perpetual arms race.   
Although the League of Nations was established at Versailles the United States Senate refused to join it and the British, French and Italians disregarded Wilson’s larger conception to impose what one observer labelled a “Carthaginian peace” on Germany. All of Europe’s imperial powers were equally to blame for the war. Germany acceded to the armistice on the generous terms outlined by Wilson but the American allies determined to punish their enemy to the maximum extent possible. How many readers know that Britain continued to impose a total blockade of foodstuffs, even at neutral ports, that so further weakened Germany over the next year that domestic civil strife impelled the new Weimar Republic to accept the harshest terms including exclusive responsibility for initiating the war, the so-called “war guilt” clause, acceptance of French occupation troops, and the imposition of crippling reparations? Such draconian stipulations catapulted Germany into a depression so crushing that war orphans went hungry and amputee veterans begged in the streets. Despair generated in that dismal environment nourished the seeds of Nazism.
Thus the post war ceasefire lasted all of one generation until most of the factors that had produced the “Great War” in the first place re-emerged to generate Round Two. In the inferno of World War II at least five times as many human beings died as in Round One and the slaughter culminated in the employment of those dire weapons that portend the obliteration of human civilizations if not the extinction of our species.
The origination and deployment of nuclear weapons guaranteed the subsequent nuclear arms race that now holds nine nations in its satanic embrace with more countries considering their development.
A year ago the peoples of our world held their collective breath as our president threatened to visit “fire and fury” on North Korea in response to that tiny nation’s development of its own small nuclear arsenal, that is a response to the menace it feels from the U.S. In Syria the U.S. and Russia face off over differing agendas for the future of that country with ground forces close enough to set off a clash that could lead to worse. American forces remain in Afghanistan and Iraq although polls have shown that a majority of Americans now favor withdrawal from the latter nation. Washington abets the criminal war now being waged by Saudi Arabia against the already destitute and shattered nation of Yemen, thereby stoking the possibility of war between Riyadh and Tehran, which may decide to renew Iran’s nuclear program in retaliation for President Trump’s withdrawal from the Joint Plan of Action agreed to by the U.S. China, Russia, Germany, France and Iran.  Since then Trump has withdrawn from the Intermediate Nuclear Forces agreement signed by President Reagan and former Soviet premiere Gorbachev in 1987 that reduced the 65,000 hellish weapons then in existence by more than 75%. Now an ominous return to the Cold War and all its potentially calamitous perils looms.
When the armistice of 1918 went into effect the peoples engaged in that ruinous conflict breathed a collective sigh of relief and held out hope that we might learn from the appalling experience and never again allow such industrial mass murder.
James Madison, the principal author of the United States Constitution admonished us long ago that:
Of all the enemies of public liberty war is most to be dreaded because it comprises and develops the germ of every other.
Numerous former high ranking officials of what we like to call the “national security state’ have today warned that we are now closer to World War Three and the employment of nuclear weapons than we have been since the Cuban Missile Crisis of 1962.
On this Armistice Day let us find the will to abolish these weapons that do anything but safeguard our security and find the collective will and means to abolish war before it abolishes us.
                 Veterans for Peace, Chapter 9, Boston, Massachusetts


The Centennial Of Pete Seeger’s Birthday (1919-2014)- *Once More Into The Time Capsule, Part One-The New York Folk Revival Scene in the Early 1960’s-The New Lost City Ramblers

Click on title to link to YouTube's film clip of the New Lost City Ramblers performing "Man Of Constant Sorrow" on Pete Seeger's "Rainbow Quest" television show.

CD Review

Washington Square Memoirs: The Great Urban Folk Revival Boom, 1950-1970, various artists, 3CD set, Rhino Records, 2001

"Except for the reference to the origins of the talent brought to the city the same comments apply for this CD. Rather than repeat information that is readily available in the booklet and on the discs I’ll finish up here with some recommendations of songs that I believe that you should be sure to listen to:

Disc One; Woody Guthrie on “Hard Travelin’”, Big Bill Broonzy on “Black , Brown And White”, Jean Ritchie on “Nottamun Town”, Josh White on “One Meat Ball” Malvina Reynolds on “Little Boxes”, Cisco Houston on “Midnight Special”, The Weavers on “Wasn’t That A Time”, Glenn Yarborough on “Spanish Is A Loving Tongue”, Odetta on “I’ve Been Driving On Bald Mountain”, The New Lost City Ramblers on “Don’t Let Your Deal Go Down”, Bob Gibson and Bob Camp on “Betty And Dupree”, Ramblin’ Jack Elliott on “San Francisco Bay Blues”, Peggy Seeger on “First Time Ever I Saw Your Face”, Hoyt Axton on “Greenback Dollar” and Carolyn Hester on “Turn And Swing Jubilee”."

The New Lost City Ramblers on “Don’t Let Your Deal Go Down”. John Cohen and Tom Paley, two of the original members of this group were already waiting when the young folk wannabes arrived in New York City. They had already done the ground work by going out in the field and getting the traditional music that formed the backdrop to the revival. Why? Well, that’s easy, because they thought that it was important that our common heritage get transmitted to the new eager devotees. And they were right. Kudos.

“Don't Let Your Deal Go Down”

Well, I've been all around this whole wide world
Been down to sunny Alabam
My mama always told me, Son
Never let your deal go down

Don't let your deal go down
Don't let your deal go down
Don't let your deal go down
Till your last gold dollar is gone

Well, the last time I seen that gal of mine
She was standing in the door
She said honey I'll be a long time gone
You'll never see your gal no more

Well, I'm going sown the railroad track
Gonna take my rocking chair
If there doggone blues don't leave my mind
I'm gonna run away from here

The Centennial Of Pete Seeger’s Birthday (1919-2014)- *Once More Into The Time Capsule, Part One-The New York Folk Revival Scene in the Early 1960’s-Odetta

Click on title to link to YouTube's film clip of Odetta performing "Water Boy". This is really the female counterpart to Paul Robeson's version of the same song. Wow!


CD Review

Washington Square Memoirs: The Great Urban Folk Revival Boom, 1950-1970, various artists, 3CD set, Rhino Records, 2001


"Except for the reference to the origins of the talent brought to the city the same comments apply for this CD. Rather than repeat information that is readily available in the booklet and on the discs I’ll finish up here with some recommendations of songs that I believe that you should be sure to listen to:

Disc One; Woody Guthrie on “Hard Travelin’”, Big Bill Broonzy on “Black , Brown And White”, Jean Ritchie on “Nottamun Town”, Josh White on “One Meat Ball” Malvina Reynolds on “Little Boxes”, Cisco Houston on “Midnight Special”, The Weavers on “Wasn’t That A Time”, Glenn Yarborough on “Spanish Is A Loving Tongue”, Odetta on “I’ve Been Driving On Bald Mountain”, The New Lost City Ramblers on “Don’t Let Your Deal Go Down”, Bob Gibson and Bob Camp on “Betty And Dupree”, Ramblin’ Jack Elliott on “San Francisco Bay Blues”, Peggy Seeger on “First Time Ever I Saw Your Face”, Hoyt Axton on “Greenback Dollar” and Carolyn Hester on “Turn And Swing Jubilee”."

Odetta on “I’ve Been Driving On Bald Mountain”. The late Odetta probably had the most powerful voice of any female (hell, maybe male) singer this side of classic opera. And she used it to tell the story of black oppression now (and I mean now, now) and the hard days of slavery. But she could also do the children’s songs as well with great verve. What you need to know, or remember, is that her whole stage presence was driven by getting YOU, whether you wanted to or not, to sing along. And you did. That, my friends, is no mean trick.

"I've Been Driving On Bald Mountain"

Well I've been driving on Bald Mountain
Well I've been driving on Bald Mountain
Well I've been driving on Bald Mountain
But I've done my time, you know I've done my time

Well look here buddy, where'd you get your learning[?]?
Well look here buddy, where'd you get your learning[?]?
Well look here buddy, where'd you get your learning[?]?
Well here you come, boy, here you come

Well I got my learning[?] on big, bad guitar man [?]
Well I got my learning[?] on big, bad guitar man [?]
Well I got my learning[?] on big, bad guitar man [?]
Well I've done my time, I've done my time

Well every little thing that, that you see shining
Well every little thing that, that you see shining
Well every little thing that, that you see shining
Well it ain't no gold, lord, well it ain't no gold

Well I've been driving since Johnny was a baby
Well I've been driving since Johnny was a baby
Well I've been driving since Johnny was a baby
Well I've done my time, I've done my time

Well I've been driving on Bald Mountain
Well I've been driving on Bald Mountain

The Centennial Of Pete Seeger’s Birthday (1919-2014)- Happy Birthday Woody Guthire -Once More Into The Time Capsule, Part One-The New York Folk Revival Scene in the Early 1960’s-The Weavers

Click on title to link to YouTube's film clip of Pete Seeger and The Weavers singing the classic labor anthem, "Solidarity Forever"...would that it were so.

CD Review

Washington Square Memoirs: The Great Urban Folk Revival Boom, 1950-1970, various artists, 3CD set, Rhino Records, 2001




"Except for the reference to the origins of the talent brought to the city the same comments apply for this CD. Rather than repeat information that is readily available in the booklet and on the discs I’ll finish up here with some recommendations of songs that I believe that you should be sure to listen to:

Disc One; Woody Guthrie on “Hard Travelin’”, Big Bill Broonzy on “Black , Brown And White”, Jean Ritchie on “Nottamun Town”, Josh White on “One Meat Ball” Malvina Reynolds on “Little Boxes”, Cisco Houston on “Midnight Special”, The Weavers on “Wasn’t That A Time”, Glenn Yarborough on “Spanish Is A Loving Tongue”, Odetta on “I’ve Been Driving On Bald Mountain”, The New Lost City Ramblers on “Don’t Let Your Deal Go Down”, Bob Gibson and Bob Camp on “Betty And Dupree”, Ramblin’ Jack Elliott on “San Francisco Bay Blues”, Peggy Seeger on “First Time Ever I Saw Your Face”, Hoyt Axton on “Greenback Dollar” and Carolyn Hester on “Turn And Swing Jubilee”."


The Weavers on “Wasn’t That A Time”. Yes, the Weavers suffered a ton of controversy for the alleged Communist Party affiliations of some members during the hard days of the “red scare” Cold War 1950s in America. However, later communists have no problem celebrating in song some of the events that are contained n the lyrics to this song and that got some “sunshine” patriots upset back in those days. “Wasn’t That A Time”, Indeed.



Lyrics to "Wasn't That A Time" :

Our fathers bled at Valley Forge.
The snow was red with blood,
Their faith was warm at Valley Forge,
Their faith was brotherhood.

[Chorus:]
Wasn't that a time, wasn't that a time,
A time to try the soul of man,
Wasn't that a terrible time?

Brave men who died at Gettysburg
Now lie in soldier's graves,
But there they stemmed the slavery tide,
And there the faith was saved.

[Chorus]

The fascists came with chains and war
To prison us in hate.
And many a good man fought and died
To save the stricken faith.

[Chorus]

And now again the madmen come,
And should our vic'try fail?
There is no vic'try in a land
Where free men go to jail.

Isn't this a time!
Isn't this a time!
A time to try the soul of man,
Isn't this a terrible time?

Our faith cries out we have no fear
We dare to reach our hand
To other neighbors far and near
To friends in every land.

Isn't this a time!
Isn't this a time!
A time to free the soul of man!
Isn't this a wonderful time!

[Two additional verses written by Lee Hays and sung at the 1980 Weavers reunion:]

How many times we've gone to kill
In freedom's holy name.
And children died to save the pride
Of rulers without shame.

Informers took their Judas pay
To tell their sorry tale
And gangs in Congress had their way
And free souls went to jail

The Centennial Of Pete Seeger’s Birthday (1919-2014)- ***Once More Into The Time Capsule, Part One-The New York Folk Revival Scene in the Early 1960’s-Malvina Reynolds

Once More Into The Time Capsule, Part One-The New York Folk Revival Scene in the Early 1960’s-Malvina Reynolds






CD Review

Washington Square Memoirs: The Great Urban Folk Revival Boom, 1950-1970, various artists, 3CD set, Rhino Records, 2001


"Except for the reference to the origins of the talent brought to the city the same comments apply for this CD. Rather than repeat information that is readily available in the booklet and on the discs I’ll finish up here with some recommendations of songs that I believe that you should be sure to listen to:

Disc One; Woody Guthrie on “Hard Travelin’”, Big Bill Broonzy on “Black , Brown And White”, Jean Ritchie on “Nottamun Town”, Josh White on “One Meat Ball” Malvina Reynolds on “Little Boxes”, Cisco Houston on “Midnight Special”, The Weavers on “Wasn’t That A Time”, Glenn Yarborough on “Spanish Is A Loving Tongue”, Odetta on “I’ve Been Driving On Bald Mountain”, The New Lost City Ramblers on “Don’t Let Your Deal Go Down”, Bob Gibson and Bob Camp on “Betty And Dupree”, Ramblin’ Jack Elliott on “San Francisco Bay Blues”, Peggy Seeger on “First Time Ever I Saw Your Face”, Hoyt Axton on “Greenback Dollar” and Carolyn Hester on “Turn And Swing Jubilee”."


Malvina Reynolds on “Little Boxes”. Like everyone else from the “Generation of ‘68” who paid attention to folk music on their way to greater social and political consciousness I know this song from Pete Seeger’s rendition. I only knew the name Malvina Reynolds much later. I only ‘knew’ the musical work of Ms. Reynold much later through the efforts of Rosalie Sorrels who did a whole CD compilation of Malvina's work (reviewed in this space). The lyrics to “Little Boxes”, by the way, are a very concise and condensed expression of the way many of us were feeling about the future bourgeois society had set up for us back in the early 1960s. As the song details-it was not pretty. I submit that it still is not pretty.

Malvina Reynolds: Song Lyrics and Poems

Little Boxes


Notes: words and music by Malvina Reynolds; copyright 1962 Schroder Music Company, renewed 1990. Malvina and her husband were on their way from where they lived in Berkeley, through San Francisco and down the peninsula to La Honda where she was to sing at a meeting of the Friends’ Committee on Legislation (not the PTA, as Pete Seeger says in the documentary about Malvina, “Love It Like a Fool”). As she drove through Daly City, she said “Bud, take the wheel. I feel a song coming on.”


Little boxes on the hillside,
Little boxes made of ticky tacky,1
Little boxes on the hillside,
Little boxes all the same.
There's a green one and a pink one
And a blue one and a yellow one,
And they're all made out of ticky tacky
And they all look just the same.

And the people in the houses
All went to the university,
Where they were put in boxes
And they came out all the same,
And there's doctors and lawyers,
And business executives,
And they're all made out of ticky tacky
And they all look just the same.

And they all play on the golf course
And drink their martinis dry,
And they all have pretty children
And the children go to school,
And the children go to summer camp
And then to the university,
Where they are put in boxes
And they come out all the same.

And the boys go into business
And marry and raise a family
In boxes made of ticky tacky
And they all look just the same.
There's a green one and a pink one
And a blue one and a yellow one,
And they're all made out of ticky tacky
And they all look just the same.

Upon The 50th Anniversary Of The Death Of "King OF The Beats" Jack Kerouac-In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-Ti Jean’s Big Road Novels Book- The Library Of America Kerouac

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When Women And Men Made Horror Movies For Keeps-Vincent Price’s “House On Haunted Hill” (1959)-A Film Review

When Women And Men Made Horror Movies For Keeps-Vincent Price’s “House On Haunted Hill” (1959)-A Film Review




DVD Review

By Film Critic Emeritus Sam Lowell

House On Haunted Hill, starring Vincent Price, Elisha Cook directed by wild man horror film icon Billy Castle, 1959       

Sometimes Sandy Salmon the recently hired day to day film critic in this space throws me a “no-brainer” like the film under review mad monk Vincent Price’s Billy Castle-directed horror film House on Haunted Hill. Reason: when I was a kid I spent many, my mother might say too many, Saturday afternoons in the darks of the Strand Theater in downtown North Adamsville watching black and white double feature films to die for in the late 1950s, early 1960s. Mostly I was interested in film noir from the 1940s which Mr. Cadger the affable owner would play to cut down on overhead on first-run expenses and ran what today would be called retrospectives or even film festivals. But whenever a new horror movie was up he was on top of that knowing that kids “liked” to get scared out of their wits and would fill the seats to capacity (and buy gads of popcorn and candy which he told me one time was really how he made money on that now long gone but not forgotten theater turned to condos). So something like the film under review legitimate scary guy Vincent Price’s House on Haunted Hill would be like catnip to kids, including me.

Now everybody knows today, especially the kids who still make up the key demographic for horror films, that these films are driven by max daddy technological thrills and spills, a mile a minute, the more the better. And maybe today’s kids like them. But back in what was the golden age of horror films, the black and white film age where the shadows mean as much as what was shown the thing was driven by plot and not as much by gismos. And this film is a classic example which when I checked with a few guys from the old neighborhood recently scared the “Bejesus” out of them to quote one old friend. So what seems kind of hokey today was the cat’s meow back in the day.         

Here’s the play. This rich decadent playboy type guy Loren, Price’s role, and his youngish fourth wife are ready to party down in a house rented by Loren. (That house according to the blurb a Frank Lloyd Wright creation which now looked fairly modern compared to the usual Victorian house filled with odd spaces and menacing from the outside no question. The poster for the film shows such a Victorian-style house which is a little disingenuous. Worse though were the posters back then showing seemingly half-naked girls being exploited and yet no such thing happened in the film to the chagrin of teenage boyhood.) The game to be played was simple-five unrelated guests who needed dough badly for various reasons including just having that amount would each receive ten K if they made it through the night in the locked house. Fair enough.         

What the collective guest list did not know, would not find out until the end when it too late is that one of the five was a “ringer” had some other additional motive. Once everybody was “in” and locked down the games began. First Loren’s good-looking if diabolical blonde wife was killed which set the place in an uproar. Then one young woman was harassed enough that she would wind up killing the nefarious and weird Loren. Again fair enough. If you play with fire you are sure to get burned at some point. The thing of it was though this whole scene was a house of mirrors despite all the screams and odd occurrences. The wife had not been killed for she was part of a plot to kill her husband for his fortune along with her boyfriend, that Trojan horse on the guest list. And Loren was not killed either because he was on to the plot to kill him by his wife and her lover. In the end that wife and lover took the fall, went down the bloody road. In the end too between the screams and shadows (and even the hokey lover’s skeleton controlled by Loren to scare his wife to perdition) I, and my friends, were scared like crazy. Enough said.