Oops, A Senior Moment-As The War Clouds Loom -Mark Twain’s “The War Prayer” (1904)

Oops, A Senior Moment-As The War Clouds Loom -Mark Twain’s “The War Prayer” (1904)

By Si Lannon

Those of us of a certain generation, let’s call it like Frank Jackman, another writer in this stable likes to call us, the “Generation of ’68,” reflecting the turmoil and turbulence of our youth, and, no, not 1868 will occasionally have what I will euphemistically call a lapse but which is more generally named a senior moment. Such an event occurred recently to my good friend known since the high school battle days in the 1960s hence also a ‘68er, Sam Lowell.

Sam, a Vietnam veteran whose experience turned him against war after what he saw, and did, in Vietnam, has one way or another been involved with some combination of veterans  to try to bring the message of peace to a sometimes deaf or indifferent world. For the past several years he had been an ardent member of a national veterans group, Veterans for Peace, if you live in big cities, or near them you might have seen their fluttering black dove emblem on white background flags in some peace parade. The organization, like most organizations, has periodic business meeting to discuss what has happened in the past period and what plans should be laid going forward.

Fair enough. However at the last monthly meeting the Recording Secretary was absent (an excused absence since he was ill) and the chairperson requested somebody to fill in and do the minutes. Since virtually nobody except a person with a great memory would want the job on a long term basis, or short, everybody in the meeting room quickly put their guilty heads down. Unfortunately Sam didn’t get his down fast enough and he was dragooned, his word, by the crafty chair since his head was up. So he did the notes as direction which he intended to clean up the next day and ask for any corrections, etc. on the group’s website. No problem there either as he got some helpful corrections and then put out a final set of minutes on the website.     

Alright that sets the stage. Now, according to Sam, one of the nice parts of the meeting agenda is near the beginning in what are called “opening words, where somebody volunteers to say a few words, read a passage, recite a poem to put things in perspective. So a fellow member, noting the gathering war clouds over issues like North Korea and Iran by the administration in Washington, thoughtfully presented Mark Twain’s The War Prayer from 1904. A very powerful and thought-provoking little piece of work. Initially Sam, realizing that the website would have many more people on it than generally attend meetings attached the piece to the end of the minutes. And that is where the senior moment comes in.

Let Sam take it from here as he sent out a separate e-mail based on his “error”:

“Here is the basis of my senior moment and see if you agree. Yesterday December 15^th I sent out the minutes from Monday’s General Meeting (which I was dragooned into producing but that did not have anything to do with the senior moment). At the end, the very end of those minutes I placed a copy of Mark Twain’s The War Prayer (1904) which our brother Dan Henry had present during the Opening Words section of the meeting.

“The senior moment? Well who the hell, including me, reads the freaking minutes much less go the bottom of the endless thing to find a gem of a poem. To rectify things I have placed Mr. Twain’s excellent take on the war clouds looming in his day here where hopefully it will be read. Thanks Dan Henry for your presentation. Later Sam Lowell Johnson.”

And here it is:

The War Prayer by Mark Twain 1904

It was a time of great and exalting excitement. The country was up in arms, the war was on, in every breast burned the holy fire of patriotism; the drums were beating, the bands playing, the toy pistols popping, the bunched firecrackers hissing and sputtering; on every hand and far down the receding and fading spreads of roofs and balconies a fluttering wilderness of flags flashed in the sun; daily the young volunteers marched down the wide avenue gay and fine in their new uniforms, the proud fathers and mothers and sisters and sweethearts cheering them with voices choked with happy emotion as they swung by; nightly the packed mass meetings listened, panting, to patriot oratory which stirred the deepest deeps of their hearts and which they interrupted at briefest intervals with cyclones of applause, the tears running down their cheeks the while; in the churches the pastors preached devotion to flag and country and invoked the God of Battles, beseeching His aid in our good cause in outpouring of fervid eloquence which moved every listener. It was indeed a glad and gracious time, and the half dozen rash spirits that ventured to disapprove of the war and cast a doubt upon its righteousness straightway got such a stern and angry warning that for their personal safety's sake they quickly shrank out of sight and offended no more in that way. Sunday morning came – next day the battalions would leave for the front; the church was filled; the volunteers were there, their faces alight with material dreams-visions of a stern advance, the gathering momentum, the rushing charge, the flashing sabers, the flight of the foe, the tumult, the enveloping smoke, the fierce pursuit, the surrender! – then home from the war, bronzed heros, welcomed, adored, submerged in golden seas of glory! With the volunteers sat their dear ones, proud, happy, and envied by the neighbors and friends who had no sons and brothers to send forth to the field of honor, there to win for the flag or, failing, die the noblest of noble deaths. The service proceeded; a war chapter from the Old Testament was read; the first prayer was said; it was followed by an organ burst that shook the building, and with one impulse the house rose, with glowing eyes and beating hearts, and poured out that tremendous invocation – "God the all-terrible! Thou who ordainest, Thunder thy clarion and lightning thy sword!" Then came the "long" prayer. None could remember the like of it for passionate pleading and moving and beautiful language. The burden of its supplication was that an ever – merciful and benignant Father of us all would watch over our noble young soldiers and aid, comfort, and encourage them in their patriotic work; bless them, shield them in His mighty hand, make them strong and confident, invincible in the bloody onset; help them to crush the foe, grant to them and to their flag and country imperishable honor and glory. An aged stranger entered and moved with slow and noiseless step up the main aisle, his eyes fixed upon the minister, his long body clothed in a robe that reached to his feet, his head bare, his white hair descending in a frothy cataract to his shoulders, his seamy face unnaturally pale, pale even to ghastliness. With all eyes following him and wondering, he made his silent way; without pausing, he ascended to the preacher's side and stood there, waiting. With shut lids the preacher, unconscious of his presence, continued his moving prayer, and at last finished it with the words, uttered in fervent appeal,"Bless our arms, grant us the victory, O Lord our God, Father and Protector of our land and flag!" The stranger touched his arm, motioned him to step aside – which the startled minister did – and took his place. During some moments he surveyed the spellbound audience with solemn eyes in which burned an uncanny light; then in a deep voice he said "I come from the Throne – bearing a message from Almighty God!" The words smote the house with a shock; if the stranger perceived it he gave no attention. "He has heard the prayer of His servant your shepherd and grant it if such shall be your desire after I, His messenger, shall have explained to you its import – that is to say, its full import. For it is like unto many of the prayers of men, in that it asks for more than he who utters it is aware of – except he pause and think. "God's servant and yours has prayed his prayer. Has he paused and taken thought? Is it one prayer? No, it is two – one uttered, the other not. Both have reached the ear of His Who hearth all supplications, the spoken and the unspoken. Ponder this – keep it in mind. If you beseech a blessing upon yourself, beware! lest without intent you invoke a curse upon a neighbor at the same time. If you pray for the blessing of rain upon your crop which needs it, by that act you are possibly praying for a curse upon some neighbor's crop which may not need rain and can be injured by it. "You have heard your servant's prayer – the uttered part of it. I am commissioned by God to put into words the other part of it – that part which the pastor, and also you in your hearts, fervently prayed silently. And ignorantly and unthinkingly? God grant that it was so! You heard these words: 'Grant us the victory, O Lord our God!' That is sufficient. The whole of the uttered prayer is compact into those pregnant words. Elaborations were not necessary. When you have prayed for victory you have prayed for many unmentioned results which follow victory – must follow it, cannot help but follow it. Upon the listening spirit of God the Father fell also the unspoken part of the prayer. He commandeth me to put it into words. Listen! "O Lord our Father, our young patriots, idols of our hearts, go forth to battle – be Thou near them! With them, in spirit, we also go forth from the sweet peace of our beloved firesides to smite the foe. O Lord our God, help us to tear their soldiers to bloody shreds with our shells; help us to cover their smiling fields with the pale forms of their patriot dead; help us to drown the thunder of the guns with the shrieks of their wounded, writhing in pain; help us to lay waste their humble homes with a hurricane of fire; help us to wring the hearts of their unoffending widows with unavailing grief; help us to turn them out roofless with their little children to wander unfriended the wastes of their desolated land in rags and hunger and thirst, sports of the sun flames of summer and the icy winds of winter, broken in spirit, worn with travail, imploring Thee for the refuge of the grave and denied it – for our sakes who adore Thee, Lord, blast their hopes, blight their lives, protract their bitter pilgrimage, make heavy their steps, water their way with their tears, stain the white snow with the blood of their wounded feet! We ask it, in the spirit of love, of Him Who is the Source of Love, and Who is ever-faithful  refuge and friend of all that are sore beset and seek His aid with humble and contrite hearts. Amen. (After a pause) “Ye have prayed it; if ye still desire it, speak! The messenger of the Most High waits.” It was believed afterward that the man was a lunatic, because there was no sense in what he said.

“Will The Circle Be Unbroken”-The Music OF The Carter Family (First Generation)

“Will The Circle Be Unbroken”-The Music OF The Carter Family (First Generation)

By Josh Breslin

You know it took a long time for me to figure out why I was drawn, seemingly out of nowhere, to the mountain music most famously brought to public, Northern public, attention by the likes of the Carter Family, Jimmy Rodgers, The Seegers and the Lomaxes. As a kid I could not abide it but later on I figured that was because I was so embroiled in the uprising jail-break music of my generation, rock and roll, that anything else faded, faded badly by comparison. Later in high and school after when I hung around Harvard Square I would let something like Gold Watch and Chain register a bit, registering a bit then meaning that I would find myself occasionally idly humming such a tune. But again more urban, more protest-oriented folk music by the likes of Bob Dylan, Joan Baez, Dave Von Ronk,  Tom Paxton, Phil Ochs was what caught my attention more when the folk minute was at high tide in the early 1960s.           

Then one day not all that many years ago as part of a final reconciliation with my family, going back to my own roots, making peace with my old growing up neighborhood, I started asking many questions about how things turned so sour back when I was young. More importantly asking questions that had stirred in my mind for a long time and formed part of the reason that I went for reconciliation. To find out what my roots were while somebody was around to explain the days before I could rightly remember the early day. And in that process I finally, finally figured out why the Carter Family and others began to “speak” to me.         

The thing was simplicity itself. See my father hailed from Kentucky, Hazard, Kentucky long noted in song and legend as hard coal country. When World War II came along he left to join the Marines to get the hell out of there. During his tour of duty he was stationed for a short while at the Portsmouth Naval Base and during that stay attended a USO dance held in Portland where he met my mother. Needless to say he stayed in the North, for better or worse, working the mills in Olde Saco until they closed or headed south for cheaper labor and then worked at whatever jobs he could find. All during my childhood though along with that popular music that got many mothers and fathers through the war mountain music, although I would not have called it that then filtered in the background on the family living room record player. But here is the real “discovery,” a discovery that could only be disclosed by my parents. Early on in their marriage they had tried to go back to Hazard to see if they could make a go of it there. This was after my older brother Prescott was born and while my mother was carrying me. Apparently they stayed for several months before they left to go back to Olde Saco before I was born since I was born in Portland General Hospital. So see that damn mountain was in my DNA, was just harking to me when I got the bug. Funny, isn’t it.            

Christmas Eve, 1914 by Jay Wenk

Christmas Eve, 1914 by Jay Wenk

No big shells swooshing over tonight, no
whining snipers’ shots dopplering away, no
shameless spluttering flares
illumine trenches bordering
no-humans’ land with
its dreaded corpse collection,
draped carelessly
here and there on the wire.
No gentle mustard billows creep over
this frozen field tonight.
The men wait, expecting
mutilation every moment.
Quiet, cold, wet.
Dark now, quiet enough now
to hear, across the endless mud,
a guitar, soft voices;
“Stille Nacht, Hieliger Nacht”.
Germans noting the calendar.
“ay”, Brits call across the field,
“we got Good King Wenceslaus Came Out
and plum pudding. Want some?”
“Nous avon Noel, Noel,
chandelles, le vin.
A bas la guerre”.
Dancing across eons,
singing, the oldest art, is
embraced in that field of curdled shame.

Read Jay's Entire Poem

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Tell Me Rosalie Sorrels Did You Seen Starlight On The Rails?-With The Album "Bordeline Heart" In Mind

Tell Me Rosalie Sorrels Did You Seen Starlight On The Rails?-With The Album "Bordeline Heart" In Mind

By Josh Breslin 

Every hobo, tramp, and bum and there are social distinctions between each cohort recognized among themselves if not quite so definitely by rump sociologists who lump them all together but that is a story for another day has seen starlight on the rails. Has found him or herself (mainly hims though out on the “jungle” roads) flat up against some railroad siding at midnight having exhausted every civilized way to spent the night. Has seen the stars out where the spots are darkest and the brilliance of the sparkle makes one think of heaven for those so inclined, think of the void for the heathen among them. Has dreamed dreams of shelter against life’s storms.

But not everybody has the ability to sing to those heavens (or void) about the hard night of starlight on the rails and that is where the late Rosalie Sorrels, a woman of the American West out in the Idahos, out where, as is said in the introduction to the song, the states are square (and at one time the people, travelling west people and so inured to hardship, played it square, or else), sings old crusty Utah Phillips’ song to those hobo, tramp, bum heavens. Did it while old Utah was alive to teach the song (and the story behind the song) to her and later after he passed on in a singular tribute album to his life’s work as singer/songwriter/story-teller/ troubadour.         

Now, for a fact, I do not know if Rosalie in her time, her early struggling time when she was trying to make a living singing and telling Western childhood stories had ever along with her brood of kids been reduced by circumstances up against that endless steel highway but I do know that she had her share of hard times. Know that through her friendship with Utah she wound up bus-ridden to Saratoga Springs in the un-squared state of New York where she performed and got taken under the wing of Lena from the legendary Café Lena during some trying times. And so she flourished, flourished as well as any folk-singer could once the folk minute burst it bubble and places like Café Lena, Club Passim (formerly Club 47), a few places in the Village in New York City and Frisco town became safe havens to flower and grow some songs, grow songs from the American folk songbooks and from her own expansive political commentator songbook. And some covers too as her rendition of Starlight on the Rails attests to as she worked her way across the continent. Worked her way to a big night at Saunders Theater at Harvard too when she called the road quits a decade or so ago (2002 actually). So listen up, okay.           

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars  

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars-Some Books Of Interest

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars-Some Books Of Interest 

In The Twilight Of The Folk Minute- Peter Seeger And Arlo Guthrie In Concert In The Late 1980s

In The Twilight Of The Folk Minute- Peter Seeger And Arlo Guthrie In Concert In The Late 1980s

By Johnny Blade

“Jesus, they charged me fourteen dollars each for these tickets to see Pete Seeger and Arlo Guthrie. Remember Laura about ten or fifteen years ago when we saw Pete for five bucks each at the Café Nana over in Harvard Square (and the price of an expresso coffee for two people and maybe a shared piece of carrot cake since they had been on a date, a cheap date when he didn’t have much cash and at a time when the guy was expected to pay, no “dutch treat,” no Laura dutch treat expected anyway especially on a heavy date, and that one had been when he was intrigued by her early on) and around that same time, that same Spring of 1973, Arlo gave a free concert out on Concord Common,” said Sam Lowell to his date Laura Peters and the couple they were standing in line with, Patrick Darling and Julia James, in front of Symphony Hall in Boston waiting for the doors to open for the concert that evening. This would be the first time Pete and Arlo had appeared together since Newport a number of years back and the first time this first two pairs had seen either of them in a good number of years since Pete had gone to upstate New York and had been spending more time making the rivers and forests up there green again than performing and Arlo was nursing something out in Stockbridge. “Maybe, Alice,” Patrick said and everybody laughed at that inside joke. 

Sam continued along that line of his about “the back in the days” for a while, with the three who were also something of folk aficionados well after the heyday of that music in what Sam called the “1960s folk minute” nodding their heads in agreement saying “things sure were cheaper then and people, folkies for sure, did their gigs for the love of it as much as for the money, maybe more so. Did it, what did Dave Van Ronk call it then, oh yeah, for the “basket,” for from hunger walking around money to keep the wolves from the doors. For a room to play out whatever saga drove them to places like the Village, Harvard Square, North Beach and their itch to make a niche in the booming folk world where everything seemed possible and if you had any kind of voice to the left of Dylan’s and Van Ronk’s, could play three chords on a guitar (or a la Pete work a banjo, a mando, or some other stringed instrument), and write of love, sorrow, some dastardly death deed, or on some pressing issue of the day.”

After being silent for a moment Sam got a smile on his face and said “On that three chord playing thing I remember Geoff Muldaur from the Kweskin Jug Band, a guy who knew the American folk songbook as well as anybody then, worked at learning it too, as did Kweskin, learned even that Harry Smith anthology stuff which meant you had to be serious, saying that if you could play three chords you were sure to draw a crowd, a girl crowd around you, if you knew four or five that  meant you were a serious folkie and you could even get a date from among that crowd, and if you knew ten or twelve you could have whatever you wanted. I don’t know if that is true since I never got beyond the three chord thing but no question that was a way to attract women, especially at parties.” Laura, never one to leave something unsaid when Sam left her an opening said in reply “I didn’t even have to play three chords on a guitar, couldn’t then and I can’t now, although as Sam knows I play a mean kazoo, but all I had to do was start singing some Joan Baez or Judie Collins cover and with my long black hair ironing board straight like Joan’s I had all the boy come around and I will leave it to your imaginations about the whatever I wanted part.” They all laughed although Sam’s face reddened a bit at the thought of her crowded with guys although he had not known her back then but only later in the early 1970s.                     

Those reference got Julia thinking back the early 1960s when she and Sam went “dutch treat” to see Dave Van Ronk at the Club Blue. (Sam and Julia were thus by definition not on a heavy date, neither had been intrigued by the other but folk music was their bond and despite persistent Julia BU dorm roommate rumors what with Sam hanging around all the time had never been lovers). She mentioned that to Sam as they waited to see if he remembered and while he thought he remembered he was not sure. He asked Julie, “Was that the night he played that haunting version of Fair and Tender Ladies with Eric Von Schmidt backing him up on the banjo?” Julie had replied yes and that she too had never forgotten that song and how the house which usually had a certain amount of chatter going on even when someone was performing had been dead silent once he started singing.

Club Blue had been located in that same Harvard Square that Sam had mentioned earlier and along with the Café Nana, which was something of a hot spot once Dylan, Baez, Tom Rush and the members of the Kweskin band started hanging out there, and about five or six other coffeehouses all within a few blocks of each other (one down on Arrow Street was down in the sub-basement and Sam swore that Dylan must have written Subterranean Homesick Blues there). Coffeehouses then where you could, for a dollar or two, see Bob, Joan, Eric (Von Schmidt), Tom (Rush), Phil (Ochs) and lots of lean and hungry performers working for that “basket” Sam had mentioned earlier passed among the patrons and be glad, at least according to Van Ronk when she had asked him about the “take” during one intermission, to get twenty bucks for your efforts that night.

That was the night during that same intermission Dave also told her that while the folk breeze was driving things his way just then and people were hungry to hear anything that was not what he called “bubble gum” music like you heard on AM radio that had not been the case when he started out in the Village in the 1950s when he worked “sweeping out” clubs for a couple of dollars. That sweeping out was not with a broom, no way, Dave had said with that sardonic wit of his that such work was beneath the “dignity” of a professional musician but the way folk singers were used to empty the house between shows. In the “beat”1950s with Kerouac, Cassady, Ginsberg, and their comrades (Dave’s word reflecting his left-wing attachments) making everybody crazy for poetry, big be-bop poetry backed up by big be-bop jazz the coffeehouses played to that clientele and on weekends or in the summer people would be waiting in fairly long lines to get in. So what Dave (and Happy Traum and a couple of other singers that she could not remember) did was after the readings were done and people were still lingering over their expressos he would get up on the makeshift stage and begin singing some old sea chanty or some slavery day freedom song in that raspy, gravelly voice of his which would sent the customers out the door. And if they didn’t go then he was out the door. Tough times, tough times indeed.             

Coffeehouses too where for the price of a cup of coffee, maybe a pastry, shared, you could wallow in the fluff of the folk minute that swept America, maybe the world, and hear the music that was the leading edge then toward that new breeze that everybody that Julie and Sam knew was bound to come what with all the things going on in the world. Black civil rights, mainly down in the police state South, nuclear disarmament, the Pill to open up sexual possibilities previously too dangerous or forbidden, and music too, not just the folk music that she had been addicted to but something coming from England paying tribute to old-time blues with a rock upbeat that was now a standard part of the folk scene ever since they “discovered” blues guys like Mississippi John Hurt, Son House, Bukka White, and Skip James. All the mix to turn the world upside down. All of which as well was grist to the mill for the budding folk troubadours to write songs about.

Julie made her companions laugh as they stood there starting to get a little impatient since the doors to the concert hall were supposed to open at seven and here it was almost seven fifteen (Sam had fumed, as he always did when he had to wait for anything, a relic of his Army days during the Vietnam War when everything had been “hurry up and wait”). She had mentioned that back then, back in those college days when guys like Sam did not have a lot of money, if worse came to worse and you had no money like happened one time with a guy, a budding folkie poet, Jack Dawson, she had a date with you could always go to the Hayes-Bickford in the Square (the other H-Bs in other locations around Boston were strictly “no-go” places where people actually just went to eat the steamed to death food and drink the weak-kneed coffee). As long as you were not rowdy like the whiskey drunks rambling on and on asking for cigarettes and getting testy if you did not have one for the simple reason that you did not smoke (almost everybody did then including Sam although usually not with her and definitely not in the dorm), winos who smelled like piss and vomit and not having bathed in a while, panhandlers (looking you dead in the eye defying you to not give them something, money or a cigarette but something) and hoboes (the quiet ones of that crowd  who somebody had told her were royalty in the misfit, outcast world and thus would not ask for dough or smokes) who drifted through there you could watch the scene for free. On any given night, maybe around midnight, on weekends later when the bars closed later you could hear some next best thing guy in full flannel shirt, denim jeans, maybe some kind of vest for protection against the cold but with a hungry look on his face or a gal with the de riguer long-ironed hair, some peasant blouse belying her leafy suburban roots, some boots or sandals depending on the weathers singing low some tune they wrote or reciting to their own vocal beat some poem. As Julie finished her thought some guy who looked like an usher in some foreign castle opened the concert hall doors and the four aficionados scampered in to find their seats.                 

…As they walked down the step of Symphony Hall having watched Pete work his banjo magic, work the string of his own Woody-inspired songs like Golden Thread and of covers from the big sky American songbook and Arlo wowed with his City of New Orleans and some of his father’s stuff (no Alice’s Restaurant that night he was saving that for Thanksgiving he said) Sam told his companions, “that fourteen dollars each for tickets was a steal for such performances, especially in that acoustically fantastic hall” and told his three friends that he would stand for coffees at the Blue Parrot over in Harvard Square if they liked. “And maybe share some pastry too.”     

Once Again- When The Capitalist World Was Young-With Dutch And Flemish Paintings In Mind

Once Again- When The Capitalist World Was Young-With Dutch And Flemish Paintings In Mind

By Brad Fox, Jr.

They say that Allan Jackson, a guy who grew up in North Adamsville south of Boston and a guy who as the neighborhood guys he used to hang out with used to say was “from hunger”  which seems self-explanatory, was kind of weird about stuff like politics and art. Stuff that seemed weird to me anyway when it got explained to me by my father, same name as me and hence junior, one night when he decided that I needed one, a drink or two, and, two, to be straightened out about Allan. Straightened out meaning that he would do his royal highness imperative thing with me which he has done with me since I was a kid when he thought I had something, sometimes anything wrong.       

Dad’s authority for the straightening out was that he was one of the guys who knew Allan in those “from hunger” days back in the 1960s when the whole neighborhood, including the Fox family, was wedded to that same condition. He felt since he had already straightened me out ad infinitum on the Fox family “from hunger” story when I was about eight he could skip that and run Allan’s story. I have to tell you though that Bradley Fox, Senior pulled himself up from under by the bootstraps and went on to run a couple of small high tech specialty plants which were contracted to Raytheon to make materials for their various very lucrative defense contracts and while he sold off those businesses when he retired Raytheon is still working off the public teat with those lucrative, very lucrative defense contracts. I also have to tell you that except for a couple of months out in San Francisco in 1967 when the Summer of Love for his generation was in full bloom at a time when his whole crowd was guilt-tripped into going out West by a mad man guy they hung around with whom Dad always called Scribe he went straight-arrow from high school to college (two years), marriage, kids, a decent and “not from hunger” life passed on to his kids and then that fairly recent retirement.

That combination strong work ethic and straight arrow family man would characterize most of his hang-out youthful crowd with the big exception of Scribe. And Allan who followed him for a while anyway before Scribe got too weird, got catch up with a cocaine addiction and fell down, was helped falling down by two straight bullets in Mexico back in the 1970 in circumstances Dad would not talk about, won’t talk about even now since he says it hurts him too much to think about Scribe’s fate, a fate that except for a few happy turns might have befallen him. So the “Allan following Scribe” part consisted of essentially two things-a visceral hatred of current day capitalism partially derived through an old-fashioned now somewhat obsolete except for academics Marxism, you know, greedy capitalist (my father to a certain extent although he was not, is not,  greedy) versus downtrodden workers AND a love of painting from the early days of capitalism-when it was beginning to come full bloom in places like London, Amsterdam and Antwerp-painters like Rembrandt, Hals, Ruebens.    

Dad said it was hard to say when Scribe and therefore Allan got into radical politics since no way in high school when they all formed lasting bonds did those guys have such ideas. They would have been run out of town, would emphatically not have been hanging around Harry’s Variety Store with Dad and the other guys spouting “commie” rag stuff in those Cold War beat the Russians to a pulp days. What they all cared about, what they all talked about was cars, not having cars the fate of most of them during high school, girls, and either not having them of how to get into their pants, Dad’s expression not mine, booze, and how to get somebody old enough to “buy” for them, and endlessly rock and roll music, and how to use that hot rock and roll to get a girl into a car, get her softened up with booze and in the mood to do what he called “do the do” which I think is pretty self-explanatory as well. So maybe girls was all they really cared about in the end and the other stuff was just talk to talk. One way or another Scribe and his ardent follower, his “girl” some of the guys would say just to do a little “fag” baiting long before even guys like Dad got hip that being gay was okay, that they were not the devils incarnate, were as hyped to the chasing girls scene as all the others. 

Dad figured that what probably happened to turn them around was their getting drafted and sent to Vietnam (neither events at the same time but close together) and when they returned they were very different in ways Dad couldn’t explain but different mainly because neither man wanted to talk about the stuff they saw, did, or saw others do in what they would always call “Nam. So they started hanging around with college guys and gals, maybe others too, all young and bright-eyed over in Cambridge the other side of Boston. Started going to things called study groups and such. The long and short of it was before long they were longed-haired, bearded hippie-looking guys just like a million other guys around Boston at the time Dad said. Getting arrested for this and that, stuff called civil disobedience not robberies or mayhem or anything like it. Kept talking about class struggle, kicking the bosses’ asses, decaying capitalism, imperialism all the stuff you read about in a Government class and then let drop like a lead balloon after an exam. That lasted like I said until Scribe fell down and Allan went back to school on the G.I. Bill.    

The craving for Dutch and Flemish painting Dad said was easier to explain, at least he thought so. It seemed like this Allan was a holy goof, a wacko to me in our old neighborhood terms out in the leafy suburbs. Dad said, and this is the way Allan explained it to him so take it for what its worth since you know I think it is the uttering of a holy goof. According to this Marxist schematic even though now capitalism (now now or fifty years ago now it doesn’t matter since it is still around) has turned in on itself, has lost its energy, has become a brake on serious human progress that was not always the case. In the early days when it was giving feudalism the boot it was what they called “progressive,” meaning it was better than feudalism and so did things then that could be supported in historical terms by latter day radicals. Okay, Allan, whatever you say.

Here’s where I think it really gets weird, art, all the cultural expressions, get reflected in the emerging new system of organizing society so when Rembrandt say painted those prosperous dour-looking merchants, town burghers, and shop owners (and their wives, also dour, see above. usually in separate portraits showing that had enough real money to pay for two expensive paintings or else couldn’t stand being in the same room together for the long sittings) he was reflecting the bright light times of this new system that would wind up dominating the world. According to Dad Allan and another guy went, I think he said, to the Museum of Fine Arts in Boston Allan where he flipped out over these odd-ball portrait or domestic scene paintings in the 16^th and 17^th century Dutch-Flemish section. Said, and Dad quoted this, that was when capitalism was young and fresh and you could feel it in almost every painting. Also said while the stuff wouldn’t pass art muster today it was like catnip back then. Like I said a holy goof. And if you don’t believe me go, if you are near a major museum which would have such art, and check it out for yourself because young or old, Rembrandt or not, this stuff is old hat as far as I am concerned.      

Why Is Everybody Picking On Ellsworth Kelly Just Because He Figured Out He Liked Colors And Shapes

Why Is Everybody Picking On Ellsworth Kelly Just Because He Figured Out He Liked Colors And Shapes

By Seth Garth

I don’t usually like to get into the mighty thicket of controversy in the art world not having paid all that much attention to trends over the past several years or more since Sam Lowell and then amateur (her designation) Laura Perkins took over the major assignments in that area. Except now I have been challenged on my defense of one Ellsworth Kelly who passed away a few years ago at an old age after have imbibed various art trends most notably color, the color school that formed at least in part to a reaction against the dominance of abstract expressionism and its going off the deep end.  

Here is how this played out since it is hardly a current controversy or even for that matter an ancient one at this point. A friend of mine and I were walking in the Museum of Modern Art in San Francisco when we came upon a series of Ellsworth Kelly paintings, the usual interesting combination of colors and shapes that gave me a gathered collective effect after sitting and observing for a few minutes. That friend asked me point blank whether I liked the configuration or liked any particular piece. I said I liked most of it although I was far from being a color aficionado now, or then when it was serious trend. She responded that the work left her cold, left her somewhat disturbed by the hubris and hinted at the question of questions always hidden in the depths of the art world coterie whether this was really art when you came down to it.    

The match was on. Let’s start off with the true proposition that art is the highest expression of humankind’s capacity to wonder, and to act on that impulse to create some piece of simple beauty in a stark world. The question then becomes taking on the process of decision made throughout history by pros, by the people paying the freight for the productions or by the artist him or herself to create something beyond the mundane to determine what is what in any particular time-or fashion. That is when a million schools contend although more so since the post Renaissance period where fashion and taste have tended to move much faster in the world. Unlike said the period immediately before, medieval times when, the narrow contests were between those who created (and adored) say the Blessed Mother Mary, complete with baby Jesus on lap and putti asunder and the grizzly scenes around the various tortures of Jesus, the Christ before the nailed him to some tree.        

It is that edge, that sense of need to produce something different, to take art in a different direction that has been the most common and explosive development of the last few centuries. And hence to Ellsworth Kelly (and others like the latter Rothko) who having seen high style Impressionism give way to war-torn Surrealism and Dadaism then Abstract Expressionism take the art world by a storm after the latter carnage of World War II reacted in the one of two possible ways-back to some form of representational art which has sustained the profession forever or shift gears and move away from the hodge-podge of abstraction to a more stylized sense of color (and form always together in my book). Brilliant, if not always understandable choice especially with Rothko).       

It is entirely possible (and probable) that my argument will leave that friend who shuttered at colorist works still unconvinced, still shaking her head. But like they say about pornography or other seemingly offensive materials avert your eyes. In any case leave poor Ellsworth alone, please.

“T” For Texas, “T” For Trouble, “T” For Well You Get The Idea, “T”-William Holden And Glenn Ford’s “Texas” (1941)-A Short Film Review

“T” For Texas, “T” For Trouble, “T” For Well You Get The Idea, “T”-William Holden And Glenn Ford’s “Texas” (1941)-A Short Film Review

DVD Review

By Lance Lawrence

Texas, starring William Holden, Glenn Ford, 1941

[In a recent introduction to this new series, a series based on short film reviews for films that deserve short reviews if not just a thumb’s up or down I noted that Allan Jackson, the deposed previous site manager, required his film reviewers to write endlessly about the film giving the material an almost cinema studies academic journal take on it. That caused a serious decline in the number of reviews over the years which I hope to make up with a flurry of snap reviews for busy people. To see in full why check the archives for November 28, 2018- Not Ready For Prime Time But Ready For Some Freaking Kind Of Review Film Reviews To Keep The Writers Busy And Not Plotting Cabals Against The Site Manager-Introduction To The New Series Greg Green]

******  

Hold it I am not going to talk about red state Texas, nor about rising star in some quarters of Beto O’Rourke, nor even about the oil-rich Texas of the 1950s Giant which made James Dean’s short career resume blossom and solidified Rock Hudson as a matinee idol (his subsequent tragic fate, his coming out of the closet with his AIDS announcement does not take away from that 1950s status). No, today we are going back to post-Civil War Texas (which was rebel gray) and the big-time cattle drives that drove that state’s economy well before the oil came gushing out of the ground in the film Texas. We will look at the fortunes of a couple of defeated “Johnny Rebs” trying to make their young ways in the world after their lost cause had been defeated.

The story line hinges on the exploits of Todd, played by Glenn Ford last seen in this space trying to make time with B-movie queen Gloria Grahame very married to a bad ass guy whom she hates but will not give her up and Dan, played by William Holden last seen in this space face down in Norma Desmond’s swimming pool in the high numbers end of Sunset Boulevard in the film of the same name. No, that is not right on the Holden sighting, last seen snapping his provocative jazz beat fingers at provocative come hither Kim Novac in Picnic. They leave the war-weary South to try their luck in Wild West, wide open lawless, or rather make your own law with a gun Texas. Which at the start get them into a series of semi-comic escapades around a stage robbery and end with them on opposites sides in the cattle wars-Todd as the “good guy” herd driver to an insatiable market and Dan as the “bad guy” rustler.

Naturally something has to give, despite their comradeship, and in the end Dan had to go down, had to take the bullet from guys who wanted the whole cattle business to themselves leaving not only “Rustlin’ Dan” out of the picture but Todd as well. RIP Dan, RIP. Oh, wait a minute did I mention, silly me, the love angle. Dan and Todd both were smitten by the same woman, the oddly named “Mike,” hard-headed and independent daughter of a rancher. You know in the end only one guy can be left standing-and there was only one. Dan might have rued his exit, might have asked for a better ending that a few spare bullets to his body but that was the way it was in Wild West Texas. Short enough, Greg?

The 37th Or Something Like That Reincarnation Of Woody Allen’s Epic Los Angeles-New York City Battle-And A Little Romance Thrown In-Woody’s “Café Society” (2016)-A Short Film Review

The 37^th Or Something Like That Reincarnation Of Woody Allen’s Epic Los Angeles-New York City Battle-And A Little Romance Thrown In-Woody’s “Café Society” (2016)-A Short Film Review

DVD Review

By Ronan Saint James

Café Society, starring Jesse Eisenberg, Kristin Stewart, written and directed by Woody Allen, 2016

[In a recent introduction to this new series, a series based on short film reviews for films that deserve short reviews if not just a thumb’s up or down I noted that Allan Jackson, the deposed previous site manager, required his film reviewers to write endlessly about the film giving the material an almost cinema studies academic journal take on it. That caused a serious decline in the number of reviews over the years which I hope to make up with a flurry of snap reviews for busy people. To see in full why check the archives for November 28, 2018- Not Ready For Prime Time But Ready For Some Freaking Kind Of Review Film Reviews To Keep The Writers Busy And Not Plotting Cabals Against The Site Manager-Introduction To The New Series- Greg Green]

I will say this about Woody Allan, a guy can’t be too bad, can’t be too repetitious if he indulges his passions for old time bluesy, jazzy torch singers who are also into jazzing, 1920s and 1930s time frames, and be-bop Benny Goodman as an example big-time swing bands. Even if the story line of this latest production Café Society is a 37^th reincarnation of stories he did much better when he was young and hungry when he wanted to make definite statements that New York City not La-La Land was the epicenter of American cultural expression in whatever condition it found itself. That said this retread still had its points. 

Naturally poor Woody, oops, Bobby, was tired of New York for a minute decided to see the world and headed to Hollywood where a successful talent agent uncle might help him get a leg up in the movie business-maybe follow in “Unk’s” footsteps. Before he could get that leg up though he found his soulmate or who he thought would play that role-as naturally some gentile woman from the Midwest, here Nebraska but you name the vanilla state and can plug it in. So Woody certainly could never have been accused of not rushing headlong into the eternal film saver-boy meets girl trope that has kept many a film from the delete button of late.

That said here is the play once Bobby gets out from under the New York scene (I would not be telling any tales out of school to note that he would scurry back before too long with his tail between his legs-okay) and into the wilds of Hollywood he finds that true love, his uncle’s assistant, receptionist I don’t know what he put down on his tax returns but something to cover the fact that Von, dear Von, is his uncle’s mistress if anybody can use that term anymore with a strange glance. Uncle is ready to ditch wife and all except for a time he dithers and that will give our Bobby his opening. Except (always the Woody “excepts”) when push came to shove and it was mano a mano on who Von was going to marry she went with the uncle. Fast forward: a bunch of years later both Bobby and Von met at some social event in New York and while they did not get it on or anything like that they were both very wistful after departing. Like what might have been. After three divorces and a bunch of affairs that sentiment hit me square in the eye. Again. We are doing short film reviews these days under strict orders from the “boss,” his designation of himself so that is it.

When The Bad Guys Come You Want Sean Connery On The Case -Once Against The Bad Guys Fall Into The Abyss-Sean Connery’s “Presidio” (1988)-A Film Review

When The Bad Guys Come You Want Sean Connery On The Case -Once Against The Bad Guys Fall Into The Abyss-Sean Connery’s “Presidio” (1988)-A Film Review

DVD Review

By Leslie Dumont

   

Presidio, starring Sean Connery, Mark Harmon, 1988

Every since he was 007 James Bond the one man spy ring to save the crumbling British Empire, worth saving or not, Sean Connery has seemingly never given a bad performance. That is the case here with Presidio. Maybe it is Sean’s ruggedly handsome no nonsense looks and his bravado manner but as long as he has played the avenging angel of John Milton’s poetry or some such classic of the Greek or English literary canon he can’t go wrong. In street language he puts the hurt, the big step off on the bad guys. No questions asked, no quarter given.

Of course now, in 2018, the Presidio which brought either terror to young Army recruits when it was a point of debarkation for the hellish war in Vietnam or delight to be on the Pacific West Coast, to be in sunny and thoughtful California if you drew an assignment there, the place is mainly shut up against the Golden Gate Bridge except the golf course which devotee Si Lannon of this publication says is a bear to play (and maybe why avid golfer Connery took the role, just a thought). Of course as well a military installation close by the city streets of San Francisco is going to have some jurisdiction problems if some crime spills out from the fort to those mean streets.

That is the underlying tension between Provost Marshall, the sheriff, chief of police, in military speak played by Connery and one wild boy ex-Army MP, played by Mark Harmon, who was then working for the SF Police Department. A murder, a vicious no hold barred murder if there is any other kind, occurred on the fort and the villains fled to the streets of Frisco town after a wild chase. The murder victim a female MP who was doing her job checking out some suspicious activity at the Officers’ Club. For that she got wasted and for that our man Sean will go to the ends of the earth to find the killers.   

The big problem is why the killers were in the OC anyway, since apparently nothing was taken, nothing that seemed to be out of place. That will be the puzzle both Sean and Mark have to solve. Solved despite a serious disagreement about Mark’s budding affair with Sean’s wayward daughter who has had the angst of every military brat, civilian too come to think of it in trying to find her own identity against that titanic father force. That Mark had problems with the old man while he was an MP adds fuel to the fire.

In the end as expected the case will be solved. As it turned out the deal going down was not the drugs from Asia that I thought at first might be the reason the fort was being used as a transit point to bring the stuff into the country but diamonds, tons of them from the look of things. The cartel dragged down a few soldiers in its wake including a decorated sergeant who got caught in the middle for some problem he had over in Vietnam in the old days. Yeah, watch out bad guys when one Sean Connery comes on the screen your days are numbered.

Just Before The Sea Change - With The Dixie Cups Going To The Chapel Of Love In Mind

Just Before The Sea Change - With The Dixie Cups Going To The Chapel Of Love In Mind

By Lance Lawrence  

There were some things about Edward Rowley’s youthful activities that he would rather not forget, things that defined his life, gave him that fifteen minutes of fame, if only to himself and his, that everybody kept talking about that everyone deserved before they departed this life. That is what got him thinking one sunny afternoon in September about five years ago as he waited for the seasons to turn almost before his eyes about the times around 1964, around the time that he graduated from North Adamsville High School, around the time that he realized that the big breeze jail-break that he had kind of been waiting for was about to bust out over the land, over America. It was not like he was some kind of soothsayer, could read tea leaves or tarot cards like some latter day Madame La Rue who actually did read his future once down at the Gloversville Fair, read that he was made for big events anything like that back then. No way although that tarot reading when he was twelve left an impression for a while.

Edward’s take on the musical twists and turns back then is where he had something the kids at North Adamsville High would comment on, would ask him about to see which way the winds were blowing, would put their nickels, dimes and quarters in the jukeboxes to hear. See his senses were very much directed by his tastes in music, by his immersion into all things rock and roll in the early 1960s where he sensed what he called silly “bubble gum” music that had passed for rock (and which the girls liked, or liked the look of the guys singing the tunes) was going to be buried under an avalanche of sounds going back to Elvis and forward to something else, something with more guitars all amped to bring in the new dispensation. More importantly since the issue of jailbreaks and sea changes were in the air he was the very first kid to grasp what would later be called the folk minute of the early 1960s (which when the tunes, not Dylan and Baez at first but guys like the Kingston Trio started playing on the jukebox at Jimmy Jack’s Diner after school some other girls, not the “bubble gum” girls went crazy over). So that musical sense combined with his ever present sense that things could be better in this wicked old world drilled into him by his kindly old grandmother who was an old devotee of the Catholic Worker movement kind of drove his aspirations. But at first it really was the music that had been the cutting edge of what followed later, followed until about 1964 when that new breeze arrived in the land.

That fascination with music had occupied Edward’s mind since he had been about ten and had received a transistor radio for his birthday and out of curiosity decided to turn the dial to AM radio channels other that WJDA which his parents, may they rest in peace, certainly rest in peace from his incessant clamoring for rock and roll records and later folk albums, concert tickets, radio listening time on the big family radio in the living room, had on constantly and which drove him crazy. Drove him crazy because that music, well, frankly that music, the music of the Doris Days, the Peggy Lees, The Rosemary Clooneys, the various corny sister acts like the Andrews Sisters, the Frank Sinatras, the Vaughn Monroes, the Dick Haynes and an endless series of male quartets did not “jump,” gave him no “kicks,’ left him flat. As a compromise, no, in order to end the family civil war, they had purchased a transistor radio at Radio Shack and left him to his own devises.

One night, one late night in 1955, 1956 when Edward was fiddling with the dial he heard this sound out of Cleveland, Ohio, a little fuzzy but audible playing this be-bop sound, not jazz although it had horns, not rhythm and blues although sort of, but a new beat driven by some wild guitar by a guy named Warren Smith who was singing about his Ruby, his Rock ‘n’ Roll Ruby who only was available apparently to dance the night away. And she didn’t seem to care whether she danced by herself on the tabletops or with her guy. Yeah, so if you need a name for what ailed young Edward Rowley, something he could not quite articulate then call her woman, call her Ruby and you will not be far off. And so with that as a pedigree Edward became one of the town’s most knowledgeable devotees of the new sound. Problem was that new sound, as happens frequently in music, got a little stale as time went on, as the original artists who captured his imagination faded from view one way or another and new guys, guys with nice Bobby this and Bobby that names, Patsy this and Brenda that names sang songs under the umbrella name rock and roll that his mother could love. Songs that could have easily fit into that WJDA box that his parents had been stuck in since about World War II.

So Edward was anxious for a new sound to go along with his feeling tired of the same old, same old stuff that had been hanging around in the American night since the damn nuclear hot flashes red scare Cold War started way before he had a clue about what that was all about. It had started with the music and then he got caught later in high school up with a guy in school, Daryl Wallace, a hipster, or that is what he called himself, a guy who liked “kicks” although being in high school in North Adamsville far from New York City, far from San Francisco, damn, far from Boston what those “kicks” were or what he or Eddie would do about getting those “kicks” never was made clear. But they played it out in a hokey way and for a while they were the town, really high school, “beatniks.”  So Eddie had had his short faux “beat” phase complete with flannel shirts, black chino pants, sunglasses, and a black beret (a beret that he kept hidden at home in his bedroom closet once he found out after his parents had seen and heard Jack Kerouac reading from the last page of On The Road on the Steve Allen Show that they severely disapproved on the man, the movement and anything that smacked of the “beat” and a beret always associated with French bohemians and foreignness would have had them seeing “red”). And for a while Daryl and Eddie played that out until Daryl moved away (at least that was the story that went around but there was a persistent rumor for a time that Mr. Wallace had dragooned Daryl into some military school in California in any case that disappearance from the town was the last he ever heard from his “beat” brother). Then came 1964 and  Eddie was fervently waiting for something to happen, for something to come out of the emptiness that he was feeling just as things started moving again with the emergence of the Beatles and the Stones as a harbinger of what was coming. 

That is where Eddie had been psychologically when his mother first began to harass him about his hair. Although the hair thing like the beret was just the symbol of clash that Eddie knew was coming and knew also that now that he was older that he was going to be able to handle differently that when he was a kid.  Here is what one episode of the battle sounded like:                   

“Isn’t that hair of yours a little long Mr. Edward Rowley, Junior,” clucked Mrs. Edward Rowley, Senior, “You had better get it cut before your father gets back from his conference trip, if you know what is good for you.” That mothers’-song was being endlessly repeated in North Adamsville households (and not just those households either but in places like North Adamsville, Hullsville, Shaker Heights, Dearborn, Cambridge any place where guys were waiting for the new dispensation and wearing hair a little longer than boys’ regular was the flash point) ever since the British invasion had brought longer hair into style (and a little less so, beards, that was later when guys got old enough to grow one without looking wispy, had taken a look at what their Victorian great-grandfathers grew and though it was “cool.” Cool along with new mishmash clothing and new age monikers to be called by.).

Of course when one was thinking about the British invasion in the year 1964 one was not thinking about the American Revolution or the War of 1812 but the Beatles. And while their music has taken 1964 teen world by a storm, a welcome storm after the long mainly musical counter-revolution since Elvis, Bo, Jerry Lee and Chuck ruled the rock night and had disappeared without a trace, the 1964 parent world was getting up in arms.

And not just about hair styles either. But about midnight trips on the clanking subway to Harvard Square coffeehouses to hear, to hear if you can believe this, folk music, mountain music, harp music or whatever performed by long-haired (male or female), long-bearded (male), blue jean–wearing (both), sandal-wearing (both), well, for lack of a better name “beatniks” (parents, as usual, being well behind the curve on teen cultural movements since by 1964 “beat”  except on silly television shows and “wise” social commentary who could have been “Ike” brothers and sisters, was yesterday’s news).

Mrs. Rowley would constantly harp about “why couldn’t Eddie be like he was when he listened to Bobby Vinton and his Mr. Lonely or that lovely-voiced Roy Orbison and his It’s Over and other nice songs on the local teen radio station, WMEX (he hated that name Eddie by the way, Eddie was also what everybody called his father so you can figure out why he hated the moniker just then). Now it was the Beatles, the Rolling Stones and a cranky-voiced guy named Bob Dylan that has his attention. And that damn Judy Jackson with her short skirt and her, well her… looks” (Mrs. Rowley like every mother in the post-Pill world refusing to use the “s” word, a throw-back to their girlish days when their mothers did not use such a word.)     

Since Mrs. Rowley, Alice to the neighbors, was getting worked up anyway, she let out what was really bothering her about her Eddie’s behavior, "What about all the talk about doing right by the down-trodden Negros down in Alabama and Mississippi. And you and that damn Peter Dawson, who used to be so nice when all you boys hung around together at Jimmy Jacks’ Diner [Edward: corner boys, Ma, that is what we were] and I at least knew you were no causing trouble, talking about organizing a book drive to get books for the little Negro children down there. If your father ever heard that there would be hell to pay, hell to pay and maybe a strap coming out of the closet big as you are. Worst though, worst that worrying about Negros down South is that treasonous talk about leaving this country, leaving North Adamsville, defenseless against the communists with your talk of nuclear disarmament. Why couldn’t you have just left well enough alone and stuck with your idea of forming a band that would play nice songs that make kids feel good like Gale Garnet’s We’ll Sing In The Sunshine or that pretty Negro girl Dionne Warwick and Her Walk On By instead of getting everybody upset."

And since Mrs. Rowley, Alice, to the neighbors had mentioned the name Judy Jackson, Edward’s flame and according to Monday morning before school girls’ “lav” talk, Judy’s talk they had “done the deed” and you can figure out what the deed was let’s hear what was going on in the Jackson household since one of the reasons that Edward was wearing his hair longer was because Judy thought it was “sexy” and so that talk of doing the deed may well have been true if there were any sceptics. Hear this:      

“Young lady, that dress is too short for you to wear in public, take it off, burn it for all I care, and put on another one or you are not going out of this house,” barked Mrs. James Jackson, echoing a sentiment that many worried North Adamsville mothers were feeling (and not just those mothers either but in places like Gloversville, Hullsville, Shaker Heights, Dearborn, Cambridge any place where gals were waiting for the new dispensation and wearing their skirts a little longer than mid-calf was the flash point) about their daughters dressing too provocatively and practically telling the boys, well practically telling them you know what as she suppressed the “s” word that was forming in her head. She too working up a high horse head of steam continued, "And that Eddie [“Edward, Ma,” Judy keep repeating every time Mrs. Jackson, Dorothy to the neighbors, said Eddie], and his new found friends like Peter Dawson taking you to those strange coffeehouses in Harvard Square with all the unwashed, untamed, unemployed “beatniks” instead of the high school dances on Saturday night. And that endless talk about the n-----s down South, about get books for the ignorant to read and other trash talk about how they are equal to us, and your father better not hear you talk like that, not at the dinner table since has to work around them and their smells and ignorance over in that factory in Dorchester.  And don’t start with that Commie trash about peace and getting rid of weapons. They should draft the whole bunch of them and put them over in front of that Berlin Wall. Then they wouldn’t be so negative about America."

Scene: Edward, Judy and Peter Dawson were sitting in the Club Nana in Harvard Square sipping coffee, maybe pecking at the one brownie between, and listening to a local wanna-be folk singing strumming his stuff (who turned out to be none other than Eric Von Schmidt). Beside them cartons of books that they are sorting to be taken along with them when head South this summer after graduation exercises at North Adamsville High School are completed in June. (By the way Peter’s parents were only slightly less irate about their son’s activities and used the word “Negro” when they were referring to black people, black people they wished their son definitely not to get involved with were only slightly less behind the times than Mrs. Rowley and Mrs. Jackson and so requires no separate screed by Mrs. Dawson. See Peter did not mention word one about what he was, or was not, doing and thus spared himself the anguish that Edward and Judy put themselves through trying to “relate” to their parents, their mothers really since fathers were some vague threatened presence in the background in those households.)

They, trying to hold back their excitement have already been to some training sessions at the NAACP office over on Massachusetts Avenue in the Roxbury section of Boston and have purchased their tickets for the Greyhound bus as far as New York’s Port Authority where they will meet others who will be heading south on a chartered bus. But get this Pete turned to Edward and said, “Have you heard that song, Popsicles and Icicles by the Mermaids, it has got great melodic sense.” Yes, we are still just before the sea change after which even Peter will chuckle about “bubble gum” music. Good luck though, young travelers, good luck.

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars