Friday, February 07, 2020

Memories Of Victor Lazlo-With The Anniversary Of Ingrid Bergman And Humphrey Bogart’s “Casablanca” In Mind

Memories Of Victor Lazlo-With The Anniversary Of Ingrid Bergman And Humphrey Bogart’s “Casablanca” In Mind





By Bradley Davis

[For those in America who do not know, or have forgotten, the name Victor Lazlo who died on January 20, 1989 he was a living legend during World War II as the key leader of the armed civilian resistance to the Nazi juggernaut that tried to permanently roll over Europe. First in his native Czechoslovakia where he stood in the main square attempting to rally Czech resistance as the Germans crossed the border to “claim” what they saw as their historic hinterlands. Hardly the first crew to run that argument to the ground before the wrath of the risen people put paid to that notion. Later after the Germans had captured Lazlo and put him in concentration camps he became one of the last hopes in those dark days for the average occupied European when he repeatedly escaped from the Nazi barbed wire enclaves to fight another day. That despite repeated German High Command announcements complete with photographs that the brave man was dead. Only to appear again and again until even the Germans saw it was useless to make an example of Lazlo once he made his way to Casablanca along with a very much younger woman companion, Ilsa, to forge a working resistance underground network to jam up the Germans as best they could.   

Strangely Lazlo came from a very well-to- do family who had done well in the munitions business (which the Nazis took over with every hand once they crushed benighted Czechoslovakia) and could have easily gotten out of Prague and into London or Paris before all hell broke loose. But the times demanded “no heads in the sand” and so some layers of society whom one would not expect to dirty their hands with the work usually left to the plebian masses found a calling. For a short time after World War II there were several statues dedicated to Lazlo’s service in Prague and other Czech towns, a few in other grateful liberated countries too, which were taken down during the Soviet period. They were eventually restored well after 1989 too late for Lazlo to bask in his well-deserved accolades.

Lazlo’s death prompted some of those of his comrades still alive, a dwindling number as the actuarial tables grind away, to write about their heroic leader. One whose article I had seen in the New York Gazette I contacted at the time through a friend who worked at the paper. His name Christian Berger, Danish by birth and subsequently a naturalized American citizen. He had been part of Lazlo’s underground operation and had actually helped get Lazlo and Ilsa out of Casablanca to continue his work without having to look over his shoulder every minute for some dastardly pro-Nazi assassin looking to get a name for himself.

This Casablanca period in Lazlo’s exploits has been the subject of some differences among those who have written extensively about the armed civilian resistance during the war. About those who fought the Nazis and their various national indigenous allies as best they could. The main bone of contention in the matter is who actually set the wheels in motion to get Lazlo out of Casablanca. During the war it was always, correctly it seems, assumed that the local branch of Lazlo’s operation-the Knights Templar- got him out. 

Immediately after the war though an American ex-patriate, Rick Blaine, who during the war and for many years after ran a gin joint in the Casbah, Rick’s Café Americian, claimed that as a gesture of love for Ilsa, who was actually Lazlo’s wife which they were keeping quiet for security reasons and to protect Ilsa if the Germans found out their real relationship, gave the couple a pair of “letters of transit” to get on the nightly midnight plane to neutral Lisbon. No such documents were ever found in any archive or file. The failure to not find the missing documents would not have been conclusive since in wartime all kinds of regular business are churned up and lost in movements and withdrawals but would have helped Blaine’s case immensely. For years after the war Lazlo, long after Ilsa had left him for an English nobleman and a country estate and not having seen Rick since 1941, insisted that there were no letters of transit and while not calling Rick Blaine a liar he always claimed the local Knight Templars were the agents through which he escaped.              

Since Lazlo’s death the Rick allegations have resurfaced and have had some champions, romantic fools mostly, who have bought into that long ago gesture of love business. The following is Christian Berger’s take on the matter from his perspective as the leader of the local ex-pat resistance which found itself stranded in Casablanca during those troubled times. Bradley Davis] 

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Sure I knew Victor Lazlo, the great Czech World War II anti-fascist liberation leader, who passed away the other day at 91, the day George H.W. Bush was sworn in as President of the United States here in America. I first met him in Casablanca, down in Morocco, the part that the French, the Vichy French, had control of not the Spanish part. In those days, the days when one scourge Adolph Hitler, his minions, and his tanks were making mincemeat of Europe I, Christian Berger, having barely escaped with my life from my native Denmark got to Casablanca through the underground network that Victor Lazlo was the key man setting up once the night of the long knives set in over the benighted continent.

I have been a life-long working man, a dock-worker, a union man with the ILA in Copenhagen and Newark, New Jersey here in America who had been then a part of a small socialist resistance unit who had as the Nazis came waltzing into Denmark blown up as many tunnels and other impediments as possible to slow down their inevitable march. My, our, escape was a close thing since I, we, had to get through France, the southern part that was controlled by Vichy, by those damned French collaborators with the Nazi Germany regime which had set itself up in fallen Paris with papers that were not too good. Papers that claimed I was from the Ukraine since Russia was in some kind of devil’s pact with Hitler at the time. The customs officers at Marseilles had a hard time believing I was a Slav what with me looking like the map of Copenhagen and talking like some Nordic skier seen in the movies in one of those sports films in the mountains which dealt mainly with love interests back in the 1930s. I got through okay, took a derelict freighter across the Mediterranean through Algiers (again with papers problems but since I had been stamped by French officials in Marseilles less so) and down to Casablanca where I was to await orders to either head to America via the midnight plane to Lisbon, the only safe neutral spot at that point,  and then across the Atlantic to raise funds from among the Scandinavians sprouted throughout the Midwest or head back to Vichy France with some others stranded in Casablanca and join the French resistance which was beginning to be organized (mainly then by loosely affiliated individuals and later by the Communists after Hitler turned the tables on “Uncle Joe” Stalin and did a massive invasion of Russia).  

My cover strange as it seemed given my real background in Casablanca was as a jeweler since we needed to be able to move money without having the fucking French, fucking Louie the corrupt Captain of the [A1] [A2] [A3] [A4] [A5] coppers looking over our shoulders every minute. An out of the suitcase seller was my cover but mostly I was a buyer of high-priced gems at a fraction of the price since anybody who made it to that sullen town needed plenty of dough to not be condemned to die in the damn place. I was looked at as either a bastard for robbing the unfortunates who wound up there or a savior for giving that last bit of money they needed to make arrangements to get out of that hellhole. That made me look like the real thing as people either enjoyed my company or avoided me like some dreaded medieval plague.

I was in those days just hanging out in Casablanca awaiting orders about which way I was heading, hanging out mostly at Rick’s Café Americian where every transient exile went to do any kind of transaction, legal or illegal, or just to get the sand out of their mouths with some of Rick’s high-end liquor which he obtained on the international black market which had its heyday then for quality goods. I did a little work in that market as well to strengthen my cover and met some strange guys, a guy like Santo Diaz who would have stolen the shirt off your back and sold it back to you for twice what you paid for if the weather was too hot or too cold to go bare-chested but who had so many connections that I would have paid the price if he had taken my shirt. Some of the more bewildered and younger transients came just to dance and listen to a guy, a black guy everybody called Sam but whose real name was Dooley something, sorry I forgot his last name, play all the current Tin Pan Alley tunes on his piano (accompanied by a pretty good back-up band). Everybody went crazy over his rendition of If I Didn’t Care although Rick would make sure he played I’ll Get By every set although he once told me he hated the damn song thought it was pretty corny and not well-written ne but Rick was the boss and so the damn thing got played every set (the customers apparently once they got a load on didn’t know he played the song three times a night. As least I never heard anybody complain on the matter).

I will mention this Rick, Rick Blaine, originally from New York City in America I believe he said when I asked one time when he offered to buy me a drink after buying some jewels from one of his lady friends, Rita, a luscious redhead, whom he had picked up in Senor Ferrara’s whorehouse in the Casbah where he stocked plenty of loose European women for the local wealthy trade who seemed to have tired of their own kind and  whom he wished to get rid of on the next flight to Lisbon. (The  jewels which he had bought from me in the first place when his love was in fresh bloom as he expressed it to me upon purchase and which I had gotten on the black market and given him a good price on to help establish myself as a regular at Ricks’. Tiring of redhead and blondes, brunettes too was a luxury that Rick could afford with the proceeds from his gambling racket and letting his place be used by a guy named Frenchie for his pimping transactions. Yeah, Rick was that kind of guy even then.) 

Right now though I want to mention the first news I had heard that made me think we might win against that bastard Hitler and his henchmen like General Petain who was running Vichy France. Like I said I belonged to the same resistance organization that Victor Lazlo had set up after the Germans occupied Czechoslovakia-The Knight Templars was our code name and an old time Celtic cross our means of identifying each other. Mine I had placed in a ring that I would take out occasionally and look at as my own possession, so people, so the local Vichy cops, the swine, would not think to look there. Lazlo was so much the public face of the organization that when the Germans captured him the morale of the organization sank like a stone. Then we would hear that he had escaped, usually with the help of local Knights Templars. 

A few times the Germans claimed they had killed him and then he would be sighted again. A real old-time romantic revolutionary, old school no question even though he had been brought up in a very upper middle class bourgeois family. The last time we heard he was killed we thought that really was the end. Then one day out of the blue we got news that Lazlo was not only not dead but had escaped again and was heading to Casablanca. Elated we prepared for his arrival. That meant that the local organization that I had put together would have to insure that Victor Lazlo was able to get out of Casablanca and get to Lisbon and head to London or New York depending on what we could do for him.          

One night bold as we figured him to be Lazlo walked into Rick’s, walked in with the Nordic goddess, a Swede from her looks, a woman who I would later find out whose name was Ilsa, Ilsa Lund, whom he was either married to (privately) or was shacked up with. In any case a good looking dame although quite a bit younger that Lazlo. Lazlo by the way was a tall, kind of thin good-looking guy who always dressed like he had just come out of a men’s magazine. Everything about him spoke of coolness under pressure and strong nerves. I would not say that he was a lady’s man, more of a man’s man but not a few femmes in Casablanca threw glances his way so he must have appealed to a certain kind of woman. Frankly this Ilsa didn’t seem his type but she must have had her charms and some kind of unknown back story to be attached to his arm coming half way across Europe hunted in every quarter.

Now Rick’s was not only the favorite of the transients looking for something but also the favorite watering hole of the Germans assigned to watch over the local Vichy government and the Vichy cops and bureaucrats, especially Louie, everybody called him Louie except his men, the Captain of the cops. Cool as a cucumber Lazlo walked in, sat at a ringside table ordered a couple of drinks, martinis I think, for himself and his lady friend and checked things out. I knew at once he was looking for me. Although we had never met I knew he would have known that the local organization existed and that somebody would contact him once he was safely in Casablanca. Once I spotted him I went over and showed him my ring. We were in business, the business of getting him to Lisbon and whatever future work would come his way. Our relationship for the short time we were together then was cordial and he displayed no class superiority like some of the unattached intellectual French resistance fighters did. (Lazlo and I met a few times after the war when he came to America after Ilsa had left him from that British title and estate and after the fall of Czechoslovakia to pro-Soviet elements who had given him the options-exile or jail.)

I have read different stories over time about how some so-called letters of transit were what got Lazlo and his Ilsa out of Casablanca in a nick of time. I have heard that Rick, Rick Blaine, a guy who stuck his neck out for nobody somehow was holding them for a little two-bit con man named Peter Lorre who got caught and Rick was going to use them himself but gave them to Lazlo for him and Ilsa to get out of town as a gesture to love. Bullshit, excuse my Danish-etched English. Never happened, somebody must have been at the hashish pipe too long. But the story, stories, have persisted to this day and even the New York Times in its obituary for Lazlo mentioned that hoary tale as if it was the real deal. So it is worth going into before I tell what really got Lazlo and Ilsa out of Casablanca and allowed him to lead the freedom fighters of Europe against the night-takers.

According to the stories, I will use the story the Times used since in its particulars it gives most of the current view that has been going around forever. Rick, who passed away in the mid-1970s still stuck in Casablanca selling hashish to the locals in collaboration with a couple of unsavory characters in the Casbah when Rick’s Café went to seed after the war, knew this Ilsa, this Ilsa Lund who was travelling with Lazlo, in Paris before the war started. The stories mainly agree that they had some kind of torrent affair, some serious time under the sheets after Rick had escaped from Spain once Madrid fell in 1939.

Supposedly Rick had been at one time in the International Brigades helping the Loyalists defend the Republic against the military machine of General Franco who was aided in no small way by the Germans. Later when the Brigades were withdrawn he stayed on as a free agent until Madrid fell.  I had a chance later after the war to check out what Rick had done exactly in Spain, or if he had even been there with some guys I met from the Abraham Lincoln Battalion of the 15th Brigade, the American section. I could never get anything to prove he was, or was not, there but since everybody used aliases anyway I let it ride. I will say that Rick never let anybody believe otherwise than that he had been with the good guys but he didn’t talk about it much one way or the other. Ran his saloon business he called it and never let on about this torrid affair with Ilsa as the cause of his brooding many nights from what his head waiter, Charles, told me. Drank by himself stupid alone or with some whore or princess who needed dough to flee to Lisbon. Always discarded them or shipped them off to Louie when he was done with them.          

Everything changed when Ilsa came walking in hand and hand with Lazlo. You could feel the tension in the air when Rick spotted her after being told Lazlo was in the café. Even sitting at the bar later waiting for Lazlo to come and get the low-down on the local situation from me I could see that Ilsa and Rick had had a big thing in Paris. Could see too that it was not Rick who walked away from her. But I could also see, knowing Scandinavian women a little that Ilsa would not be found wanting for company, would always find a safe haven even hanging around with a guy like Victor Lazlo. I won’t say she was a whore, although in a tight spot she might have been a high class call girl to make ends meet. But that look, that pasted innocent look which certain jaded women can put on or take off like their daily make-up told of a few dark secrets that somebody less worldly than Lazlo (or Rick for that matter) would have gone screaming into the night over. But all of that is sheer speculation on my part about her past and it may have all come to being nothing like that. She didn’t need that, need to play the virgin whore since guys would be more than happy to give her whatever she wanted for a little attention, maybe a little loyalty too. But I insist to this day her rose-petal pure and simple young woman was a façade, was a game she played to insure her own future. Whatever had broken up her and Rick in Paris didn’t seem to have touched her at all. Just another affair and move on. That’s the best way that I can explain it.

You would have had to have been there to see her effect on men, tough men like Rick and Lazlo to get a real feel for what was driving everybody crazy. (I will admit that one time when she was waiting at the bar for Lazlo to show after a meeting and I was sitting a few seats down that her wayward smile my way and that scent she wore, gardenia, something like that had me going too since I had left my Danja back in Denmark and had not been with a woman for a while.) All I know for sure was that she was not leaving Casablanca alone and without resources.   

That part was real enough. What was not real and nobody ever to my knowledge ever produced any documents which would pass muster, would not fool even a gullible U.S. customs inspector were those so-called letters of transit. Of course if they had existed then many things would have made sense, or more sense. You have to understand how desperate people were who were able to get to Casablanca in those days and who either by lack of resources or no luck looked like they were never going to get out of there, were going to as Rick once said to Charles as I overheard a conversation between them “die” there. (There is a certain irony in the fact that he did die there pretty wealthy from what I heard about his take on the drug trade and a little off-hand pimping of the local Casbah girls). To hear about “no hassle” just sign your name documents fired many an imagination. Made people believe in what was nothing but thin air.

The whole thing was a concoction made up by this Peter Lorre, a two-bit con man, a German ex-pat of some sort, probably saw no benefit to himself to stay in Germany after 1933 since while Hitler had an assortment of hangers-on, flaks, devotees, and bone-crushers two-bit non-ideological con men were being run out of town and fast.  Hell he could hardly pay his bar tab never mind his rent. Borrowed money off of me (with interest which I never got as it turned out nor payment one on the loan) to get some stuff out of hock. He took advantage of the news, the real news, that two German officers had been killed on their way to Casablanca and figured that he could make a “killing” maybe several, by getting money upfront from those desperate people stranded and running out of hope by saying he had some fool-proof documents which real letters of transit would be no question about that. Of course this idea fizzled when Louie to impress the German officers watching the henhouse decided that Lorre was the perfect guy to take the fall for the killing of the two Germans. He staged a big raid at Rick’s one night for just that purpose, just to impress this bigwig Major Strasser nothing but a strutting fool if you asked me. They found Lorre out in the sand about twenty kilometers from the Casbah a few weeks later with two slugs to the head.

Funny Lorre just before the end in the café had passed a couple of crude documents that he called the letters of transit to Rick from what I heard for safekeeping. Those documents were of the crudest sort that even a half-wit would have been able to see that they were nothing but forgeries and bad ones at that. Would make the possessor who tried to use them prime bait for the concentration camps the Germans were setting up all over occupied Europe.                        

Rick was slick though, or maybe better love sick since he never let on at the time that Lorre had conveyed the “documents” to him or that he knew that they were crudely forged documents. So as far as anybody in Casablanca knew, or wanted to know, like I said they were still around town. Somehow Lazlo found out that Rick had these documents, or some documents and tried to bargain Ilsa, or rather Ilsa’s safe passage out of Casablanca for some sum of dough to be forwarded later. No sale even though while they were discussing the matter Rick let on about the torrid affair in Paris and Lazlo, eternally a European sophisticate, brushed it off as so much collateral damage of war. Lazlo probably knew better than anybody the slightly sluttish side of Ilsa when she wanted something so he probably went to Rick first before she made her charge at the love sick guy.

Which came the next night while Victor and seemingly half the foreigners in town, including me were at a meeting to plan his escape and our tasks after he left. (I was to go to Europe to join the resistance and did not get to America until a few years after the war when I married an American citizen whom I met in Paris right after Liberation day. I never saw Danja again after I fled Denmark and so do not know what happened to her after the fall).    

Ilsa must have really given Rick the business, the whole pitch since when she left his room all disheveled she had made a promise to go away with Rick and forget about Lazlo. Yes, I think I was right that she knew all the arts, probably gave him a blow job to seal the deal since most guys will buckle under if they have some gal “play the flute” for them. Since he had nothing to get out of Casablanca with Rick stalled her as long as he could until the Germans, using Louie as a front man, were ready to grab Lazlo. It was a close thing. When Rick came up empty he would wind up spending many lonely nights thinking about Paris and that last night up in his room with her because Ilsa was back in Victor’s fold when things were getting dicey. So much for the Rick legend which he pursued mercilessly I understand after the war when he claimed that that without him and those so-called letters of transit Lazlo would have been a goner, and by implication that Europe would still be under the Nazi boot heel.    

The real story which I can tell now that Victor Lazlo is in his honored grave, Rick is long gone to his rather shabby grave and Ilsa ever since a couple of years after the war is the Countess of Kent and not bothered by anything these days since she suffers from a series of mysterious diseases. The long and short of it was when that bastard Major Strasser ordered Louie to round up Lazlo with or without Ilsa we, the local branch of the Knights Templar, kidnapped the Major and executed him out in the desert not far from where Lorre had been found earlier. We then held Louie at gunpoint while we ordered him to clear the airport and allow Lazlo and Ilsa to board the late night plane to Lisbon. No big mystery just what freedom-fighters did when they had to face the facts of life at any given moment. The rest is so much thin air. RIP, Victor Lazlo, RIP.     

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The Struggle In Ireland In Song-The Harp Beneath The Crown- With The Chieftains In Mind

The Struggle In Ireland In Song-The Harp Beneath The Crown- With The Chieftains In Mind




By Sam Eaton

“I’m as Irish as the next goddam bogger,” shouted Jack Callahan, “I just don’t like to wear it on my sleeve. I don’t have to break out in song every time I think about what my maternal grandfather, Daniel Patrick Riley and that should be Irish enough for you, called the “old sod.” For him it was the old sod since his own grandparents had come over on the “famine” ships in the 1840s after the bloody Brits had starved them out of County Kerry with their wicked enclosure policies so they could have grazing land for their sheep or something and they, the Brits hoarding enough food for a full larder for everyone and the starved broken bodied piling up on the roads after eating tree bark or something you wouldn’t feed a pig. At least that was the way my grandfather told me his grandfather told him.” 

Jack’s whole uproar over his heritage, over his bloody green flag, harp beneath the crown heritage had been brought about innocently enough as he and Bradley Fox, a friend whom he had known since his school days at Riverdale High, sat in The Plough and Stars bar on Massachusetts Avenue in Cambridge when Bradley had mentioned that the Chieftains would again be doing their yearly series of shows around Saint Patrick’s at the Wang Center in downtown Boston and had assumed that Jack would once again jump at the chance to show his green side.

And that outburst was the way that Jack had answered him with some put-upon air of righteous indignation that he had to prove himself and his Irish-ness. Prove it he added to a half-breed like Bradley whose own father was descended from the bloody Brits, had only with fire and determination on his mother’s part had he been brought up in the true church rather than some heathen Protestant chapel with those god-awful hail high Jehovah psalms beseeching an unjust god to forgive them their bloody heathen sins, and who had only been saved by his mother’s full-blooded Irish lineage (his mother’s great-great grandfather having come over on the famine ships with Jack’s maternal great-great-great grandfather if that was the right number of “greats”)from being totally ostracized in the whole neighborhood by the old “shawlies” who commented on every little deviation. So no this year he would not be going to the annual concert, maybe would not even go to the Saint Patrick’s Parade over in South Boston which he had been going to since he was a kid although less frequently over the previous few years as he had lost patience with the drunks, the rowdies and the one-day-a-year Irish. The Polish Irish they would call them when they were kids, the Poles being the other big ethnic group in the town, the ones who worked on the watch factories that had dotted the river in those days. They would come into school on Saint Pat’s Day all in green calling themselves MacWalecki or something. That was the way the two old friends left it that night, left like they did many a blow-up argument with a semi-smile since half the time after a certain hour or a certain number of whiskeys they would collapse in on their arguments. This one had that same fate.            

[What Bradley did not know that night, did not know for several more weeks, was that Chrissie (nee McNamara) Callahan, Jack’s wife of many more years than any of them wanted to count and who had been the classic high school sweethearts was giving signals that she wanted to leave Jack now that the kids were grown and they were “empty-nesters.” Wanted to in her words “find herself” before it was too late and that she had felt like a stranger in Jack’s presence. That fate weighted heavily on Jack since Chrissie had been his rock through those many years and he was not sure what he would do if she left him high and dry like that. Tried to argue her out of her thoughts always going back to the usually tried and true argument about how they had first gotten together and that night had pledged their eternal love. Bradley had known that story since he had been at Molly’s Diner the night it happened. Jack had had a crush on Chrissie since sixth grade when she had invited him to her twelfth birthday party and as such things went at “petting parties” she had given him a big kiss that he never really forgot about. But being shy and self-conscious he never pursued the matter. Time passed and as they entered high school it turned out that Jack was a hell of a football player who led his team to the state division championship senior year.

So Jack could have had any girl he wanted from sophomore year on. But he still retained his Chrissie thing and his shyness. Chrissie had been harboring some such feelings as well although as more outgoing and a beautiful girl she did not lack for dates and the evil intentions of guys. One Friday night in the later fall of sophomore year though she had had enough and knowing that Jack and the boys would be at Molly’s playing the latest rock hits on Molly’s jukebox while having their burgers and fries she went into Molly’s front door, drew a bee-line to Jack, and to Jack’s lap. The way Bradley always described it later was that Chrissie had had such a look of determination on her face that it would have taken the whole football team to get her off that lap. A look a Jack said that it would take the whole football team and the junior varsity too to get her off his lap. So that night their eternal love thing started. Jack had told Bradley in confidence that he could have had anything Chrissie had to offer that night when they left Molly’s for Jack to take her home. That would come later, the next spring when on Saint Patrick’s’ Day night after the parade was over and after they had both consumed too many illegal beers they went over to nearby Carson Beach and Chrissie had given Jack all she had to offer. So those mist of memories had been were driving Jack dyspeptic response to Bradley’s question.]              

Later that night after Jack got back to Hingham where he had his business, his Toyota car dealership (he was perennially Mr. Toyota in Eastern Massachusetts), and his too big house, Chrissie asleep upstairs (in one of the kids’ bedrooms, so that was the way things were just then) turned the light on and went into his den. Sat down on his easy chair and turned the light off. He had just wanted to think in the gentle dark about how he was going keep Chrissie with him but he found that he started to drift back to the days in Riverdale when he was a kid and being Irish meant a lot to him, felt he had to uphold the Easter, 1916 brotherhood, had to buck the trend that his parents and their generation had bought into-becoming vanilla Americans. Losing the old country identities that men like his grandfather held too with granite determination in the flow of too many other trends driving them away from what they had been, where they had come from in this great big immigrant-driven country.           

All the funny little rites of passage. First of all listening to his grandfather’s stories about the heroic men of 1916 (women too but they slipped through cracks in his telling the womenfolk being held in the background in that generation), above all James Connelly who had place of pride on his grandfather’s piazza wall. Then the times once his grandfather was in his cups a bit the singing of all the old songs, some he had never heard of then but which later he would find were ancient songs going back to Cromwell’s bloody hellish times. Later when he and his friends, usually not Bradley since his father was adamant that he not attend some frivolous doings, would sneak out of school, walk to the bus which would take them to the Redline subway station and over to South Boston and the Saint Pat’s Parade. See that day, March 17th was a holiday in Boston and Suffolk County, not Saint Pat’s Day but Evacuation Day, the day the colonial patriots drove the bloody Brits out of Boston during the American Revolution. But Riverdale in Middlesex County did not get a holiday hence the sneaking out of school.

Of course of all the Saint Pat’s Days the night he took all Chrissie had to offer stood well above all others. He thought about how Chrissie, all prim and proper on the outside, at first refused to skip school until he made a fuse over it that he wouldn’t have any fun without her. That got to her, and so they went with Jimmy Jenkins, Frankie Riley and a couple of other girls whose names he could not remember over to South Boston. They ran into one of Jack’s older cousins who gave them some beers. At first Chrissie balked at drinking the stuff but Jack said just take a sip and if she didn’t like it that was that. Well she liked it well enough that day (which was probably the last time she had beer since thereafter it was respectfully Southern Comfort, mixed gin drinks, and later various types of wine). They drank most of the afternoon, had somehow lost the rest of the crowd from Riverdale and Jack saw his big play. He asked Chrissie if she wanted to go to the beach to sit on the seawall and watch the ocean before going home. She didn’t resist that idea.  So they went to Carson Beach as it was starting to get dark, went to a secluded area near the L Street Bathhouse, and started to “make out.” Jack began to fondle her breasts and she didn’t push him away, didn’t push him away as he put his hand between her thighs either, actually held his hands there. And so they as they saying went after a Howlin’ Wolf song they had heard on Molly’s jukebox did the “do the do” for first time. He blushed as he thought about that first time and how they, foolish high school kids, didn’t have any “protection,” didn’t even think about such an idea. Later they got wise but then they were as naïve about sex and what to do, or not do, about it as any two Irish kids could be.

Jack as he sat there in dark then thought enough of this or he might head up those stairs, kids’ room or not. But above all that night he thought about his sainted grandmother, Anna, by his account, by all accounts, a saint if for no other reason than she had put up with his grandfather and his awful habits but also because she was the sweetest woman in the whole neighborhood and was not, it bears repeating, not afraid of the “shawlies” and their vicious grapevine (which had even caught wind of his and Chrissie’s trysts although they denied the whole thing every time somebody mentioned it-they were after all as good  virginal Catholics as anybody else in the neighborhood so there). He then remembered how when he was young she would sing the songs from the old country while she was doing the washing (the old-fashioned way with scrub board and wringer, clothesline-dried), Brendan on the Moor, Kevin Barry, The Rising of the Moon, and many others. He would always request The Coast of Malabar, ask her to sing it twice when she was in the mood. Such a song of being away from home. He always loved it when the Chieftains played the song as a part of their show.          

Jack had that song on his mind the next morning when after Chrissie had come down for her morning coffee he asked her, half expecting to be turned down, if she wanted to go to the Chieftains concert in March. She brightened and said “yes, yes of course.” Later that day he sheepishly called Bradley and told him to order three tickets for the Chieftains concert. Bradley chuckled. Enough said.         

In Defense Of Consumer Spending- With The Film Adaptation Of Sophie Kinsella’s “Confessions Of A Shopaholic” (2009)-A Film Review

In Defense Of Consumer Spending- With The Film Adaptation Of Sophie Kinsella’s “Confessions Of A Shopaholic” (2009)-A Film Review



DVD Review

By Seth Garth   

Confessions Of A Shopaholic, starring Isla Fisher, Hugh Dancy, from the novels of Sophie Kinsella, 2009

I can’t believe that I have been given an assignment dealing with the addiction of shopping, girl’s stuff, Confessions Of A Shopaholic starring Isla Fisher as Rebecca, a girl’s film that should by right be done by somebody who knows something about the subject, about shopping. For myself I am like the guy, like Luke the money magazine editor, played by Hugh Dancy have set world records for shopping and getting the hell out-fast. But this is the genesis of how I got this turkey, turkey for me not for the people who might get a few chuckles out of the film or could relate to this shopping mania. Greg Green, the new site manager who has very different ideas about the way forward for this site, has been looking, has been foundering as far as I am concerned trying to grab a larger, younger audience and has been running a streak of so-called super-hero bang-bang films and now has branched out to this kind of odd-ball comedy to grab the shopping consuming crowd which peaks on Black Friday after Thanksgiving Day I guess. He had originally approached Leslie Dumont but she balked having written two consecutive women-related film review and had expressed in print that she did not want to be tagged as the token “women’s page” writer. Rebuffed then Greg approached me under the principle of “broadening my horizons” and having avoided those super-hero films could not back off. So here we are.       

Here we are beyond the obvious boy meets girl theme which I will address later that Hollywood has been hatching and working for its entire existence. Rebecca is a shopaholic who also happens to be a journalist working for a low-rent gardening magazine who has dreams of working for the bigs, for a high end fashion magazine on her career rise. By hook or by crook she gets a job working for the aforementioned Luke in a smart money magazine owned by the same parent company who owned the fashion magazine. That will start the long haul attraction which will lead to their love affair by film’s end.

Along the way it turns out that the perky, vivacious Rebecca has not only a shopping jones, is purebred junkie, which is probably more common than expected but had been eaten up her credit cards. Proved that her eyes were bigger than her pocketbook. Something had to be done if she was to keep afloat, grab that high end job and grab that poor little rich boy (his parents were super-rich but he wanted to pull himself up by his own bootstraps ) while dodging the repo men, the debt dead beat pursuers. The bulk of the film, including a bout with Shopaholic Anonymous, at first as a lark then more seriously, involves her getting out from under without dear Luke getting wind of the idea. That was not be and the couple went through a period of deep freeze once he found out she was in debt up to her ass. Naturally that freeze would only last for a bit until she got out of hock. Got back to the real world, a world without going crazy over consumer goods. Beyond that the storyline could not carry any additional weight. Greg I have done my duty.             

Thursday, February 06, 2020

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night- Johnny Prescott’s Itch- With Kudos To Mister Gene Vincent's Be-Bop-A-Lula

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night- Johnny Prescott’s Itch- With Kudos To Mister Gene Vincent's Be-Bop-A-Lula



GENE VINCENT





Well, be-bop-a-lula, she's my baby
Be-bop-a-lula, I don't mean maybe
Be-bop-a-lula, she's my baby
Be-bop-a-lula, I don't mean maybe
Be-bop-a-lula, she's my baby love
My baby love, my baby love
Well, she's the girl in the red blue jeans
She's the queen of all the teens
She's the one that I know
She's the one that loves me so
Say be-bop-a-lula, she's my baby
Be-bop-a-lula, I don't mean maybe
Be-bop-a-lula, she's my baby
Be-bop-a-lula, I don't mean maybe
Be-bop-a-lula, she's my baby love
My baby love, my baby love
Well, she's the one that gots that beat
She's the one with the flyin' feet
She's the one that walks around the store
She's the one that gets more more more
Be-bop-a-lula, she's my baby
Be-bop-a-lula, I don't mean maybe
Be-bop-a-lula, she's my baby
Be-bop-a-lula, I don't mean maybe
Be-bop-a-lula, she's my baby love
My baby love, my baby love


He had the itch. John Prescott had the itch and he had it bad, especially since his eyes flamed up consumed with hell-bend flames when he saw Elvis performing live on the Ed Sullivan Show one Sunday night. And he had it so bad that he had missed, unbeknownst to his parents who would have been crestfallen and, perhaps, enraged, his last few piano lessons. Sure, he covered his butt by having saxophonist Sid Stein, drummer Eddie Shore, and bass player Kenny Jackson from his improvisational school jazz combo, The G-Clefs (yah, yah, I know  a well-thought out name for a musical group) come by his house to pick him up. While standing at the Prescott door parents the sidemen went through the “well aren’t things looking up for you boys,” and “they seem to be” scene without missing a beat. But as soon as Kenny’s 1954 Nash Rambler turned the corner of Walnut Street Johnny was a long-gone daddy, real long-gone. And where he was long-gone but not forlorn to was to Sally Ann’s Music Shop over on the far end of West Main Street. Now the beauty of Sally Ann’s was that it was, well, Sally Ann’s, a small shop that was well off the main drag, and therefore not a likely place where any snooping eyes, ears or voices that would report to said staid Prescott parents when Johnny went in or out of the place. Everyone, moreover, knew Sally Ann’s was nothing but a run-down past its prime place and if you really wanted all the best 45s, and musical instrument stuff then every self-respecting teenager in town hit the tracks for Benny’s Music Emporium right downtown and only about a quick five-minute walk from North Clintondale High where Johnny and the combo served their high school time, impatiently served their high school time.

Now while everybody respected old Sally Ann’s musical instincts she was passé. She had been the queen of the jitterbug night, appearing weekly in the USO shows and dances  in waterfront Boston in the 1940s while the war was on, had been on top of the be-bop jazz scene, had been at Birdland the night Charley had hit the high white note, with Charley, Dizzy, Thelonius and the guys early on right after the war, guys whom the G-Clefs covered, covered like crazy. More importantly she had nixed, nixed big time that whole Patti Page, Teresa Brewer weepy, sad song thing in the early 1950s when some energy ran out on the music scene. Still around town, among the young who counted, counted big time with their newly minted parent-derived discretionary income she was passé, old hat when it came to the cool blues coming out of Chicago, and the be-bop doo wop that kids, white kids, because there were no known blacks, or spanish, chinese, armenians, or whatever, in dear old Clintondale were crazy for ever since Frankie Lyman and his back-up guys tore up the scene with Why Do Fools Fall In Love?

But her greatest sin, although up until a few weeks ago Johnny would have been agnostic on that sin part, was that she was behind, way behind the curve, on the rock ‘n’ rock good night wave coming though and splashing over everybody, including deep jazz man, Johnny Prescott. But Sally Ann had, aside from that secluded locale and a tell-no-tales-attitude, something Johnny could use. She had a primo Les Paul Fender-bender guitar in stock just like the one Gene Vincent used that she was willing to let clandestine Johnny play when he came by. And she had something else Johnny could use, or maybe better Sally Ann could use. She had an A-Number One ear for guys who knew how to make music, any kind of music and had the bead on Johnny, no question. See Sally Ann was looking for one more glory flame, one more Clintondale shine moment, and who knows maybe she believed she could work some Colonel Parker magic and so Johnny Prescott was king of the Sally Ann day.

King, that is, until James and Martha Prescott spotted the other G-Clefs (Kenny, Sid, Eddie) coming out of the Dean Music School minus Johnny, minus a “don’t know where he is, sir,” Johnny. And Mr. Dean, Johnny’s piano instructor, was clueless as well, believing Johnny’s telephone story about having to work for the past few weeks and so lessons were to be held in abeyance. Something was definitely wrong if Mr. Dean, the man who more than anyone else recognized Johnny’s raw musical talent in about the third grade had lost Johnny's confidence. But the Prescotts got wise in a hurry because flutist Mary Jane Galvin, also coming out the school just then, and overhearing the commotion about Johnny’s whereabouts decided to get even with one John Prescott by, let’s call a thing by its right name, “snitching” on him and disclosed that she had seen him earlier in the day when she walked into Sally Ann’s looking for an old Benny Goodman record that featured Peggy Lee and which Benny’s Emporium, crazed rock ‘n’ rock hub Benny’s would not dream of carrying, or even have space for.

The details of the actual physical confrontation with Johnny by his parents (with Mr. Dean in tow) are not very relevant to our little story. What is necessary to detail is the shock and chagrin that James and Martha exhibited on hearing of Johnny’s itch, his itch to be the be-bop, long-gone daddy of the rock ‘n’ roll night. Christ, Mr. Dean almost had a heart attack on the spot when he heard that Johnny had, and we will quote here, “lowered himself to play such nonsense,” and gone over to the enemy of music. As mentioned earlier Mr. Dean, before he opened his music school, had been the roving music teacher for the Clintondale elementary schools and had spotted Johnny’s natural feel for music early on. He also knew, knew somewhere is his sacred musical bones, that Johnny’s talents, his care-free piano talents in particular, could not be harnessed to classical programs, the Bachs, Beethoven, and Brahms stuff, so that he encouraged Johnny to work his magic through be-bop jazz then in high fashion, and with a long pedigree in American musical life. When he approached the Prescotts about coordinating efforts to drive Johnny’s talents by lessons his big pitch had been that his jazz ear would assure him of steady work when he came of age, came of age in the mid-1950s.

This last point should not be underestimated in winning the Prescotts over. James worked, when there was work, as a welder, over at the shipyards in Adamsville, and Martha previously solely a housewife, in order to pay for those lessons (and be a good and caring mother to boot) had taken on a job filling jelly donuts (and other donut stuff) at one of the first of the Dandy Donuts shops that were spreading over the greater Clintondale area.
Christ, filling donuts. No wonder they were chagrined, or worst.

Previously both parents were proud, proud as peacocks, when Johnny really did show that promise that Mr. Dean saw early on. Especially when Johnny would inevitably be called to lead any musical assemblage at school, and later when, at Mr. Dean’s urging, he formed the G-Clef and began to make small amounts of money at parties and other functions. Rock ‘n’ rock did not fit in, fit in at all in that Prescott world. Then damn Elvis came into view and corrupted Johnny’s morals, or something like that. Shouldn’t the authorities do something about it?

Johnny and his parents worked out a truce, well kind of a truce, kind of a truce for a while. And that kind of a truce for a while is where old Sally Ann entered in again. See, Johnny had so much raw rock talent that she persuaded him to have his boys (yes, Kenny, Sid and Eddy in case you forgot) come by and accompany him on some rock stuff. And because Johnny was loved by Aunt Sally (not Sally Ann, just old Aunt Sally by then) was loved, loved in the musical sense if not in the human affection sense by the other boys they followed along. Truth to tell they were getting the itch too, a little.

And that little itch turned into a very big itch indeed when at that very same dime-dropper, Mary Jane Galvin’s sweet sixteen party concert (yes, Mary Jane was that kind of girl to have such a party that was going out of fashion among the hip younger girls who had dreams of seashore conquests and no time for dopey parties), the G-Clefs finished one of their covers, Dizzy’s Salt Peanuts with some rock riffs. The kids started to get up, started dancing in front of their seats to the shock of the parents and Mary Jane (yes, Mary Jane was that kind of girl), including the senior Prescotts, were crazy for the music. And Johnny’s fellow G-Clefs noticed, noticed very quickly that all kinds of foxy frails (girls, okay), girls who had previously spent much time ignoring their existences, came up all dreamy-eyed and asked them, well, asked them stuff, boy-girl stuff.


Oh, the Sally Ann part, the real Sally Ann part not just the idea of putting the rock band together. Well, she talked her talk to the headmaster over at North Clintondale High (an old classmate, Clintondale Class of 1925, and flame from what the boys later heard) and got the boys a paying gig at the upcoming school Spring Frolics. And the money was more than the G-Clefs, the avant guarde G-Clefs made in a month of jazz club appearances, to speak nothing of girls attached. So now the senior Prescotts are happy, well as happy as parents can be over rock ‘n’ roll. And from what I hear Johnny and the Rocking Ramrods are going, courtesy of Aunt Sally, naturally, to be playing at the Gloversville Fair this coming summer. Be-bop-a-lula indeed.

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-Sweet Dreams, Baby- With Thanks To And With Mister Roy Orbison In Mind

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-Sweet Dreams, Baby- With Thanks To And With Mister Roy Orbison In Mind

Dream Baby

Sketches From The Pen Of Frank Jackman 

recorded by Roy Orbison
written by Cindy Walker

G7
Sweet dream baby

Sweet dream baby
C
Sweet dream baby
G7                C
How long must I dream

G7
Dream baby got me dreaming

Sweet dreams the whole day through

Dream baby got me dreaming

Sweet dreams night time too

C
I love you and I'm dreaming of you

But that won't do
G7
Dream baby make me stop my dreaming you
                        C
Can make my dreams come true

Repeat #1 twice

Sixteen and sex. No, I warn you, don’t settle back and think about your own sixteen and sex dreams it is not about that. About that first time you did the “do the do” as we called the act in the old Clintondale neighborhood in the early 1960s after Peter Markin heard Howlin’ Wolf on Be-Bop Benny’s Blues Bonanza on WKPX in Chicago call the sex act that in a song that he heard one Sunday night when the wind was blowing right and he picked the station up on his transistor radio and wowed everybody in Monday morning before school world with that bit of knowledge. (By the way the “do the do” was not  necessarily done at that age but the parties we will be discussing happened to congeal their fates at sixteen and so “sixteen and sex.” Nor is this about your fundamental lack of knowledge of the do’s and don’ts beforehand due to the vagaries of learning about sex not from your parents who were the natural candidates to put you wise, or your house of worship which could have been a useful backup, or even better your school which could have eased the way by covering everything up in austere scientific terms so the faint-hearted or the blushers who did not opt out could catch on but rather learned on the streets. Learned on the streets from those just one step ahead of you and who were wrong more times than right. Jesus, and brother you can say that again.   

Well, maybe this little sketch is not all about that, about those  desperate moves you made trying to figure out about the opposite sex, trying  to figure what the hell the hormonal urges running rampant meant, running every which way not leaving you alone even when you were alone. Not about the what to do about how far to go, how far to let the other party go, or not go, or just wait until everything blows over. (And that “how far to go” was not relegated to the female sex since some mad daddy’s shotgun and worse made the issue more far-fling than that.) Worries too, about reputation, about what Johnny or Jane will, or will not, say, come mandatory Monday morning before school boys’ or girls’ “lav” talkfest or about being Susie being “fast,” Jason a dweeb or some frill being nothing but a man-handler or any of six varieties of goof in a goofy universe.

And here you thought you were so serious, had made such an impression, had got almost everybody in the before mentioned Monday morning talkfest believing you were the stud of the month or the “hottie” of the universe. But  you know you stayed in your room all weekend by the telephone waiting for that call to come in, the “what you doing tonight” call that will not come because the longed for party does not even have your phone number, and does not want to have the damn thing. Probably tossed it on some floor or in some rubbish bin the minute your back was turned. Tough luck, brothers and sisters my kindred heart goes out to you.  

So, no, no too, we will not be focusing on some backseat coupe, all Jimmy retro-ready, maybe fresh from a “chicken run” kill or  down by the seashore, up some hilled lovers’ lane, or in some midnight minute motel kind, at least not yet. No we will step back and take a breather, forget about Monday morning, about reputation, about knowledge, heck, even for a minute the “do the do” itself as hard as that is to believe. No, we are going to ease into this new relationship. Do the ABC work. Just get to know her, easy know her, and let things take their course from there. Our guy Johnny, but it could have been any of fifty thousand guy names in eight hundred languages, was going to set a new course, was going to take the few accumulated lessons that he had learned and change course in his life. No more of this frenzied, heated, beating some other guy’s time (or trying to) like he had just got finished doing with Lucy. No more Lucys, and as an amendment, make it a constitutional amendment if you want, no more dog-eat-dog fighting over girls, women, you know, frails. (Frail meaning girl, meaning today young woman, the young guys in the neighborhood, the Clintondale working-class neighborhood had a million “terms of art” for young woman-frill, chick, babe, twist and on and on most of them introduced by the king hell king of the corner boy night, Johnny’s corner boy night, Frankie Riley, but this sketch is not about Frankie and his mad capacity to make up names for girls strongly influenced by 1930s black and white Hollywood gangster movies and Dashiell Hammett and Raymond Chandler’s hard-boil detective talk which he was addicted to so we will move on.)

That is exactly what Johnny Prescott had on his mind, that no more fighting over girls, no more, no mas, whatever way you wanted to express the new dispensation, as he noticed this cool looking frill across the field heading his way. The field that Johnny saw the cool girl crossing being, for those not from Clintondale, Johnny’s hometown, unofficially known as “the meadows,” a family outing place that no longer was well-used since a couple of years previously they had the big Gloversville Amusement Park going full blast but just the place to go and think through, well think through, sixteen and sex, boy sixteen and sex.

When he was younger, and before the amusement park took the air out of 
the place, Johnny and his family in their sunnier days (that too a story for another day, not a Frankie Riley king hell king of the corner boy night day but some such day) loved to ramble over the stone fences and scattered granite pieces that dotted the landscape and provided ground for the innocent to play in before the barbecue fires got hot and the family dug into the feast of hot dogs, hamburgers, potato salad and cupcakes that formed the culinary delights that drove them to the park and family fun for that little breathe of fresh air time before the family civil wars started anew. But today was different, today he was here to think, to mope a little if he had to.   

Johnny knew, knew as sure as he knew he own think through habits that this frill (girl, okay) was also here to do some thinking. He had run into others, guys mostly, including a few older guys, like maybe college guys, who gave him that same impression, that trying to figure the girl world out stuff. Hell, he had sheepishly asked one guy, a college guy from the lettering on his jacket, who had been sitting on a bench whether he was thinking deep thoughts and what about. Answer: hell, you know the answer, “the torch,” the guy carrying the torch and nothing but. Being at the meadows making that burden a little lighter. So Johnny figured that she was here maybe doing a getting over a boy thing like he was getting over Lucy. She sure looked like somebody whom he could talk to if it came to that all light- brown hair, cashmere sweater showing a nice shape, a short skirt showing well-turned legs and later as she got very close some very pale blue eyes. Or maybe she was just here thinking that the way the boy meets girl rules were set up were just flat-out screwy. He hoped so. That would be his wedge, his edge on the conversation if what he thought was true about her moping about something. 

And as she, this girl okay, approached him, maybe five yards away just then Johnny recognized her from school, from Clintondale High. At least he thought so because although the high school was fairly big gathering in every high school student in town he thought it was small enough so that he should have recognized her, even if only from the “caf.” Maybe some assembly or some Friday night dance before Lucy took his time away. As she came very close in view he noticed that it was none other than Timmy Riley’s younger sister, Betty Ann, a sophomore a year behind him. At first he was going to pass because now that he thought about it, although it was clear that she was pretty in a second look way, and maybe a third look way too, she was known as one of those bookish-types that, well, you know were too bookish to think about sixteen year old boys and sex, or maybe boys of any age. And, well Timmy, Timmy Riley, was the star fullback on the Red Raiders football team, and who knew how he felt about his bookish sister and sexed-up sixteen year old boys.

But Johnny felt lucky, or maybe just desperate, and started to speak. But before he could get word one out Betty Ann said, “It’s a nice day for walking the meadows with nobody around. I come here when I want to think about stuff, about my future and what I want to do in the world. How about you?” Bingo, thought Johnny. Not boy troubles but some kind of troubles.  He was determined that he was going to talk to Betty Ann, and he thought as he pondered that idea, “I’ll take my chances with Timmy- the hell with him (unless he hears about his sister and me then it’s strictly only in my head, okay Timmy).” And they talked and talked until almost dark. Talked about the future, about how they world was rigged up before they could make a dent in it, had not been asked question one about what to do about it, and then Johnny kind of introduced the thing about Lucy, and about how he had seen the light on women (girls, okay).

Betty Ann said she had never had a serious boyfriend although she had been out on a few dates. She preferred to read and study if it came to that, although lately she had been feeling a little restless. Johnny became crestfallen after that burst figuring that Betty Ann was in that category of a “unapproachable” that guys were always rating certain girls as when they discussed stuff on the grapevine. Then Betty Ann told Johnny this little story that changed things in a big way. See Johnny had seen her before, seen her at the Fall Frolics and had danced with her out of some courtesy or other because one of his corner boys was interested in her and wanted Johnny to check her out. Nothing happened (with that corner boy either). But Betty Ann had developed something of a crush on Johnny, nothing big but she would watch for him around school. Of course she knew from that infinitely reliable teenage grapevine that was better than anything any governmental intelligence agency could come up with that Johnny was with Lucy Barnes and so off-limits. But when Lucy busted up with Johnny she saw her chance, and she knew through that same teenage grapevine that Johnny was spending some time in the meadows moping. And that was that.   


Talk-weary but still no wanting to move more than three yards from each other Johnny pulled out his transistor radio and they listened to WMEX, the be-bop, non-stop rock ‘n’ roll station that was mandatory listening for those under eighteen, those who counted. And just then Mister Roy Orbison, “Roy the Boy,” came on to trill his latest, Sweet Dreams, Baby. That became their song. Oh yeah, and Johnny and Betty Ann began what became one of the great Clintonville High romances of 1962.

Wednesday, February 05, 2020

The Rich Really Are Different From You And I-The Film Adaptation Of Edith Wharton’s “The House Of Mirth” (2000)-A Film Review

The Rich Really Are Different From You And I-The Film Adaptation Of Edith Wharton’s “The House Of Mirth” (2000)-A Film Review



DVD Review

By Leslie Dumont

The House Of Mirth, starring Gillian Anderson, Terry Kinney, based on the bool of the same name by Edith Wharton, 2000

Greg Green the new site manager has encouraged us in reviews and other assignments for this blog to tell a little about how we got the assignment. His idea is to give the reader an idea about how the assignment process goes and why. Others have written more extensively than I will do here about how they got their assignments but it basically boils down to two points. First, as a new writer here (although I had been around the hard copy of this publication when fellow writer Josh Breslin and I were companions before I moved on to a by-line in Modern Women Today), I had expressed an interest in dawn of the 20th century period pieces and had as my first review the film adaptation of Oscar Wilde’s The Ideal Husband which dealt with late Victorian mores and morals around the marriage agreement in English high society. The second merely that I had read the book version of Edith Wharton’s House of Mirth and Greg insisted that I do the film adaptation review after he had expressed satisfaction with the Wilde review.           

 Of course Edith Wharton through her own high society birth and its inherently informative connections was well-placed to do writing on the later robber baron period in America after the ruthless original industrial magnate founders got “civilized.” So high society and it foibles as demonstrated here was like catnip for her. The interesting aspect though is not the main character Lily Bart’s error of judgement that would eventually lay her low but how tenuous the situation was for young women, maybe all women, without direct access to serious money in an age when men for the most part controlled the purse strings and the property deeds. One would have thought that the rich and famous despite her foibles would have provided a safety net for one of their own. Not so in Lily’s case, not so at all.      

Once that aspect of Lily’s life, of the way the episodes were portrayed in the film, is understood then a lot of the mistakes she made along the way beyond her own somewhat frivolous innocence makes a certain amount of sense. Dependent on what a rich aunt would leave her in some future she had to avoid marrying some poor guy like Seldon whom she loves and was something of a soulmate despite his stiff manner, and he loves her despite her predilection for a man with serious money to ease her way but cannot think to marry. That tension will drive both their relationship and that series of errors and missteps which will lead her down the class ladder and to an early grave via her hubris and dope dependency, that landudum which will ease her deep depression and isolation once she cannot depend on high society to cover up her mistakes. Bastards. On the way though we glimpse at the hypocrisy of that old established monied class when one of their own, only if marginally one of their own, doesn’t know how to play by the rules of the game. And a guy like Seldon finds out too late that he could have saved his Lily.


Aside from the dramatic interludes and a pretty faithful adherence to the Wharton storyline the costumes, the scenery and Gillian Anderson’s Lily are beautifully done. I hope though on the basis of two film reviews that I don’t get tagged doing these “women” films. Or super-hero ones either that Greg Green has threatened us allto do to “broaden our horizons.”       

Tuesday, February 04, 2020

A Kinder, Gentler Super-hero- DC Comics’ “Superman Returns” (2006)-A Film Review

A Kinder, Gentler Super-hero- DC Comics’ “Superman Returns” (2006)-A Film Review





DVD Review

By Laura Perkins   

Superman Returns, starring Brandon Routh, Kate Bosworth, the now disgraced sexual bandit Kevin Spacey, 2006

Die Superman, die. That may be an unkind start after babbling about a kinder, gentler Superman in the come-on headline for this film Superman Returns but that is that in the hardball world of film review. The world where one day you are king of the hill the next yesterday’s news fit for wrapping in newspaper used to dispose of the fish. Greg Green, the site manager here for the past few months, has been asking for just this kind of lead-in when he tagged me a while back for a review of another Superman so-called saga Batman versus Superman where the righteous Lex Luthor wasted the faster that a speeding bullet guy without rancor or regret. First of all I bitched out that I had to even do a silly film based on a male fantasy comic book series that I did not read as a young girl and yawned my way through with a bunch of screaming kids who only cared about the non-stop action to keep up their interests. Second of all because        
Greg Green persists against all reason, against all the evidence to the contrary including the numbers, in making his stable of writers without exception have to bow down to this super-hero noise over the past few months.   

But none of that, none of those reasons compare to the foolish feelings I have doing this review after I gave Superman a teary farewell and a hero’s funeral in that previous review only to have to recant here and say it was all a joke. I had grown women gnashing their teeth over that death, children committing mortal sins having lost their faith after their lord protector proved to be made of common clay, and grown men committing felony murders in a rage in revenge for the loss of their illusions. Only to find that Superman took a powder for five years doing some sordid spacewalk seeking his origins like any other geek. We won’t mention, mention in mixed company anyway, that nobody seemed very worried about the whereabouts of alter ego Clark Kent who disappeared at the same time as the man in blue and returned at the same time as well.

Did anybody miss this stup. No way. Old flame Lois Lane moved on, moved on fast and furious picking up a Pulitzer for her expose of the Superman legend/hoax, bore a young son of unknown parentage, and found a new paramour in the boss’ son. Even Jimmy Olsen has grown up a bit, moved on from incompetent copy boy to incompetent cub reporter. Superman/Clark get lost, leave Metropolis alone. Of course that is all fantasy since, as usual, the tootling town is menaced once again by the previously imprisoned Lex Luthor now free to muddy the waters-and seek revenge for the bad rap Superman laid on him making him do a nickel in the slammer.

More fantasy smashed. Lois once she sees the he-man, once he does one of those “leaps tall buildings in a single bound” routines has her heartstrings pulled to the breaking point. Forget the nice earthly deal with the boss’ son, forget that little cottage and nice lawn business. Meanwhile this scene is driving Superman crazy since he figured that Lois was his eternally so he makes a pact with the devil. Makes him work old Lex Luthor into a lather to get him to show his super-human skills once again in crushing the weasel.                        

That trick got played out when Lex and his henchmen grabbed Lois and the kid, a nice kid but kind of out of it from the drugs he was sucking in for his asthma. When things get crazy the kid comes through though saving Mom from one of Lex’s bad boy comrades. Showed he was the righteous son of Superman as it turned out just starting to get in harness with his super-human father side DNA skills. The merely human boyfriend, fiancé, whatever is strictly second fiddle now. Especially after Superman saves, ho hum, Metropolis yet again from a single criminal mind like Lex after Mr.Bad had decided to blow the place to kingdom come (which makes me wonder about the moral fitness of the citizens of the town to be saved). Sure there was an anxious moment, no, anxious second, when nasty Lex stabbed Superman with some off-market generic kryptonite but even the five year old kids didn’t stop munching their buttered popcorn over that little blip. Jesus what couldn’t Superman have had the good sense to pass away and leave what Sam Lowell calls a candid world alone. Better yet why doesn’t Greg Green get off the dime and have us review real films-for adults.       


Traipsing Through The Arts-All 20th Century Art Is About Sex-The “King Of The Mopes” Edward Hopper Unchained- In The Midnight Hour Gliding Through “Nighthawks” (1942) Without Wings


Traipsing Through The Arts-All 20th Century Art Is About Sex-The “King Of The Mopes” Edward Hopper Unchained- In The Midnight Hour Gliding Through “Nighthawks” (1942) Without Wings






By Laura Perkins


Sometimes you just can’t talk to Sam Lowell about art. Sam is my longtime companion meaning for those who feel they need to know that as one wag put the situation in the case of Whistler and one of his mistresses we are living together “without benefit of clergy.”  Meaning as well that after five, three him, two her, collective failed marriages we decided to cut out the middleman. Result: we have been together longer than any of the five, three he, two she failed marriages and a lot longer than a couple of them combined. That does not mean that Sam cannot get ornery, can’t be a pain in the ass especially about art. See he never really got over the idea that he should have followed his youthful instincts and gone to art school which his high school art teacher had paved the way for him as an alumnus of Massachusetts School of Art with a scholarship. Sam’s mother, an old Irish Catholic cross to bear whom I never met, wanted him to move up in the world by being the first in the family to go to college and to get a nice white-collar civil servant job that would have satisfied her own youthful busted dreams. Sam finally bought into her argument that life in a cold-water garret as a struggling artist would actually be a step down from the utter poverty they had already lived in the Acre section of North Adamsville.

But Sam never as long as I have known him fully accepted his path, his fate and as he has reached retirement age it has only galled him more. That said, as is well known, or should be, Sam didn’t do that civil servant bit but became over the years starting at the now defunct East Bay Other (California) and going through American Film Gazette and now American Left History and associated publications become an award-winning film critic. What is less well known is that along the way he would write, sometimes under his own name, sometimes under the name Charles Skyler, for Art Today and Art News especially if a film had an art theme like say The Thomas Crowne Affair or more famously The Girl With The Pearl Earring. Which sets up why Sam is sometimes hard to talk to about art and can get ornery about his takes on various pieces of art like the one to be discussed today Edward Hopper’s iconic if somewhat overblown Nighthawks from 1942.

By rights this assignment to traipse through the arts, art museums to select some works for commentary should be Sam’s providence. Unfortunately when site manager Greg Green originally approached him he turned down the assignment since Sam wanted to play out his hand, his term, and track down the reasons a famous California private investigator Lew Archer whom he had known, had interviewed a couple of times before he passed away had never made the P.I. Hall of Fame. Sam had chalked it up to sexual impotence which left Lew less than eager to bed whatever femme was around at a time when guys like Phil Larkin, Sam Spade, and Phil Marlowe were setting the standard for hard-boiled detectives taking a walk on the wild side while solving some bang-bang case. Sometimes Sam can stubbornly go after every possible lead and he did in the Archer case so with some decent results but to my mind not enough to not have taken his natural choice reviewing art works, especially American art works.

Sam’s pass on the assignment was my good fortune although it was Leslie Dumont not Sam who suggested to Greg when he was looking in-house for somebody to take the on-going art work assignment who clued him in that I had taken some art classes and at least had gone to an art museum once in the last fifty years. The bar thus was pretty low, and I almost did not take the assignment either except I got assurances from Greg that he would have my back if I decided to go off on a few tangents. Which I have and he has backed me up despite the hellfire and damnation from a bunch of troll evangelicals who have objected to my talking about sex and sensuality in regard to some pretty hot 19th century art like Sargent’s Madame X and Whistler’s The White Girl. As it turned out, although they are still claiming me as Keil the devil’s servant and bound for the lake of fires, they don’t really give a damn about art one way or another but about talking about sex and art together just in case their young folk decide they want to look at some on the Internet. Yeah, as Sam, and half the guys here would be quick to say, WTF.

Sam Lowell does care about art and that is where this whole thing is heading now. Two things have come together, have collided really. Sam has basically exhausted the Lew Archer impotency bit thus having some time to think about art and when I took on the assignment I knew that I would be consulting him as I went through my paces. He would not be so foolish as to try to usurp the assignment (nor would Greg let him since he is happy to have a quirky look at the arts by me where Sam would go chapter and verse). But he has definite opinions which he thinks I should incorporate int my pieces (what he forever had called “sketches” even that 10, 000-word Archer medical report, or what amounted to a medical report). That came up a bit in Sargent, Alexander and Whistler pieces but hit hard when we discussed Edward Hopper’s Nighthawks where we have two very different takes on what was going on in that midnight hour at that funky New York diner. (By the way Sam insists on calling him Eddie this, Eddie that but I have never seen even the most democratic reference ever call him anything but Edward and so Edward it is.)     
       
Here’s the general framework Sam and I have total agreement on-all serious 20th century art (and now reaching into the 21st century) is about sex, erotism, sensuality. Period. The jury may still be out on the Minimalists although there are some pieces by Matty Gove that reek to high heaven of sex, rough sex too. You can’t think of a school post-Impressionist, Ashcan, Realist, Regionalist, Abstract Expressionist without being overwhelmed by the Freudian deluge. Don’t even mentioned about Action painting, Pop and Op-Art schools which are drenched with primal sexual urges and dreams. (Only some silly school boy or girl would for example fail to see the mix of sperm and womanly fluids in the drippings of Max Daddy Jackson Pollack.) Where Sam and I differed or have a difference now with Hopper’s masterpiece is interpreting the narrative. I will get to that in a minute but let me tell of a couple of controversies we had on the earlier works I have presented to set up the battle lines.

When we discussed Sargent’s Madame X Sam wanted to go knee-deep into Madame reputation as a professional beauty and as an up and coming new age courtesan where I wanted to deal with the ideal of beauty then with that hideous birdlike nose of hers which by today’s standards would place her in the wallflower category, except maybe among nerdy guys. (On the side I wanted to discuss Sargent’s devious homosexual urges to make Madame X out as a tramp, a whore I think I called her but we decided to tamp that down since while there is plenty of anecdotal material that he and his dear friend Henry James were bedmates the hard evidence through biographers is not there yet.) We took a stab at both themes since this was my first piece, but unlike Sam I was a little uneasy about casting Madame out of high society once those denizens saw how she was advertising her “wares” via the Sargent portrait.                  

Alexander’s Isabella provided a mutual agreement when two things happened- Sam “sniffed out,” his term, that the jar in which an aroused Isabella kept the severed head of her lover done in by her jealous and grabbing brothers was filled with poppies, with the stuff of opium not silly basil and she was high as a kite when she did her ceremonial caress of her doomed lover. Once Sam showed me the photograph of a poppy crop I was won over. More importantly Sam dragged me, not literally he is not like that at all even when ornery, to the Museum of Fine Arts in Boston to see not the Isabella although we did view that fine work of art but the plethora of paintings throughout history going back at least to John the Baptist, maybe before with Mendon the wanderer where some woman is swooning over the severed head in a fit of ecstatic reverie. Very enlightening and also the cause of more random troll activity responses than even poor Madame X faced.  

Whistler’s The White Girl (we both agree that the later Symphony in White designation is malarkey, nothing but show and the work of some two-bit prissy art curator ) put us at some odds since I believed, still believe that Whistler was attempting to show some age of innocence idea so he could sell the damn thing and pay his back rent and have some dough left over for wine and partying. I refused to believe that a friend of the virginal Pre-Raphaelite Brotherhood would be surreptitiously advertising his then girlfriend, mistress, whatever arrangement she had while they lived together “without benefit of clergy” was a latter-day Whore of Babylon. Then Sam showed me the scholarship on what that strangely out of place wolf’s head and fur meant going back to ancient times- the age old “open for business.” Damn. I didn’t like it, was furious at Whistler who by all accounts was hard on his mistresses and models but I had to concede the point.

On the Hopper Nighthawks narrative on those denizens of the deep night I think I am right. I’ll give Sam’s take first and then my own. Sam sees Hopper as strictly a voyeur, frankly a dirty old man, literally and this will not be the last time Hopper lets his sexual fantasies and dreams spill out on canvas. The key question for Sam is why he is so interested all of a sudden in the “night people,” deep night when nothing but stuff that had better not see the light of day goes on when most of his stuff is strictly daytime mopery, my expression. Sam has claimed here a certain amount of “nighttime” expertise having ended an evening more than once winding up at Joe and Nemo’s which is really Hopper’s template here. Sam is thinking of the one on Stuart Street in Boston adjacent to the Combat Zone, no further description necessary, but they were all over many Eastern urban cities including New York and he remembers one somewhere Seventh Avenues. Come a certain hour after the bars close and remember they close later in New York City and the night people come up, among them what used to be called “ladies of the evening” according to Sam. What is going on here is nothing but a “hotel, motel, no tell” between the man and the woman we can see. The distance between them tells that they are not lovers and her looking at her fingernails while he decides whether to take a chance with such a brazen hussy. (If not him then the guy with his back to the viewer is the next in line.) The pair are negotiating the fare and the location, that Hotel Deluxe just beyond the shadows on the left to be their resting place after the evening’s exertions. I at least got Sam to back off on the short order cook who is just some rum-dum who couldn’t get a day job as the “pimp” here. He might have been getting a rake-off from her  to use the diner as a business address but that is all. Christ Sam can get weird, would any woman have that jamoka do anything but serve dish-water coffee and grease-laden burgers-at an hour.         

Yes, sure sex is involved in this muted scene although frankly itdoes not depend on Hopper’s being a dirty old man although Sam pointed to a couple of later paintings that might make that argument. My take is that these two are lovers, disenchanted lovers. But lovers, nevertheless. They had been at Club Nana up the street, a hot spot of sorts before the war but now filled with guys either too old for military service or 4-F laggards. The Nana in those days had Earl “Fatha” Hines holding forth (this before he headed to Boston and the High Hat Café) and the evening had started out pretty well before our grumpy Gus laid up too much liquor, too many whiskeys. Got ticked off that some sailor made a pass or two at his woman and now after they closed the joint down they were doing their inevitable stop at the diner to have him sober up a bit before he heads back to his rooming house up the street and she grabs a cab to her place further downtown. Not happy campers, a not usual scene in a Hopper but not the sullen creepiness that a dirty old man like Sam suspects.            


Monday, February 03, 2020

If You Want The Stuff Senator Bernie Sanders Has Been Talking About For A Million Years Including Out In The Wilderness When It Was Not Fashionable About Medicare For All, Eliminating Student Debt, The Fight For $15 (Hell Now More Than That) To Happen Accept No Substitutes-Fight For Bernie 2020 Not Come Lately Elizabeth Warren

If You Want The Stuff Senator Bernie Sanders Has Been Talking About For A Million Years Including Out In The Wilderness When It Was Not Fashionable About Medicare For All, Eliminating Student Debt, The Fight For $15 (Hell Now More Than That) To Happen Accept No Substitutes-Fight For Bernie 2020 Not Come Lately Elizabeth Warren