This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. We will be reviewing books, CDs, and movies we believe everyone needs to read, hear and look at as well as making commentary from time to time. Greg Green, site manager
Artists’ Corner-In The Aftermath Of World War I- Dada Takes A Stab At Visually Understanding A Broken World After the Bloodbath Which Mowed Down The Flower Of The European Youth
By Lenny Lynch
I don’t know that much about the Dada movement that swept through Europe in the early part of the 20th century in response to the creation of modern industrial society that was going full steam and the modern industrial scale death and destruction such mass scale techniques brought upon this good green earth by World War I. (Foreshadowed it is agreed by the industrial carnage at places like Cold Harbor in the American Civil War, the butchery of the Franco-Prussian War and subsequent river of blood by its own rulers of the Paris Commune and the Boer War.) The war to end all wars which came up quite short of that goal but did decimate the flower of the European youth, including vast swaths of the working class. Such massive blood-lettings for a precious few inches of soil like at the Battle of the Somme took humankind back more than a few steps when the nightmare ended-for a while with the Armistice on November 11, 1918. An event which in observing its centennial every serious artist should consider putting to the paint. And every military veteran to take heart including the descendants of those artists who laid down their heads in those muddy wretched trenches. Should reclaim the idea behind Armistice Day from the militarists who could learn no lessons except up the kill and fields of fire ratios.
I don’t know much but this space over this centennial year of the last year of the bloody war, the armistice year 1918 which stopped the bloodletting will explore that interesting art movement which reflected the times, the bloody times. First up to step up George Groz, step up and show your stuff, show how you see the blood-lusted world after four years of burning up the fields of sweet earth Europe making acres of white-crossed places where the sullen, jaded, mocked, buried youth of Europe caught shells and breezes. Take one look Republican Automatons. Look at the urban environment, look at those tall buildings dwarfing mere mortal man and woman, taking the measure of all, making them think, the thinking ones about having to run, run hard away from what they had built, about fear fretting that to continue would bury men and women without names, without honor either.
Look too at honor denied, look at the handless hand, the legless leg, the good German flag, the Kaiser’s bloody medal, hard against the urban sky. The shaky republic, the republic without honor, shades of the murders of the honest revolutionary Liebknecht walking across Potsdam Plaza to go say no, no to the war budget and grab a hallowed cell the only place for a man of the people in those hard times and gallant Luxemburg, the rose of the revolution, mixed in with thoughts of renegade burned out soldiers ready for anything. Those former were forever your brethren and breathe. Weimar, weak-kneed and bleeding, would shake and one George Groz would know that, would draw this picture that would tell the real story of why there was a Dada-da-da-da-da movement to chronicle the times if not to fight on the barricades against that beast from which we had to run.
Step up Max Ernst and show us your stuff, show us what four fucking years of war did to the brain. Ernst was drafted and served both on the Western and the Eastern front. Such was the devastating effect of the war on the artist that in his autobiography he referred to his time in the army thus: "On the first of August 1914 M[ax].E[rnst]. died. He was resurrected on the eleventh of November 1918." How could one any longer draw bowls of fruits or natty portraits of high society fashion or even peaceful fishing villages like their forbears. The times were out of joint, connected only by the most tenuous thin reed bonds.
History In The Making-In The Unmaking Too-Audrey Tautou’s “Coco before Chanel” (2009)-A Film Review
DVD Review
By Leslie Dumont
Coco Before Chanel, starring Audrey Tautou, 2009
Apparently Greg Green who hands out the assignment here, all the assignments here unlike before he came over to manage this sit and headed the film department at American Film Gazette where I was a stinger for a while early in his tenure has decided that I am to be the “women’s film” reviewer in residence since with the film under review Coco before Chanel marks the fourth straight women-oriented film I have reviewed. I don’t like, don’t like that implication at all, since if I had wanted to shell myself into a cozy non-threatening spot I could have kept my by-line at Women Today where I reviewed many things including films which were only marginally about women, one about a couple of gay men where there were no women at all.
The real thing that bothers me about this assignment from Greg who although he had posted in public that he reviews every film before assignment seemingly could not have done so here though is the subject matter on two counts. First dealing with famed Parisian haute couture fashion designer Coco Chanel when I do not give a damn about high fashion or low and resent that I have to blather on about fashionable hats and dresses like that meant anything in the real world. Fellow writer here Josh Breslin who was my companion for some years before I went to my by-line at Women Today can testify that I threw the bottle of Chanel No. 5 perfume he gave me one Christmas across the room one time later when we having a drawn out, drag down fight about something. So much for fashion, high or low. The more egregious point though is that this is basically a dishonest film, a film which very conveniently cuts away before the German occupation of Paris when Ms. Chanel according to now disclosed documents worked hand and hand with the occupiers of what could have been burning Paris if Hitler had had his way and never was held truly accountable for her collaboration and her convenient grabbing fortunes when the Jews were rounded up. Thus this vehicle portrays yet another rags to riches by the bootstraps by a poor trodden down orphan who falls in love and is disappointed. Damn another two-bit love story.
Holding my nose, officially holding my nose if anybody including Greg Green is asking, I will do what is expected ever since Sam Lowell’s days as film editor and tell a few details about the plot-line. Coco and her sister were treated as wayward orphans at the hellish Catholic orphanage they grew up in after their mother died. When they came of age (after learning how to sew at the orphanage) they hit the road as a sister singing act and drew the attentions of some high society patrons of the saloon where they worked (and where Coco got her moniker). These upscale relationships gained them, and eventually Coco alone, some important connections with high society, with the world of money where women as “pet poodles” were as conscious about fashion as they were about having their sullen little side affairs.
Coco’s relationship with one such high society male got her entrée into the provincial country elite and then off to gay Paree where her hats first and later high end dresses gave her a certain cache. The film’s tension is between her overweening ambition, not a bad thing in and of itself especially for a single woman of limited means, and a love affair with a British businessman that cannot go anywhere since he, seeking his main chance, is engaged to be married to some daughter of the England nobility. Before that happens though the beast died in a car accident and that was that. Although Coco never married she was at least a mistress to some high ranking German when the Nazis tried to devour Europe, including Paris. I am still holding my nose. No mas.
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The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The Real Scoop Behind “Brother, Can You Spare A Dime?”-Martha and the Vandellas- Dancing In The Streets
This sketch takes place in the 1970s but is driven, and driven hard, by the music of the early 1960s when the grifter described here first came of age and hence its inclusion. Frank Jackman
“Hey, brother, can you spare a dime?,” (or sister now something unheard of back in the day, back in the early 1960s, when some cop might pinch you at her request for disturbing the fair sex for being unseemly in public asking a proper lady for anything. Now here in the go-go 70s any human form is qualified for the hustle where every low-rent guy takes a shot figuring maybe to get something so the other party, particularly women, can get you out of their faces and move on) followed by “Got an extra cigarette, pal (or gal, ditto the sister thing except unlike back in the day, pal or gal, in the new age, as likely as not, probably has no butts, has no “cigs,” doesn’t touch the stuff ever since the Surgeon-General’s report put the fear of God in lots of people)?”
Yeah, Billy Bailey, William James Bailey, used-to-be brash corner boy, a contender for the title of king hell king of the corner boy night around Salducci’s Pizza Parlor, “up the downs” back in North Adamsville in the old days, the old days these days being the early 1960s before smart and brash corner boy Frankie Riley put an end to that dream by trumping all upstarts since he was “in” with the shop owner, certainly had the panhandler lingo down, down pat, after only a few days on the bum. Funny during these few days on the bum this time he would almost blush when he thought back to the days when he used to laugh in the faces of swollen-faced raggedy-assed guys trying to pan-handle him for dough, trying to bum a smoke, and here he was with the brethren. Hustling maybe a little cleaner in attire that the brethren since he had not gotten down to second-hand Sally goods yet although a few more weeks with constant use of the few clothes that he did have might have him howling. Hustling too with cleaner breathe since he did not drink (that jones long over and done with substituted by several subsequent joneses including his current burden. He still felt that contempt for the buggers since he “knew” that a few days of this street work and he would be off the skids, on his feet again and then able to go back to laughing at the brethren, a good laugh too, while they pipe-dreamed their lives away.
Yeah, this was strictly temporary because his ship would come in before he wound up on cheap street like the boyos hanging around the Common swilling rotgut wine (or maybe low-rent whiskey if the day’s take was good) smoking tobacco “roaches,” butt end really off the ground and pissing all over themselves. However every once in a while he would get a funny feeling, kind of turn up his collar a little more, push his baseball cap lower on his head, put on sunglasses ( a real no-no in the pan-handler racket since you want the “marks” to see your desperate eyes, your pleading desperate eyes, to close the deal. Besides sunglasses might make them feel you just blew in from the coast.) when he realized that he was on the bum in his own home town, his ever-loving’ roots, Boston. (His hometown of North Adamsville close enough so that he did not have to tell people who asked the name of the town and could get by with Boston unlike if he was from Lowell or Lawrence or places like that. Sure he had been on the bum a few times, nothing big, once on the Mission in Frisco (where in the same day he walked across the Golden Gate Bridge and that night slept, slept newspaper for a pillow sleep, under that edifice), a couple of times on Larimer Street in Denver before they gentrified the damn place and along the arroyos down in Los Angeles with a bunch of Vietnam veterans like himself who unlike him couldn’t adjust to the “real” world.
Yeah, those were a few day bums, maybe a week, couple of weeks, no more than a month and then back to the world. Short falls, maybe drunk too much and jobless, later maybe too much gambling on run-out horses and dogs (and no money coming in to feed the habits once he got behind), maybe some twist threw him over for a steady guy after he wore out his welcome (and her pocketbook). On the bum this time, this time though a real fall, in hock and up to his ass in debt, mostly big score no-go dope on credit deal debts, when he had tired of drunk risks, gambling risks, frail risks, guys looking for him, not Boston guys thankfully, well, looking for him to pay up. During the long days of pan-handling this time though he would think back to the old days, the days before the “falls” when hustling dough was just for some short money, pick up some spare change, to wander into free campsite, Volkswagen bus pick-up sharing stews, brews and dope hitchhike roads looking for the great blue-pink American West night with some honey, some Angelica honey, bum like a few years back. Angelica, the proto-type of his sexual desire in those days, all Midwest blonde, slender, frisky, proud and sensible, traipsing after him across half the continent before going home to Indiana and then later joining him in southern California before she decided on white picket fences and kids. Sweet kiss, baby, you were probably right when that last night you said your gallant knight was made of sawdust. Yeah, that was a while back, late 1960s back when even he sensed the world might be turned upside down. Hoped maybe he and his would get a fair shake in the world even though more pressing personal issues drove his days and nights.
Those days, those days after the hellish army routine, the “Nam bummer, the Nam bummer before he hightailed it with the arroyos brothers who couldn’t face the “real” world down in L.A. he practically made a religion, yah a religion out of living “free,” living out of the knapsack(oddly an old World War II surplus job found at Snyder’s Army and Navy which he father had told him he carried all thorough Europe when it was to kick ass with the Nazi), living under bridge (not arroyos brother bridges but nice, meaning girl company nice, sleeping bag also Army surplus and light campfires and fine stews), no sweat, if need be. But those “golden days” dried up a few years back and now here in 1976 he was facing a real skid row choice. How it happened he will get to along the way but first let’s set the parameters of what 1976 panhandling, to put an eloquent name on it for “bumming”, shiftless bumming , looked like and how to survive in the new age of everybody me-ing themselves, even with people who were not on the bum. Christ, lord the times were hard, hard times in old Babylon, no question.
See, a guy, a guy who called himself “Shorty” McGee for obviously physical reasons but who knows what his real name was, maybe he didn’t remember either after all the rum-dum sterno heat years and the endless backsides of skid row haunts, that he had hitched up with for a minute, an overnight minute at the Salvation Army Harbor Lights Center over in the South End kind of hipped him to the obvious tricks of the new down-at the-heels road. Like putting the two requests, change and “cigs,” together when you were panhandling. See, Shorty said it was all a matter of psychology, of working the crowd, the downtown crowd, the bustling workaday Park Street Station crowd hurrying to and fro looking for quick lunches, maybe a minute shopping spree in Jordan Marsh’s or Filene’s, and the Copley Square sunning themselves crowd on the benches across from the library maybe reading a book or feeding the pigeons, right to get you out of their sights and back to whatever sweet thing they were doing. So you endlessly put the two requests together, time after time after time, and always. And what happened was that when they turned you down for the dough ( as happened a lot), or maybe took you literally and pieced you off with just a dime, Christ a dime that wouldn’t even buy a cup of joe, could feel good about themselves, if they smoked, smoked cigarettes anyway, by passing you a butt. Billy thought, nice, this Shorty really does have it worked out just about right. Of course dimes and drags were not going to get him out from under, not this time.
Well, rather than leaving the reader out in the dark, Billy Bailey this fair 1976 spring was not just on the bum, but on the lam as well, keeping his head very far down just in case there were some guys who were looking for him, or worst, the cops, in case some irate victim of one of his scams took a notion to “fry his ass.” Of course he was counting on them, those victims, being mainly friends and acquaintances, of not putting “the heat” on him since he had already promised through the grapevine that he would make restitution. But we are getting a little ahead of the story, let’s step back.
The early 1970s were not kind to “free spirits” the previous name for what on this day were “free-loaders” and Billy, well, got behind in his expenses, and his bills, his ever expanding bills. But see the transition from free “s” to free “l” caught him off-guard, moreover he was just then in the throes of a fit of “the world owes me a living,” a serious fit. Why? Well see, he as a pauper son of the desperate working poor, “felt” that since he missed out on the golden age benefits of his youth that he was to make up the difference by putting the “touch” on the richer friends that he had acquired through his doing this and that, mainly high-end drug connections (not really rich but richer since the really rich were hunkered down behind about fifteen layers of fortresses, physical and legal, and as some writer who knew what he was talking about really were different that you and me, no question).
The long and short it was that he work the deal this way, this way once he got his hard wanting habits on first he would “borrow” money off Friend A under some scam pretext of putting it to good use, usually using some exotic drug story as the front (yes, his good use, including several long airplane fight trips to California and other points west-no more hitchhike roads for this moving up the food chain lad) and then borrow dough off Friend B to cover some of his debt to Friend A. Something like an unconscious classic Ponzi scheme, as it turned out. And then when he got to Friend X or somewhere around there things got way too complicated and he started “kiting” checks, and on and on as far deep into his white- collar crime mind as he could think. That could only go on a for a short while and he calculated that "short while" almost to the day when he would have to go “underground” and that day had sprung up a couple of weeks before.
So it took no accountant or smart-ass attorney to know that dimes and drags were not going to get him back on his feet. Nor were many of the schemes that Shorty had outlined over at Harbor Lights as ways to grab quick cash. (Hitting the poor boy charity circuit, good mainly one time, grabbing stuff on credit using somebody’s credit card gained through guys who sold fake credit cards and then selling the stuff quick and deeply discounted. Some check finagling. All things that really took sunnier times to work and squeak maximum benefit from. These were chicken feed for his needs, even his immediate needs, although some of the scams would fill the bill for a rum-dum or life-long skid row bum. But here is the secret, the deep secret that Billy Bailey held in his heart, after a few nights on bus station benches, cold spring night park benches, a night bout under the Andersen Bridge over by old haunt Harvard Square (girl-less and with no cozy sleeping and stew campfires), and a few nights that he would rather not discuss just in case, he finally figured out, figured out kicking and screaming, that the world did not owe him a living and that if he wanted to survive past thirty he had better get the stardust and grit out of his eyes. But just this minute, just this undercover spring 1976 minute, he needed to work the Commons. “Hey, brother, hey sister, can you spare a dime?” “Pal, have you got an extra cigarette?”
Postscript: Not all wisdom ends happily, and not all good intentions grow to fruition. Yes, Billy paid off his debts to his friends, mostly. However, Billy Bailey was killed while “muling” in a drug war shoot-out in Juarez, Mexico in late 1979 trying to do an independent score when the bad boy Mexican and South American cartels were bundling things up. Found face down with two in the back of the head. Yeah, Billy Bailey had moved down the chain a lot since the days when he was a contender for the king hell king of the corner boy night.
On The 50th Anniversary Of Tet- “What The Hell Are We Fighting For-Next Stop Is Vietnam”-Never Forgive, Never Forget” From The North Adamsville Vietnam War Class of 1969- Novack-Ken Burns’ “The Vietnam War” Documentary
For “Mogie” Crocker and all the other brothers and sisters who laid down their heads in that goddam war. Never forget, never forgive-Sam Lowell, Si Lannon, and Allan Jackson-War Class of 1969
By Sam Eaton
If 1967 was dominated by the Summer of Love (the 50th anniversary of which was commemorated last year mainly on the West Coast which was the central axis of the movement and which had a hell of a lot of space in this blog in 2017 since a goodly number of the older writers from North Adamsville were involved one way or another) then 1968 was the Year Of Tet, the year of war, real war for a lot of the same guys around our way who celebrated the “drugs, sex, and rock and roll” cultural explosion of the previous year. You may wonder why I, Sam Eaton am writing this piece since usually in this space I do a little political commentary, mainly around war issues, books, and music and am not one of the guys listed in the epitaph. That answer is simple and two-fold. First, none of those North Adamsville guys after seeing the ten part Ken Burns/Lynn Novack series and the memories it stirred in them felt up to the task of actually writing about those old-time war experiences. (Even Frank Jackman who was in his own way part of the North Adamsville War Class of ’69, a soldier in the Army at that time but one who unlike them refused orders to Vietnam and served some serious time in an Army stockade which will be expanded upon below refused to write about his experiences.) Secondly, I too am a member of the War Class of ’69 although I came from Carver about forty miles south of North Adamsville and have unlike the other guys never mentioned that hard fact in the public prints. Hell most of the people I know do not know I was in Vietnam during that hellish war. In the Burns’ documentary very early on one of the “talking head” ex-Vietnam Marines mentioned that a very close friend of hers husband had been in Vietnam as well as her own husband but it was not until twelve years into their friendship that the even knew that mutual fact. So this is me coming out of the closet and so bear with me if I stumble a bit. (By the way my association with the North Adamsville guys happened a few years later after Vietnam when we were all way or another in Vietnam Veterans Against the War, VVAW, mostly in Boston with former Secretary of State John Kerry and later, and now too, with Veterans Peace Action, VPA)
One of the big things that jogged my memories while watching the early parts of the documentary was how very similar the backgrounds and attitudes of the various “grunts,” the guys who fought the war on the ground, the mainly white working class and black and Hispanic (Latino if that is the preferred reference) whose stories were being told. How much of a true cross-section of the millions of men who went to that war I don’t know but the stories “spoke to me,” spoke of my own upbringing. Spoke too of a lot of the values and unquestioning subservience that we all were brought up in during that heinous Cold War red scare time. “Better dead that red,” “if your mommy is a commie turn her in” real slogans that expressed the underlying terms which we dealt with for anything that moved anywhere not 100 per cent pro-American “my country right or wrong” another key slogan, could be construed as pro-Soviet or pro-“Red Chinese’ an actual expression used to describe that country after the victory of Mao and his brethren.)
I will go into the very similar “life-styles” of the North Adamsville guys, the “corner boys” which meant something in working class culture in the 1950s and 1960s but is something I was not part of down in Carver since in those days before it became something of a bedroom community for the high tech industry about twenty miles away it didn’t have anything like a corner pizza parlor, bowling alleys or variety store to be a corner boy around. Or enough guys with time on their hands to hold up the wall in front of the place. Carver in those days was something like the cranberry capital of the world and those in the town, including four generations as far as I can figure on the Eaton side and three on the O’Brian side, who actually worked the bogs, were called derisively “boggers” which defined the class division in the town. Including where you lived, our section called the “Hump.”
For our purposes though the “boggers” and the other cohort, the middle class cohort called “the Pilgrims” since many of those families could trace their roots pretty far back although I do not remember that any family could claim forebear’s passage on the Mayflower shared common patriotic holiday traditions with parades and other festivities which is the only time there was social mingling. With the exception of a couple of great bogger football players those lines held all through school, most rigidly in high school where you had no chance with the Pilgrim girls and either tied up with a bogger girl or looked out of town, something which I tended to do since I couldn’t deal with what the bogger girl expected on their guys, marriage right out of high school and some Hump small apartment.
The big thing though is that in the Hump you went into the military when called up by the draft, or more usually since the high school drop-out rate for boggers was pretty high volunteer. In my own family, mostly uneducated, I would be the first to actually go to college and get a degree, those four generations of boggers all went to war when called going back to World War I. On the O’Brian side likewise and my mother’s uncle, Frank, has a square still named after him in the town common having died in World War I. So, and it came through loud and clear in the various documentary interviews, where was there room for not going into the military when I was drafted. Where was there a support system if I, or anybody in town, had refused. At the time this town would have crucified any young man who refused the draft, thought about Canada which was not even on the radar, or even thought to express an anti-war opinion whatever they thought instead and whatever doubts they had about going to war especially in my time, my war class time of 1969 when all hell was breaking loose in Vietnam, and in this country. So I went in, did what I had to do to survive and tried to forget about the awful things I did, and had seen done to people I had no quarrel with. It took a few years to shake that horror loose before I grabbed a life-line from a bunch of guys, fellow veterans, who wanted to stop the war madness- and still do.
The impetus for my getting off my duff had been watching a bunch of Vietnam veterans marching in silence (and in an orderly march manner something which tended to be lacking up to this day in later anti-war veterans peace marches and such), down a hot and humid Miami boulevard during the week of the Republican National Convention in 1972. The sight of those be-medaled soldiers, sailors, Marines, airmen, stirred something in me that no dope, no alcohol my previous remedies of sorts could slake. Their rough treatment by the Nixon-fired up forces of law and order further made something in me snap. Don’t ask me now some fifty years later to explain everything I was thinking that pushed me on to the brink of self-destruction and everything that pulled me back any more than you could ask all those soldiers and Marines on the Ken Burns interviews what moved them to anti-war action. Amazingly when asked to articulate some of that experience and the why of it those interviewees stopped and could not come up with an answer other than the very familiar “I don’t know.” Except I knew, they knew, all roads led back to Vietnam, led back to the bad stuff we did there, stuff that we could never live down.
Back in 1972, maybe 1971 too I was living in Rhode Island to be away from friends, family, girlfriends, everybody while I sorted things out. Didn’t let anybody but growing up friend Will Badger know where I was since while he had been in the Navy during the war shelling the hell out of places like Da Nang and far from the daily butchery on the ground he was a troubled soul as well. He did slip up one time and somehow my girlfriend who had been my fiancé before I left for Vietnam but as was the nature of the times we decided not to “go bourgeois” and get little white house with picket fence, kids, and dog married and wind up like our respective parents followed him one day. After something of a screaming match initiated by me we decided to keep company, be companions again and I was glad of that in the end even though we drifted apart a few years later when she wanted to get married and I was against the idea.
All through those experiences I kept thinking about that powerful silent veterans march and that fall of 1972 I went up to Boston once I found out where there was an active VVAW chapter. (This remember before the days of the Internet which would have let me find the organization in about two minutes. Then I had to check the telephone directory and got no information since the phone number was not listed as yet in that publication and only found out where they had an office and telephone number by going to Providence and Brown University to a Vietnam Mobilization office where they had such information about what was what in New England.)
At that first meeting in Boston two things happened which marked me then and to this day. One was that in the political divide within the organization about what is always an issue with left-wing groups whether to push the electoral button or go for street confrontations I tended toward the street cred guys, the flame-throwers against guys like former Secretary of State (and U.S. Senator from Massachusetts) John Kerry who even then was looking for the “main chance” which he sought with a vengeance. This issue tended to draw something of a class line as well since those who favored the electoral essentially reformist way to deal with social change, with the struggle against the military machine and war tended to have been ROTC or OCS officers and from very middle class backgrounds and those like the guys from North Adamsville who I will discuss in a minute and me who wanted to “burn the mother-fucker down,” go after those in the mansions.
The other thing that has stayed with me to this day are the friendships, social and political friendships, I struck up with the guys from North Adamsville and guys they had gathered around them like Josh Breslin from up in Maine whom they met out in California during that Summer of Love, 1967 that was the hot topic here last year and Fritz Taylor and Ralph Morse met in the Army. Everyone was a flame-thrower, a “burn the mansion down” guy then, and not far from that now either although time has mellowed them (and me) personally-a bit. The basis of that mutual attraction was the incredible similarity of all of our growing up experiences, the white working class and white trash poor backgrounds whether in North Adamsville, Carver, Olde Saco, Maine or with Fritz Fulton County, Georgia, the unquestioning patriotism, the anti-communism culled from the red scare Cold war night that enveloped us all, and the small town-ish values about “Mom, God and apple pie” Fourth of July parade façade that we swallowed hook, line and sinker.
Here is an antidote from the mad wizard Seth Garth which kind of sums up the social milieu around the war issue mid-1960s working class style which tells a lot, maybe all you need to know about how Uncle Sam got the “cannon fodder,” not my term originally but one that we all have adopted since back in the days, to fight his wars then, now too probably even with an all-volunteer army, the volunteer part subject to lots of social, class, racial, ethnic, and economic provisos. Seth had decided to attend his fiftieth class reunion, the Class of 1964 but the other classes around that time produced the same fact once the corner boys from different graduation years compared notes on the subject, a few years ago and as a prelude to that the organizers of the reunion (not so strangely the same “social butterflies,” male and female who were the “in crowd” back in high school at least the ones who were still standing), set up a class website to gather information about those still standing.
That class, that heart of the baby-boomer class, had about five hundred members of which about two hundred or so responded, about evenly divided between male and female. (By way of comparison my whole combined junior and senior high school had five hundred students to give another example of how small Carver was then.) One of the questions asked was about military service which in that day would have been a question asked and answered almost totally by males. Of that one hundred or so respondents ninety of them put down some military service from National Guard to Vietnam including a small clot of military lifers. That alone tells the tale about who went and what the environment was like for anybody who thought for a minute about resistance or even just questioning the aims of the war, or of war.
We still gnash our teeth over our collective naïve, our collective taking in the bullshit without question and our failures to do something about the whole damn thing long before we were drafted or enlisted. (That latter condition, drafted or enlisted, the only thing that separated the entire collective which was as much about personal circumstances as anything since it never entered anybody’s mind, even special case, Frank Jackman, not to go into the military in our youth.)
The North Adamsville guys, I will deal with Josh, Fritz, and a couple of other guys in passing, were cemented together by one thing, they all grew up in the desperately poor working class and working poor neighborhood of the town called the “Acre.” All were members of the North Adamsville classes of 1963, 64, 65 (the prime years for young men who would face the grist mill of Vietnam which cut too many from those years in their prime). Josh was Olde Saco Class of 1967, Fritz Robert E. Lee High Class of 1962). More importantly the social glue that kept them together centered in their high school days around Tonio’s Pizza Parlor where they were the so-called corner boys, a mainly derogatory sociological and cultural term coined by legal professionals, cops, and academics who were worried about the angst and alienation of this swath of youth. The term fit so completely that they adopted the expression for their own amusement. Mainly that amusement was hanging around Tonio’s since they rarely had dough for dates and such or going on what they called the “midnight creep,” grabbing stuff through burglaries to get dough for dates and such. A hard dollar any way you look at it and it was a close thing that they mainly survived to tell the tale.
You cannot, I cannot although I only him slightly personally and more through endless talk of his legend, talk about the North Adamsville corner boys without mentioning their “leader” Peter Paul Markin, always known as “Scribe.” (This is the real Markin who died in the 1970s not the former site manager of this blog who used the moniker on-line in honor of his fallen comrade which explains a lot of that “leader” point just made.) The Scribe was not the leader, leader, you know the one who kept things in order that was Frankie Riley who wound up 4-F (unfit for military duty) and who later became a very successful lawyer in Boston, but something like the intellectual leader. He was the guy who got Sam Lowell, Si Lannon, Jack Callahan, Bart Webber, Allan Jackson, Seth Garth, Frank Jackman, Jimmy Jenkins who would die in Vietnam in 1968, and Frankie all except Frankie who would be drafted or enlist in the military to head out to California in the summer of 1967 and get knee-deep, no, neck-deep in the Summer of Love. (Other North Adamsville corner boys Rick Rizzo and Johnny Kelly who lived right next door to each other and joined the Army together laid down their heads in Vietnam in 1966 so never got the chance to experiment with the “drugs, sex, and rock and roll” that drove those days.) Josh met this crew out there as well before his military service. Fritz came into the group through Sam when they were in the Army together.
Markin too was the guy who probably was the most affected by his loss of innocence from his Vietnam experience, by the shattering of his Summer of Love-like dreams for a new world which he really expected to happen according to all the guys. Like me his was “lost” coming back to the “real” world as we called it after landing in the U.S.A from Vietnam. He would drift back out to California and start writing for a bunch of alterative newspapers which were flourishing out there for a while. Did some award-winning work when he found and joined an alternative society of returned Vietnam War G.I.s who like him could not adjust to the “real” world and lived along the railroad tracks and bridges of South California doing the best they could. Singer/songwriter Bruce Springsteen would name a song later which would fit-“brothers under the bridge.” Markin wrote, or rather let them tell their stories for a while.
Josh who lived out in Oakland with him in a communal house then said he was starting to come out of his shell with that work. Not for long though because later in the mid-1970s he would develop a very serious cocaine habit which he fed by dealing the drug, always a bad proposition and wound up getting killed, murdered, down in Mexico after a botched drug deal with a couple of slugs in his head in some back alley. Nobody knows to this day exactly what happened although they still shed a tear every time his name is mentioned.
All of that was a few years later though when it was unmistakable that the “newer world” was not going to make it. In 1972 they were under Markin’s guidance members of VVAW and in attendance that that first meeting I went to. They all had, except Frank Jackman who I will discuss in a minute, various evidences of their service on. As had I. My 101st Airborne patch on an old faded olive drab shirt with my name tag on it. Si had been attached to the same division and was the first to welcome me. The meeting, the long meeting as such things went in those days when in the interest of “democracy” everybody got to speak for as long as they wanted and seemingly whatever they wanted even if off-topic, went as expected as they were planning an action on Boston Common in conjunction with the inevitable Fall/Spring semi-annual anti-war mobilizations coming up a few weeks later. They invited me to Durgin Park for some food and drink (mostly drink and later some dope). During this meal/drink-fest Markin, who was back from California for a while since he was looking for a couple of guys who he had met “under the bridge” to get their “back stories” asked for my story.
Everybody except me laughed when I had finished my seemingly sad little tale of a story. Laughed a sardonic laugh when you think about it because Si asked me whether I had grown up in North Adamsville. I didn’t understand the question until he said that my story, like their stories, like the stories of Mogie, Mulgrave, Sullivan in the Burns’ documentary, was too familiar. That the working class from small towns and sections of cities and poor bastards in the ghettoes and barrios bore the brunt of the crap that went down in Vietnam no matter what happened at home (or among those groupings in Vietnam, not always brotherly, no way, the racial tensions would sometimes get hot and heavy especially when the mainly white officers overplayed placing black men on point or down in the fucking tunnels but also when guys from small white bread towns like me couldn’t figure out what made the black guys tick and the same the other way). So I was “initiated” and like Josh and Fritz (and Remmy and Jamal, a couple of black brothers who have since died one of an overdose of heroin started out in the Golden Triangle madness) became an honorary North Adamsville corner boy. And I still am, proudly am.
The Scribe was one end of what happened to some guys during and after the war but I would be remiss if I didn’t mention the special case of Frank Jackman, another North Adamsville corner boy. In the Burns documentary the famous Vietnam War writer Tim O’Brien laments, no anguishes over the fact that he had not refused to be drafted, not refused to go to Vietnam. Others both in that presentation and in real life in the organizations I have belonged to most recently Veterans Peace Action where there are clots of guys who anguished over those kinds of decisions that young people, young soldiers are forced to deal just like Tim O’Brian had had to do. It may be hard for the couple of generations that have now come of age since Vietnam time to fathom what EVERY young male had to go through back then even those who were gung-ho to go. Draft refusal, going to Canada or Sweden, going to jail, going to the stockade, faking all kind of injuries that would make one 4-F (unfit for military duty) some of them pretty gruesome, faking mental disorders,. faking homosexuality then a way out, scrambling to get into National Guard or Armed Forces Reserved units. I could go on but you get the picture, decisions all around the subject. So plenty of similar stories and regrets. After the service, after the fact. That was my case and the case of all the North Adamsville corner boys, real and honorary, everybody except beautiful and righteous Frank Jackman was did refuse to go, who let his conscience and maybe a few generations of hard won integrity and thoughtfulness DNA guide his decisions. A little balls too as we used to say back in the day when somebody did some action worthy of such a note, jail time always a qualifier, once he had orders to do so, to report to Fort Lewis for transit to Vietnam.
Now we all know, and if the reader doesn’t then a run though this ten-part Burns-Novack series will enlighten you to the fact, that during the American portion of the war, the American War as the Vietnamese rightly called it, every and I mean every young man had a decision to make, consciously or unconsciously, about what to do about his participation in the war machine. Like I said above some refused the draft, some went to Canada, some filed and received civilian conscientious objector status of some kind, some when in the service went AWOL, and a lot of other things. Maybe Burns could have spent more time on those anguishing decisions and on the resistance in the military itself especially after Tet, 1968. A few, and Frank Jackman was one of them, were of that small, small as against a couple of million man army, category of military resister. Went in like the rest of us did but at some point said no-no to Vietnam, no to the killing the rest of us, anti-war and pro-war, proud of service or not, have spent the rest of our lives trying to square up. Funny because of all the guys who hung around the corner one would have expected the wild man Scribe, Markin, to have been a resister if anybody was. Still Frank Jackman’s story can serve as a very graphic example of the anguish of the generation of ’68.
If you noticed the headline to this piece there is a reference to the War Class of 1969. That is because everyone who I have mentioned here from North Adamsville to Fulton County, Georgia, including myself, served in the military during that fateful year, the year after Tet proved to all who cared to see, all who had anything but a hidebound refusal to see, that the war, the American war once again as the Vietnamese correctly called it, was unwinnable. Meaning that those who served in say 1969, who were the grunts, the “cannon fodder” were serving for no reasonable reason except as we learned later through The Pentagon Papers and other Freedom of Information documents governmental hubris. Only the names changed throughout the changes in government the hubris remained until almost the very end. They, we, all served and forevermore called ourselves the class of 1969. That class included one soldier, Frank Jackman, who did not serve in Vietnam but who will forevermore also be a member of that class of 1969.
Frank Jackman had had orders to report to Fort Lewis in Washington for transit to Vietnam and through a rather long process including stockade time refused to go. We would often talk, we still do although not when Frank is around because he like a ton of Vietnam era guys, military guys, don’t like to talk about those times even if he was righteous and as courageous as anybody who went to death trap Vietnam, about how Frank out of the almost dozen guys was the one guy who refused to go, refused to righteously go despite no support at home and no history of there being anything like it done in his town, my town, our collective clot of towns, before. Frank was not a leader among the North Adamsville corner boys like Frankie Riley or the Scribe but a sideliner, a guy who was as comfortable with a book as a jimmy for those infamous midnight creeps. (Everybody, all hands, except the Scribe who planned many of the creeps but who was totally incompetent to carry them out participated in every caper on principal-or would have gotten the boot.) Make no mistake he had imbibed, believed all of the stuff us other guys did about duty, patriotism and the like but there was something of the quietude in him that spoke of something more, or maybe as he pointed out when we discussed it later, that was so much eyewash.
Frank like all the others accepted induction in his case after he finished college in 1968 and received his draft notice to report in January 1969 (he had received four years of deferment for going to college standard at the time dependent on decent grades but in a way the kiss of death for the army with smart civilian citizens mixed in with the usual high school graduates and drop-outs). It was about after three days down in Fort Gordon for basic training far from home that he realized that he had made a mistake, that he should have refused induction. Being isolated down in the South he waited until he got back home after receiving order to Vietnam as an infantryman to decide what to do in August 1969. (Yes, the August 1969 when half a million other kids, boys and girls, were like lemmings to the sea to Woodstock nation and good luck.)
All he knew was that the war was over for him. He made his way over to Cambridge and the Quaker Meeting House where they were offering G.I. counselling for those who were military refuse-niks. For years the anti-war movement had bene centered on draft resistance and maybe rightly so but as the years rolled on and the number of Frank-like guys started needing help organizations like the Friends expanded their operation. There was a political component to it as well since protesting government policy was leading up a blind alley and if the natural objective of the anti-war was to stop the war then they had to get to the troops. Get down in the mud at the base and stop depending on some politician-savior to break the fall, to half-heartedly call the whole thing dust in the eyes.
Through the counselling process plans were outlined, options presented the most reasonable given Frank’s situation was for him to go absent without leave (AWOL) for more than thirty days which would leave him dropped from the rolls out in Fort Lewis (AWOL a chargeable offense itself although pretty far down on the totem pole of penalties) and then turn himself to the nearest local fort, Fort Devens about forty miles from Boston to put in an application for status as a conscientious objector. A strategy while outlined which was aided by assigning him a pro bone civilian lawyer. (Not all G.I.s sought, desired, or received civilian lawyers partially because so few of them were familiar with the arcane Code of Military Justice but the way Frank presented himself, presented the case they thought he could use good legal advice and make some splash. That turned out to be true on all counts.)
As that time conscientious objector status for those who were actually in the military was rare, very rare, and in due course he was turned down although at every level those who interviewed him believed he was sincere which would help him later when he got to civilian federal court. By a stroke of luck, and a good attorney, he was able to get his case into the federal court in Boston along with a temporary restraining order to keep him in the jurisdiction of the court. (The stroke of luck was getting a notoriously conservative judge to see that Frank had a case in civilian court that he could win. That too would come in handy later. But that was only the surface, the technical stuff.)
That is where that idea of whatever Frank had inside him, whatever grit the generations had left in his DNA came to the fore. He decided that he would no longer play the soldier and so one Monday morning when the weekly formation came up he walked onto the parade field in civilian clothing and a sign “Bring the boys home.” Immediately a couple of lifer sergeants grabbed him and that started his road to the stockade. He would eventually serve two six month sentences for refusing to obey orders to wear the uniform. For years he would make the few people he told his story to laugh when he told them that if the federal court had not granted his writ of habeas corpus he might still be in that stockade he was so determined to fight the bastards to the end. So maybe that story should have gotten some play, or stories like that when Ken Burns was trying to tie the knot around what the whole thing meant. Might have thought twice, as a civilian, about a remark attributed to him about “war being in the DNA of the human species and hence all beyond the pale, all doomed to bloody up the world and let untold number lay down their heads for some stupid cause. Still and all Frank belongs in that small cohort of the war class of 1969 as some kind of beacon. That says it all, all that needs to be said.
A Czech Psycho In London-When The Lust For Loot Leads A Guy To Gaslighting-Dame May Whitty’s Revenge-Ingrid Bergman’s “Gaslight” (1944)-A Film Review And More
DVD Review
By Associate Film Reviewer Fritz Taylor
Gaslight, starring Ingrid Bergman, Charles Boyer, Dame May Whitty, Joseph Cotton, 1944
The lust for valuables, for gold, silver, jewels can drive a person right over the edge or as in the film under review Gaslight to the big step-off, to that lonely trip up those lonely steps to face the lord high executioner. Witness what happened to Warren Devine in the classic case of gold lust The Treasure Of The Sierra Madre when he fought all contenders only to see his loot blow away in the winds once the banditos had their say. Better, better for the case before us, one Bridgit Hennessey, although don’t get hung up on names since she used about six as she left a mountain of human skulls on the road, mostly male although I am sure she would have put a few slugs into some female if the occasion called for it, in pursuit of what one wag ironically called “the stuff of dreams,” in pursuit of some freaking jewel-encrusted bird in The Maltese Falcon. That look of the eye, that patented glazed eye is what would do one Serge Broguis, a Czech national, but again don’t get hung up on monikers since Interpol had about six aliases this con man worked under, so there had to be more when he went after Prince George’s jewels. The ones he gave to Alicia Adams, the famed English opera singer whom he gave as a little expensive keepsake when she was away from him (and which he could look when she was on stage and he was up in his box-with that arranged marriage wife he was saddled with by the Czar, or Tsar, the spelling the Bolsheviks used when they put him to earth during the Russian Civil War).
You know I can still learn something in this wicked old life as old as I. For example, working on the back story for this review I found out that gaslight was not only the major form of illumination before the invention of the electric light which put that form in the shade so to speak but as a verb it meant to sow seeds of doubt in a person (I guess it could be a group too but that seems more problematic), to get them confused, to make them distrust memory and the like. The classic example is well in the film under review where Serge (remember don’t get hung on names) for his own greedy reasons tried to drive his newly wed wife crazy, bonkers, drive her to the loony bin, to the mental hospital.
This late Victorian thriller’s plot is driven by the obsessive plan that Serge, played by a guy named Charles Boyer goes into to make poor misbegotten Paula, played by Ingrid Bergman last seen in this space according to Josh Breslin who did the review (and a couple of subsequent pieces based on the fate of a few of the characters) taking that last flight to Lisbon arm and arm with her husband Victor Lazlo, yes, that Victor Lazlo who led the anti-Nazi struggle in Europe during World War II when it counted and the Nazis couldn’t seem to keep him penned in as hard as they tried. She, Ilsa leaving her lover Rick, no slouch himself in the anti-fascist struggle in Spain when that counted, to walk off arm and arm with his dear friend Lou, an ex-cop.
Here is how Serge fell down, how he joined Warren and his gold dust dreams and Brigid and her freaking jewel lust. While Alicia Adams was performing in Prague Serge had wound up filling in for her regular piano player who had caught a cold and Alicia insisted that he not play. Somehow at the party after the performance Serge got wind of the fact that Alicia was this Prince George’s mistress, his fancy woman really who to show his devotion (and piss on his wife’s parade) gave her the previously mentioned priceless jewels. That got him crazy, gave him that glazed eye. and he hatched a plan to grab the jewels when Alicia went back to her home in London. First screw-up. Serge with what must have been leaden shoes woke Alicia up and she came downstairs to confront Serge. End of Alicia but not end of story. Paula, her ward, had come down the stairs subsequently to find her body and as a sensitive young girl was traumatized enough to be sent away.
Fast forward a few years with Paula in splendid exile in Italy learning to become an opera singer like her late aunt. And at the piano. Yes, the ever-scheming Serge. His bright idea and it had some merit if too many moving parts to woo and marry Paula, get her to go back to London to the house on Thornton Place that her aunt had left her and then go to work on her, gaslight, now that you know what that means, the hell out of her. Figuring as far as anybody could tell to drive her crazy with his efforts at undermining her mental state OR better finding those freaking jewels he had already committed murder for. Like I said not bad if with too many moving parts.
The too many moving parts included being way to aggressive in his undermining of Paula’s mental state and his incessant going to the attic where he had had all of Alicia’s possession placed so he could look for the jewels at his leisure. That got a guy from Scotland Yard, a detective, played by Joseph Cotton last seen in this space playing an American psycho serial killer who went after young girls in the Midwest, suspicious. Aroused more than that since he had been an admirer, possibly a lover of Alicia, and had been working the case if only in his mind ever since her passing. Eventually the game of cat and mouse between Serge and Cameron led to Serge’s demise, to his being carried off to face his maker pretty soon. Cameron naturally took up the slack in Paula fragile life and possession of the confiscated jewels to be turned into Scotland Yard for disposal to whoever was the rightful owner, if one could be found.
Postscript: I mentioned above when I was giving the reader information about the expression “to gaslight” that I had found out that information while I was researching the back story of what really happened around this famous jewelry lust case. Of course, the knowledgeable film-goer, reader, writer, artist and so on knows that there is always a back story that those who are producing the product either eliminate or refuse to tell a candid world for their own reasons. That is the case here as well.
On the face of it a two-bit piano player like Serge, lucky to get a gig every now and again when some regular real piano player was out sick or had some other reason not to perform especially in Prague could not have carried out this con on his own. A guy who moreover had a nagging wife at home in that old city and a ton of bills to be paid and as importantly had never been to London, had never been further that Vienna in the old days when there was an Austro-Hungarian Empire. And he was not alone, no way.
Enter one Dame May Whitty (her real name as far at the authorities knew although they never made the connection between her and Serge until long after she was dead, and somebody was researching the case to write a play about what had happened. The Dame, a known widely travelled older woman who had never married, ran into Serge in Prague shortly after he had subbed for the regular piano for Alicia Adams, and during conversation they found they had mutual interests in Ms. Adams. The Dame burning with hatred for Alicia who lived across the street from her in Thornton Square, London after Alicia took Prince George away from her and Serge having that outsized lust for what he had heard were priceless jewels given to Alicia by Prince George. Maybe not a union in heaven, maybe not anything more than convenience but there you have it.
If you have read above then you know that this Serge was a holy goof, not my expression but from Jack Kerouac via Josh Breslin, couldn’t find those freaking jewels when he broke into Alicia’s house and had to kill her leaving Paula to fend for herself once she saw her aunt dead on the floor in front of the fireplace. You would have thought that let Dame Whitty out once Alicia was dead, but Serge had a certain amount of leverage both because he could implicate her and because the Dame had her own plans for Alicia’s house. She needed her cut, that ten percent commission, from the to be fenced jewels, to continue her masterplan to buy up all the properties in Thornton Square and build the equivalent of condos, then townhouses.
Once Serge’s gaslighting of poor misbegotten Paula failed and he was taken away by Scotland Yard to eventually face the lord high executioner and Detective Cameron had confiscated the priceless jewels you would have thought that would certainly be the end of it. No, one thousand times no, that was only really the beginning. The Dame had hedged her bets and made an agreement with the detective that if Serge fell down and he certainly looked like he was heading that way when he overplayed his hand and lowered that foolish gaslight gag one time too many and spent too much time in the attic that she would clear the way for Paula to keep her town house and more importantly clear the way for him to marry the bereft Paula. Plus ten percent of the take of the fenced jewels. He was in. He and Paula and good neighbor Dame Whitty enjoyed the benefits of Serge’s doomed work and their subsequently upscale neighborhood and left this good green earth without any suspicion cast their way. Nice.
[By the way the fencing of those priceless jewels which were not so priceless after all once the Dame took control of them was done as all illegal transactions in those were through Larry Lawrence. The reader may know once young writer Will Bradley exposed him was known under the public name of Sherlock Holmes who along with a guy named Nigel Bruce, please again don’t get hung up on names since Scotland Yard had about a dozen names he worked under ran half the illegal operations in London under cover of some private detective scam over on Baker Street. Larry took his ten percent, and a surcharge to keep quiet about where the jewels came from, which both Dame Whitty and Cameron agreed was fair enough to keep them from having to do any heavy lifting for the rest of their lives. Paula too once she got some very sound psychological help.]
Click on title to link to a film clip of Walt Whitman on YouTube lip-synching (for lack of a better term) his Oh Captain, My Captain.
Commentary
This is Walt Whitman's well-known homage to the fallen Civil War President, Abraham Lincoln. It deserves space in any left history blog. For an excellent musical rendition of this poem (and the inspiration for placing the poem here) listen to Carolyn Hester's "Carolyn Hester At Town Hall" recording from 1965.
O Captain! My Captain!
Walt Whitman
1
O CAPTAIN! my Captain! our fearful trip is done;
The ship has weather’d every rack, the prize we sought is won;
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring:
But O heart! heart! heart! 5
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
2
O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills; 10
For you bouquets and ribbon’d wreaths—for you the shores a-crowding;
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head;
It is some dream that on the deck, 15
You’ve fallen cold and dead.
3
My Captain does not answer, his lips are pale and still;
My father does not feel my arm, he has no pulse nor will;
The ship is anchor’d safe and sound, its voyage closed and done;
From fearful trip, the victor ship, comes in with object won; 20
Exult, O shores, and ring, O bells!
But I, with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
Walt Whitman (1819–1892). Leaves of Grass. 1900.
When Lilacs Last in the Door-yard Bloom’d
1
WHEN lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d—and yet shall mourn with ever-returning spring.
O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west, 5
And thought of him I love.
2
O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear’d! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me! 10
O harsh surrounding cloud, that will not free my soul!
3
In the door-yard fronting an old farm-house, near the white-wash’d palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,
With many a pointed blossom, rising, delicate, with the perfume strong I love,
With every leaf a miracle......and from this bush in the door-yard, 15
With delicate-color’d blossoms, and heart-shaped leaves of rich green,
A sprig, with its flower, I break.
4
In the swamp, in secluded recesses,
A shy and hidden bird is warbling a song.
Solitary, the thrush, 20
The hermit, withdrawn to himself, avoiding the settlements,
Sings by himself a song.
Song of the bleeding throat!
Death’s outlet song of life—(for well, dear brother, I know
If thou wast not gifted to sing, thou would’st surely die.) 25
5
Over the breast of the spring, the land, amid cities,
Amid lanes, and through old woods, (where lately the violets peep’d from the ground, spotting the gray debris;)
Amid the grass in the fields each side of the lanes—passing the endless grass;
Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprising;
Passing the apple-tree blows of white and pink in the orchards; 30
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.
6
Coffin that passes through lanes and streets,
Through day and night, with the great cloud darkening the land,
With the pomp of the inloop’d flags, with the cities draped in black, 35
With the show of the States themselves, as of crape-veil’d women, standing,
With processions long and winding, and the flambeaus of the night,
With the countless torches lit—with the silent sea of faces, and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn; 40
With all the mournful voices of the dirges, pour’d around the coffin,
The dim-lit churches and the shuddering organs—Where amid these you journey,
With the tolling, tolling bells’ perpetual clang;
Here! coffin that slowly passes,
I give you my sprig of lilac. 45
7
(Nor for you, for one, alone;
Blossoms and branches green to coffins all I bring:
For fresh as the morning—thus would I carol a song for you, O sane and sacred death.
All over bouquets of roses,
O death! I cover you over with roses and early lilies; 50
But mostly and now the lilac that blooms the first,
Copious, I break, I break the sprigs from the bushes;
With loaded arms I come, pouring for you,
For you, and the coffins all of you, O death.)
8
O western orb, sailing the heaven! 55
Now I know what you must have meant, as a month since we walk’d,
As we walk’d up and down in the dark blue so mystic,
As we walk’d in silence the transparent shadowy night,
As I saw you had something to tell, as you bent to me night after night,
As you droop’d from the sky low down, as if to my side, (while the other stars all look’d on;) 60
As we wander’d together the solemn night, (for something, I know not what, kept me from sleep;)
As the night advanced, and I saw on the rim of the west, ere you went, how full you were of woe;
As I stood on the rising ground in the breeze, in the cold transparent night,
As I watch’d where you pass’d and was lost in the netherward black of the night,
As my soul, in its trouble, dissatisfied, sank, as where you, sad orb, 65
Concluded, dropt in the night, and was gone.
9
Sing on, there in the swamp!
O singer bashful and tender! I hear your notes—I hear your call;
I hear—I come presently—I understand you;
But a moment I linger—for the lustrous star has detain’d me; 70
The star, my departing comrade, holds and detains me.
10
O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be, for the grave of him I love?
Sea-winds, blown from east and west, 75
Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting:
These, and with these, and the breath of my chant,
I perfume the grave of him I love.
11
O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls, 80
To adorn the burial-house of him I love?
Pictures of growing spring, and farms, and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air;
With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific; 85
In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there;
With ranging hills on the banks, with many a line against the sky, and shadows;
And the city at hand, with dwellings so dense, and stacks of chimneys,
And all the scenes of life, and the workshops, and the workmen homeward returning.
12
Lo! body and soul! this land! 90
Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;
The varied and ample land—the South and the North in the light—Ohio’s shores, and flashing Missouri,
And ever the far-spreading prairies, cover’d with grass and corn.
Lo! the most excellent sun, so calm and haughty;
The violet and purple morn, with just-felt breezes; 95
The gentle, soft-born, measureless light;
The miracle, spreading, bathing all—the fulfill’d noon;
The coming eve, delicious—the welcome night, and the stars,
Over my cities shining all, enveloping man and land.
13
Sing on! sing on, you gray-brown bird! 100
Sing from the swamps, the recesses—pour your chant from the bushes;
Limitless out of the dusk, out of the cedars and pines.
Sing on, dearest brother—warble your reedy song;
Loud human song, with voice of uttermost woe.
O liquid, and free, and tender! 105
O wild and loose to my soul! O wondrous singer!
You only I hear......yet the star holds me, (but will soon depart;)
Yet the lilac, with mastering odor, holds me.
14
Now while I sat in the day, and look’d forth,
In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops, 110
In the large unconscious scenery of my land, with its lakes and forests,
In the heavenly aerial beauty, (after the perturb’d winds, and the storms;)
Under the arching heavens of the afternoon swift passing, and the voices of children and women,
The many-moving sea-tides,—and I saw the ships how they sail’d,
And the summer approaching with richness, and the fields all busy with labor, 115
And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages;
And the streets, how their throbbings throbb’d, and the cities pent—lo! then and there,
Falling upon them all, and among them all, enveloping me with the rest,
Appear’d the cloud, appear’d the long black trail;
And I knew Death, its thought, and the sacred knowledge of death. 120
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Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle, as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night, that talks not,
Down to the shores of the water, the path by the swamp in the dimness, 125
To the solemn shadowy cedars, and ghostly pines so still.
And the singer so shy to the rest receiv’d me;
The gray-brown bird I know, receiv’d us comrades three;
And he sang what seem’d the carol of death, and a verse for him I love.
From deep secluded recesses, 130
From the fragrant cedars, and the ghostly pines so still,
Came the carol of the bird.
And the charm of the carol rapt me,
As I held, as if by their hands, my comrades in the night;
And the voice of my spirit tallied the song of the bird. 135
DEATH CAROL.
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Come, lovely and soothing Death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later, delicate Death.
Prais’d be the fathomless universe, 140
For life and joy, and for objects and knowledge curious;
And for love, sweet love—But praise! praise! praise!
For the sure-enwinding arms of cool-enfolding Death.
Dark Mother, always gliding near, with soft feet,
Have none chanted for thee a chant of fullest welcome? 145
Then I chant it for thee—I glorify thee above all;
I bring thee a song that when thou must indeed come, come unfalteringly.
Approach, strong Deliveress!
When it is so—when thou hast taken them, I joyously sing the dead,
Lost in the loving, floating ocean of thee, 150
Laved in the flood of thy bliss, O Death.
From me to thee glad serenades,
Dances for thee I propose, saluting thee—adornments and feastings for thee;
And the sights of the open landscape, and the high-spread sky, are fitting,
And life and the fields, and the huge and thoughtful night. 155
The night, in silence, under many a star;
The ocean shore, and the husky whispering wave, whose voice I know;
And the soul turning to thee, O vast and well-veil’d Death,
And the body gratefully nestling close to thee.
Over the tree-tops I float thee a song! 160
Over the rising and sinking waves—over the myriad fields, and the prairies wide;
Over the dense-pack’d cities all, and the teeming wharves and ways,
I float this carol with joy, with joy to thee, O Death!
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To the tally of my soul,
Loud and strong kept up the gray-brown bird, 165
With pure, deliberate notes, spreading, filling the night.
Loud in the pines and cedars dim,
Clear in the freshness moist, and the swamp-perfume;
And I with my comrades there in the night.
While my sight that was bound in my eyes unclosed, 170
As to long panoramas of visions.
18
I saw askant the armies;
And I saw, as in noiseless dreams, hundreds of battle-flags;
Borne through the smoke of the battles, and pierc’d with missiles, I saw them,
And carried hither and yon through the smoke, and torn and bloody; 175
And at last but a few shreds left on the staffs, (and all in silence,)
And the staffs all splinter’d and broken.
I saw battle-corpses, myriads of them,
And the white skeletons of young men—I saw them;
I saw the debris and debris of all the dead soldiers of the war; 180
But I saw they were not as was thought;
They themselves were fully at rest—they suffer’d not;
The living remain’d and suffer’d—the mother suffer’d,
And the wife and the child, and the musing comrade suffer’d,
And the armies that remain’d suffer’d. 185
19
Passing the visions, passing the night;
Passing, unloosing the hold of my comrades’ hands;
Passing the song of the hermit bird, and the tallying song of my soul,
(Victorious song, death’s outlet song, yet varying, ever-altering song,
As low and wailing, yet clear the notes, rising and falling, flooding the night, 190
Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,
Covering the earth, and filling the spread of the heaven,
As that powerful psalm in the night I heard from recesses,)
Passing, I leave thee, lilac with heart-shaped leaves;
I leave thee there in the door-yard, blooming, returning with spring, 195
I cease from my song for thee;
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous, with silver face in the night.
20
Yet each I keep, and all, retrievements out of the night;
The song, the wondrous chant of the gray-brown bird, 200
And the tallying chant, the echo arous’d in my soul,
With the lustrous and drooping star, with the countenance full of woe,
With the lilac tall, and its blossoms of mastering odor;
With the holders holding my hand, nearing the call of the bird,
Comrades mine, and I in the midst, and their memory ever I keep—for the dead I loved so well; 205
For the sweetest, wisest soul of all my days and lands...and this for his dear sake;
Lilac and star and bird, twined with the chant of my soul,
There in the fragrant pines, and the cedars dusk and dim.
