AMERICAN LEFT HISTORY

This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. We will be reviewing books, CDs, and movies we believe everyone needs to read, hear and look at as well as making commentary from time to time. Greg Green, site manager

Sunday, March 08, 2020

Title IX Witchhunts, Anti-Sex Frenzy and Bourgeois Feminism (Women and Revolution pages)

Workers Vanguard No. 1121	3 November 2017

Title IX Witchhunts, Anti-Sex Frenzy and Bourgeois Feminism

(Women and Revolution pages)

Unwanted Advances

Sexual Paranoia Comes to Campus

A Review

Is the specter of sex haunting the campus? Under the pretense of targeting sexual harassment and assault, university administrations have been whipping up a climate of fear and imposing neo-Victorian values. As the recent book Unwanted Advances—Sexual Paranoia Comes to Campus (HarperCollins Publishers, April 2017) argues, “The new campus codes aren’t preventing nonconsensual sex; they’re producing it.” Written by Northwestern University professor and self-described left-wing feminist Laura Kipnis, the book exposes the vastly expanded definitions of sexual assault, which criminalize anything from drunken hook-ups to student-professor romance and even allow for consent to be withdrawn retroactively.

Kipnis joins others who have blown the whistle on the Title IX “sexual misconduct” investigation apparatus. Title IX was originally enacted in 1972 to outlaw sex discrimination in federally financed institutions, to increase funding for women’s college sports and women’s enrollment in medical and law schools. Now it has been turned into a mammoth kangaroo court without any semblance of due process for the accused. In 2011, Obama’s administration issued a “Dear Colleague Letter” containing revised Title IX guidelines with which colleges had to comply or risk losing federal funding. Most striking of these guidelines was the adoption of the lowest standard of proof, a “preponderance of evidence,” in campus sexual assault hearings. By this standard, the accused can be convicted based on anything over a 50 percent likelihood of guilt, as opposed to “beyond a reasonable doubt” in criminal cases. Students have had their scholarships withdrawn and been expelled, and professors have had their careers destroyed based on mere speculation.

With sexual harassment vaguely defined as “unwelcome conduct,” university bureaucrats have gone after teachers and students alike for controversial comments and misguided jokes or compliments. And though one would be hard pressed to find sex on campus that doesn’t involve some level of intoxication, under the Obama-era guidelines, any sexual act under the influence is treated as nonconsensual.

Kipnis herself witnessed firsthand a process that is normally cloaked in a veil of secrecy after she became a target of a Title IX investigation for having written an essay. Students complained that she had created a hostile environment with her Chronicle of Higher Education piece, “Sexual Paranoia Strikes Academe” (February 2015), which opposed prohibitions on student-faculty relationships and other draconian campus sex codes. After documenting this sinister circus in a follow-up essay, “My Title IX Inquisition” (May 2015), Kipnis became an unintentional spokesperson for countless victims of the anti-sex bureaucracy.

To be sure, rape and sexual harassment happen, and universities are well versed in sweeping cases of criminal sexual violence under the rug to preserve their reputations. Kipnis goes out of her way to prove she’s not “soft” on rape. But it is no help to victims of real abuse for voluntary and involuntary acts to be lumped together under the umbrella-like designation of “sexual misconduct,” i.e., to make no distinction between discomfort and coercion. As we wrote following the implementation of “yes means yes” legislation in California: “The suggestion that a misunderstanding—or for that matter, bad or unpleasant sex—is equivalent to rape is not only ludicrous but dangerously trivializing of actual sexual violence” (“Sex and Consent on Campus,” WV No. 1056, 14 November 2014).

When Education Secretary Betsy DeVos announced in September that she would rescind Obama’s guidelines, feminists and Democratic Party politicos were quick to decry the move as yet another attack by an overtly racist and ultra-conservative administration. Trump and his right-wing cohorts have a sinister program to eliminate women’s right to abortion and to wage a racist war on what little remains of affirmative action. But the Democrats represent the interests of the same bourgeois ruling class as the Republicans, and also push an anti-woman agenda, including sexual repression. In fact, expanding the powers of the government and its agents in the university administration, cynically done in the name of defending the vulnerable, is a gift to the reactionary forces that aim to dismantle Title IX and go after civil rights wholesale.

The Uses and Abuses of Title IX

The current anti-sex campaign is rooted in the bipartisan rollback of the limited but real gains won through struggles in the late 1960s and early ’70s amid the radicalization during the fight for black rights and against the Vietnam War. But important concessions, such as the legal right to abortion, have since been undermined or overturned by the ruling class—see the massive erosion of Roe v. Wade. Reforms are always reversible when power remains in the hands of the capitalist exploiters.

In the 1980s, a right-wing “family values” offensive was joined by a liberal/feminist auxiliary that went on to promote panic over “date rape” on campuses. The Title IX apparatus has become the latest tool in the rulers’ decades-long anti-sex crusade to justify augmenting the police forces of the state and legitimize intrusion into private life—from the demented accusations of satanic ritual abuse against day-care workers in the 1980s to the permanent ostracizing of hundreds of thousands of people branded “sex offenders” today. Stirring up mass anxiety conveniently diverts discontent away from the horrors of life for the bulk of society: unemployment, plunging wages and soaring costs of housing, health care and education.

Aside from Kipnis’s own story, which she relates with impressive wit, the central case of Unwanted Advances is that of Peter Ludlow, a highly regarded, tenured professor of philosophy at Northwestern. Ludlow was driven out of the university by the Title IX authorities who found him guilty of sexual harassment in two cases. One involved an undergraduate who accused him of forcing her to drink alcohol and groping her; in the other, a graduate student claimed there had been a nonconsensual act during their months-long relationship. Ludlow denied all accusations. During drawn-out Star Chamber procedures, he was banned from campus and smeared in the press as a rapist. Blacklisted, Ludlow resigned and moved to Mexico, dead broke from legal fees. He handed over all his documentation to Kipnis, which confirmed her suspicion that the case was a frame-up.

In page after page of engrossing detail, Kipnis describes the sexual misconduct inquisition: the accused has no right to know the charges, nor who made them, which makes mounting an effective defense nearly impossible; hearings are conducted in secret and typically conclude with a gag order on the accused; the investigators act as judge and jury, and can raise accusations based on hearsay. Kipnis exposes the rampant bias of the Title IX officers in favor of women they call “survivors,” a term that presupposes the charges to be true (and the man to be the aggressor).

In reviewing Ludlow’s case, Kipnis discovered a backstage adviser in the affair who has played a nefarious role in many other Title IX investigations, Professor Heidi Lockwood. Defying all logic, Lockwood denies that consent is the decisive factor in determining whether sex is consensual. In her schema, widely shared in feminist academia, consent does not exist if there are “differentials in power.” The logic of Lockwood’s construct is that women are never independent beings during heterosexual sex since we live in a patriarchy.

Sex—which under bourgeois morality is colored by shame, fear and religious dogma, not to mention class and racial inequality—is often messy and complicated. But we do not believe that someone who is simply older, has a better job or is in a position of authority inevitably turns his or her “subordinate” into a passive automaton. As long as those participating consent at the time, nobody else, least of all the state or campus administrators, has the right to tell them if or how they can do it. For Marxists, the guiding principle in sexual relations is effective consent: what two (or more) people agree to do, regardless of age, gender or sexual preference, is no business of the government or campus authorities.

In her recent book and essays, Kipnis challenges how female students are infantilized as helpless victims of professors with whom they’ve had sexual relations. She harks back to her own years as a college student, before sex was considered dangerous and when screwing professors “was more or less part of the curriculum.” The number of students and teachers who have fallen for each other and acted on it over the years is legion. To condemn these acts is a blatant attempt to control and criminalize sex (or anything hinting of it) between consenting individuals. We oppose all “age of consent” laws that prohibit consensual sexual relations in the name of “protecting” youth; we do not accord the capitalist state the right to decree an arbitrary age at which people can experiment, desire or fool around. Likewise, we oppose all laws against “crimes without victims” such as prostitution, gambling, drug use or pornography.

Anti-sex hysteria intersects the racial oppression that is central to U.S. capitalism. In a country where simply being a black man is enough for the cops to frame you up for something, blacks and minorities are particularly targeted as supposed predators. Panic over black male sexuality and interracial sex has long been used as a justification for (legal or extralegal) lynch rope terror—look at the Scottsboro Boys and Emmett Till. Unwanted Advances mentions in passing the story of a black college athlete charged with sexual assault for giving his girlfriend a hickey. The case was that of Colorado State University student Grant Neal. Although the woman emphatically reported that no nonconsensual act had taken place, a “friend” of hers reported the hickey to the Title IX authorities. Grant was suspended, his athletic scholarship was revoked, and no other college would admit him. He later sued the university for discrimination, settling out of court.

As reported by journalist Emily Yoffe in an article, “The Question of Race in Campus Sexual-Assault Cases” (Atlantic, 11 September), Colgate University was recently investigated for race discrimination in its sexual assault adjudication process. On a campus where only 4 percent of students are black, during the 2013-14 academic year black male students made up half of those accused of sexual violations. Black and immigrant students, who more often than not lack the financial resources to mount an effective legal defense, are exceptionally vulnerable in the face of bigoted and zealous prosecutors. Title IX has also been used to railroad gay people and leftists.

The Myth of “Rape Culture”: Sex Panic as Social Control

The ideological backdrop to sexual paranoia on campus is the notion of “rape culture.” Kipnis challenges two ubiquitous claims: that one in five college women is a victim of sexual assault, and that only 2 percent of rape allegations are false. In fact, contrary to the image of universities as a hotbed for rapists and predators, students actually experience lower rates of sexual violence than their non-college counterparts. As far back as the 1990s, Princeton grad student Katie Roiphe challenged the notion of a so-called “epidemic” of date rape on campuses in her defiant book, The Morning After: Sex, Fear, and Feminism on Campus (see “The ‘Date Rape’ Issue: Feminist Hysteria, Anti-Sex Witchhunt,” Women and Revolution No. 43, Winter 1993-Spring 1994).

The false “one in five” figure originates from Susan Brownmiller’s 1975 book Against Our Will: Men, Women and Rape, which infamously contended that rape or threat of rape is the main way in which all men control allwomen. Pervaded with racist and anti-sex filth, the book equivocated on the defense of Emmett Till, a 14-year-old black youth who was kidnapped and lynched for allegedly whistling at a white woman. Brownmiller presented the whistle by Till—whose killing was a galvanizing incident for the civil rights movement—as a “deliberate insult just short of physical assault.”

Kipnis shrewdly argues that “rape culture” has become the university counterpart of the September 11 attacks that have been used as the justification for the wholesale shredding of civil liberties under the guise of the “war on terror”:

“On campus, the term rape culture, like the term terrorism, has become the rhetoric of emergency. Fear becomes the guidelines, promulgating more fear…. The failed war exacerbates the fears, which becomes the rationale for further expanding the security state: vast expenditures, increased layers of bureaucracy, surveillance, secret renditions, summary justice—like expelling a freshman for ‘emotional coercion’.”

Unwanted Advances touches on the social and economic backdrop to the regulation of sex. Today, where even a miserable $15 an hour is out of reach for millions of workers, college-age adults see a precarious future. Decent-paying employment is far from guaranteed even with a four-year degree, which in any case leaves graduates saddled with debt, chained to their parents’ housing and health insurance. Combine that with concern that a romantic encounter could end up with one being marked a “sex criminal,” and you have a solid means for the ruling class to push social conformity.

Part of why Kipnis was able to maintain her composure during her own farcical Title IX trial was because, as a tenured professor, she felt her job was secure. Today, the bulk of professors are not so lucky. Over half of all university instructors are part-time adjuncts—low-paid contract employees with no union representation or job security. If an adjunct instructor is brought up on even the flimsiest charges of sexual misconduct, their career is immediately on the line.

Title IX “sex offender” vendettas strengthen the power of the reactionary campus administrations to strip tenured faculty and staff of the few protections they have. Students, professors and campus workers should have more defense against misconduct allegations, not less. The fight to gain and extend protections on campus, including union rights, requires a fight against the administration, which runs the university on behalf of the anti-woman, anti-black, anti-worker ruling class.

Bourgeois Feminism vs. Revolutionary Marxism

In capitalist society, the prospects of justice for actual victims of rape are bleak. Women who report rape are routinely harassed by the police and practically put on trial themselves while the courts inspect their “morality.” In the bourgeois legal system, the prosecution of sexual offenses has little to do with protecting women against violence and more to do with maintaining their subjugation within the family. The institution of the family is the main source of the oppression of women and children. For the bourgeoisie, the family is used to pass property on to the next generation. For working people, the family—in which women are consigned to running the household and rearing the next generation—inculcates and reinforces bourgeois ideology and morals and, above all, obedience to authority.

Anti-sex witchhunts not only bolster the family, but also provide an ideological basis for state repression. For Marxists, the capitalist state—including the cops, courts and prisons—is the instrument for the suppression of the exploited and oppressed by the exploiters. Alongside the family and organized religion, it plays a key role in enforcing the oppression of women and youth. Feminists, even radical or “socialist” ones, operate entirely within the framework of capitalist rule and reject this understanding. In fact, one form of feminism today is called “carceral feminism” because it pushes for more policing, prosecution and imprisonment as the solution to violence against women.

Kipnis denounces carceral feminism and paternalist feminism, i.e., the concept that women should be protected and men policed, and argues in favor of “grown-up feminism.” For her, the feminism from her generation has been “hijacked.” She notes that college students in the 1960s and ’70s fought to end the in loco parentis prerogatives of campus administrations, while her students today invite college administration snoops into their bedrooms.

Yet feminists have often lined up with some of the most virulent reactionaries, including allying with religious fundamentalists, to support the bourgeoisie’s anti-sex witchhunts—from censoring porn to criminalizing “deviant” sex. Feminism is based on the false consciousness of bourgeois and petty-bourgeois women who seek to enter the straight male club of power and privilege. Their strategy has been to rely on the capitalist Democratic Party to defend women, which serves only to demobilize fighters for women’s rights.

While Kipnis bemoans the fact that abortion rights, equal pay, childcare and maternity leave have been relegated to mere side issues, she still relies on feminism to address such concerns. In fact, the fight for things like free, quality 24-hour childcare, equal pay for equal work, and free contraception and abortion must be tied to a struggle to overthrow the economic system that is the source of women’s oppression. The liberation of women requires a socialist revolution, which will uproot the private property system and replace the family with socialized childcare and housework, bringing women fully into social and political life.

Fake Socialists Join Anti-Sex Frenzy

It is a mark of the reactionary political climate that Unwanted Advances has either been ignored or treated with contempt by the bulk of the left. Kipnis has instead been lauded by right-wing libertarian groups like FIRE and Reason, both with ties to the Koch brothers. These groups have been promoting the faux “free speech” agenda on campus as a cover for racist, sexist provocations. Kipnis is perplexed by such praise from those who want to destroy the left. By entrusting the capitalist state with powers that will inevitably be used against them, liberals and feminists have handed a weapon to the right wing. It is a measure of how much reformist socialists have adapted to puritanical “family values” that they march in lockstep with the feminists (read: Democrats) to promote bourgeois behavior codes.

In the article “DeVos Is Turning the Clock Back on Survivors” (Socialist Worker, 13 September), the International Socialist Organization (ISO) laments DeVos’s latest action as one of a “series of attacks against survivors by the current administration,” and declares: “We will not go back.” The ISO hails Obama’s “Dear Colleague Letter” and retails dubious statistics about sexual assault in order to join what they hail as a “growing” movement against sexual violence on campus. That movement plugs the inherently racist, sexist and elitist bourgeois education system as a “space” in which women, transgender people or racial minorities can be “safe” from oppression.

Socialist Alternative (SAlt) has latched onto the same movement, in particular at UCLA, where they have been active around the Title IX case of Gabriel Piterberg. An Israeli, pro-Palestinian professor of history, Piterberg was charged with sexual harassment by two grad students in 2014. While denying the charges, he made a settlement with the university, which included being fined, suspended for a quarter without pay, and removed from his position as director of the university’s Center for Near Eastern Studies. But this was not enough for SAlt and its cohorts in the feminist Bruins Against Sexual Harassment. Student protesters repeatedly shut down his classes, railing that UCLA was protecting a “sexual predator.”

Whatever happened between Piterberg and his accusers, we oppose eternal punishment, akin to being branded a sex offender for life. Piterberg is also a well-known defender of the oppressed Palestinian people who has been targeted for years by powerful Zionist forces. His treatment raises the question of whether the Title IX apparatus is being used to do the Zionists’ dirty work.

While no one can fix all the problems of sexual relations in this rotten, decaying society, we oppose all attempts to fit human sexuality into pre-ordained “norms.” To create genuinely equal relations between people in all spheres, including sex, requires nothing less than the destruction of the capitalist system through a series of socialist revolutions internationally, opening the way to the creation of a communist world. In a classless society, social and economic constraints on sexual relations will be nonexistent, and in the words of Friedrich Engels, “There is no other motive left except mutual inclination.”

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-When Gary Ladd Danced The North Adamsville High School Be-Bop Hop Dance Night Away

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-When Gary Ladd Danced The North Adamsville High School Be-Bop Hop Dance Night Away

From The Archives Of Allan Jackson

A YouTube film clip of The Shirelles performing their 1960s teen angst classic Mama Said

[As of this introduction negotiations between Sam Lowell and current site manager Greg Green around full credit attribution, including 2018 updated introductions and reflections, for previous site manager Allan Jackson are still on-going. There has been something of a groundswell by both older writers who have longtime relations with Allan going back to high school days in their collective 1960s growing up and coming of age in the working class Acre section of North Adamsville and the younger writers who led the charge to have Allan replaced after he lost a vote of no confidence. Probably all are, not unimportantly, worried about their attribution status on a site that is committed to free usage, fair usage and common copyright. In the meantime old high school friend Allan had asked me to respond to any rumors that might surface, have surfaced until he can respond on his own (assuming Greg does the right thing after having done the wrong thing by having somebody else “front” for the series.

I have already mentioned in a previous introduction rumors that Greg Green had somehow done Allan in, done to him what was characterized as physical harm after the internal struggle which led to Allan’s demise. That far-fetched notion like this was some Stalin-Trotsky fight flight of imagination probably fueled by the older writers who lived and died for such drama back in their 1960s radical pasts. It turned out Greg had put the word out to the media world that Allan was “hard to work with” almost as much a kiss of death as any physical action. That blown-up rumor led to another which proved to be partially true that Allan was out in American Siberia in Utah and that he had sold out to the Mormons and to U.S. Senatorial candidate Mitt Romney to get a job after Greg had “black-listed” him in the major markets. That turned out to be pretty true as Allan did to make his daily bread attempt this end-around. The close-knit Mormons kind of laughed it off given Allan’s reputation for skewering old Mitt back in in 2008 and 2012.

Allan never had a reputation say like Josh Breslin and Sam Lowell despite his three ex-wives as a womanizer, as a skirt-chaser and especially not as a chaser of younger women so the rumor that he had been holed up in La Jolla out in California with some twenty-something part time waitress met at a diner who was teaching him how to surf and who knows what else did not ring true. When, concerned about his whereabouts in the aftermath of the internal fight, Sam and I tracked him down to old haunt Bar Harbor in Maine we were incredulous when he confided in us that he had done so and that once he raised some cash he was going to bring her out to Maine and see if she liked Eastern surfing. Yes, you can say we were dumbfounded although Allan’s respond was “what of it” both parties were of age and that was that. Christ he has daughters older than that.

What happened as Allan was at pains to lay out once he saw our discomfort was that after the Utah stuff fell through he kind of had given up hope. He knew that Mormon- Mitt Romney thing was a longshot, he knew they took care of their own in such matters and he had heaped as much scorn as anybody on the perfidious Mitt who would say anything, do anything to take his main chance as he saw it. We laughed when Allan, gallow’s humor Allan, mentioned that had he fallen under the wheel and gotten a job he very well might meet some Stalin-like end from those sanctimonious bastards, hell, their whole history of survival in Utah was by running everybody else off-by nay means necessary. Once he saw the writing on the wall and not wanting to head back East he headed to Southern California, toward Carlsbad where he and one of his wives, Mimi Murphy if I recall, had had a time share. Once he got to Carlsbad though he saw too many old memories on the waves and headed further south to La Jolla.

One day, hungry, he went into Dave’s Diner, a locale we all know both from back in the 1960s when we were all riding on the yellow brick road bus in the Summer of Love, 1967 with Captain Crunch (that whole thing is a long story and one of the sketches in this series will deal with it so let’s move on) and from later golfing outings at near-by Torrey Pines. Dave’s was the spot to get a good meal and look at the eye candy for waitresses (now wait staff but still eye candy) who were classic Southern California corn-fed blondes who a couple of generations before had forbears from places like Oklahoma and Iowa when things where bad there and were strictly from hunger. Now these sleek blondes had lost that look and had the surfer girl look we remember from back in the Beach Boys days except now the surfer girls don’t wait on the beaches for their surfer boys to get that perfect wave but go for it themselves. Make enough to stay alive and surf at jobs like wait-staffing to pursue the dream. Dave’s in any case a good tipping crowd-or else per Dave who still hustles hamburgers on the back of the house stove once in a while.

It was kind of a slow day when Allan stepped up to the counter stools which are a god-sent for singles when Damask, his blonde, blue-eyed wait person who was tending the counters which truth be told was where in the real tips came from by single guys mostly and not that six person booth with about a three dollar tip for a hundred dollars’ worth of meals asked him if he would like coffee before making his meal selection. He told her that while he once loved coffee he couldn’t deal with it anymore because his system couldn’t take it. That got Damask started on her own inability or desire to drink coffee and made Allan laugh when she said they would put Starbuck’s out of business. That kind of back and forth went on throughout the meal. Along the way Damask mentioned although Allan already had an idea that she loved to surf and did he know how. No, Jesus, no he blurted out although that only elicited a response from her about wouldn’t he like to learn. One thing led to another and out of the blue he flat out asked her if she would like to have dinner with him giving her the sad story about his being down in the dumps and could use the company.(Allan would mention that he now knew how old friend “forever young” Phil Larkin felt a couple of years ago when he wound up with some young thing which formed the basis for a few stories in this series). Just for the company, that was all. To his surprise she said that it would be nice to go to Scudder’s, another local hot spot although very pricey. Done (thank god for credit cards and 401ks said Allan).

As it turned out Damask was both a surfer and a graduate student in physical therapy at U/Cal-San Diego up the road and while totally clueless about many things, many 1960s things which Allan had the good sense to not go on and on about she loved literature and they had a grand old time that night. As they went their separate ways from Scudder’s (a good idea on Allan’s part showing that he still knew a thing or two after three marriages about keeping woman feeling safe around him) Damask mentioned that she was going surfing the next day and maybe he could come by the beach around nine and she would show him some surfing stuff. Bingo. (Neither Sam nor I had the heart to look askance at Allan when he mentioned her name without a bit of irony since when we were growing up Mary, Betty, Janice, Sandra and maybe something as exotic Mary Beth formed the female names world).

As for what happened to have Allan once again foot the bill for some love interest and Damask accepting his invitation East (where she had never been unlike us who were all crazy to go to California when we were younger) outside whatever surfing tips she taught him that will have to wait until he can “tell the tale” himself (our old neighborhood expression concerning exploits with women based on each and every one of us lying like crazy about what did, or did not, happen under the covers). Jack Callahan]

************

Saturday night from seven to eleven, any third Saturday of the month from September to May, every red-blooded teen boy and girl in the 1961 North Adamsville High School be-bop, be-bop night could only be in one locale, or want to be. That was the night of the monthly seasonally-themed high school hop. The Fall Frolic, Pumpkin Ball, Mistletoe Magic, Frozen Frolic, and so on themes with hop at the end to give the old-timey innocent high school feel to the night in a town which had had such dances since the school’s founding in the 1920s, although the term “hop” had been of more recent vintage reflecting the effect that such cultural phenomena as the afternoon television program American Bandstand and Danny and the Juniors classic song At The Hop had invested the word with significant teen meaning. More importantly this monthly hop, unlike the more exclusive Autumn Leaves, Holly Hock and Spring Fling dances which were meant solely for juniors and seniors and their guests and which were not designated hops or any other such shorthand reflecting the new rock and roll breeze that had been stirring through the nation for some time by then, anyone, even freshmen and sophomores, could ante up the dollar admission and dance the night away.

The large attendance of wallflower-like freshman, girls and boys alike, all red-faced, all sweaty palms, all trying to look nonchalantly like they had been going to these things for ages to hide their wallflower fears who were hanging off the walls in the transformed festooned gym and of sophomores, a little more self-assured and hovering around the bleachers which had been extended to provide some seating, but still worried about whether they, the boys, had put on enough underarm deodorant, had swigged enough mouthwash, had combed enough parted Wild Root-infested hair, and the girls, whether that stolen mother’s perfume would seem too strong, their permed hair was still in array and that that padded dress showed their figures to good effect were witness to the fact that anyone, sweaty palms or not if they had enough moxie could dance the night away.

Well almost everybody in attendance had the chance to dance the night away. And that had been the dilemma confronting one freshman, Gary Ladd, he the “wallflower” way off to the side of the gym almost into the wall if you didn’t think you had seen him on one of the third Saturday nights in question. And right next to him is another guy, me, hair-slicked, underarm-protected, Listerine-inhaled, his best friend since junior high days when I moved to town from Clintondale and we have since tried to defend each other against the hardships of American wayward youth times, times when we both would have rather just that moment had cool sunglasses on to stifle our fears. But let’s get back to Gary because the night I am referring to was his night after some many failed efforts and my story can be simply stated. I will wind up going home at intermission kind of defeated since nobody, nobody at all had asked me to dance, believing that I had not put enough deodorant on, enough Wild Root or swilled enough mouthwash and had been defeated by the ever-present bane of the wallflowers-personal hygiene.

[I would find out a couple of days later when I mentioned my defeat to Emma Wilson in History Class that most of the freshman girls that she knew kept an arm’s distance from me not for personal hygiene, some girls thought that I was “cute,” but no girl, no self-respecting girl could permit herself to be barraged by the two thousand odd-ball facts that I would spew out in order to impress them during the dance. I have seen decided to take her comment under advisement. But back to Gary.]

What had been bothering Gary, though, we might as well have our moment of truth right up front since this is a confessional age and the truth would have come out anyway, is that he can’t dance. Can’t dance a damn, to hell, heaven or any place in between. Couldn’t dance in junior high when I tried to shadow-box teach him a few steps and when the moment of truth came he almost broke poor, beautiful Melinda Loring’s big toe. Such a reputation in a small town is hard to break. My corner boy’s problem: two- left feet. Two left-feet despite the more recent best efforts of one Agnes Ladd, North Adamsville Class of 1961 Vice President, whose own feet have taken a terrible beating, and has earned some kind of medal for service above and beyond the call of duty, trying to teach little brother Gary the elements of the waltz, the fox trot, and hell, even two feet away from your partner rock and roll moves and the twist to no avail.

All of this teaching done under the cover of tight security since Gary had sworn Agnes to secrecy about their doings. Agnes, for her part, one of the smartest and most popular girls in the senior class, had no intention of telling anybody that she was talking to, much less teaching dance to a freshman even if it was her own brother. Those are the school conventions, and nobody, nobody who is smart and popular is going to defy conventions like that. The freshman, as Agnes told Gary, would have their day in a few years and would in turn snub their subordinate freshman. That is the way it is. But Gary, no twerp under his two left-footed exterior, has always, as he put it, exercised his democratic right as a freshman in good standing to be at these universal dances, come hell or high water.

But that night, that warm April Bring Spring Hop night I am talking about, things were destined to be a little different as Gary has already staked his place against the far wall (the wall farthest away from the girl “wallflowers” just in case you wanted an exact location. Mostly wallflowers, boy or girl, although not me, were keeping their respective distances on the odd chance that someone may actually come up and ask them to dance. First off this month, unlike most months when some lame student DJ from Communications class spins platters on a feisty school record player, the local craze rock band sensations, The Rockin’ Ramrods, were performing live on the makeshift bandstand and were guaranteed to have everybody who gets to dance rocking before they are done, including Gary and me who are scared but still hopeful. Just that minute as Gary shifted his weight and places his back to the wall they were tuning up before their first set of three with the appropriately named Please Stay by the Drifters. Secondly but in line with that Gary hopeful, a new girl in town, Elsie Mae Horton, had told Gary that she would be coming to the hop, her first since moving to town a couple of months before. Naturally the mere fact that she said she would come was an added reason why Gary was there all that exercising democratic rights stuff be damned (and also why he had tortured his sister Agnes to try, try in vain, to teach him some dance steps). See Gary has the “bug” for Elsie Mae, Yeah, as I well know since I had taken a failed and fruitless run at her with my two thousand facts in Civics class and had gotten the deep freeze, he is smitten.

Now this Elsie Mae is maybe, on a scale of one to ten, about a six so it is not looks that had Gary (and about six other guys, five and me), well, smitten. An okay body, fair legs, nice brown hair and eyes, a so-so dresser like I say a “six” (and Gary agreed with me although in that department although if you see Elsie Mae I never said that, nor did he). See what Elsie Mae has is nothing but smarts, book smarts which is how I made my approach to her in Civics class talking about this book we were reading about President Andrew Jackson and how he broke the back of the aristocrats like the Adams family who wanted to keep political power in the hands of some self-selected elite, themselves and forget the guys going west, yeah I know not exactly the smoothest move. Idea smart too which enthralled Gary since he likes to talk about novels and such which is what Elsie Mae was into, talk smarts you name it smarts and one of the sweetest smiles this side of heaven. And, as Gary found out early on in one of their shared classes, very easy to talk to about anything, if she wanted to talk to you. Yes, he is smitten; the only unknown in his mind is whether she can dance good enough to stay out of his way if it comes to that. That is if he gets up the nerve to ask her. And as the Ramrods started their first set with Gary Bonds’ School Is Out (praise be) he noticed her coming in the door. Heart pounding he started sinking into the wall again. As they finished with Brother Bonds the Ramrods start in on The Impressions’ Gypsy Woman before Gary realized that Elsie Mae has drawn a bee-line straight for him and was standing right in front of him, turning a little red after he did not greet her. “Oh, my god,” Gary whispers under his breathe, “she is going to ask me to dance. No way.” The usually easy to talk to Elsie Mae though said nothing, nothing but turned a little redder as the Ramrods covered the Pips Every Beat Of My Heart (nicely done too). She stood there waiting for Gary to ask her, if you can believe that. Well, two-left feet or not, he did ask her. And she smiled a little smile as she “accepts.” Relief.

Needless to say when they did their dance, The Edsels’ Rama Lama Ding Dong, it was nothing but a disaster. A Gary disaster? Yes. Although you can use fake moves galore on such a tune Gary, maybe nervous, maybe just trying to show off started moving all his arms all over the place so he looked from my wall position like one of those devilish Hindu gods with a ton of arms. And while in motion he hit Ella Mae a couple of times, not hard but not cool either. Once she came close to him and he moved back into another couple, a senior couple and I thought the senior, Bill Daley from the football team, was going to level poor Gary but he just moved away with his date with the meanest look of scorn I had seen in a while. So disaster was the right word. But here is the funny part. Elsie Mae Horton, formerly of Gloversville, a town in farm country a few miles away and known for the Gloversville Amusement Park on Route 9 and nothing else really, and new to North Adamsville so of unknown dance quality, had two-left feet too. When she had been closing in on Gary it was because she had lost her balance and was ready to careen into him. Get this though. When the dance was mercifully finished, and the two had actually survived, Elsie Mae thanked Gary and told him that he was a wonderful dancer and said she wished that she could dance like him. Whee! Here is the real kicker though. Elsie Mae had also been taking dancing lessons on Saturday mornings at the YWCA, unsuccessfully. Dancing lessons solely so that two-left feet Elsie Mae Horton could dance with Gary Ladd. See, she was “smitten” too. And so if you did not see Gary or Elsie Mae at the Mayfair Dance last month you have now solved that mystery. That night they were sitting, sitting very close to each other, on the seawall down at Adamsville Beach laughing about starting a “Two-Left Feet” Club. With just two members.

[As for my fate that night I went to the hop with Emma Wilson. See after she clued me in to what was what I ran into her at the library and we talked, or rather she talked, not two thousand facts, talked but talked. And I let her. And she asked me to escort her, her word, to the hop.]

Coming Of Age In The New Millennium-Kristine Stewart’s “In The Land Of Women” (2007)-A Film Review

Coming Of Age In The New Millennium-Kristine Stewart’s “In The Land Of Women” (2007)-A Film Review

DVD Review

By Josh Breslin

In The Land Of Women, starring Meg Ryan, Kristine Stewart, Adam Brody, 2007

You know getting old, getting older, whatever you want to call it sucks. Take the genesis of this film review of In The Land Of Women for example. When Greg Green the site manager (and overall editor) asked if I wanted to do this film review I thought he said it starred Adrian Brody. I immediately agreed since I have liked Adrian Brody as far back as when he did that role as rock and roll record producer Leonard Chess in Chess Records. It was not until I saw the film credits as I was watching the start of this movie that I realized that this was a different Brody. Well in for a dime in for a dollar so I watched the thing, although in parts that was a close thing since while I have written many articles about my “coming of age” experiences I don’t necessarily like to see such plotlines in the cinema. So I am paying penance for some silly borderline senility. Hey, I told you getting old sucks, didn’t I.

Strangely, and maybe not by intent, there are actually five coming of age stories running through this plotline, at least five that were developed enough to recognize. Let’s start with twenty-something Carter, the ADAM Brody role, a writer who had been dumped by his La La Land celebrity starlet girlfriend and decided to go to clean air suburban heartland Michigan to see his aging morbid and cynical grandmother who lives in fear of dying, or something like that (a bit of a different coming of age agreed but part of the general life cycle) and get a fresh start. While in the neighborhood he strikes up a series of conversations with a maybe forty-something woman neighbor of Granny’s Sarah, played by foxy Meg Ryan, who has two daughters one a tween and one a teen, Lucy played by a younger fox Kristine Stewart, and an errant husband having an affair off to the side. (By the way the guy no great shakes was a fool to drop Sarah for some floozy and she was well rid of him.) Sarah was facing the hard coming of middle age fact of breast cancer not unfortunately uncommon among women of her age group. The two daughters, the too precocious tween facing coming puberty and Lucy facing sexual choices straight up round out the theme. So five and that is that. (I didn’t include that errant dad who probably was facing his own male attractiveness age question, the teen guy Lucy winds up with in that same weird sexual choices night as her or that ex-girlfriend of Carter’s who had her own quest to look into since as I said they were never really developed).

As my old friend and fellow writer here likes to say with that preview “here is the skinny.” Out in Michigan after seeing what kind of hell he was going to have to deal with tending to dear deranged Granny he strikes up that friendship with older woman Sarah who lives across the street. No question she is attracted to him and he to her a bit but with her medical problems you know a twenty-something guy on average is not going get tangled into that mess (and then there is that errant husband who may come back to the roost one day). That thing plays out a bit and meanwhile young impressible but smart younger women Lucy seems to be ready to take dead aim at him as some kind of rock she can hold onto since she is in the inevitable “mother doesn’t understand her” stage and as is well worn information by now dad is off with some mistress. (Carter’s mother gave us the key to what is what with the lad when she said to him before he headed East that he had always been attractive to women. Hell even the tween was head over heels for the guy.)

Things bump along for a while with Sarah taking her treatments, Lucy trying to figure out the sex stuff on her own without mother’s help, and Granny going over the top with her ranting on and on about dying. Through all of this Carter is writing and in a way getting some mature insights and getting over that worthless ex-girlfriend. In a film which is about the land of women that seems odd that he would get his issues resolved as a central outcome but so be it. As Kenny Klein always said “it’s all good.” Sarah comes to terms with her cancer and her relationship with Lucy, Lucy finds some streak of happiness with a soda jerk, sorry showing my age, an Orange Julius server, and comes to terms with her mother and that tween, well, she will have to wait until the hormones settle down. As for Granny maybe she knew herself best of all even if only in the negative. She dies on camera. I don’t know if I can recommend this one in a serious way but what the heck I did the review and I didn’t crucify ADAM Brody for my own mistake.

Coming Of Age In The New Millennium-Kristine Stewart’s “In The Land Of Women” (2007)-A Film Review

Coming Of Age In The New Millennium-Kristine Stewart’s “In The Land Of Women” (2007)-A Film Review

DVD Review

By Josh Breslin

In The Land Of Women, starring Meg Ryan, Kristine Stewart, Adam Brody, 2007

*Honor International Women's Day- A Workers' Holiday

Click on title to link to "A History In Words and Images Of International Women's Day".

This is a repost of a commentary for International Women's Day 2008

COMMENTARY

MARCH IS WOMEN’S HISTORY MONTH-MARCH 8TH IS INTERNATIONAL WOMEN’S DAY

MARCH 2010(WESTERN DATES) MARKS THE 93TH ANNIVERSARY OF THE FEBRUARY 1917 REVOLUTION IN RUSSIA STARTED ON INTERNATIONAL WOMEN'S DAY BY WOMEN TEXTILE WORKERS AND OTHER WOMEN DEMANDING BREAD AND PEACE, AMONG OTHER ISSUES DURING THE HEIGHT OF WORLD WAR I.

This is an edited version of an article that appeared in the journal "Women and Revolution" in 1975

"Under the lead of the Third International, the day of the working women shall become a real fighting day; it shall take the form of practical measures which either solidify the conquests of Communism ...or prepare the way for the dictatorship of the working class."
-
Alexandra Kollontai (early Bolshevik leader)

Bourgeois feminists may celebrate it, but March 8 —International Women's Day—is a workers' holiday. Originating in 1908 among the female needle trades workers in Manhattan's Lower East Side, who marched under the slogans "for an eight hour day," "for the end of child labor" and "equal suffrage for women," it was officially adopted by the Second International in 1911.

International Women's Day was first celebrated in Russia in 1913 where it was widely publicized in the pages of the Bolshevik newspaper, Pravda, and popularized by speeches in numerous clubs and societies controlled by Bolshevik organizations which presented a Marxist analysis of women's oppression and the program for emancipation.

The following year the Bolsheviks not only agitated for International Women's Day in the pages of Pravda (then publishing under the name Put' Pravdy), but also made preparations to publish a special journal dealing with questions of women's liberation in Russia and internationally. It was called Rabotnitsa (The Working Woman), and its first issue was scheduled to appear on International Women's Day, 1914.

Preparations for the holiday were made under the most hazardous conditions. Shortly before the long-awaited day the entire editorial board of Rabotnitsa— with one exception—as well as other Bolsheviks who had agitated for International Women's Day in St. Petersburg factories, were arrested by the Tsarist police. Despite these arrests, however, the Bolsheviks pushed ahead with their preparations. Anna Elizarova —Lenin's sister and the one member of the editorial board to escape arrest—single-handedly brought out the first issue of Rabotnitsa on March 8 (or, according to the old Russian calendar, February 23) as scheduled. Clara Zetkin, a leading figure in the German Social Democratic Party and in the international working women's movement, wrote:

"Greetings to you on your courageous decision to organize Women's Day, congratulations to you for not losing courage and not wanting to sit by with your hands folded. We are with you, heart and soul. You and your movement will be remembered at numerous meetings organized for Women's Day in Germany, Austria, Hungary and America."

—Quoted in A. Artiukhina, "Proidennyi Put',"
Zhenshehina v revoliutsii

By far the most important celebration ever of International Women's Day took place in Petrograd on 8 March 1917 when the women textile workers of that city led a strike of over 90,000 workers—a strike which signaled the end of the 300-year-old Romanov dynasty and the beginning of the Russian Revolution. One week afterward, Pravda commented:

"The first day of the revolution—that is the Women's Day, the day of the Women Workers' International. All honor to the International! The women were the first to tread the streets of Petrograd on their day."

As the position of Soviet women degenerated under Stalin and his successors, as part of the degeneration of the entire Soviet workers state, International Women's Day was transformed from a day of international proletarian solidarity into an empty ritual which, like Mother's Day in the United States, glorifies the traditional role of women within the family.

But International Women's Day is a celebration neither of motherhood nor sisterhood; to ignore this fact is to ignore the most significant aspects of its history and purpose, which was to strengthen the ranks of the revolutionary proletariat. Unlike the pre-war Mensheviks who wanted to conciliate the feminists of their day by limiting the celebration of International Women's Day to women only, the Bolsheviks insisted that it be a holiday of working women and working men in struggle together. As Nadezhda Krupskaya (Lenin’s wife and life-long political companion) wrote in the lead article of the first issue of Rabotnitsa:

"That which unites working women with working men is stronger than that which divides them. They are united by their common lack of rights, their common needs, their common condition, which is struggle and their common goal.... Solidarity between working men and working women, common activity, a common goal, a common path to this goal—such is the solution of the 'woman' question among workers."

We look forward to celebrating future International Women's Days not only through the dissemination of propaganda, but also through the initiation of the full range of activities traditionally associated with this proletarian holiday—general strikes, insurrections, revolution!

Saturday, March 07, 2020

Once Again In The Matter Of The Centennial Of The Birth Of Film Actor, Noir Film Actor, Robert Mitchum (2017)

By Sandy Salmon

Film Editor Emeritus Sam Lowell (not Samuel since he was actually named Sam and not as a nickname) is like something out of a film noir which he has always been fascinated by ever since he was a kid down in cranberry bog Carver south of Boston and would catch the Saturday matinee double-headers at the Bijou Theater (now long gone and replaced by a cinematic mega-plex out on Route 28 in one of the long line of strip malls which dot that road). That fascination had a name, The Maltese Falcon, starring rugged chain-smoking tough guy Humphrey Bogart as a no nonsense, well almost no nonsense, private detective, who almost got skirt-crazy, almost got catch off guard by some vagrant jasmine scent from a femme over the matter of an extremely valuable bejeweled bird which the theater owner, Sean Riley, would occasionally play in a retrospective series that he ran to keep expenses down some weeks rather than take in the latest films from the studios.

The reason that I, Sandy Salmon, current film critic at the American Left History blog and also at the on-line American Film Gazette can call the old curmudgeon Sam Lowell “something out of a film noir” is because once he decided to retire from the day to day hassle of reviewing a wide range of current and past films he contrived to get me to take his place on the blog along with my other by-line. That based on our years together as rivals and friends at the Gazette. He did this “putting himself out to pasture” as he called it to the blog’s moderator, no, that is not the right title site manager, Allan Jackson, when he mentioned the subject of retirement with the proviso that he could contribute occasional “think” pieces as films or other events came up and curdled his interest. I had no particular objection to that arrangement since it is fairly standard in the media industry and is an arrangement that I would likewise want to take up in my soon to come retirement from the day to day grind. (To that end I am grooming an associate film critic Alden Riley for that eventuality.)

This business all came tumbling down on my head back in 2017 after he had read somewhere, maybe the Boston Globe, yes, I think it was that newspaper that the centennial of the birth great actor, great film noir actor, Robert Mitchum, was at hand. Without giving me a heads up he, Sam, decided that he wanted to do a “think” piece on this key noir figure and someone whose performances in things like Out Of The Past, Cape Fear, and The Night Of The Hunter were the stuff of cinematic legend. But you see I wanted, once I became aware of the centennial to write something to honor Mitchum although I have the modesty not to call it a “think” piece. My idea, as was Sam’s in the end, had been to write about that incredible role he played as a low key private eye in Out Of The Past against the dangers of a gun-addled femme. We resolved the dispute if you want to call it resolved by having “dueling” appreciations of that classic film. Sam’s potluck article has already been published and now I get my say. Enough said.

I will say one thing for Sam although I think I would have noted it myself in any case that both our headlines speaks of a film noir actor although Micthum did many more types of films from goof stuff like the Grass Is Greener where he played some kind of rich oil man adrift in England and infatuated by some nobleman’s wife and Heaven Help Mr. Allison where he got all flirty with a fellow marooned nun to truly scary can’t go to sleep at night without a revolver under the pillow stuff like Cape Fear to the world weary, world wary former standup guy pasty/fall guy in the film adaptation of George V. Higgin’s The Friends Of Eddie Coyle. That said to my mind, as to Sam’s his classic statement of his acting persona came in the great performance he did in Out Of The Past where between being in the gun sights of an angry gangster played by Kirk Douglas and the gun sights of a gun crazy femme played by Jane Greer he had more than enough to handle.

Yeah, if you think about it, think about other later non-goof, do it for the don’t go back to the “from hunger” days paycheck vehicles he starred in that film kind of said it all about a big brawny barrel-chested guy who had been around the block awhile, had smoked a few thousand cigarettes while trying to figure out all the angles and still in the end got waylaid right between the eyes by that damn femme. All she had to do was call his name and he wilted like some silly schoolboy. I like a guy who likes to play with fire, likes to live on the edge a little but our boy got caught up badly by whatever that scent, maybe jasmine, maybe spring lilac but poison that he could never get out of his nostrils once she went into over-drive.

Sam in his review went out of his way to make Mitchum’s character, Jeff, let’s just call him Jeff since for safety reasons he had other aliases seem like, well, seem like the typical “from hunger” guy who got wrapped up in a blanket with a dizzy dame and that his whole freaking life led to that fatal shot from that fatal gun from that femme fatale. She had a name, Kathie, nice and fresh and wholesome name but nothing but fire and fiery although Sam insists that it could have been any one of a thousand dames as long as she had long legs, ruby red lips and was willing to mess up the sheets a bit. Yeah, Jeff as just another from nowhere guy who got caught between a rock and a hard place.

No, a thousand time no. Robert Mitchum, ah, Jeff in those scenes has those big eyes wide open from the minute he hits Mexico, no, the minute he got the particulars from Whit, from his new employer of the moment he was no fall guy but a guy playing out his hand, maybe well, maybe badly but playing the thing out just as he always had done since he was a kid. (Sam, maybe reflecting his own “from hunger” up-bringing in working class cranberry bog Carver if you look at his reviews of those luscious black and white films from the 1940s and 1950s that he feasted on always overplayed that fateful “from hunger” aspect of a male character’s persona, a failing to see beyond his own youth in many cases beyond his fatal error here)

As Sam would say here is the play, the right way to see Mitchum’s cool as ice character. Whit, a shady businessman, hell, call him by his right name, a gangster, a hood, played by cleft-chinned Kirk Douglas wanted to hire Jeff (and by indirection his partner Fisher who will undercut him reminding me of that friction between Sam Spade and Miles Archer although Sam wound up doing right by his old partner Fisher just bought the farm trying to move in on Jeff’s business) to find his girlfriend who left him high and dry minus a cool forty thousand and plus a little bullet hole as a reminder that not all women are on the level. The minute Jeff heard the particulars he was in, not for the dough, although dough is a good reason to take on a job in any profession including his, private detection, but to see what kind of dish ran away from a good-looking, rich guy with plenty of sex appeal and a place to keep her stuck in the good life. Sam missed the whole idea that Jeff already had a head of steam for this elusive Kathie before he went out the door of Whit’s mansion (or whatever her name really was played by sultry sexy, long-legged, ruby red-lipped ready for a few satin sheet tumbles Jane Greer).

For a professional detective Kathie was not hard to find, maybe intentionally if she had Whit figured out which I think she did, and you could palpably feel the tension as Jeff waited to meet his quarry. If you followed the way he was thinking, if you in this case followed the scent that you would have known that Jeff was no more a victim of some bad childhood that I was. Everything follows from that first prescient presence in that run-down wreak of a cantina and those first drinks between them. The sheets followed as night follows day as did the plans they had to flee from whatever dastardly deeds Whit would do once he knew that a real man had taken his pet away-without flinching. The key was the dodge Jeff, remember it was Jeff who led the misdirection when Whit showed up in sunny Mexico wondering what the fuck was going on. Jeff had them in Frisco town before you say goodbye. Nice work.

Hey Jeff knew, knew as any man knew who had been wide awake after the age of thirteen knew, that his grip on Kathie unlike the later tryst with good girl Anne once he had to go into exile when Kathie flipped her wig, would only last as long as he could keep her interested. I will grant Sam this that maybe Jeff should have been a little more leery of what crazy moves Kathie could make when she was cornered, maybe should have thought through a little better why she put a slug in Whit just for the hell of it. But in his defense Jeff was playing his hand out and it was just too much bad luck that his old partner Fisher got on his trail. Got on his trail, and hers, which she stopped cold when she put the rooty-toot-toot to Fisher. Then blew town leaving Jeff to pick up her mess.

Did Jeff call copper, did he go crying on his knees to Whit. No he went into exile waiting for the next move, waiting to see what Kathie would come up with next. He may have built him a nice little gas station business in Podunk, have gotten a dewy fresh maiden in Anne but anybody could see once he was exposed by one of Whit’s operatives he played his hand out to the very end. Went to see what was what including learning of Kathie’s opportunistic return to Whit’s embrace. And subsequently her return to his embrace. Of course such a course was bound to not turn out very well for anybody. Whit wasted by Kathie and then Jeff wasted by her as well once he knew the game was up. Don’t make though too much of that play at the very end when Anne asks Jeff’s deaf gas station employee whether he was really ready to leave everything for Kathie and the kid said “yes.” Yes with the implication that Jeff did the whole play to spare Anne. No, that is too pat Jeff wanted to go with Kathie, wanted to play with fire, knew that the game was up and just didn’t care any longer as long as he was with Kathie. Couldn’t Sam see in Jeff’s, in Robert Mitchum’s, eyes that he didn’t care what she did, that was the way it was between them. No fall guy there.

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The “Last Waltz”- The Never-Ending Classic Rock Review Tour

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The “Last Waltz”- The Never-Ending Classic Rock Review Tour

From The Archives Of Allan Jackson

[The attentive reader of this series may know already that there was an agreement negotiated by his (and my) old high school friend from their growing up days in the working class Acre section of North Adamsville Sam Lowell and the current site manager Greg Green about publicly acknowledging Allan Jackson, the previous site manager, as the driving force behind this classic days of rock and roll at the creation in the mid-1950s series. The “compromise” (thus far) is that Allan is now amorphously acknowledged to have had the works in his archives without specifying that the whole collection was of his inspiration and perspiration. What even the most attentive reader cannot know is that Sam has been in further negotiations with Greg about giving Allan full public credit with a by-line and including updated introductions by him.

The hook? Here is where politics in the Machiavellian raw, left-wing or not comes into play. Greg owes Sam a “favor.” Essentially Greg owes his job to Sam’s decisive vote in the fall of 2017 when there was a fierce internal struggle at this publication over its future direction and Sam sided with the younger writers to what everybody agrees was a purge of the Jackson leadership after many years of hard copy and on-line publication. To show what kind of guys we are dealing with (who I have been dealing with for fifty years so am not surprised at anything these two do) when Allan found out that Greg had initially rebooted the series using another old friend of ours Frank Jackman as a “front” he went crazy with rage. But also contacted Sam on the sly to get attribution for him on the series.

You have to know that these two had cut their teeth in politics back in their radical past 1960s when nobody thought anything of backstabbing one day and then going out for a long round of drinks the next to understand that even though Sam lost him his job, threw him to the exile woods by-gones were by-gones. Amazing. The hook on Greg’s side was that Sam now knew that Greg had been instrumental in “doing Allan in” in the publishing business after he went into exile. He had put the mark of Cain, had put the kiss of death on Allan telling all who inquired about Allan’s employability that he was “hard to work with.” That would explain as Sam and I found out after we discovered where Allan was hiding out up in old haunt Bar Harbor, Maine the source of a million wild rumors about his fate which will be discussed further below and in a couple more introductions since we, Sam, Allan and I, want the reader to read the sketch more than try to fathom the byzantine politics of the publishing business. In any case Sam and Greg are still negotiating about where Allan will ultimately land in this space.

One of the most persistent rumors after Allan went “underground” (he, they, we are still addicted to the expressions and attitudes of those by-gone 60’s) was that he was in America Siberia out in Utah sucking up to the Mormons in order to get a by-line, to get work and later after U.S. Senator Orrin Hatch announced his retirement and Mitt Romney declared his candidacy that he attempted to get on the campaign as a press secretary or speechwriter. Sam, Phil, Josh, all the older writer here and some others who don’t but have known Allan for a long time dismissed the whole scheme out of hand especially knowing how he had skewered Mitt as a chameleon, a charlatan who would sell his soul if he had one to the highest bidder to get whatever political office he was looking for in 2008 and 2012 when he ran for the roses. Strangely that rumor proved to be the truest one of all although as usual not exactly as the rumor mill had it. Once Greg put the kiss of death on Allan with that “hard to work with” mantra he was frozen out of the East Coast media hub. Having spent time in California in his younger days he headed out there but also faced a stone wall trying to get a job, any job. Here is where the personal and the political sometimes come into conflict. Allan, despite his age and longtime in the business had over the years accumulated three ex-wives and a parcel of kids, mostly nice and bright and college bound. He is still paying alimony and costs of tuition so he needed, needs money. Hence his bright idea that he would go to out of the way Utah and try to hustle some work.

The basis of that idea that he could get some work from the hard shell Mormons came from a couple of articles he had done during one of the Romney runs for President concerning the ritual of their wearing white underwear and a secret admiration for either Romney’s grandfather or great-grandfather who had five wives at one time and survived tell the tale in the days when the Mormons were seriously polygamous. He did write am OpEd piece for the Salt Lake Star which got printed and some good comments on the sly from a couple of Romney’s aides who thought the polygamy article was “cute.” Of course none of that went anywhere since the secret of Mormonism, of Romney, is that you keep it in the family, hire Mormons. Allan would never have survived a vetting in any case either about his radical past or some other articles about old Mitt which put had put him on the skewer and lit the fire. More later but read this sketch now. Jack Callahan]

************

Sam Lowell had several years before, maybe in about the middle of 2010, done an extensive survey of a commercially-produced Oldies But Goodies series (this series had fifteen separate CDs, more about its mass in a minute, in twenty to thirty song compilations and had torn his ear off from the endless listening. He had begged for a little gangsta hip-hop to soothe his ravaged soul although he was strictly a white-bread blues guy around that kind of music, around black-burst out roots is the toots music) and he had selected one song in each CD to highlight the music. He sought to highlight in particular the music that he and his corner boys, Frankie Riley the acknowledged leader, Pete Markin (also known as the “Scribe” for his endless “publicity” for the group, especially the fountain of wisdom put forth by one Frankie Riley, who later when the drug craze hit full blossom in the late 1960s went over the edge down in Mexico trying to rip off a couple of bricks of cocaine from the hard boys and Pete got two slugs and a face down in a dusty Sonora back alley for his efforts), Jimmy Jenkins, Rats McGee, Johnny Callahan, and other guys like Luke the Juke, Stubby Kincaid, and Hawk Healey who walked in and out of the group at various high school points, had grown up with. Better, had come of age with the music in Adamsville, that is in Massachusetts (Sam had been born in Clintondale a few towns over before moving to Adamsville, a similar town, in junior high school and taken under Frankie Riley’s corner boy wing but had decidedly not been corner boy in that town for the simple reason that there were, unlike in Adamsville at Doc’s Drugstore and later Benny’s bowling alleys, no stand-out corner to be a corner boy in, for good or evil). Yeah, the music of the great jail-break rock and roll 1950s and early 1960s when Sam and the guys came of age had driven his memory bank at that time, some of that material had been placed in a blog, Rock and Roll Will Never Die, dedicated to classic rock and roll music (the classic period now being deemed to have been between about the mid-1950s to the mid-1960s although Sam flinched every time he heard some young guy, some guy who might be an aficionado but was nevertheless not splashed by that tide, called his time the “classic age,” yeah, that rubbed him raw).

Sam had received some comments at the time, mostly from his generational brethren inquiring about this or that song, asking about where they could get a copy of the song they were seeking and he would inform them of the monstrous beauties of YouTube if you could stand the damn commercials that notoriously plague that site to get to your selection, especially Elvis and Jerry Lee stuff. Asked about whether he knew where a 45 RPM vinyl copy could be had, had at any price, a tougher task and asked about the fate that had befallen various one hit johnnies and janies whose single song had been played unto death at the local hang-out jukebox or on the family record player thus driving some besotted mother to the edge. Many though, with almost the same “religious” intensity that Sam brought to his efforts, wanted to vividly describe how this or that song had impacted their lives. Sam had presumed then, presumed a passing fancy but a few apparently had been in a time warp and should have sought some medical attention (although Sam was too much the gentleman to openly make that suggestion). A lot of times though it came down purely to letting Sam know what song did they first dance to, a surprising number listing Bill Haley’s Rock Around The Clock and Danny and the Juniors At The Hop as the choice, surprising since that would have meant a very early introduction not only to rock and roll but to the social etiquettes of dancing with the opposite sex, to speak nothing of the sweaty palms, broken nerves and two left feet which blocked the way, which Sam had not done until he was a freshman in high school. Or what song in what situation had they gotten, or given, their first kiss and to whom, not surprisingly in the golden age of the automobile generation that frequently took place in the back seat of some borrowed car (a few over-the-edgers had gone into more graphic detail than necessary for adults to go into about what happened after that kiss in that backseat). Yeah, got in the back seat of some Chevy to go down to the local lovers’ lane (some very unusual places, the lovers’ lanes not the backseats which were one size fits all) Or had their first fight and make-up to, stuff like that.

As the shelf-life these days for all things Internet is short Sam thought no more about that series, the article or the comments until recently when a young guy (he had presumed a young guy since most devotees of classic rock fall into that demographic, although his moniker of Doo-Wop Dee could have signaled a young woman) who had Googled the words “rock and roll will never die” and had come upon the blog and the article. He sent an e-mail which challenged Sam to tell a candid world (Sam’s expression not Doo-Wop Dee’s who probably would not have known the genesis of that word) why the age of the Stones, Beatles, Animals, Yardbirds, etc., the 1960s age of the big bad guitars, heavy metal, and big backbeat did not do more for classic rock than Elvis (Presley), Chuck (Berry), Roy (Orbison), Bo (Diddley), Buddy (Holly), Jerry Lee (Lewis) and the like did all put together.

Well Sam is a mild-mannered guy usually, has mellowed out some since his rock and roll corner boy slam bang jail-break days, his later “on the road” searching for the great blue-pink great American West night hippie days and his later fighting against his demon addictions days (drugs, con artist larceny, cigarettes, whiskey, hell, even sex, no forget that, drop that from the addiction list) and he had decided, not without an inner murmur, to let the comment pass, to move on to new things, to start work on an appreciation of electric blues in his young life. Then one night late one night he and his lady friend, Melinda (and the reason to forget about that sex addiction stuff above), were watching an old re-run on AMC (the old-time movies channel, featuring mostly black and white films also a relic from his youth and his high school time at the retro-Strand Theater that existed solely to present two such beauties every Saturday afternoon, with or without popcorn) and saw as the film started one ghost from the past Jerry Lee Lewis sitting (hell maybe he had been standing, twirling whirling whatever other energy thing he could do back then to add to the fury of his act) on the back of a flat-bed truck, piano at the ready, doing the title song of the movie, High School Confidential, and then and there Sam had decided that he needed to put old Doo-Wop right. The rest of the movie, by the way, a classic 1950s cautionary tale about the pitfalls of dope, you know marijuana automatically leading to heroin, complete with some poor hooked girl strung out by her fiendish dealer/lover, and of leading an unchaste life, you know that sex addiction stuff that Sam had not been addicted to along his life’s way, as a result was actually eminently forgettable but thanks Jerry Lee for the two minute bailout blast. Here is what Sam had to say to his errant young friend and a candid world:

First off the term “last waltz” used in the headline is used here as a simple expression of the truth. But that expression will also give Doo Wop and anybody else who asks an idea of the huge amount of material from the classic rock period, like I said in my blog sketch from the mid-50s to the mid-60s, which was good enough, had rung our running home after school to check out the latest dance moves and the cute guys and girls American Bandstand hearts enough, to make the cut. (And that really was true, out of over four hundred songs at least one hundred, a very high percentage, could have had a shot at the one hundred best popular songs of all times lists. When I had started that Oldies But Goodies series a few years ago in a fit of nostalgia related to reconnecting with guys like Frankie Riley, Johnny Callahan and Frank Jackman from the old hometown I had assumed that I had completed the series at Volume Ten. I then found out that this was a fifteen, fifteen count ‘em, volume series. I flipped out.

Thereafter I whipped off those last five CDs in one day, including individual reviews of each CD and a summing up for another blog, and was done with it. Working frantically all the while under this basic idea; how much can we rekindle, endlessly rekindle, memories from a relatively short, if important, part of our lives, even for those who lived and died by the songs (or some of the songs) in those compilations. How many times could one read about wallflowers, sighs, certain shes (or hes), the moonlight of high school dances (if there was any) and hanging around to the bitter end for that last dance of the night to prove... what. Bastante! Enough! Until Doo-Wop decided that my coming of age era paled, paled if you can believe this, in comparison to Johnny-come-lately rockers like Mick and Keith, John and Paul, Jerry, Neil, Roger and the like.

No, a thousand times no, as right this minute I am watching a YouTube film clip of early Elvis performing Good Rockin’ Tonight at what looks like some state fairgrounds down south and the girls are going crazy tearing their hair out and crying like crazy because the new breeze they had been waiting for in the death-dry red scare Cold War 1950s night just came through and not soon enough. If Doo-Wop had paid attention to anything that someone like Mick Jagger said all the over whelming influence, the foundation for their efforts it might have held his tongue, or been a bit more circumspect. Guys like Mick, and they were mainly guys just like their 1950s forebears know that much. Yeah, it was mainly guys since I admit the only serious female rocker that I recall was Wanda Jackson whereas Doo-Wop’s time frame had Bonnie Raitt, Linda Ronstadt, Grace Slick, Janis Joplin, just to name a few. If he had argued on the basis of female rockers I would have no argument that the 1960s was a golden age for female rockers but his specified only the generic term “rockers.”

Like I said part of what got me going on the re-tread trail had been that nostalgia thing with my old corner boys and all our nights dropping dimes and quarters in Doc’s or Benny’s jukeboxes, listening on our transistors until our ears turned to cauliflower, and swaying at too many last change dance to mention but I also had been doing a series of commentaries elsewhere at the time on another site on my coming of political age in the early 1960s. You know the age of our own Jack Kennedy, the age of the short-lived Camelot when our dreams seemingly were actually within our grasp, and of the time we began realizing the need for serious struggles against all kinds of wars, and all kinds of discriminations, including getting a fair shake for the working people, those who labor, the people who populated our old time neighborhoods, our parents for chrissakes, in this benighted world. But here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing as the former.

No question that those of us who came of age in the 1950s were truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes from Oklahoma, South Pacific and the like and rhymey Tin Pan Alley pieces hit the transistor radio airwaves. (If you do not know what a transistor radio is then ask your parents or, ouch, grandparents, please. Or look it up on Wikipedia if you are too embarrassed to not know ancient history things. Join the bus.) And, most importantly, we were there when the music moved away from any and all staid arm in arm music that one’s parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.

Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. Think Elvis almost any place where there were more than five girls, hell more than one girl, or Jerry Lee and that silly film high school cautionary film that got this whole comment started where he stole the show at the beginning from that flatbed throne or Bill Haley just singing Rock Around The Clock in front of the film Blackboard Jungle. Here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that wallflower fear, the fear of fears that haunted many a teenage dream then, that left many a sad sack teenage boy, girls can speak for themselves, waking up in the middle of the night with cold sweats worrying about sweaty hands, underarms, course breathe, stubble, those damn feet (and her dainty ones mauled), and bravery, bravery to ask that she (or he for shes) for a dance, especially the last dance that you waited all night to have that chance to ask her about, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.

So what still sounded good to a current AARPer, and perhaps some of his fellows who comprise the demographic that such 1950s compilation “speak” to (and some early 60s songs as well). Carl Perkins original Blue Suede Shoes (covered by, made famous by, and made millions for, Elvis). Or the Hank William’s outlaw country classic I’m So Lonesome I Could Cry. Naturally, in a period of classic rock numbers, Buddy Holly’s Peggy Sue (or, like Chuck Berry and Fat Domino from this period, virtually any other of about twenty of his songs).

But what about the now seeming mandatory to ask question the inevitable end of the night high school dance (or maybe even middle school) song that seemed to be included in each of those CD compilations? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, ask a girl to dance (women can relate their own experiences, probably similar). Here Elvis’ One Night With You fills the bill. Hey, I did like this one, especially the soulful, snappy timing and voice intonation. And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world if for no other reason than to “impress” that certain she (or he for shes, or nowadays, just mix and match your preferences) mentioned above. I did, didn’t you? Touche Doo-Wop!

AMERICAN LEFT HISTORY

Sunday, March 08, 2020

Title IX Witchhunts, Anti-Sex Frenzy and Bourgeois Feminism (Women and Revolution pages)

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-When Gary Ladd Danced The North Adamsville High School Be-Bop Hop Dance Night Away

Coming Of Age In The New Millennium-Kristine Stewart’s “In The Land Of Women” (2007)-A Film Review

Coming Of Age In The New Millennium-Kristine Stewart’s “In The Land Of Women” (2007)-A Film Review

*Honor International Women's Day- A Workers' Holiday

Saturday, March 07, 2020

Once Again In The Matter Of The Centennial Of The Birth Of Film Actor, Noir Film Actor, Robert Mitchum (2017)

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The “Last Waltz”- The Never-Ending Classic Rock Review Tour

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