Monday, June 22, 2020

Updated Introduction to Frank Jackman’s Fate -In Honor Of The Native American Artist and Poet T.E. Cannon and All The Members Of The Vietnam War Class Of 1969 Whatever Their Fate

Updated Introduction to Frank Jackman’s Fate -In Honor Of The Native American Artist and Poet T.E. Cannon and All The Members Of The Vietnam War Class Of 1969 Whatever Their Fate   





Jesus, Even I can’t believe this- An Introduction to the Introduction by Allan Jackson

Originally the “Introduction” to an encore version of Frank Jackman’s Fate below was to be placed as my introduction to a sketch in the encore edition of the The Roots Is The Toots rock and roll series. I had been behind the recreation of series after I had been dismissed from running this publication having been given what by all accounts was a vote of confidence by friend and foe alike to do the Introductions to the series having been the evil genie who sweated blood and tears and that of the writers to bring the original forth. That series   highlighted, mostly highlighted how a group of guys, guys we called corner boys among ourselves in line with what all the then up-to-date sociologists, academics and criminologist described our existence who grew up poor, came of age in the 1950s rock and roll night and took graduate degree courses in the blues, folk, acid rock of the subsequent 1960s where we called ourselves, proudly called ourselves the Generation of ’68.

Some of us kicking and screaming and some of us following gladly the lead of Peter Paul Markin (whose name I have used for years as my on-line moniker) who saw and heard the fresh breeze coming first among us. Like a lot of things thought that idea got waylaid when Frank Jackman did an essay/sketch centered on his Army experiences during the Vietnam War and his curious notion that he was part of the Vietnam War Class of 1969 after he was overwhelmed with the fact that many of his friends and associates had passed through Vietnam in that year. The straw that broke the camel’s back, the thing that got him to what I called “come out of the closet” about his Army service which had started in 1969 was his assignment to review the art exhibit of the work of the late Native American artist and poet T.E. Cannon at the Peabody-Essex Museum in Salem, Massachusetts. Cannon had spent the latter part of his Vietnam tour of duty with the 101st Airborne Division in 1969. Frank took that as the decisive portent. He would come out of the closet as described below in a very public way looking for recognition from his fellow veterans who had their own 1969 experiences. That change is what took Frank’s experiences out of that rock and roll series and removed it to an Introduction to a separate piece about an encore of Frank Jackman’s Fate  But even that now seems misplaced and so we will produce this as a separate sketch independent of either of the previous placements     

********

Originally Intended Introduction by Allan Jackson


[That Frank Jackman is a piece of work, a real piece of work. Many people know that he has worked as a political commentator for both the hard copy and now on-line version of American Left History (and before that both the East Bay Other and The Eye and before that an eye-popping number of publications as a free-lancer). And many know that he was one of the corner boys I grew up with along with a few other writers here like Sam Lowell. What many people do not know is that Frank back in the 1960s when every young guy patriotic, indifferent or protesting had some choices to make even if by ignorance, took a very different direction from the rest of us, from the corner boys, hell, from most of the guys facing the draft and facing orders to Vietnam. Took a different turn on military service during our generation’s, the so-called Generation of ’68’s, war, the Vietnam War. Sure Frank, kicking and screaming since he had lost a chance to go to law school when they stopped the draft deferments for law school students, allowed himself to be indentured (his term) when his draft call came in 1969, actually 1968 for his physical and 1969 for induction.

Frank told me once that after about three days in basic training down at Fort Jackson in South Carolina (I did mine at Fort Dix in New Jersey where most guys from the North went so I don’t, and neither does he, why he wound up there except that being far from home and resources freaked him out knowing that he had better not go crazy down there for he might find himself in some black box or worse) that he knew that he had made a huge mistake, had to let his basic genie, anti-war genie out of the bag, hell bottle, hell some container. Most importantly unlike the rest of us (including me who held my doubts in and did my tour like every other fucking stupid asshole who knew better, knew that our fellow corner boys Rickie Rizzo and Frank White had laid their heads down in 1966 for no good reason except getting etched in black granite but went anyway but this isn’t about me and that story can wait another day, maybe a decade since I still don’t fully understand it) Frank as was his wont when he felt deeply about something followed through, went down in the mud with mano a mano with the whole fucking Army establishment, Made as he said laughingly once it was over and we could talk about it since most of us corner boys who went like sheep to the slaughter were very ambivalent about what Frank did for a while, including the Scribe, Peter Paul Markin if you can believe that rue the day they drafted him.  One bastard colonel almost lost his rank for his efforts in trying to shut Frank up so that black hole idea was no joke. He won, won his freedom but it was a very close thing, close indeed. Funny, and not in a laughing way Frank suffered a lot of the same feelings that he no longer knew the old world we grew up in that the rest of us who went did coming back to the ‘real’ world after the Army.  

All the rest of us corner boys who were draft-worthy had either enlisted or had accepted the draft without murmur, including Rickie Rizzo and Frank White who laid down their heads on the plateaus of Central Vietnam and whose names now are etched in the town memorial and in black granite in Washington for eternity. We would have spat on anybody, Frank included, who actually would have even though about refusing induction whatever we thought of the war and most of us saw it as a big bother to whatever other plans we had had. We would all change our minds later and I and others have written about that sea change elsewhere. So the collective North Adamsville corner boys were not any different from the whole cohort of our generation who had decisions to make one way or another about what to do when the war dragged on seemingly forever.

Then there was outlier Frank, or what we thought then was outlier Frank, who would accept that crazed induction and then refuse to go to Vietnam as an infantryman, as a grunt as we called ourselves and as “cannon fodder” as we learned to call ourselves when we got smarter after our military service and after, as always, the late Peter Paul Markin,  forever etched in North Adamsville lore of a certain old time corner boy generation as Scribe, gave us the skinny on what the fuck we had been through, why and for who. Frank would flat out refuse to go when after Basic Training and AIT (Advanced Infantry Training which I also went through and which in 1969, and a few years before and a few years after meant only one desperate destination-Vietnam-as it did for me). Frank’s story which not all of us knew, including me, knew at the time since we were in Vietnam as part of what we, he would call the Vietnam War Class of 1969, either because we didn’t want to believe it or didn’t want to hear about it from our own guilt about going to war once we got in-country and knew we were fucked, had been fucked over royally.      

This is the way Frank told it one night in the early 1970s when we were all back and after we were able to listen to him since like I said not all of us we happy with him while he going down in the mud like some berserk lunatic, was fucking around with the Army, what (and we were being fucked). He had received orders for Vietnam down in Fort Benning in Georgia, had come home and immediately, or if not immediately since I think he said he shacked up with some young woman for some time before he did so since he had like the rest of us had a thirty day leave before having to show up at Fort Lewis in Washington, went to get some G.I. counselling from the Quakers over in Cambridge. Even the idea of checking in with the Quakers seemed strange when I first heard about it in Vietnam, about the service they were offering guys in the military in their peaceful bid to end the endless war. Whatever else we knew we knew that our church, the Roman Catholic Church, at the official level accepted the government’s version of the necessary defense of Vietnam as the key domino part of a just war in order to put its own stamp on it as such, supported it long after other religious groups turned away from support, except a few crazy renegades like the Berrigan brothers who Father Lally railed against in Sunday sermons from the blood-stained pulpit at Sacred Heart.

These Quakers were historically with some others like Mennonites known as anti-war people, as conscientious objectors to war (except I wondered at the time about Grace Kelly in her Quaker maiden role in High Noon since she did a rooty-toot toots on the bad guys when her man was in danger but that could have been self-defense and some such and not war). Quirky people who I never really had had truck with except knowing they were some kind of Protestant sect. What they had going for them was they had been deeply involved in draft counselling, in draft resistance which had its heyday in the Vietnam War for those who don’t know what I am talking about. Strangely while I was in college, working my way through since my family had no, nada money for such a cause, I serviced coffee machines and part of my route passed right by the Arlington Street Universalist or Unitarian Church this before they united later in the decade so I am not sure which in downtown Boston where the draft resistance was located, was a draft sanctuary and I would beep my horn. Such were the contradictions of Allan Jackson-hell Frank and every other corner boy as well. Hell Scribe lived for the contradictions that would finally lead him to an early grave.
What they, the Quakers started doing and I am not sure when, and I am not sure if I asked Frank if he would know either, was they started offering G.I. counselling at some point when it became clear that a small munity was beginning to form in the military by drafted citizen-soldiers and others, guys back from Vietnam too, who were looking for personal and political ways to oppose the war. How Frank found out about the service I don’t remember but somehow he got over there to leafy Cambridge and that changed everything.  

Hey, you should know this about Frank. He was/is a quiet guy, a bookish guy like Scribe except in the corner boy days Scribe had so many angsts and alienations that he was forever running his mouth. So Frank was no leader, not exactly a follower either but one of the guys, one of the guys who went along with every caper Scribe or Frankie Riley our acknowledged leader put to paper. If anybody figured to be a crazy anti-war guy it was Scribe not Frank. Scribe when he got what he called “religion” would become a fire and brimstone guy about war later but it was nobody but Frank who did what he did and had kept pretty quiet about it before he opened up to us that night.


What Frank learned from the Quakers was that he could put in an application to the Army for conscientious objector status. Yeah, I know what you are thinking because I thought the same thing too and as I am writing this down it still sounds implausible even though federal courts up and down have declared it a valid way to get out of the military. If you signed up for the Army or got drafted how the hell a person could be a conscientious objector-be what I thought and still think a little something like a Quaker. Here was Frank’s first hurdle though. Putting an application in at Fort Lewis where he was supposed to go was filled with some danger since they were dragooning such applicants in the dead of night and shipping them to Vietnam under guard after formally and quickly turning the application down.

That tactic would make it hard to get to a federal court in time to get a writ of habeas corpus on jurisdictional grounds (thanks Frankie Riley for that information). Another option and the Quakers were wise to give options and not orders even if with a Quakerly wink was to go AWOL (absent without leave) which means in military terms unlawful for over thirty days or so at which time he would be what was called “dropped from the roles,” essentially a free agent and turn himself in at the nearest army base which happened to be Fort Devens about forty miles west of Boston. While waiting to have the AWOL litigated he could put his C.O application in without the Fort Lewis danger. (Frank also gave a bunch of other reasons why this strategy was good, but I forget them except it would be easier for his Quaker-provided lawyer to get to him which makes sense.)

Frank followed the second option (there had been a couple of others presented but this was the best of the bunch as far as I remember), went AWOL, turned himself in at Fort Devens, and while his AWOL case was being disposed of put in his C.O. application, got some minor punishment and a fine I think and, no capital AND, his application turned down within a few weeks. Done. Cooked next stop Vietnam. Well not quite. There were some changes happening in C.O. law since many applications, mostly civilian, were being turned down and being litigated in the lower federal courts and eventually a few in the U.S. Supreme Court (SCOTUS in tweeter speak) some of which would be decided before Frank’s time was up and helpful to his case. His lawyer took that application to the federal court in Boston and on the basis of the merits of his case was able to get a judge to order a temporary restraining order (TRO) which kept Frank in the court’s jurisdiction pending disposition. (That legal maneuver turned out to be very useful later but also at the time since on the very day the TRO was ordered the Army was in the process of giving him another set of orders to Fort Lewis and then Vietnam-under guard, under the guard of two lifer sergeants-whee! Even I was impressed by the maneuvering on that one as Frank hid on base all day while the petition was before the court in Boston.)

During this time Frank was reading like crazy, reading radical anti-war stuff and the like and staying in touch with the Quakers whom he liked as people even if he did not always understand where they were coming from. I think, and I have mentioned it to him since that the Army’s whole treatment of him and especially that “under guard” maneuver broke something in him, broke him free maybe and I made him laugh once when I told him before I knew the whole story and before he had decided to resist what were they going to do –put him in the stockade. Once you get clear on that-once you face that dragon and don’t flinch then what the hell do what you have to do-which is what I would eventually come to see was my own attitude toward what Frank did and what the rest of us didn’t do. That was also the time along with the G.I. counselling that the Quakers and others (some much more radical and less committed to non-violence) were moving away from reliance on mass marches in place like Washington, D.C. and pleading with politicians and hitting the military bases with G.I. coffeehouse outreach nearby and smaller marches and rallies in front of the bases.    

These ideas sparked Frank’s imagination, got him into second gear in his defining his commitment to the anti-war struggle. Like I said something snapped in Frank, something of the old time stay cool and out of the firing line when the Scribe or Frankie Riley were in high dungeon which is my clearest high school corner boy memory of him, Now Frank was the heroic John Brown avenging angel that the Scribe kept talking what we considered his crazy talk about on lonesome penniless Friday night. In corner boy talk Frank did not give a fuck about what the Army did or did not want to do to him. One day when the Quakers decided to have a rally outside the gates of Fort Devens protesting the war (and trying to drum up interest among the soldiery there) Frank, Private E-1 Francis James Jackman (that E-1 the lowest rank possible for a soldier since he had been reduced in rank due to that AWOL rap) decided to leave the fort in uniform doing duty hours and join them. That night Frank, Private E-1 Francis James Jackman and you know the why of E-1, after returning to his barracks was picked up by the MPs and taken to the Provost Marshal’s office and from there thrown in solitary at the stockade.

That what they called “disobeying lawful orders," not being on the base during duty hours, would eventually lead to the first of two special courts-martial both which like I said technically were labelled as “disobeying lawful orders” and sentenced to six months on each rap. It was at that first court-martial that when Frank was asked if he had any words in his defense he took out a ragged piece of paper and read from the lyrics of Bob Dylan’s Masters of War. With his back to the judges and facing the courtroom crowd which included some supporters gathered from the Quakers and others who periodically showed up outside the fort to call for his freedom. That support was important as Frank found out during his jail terms to keep spirits up knowing that some people were outside rooting him on (not his parents or any relatives but he did not dwell on that when he spoke to us that late night but and we knew what was what about Acre families and the war who like Frank’s father had supported the war in many cases to the bitter end. He would be forever grateful to the Quakers and allies for that. (By the way if anybody is wondering why Frank was not shipped off to Fort Leavenworth the worse military facility out in Kansas and the one the drill sergeants in basic training kept warning every scared recruit was going to be their fate if they fucked up, or gave them any lip that TRO held him under the court’s jurisdiction in Massachusetts but also meant that they could not give him a general court martial with longer sentences  that the Judge Advocate-General’s Office wanted to impose.              

And so Frank did his time, read a lot, wrote some and talked a blue streak to the few other guys who he roomed with when he was not in solidarity. He never the whole time he was imprisoned there had been let into the general population and perhaps they, the  Army, showed a tad bit of  sense for their fears since he was on his righteous John Brown avenging angel high horse and Frank said he would have started an anti-war rally in the stockade if he had been out there. As it was he never had more than a couple of roommates at a time, I guess cellmates is a better way to say it, and never saw more than a few people when he was out playing basketball in the compound which was the way used his recreational time. (Truth; Frank was one of the worst pick-up basketball players of all time and was absolutely the last guy picked when we were bucking up for teams, one time we played short not to have to take him.)   Also took stock of his personal life when the wife he married, a college sweetheart, refused to come see him in the stockade despite her own anti-war views getting grief from her Marine Corps World War II Pacific War father. That would be the first of three marriages for Frank (and the rest of us, except Jack Callahan and his beloved forever Chrissie, not far behind in the marriage department). Took a look too at what he would do if he got done with his sentence before the judge ruled in his case. A definite possibility given the logjam in the courts as his lawyer made clear. He was also trying to chart out what he would do if the judgement came down against him while he was in the stockade and they tried to rush him out under guard to Fort Lewis and transport to Vietnam.

In the situation Frank need not have worried since judgement did not come down during the first sentence. Frank set up the next part of what he had to say by saying it was hard to explain but once you have decided to do what you had to do and faced the limit, faced jail then other things kind of fell into place. And so they did when Frank was released from his first sentence and decided his Army time was over, decided to refuse to wear the uniform. Did it with a flourish though worthy of Scribe since one Monday morning at Morning Report, the weekly parade field event to see who showed up and who was AWOL he walked from his barracks to the parade field in civilian clothes (he said he had bell-bottom trousers on which when I recall this now I have to laugh about oh foolish, funny youth except his G.I. boots). Walked with a sign calling “Bring The Troops Home. I need not detail that once again since you know as well as I do now that he wound up in the stockade again in solidarity. And again received that six months special court-martial sentence for his troubles.

For years after Frank would make us laugh when he mentioned that he could have kept doing those sentences until he was old and gray he had been so determined to run out his course. Fortunately toward the end of his second sentence, a few days before as it turns out the federal judge in Boston granted his writ of habeas corpus and a week or so later when the JAG decided not to appeal he was discharged, an honorable discharge just like the rest of us. So Frank was discharged not by the Army really but by that old cranky judge.                  

Funny after that night and maybe by unwritten agreement among ourselves since I know nobody mentioned for us to do this we kind of put Frank’s experience, put our own Vietnam War experiences in some deep recess of our brains. Just like our World War II fathers had done before us with less reason to be ashamed or humiliated. The only thing Frank’s father ever mentioned was that he had been ashamed of Frank, had had a hard time at work and among the neighbors for a while but after he finally got over those feelings he had a little unspoken pride that a Jackman had done what he thought was the honorable thing to do when he needed to his father’s mind do something. We went about our collective lives, drifted apart or closer usually depending on where we were in the marriage and brood raising merry-go-round.

Frank did mention to me when we were talking one night several years later that he sometimes had doubts about the wisdom of what he had done. Not that he wasn’t personally proud that he stood up when the deal when down but that maybe he should have gone to Vietnam and tried to raise some holy hell there among the growing disillusioned common soldiers there. I never said anything to him about it but in my mind,  I thought he was crazy to think that the Army which was willing to put him in a black box and was ready at a minute’s notice to ship his ass to ‘Nam was going to let him run loose among already mutinous troops. But there we left it.         

Left it until a few years ago when something began to stir in Frank about why he kept his anti-war fight on the low despite having spent most of the rest of his life actively opposing the wars of the American imperium (sometimes dragging us along as on the Iraq War in 2003, sometimes not as in the initial reaction post-9/11 to the war on Afghanistan). Maybe it was reflecting on age and mortality like many of us our types are finding we are doing more often. Reflecting on a worthwhile life, what we did and didn’t do or should have done differently. I ask him that question one night recently when we were having a few drinks at Jack’s in Cambridge and he surprised me with his answer.  Said what triggered him was running into a guy up in Maine who had served in Vietnam in 1969, the time when Frank was refusing to go to Vietnam, who said of his own experience that he had gone through two marriages and neither wife ever knew he had been in Vietnam. Talk about keeping it on the low. He would run into others who more or less shared that some silence about their Vietnam service. The kicker for Frank though was in the fall of 2017 when PBS aired the Lynn Novick-Ken Burns ten-part eighteen hour Vietnam series and in the very first episode a couple of Marines whose wives had known each other for over a decade and both couples had socialized frequently neither knew that the other had been in Vietnam. Weird vibes, very weird.

Those thoughts got Frank off the dime, got him thinking that he needed to let some people know that there had been resistance inside the military. Encouraged everybody to tell their story for the couple of generations that are now pretty clueless about what a hellish time it was to be a young man (mostly men then) facing all kind of decisions based on the mutterings of old men. Frank, as usual for him, got a slow start, let a couple of people know one time when he was going down to Washington for an anti-war demonstration. Talked about it around a round table one night with a bunch of guys who were in Vietnam in 1969. (Frank was developing a feeling that he needed to be accepted as a member of that class despite his own personal twist.) Frank came out of the closet for real though on Memorial Day of 2018 when as part of the Poor People’s Campaign’s War Economy Week he was asked to speak as somebody impacted by war. Impacted his way as surely as others were impacted in theirs. Felt good about it afterward, felt that maybe he really had been on the right side of the angels when the deal went down. 

**In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Freddie Hilton, (Kamau Sadiki) 
 
http://www.thejerichomovement.com/prisoners.html
 
A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month 

Markin comment (reposted from 2010)

In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.
That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.
Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now! 

Reflections On Memorial Day, 2017 At The Vietnam Memorial Wall-Fritz Taylor’s Endless War

Reflections On Memorial Day, 2017 At The Vietnam Memorial Wall-Fritz Taylor’s Endless War





By Josh Breslin

[My old friend Fritz Taylor from down in Fulton County, Georgia was from what I heard from others, from his contemporaries like my oldest brother, Laurent and of course Peter Paul Markin, known in his younger pre-draftee days around his old neighborhood as the Scribe and thereafter as the Be-Bop Kid when he got back from that hellhole, not him, one of the bravos of the Vietnam War. Had a few medals, well won, which he eventually threw over the fence at the Supreme Court building down in Washington, D. C. in if I remember correctly 1971 when a bunch of Vietnam veterans who had turned against the war they had helped fight, had been marked forever by, decided that such a gesture was an appropriate way to show their fierce opposition.

But that was not the end of it not by a longshot either politically or mentally for Fritz Taylor. The mental part first. Whatever it was that happened to Fritz over there in that hellhole he carried those psychic wounds around with him for a long time, still does. (As did my brother and sad to say every time I bring up that bastard’s giant oversized name Markin who cashed his check early, died of some demons egged on in Vietnam down in Sonora in Mexico when a drug deal he was involved went bad and he went to a potter’s field grave) Went through the usual drug (cocaine and speed as he will freely tell you in order to keep some demons at bay anyway), divorce (two, first to his high school sweetheart whom he married out of despair when he got those dreaded orders to report to Fort Lewis for transport to Southeast Asia, homelessness (drug habits drain resources, and friendships, fast, “recovery” always a very close thing cycle familiar from life experiences among fellow soldiers until he was able to keep his demons somewhat in check and function in a reasonable manner. Know this though this is an on-going struggle even today almost fifty years later so you know some serious shit happened, he saw and did some stuff that will never let him be washed clean, so you know a little why the demons had him on the run for a while.    

All during this psychic drama though Fritz never lost his hatred for war that he had experienced at first hand once he, as the late Peter Paul Markin also a Vietnam veteran and the man who introduced me to Fritz long ago used to say, “got religion,” got on the right side of the angels on the questions of war and peace. Successively Fritz had belonged to Vietnam Veterans Against the War (VVAW) and Veterans for Peace after the former organization kind of petered out. It was as part of a contingent of VFP members who were going to protest the Trump government’s desire to increase the bloated military budget by 54 billion dollars that found him in Washington this Memorial Day, 2017. Found him as always drawn to the Vietnam Memorial adjacent to the Lincoln Memorial on the National Mall. He, as always, paid his respects to those he knew from the war, and from his old neighborhood. But he would also always have a moment of bitter reflection about some comrades who did not make the wall-and should have. This is what he expressed to me when he came back and I spoke to him about his trip. The words are mine but the thoughts are his. ] 

*****

Fritz Taylor, Vietnam veteran, 1969-1971, 4th Infantry, always claimed long after he had gotten “religion” on the questions of war and peace, after he had earned the right to oppose the bloody damn thing having been up close and personal that some of his fellow veterans had been shortchanged when it came to the crying wall, crying for him every time he went down to D.C. and was drawn to, had to pay his respects to his fallen comrades. He knew that each name inscribed on that black granite had paid their dues. No question.       

This year he happened to be in D.C. on Memorial Day as part of a contingent of Veterans for Peace to protest the latest round of the military again feeding at the public teat. As it turned out quite by accident while he was doing his “duty” to his fallen comrades from the 4th Infantry, and to his hometown boys Eric Slater and Jimmy Jenkins forever etched in stone there, he had caught part of the annual ceremony. Righteous Fritz who when he went over to the peace side of the equation probably had logged more jail time than was good for him with acts of civil disobedience those time he wanted to make a point about the current wave of endless wars, moreover did not have any issue when new names of those who were missing in action somehow had gotten repatriated or had been accounted for by some other method. (See above for additions to this year’s crying wall). What grieved Fritz was those like his friend from Vietnam days, Johnny Ridge, a working class kid from Steubenville out in Ohio near the river who after many years of suffering psychic wounds received in Vietnam jumped into that Ohio River. (The bridge Fritz thought had since been taken down for other reason.) Or another friend from anti-war soldier days, Manny Gibbons who spent his last few years fighting cancer which the doctors directly related to his exposure to Agent Orange. Then there was Markin, Peter Paul Markin, who helped him get “sober,” get sober the first few times, whom he had met when he was a “brother under the bridge” out in Southern California and Markin was doing stories about guys like him who hadn’t adjusted to the “real” world after ‘Nam who fell down himself in Mexico on a busted drug deal driven by who knows what demons. There were others whose stories Fritz knew but those two first accounts and Markin’s whom I knew and loved ever since I met him out in San Francisco in the Summer of Love, 1967 before the evil draft got its clutches into him will do to make this point. I still cry over Markin but never felt it was place to think about why his name wasn’t etched in stone either.   

Fritz, righteous Fritz, that day once again promised his lost comrades that he would work until he went to his own not too distant death to get their names etched in stone, etched in that benighted black granite. Vietnam will never end for one Fritz John Taylor, or for a lot of other guys either.

For The Late Rosalie Sorrels-In Honor Of Lena Spencer- Caffé Lena And Saratoga’s Folk Scene

For The Late Rosalie Sorrels-In Honor Of Lena Spencer- Caffé Lena And Saratoga’s Folk Scene





If I Could Be The Rain I Would Be Rosalie Sorrels-The Legendary Folksinger-Songwriter Has Her Last Go Round At 83 (June 2017)

By Music Critic Bart Webber

Back the day, back in the emerging folk minute of the 1960s that guys like Sam Lowell, Si Lannon, Josh Breslin, the late Peter Paul Markin and others were deeply immersed in all roads seemed to lead to Harvard Square with the big names passing through the Club 47 Mecca and later the Café Nana and Club Blue, the Village down in NYC, North Beach out in San Francisco, and maybe Old Town in Chicago. That is where names like Baez, Dylan, Paxton, Ochs, Collins and a whole crew of younger folksingers who sat at the feet of guys like Woody Guthrie and Pete Seeger got their first taste of the fresh breeze of the folk minute (that expression courtesy of the late Markin, who was among the first around to sample the breeze. (I should tell you here in parentheses so you will keep it to yourselves that the former three mentioned above never got over that folk minute since they will still tell a tale or two about the times, about how Dave Van Ronk came in all drunk one night at the Café Nana and still blew everybody away, about catching Paxton changing his Army uniform when he was stationed down at Fort Dix  right before a performance at the Gaslight, about walking down the street Cambridge with Tom Rush just after he put out No Regrets/Rockport Sunday, and about affairs with certain up and coming female folkies at the Club Nana when that was the spot of spots. Strictly aficionado stuff if you go anywhere within ten miles of the subject with any of them -I will take my chances here because this notice, this passing of legendary Rosalie Sorrels a decade after her dear friend Utah Phillips is important)

Those urban locales were the high white note spots but there was another important strand that hovered around Saratoga Springs in upstate New York, up around Skidmore and some other colleges. That was Caffe Lena’s, run by the late Lena Spenser, a true folk legend and character in her own right, where some of those names played but also where some upstarts from the West got a chance to play the small crowds who gathered at that famed (and still existing) coffeehouse. Upstarts like Bruce “Utah” Phillips (although he could call several places home Utah was key to what he would sing about and rounded out his personality. And out of Idaho one Rosalie Sorrels who just joined her long-time friend Utah in that last go-round at the age of 83.

Yeah, out there in the West, not the West Coast west that is different, where what the novelist Thomas Wolfe called the place where the states were square and you had better be as well if you didn’t want to starve or be found in some empty arroyo un-mourned and unloved. A tough life when the original pioneers drifted westward from Eastern nowhere looking for that pot of gold or at least some fresh air and a new start away from crowded cities and sweet breathe vices. Tough going for guys like Joe Hill who tried to organize the working people against the sweated robber barons of his day (they are still with us as we are all now very painfully and maybe more vicious than their in your face forbear)Tough too when you landed in rugged beautiful two-hearted river Idaho, tried to make a go of it in Boise, maybe stopped short in Helena but you get the drift. A different place and a different type of subject matter for your themes.  

The last time I saw Rosalie perform in person was back in 2002 when she performed at what was billed as her last go-round, her hanging up her shoes from the dusty travel road. She was on fire that night except the then recent death of another folk legend, Dave Von Ronk, who was supposed to be on the bill (and who was replaced by David Bromberg who did a great job) cast a pall over the proceedings. I will always remember her cover of her classic Old Devil Time that night -yeah, give me one more chance, one more breathe. But I will always think of If I Could Be The Rain whenever I hear her name. RIP Rosalie Sorrels

     


Caffé Lena, Kate McGarrigle and various artists, directed by Stephen Trombley, Miramar Production, 1991

I know of the work of, and have reviewed in this space, the late Utah Phillips, Rosalie Sorrels, obviously Bob Dylan, Arlo Guthrie, The McGarrigle family, David Bromberg and many of the other “singing” heads that populate this tribute documentary or found their way to Café Lena’s. Lena Spencer, owner, operator (and, from all accounts off-hand fairy godmother), through thick and thin, as thoroughly documented here , of Saratoga’s Café Lena was the impresario of the upstate New York’s booming 1960s folk scene. So there is a certain sense of déjà vu in viewing this film. This documentary film was probably as much about our youthful dreams and ambitions (and that hard musical road, although voluntarily chosen) as it was a tribute to Lena.

I know Saratoga and its environs well and if New York City’s Greenwich Village and Cambridge’s Harvard Square are better known in the 1960s folk revival geography that locale can serve as the folk crowd’s summer watering hole (and refuge from life’s storms all year round). From the descriptions of the café ‘s lifestyle and of the off-beat personality of Lena it also was a veritable experiment in ad hoc communal living). The folkies that did find found refuge there have been interesting behind- the- scenes stories to tell about Len that make this a very nice slice of history of the folk revival of the 1960s.

A special note to kind of bring us full circle. My first CD review of folksinger Rosalie Sorrels and the late Utah Phillips combined works together, who are highlighted in this documentary along with Kate and Anna McGarrigle, mentioned a spark of renewed recognition kindled on my part by the famous folk coffee house “The Café Lena” in Saratoga Springs, New York. Thus, it is rather fitting that Rosalie performs Utah’s “If I Could Be The Rain” and Utah his “Starlight On The Rails” here. Even more fitting are the McGarrigles performing their “Talk To Me Of Mendocino”, song composed in honor of Lena.

"Talk to Me of Mendocino"

written by Kate McGarrigle
© 1975 Garden Court Music (ASCAP)


I bid farewell to the state of old New York
My home away from home
In the state of New York I came of age
When first I started roaming
And the trees grow high in New York State
And they shine like gold in the autumn
Never had the blues from whence I came
But in New York State I got 'em

Talk to me of Mendocino
Closing my eyes I hear the sea
Must I wait
Must I follow
Won't you say come with me

And it's on to South Bend, Indiana
Flat out on the western plain
Rise up over the Rockies
And down on into California
Out to where but the rocks again
And let the sun set on the ocean
I will watch it from the shore
Let the sun rise over the redwoods
I'll rise with it till I rise no more

Talk to me of Mendocino
Closing my eyes I hear the sea
Must I wait
Must I follow
Won't you say come with me

Sunday, June 21, 2020

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Alvaro Luna Hernández

  • *In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Alvaro Luna Hernández
     
     
    http://www.thejerichomovement.com/prisoners.html
     
    A link above to more information about the class-war prisoner honored in this entry.

    Make June Class-War Prisoners Freedom Month 

    Markin comment (reposted from 2010)

    In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.
    That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.
    Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now! 
     
  • An Encore -In The Time Of Elvis' Time-One More Time Down 1950s Record Memory Lane

    An Encore -In The Time Of Elvis' Time-One More Time Down 1950s Record Memory Lane





     








    Sam Lowell, considered himself a corner boy from the time in the early 1960s when in the working-class neighborhoods of America were filled to the brim with such guys hanging out on the corners, in his case North Adamsville not far from urban Boston. Here is the progression not too atypical of corner boys with too little money and too much time on their hands which underscored the corner boy 1960s night plight (and which still plagues corner boys even though they no longer for the most part hang on corners but malls and other places where there are not any “No trespassing, police take notice” signs to harass young men still with not enough dough and too much time on their hands). If you grew up in the Acre, Sam’s growing up section of town you progressed from one place in elementary school, another in junior high school when corners and who was on what corner started to get sorted out in earnest, and high school where the corners were doled out hard as steel in high school.

    Places like South Boston (an all Irish enclave then where even those who like Sam’s maternal grandparents had moved out of the enclave to an Irish neighborhood in North Adamsville were considered suspect, were looked at with jaundiced eye even by the relatives left behind), Main Street in Nashua (at the time a dying city what with the mills heading south to cheaper labor and eventually overseas and so a tough place to dream in), New Hampshire, 125th Street in high Harlem< New York City  (with all the excitement of jazz and be-bop but with all the high segregation of the South except for the formality of Mister James Crow’s laws),  any of a million spots on Six Mile Road in Detroit (never a place of dreams but of steady work in the golden age of the American automobile for those from Delta Mister James Crow black refugees to the Okie/Arkie white rabble coming out of the hills and dustbowls), the same on Division Street in Chi town (the beat street divide of many of Nelson Algren’s tales of drugs, urban lost-ness, and sullen back streets disappointments), the lower end of North Beach beyond where the “beats” of a few years before did their beat thing (the places where the longshoremen and waterfront workers did their heavy drinking after work and where the sailors off their Pacific ocean ships fought all- comers from the Artic to the Japan seas).


    Jack Slack’s was the last port of call for the Acre crowd, for that motley collection of corner boys picked up and discarded along the way although the core of Frankie , Jack, Jimmy, Allan, Markin and Five-Fingers held throughout which had started at Doc’s Drugstore complete with sofa fountain and shiny glass penny candy-case to draw selections from after  school to energize up for the real world activities of kid-dom in elementary school, Miller’s Diner for the jukebox in junior high when they were just becoming aware of girls, maybe having to dance with them, and maybe trying to figure out, the eternal trying to figure out how to approach them without them giggling back and Salducci’s Pizza Parlor in early high school before the new owners decided that unlike Tonio, the previous owner who sold out to go back to Italy from when he came as a boy they did not want colorful rough-necked boys standing one knee against the wall in front of their family friendly establishment scaring the bejesus out of the important Friday and Saturday give Mom a break family trade.

    That time, those early 1960s times for some reason known only to them, was time that you had best have had corner boy comrades when you hung out on date-less, girl-less, dough-less Friday and Saturday nights to have your back if trouble brewed (that “comrade” not a word to be used then in the tail end of the height of the red scare Cold War night not if you wanted knuckle sandwiches from the unthinking patriotic guys but that does convey the sense of “having your back” critical to your place in those woe begotten streets).


    That corner boy business extended through the 1960s after high school for a couple of years when in addition to being a corner boy Sam became a “flower child” along with his long mourned and lamented friend the late Peter Paul Markin heading out west on the hitchhike roads when the world turned upside down later in the decade. (Markin who met a horrible end down in sunny Mexico after the fresh breeze of the 1960s turned in on itself and he got flat-footed by the backlash ebb tide riptide and could no longer hold back his “from hunger” wanting habits held in check through summers of love and a tight tour of Vietnam and made the fatal, very fatal, mistake of trying to broker an independent drug deal and got two slugs to the back of his head for the attempt.) Sam, now a sedate grandfatherly semi-retired lawyer filled with respectability and memories had to laugh about how much he of late had been thinking about the 1950s, about not just those corner boy days but about the music that drove every corner boy, including Markin, make that perhaps most of all Markin, to distraction as they tried to eke out a sound that they could call their own. A jailbreak sound that was not something their parents would approve of at a time when titanic generational battles were foaming at the mouth.

    Thinking about the 1950s the times when he came of age, came of musical age, an age very mixed up with that corner boy comradery, that hanging at Doc’s and Miller’s Diner when he started noticing girls and their charms (amid the first blush of giggles which he soon figured out was their rational response to whatever was going on inside their bodies just like guys like Sam were going through in their bodies). Those first noticings started his life-long journey of trying to figure out what made them tick, what they wanted, wanted of him, from a girl-less family making everything that much harder. Noticing that they too hung around Miller’s in order to play that fantastic jukebox which had all the latest tunes and plenty of oldies too (oldies being let’s say we are talking about 1958 then maybe 1955 hits like Eddie, My Love, Rock Around The Clock, and Bo Diddley showing that teen time, youth time anyway is measured differently from old man lawyerly time, measured in days, weeks, months at the most-years were beyond the pale) drawing away from the music on his parents’ family living room radio and their cranky old record player music.

    Music in the teen households emphatically not on Miller’s jukebox or there would have been a civil war no question, a civil war avoided in his own home after his parents had bought, to insure domestic peace and tranquility if he remembered correctly, his first transistor radio down at the now long gone Radio Shack store and he could sit up in his room and dream of whatever coming of age boys dreamed about, mainly how those last year’s bothersome girls became this year’s interesting objects of discussion (by the way in that small crowded upstairs bedroom, shared with his two brothers, he found out he could discover the beauty of the “hold up to your ear”  transistor radio and drown out the world of brotherly scuffings). 


    More than that though, more than just thinking about the old days like every old guy probably does, even guys who had not been lawyers as a professional career, guys who you see sitting on park benches, a little disheveled, maybe some crumbs in their unkempt beards, feeding the birds and half-muttering to themselves about how when FDR was around everybody stood tall, every country bent it knees in homage to America, or else, or old bag ladies rummaging through trash barrels looking for long lost lovers or their faded beauty Sam had been purchasing compilations of what are commercially called “oldies but goodies” CDs. Doing so via the user-friendly confines of the Internet, at Amazon if you need a name like today anybody, except maybe three people up in heathen Alaska or the Artic,  doesn’t know that is the site to get such material these days instead of traipsing over half the East Coast trying to cadge a few examples from the dwindling oldies and used records emporia, and  purchasing several record compilations of the “best of” that period from a commercial distributor (and also keeping up to date on various versions of the songs on YouTube) and through his friend and old corner boy Frankie Riley been spilling plenty of cyber-ink on Frankie’s blog, In The Be-Bop ‘50s Night, going back to the now classic age of rock and roll.


    Sam had to laugh about that situation back in the day as well since he had been well known back on the corner, back holding up the wall in front of Salducci’s Pizza Parlor, on many of those date-less, date-less because although he might have been an all “hail fellow, well met” hard-assed corner boy full of bluster and blah he was sister-less and hence baffled by girls and their ways and very shy around the question of asking for dates although he was quite willing to tell each and every girl who would listen to him about ten thousand fact on any of sixteen subjects, not excluding science, philosophy, and the poor fate of the Red Sox then. Although those ten thousand facts would come in handy when he got to college a couple of years later and he had girls hanging off the walls in debate class waiting for him to ask them out then those precious facts did not add up to a date by osmosis but rather incomprehension even by girls like Patty Lewis and Mary Shea who liked him and would have be glad if he asked them for a date without the ten thousand facts, thank you.

    Here though is something about the mores of the time that young people today might not comprehend girls just waited for guys to make a move, or moved on to the next guy who would, especially if he had a boss ’55 Chevy, like Patty and Mary did. Also girl-less (already explained but here the question is having a serious girl and the just mentioned facts will hold here as well), and dough-less (self-explanatory in working-class North Adamsville, the sorry fate of the working poor, the marginally employed like his father, no money when the rent was due and Ma had not money for the damn rent collector much less discretionary money for dates with girls) on Friday and Saturday nights when he  proclaimed to all who would listen (mainly Frankie, Markin, Jimmy Jenkins, Jack Callahan, Kenny Hogan and Johnny “Thunder” Thornton and an occasional girl who all wondered what he was talking about) that “rock and roll will never die.”


    Mainly, through the archival marvels of modern technology, pay-per-song, look on YouTube, check out Amazon Sam had been right, rock and roll had not died although it clearly no longer provided the same fuel for later generations more into hip-hop-ish, techno music, or edge city rock. But Sam always though it funny when kids, his grandkids, for example, heard (and saw) Elvis, all steamy, smoldering and swiveling in some film clip to make the older almost teenage girls among them almost react like the girls in his time did when they saw him on the Ed Sullivan Show and had half-formed girlish dreams about personally erasing that snarl from his face. Especially that flip clip of the prison number in Jailhouse Rock. Bo Diddley proclaiming to the whole wide world that he in fact had put the rock in rock and roll and who could dispute that claim when he went bonkers in some Afro-Carib number with that rectangular guitar. Say too Chuck Berry telling a candid world, a candid teenage world which after all was all that counted then, now too from what Sam had heard from his grandchildren, that Mister Beethoven from the old fogy music museum had better take himself and his cronies and move over because a new be-bop daddy, a new high sheriff was in town, was taking the reins, making the kids jump on jump street. Ditto curl-in-hair Buddy Holly pining away for his Peggy Sue.

    Better, mad monk swamp rat Jerry Lee Lewis sitting, maybe standing for all Sam knew telling that same candid world that Chuck was putting on fire everybody had to do the high school hop bop, confidentially. And how about Wanda Jackson proclaiming that it was party time and an endless host of one hit wonders and wanna-bes they went crazy over. Yeah, those kids, those for example grandkids jumping around just like the young Sam who could not believe his ears when he had come of age and, yeah, jumping around for those same guys who formed his musical tastes back in the 1950s when he had come of age, musical age anyway. Jesus, Jesus too when he came of teenage age and all that meant of angst and alienation something no generation seems to be able to escape since the world had no less dangerous, no less incomprehensible today.


    Sam had thought recently about going back to those various commercially-produced compilations put out by demographically savvy media companies that he had purchased on Amazon to cull out the better songs, some which he had on the tip of his tongue almost continuously since the 1950s (the Dubs Could This Be Magic the great last chance dance song that bailed him out of being shut out of more than one dance night although his partner’s feet borne the brunt of the battle, and the Teen Queens Eddie My Love, where Eddie took advantage of the girl and she was wondering, maybe still is, when he is coming back, a great love ‘em and leave ‘em song and the answer is still he’s never coming back, are two examples that quickly came to his mind). Others like Johnny Ace’s Pledging My Love or The Crows Oh-Gee though needed some coaxing by listening to the compilations to be remembered.


    But Sam, old lawyerly Sam, had finally found a sure-fire method to aid in that memory coaxing. Just go back in memory’s mind and picture scenes from teenage days and figure the songs that went with such scenes (this is not confined to 1950s aficionados anybody can imagine their youth times and play). But even using that method Sam believed that he was cheating a little, harmlessly cheating but still cheating. When he (or anybody familiar with the times) looked at the artwork on most of the better 1950s CD compilations one could not help but notice the excellent artwork that highlights various institutions illustrated back then. The infamous drive-in movies where you gathered about six people (hopefully three couples but six anyway) and paid for two the other four either on the back seat floor or in the trunk. They always played music at intermission when that “youth nation” cohort gathered at the refreshment stand to grab inedible hot dogs, stale popcorn, or fizzled out sodas, although who cared, especially if that three couples thing was in play, and that scene had always been associated in Sam’s mind with Frankie Lyman and the Teenager’s Why Do Fools Fall In Love.


    That is how Sam played the game. Two (or more) can play so he said he would just set the scenes and others could fill in their own musical selections. Here goes: the first stirrings of interest in the opposite sex at Doc’s Drugstore with his soda fountain AND jukebox; the drive-in restaurant with you and yours in the car, yours’ or father-borrowed for an end of the night bout with cardboard hamburgers, ultra-greasy french fries and diluted soda; the Spring Frolic Dance (or name your seasonal dance) your hands all sweaty, trying to disappear into the wall, waiting, waiting to perdition for that last dance so that you could ask that he or she that you had been eyeing all evening to dance that slow one  all dreamy; down at the beach on day one of out of school for the summer checking out the scene between the two boat clubs where all the guys and gals who counted hung out; the night before Thanksgiving football rally where he or she said they would be there, how about you; on poverty nights sitting up in your bedroom listening to edgy WMEX on your transistor radio away from prying adult eyes; another poverty night you and your boys, girls, boys and girls sitting in the family room spinning platters; that first sixth grade “petting” party (no more explanation needed, right); cruising Main Street with your boys or girls looking for, well, you figure it out listening to the radio in that “boss” Chevy, hopefully; and, sitting in the balcony “watching” the double feature at the Strand Theater on Saturday afternoon when you were younger and at night when older. Okay, Sam has given enough cues. Fill in the dots, oops, songs and add scenes too.                      


    *For The Late Rosalie Sorrels- Don’t Mourn- Organize (And Maybe Sing A Song Or Two) - In Honor Of Labor Agitator/Songwriter Joe Hill-"The Preacher And The Slave" Sung By Her Dear Friend Utah Phillips

    *For The Late Rosalie Sorrels- Don’t Mourn- Organize (And Maybe Sing A Song Or Two) - In Honor Of Labor Agitator/Songwriter Joe Hill-"The Preacher And The Slave" Sung By Her Dear Friend Utah Phillips 


    If I Could Be The Rain I Would Be Rosalie Sorrels-The Legendary Folksinger-Songwriter Has Her Last Go Round At 83

    By Music Critic Bart Webber

    Back the day, back in the emerging folk minute of the 1960s that guys like Sam Lowell, Si Lannon, Josh Breslin, the late Peter Paul Markin and others were deeply immersed in all roads seemed to lead to Harvard Square with the big names passing through the Club 47 Mecca and later the Café Nana and Club Blue, the Village down in NYC, North Beach out in San Francisco, and maybe Old Town in Chicago. That is where names like Baez, Dylan, Paxton, Ochs, Collins and a whole crew of younger folksingers who sat at the feet of guys like Woody Guthrie and Pete Seeger.  (I should tell you here in parentheses so you will keep it to yourselves that the former three mentioned above never got over that folk minute since they will still tell a tale or two about the times, about how Dave Van Ronk came in all drunk one night at the Café Nana and still blew everybody away, about catching Paxton changing his Army uniform right before a performance at the Gaslight, about walking down the street Cambridge with Tom Rush just after he put out No Regrets/Rockport Sunday strictly aficionado stuff if you go anywhere within ten miles of the subject-I will take my chances here because this notice, this passing of legendary Rosalie Sorrels a decade after her dear friend Utah Phillips is important)

    But there was another important strand that hovered around Saratoga Springs in upstate New York, up around Skidmore and some other colleges. That was Caffe Lena’s where some of those names played but also where some upstarts from the West got a chance to play the small crowds who gathered at that famed (and still existing) coffeehouse. Upstarts like Bruce “Utah” Phillips (although he could call several places home Utah was key to what he would sing about). And out of Idaho one Rosalie Sorrels who just joined her long-time friend Utah in that last go-round at the age of 83.

    Yeah, out there in the West, not the West Coast west that is different, where what the novelist Thomas Wolfe called the place where the states were square and you had better be as well if you didn’t want to starve or be found in some empty arroyo un-mourned and unloved. A tough life when the original pioneers drifted westward from Eastern nowhere looking for that pot of gold or at least some fresh air and a new start away from crowded cities and sweet breathe vices. Tough for guys like Joe Hill who tried to organize the working people against the sweated robber barons of his day (they are still with us as we are all now very painfully aware. Tough too when you landed in rugged beautiful two-hearted river Idaho, tried to make a go of it in Boise, maybe stopped short in Helena but you get the drift. A different place and a different type of subject matter for your themes.  


    The last time I saw Rosalie perform in person was back in 2002 when she performed at what was billed as her last go-round, her hanging up her shoes from the dusty travel road. She was on fire that night except the then recent death of another folk legend, Dave Von Ronk, who was supposed to be on the bill (and who was replaced by David Bromberg who did a great job) cast a pall over the proceedings. I will always remember her cover of her classic Old Devil Time that night -yeah, give me one more chance, one more breathe. But I will always think of If I Could Be The Rain whenever I hear her name. RIP Rosalie Sorrels 


    Joe Hill’s Last Will

    My will is easy to decide,
    For there is nothing to divide,
    My kin don’t need to fuss and moan-
    “Moss does not cling to a rolling stone.”
    My body? Ah, If I could choose,
    I would to ashes it reduce,
    And let the merry breezes blow
    My dust to where some flowers grow.
    Perhaps some fading flower then
    Would come to life and bloom again.
    This is my last and final will,
    Good luck to all of you, Joe Hill

    Joe Hill was an IWW man. The Industrial Workers of the World (IWW) was, and is a radical union dedicated to abolishing the wage system and replacing it with a democratic system of workplace organization.

    Joe Hill was a migrant laborer to the US from Sweden, a poet, musician and union radical. The term “pie in the sky” is believed to come from his satirical song, “The Preacher and the Slave”.

    Hill was framed for murder and executed by firing squad in Salt Lake City, Utah on November 19, 1915. His last words were, “Fire!”

    Just before his death he wrote to fellow IWW organizer Big Bill Haywood a letter which included the famous words, “Don’t mourn, Organize”.

    The poem above was his will. It was set to music and became the basis of a song by Ethel Raim called “Joe Hill’s Last Will”.

    A praise poem by Alfred Hayes became the lyrics of the best-known song about Joe Hill, written in 1936 by Earl Robinson. This was sung so beautifully by Joan Baez at Woodstock in 1969:

    Joe Hill

    words by Alfred Hayes
    music by Earl Robinson

    I dreamed I saw Joe Hill last night,
    Alive as you and me.
    Says I “But Joe, you’re ten years dead”
    “I never died” said he,
    “I never died” said he.

    “In Salt Lake, Joe,” says I to him,
    him standing by my bed,
    “They framed you on a murder charge,”
    Says Joe, “But I ain’t dead,”
    Says Joe, “But I ain’t dead.”

    “The Copper Bosses killed you Joe,
    they shot you Joe” says I.
    “Takes more than guns to kill a man”
    Says Joe “I didn’t die”
    Says Joe “I didn’t die”

    And standing there as big as life
    and smiling with his eyes.
    Says Joe “What they can never kill
    went on to organize,
    went on to organize”

    From San Diego up to Maine,
    in every mine and mill,
    where working-men defend their rights,
    it’s there you find Joe Hill,
    it’s there you find Joe Hill!

    I dreamed I saw Joe Hill last night,
    alive as you and me.
    Says I “But Joe, you’re ten years dead”
    “I never died” said he,
    “I never died” said he.

    "The Preacher And The Slave"

    Long-haired preachers come out every night,
    Try to tell you what’s wrong and what’s right;
    But when asked how ’bout something to eat
    They will answer in voices so sweet

    You will eat, bye and bye,
    In that glorious land above the sky;
    Work and pray, live on hay,
    You’ll get pie in the sky when you die

    And the Starvation Army they play,
    And they sing and they clap and they pray,
    Till they get all your coin on the drum,
    Then they tell you when you’re on the bum

    Holy Rollers and Jumpers come out
    And they holler, they jump and they shout
    Give your money to Jesus, they say,
    He will cure all diseases today

    If you fight hard for children and wife-
    Try to get something good in this life-
    You’re a sinner and bad man, they tell,
    When you die you will sure go to hell.

    Workingmen of all countries, unite
    Side by side we for freedom will fight
    When the world and its wealth we have gained
    To the grafters we’ll sing this refrain

    You will eat, bye and bye,
    When you’ve learned how to cook and how to fry;
    Chop some wood, ’twill do you good
    Then you’ll eat in the sweet bye and bye

    The chorus is sung in a call and response pattern.

    You will eat [You will eat] bye and bye [bye and bye]
    In that glorious land above the sky [Way up high]
    Work and pray [Work and pray] live on hay [live on hay]
    You’ll get pie in the sky when you die [That's a lie!]

    You will eat [You will eat] bye and bye [bye and bye]
    When you’ve learned how to cook and how to fry [How to fry]
    Chop some wood [Chop some wood], ’twill do you good [do you good]
    Then you’ll eat in the sweet bye and bye [That's no lie]

    THE REBEL GIRL

    by Joe Hill /words updated/


    There are women of many descriptions
    In this cruel world as everyone knows
    Some are living in beautiful mansions
    And wearing the finest of clothes

    There's the blue blooded queen and the princess
    Who have charms made of diamonds and pearls
    But the only and true kind of lady
    Is the Rebel Girl

    chorus:
    She's a rebel girl, a rebel girl
    To the working class she's the strength of this world
    From Newfoundland to B.C.
    She's fighting for you and for me

    Yes she's there by our side
    With her courage and pride
    She's unequalled anywhere

    And I'm proud to fight for freedom
    With the rebel girl!


    Pete Seeger Lyrics

    Joe Hill Lyrics


    I dreamed I saw Joe Hill last night
    Alive as you or me.
    Says I, "But Joe, you're ten years dead."
    "I never died," says he,
    "I never died," says he

    "In Salt Lake, Joe," says I to him,
    Him standing by my bed.
    "They framed you on a murder charge."
    Says Joe, "But I ain't dead,
    Says Joe, "But I ain't dead."

    "The copper bosses killed you, Joe,
    They shot you, Joe," says I.
    "Takes more than guns to kill a man."
    Says Joe, "I didn't die,"
    Says Joe, "I didn't die."

    And standing there as big as life,
    And smiling with his eyes,
    Joe says, "What they forgot to kill
    Went on to organize,
    Went on to organize."

    "Joe Hill ain't dead," he says to me,
    "Joe Hill ain't never died.
    Where working men are out on strike,
    Joe Hill is at their side,
    Joe Hill is at their side."

    "From San Diego up to Maine
    In every mine and mill,
    Where workers strike and organize,"
    Says he, "You'll find Joe Hill."
    Says he, "You'll find Joe Hill."

    I dreamed I saw Joe Hill last night
    Alive as you or me.
    Says I, "But Joe, you're ten years dead."
    "I never died," says he,
    "I never died," says he.

    Pete Seeger Lyrics

    Talking Union Lyrics


    If you want higher wages, let me tell you what to do;
    You got to talk to the workers in the shop with you;
    You got to build you a union, got to make it strong,
    But if you all stick together, now, 'twont he long.
    You'll get shorter hours,
    Better working conditions.
    Vacations with pay,
    Take your kids to the seashore.

    It ain't quite this simple, so I better explain
    Just why you got to ride on the union train;
    'Cause if you wait for the boss to raise your pay,
    We'll all be waiting till Judgment Day;
    We'll all he buried - gone to Heaven -
    Saint Peter'll be the straw boss then.

    Now, you know you're underpaid, hut the boss says you ain't;
    He speeds up the work till you're 'bout to faint,
    You may he down and out, but you ain't beaten,
    Pass out a leaflet and call a meetin'
    Talk it over - speak your mind -
    Decide to do something about it.

    'Course, the boss may persuade some poor damn fool
    To go to your meeting and act like a stool;
    But you can always tell a stool, though - that's a fact;
    He's got a yellow streak running down his back;
    He doesn't have to stool - he'll always make a good living
    On what he takes out of blind men's cups.

    You got a union now; you're sitting pretty;
    Put some of the boys on the steering committee.
    The boss won't listen when one man squawks.
    But he's got to listen when the union talks.
    He better -
    He'll be mighty lonely one of these days.

    Suppose they're working you so hard it's just outrageous,
    They're paying you all starvation wages;
    You go to the boss, and the boss would yell,
    "Before I'd raise your pay I'd see you all in Hell."
    Well, he's puffing a big see-gar and feeling mighty slick,
    He thinks he's got your union licked.
    He looks out the window, and what does he see
    But a thousand pickets, and they all agree
    He's a bastard - unfair - slave driver -
    Bet he beats his own wife.

    Now, boy, you've come to the hardest time;
    The boss will try to bust your picket line.
    He'll call out the police, the National Guard;
    They'll tell you it's a crime to have a union card.
    They'll raid your meeting, hit you on the head.
    Call every one of you a goddamn Red -
    Unpatriotic - Moscow agents -
    Bomb throwers, even the kids.

    But out in Detroit here's what they found,
    And out in Frisco here's what they found,
    And out in Pittsburgh here's what they found,
    And down in Bethlehem here's what they found,
    That if you don't let Red-baiting break you up,
    If you don't let stool pigeons break you up,
    If you don't let vigilantes break you up,
    And if you don't let race hatred break you up -
    You'll win. What I mean,
    Take it easy - but take it!