In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)

In Honor Of Jean Bon Kerouac On The 60^th Anniversary Of “On The Road” (1957)

By Book Critic Zack James

To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe he truth, maybe just kicks, what he, or something associated with him, maybe the bandit poet Gregory Corso, called the “beat” generation (beat of the drum, dead beat, dread beat, beaten down, beatified like saintly you take your pick of the meanings-hell they all did, the guys, and it was mostly guys who hung out on the mean streets of New York, Chi town, North Beach in Frisco town) strictly second-hand. I was too young to have had anything but a vague passing reference to the thing through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50^th anniversary is being commemorated this year as well. So even Alex and his crowd were really too young to have been there, being an understanding there at the creation.         

Of course anytime you talk about books and add my brother Alex’s name in that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Jack, Jimmy, Si, Josh, still alive recently had me put together tribute book for in connection with the Summer of Love, 1967.  Markin was the vanguard guy who got several of them off their asses and out to the West Coast to see what there was to see. Some stuff that Markin had been speaking of for a number of years before (and which nobody in the crowd paid attention to, or dismissed out of hand in those cold, hungry cultural days) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet, William Burroughs and a bunch of other guys who took a very different route for our parents who were of the same generation but of a very different world. But above all Jack’s book, Jack’s book which had caused a big splash in 1957 and had ripple effects into the early 1960s (and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple and hard part). Had to spend some time thinking through the path of life by hitting the road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain desert night but staying unsettled for a while anyway.     

Like I said above Alex was out two years and other guys from a few months to a few years. Markin started first but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely end.  With maybe this difference from today’s young. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly from hunger working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little “from hunger” takes a big tool on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys then, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley the “Scribe” fromteh time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then although nobody in their right minds would have Markin actually execute the plan that was for Frankie to lead. That was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduces some of the guys to folk music when that was a big thing. (Alex never bought into, still doesn’t, that genre despite Markin’s desperate pleas for him to check it out.) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called new breeze was coming down the road. They could, using a term from the times could have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital.   

Markin flipped out when he found out that Kerouac had grown up in Lowell a working class town very much like North Adamsville and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having my summertime blues. So it was through Markin via Alex that I got the Kerouac bug. And now on the 60^th anniversary I am passing on the bug to you.           

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-Alan Ginsburg's Howl (1956)

In Honor Of Jean Bon Kerouac On The 60^th Anniversary Of “On The Road” (1957)-Alan Ginsburg's Howl (1956)

By Book Critic Zack James

To be honest I know about On The Road Jack Kerouac’s epic tale of his generation, what he, or something associated with him, maybe the bandit poet Gregory Corso, called the “beat” generation (beat of the drum, dead beat, dread beat, beaten down, beatified like saintly you take your pick of the meanings-hell they all did, the guys, and it was mostly guy who hung out on the mean streets of New York, Chi town, North Beach in Frisco town) strictly second-hand as I was too young to have had anything but a vague passing reference to the thing through my oldest brother Alex. Alex, and his crowd, about more in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50^th anniversary is being commemorated this year as well. So even Alex and his crowd were really too young to have been there, being an understanding there at the creation.         

Of course anytime you talk about books and my brother Alex the name that automatically comes up is that of the late Peter Paul Markin. Markin who Alex and the rest of the North Adamsville corner boys still alive recently had me put together tribute book for in connection with the Summer of Love since he, Markin, was the vanguard guy who got several of them off their asses and out to the West Coast to see what there was to see. (Like I said Alex was out two years and other guys from a few months to a few years.)  Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included were strictly from hunger working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants as anything else. After all this was what was what for corner boys then, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different was Markin, Markin called by Frankie Riley the “Scribe” and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them was also crazy for books and poetry. Always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle.

The books and poetry is where Jack Kerouac and On The Road come in. Markin was something like an antennae for anything that any working class guy did. Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what new breeze was coming down the road. Markin flipped out when he found out that Kerouac had grown up in Lowell a working class town very much like North Adamsville and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. So it was through Alex I got the Kerouac bug. And now on the 60^th anniversary I am passing on the bug to you.           

On The 60th Anniversary Of Allan Ginsberg’s “Howl”*Beat Poet's Corner- Allen Ginsberg's "Howl"

Click on title to link to YouTube's film clip of the 1994 film documentary "The Life And Times Of Allen Ginsberg" reviewed in a separate entry in this space on this date.


HOWL
by Allen Ginsberg

I saw the best minds of my generation destroyed by
madness, starving hysterical naked,
dragging themselves through the negro streets at dawn
looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
connection to the starry dynamo in the machinery of night,
who poverty and tatters and hollow-eyed and high sat
up smoking in the supernatural darkness of
cold-water flats floating across the tops of cities
contemplating jazz,
who bared their brains to Heaven under the El and
saw Mohammedan angels staggering on tenement roofs illuminated,
who passed through universities with radiant cool eyes
hallucinating Arkansas and Blake-light tragedy
among the scholars of war,
who were expelled from the academies for crazy &
publishing obscene odes on the windows of the skull,
who cowered in unshaven rooms in underwear,
burning their money in wastebaskets and listening
to the Terror through the wall,
who got busted in their pubic beards returning through
Laredo with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in
Paradise Alley, death, or purgatoried their
torsos night after night
with dreams, with drugs, with waking nightmares,
alcohol and cock and endless balls,
incomparable blind; streets of shuddering cloud and
lightning in the mind leaping toward poles of Canada & Paterson,
illuminating all the motionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery
dawns, wine drunkenness over the rooftops,
storefront boroughs of teahead joyride neon
blinking traffic light, sun and moon and tree
vibrations in the roaring winter dusks of Brooklyn,
ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless
ride from Battery to holy Bronx on benzedrine
until the noise of wheels and children brought
them down shuddering mouth-wracked and
battered bleak of brain all drained of brilliance
in the drear light of Zoo,
who sank all night in submarine light of Bickford's
floated out and sat through the stale beer after
noon in desolate Fugazzi's, listening to the crack
of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to
pad to bar to Bellevue to museum to the Brooklyn Bridge,
lost battalion of platonic conversationalists jumping
down the stoops off fire escapes off windowsills
off Empire State out of the moon,
yacketayakking screaming vomiting whispering facts
and memories and anecdotes and eyeball kicks
and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days
and nights with brilliant eyes, meat for the
Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a
trail of ambiguous picture postcards of Atlantic City Hall,
suffering Eastern sweats and Tangerian bone-grind-ings and
migraines of China under junk-with-drawal in Newark's bleak furnished room,
who wandered around and around at midnight in the
railroad yard wondering where to go, and went,
leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
through snow toward lonesome farms in grand-father night,
who studied Plotinus Poe St. John of the Cross telepathy
and bop kabbalah because the cosmos instinctively
vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking visionary
indian angels who were visionary indian angels,
who thought they were only mad when Baltimore
gleamed in supernatural ecstasy,
who jumped in limousines with the Chinaman of Oklahoma on the impulse of winter midnight street
light smalltown rain,
who lounged hungry and lonesome through Houston
seeking jazz or sex or soup, and followed the
brilliant Spaniard to converse about America
and Eternity, a hopeless task, and so took ship to Africa,
who disappeared into the volcanoes of Mexico leaving
behind nothing but the shadow of dungarees
and the lava and ash of poetry scattered in fireplace Chicago,
who reappeared on the West Coast investigating the
F.B.I. in beards and shorts with big pacifist
eyes sexy in their dark skin passing out incomprehensible leaflets,
who burned cigarette holes in their arms protesting
the narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union
Square weeping and undressing while the sirens
of Los Alamos wailed them down, and wailed
down Wall, and the Staten Island ferry also wailed,
who broke down crying in white gymnasiums naked
and trembling before the machinery of other skeletons,
who bit detectives in the neck and shrieked with delight
in policecars for committing no crime but their
own wild cooking pederasty and intoxication,
who howled on their knees in the subway and were
dragged off the roof waving genitals and manuscripts,
who let themselves be fucked in the ass by saintly
motorcyclists, and screamed with joy,
who blew and were blown by those human seraphim,
the sailors, caresses of Atlantic and Caribbean love,
who balled in the morning in the evenings in rose
gardens and the grass of public parks and
cemeteries scattering their semen freely to
whomever come who may,
who hiccuped endlessly trying to giggle but wound up
with a sob behind a partition in a Turkish Bath
when the blond & naked angel came to pierce
them with a sword,
who lost their loveboys to the three old shrews of fate
the one eyed shrew of the heterosexual dollar
the one eyed shrew that winks out of the womb
and the one eyed shrew that does nothing but
sit on her ass and snip the intellectual golden
threads of the craftsman's loom,
who copulated ecstatic and insatiate with a bottle of
beer a sweetheart a package of cigarettes a candle and fell off the bed, and continued along
the floor and down the hall and ended fainting
on the wall with a vision of ultimate cunt and
come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling
in the sunset, and were red eyed in the morning
but prepared to sweeten the snatch of the sun
rise, flashing buttocks under barns and naked in the lake,
who went out whoring through Colorado in myriad
stolen night-cars, N.C., secret hero of these
poems, cocksman and Adonis of Denver-joy
to the memory of his innumerable lays of girls
in empty lots & diner backyards, moviehouses'
rickety rows, on mountaintops in caves or with
gaunt waitresses in familiar roadside lonely petticoat upliftings & especially secret gas-station
solipsisms of johns, & hometown alleys too,
who faded out in vast sordid movies, were shifted in
dreams, woke on a sudden Manhattan, and
picked themselves up out of basements hung
over with heartless Tokay and horrors of Third
Avenue iron dreams & stumbled to unemployment offices,
who walked all night with their shoes full of blood on
the snowbank docks waiting for a door in the
East River to open to a room full of steamheat and opium,
who created great suicidal dramas on the apartment
cliff-banks of the Hudson under the wartime
blue floodlight of the moon & their heads shall
be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested
the crab at the muddy bottom of the rivers of Bowery,
who wept at the romance of the streets with their
pushcarts full of onions and bad music,
who sat in boxes breathing in the darkness under the
bridge, and rose up to build harpsichords in their lofts,
who coughed on the sixth floor of Harlem crowned
with flame under the tubercular sky surrounded
by orange crates of theology,
who scribbled all night rocking and rolling over lofty
incantations which in the yellow morning were
stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht
& tortillas dreaming of the pure vegetable kingdom,
who plunged themselves under meat trucks looking for an egg,
who threw their watches off the roof to cast their ballot
for Eternity outside of Time, & alarm clocks
fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccessfully, gave up and were forced to open antique
stores where they thought they were growing
old and cried,
who were burned alive in their innocent flannel suits
on Madison Avenue amid blasts of leaden verse
& the tanked-up clatter of the iron regiments
of fashion & the nitroglycerine shrieks of the
fairies of advertising & the mustard gas of sinister intelligent editors, or were run down by the
drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually happened and walked away unknown and forgotten
into the ghostly daze of Chinatown soup alley
ways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of
the subway window, jumped in the filthy Passaic, leaped on negroes,
cried all over the street,
danced on broken wineglasses barefoot smashed
phonograph records of nostalgic European
1930s German jazz finished the whiskey and
threw up groaning into the bloody toilet, moans
in their ears and the blast of colossal steam whistles,
who barreled down the highways of the past journeying
to each other's hotrod-Golgotha jail-solitude
watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out
if I had a vision or you had a vision or he had
a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who
came back to Denver & waited in vain, who
watched over Denver & brooded & loned in
Denver and finally went away to find out the
Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying
for each other's salvation and light and breasts,
until the soul illuminated its hair for a second,
who crashed through their minds in jail waiting for
impossible criminals with golden heads and the
charm of reality in their hearts who sang sweet
blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky
Mount to tender Buddha or Tangiers to boys
or Southern Pacific to the black locomotive or
Harvard to Narcissus to Woodlawn to the
daisychain or grave,
who demanded sanity trials accusing the radio of hyp
notism & were left with their insanity & their
hands & a hung jury,
who threw potato salad at CCNY lecturers on Dadaism
and subsequently presented themselves on the
granite steps of the madhouse with shaven heads
and harlequin speech of suicide, demanding instantaneous lobotomy,
and who were given instead the concrete void of insulin
Metrazol electricity hydrotherapy psychotherapy occupational
therapy pingpong & amnesia,
who in humorless protest overturned only one symbolic
pingpong table, resting briefly in catatonia,
returning years later truly bald except for a wig of
blood, and tears and fingers, to the visible mad
man doom of the wards of the madtowns of the East,
Pilgrim State's Rockland's and Greystone's foetid
halls, bickering with the echoes of the soul,
rocking and rolling in the midnight solitude-bench
dolmen-realms of love, dream of life a nightmare,
bodies turned to stone as heavy as the moon,
with mother finally ******, and the last fantastic book
flung out of the tenement window, and the last
door closed at 4. A.M. and the last telephone
slammed at the wall in reply and the last furnished room
emptied down to the last piece of mental furniture,
a yellow paper rose twisted on a wire hanger in the closet,
and even that imaginary,
nothing but a hopeful little bit of hallucination
ah, Carl, while you are not safe I am not safe, and
now you're really in the total animal soup of time
and who therefore ran through the icy streets obsessed
with a sudden flash of the alchemy of the use
of the ellipse the catalog the meter & the vibrating plane,
who dreamt and made incarnate gaps in Time & Space
through images juxtaposed, and trapped the
archangel of the soul between 2 visual images
and joined the elemental verbs and set the noun
and dash of consciousness together jumping
with sensation of Pater Omnipotens Aeterna Deus
to recreate the syntax and measure of poor human
prose and stand before you speechless and intelligent
and shaking with shame,
rejected yet confessing out the soul to conform to the rhythm
of thought in his naked and endless head,
the madman bum and angel beat in Time, unknown,
yet putting down here what might be left to say
in time come after death,
and rose reincarnate in the ghostly clothes of jazz in
the goldhorn shadow of the band and blew the
suffering of America's naked mind for love into
an eli eli lamma lamma sabacthani saxophone
cry that shivered the cities down to the last radio
with the absolute heart of the poem of life butchered
out of their own bodies good to eat a thousand years.
What sphinx of cement and aluminum bashed open
their skulls and ate up their brains and imagination?
Moloch! Solitude! Filth! Ugliness! Ashcans and unob
tainable dollars! Children screaming under the
stairways! Boys sobbing in armies! Old men
weeping in the parks!
Moloch! Moloch! Nightmare of Moloch! Moloch the
loveless! Mental Moloch! Moloch the heavy
judger of men!
Moloch the incomprehensible prison! Moloch the
crossbone soulless jailhouse and Congress of
sorrows! Moloch whose buildings are judgment!
Moloch the vast stone of war! Moloch the stunned governments!
Moloch whose mind is pure machinery! Moloch whose
blood is running money! Moloch whose fingers
are ten armies! Moloch whose breast is a cannibal dynamo!
Moloch whose ear is a smoking tomb!
Moloch whose eyes are a thousand blind windows!
Moloch whose skyscrapers stand in the long
streets like endless Jehovahs! Moloch whose factories
dream and croak in the fog! Moloch whose
smokestacks and antennae crown the cities!
Moloch whose love is endless oil and stone! Moloch
whose soul is electricity and banks! Moloch
whose poverty is the specter of genius! Moloch
whose fate is a cloud of sexless hydrogen!
Moloch whose name is the Mind!
Moloch in whom I sit lonely! Moloch in whom I dream
Angels! Crazy in Moloch! Cocksucker in
Moloch! Lacklove and manless in Moloch!
Moloch who entered my soul early! Moloch in whom
I am a consciousness without a body! Moloch
who frightened me out of my natural ecstasy!
Moloch whom I abandon! Wake up in Moloch!
Light streaming out of the sky!
Moloch! Moloch! Robot apartments! invisible suburbs!
skeleton treasuries! blind capitals! demonic
industries! spectral nations! invincible mad
houses! granite cocks! monstrous bombs!
They broke their backs lifting Moloch to Heaven! Pave-
ments, trees, radios, tons! lifting the city to
Heaven which exists and is everywhere about us!
Visions! omens! hallucinations! miracles! ecstasies!
gone down the American river!
Dreams! adorations! illuminations! religions! the whole
boatload of sensitive bullshit!
Breakthroughs! over the river! flips and crucifixions!
gone down the flood! Highs! Epiphanies! Despairs!
Ten years' animal screams and suicides!
Minds! New loves! Mad generation! down on
the rocks of Time!
Real holy laughter in the river! They saw it all! the
wild eyes! the holy yells! They bade farewell!
They jumped off the roof! to solitude! waving!
carrying flowers! Down to the river! into the street!
Carl Solomon! I'm with you in Rockland
where you're madder than I am
I'm with you in Rockland
where you must feel very strange
I'm with you in Rockland
where you imitate the shade of my mother
I'm with you in Rockland
where you've murdered your twelve secretaries
I'm with you in Rockland
where you laugh at this invisible humor
I'm with you in Rockland
where we are great writers on the same dreadful typewriter
I'm with you in Rockland
where your condition has become serious and
is reported on the radio
I'm with you in Rockland
where the faculties of the skull no longer admit
the worms of the senses
I'm with you in Rockland
where you drink the tea of the breasts of the
spinsters of Utica
I'm with you in Rockland
where you pun on the bodies of your nurses the
harpies of the Bronx
I'm with you in Rockland
where you scream in a straightjacket that you're
losing the game of the actual pingpong of the abyss
I'm with you in Rockland
where you bang on the catatonic piano the soul
is innocent and immortal it should never die
ungodly in an armed madhouse
I'm with you in Rockland
where fifty more shocks will never return your
soul to its body again from its pilgrimage to a
cross in the void
I'm with you in Rockland
where you accuse your doctors of insanity and
plot the Hebrew socialist revolution against the
fascist national Golgotha
I'm with you in Rockland
where you will split the heavens of Long Island
and resurrect your living human Jesus from the
superhuman tomb
I'm with you in Rockland
where there are twenty-five-thousand mad com-
rades all together singing the final stanzas of
the Internationale
I'm with you in Rockland
where we hug and kiss the United States under
our bedsheets the United States that coughs all
night and won't let us sleep
I'm with you in Rockland
where we wake up electrified out of the coma
by our own souls' airplanes roaring over the
roof they've come to drop angelic bombs the
hospital illuminates itself imaginary walls collapse
O skinny legions run outside O starry
spangled shock of mercy the eternal war is
here O victory forget your underwear we're free
I'm with you in Rockland
in my dreams you walk dripping from a sea-
journey on the highway across America in tears
to the door of my cottage in the Western night

When Women And Men Sang The Blues For Keeps-The Hook Is In Play- With John Lee Hooker In Mind

When Women And Men Sang The Blues For Keeps-The Hook Is In Play- With John Lee Hooker In Mind  

By Lance Lawrence

“Hey guys, do you want to go to the PX and have a couple of beers, near beers I guess you would call them but having a few drinks beats sitting here in this dumbass barracks waiting for some trusty corporal to look for volunteers to clean the latrine or make up beds or the ten thousand other stupid things they make you do here in fucking Basic,” chortled Ralph Morris as he asked Billy Raymond from Toledo and Bart Simmons from Scranton that most important question. Ralph from Troy in upstate New York was having a very hard time adjusting to the Army way, the military way the drill sergeants called it, usually called it at about four in the morning when they pulled a sneak inspection or had you carry your footlocker, Christ your footlocker, out into the company formation for no rational reason. Had a hard time adjusting there at Fort Gordon in godforsaken red clay Georgia, that red clay no joke as he had almost eaten some one afternoon when the company was doing bayonet practice drills out in the boonies and Drill Sergeant Mackey suddenly called out for the company to hit the ground and he crashed into the soft mucky soil. So every time the company was through for the day after supper (supper at five o’clock, Jesus, that was almost lunch time back home) he would head, alone or with his new found friends Basic friends this night Billy and Bart who were also having their own adjustment problems, Billy had been threatened with an Article 15 already, to the PX to drink the 3.2 authorized standard Army beer that wouldn’t get anybody’s mother drunk and listen to the jukebox to some tunes to make him forget.

Forget that he had actually joined the Army unlike the hippies and college guys who were burning their draft cards left and right up North. He hadn’t volunteered, signed up, no way, not at first, but when his number was called he went just like his father, grandfather and younger brother, Kenny, who actually had volunteered from the get-go back in 1965 when the whole shooting match in Vietnam was just heating up and was now safely home and trying to adjust as he said to the “real” world. That duty to country when called was the way the Morris family viewed the world, viewed it through patriotic eyes like most of the families in Troy who had sent their sons off to wars, and Vietnam whatever was happening in Harvard Square, New York City, Ann Arbor, New Haven, Old Town in Chicago or out on the whole freaking West Coast was no exception, not even as he thought about heading to the PX in 1969. Then he had made the stupid mistake of listening to Kenny who told him that Vietnam was a very dangerous place for draftees since all a draftee was good for was to be a “grunt,” an 11 Bravo, an infantryman, which is all the Army wanted in late 1968 to fill in the depleted ranks after a hard year of fighting when he was drafted (cannon-fodder Ralph would call it later but that was much later after he had taken the fall) and so he had signed up for a three year commitment, became Regular Army, an RA in front of his numbers and had decided on to sign up for communications school as his job.

But that was before he took the oath, before he was hustled out of the Army Recruiting Station in Albany and sent to Fort Dix first for Basic Training which turned out to be full when he arrived and so he had wound up at Fort Gordon just outside Augusta for Basic and this awful feeling that he had made a terrible mistake, that while he had no serious objection to going to Vietnam this mickey mouse crap was not for him. He had found kindred in Billy and Bart and a couple of other guys from Newton up in Massachusetts who would go to the section of the PX that was closed off from the main body where you bought clothes, smokes, and toiletries and sit at the small tables and drink a few beers, pop quarters in the jukebox and forget about what a hellish day it had been until the place closed at 10 PM. Jesus, 10 PM back home he and his corner boys would just be going out the door going over to Ready Teddy’s Bar to listen to live music, live blues music by Buddy and the Nighthawks who covered Muddy, Howlin’ Wolf, Magic Slim, and even John Lee Hooker on occasion.

That last performer, the Hook, was why Ralph wanted to go to the PX, wanted company too. See Ralph thought the Hook was dead, he had not heard otherwise, had not  heard any recent stuff on The Blues Is The Dues radio show he listened to on WSKI out of Saratoga Springs, out of Skidmore College about twenty-five miles up the road from Troy where they played the Hook and the others. Ralph had gotten all heated up when a week before he heard a group called Canned Heat on the juke playing a song called On The Road Again with a beat that sounded very much like the boom boom boom guitar stuff that the Hook had perfected along with that deep bass voice that would put the fear into anybody who crossed that brother if he had his whiskey and cocaine habits on. So he had made a call home to Ronny Black who would know and sure enough who was doing the boom guitar work on the song but one John Lee Hooker. The Army stuff was still chicken shit, probably always would be but at least for a couple of hours he could cool his fragile head listening to the real deal when they call off the names in the blues pantheon.           

Searching 10,000 Years For A Hopi Warrior Dream-Once Again With The Late Native American Artist And Poet T.C Cannon In Mind

Searching 10,000 Years For A Hopi Warrior Dream-Once Again With The Late Native American Artist And Poet T.C

Cannon In Mind 

 

      

By Ronan Saint John

Gerald Scott was beset by ancient dreams of late, maybe not going back 10,000 warrior years like he liked to pretend, but maybe twenty years back (still you will know that he had ancient dreams, 10,000 year dreams when you bring a word like beset, his word, into the equation this early on). For back then, back in his youth he had dreamed the dream of 10,000 year warriors, along with his friends, Jack Lennon and James Lawson (not Jim or Jimmy not since childhood and mother’s call) when he first went west, went via some covered wagon dream as he and they, along with Sarah Mays (now Sarah Scott although she will when mad at Gerald revert to Mays but that is another story which she can tell at her leisure) landed in Joshua Tree out in the California high desert. The pack of them had just graduated from their respective colleges and as youth might do back then, now too, they decided to travel before settling down to whatever they would settle down to although college debt-bound these days probably not likely and rather work, work as a damn Starbuck’s barista if necessary to get the damn thing down before Social Security benefits come into play.

I won’t name the colleges, all four, since that too does not matter to our story and they can tell one and all about their four years at their leisure as well except that Gerald had taken a course in Native American history at his school. Had done so to fulfill an elective requirement at first but got so into what the real history of those many tribes were compared to the baloney he had been force-fed when he was a kid in school, on television and in the cinema when those benighted indigenous peoples were called Indians buying into the standard lie that these were the lost tribes of the Northwest Passage and Christopher Columbus’ misdirected signals to lay claim to the Americas (a name also reeking of illegitimacy but I will stop on this road for guys like Seth Garth and Frank Jackman of American Left History blog can run the rack on those injustices far better than I can). And so the trip with a few dollars, a few knapsacks, a few sleeping bags and a beat up but serviceable Toyota Camry purchased on the cheap from Sarah’s brother who was heading into the Army.      

I could probably spend a good portion of what I have to say running circles around how this quartet finally got to the high desert out in Joshua Tree but guys like Jack Kerouac, who influenced my father in his time to head out to California in the 1960s when he was young himself, Benny Gold, Lester Lawrence and a million other literary travelers have beaten the paths out to the west already. Like I say this is about a 10,000 year vision not some ill-begotten travelogue with AAA ratings. I do have to mention the last leg, the last leg before sunny and hot California desert because the route they travelled was through the states that are square, as the writer Thomas Wolfe put when he was noting something very different about the folk out there, the usurpers, those who stand on somebody else’s land and memory. They had done a circuitous route around the four states where Native Americans still had some existence, Utah, New Mexico, Nevada, Arizona. At Gerald’s urging they stopped along the way at every reservation area they came across, especially the Hopi reservation which joins those four states together.

Gerald had told the other three that he had had a strange dream one night when they were outside Grand Island, Nebraska about a dance in which they, the three men, were participating in someplace in the West in some canyon where the night fire was flicking off the canyon walls and that flickering was driving the men to more fervent dancing. Beyond that Gerald did not, could not, find meaning in what that dream portended. Except he thought it had meant something about his growing affinity for those long-lost warrior kings who were crucified by the trail of tears the white man, he and his people, had brought upon some other people’s land. And so the search for what that all meant. Since nobody was in a hurry to get home or get to ocean California which meant at some point turning back East and whatever they were going to do lives, everybody consented to the route.             

That route would indeed portend something because along the way they wound up in Gallup, New Mexico during August and were just in time for the annual Intertribal gatherings at Red River Junction. They camped just outside the state park there on Friday and the next day spend the day learning about Native American tribal lore from the various tribes gathered at the site. One of the things that caught Gerald’s attention, as it did the others including Sarah, was the mesmerizing effect of the tribal dancing. Dancing that when it counted back in the day prepared the warriors to confront whatever enemy of the day was to be fought-other tribes or the encroaching white man with his womenfolk and youngsters. The rhythm, the warrior beat filled their heads, although this was not spoken of until later, until after they reached Joshua Tree, with their own warrior dreams, maybe pipe dreams is a better way to put the situation.      

Back at the campsite that night as the sun was setting and the heat of the dusty day was settling down when they came to their site they, Gerald first from the way I heard the story, noticed a medium-sized camper with many logos, or what looked like logos on it, a fire going and a few what looked like older men sitting around a big drum with sticks playing to a methodical beat and chanting something that he could not understand (and never did, then or later). They decided to get closer which none of the men around the drum objected to. When the men took a break one of the younger men waved the four devotees over and asked how they liked it, asked if they had gone to the Intertribal. Yes, on both counts. He introduced himself as Jack Two Feathers and asked their names, where they were from, and why they were there. Gerald explained the Native American interest part.

Then Jack Two Feathers mentioned that it was the tradition of his tribe, the Hopi, to enhance their drumming, enhance their connection with their ancestors, and, laughingly, just to get high to use peyote buttons. The Hopis had had trouble with the Bureau of Indian Affairs and other law enforcement agencies over the use of the substance which they, the Hopis, claimed was part of their religious experience and thus protected under the white man’s United States Constitution. They would lose that argument in the United States Supreme Court but among the young, and some of the older fearless men they still carried out the peyote tradition.

Jack Two Feathers asked them if they had ever tried peyote and Gerald mentioned that his father had told him that he had as a proper 1960s young hippie type, but he had not. None of the others had either. They all agreed, once Jack Two Feathers calmed them down about the effects of the substance, to try some once he told them that it would increase their spiritual well-being to see what it was all about. Jack Two Feathers passed out some stuff that looked like mushrooms or something and told them to chew the stuff well. After about an hour, and after Jack Two Feathers had rejoined the older men around the drum who were ready to continue their drumming ceremony, the buttons began to kick in.

Nothing particularly dramatic happened that night except they were mesmerized by the beat of the drum, mesmerized by some younger Hopis who started to dance to the beat of the drums and would go into a fever pitch, and they did not come down from their highs to finally go to sleep until almost dawn. Packing up the next afternoon to head toward Joshua Tree via the Arizona desert and the Grand Canyon Jack Two Feathers came by their laden car and passed a small packet of peyote buttons to Gerald saying that maybe some time they too would see the face of sorrow, the faces of warrior-kings who had roamed at will in these their lands before the white man’s greed took it all away and left nothing good behind. Maybe even have a spiritual journey out of the experiences as well.               

Fast forward to Joshua Tree a couple of weeks later and a couple of late night until dawn peyote button rounds flames flickering against the grey, beige, red clay canyon walls, the three men bare-chested while some others met drummed and Gerald and the others finally found out what Jack Two-Feathers meant, felt that 10,000 year ancient warrior dream and would be forever changed by the experience. Gerald laughed as they started heading home about whether he should tell his father what happened. Nah, he would never believe the tale.