Tuesday, December 22, 2020

When Super-Heroes Go Mano a Mano-“Captain America: Civil War” (2016)-A Film Review

When Super-Heroes Go Mano a Mano-“Captain America: Civil War” (2016)-A Film Review




DVD Review

By Phil Larkin

Captain America: Civil War, starring Robert Downey, Jr., Chris Evans, Sebastian Stan, Scarlett Johannsson, 2016

[WTF and anybody who is ready this freaking review will know exactly what I am saying and not worry about the kids, since kids don’t come anywhere near this site because they are way too busy texting each other or doing some unearthly social media vamping. Yes, WTF am I, a guy who has shaded three score and ten doing reviewing a Marvel Comic film production about some silly guy who had been frozen since about 1945 and ever since being defrosted has been running his ass off (remember it is okay-no kids will see this) trying to save every American city that he can from various evil parties, parties from a place which bear a striking affinity to the late USSR, the Soviet Union today’s just plan Russia-and Crimea. And now in a brawl with other super-heroes over turf and policy Yeah, what the hell. 

Here is my take and it burns me up because a film that I should have naturally reviewed, Deadline-USA, a late effort by legendary actor Humphrey Bogart which while not his best or most classic work (Casablanca, To Have And Have Not, The Big Sleep, Key Largo are in my book) should have been mine by right. I, who spent many a Saturday afternoon double film matinee with one stretched out bag of popcorn in the second-run Strand Theater in North Adamsville about forty miles south of Boston watching and many times more than once to get out of the chaotic household I grew in at least am old enough to have seen the films before the dust settle on them. Unlike the kid, the young man, this Jacobs kid, who new site manager Greg Green had assigned to do the review, his first, and who came right out and said that he went to the re-run theaters in Michigan with his parents, his parents for God’s sake, when he was nothing but a kid, Didn’t even understand half of what was going on. 
   
No. This coup has all the earmarks of new site manager Greg Green’s work although I am sure he will deny this simple truth as will this new toady Editorial Board who has bowed to his every wish getting even with me for supporting one hundred per cent, and still supporting, the recently deposed long-time site manager and a childhood friend Allan Jackson. I don’t expect this comment to see the light of day. Probably I will be pieced off with one of those not enough space excuses and told I can have it to introduce my next article when again space limitations will be cited and I will be pieced off until infinity or the end days come around. Bullshit (don’t worry even a stray curious kid has long ago stopped reading this screed as some meanderings of an old three score and ten guy if they know how much that is and that is not a given). But onto the review. Phil Larkin] 

Frank Jackman who writes here now on anything as per the new so-called Editorial Board rule but who used to be the senior political commentator under Jackson and a good one has spent most of the last year proclaiming to everybody who will listen or read that we are in the age of Trump in a cold civil war situation for real. And there is plenty if not definitive proof of that escalating this year rather than as Trump publicity hounds would have it become a dead issue. Compare that real not “fake” storyline with the stuff that this film is throwing your way as Captain America yet again bounces of buildings and people with maybe a scratch or two since they took him out to defrost a few years back comes firing at you (having been in deep freeze since 1945 if you can believe that therefore unlike three score and ten me looking like about twenty-five or whatever graphic the studios are shooting for).   

That said and I hope you can hold your ability to suspend your disbelief long enough for me to give you what my old friend Sam Lowell calls the “skinny” here  (a guy who nevertheless stabbed his old friend Alan in the back by voting with the kids to send him packing).  I will grant no question the super-hero grift is a tough racket. Even with a motley of those with some specialized skills like speed, iron, being good with a bow and arrow, spidery, flame-throwers, robotic, double- flip artists who have the ability to fend off the bad guys they are too few in number to keep the world save from the creeps for long. Moreover for every action they, these so-called avengers, take against the creeps, usually not many at least in the leading cadre  there is “collateral damage” as they say, innocents by the scores, hundred, thousands,  get wasted through no fault of their own.

The question becomes, ever for those running kinds who make up the avenger herd, a moral one. Against cutting off a few bad guys who will just be replaced by another crop how many innocents must die. That is the premise behind the duel to the death here not only against the bad guys but with a falling out among the good guys when push comes to shove between the immoral rogues and the guilty accommodators. And it will be push come to shove when the various super-heroes pick up sides. Those who are willing to come under some international control commission to become essentially a super elite special forces operation working under instructions and those who want to roam free and kill whatever they can and let the devil take the hinter-post.       

Leading the rogue element, the don’t give a fuck about casualties, is this former ninety-eight pound weakling out of an old matchbook Charles Atlas kick sand in your face advertisement who gets boosted up like crazy so he can run, fight and bounce off walls is the aforementioned Captain America played by bean-head Chris Evans. This is the third film in the series so we already know his bio-and his trail of destruction. He can do everything but think beyond the killing fields he has created. Leading the civilized avengers, a brainy guy who can actually think before he acts Stark aka Ironman, played by Robert Downey, Jr. who is, catching on about that collateral damage outweighs whatever bad guys get wasted argument, willing to take himself and some others into that elite unit under international control. That is how the good guys divide up and since they all have checkered pasts the line-up splits down the middle. Of course the joker is the bad guys led by the totally berserk Winter Solider, played by Sebastian Stan, who is really an old buddy of the Captain’s who has been brain-washed by the Russians to do their dirty work. A little Cold War I scenario familiar from Le Carre novels and James Bond films.      


So the so-called tensions between the two factions mount especially when Winter Soldier allegedly blows an international conference building to smithereens with heavy causalitie. Wrong fall guy as it turned out and when he is captured miraculously he goes over the Captain’s side just like the old days once he is out of range of his handlers and their nefarious skills. But there are still those government toady avengers to deal with and so the two sides go mano a mano until, well, until it is discovered that some over-the top nefarious fourth party, a Doctor Zemo has been manipulating the whole controversy for his own sense of revenge. So all the old gang get back together after waylaying each other in such a manner that mere mortals would have gone beyond the pale long ago-or held some serious long-standing grudges. Yeah, now you know why I said WTF. Give me a hard-boiled rough-edged private detective, a salty sea captain ready to do his bit for the cause, ditto a nightclub/cafĂ© owner in the Kasbah, or another private detective who sends a gun-simple femme fatale over for the big step-off Bogie just regular anti-hero any day.        

From The Veterans For Peace- The Twelve Days, Maybe More, Of ......The Struggle Against The Endless American Wars-From Some People Who Know About Endless Wars

From The Veterans For Peace- The Twelve Days, Maybe More, Of  ......The Struggle Against The Endless American Wars-From Some People Who Know About Endless Wars

Keep The Presses Rolling-Humphrey Bogart’s “Deadline-USA” (1952)-A Film Review

Keep The Presses Rolling-Humphrey Bogart’s “Deadline-USA” (1952)-A Film Review   




DVD Review

By Kenny Jacobs

Deadline-USA, starring Humphrey Bogart, Ethel Barrymore, directed by Richard Brooks, 1952 

I am thrilled to be doing my first review, first film review, in this space of a film, Deadline-USA, starring Humphry Bogart an actor whom my parents would forever be quoting lines from one of his films like “Play it again, Sam,” “We will always have Paris” stuff like that since they had “discovered” him at a second-run artsy theater in Ann Arbor, Michigan where they met and went to school back in the 1980s. Of course Bogie (and his sweetie wife Lauren Bacall) was, is a legend, somebody to watch go through his paces whatever your age. Whenever they got nostalgic for their youth my parents would find some re-run retrospective theater and they would take me in tow to see things like The Big Sleep (which would make me hungry later for everything crime detective novelist Raymond Chandler ever wrote), Dark Passage (a film I never understood what with the face change and all in some back alley with a doctor who looked and acted more like a barber), and To Have And Have Not (where he and Bacall steam up the screen with some of the sexiest stuff with clothes on you will ever see but that observation was not made until much later-post puberty later having seen the film a few more times). Although Deadline is nowhere in the same category as the aforementioned films it nevertheless has a plotline about the fate of the modern newspaper business and freedom of the press that interests me.    

Now freedom of the press as my father, Lester, an editor of the famous These Times when he was in college said the best lesson he ever learned about press freedom  was given to him by an old English professor who had been through the red scare of the 1950s (the time frame of this film although none of those press self-censorship and acting on governmental directives issues were addressed by this film), had been something of a radical and had suffered the fate of plenty of people in those day not being able to find work in newspapers. That professor, I forget his name, told my father that freedom of the press was important to those who owned the presses the rest of us want to defend the freedom of expression part wherever we land. For a long time I thought that myself but this film brought out something else that professor had not mentioned and that was the death of the presses was the death of democracy. Although non-linear social and commercial on-line media is now a primary and growing place for people to get their news and that has dramatically portended the ellipse of the hard-copy versions that point is still worth thinking through.          

Some film critic when I was doing background for this piece, Roger Evans from the American Film Gazette I think, has called Deadline the best film about the inner workings of the hard copy newsprint industry ever made. Maybe he is right although every filmed newspaper story, and that includes sent-ups of front page sensationalism like The Front Page, serious investigative journalism like the Watergate expose All The President’s Men, and the recent The Post about the fight to publish Daniel Ellsberg’s The Pentagon Papers has extolled the notion of the big story which motivates the newsrooms and makes careers driving the plotline to culmination. Deadline is no different in that regard and so maybe that critical remark should be the beginning of further research rather than the last word on this film.

Greg Green, the site manager here, knowing this is my maiden effort has asked me especially when reviewing older films, in this case a film when I wasn’t even born and my parents weren’t  either to give a few details about the film. This is truer still of Deadline which in the great Bogie list of film credits had almost disappeared from sight until last year when it was released on Blu-Ray. A little against type considering such roles as the hard-boiled private detective Phillip Marlowe, the old salt Captain Harry Morgan and the framed-up escaped con Victor Parry Bogie plays the idealistic, if heavy-handed, crusading editor, Hutchison, of a major daily newspaper in what is New York City in the days when there were many newspaper for every taste and readership competing dog eat dog for the public’s acceptance. As stated in one of the dialogues between Hutchison and the hard-pressed owner, played by Ethel Barrymore, he was all newspaperman and would have as she said “married the paper if it had legs” (which is true since he was estranged from his actual wife until late in the film).    
      



That hard-pressed publisher had trouble keeping up with what was needed and so a lot of the story revolves around that aspect of the business and her decision to sell the paper which would be sold to parties who would close it down tight. The other big part, the part that sells newspapers by drawing the public to the headlines created is “the big story.” Here the big story is not the red scare effects like I mentioned above or the world going to hell in a hand-basket but your “bread and butter” crime and corruption story. The crime. A young woman who turns out to be connected to a known mobster, a bad guy to mess with, is found murdered after she would not reveal where the money he had given her to hold to pay off some crooked politicians in her apartment. Hutchison sends out his investigative reporters to sniff around. They make the connections, dot the i’s and cross the t’s and come up with a big story connecting that mobster to the murder and the corruption. That despite all kinds of threats against hard guy Hutchison by him who keeps spouting Fourth of July picnic oratory about the beauties and hard-fought struggles to keep that free press intact against all the pressures to fold up shop and run. A story that seemed very appropriate today what with all the talk about the press being “fake news” and the “enemy of the people.” Yeah, very much a film for these times.            

Keep The Presses Rolling-Humphrey Bogart’s “Deadline-USA” (1952)-A Film Review

Keep The Presses Rolling-Humphrey Bogart’s “Deadline-USA” (1952)-A Film Review   




DVD Review

By Kenny Jacobs

Deadline-USA, starring Humphrey Bogart, Ethel Barrymore, directed by Richard Brooks, 1952 

I am thrilled to be doing my first review, first film review, in this space of a film, Deadline-USA, starring Humphry Bogart an actor whom my parents would forever be quoting lines from one of his films like “Play it again, Sam,” “We will always have Paris” stuff like that since they had “discovered” him at a second-run artsy theater in Ann Arbor, Michigan where they met and went to school back in the 1980s. Of course Bogie (and his sweetie wife Lauren Bacall) was, is a legend, somebody to watch go through his paces whatever your age. Whenever they got nostalgic for their youth my parents would find some re-run retrospective theater and they would take me in tow to see things like The Big Sleep (which would make me hungry later for everything crime detective novelist Raymond Chandler ever wrote), Dark Passage (a film I never understood what with the face change and all in some back alley with a doctor who looked and acted more like a barber), and To Have And Have Not (where he and Bacall steam up the screen with some of the sexiest stuff with clothes on you will ever see but that observation was not made until much later-post puberty later having seen the film a few more times). Although Deadline is nowhere in the same category as the aforementioned films it nevertheless has a plotline about the fate of the modern newspaper business and freedom of the press that interests me.    

Now freedom of the press as my father, Lester, an editor of the famous These Times when he was in college said the best lesson he ever learned about press freedom  was given to him by an old English professor who had been through the red scare of the 1950s (the time frame of this film although none of those press self-censorship and acting on governmental directives issues were addressed by this film), had been something of a radical and had suffered the fate of plenty of people in those day not being able to find work in newspapers. That professor, I forget his name, told my father that freedom of the press was important to those who owned the presses the rest of us want to defend the freedom of expression part wherever we land. For a long time I thought that myself but this film brought out something else that professor had not mentioned and that was the death of the presses was the death of democracy. Although non-linear social and commercial on-line media is now a primary and growing place for people to get their news and that has dramatically portended the ellipse of the hard-copy versions that point is still worth thinking through.          

Some film critic when I was doing background for this piece, Roger Evans from the American Film Gazette I think, has called Deadline the best film about the inner workings of the hard copy newsprint industry ever made. Maybe he is right although every filmed newspaper story, and that includes sent-ups of front page sensationalism like The Front Page, serious investigative journalism like the Watergate expose All The President’s Men, and the recent The Post about the fight to publish Daniel Ellsberg’s The Pentagon Papers has extolled the notion of the big story which motivates the newsrooms and makes careers driving the plotline to culmination. Deadline is no different in that regard and so maybe that critical remark should be the beginning of further research rather than the last word on this film.

Greg Green, the site manager here, knowing this is my maiden effort has asked me especially when reviewing older films, in this case a film when I wasn’t even born and my parents weren’t  either to give a few details about the film. This is truer still of Deadline which in the great Bogie list of film credits had almost disappeared from sight until last year when it was released on Blu-Ray. A little against type considering such roles as the hard-boiled private detective Phillip Marlowe, the old salt Captain Harry Morgan and the framed-up escaped con Victor Parry Bogie plays the idealistic, if heavy-handed, crusading editor, Hutchison, of a major daily newspaper in what is New York City in the days when there were many newspaper for every taste and readership competing dog eat dog for the public’s acceptance. As stated in one of the dialogues between Hutchison and the hard-pressed owner, played by Ethel Barrymore, he was all newspaperman and would have as she said “married the paper if it had legs” (which is true since he was estranged from his actual wife until late in the film).    
      



That hard-pressed publisher had trouble keeping up with what was needed and so a lot of the story revolves around that aspect of the business and her decision to sell the paper which would be sold to parties who would close it down tight. The other big part, the part that sells newspapers by drawing the public to the headlines created is “the big story.” Here the big story is not the red scare effects like I mentioned above or the world going to hell in a hand-basket but your “bread and butter” crime and corruption story. The crime. A young woman who turns out to be connected to a known mobster, a bad guy to mess with, is found murdered after she would not reveal where the money he had given her to hold to pay off some crooked politicians in her apartment. Hutchison sends out his investigative reporters to sniff around. They make the connections, dot the i’s and cross the t’s and come up with a big story connecting that mobster to the murder and the corruption. That despite all kinds of threats against hard guy Hutchison by him who keeps spouting Fourth of July picnic oratory about the beauties and hard-fought struggles to keep that free press intact against all the pressures to fold up shop and run. A story that seemed very appropriate today what with all the talk about the press being “fake news” and the “enemy of the people.” Yeah, very much a film for these times.            

Monday, December 21, 2020

In The Beginning Was The Jug- The Jim Kweskin Jug Band

In The Beginning Was The Jug- The Jim Kweskin Jug Band





As told to Alex Radley


Who knows how it happened maybe somebody in the band looked up some songs in the album archives, or found some gem in some record store, an institution now on the ropes what with Amazon and every other on-line music site to tear into the very marginal profits of record store brick and mortar operations, that sustained many for hours back then in the cusp of the 1960s folk revival when there were record stores on almost every corner in places like Harvard Square and you could find some gems if you searched long enough. That is where Si Lannon found Harry Smith’s Anthology of American Folk Music (although sometimes the search was barren or, maybe worse, something by Miss Patti Page or Tennessee Ernie Ford stared you in the face and you got pissed off that those selections were even in a record store). From there they found, maybe Cannon’s Stompers, the Mississippi Sheiks or the Memphis Jug Band, saw they could prosper going back to those days if they kept the arrangements simple, and that was that.

See, everybody then was looking for roots, American music roots, old country roots, roots of some ancient thoughts of a democratic America before the robber barons and their progeny grabbed everything with every hand. And that search was no accident, at least from the oral history evidence, from Si Lannon in this case, having grown up with rock and roll and restless for something new, found in that minute that genre wanting.  Some went reaching South to the homeland of much roots music and found some grizzled old geezers who had made a small name for themselves in the 1920s when labels like RCA and Paramount went out looking for talent in the hinterlands.


So there was history there, certainly for the individual members of the Jim Kweskin Jug Band, Jim, Geoff Mulduar, Mel Lymon, Maria Muldaur, Fritz Richmond , all well-versed in many aspects of the American Songbook (hell, I would say so, even old tacky Tin Pan Alley Irving Berlin and Cole Porter got a hearing), history there for the taking. All they needed was a jug, a good old boy homemade corn liquor jug giving the best sound and so they were off, off to conquer places like Harvard Square, like the Village, like almost any place in the Bay area. (That Bay Area a few years later a hub for all kinds of rock but also saved space for the Kweskin Band as a number of poster art concerts now considered high art would testify even in that Summer of Love craze, maybe because of it.)  And for a while they did, picking up chimes, kazoos, harmonicas, what the heck, even standard guitars and they made great music, great entertainment music, not heavy with social messages but just evoking those long lost spirits from the 1920s when jug music would sustain a crowd on a Saturday night out in the hinterlands. Yeah, in the beginning was the jug…    

The Christmas Truce by Kathryn Louise Sugg Willard

The Christmas Truce by Kathryn Louise Sugg Willard

But the nature of War is to fight,
And it did not stay far from that night.
The Christmas Truce soon became a memory.

100 years hence, and we all now see
They had something special that we must find
For the world to share with all mankind.

Christmas Truce Poem by VFP Member Gerry Kamke

The Holidays are upon us with consumerism and show,
While old-veterans like me are kind of waiting for snow.
It didn’t snow in Southeast Asia and I didn’t get cold,
A big old snow-storm would have felt as special as gold.
We’re into the 100th year of this truce,
That’s special and I wish it could be wrapped all up in Spruce.
In 1914 British and German soldiers on that special day,
Stopped fighting on the western front - just to pray.
The concept caught-on and I wish it could last,
But today’s wars are continuous and seem never in the past.
I pray the tradition continues all over the world,
And bullets plus bombs are no longer hurled!

In The Time Of The Second Mountain Music Revival- A Songcatcher Classic Song- "Come All Ye Fair And Tender Ladies"-Maybelle Carter-Style

In The Time Of The Second Mountain Music Revival- A Songcatcher Classic Song- "Come All Ye Fair And Tender Ladies"-Maybelle Carter-Style




As told to Si Lannon

A YouTube film clip of a classic Song-Catcher-type song from deep in the mountains, Come All You Fair And Tender Ladies. According to my sources Cecil Sharpe (a British musicologist in the manner of Francis Child with his ballads, Charles Seeger, and the Lomaxes, father and son when they headed south and west to fink the “people’s music”)"discovered" the song in 1916 in Kentucky. Of course my first connection to the song had nothing to do with the mountains, or mountain origins, or so I though at the time but was heard the first time long ago in my ill-spent 1960s youth listening to a late Sunday night folk radio show on WBZ in Boston hosted by Dick Summer (who is featured on the 2012 Tom Rush documentary No Regrets about Tom’s life in the early 1960s Boston folk scene) and hearing the late gravelly-voiced folksinger Dave Van Ronk like some latter-day Jehovah doing his version of the song. I know the next day I rushed over to the now exiled out in Utah somewhere Allan Jackson’s house and asked him if he had heard the song the previous night. He said hell no. This before he became a serious folk aficionado and was still hung up on some lollipop music that all the neighborhood high school girls were going crazy over, a bunch of Bobbies, I forget the last names, and so required some attention if he was to get anywhere with Diana Nelson. 

But that was high school dream stuff so I let it go then. A couple of years later when he was in college at Boston University he took a date to the long gone Club Nana over in Harvard Square to hear Dave Von Ronk play and where he did the song. He called me the next saying that he finally got it. By the way the way that Club Nana date came about was that his date was crazy for Dave Von Ronk. Some things never changed. In all quite a bit different from the Maybelle Carter effort here. I'll say.

[By the way that “or so I thought” about mountain music later turned out to be not quite true. My father from coal country Hazard, Kentucky out by the hills and hollows (I refuse to write “hollas”) and my mother left Boston for a time to go back to his growing up home to see if they could make a go of it there after World War II. They could not but that was a separate story while they were there I was conceived and being carried in my mothers’ womb so it turned out the damn stuff was in my DNA. Go figure, right.]     

COME ALL YE FAIR AND TENDER LADIES
(A.P. Carter)
The Carter Family - 1932
Come all ye fair and tender ladies
Take warning how you court young men
They're like a bright star on a cloudy morning
They will first appear and then they're gone
They'll tell to you some loving story
To make you think that they love you true
Straightway they'll go and court some other
Oh that's the love that they have for you
Do you remember our days of courting
When your head lay upon my breast
You could make me believe with the falling of your arm
That the sun rose in the West
I wish I were some little sparrow
And I had wings and I could fly
I would fly away to my false true lover
And while he'll talk I would sit and cry
But I am not some little sparrow
I have no wings nor can I fly
So I'll sit down here in grief and sorrow
And try to pass my troubles by
I wish I had known before I courted
That love had been so hard to gain
I'd of locked my heart in a box of golden
And fastened it down with a silver chain
Young men never cast your eye on beauty
For beauty is a thing that will decay
For the prettiest flowers that grow in the garden
How soon they'll wither, will wither and fade away
******
ALTERNATE VERSION:
Come all ye fair and tender ladies
Take warning how you court young men
They're like a star on summer morning
They first appear and then they're gone
They'll tell to you some loving story
And make you think they love you so well
Then away they'll go and court some other
And leave you there in grief to dwell
I wish I was on some tall mountain
Where the ivy rocks are black as ink
I'd write a letter to my lost true lover
Whose cheeks are like the morning pink
For love is handsome, love is charming
And love is pretty while it's new
But love grows cold as love grows old
And fades away like the mornin' dew

And fades away like the mornin' dew

Songs To While The Time By- The Roots Is The Toots-Lead Belly's "Bourgeois Blues"-A Song For Our Times-Build The Resistance

Songs To While The Time By- The Roots Is The Toots-Lead Belly's "Bourgeois Blues"-A Song For Our Times-Build The Resistance   






A YouTube clip to give some flavor to this subject from Leadbelly who may have sang the song seventy or eighty years ago but is not that far off now-except now it is more than just black people.


Over the past several years I have been running an occasional series in this space of songs, mainly political protest songs, you know The Internationale, Union Maid, Which Side Are You On, Viva La Quince Brigada, Universal Soldier, and such entitled Songs To While The Class Struggle By. And those songs provide our movement with that combination entertainment/political message that is an art form that we use to draw the interested around us. Even though today those interested may be counted rather than countless and the class struggle to be whiled away is rather one-sidedly going against us at present. The bosses are using every means from firing to targeting union organizing to their paid propagandists complaining that the masses are not happy with having their plight groveled in their faces like they should be while the rich, well, while away in luxury and comfort.  

But not all life is political, or rather not all music lends itself to some kind of explicit political meaning yet speaks to, let’s say, the poor sharecropper at the juke joint on Saturday listening to the country blues, unplugged, kids at the jukebox listening to high be-bop swing, other kids listening, maybe at that same jukebox now worn with play and coins listening to some guys from some Memphis record company rocking and rolling, or adults spending some dough to hear the latest from Tin Pan Alley or the Broadway musical. And so they too while away to the various aspects of the American songbook and that rich tradition is which in honored here.   


This series which could include some protest songs as well is centered on roots music as it has come down the ages and formed the core of the American songbook. You will find the odd, the eccentric, the forebears of later musical trends, and the just plain amusing here. Listen up. 

These  are the lyrics-take the "n" word part as you will but that is what he wrote.


The Bourgeois Blues
Lord, in a bourgeois town
It's a bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Home of the brave, land of the free
I don't wanna be mistreated by no bourgeoisie
Lord, in a bourgeois town
Uhm, the bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Well, me and my wife we were standing upstairs
We heard the white man say "I don't want no niggers up there"
Lord, in a bourgeois town
Uhm, bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Well, them white folks in Washington they know how
To call a colored man a nigger just to see him bow
Lord, it's a bourgeois town
Uhm, the  


From The Veterans For Peace- The Twelve Days, Maybe More, Of ......The Struggle Against The Endless American Wars

From The Veterans For Peace- The Twelve Days, Maybe More, Of  ......The Struggle Against The Endless American Wars


Sunday, December 20, 2020

Communism and Religion (Quote of the Week) Friedrich Engels, in his 1878 book Anti-DĂĽhring, observed that religion serves both as solace for the miseries produced by class society and as an ideology justifying class domination.

Workers Vanguard No. 1146
14 December 2018
TROTSKY
LENIN
Communism and Religion
(Quote of the Week)
Friedrich Engels, in his 1878 book Anti-DĂĽhring, observed that religion serves both as solace for the miseries produced by class society and as an ideology justifying class domination. Marxists counterpose a materialist view of the world to religious obscurantism and other forms of idealism. Against the notion that religious belief could be dispelled simply through rational argumentation, Engels explained that religion will only disappear with the realization of a classless communist society in which scarcity has been eliminated.
All religion, however, is nothing but the fantastic reflection in men’s minds of those external forces which control their daily life, a reflection in which the terrestrial forces assume the form of supernatural forces….
We have seen repeatedly that in existing bourgeois society men are dominated by the economic conditions created by themselves, by the means of production which they themselves have produced, as if by an alien force. The actual basis of the religious reflective activity therefore continues to exist, and with it the religious reflection itself. And although bourgeois political economy has given a certain insight into the causal connection of this alien domination, this makes no essential difference. Bourgeois economics can neither prevent crises in general, nor protect the individual capitalists from losses, bad debts and bankruptcy, nor secure the individual workers against unemployment and destitution. It is still true that man proposes and God (that is, the alien domination of the capitalist mode of production) disposes. Mere knowledge, even if it went much further and deeper than that of bourgeois economic science, is not enough to bring social forces under the domination of society. What is above all necessary for this, is a social act. And when this act has been accomplished, when society, by taking possession of all means of production and using them on a planned basis, has freed itself and all its members from the bondage in which they are now held by these means of production which they themselves have produced but which confront them as an irresistible alien force; when therefore man no longer merely proposes, but also disposes—only then will the last alien force which is still reflected in religion vanish; and with it will also vanish the religious reflection itself, for the simple reason that then there will be nothing left to reflect.
—Friedrich Engels, Anti-DĂĽhring (1878)

Maybe Not Fit For The Primetime Hallmark Channel- Gary Cooper’s “Peter Ibbetson” (1935)-A Short Film Review

Maybe Not Fit For The Primetime Hallmark Channel- Gary Cooper’s “Peter Ibbetson” (1935)-A Short Film Review    




DVD Review

By Sam Lowell

Peter Ibbetson, starring Ann Harding, Gary Cooper, 1935

Hasn’t the Hallmark Channel except this time of year add in some Christmas carols and a few decorated trees, etc. already done the plotline to this film, this 1935 film Peter Ibbetson, starring a mustachioed Gary Cooper in the title role and Ann Harding as his flame Mary. (He last seen in this publication in a review, a debunking expose of the legendary American Old West outlaw Link Jones who must have had a pretty press agent to beat the rap as a bad guy by self-proclaimed legend-slayer young Will Bradley). I know of whence I speak since Laura Perkins, yes, the Laura Perkins who writes here and my long-time companion is “addicted” to this channel’s television products this holiday time of year and some days I heard the plot-line as background when I am working or reading.

Let me outline, with Laura’s key input and approval, the plot and see if except the last almost surreal end minutes this couldn’t have been one of the long line of similar Hallmark presentations and saved the channel some money for screenwriters (although they probably only spent about six dollars on that expense from the dialogue and stories that I have overheard but please don’t tell Laura that). Some young professional woman returns home (for Christmas but any holiday would do) having either dumped or been dumped by some unworthy guy who didn’t see her positive qualities, or he didn’t have any as the case may be. During that home stay, and this is the important connector to the film under review, she runs into, one way or another “the boy next door,” some guy from her youth growing up in splendid small-town America. Either she had a crush on him or him her when they were young and that sets the “drama” for the rest of the production. Until that last clinching kiss after one or the other, or both have tried to avoid destiny call.            

Fast forward, no, fast backward. Peter and Mary are the children of English ex-pats in the 19th century who live in some splendor in Paris-and are next door neighbors. And are fast friends despite their childhood predilections. Young Peter’s mother though dies of what probably was consumption then, tuberculous now and he is shipped back to England with some ne’er-do-well uncle. Before parting they swear undying devotion to each other. (Interestingly we see neither Peter or Mary’s father so maybe that ex-pat business had to do with their mothers as we called it in the old Acre working class section of North Adamsville where I grew up “going to see Aunt Emma,” leaving town or in this case country to have a child out of wedlock, to be pregnant, to bear illegitimate children no big deal now but very big then.)      

That promise to reunite is what drives the second part of the film when Peter as an adult has taken up the profession of architect and Mary has landed on her feet very nicely by marrying an older man, an English Duke of the realm and loaded with dough and love of horses if not of Mary. And she him, the not in love part. The reunion, the dragged out reunion, between the pair gets resolved when up and coming architect Peter is commissioned by the Duke and Duchess to build a new stable for the horses, a job he will supervise for a couple of months without either him or Mary figuring out the basis of the growing attraction between them. Naturally the relationship between the two former neighbors grows putting everything in doubt once the Duke, who may have loved horses and not loved Mary, still was no fool and saw what was going on between them. Saw and had enough jealous rage to plot their murders. Except in the melee the Duke was killed by Peter. No good could come of that.

Frankly, Peter should have gotten himself a better lawyer because what was clearly a case of self-defense got him convicted of a murder rap in very protective of nobility England. Here is where things veer off from a Hallmark script. Essentially Peter and Mary are so much in love that they have a mystical bond between them which lasts for the rest of their lives despite being apart. Peter in some hell-hole Dickens Dartmoor dungeon and her in tortured splendor at her estate (she always seems to land on her feet unlike Peter who takes it on the chin always). I suspected they like Thomas de Quincy and Sam Coleridge were doing some very strong drugs but that is mere speculation. In any case when Mary dies Peter passes away as well although they will be united for eternity wherever they wind up. You know maybe I am wrong, maybe this one has too much drama, too much melodrama to pass muster on the Hallmark Channel. Laura agrees.   
        

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars

Saturday, December 19, 2020

The Christmas Truce of 1914--A Poem by Richard Greve

The Christmas Truce of 1914--A Poem by Richard Greve

It was early in the war and early in their lives,
but they already knew that their oh-so-brave leaders
had sent them to the slaughter, with cheering crowds, no less.
Blind and dumb a continent goes mad with lust-for-war disease.

In the muddy holes they dug,
lice crawling under caps, and coughing from cold,
they stopped the madness for a few days respite,
to celebrate the prince of peace that their royal
leaders gave lipservice to on Sunday morning.
They sang some songs.
drank a soothing drug they shared
to find a little peace.
They played some ball (they were so young)
and went back to muddy holes to sleep
a final silent night.

It could not last,
their leaders, in their cozy beds, would make sure of that.
For four more years the slaughter reigned
and holes were dug in rows for them,
for their eternal sunless beds,
in the lonely fields of France that don't remember
or redeem.


The Shadow Knows, Knows Nada, Nada Nunca, Nada As Legend-Slayer Will Bradley Steps Up His Game-With Alex Baldwin’s “The Shadow” (1994) In Mind-A Film Review, Of Sorts

The Shadow Knows, Knows Nada, Nada Nunca, Nada As Legend-Slayer Will Bradley Steps Up His Game-With Alex Baldwin’s “The Shadow” (1994) In Mind-A Film Review, Of Sorts



By Will Bradley  

The Shadow, starring Penelope Ann Miller, Alex Baldwin, John Lone, 1994

How the mighty have fallen. As the constant reader knows I have been on a tear the past year or so beginning with the expose of the legend around one Sherlock Holmes (where I locked horns with old man Seth Garth in an epic fourteen movie review struggle which between us left nothing much left of that silly so-called private detective and his boyfriend or whatever their relationship), or whatever his name really was since the London police files show Larry Lawrence on its books when he was arrested for transporting stolen goods and about thirty other similar charges and a couple more serious like conspiracy to murder which he and a few others did serious time for in Dartmoor, and his dear friend Doc Watson whose real name was Nigel something but don’t get hung up on names when dealing with legends since their various activities require such or their well-paid and padded press agents decided to spruce up their desperado names to appeal to the public’s fancy.

I won’t bore the reader with the litany of those whose reputations, over-inflated, bloated, undeserved or just plain false, lies so brazen that even a priest would be hard-pressed to give absolution, have been crushed and they are now ready for the trash barrel of history. I have taken my righteous campaign going back as far as Robin Hood and his press agent’s coverup of his nefarious doings when he came into some dough. This Robin Hood, for the record real name Robert Locklear or Lockwood the manse records are messy and show both spellings, for example, who was nothing but a gouging rack-renter once his patron King Richard, aka the Lion-Hearted, gave him plenty of acreage for services rendered and he became as oppressive a landlord in his lofty manor as any country squire. Forgot about those yeomen bandits who helped him with his armed robberies of rich and poor alike, whoever dared show their faces in and around Sherwood Forest up in the north of England. Shamed that Lady Marian, real name Holly, by what today would be called “pimping” her to the various courtesan when he found a younger woman, Ophelia.   

(I have refused thus far to take on the “big boys and girls,” the ancient Greeks and Romans, the cranky and crazed gods and goddesses for the simple reason that tracing the records is a bear of a job but I do have a lightweight line on Andromeda and Perseus which I am following concerning his alleged fight against the sea serpents to free her which looks like it was a put -up job worked out so he could “gain her favors,” ancient talk for hitting the sheets or however they covered themselves in their pursuit of lust, if they did, did cover themselves)

Here is the exciting news though and should help me a lot moving up the food chain in this crazy quilt pattern and cutthroat profession which I am only now beginning to navigate with some confidence. A recent UCal survey, poll, conducted in association with the well-known Harrison Foundation has shown a decrease in the belief in various legendary figures of late. The survey was simplicity itself with a broad cross section of the population represented, rich, poor, various genders, races a good mix from what I have seen so far in the preliminary report,  as the interviewee was asked about his or her belief in some figure, then told to read my or somebody else’s documented research and asked whether they were more likely, less likely or the same to believe in the legend. Almost across the board the ratings for these bums with nothing but high priced press agents and shills touting their deeds went down, especially a guy named Don Juan who legend was made of whole cloth by some pent up in a convent by a rich man’s hormonally-charged daughter and Captain Blood exposed as one of the worse of the worse Middle Passage slave trade transporters (and reportedly the person British painter Turner was thinking of when he painted his masterful “Slave.”) 

Naturally in any human endeavor there are failures, failures when people still believe despite all the evidence to the contrary in the validity of something. That was the case with one Johnny Cielo whose legend has kept me up many a night trying to figure out why with all the documentation that I have amassed his ratings actually “spiked” in this latest polling (I should note maybe reflecting the season that belief in angels has also spiked during this period). Fellow writers had shaken their heads when I started this legend-slaying campaign although once I showed them the poll results they have since backed off since especially among the older writers who were knee-deep in backstabbing me for their own purposes, mainly to not fall down the food chain further in my wake. They still though look at me with funny glances around the water cooler when I bring up my troubles breaking the Cielo legend. My whole idea is to get people to think more reasonably to shed their misconceptions, to shed their alternate facts universe in these troubled times when clear heads and clear thinking are necessary. Hence the heavy push against the fake Cielo legend.

A few Cielo details before I go on to my current task of busting up one Lamont Cranston and his shadow game. The genesis of my knowledge of the Cielo legend came from a fellow journalism graduate student who I knew at NYU and whom I had kept in touch with over the past few years. He had been down in Florida, down in the Keys, on an unrelated story which the parties had backed off on, didn’t show up to expose whenever they had to offer (something about CIA conduits to Cuba if I recall). He was sitting in the old Tanner Tavern trying to drown his sorrows and come up with some kind of story to earn his daily bread. While there an older guy, a drunk from the look of him, Billy something (here I really don’t remember the last name) came up and tried to cadge a drink from him.
My guy reluctantly bought him a whiskey, and a few more as the evening wore on, and as a result that loosened up Billy’s tongue about the old days in Key West. The days when Johnny Cielo roamed the space, roamed the skies by day and drank and whored by night. My guy had never heard of Johnny and so Billy spent the better part of an hour describing this and that about Johnny’s place in the early aviation pantheon which every serious aficionado knows about. (That part, the press agent bullshit part is at least true that the cultists know every detail about Johnny, especially in this part of Florida and the South in general)              

The rest of the story can be told by the researching I did after my fellow reporter told me the story since he knew I was looking for copy on these so-called legendary characters for my burgeoning by-line. The first tip of the Johnny iceberg was the claim that he has been the first guy to take human flight. This would seem to have been the straw that broke the camel back on the legend since I was able to retrieve a copy of his birth certificate from the Elmira clerk’s office showing one John Richard Cielo to have been born in 1910. The Wright boys did their magic at Kitty Hawk in 1903. The other kind of secondary piece of evidence for Johnny’s early days was that he gave Howard Hughes the idea for TWA and would have made millions if he had stayed with Hughes. The real deal Johnny was basically a low-rent flying mail postman who ran many operations to the ground before he had to hightail it out of the country with guys with guns breathing down his neck, and a reward on his head by some Chicago mobster who he tried to shake down.

That leaving the country is really where the Johnny legend is centered, that and his later so-called exploits before he fell into the sea. Yeah, his leaving for Barranca to run a mail operation down there is when all the bullshit got wings. See he was supposed to have talked movie icon drop-dead beautiful Rita Hayworth into leaving with him before she ran off with the Aga Khan after Johnny ran out of dough-and prospects. The reality. He had met a whore working some joy house in Hoboken named Sarah Lind, remember be wary of the truth of names in this stuff who did look like Rita and went with him figuring she was getting off cheap street with this good-looking guy (so-so, okay looks from the photos). A view of her photos taken later when Johnny’s money had run out and she had too from some men’s magazines, “girlie” magazines shows that her legs were nowhere as good as Rita’s and this tramp didn’t have a tenth of Rita’s style on her best days.     

I mentioned that Johnny later, in the late 1950s fell into the ocean, fell into the Gulf of Mexico. That location is important for the last really blasphemous part of the Johnny legend. That he was the guy flying arms and other supplies into Cuba for Fidel, Che and the hermanos and had fallen down into the Caribbean. All the flight manifests from Key West show Johnny flying a Piper Club, Jesus, a freaking tinplate Piper Club, taking well-heeled passengers to Naples down in Florida before he fell into the Gulf. To this day despite every denial by successive Cuban governments and every belief by those who want to see a romantic Amerciano helping the good guys that is the lynchpin of his legacy. That is the basis of the shrine, the heavy money-making shrine in the Keys which Johnny’s estate such as it was established to milk the whole thing for what it was worth. Yes, it will be tough to break that one if all the documentation has provided nothing but a spike in his legend. Damn.

But we must move on to the case of one Lamont Cranston, who claimed until his end at Bellevue where he spent the last twenty years of his life in the indigent ward that he was the so-called Shadow whose task was to rid New York City, also called Gotham, also called Metropolis, of crime and criminals. A one-man wrecking crew, ah, vigilante man. We will crack this one easily although I do feel some trepidation right now thinking that maybe one of the reasons for the durability of the Cielo legend is that he was an American and maybe there is as in a lot of things these days a sense of American exceptionalism, that all the modern recordable American legends have to be true. Baloney. (By the way I should point out that all these one-man or one-woman vigilante operations to rid New York City, Gotham, Metropolis of crime and criminals beyond questioning whatever nefarious motives they have is not borne out by the statistics. Per capita that town’s crime rate was no higher than say Roseville out in Kansas then, maybe now too with the epidemic of opioid addiction flooding the rural parts of the country.)

World War I, Lamont Cranston’s war, I will use that name despite the fact that the only person with that name in the 1920s was on the NYPD police blotter for selling jewelry from a push-cart without a license on 7th Avenue and subsequently for a “bait and switch” con on so-called magic decoder rings, was hard on a whole generation of European and American youth. The effects hit Lamont like a ton of bricks, maybe shell shock is what he had although that diagnosis was in its infant stages back then, made him a Class A junkie before long. But instead of heading to Paris in the 1920s, in the Jazz Age he headed to Tibet and gathered in a serious opium addiction and lustful carryings on with a fistful of concubines-all at one time when he was really high. Then the Lama, Jimmy Lama if I am not mistaken, Lama in any case, took up his case, made him see that he was made for better stuff, made to see the better angel of his nature.

This Lama, no it wasn’t Jimmy but Jerry, yeah, Jerry Lama spent a ton of time giving Lamont the skill set to go back to America, go back to so-called cesspool NYC and clean house, make it livable for average joes to survive. One of the skills he picked up was the ability to transform himself via a joke store nose to look differently when he was doing his whirling dervish Shadow shtick. That and a silly eerie laugh fit in the end more fit for Bellevue than the mean streets of NYC. Yeah, the Shadow knows alright.

I grant that for a while this Cranston caught the public’s imagination although strangely during his escapades the crime rate in Gotham spiked before they put him in a safe place. Mostly I attribute that positive spin to his hiring a press agent, the famous society columnist John Kerr, and his reputation soared for a bit. Then the wheels came off his express. See back in Tibet the word was that Lamont was some progeny of one Genghis Khan, yes that Genghis whose nomadic marauding Mogol hordes at least according to some revisionist historians brought some stability and modernization to Central Asia in his day. DNA testing has proven once Lamont’s body was exhumed at the request of his estate to see the truth of that matter showed he was descended originally in the 14th century from a pig thief in England who was hanged, hanged high in those days when stealing livestock meant something, especially when the stolen object was of royal or noble ownership.

Yeah so Lamont played out the Genghis Khan gag, along with his brother Don, the bad guy in the loop who like his forebear wanted to rule the known world. A known world much larger to conquer these days than the steppes of Central Asia which was child’s play for those lustful Mongol hordes. This Don Khan, this brother, arrived in H.G. Wells time machine fashion via a coffin delivered to the natural history museum in that town. After Don arrived all hell broke loose since all he cared about were two things-world conquest and bringing brother Lamont in on the deal as his hatchet man, as his alter ego maybe since Don too had been trained by Jerry Lama. No wonder this so-called Lamont character wound up in a straight- jacket, maybe they should have used two to be safe.

Of course when you have a guy like John Kerr sprucing up your legend, taking liberties with the truth you have to have some society dame in the mix or these Mayfair swells won’t read the column or buy into the legend. The love affair aspect here is provided by one Lois Lane, no Margo Lane, whose father allegedly was the real father of the atom bomb. More on him in a minute. We know that Lamont had some kinky sex habits when he was high as a kite on cocaine, opium whatever he could find in Xanadu, in the late Kubla Khan’s opulent opium den where Sam Coleridge earlier had picked up his habit by the sunless seas. This so-called society girl, this so-called Margo, was some call girl he picked up in a joy house he frequented on 8th Avenue when he was looking for a “flute player” just because she said she could read Lamont’s mind. Not the hardest task in the world when somebody is looking for a little off-kilter sex.

Here is where things get interesting. The legend anyway. Don, Don Khan in case you forgot his name, that erratic symbiotic brother was interested in this Margo too, and for the same reason in the end but mainly because she had a certain style which could work with the guy who claimed to be the father of the atomic bomb. This bomb is what Don needed to play out his hand. Margo got handed back and forth and in the end she went with Lamont since he was more her speed than the defeated maniac Don. Done in by the NYPD wrapping up his operations off the East River. Well folks that is the legend, the legend the Mayfair swells bought into to keep the “people with the pitchforks” from Riverside Drive and other high number precincts in the 1920s and 1930s. In the end though they trusted their local coppers who at least they could bribe rather than another one of John Kerr’s paste-up jobs. Still legends die hard, especially modern legends which can be traced as I have been doing of late. For now though another bum-of-the-month down.