Tuesday, December 14, 2021

Just Before The Sea Change - With The Dixie Cups Going To The Chapel Of Love In Mind

Just Before The Sea Change - With The Dixie Cups Going To The Chapel Of Love In Mind

By Lance Lawrence  







There were some things about Edward Rowley’s youthful activities that he would rather not forget, things that defined his life, gave him that fifteen minutes of fame, if only to himself and his, that everybody kept talking about that everyone deserved before they departed this life. That is what got him thinking one sunny afternoon in September about five years ago as he waited for the seasons to turn almost before his eyes about the times around 1964, around the time that he graduated from North Adamsville High School, around the time that he realized that the big breeze jail-break that he had kind of been waiting for was about to bust out over the land, over America. It was not like he was some kind of soothsayer, could read tea leaves or tarot cards like some latter day Madame La Rue who actually did read his future once down at the Gloversville Fair, read that he was made for big events anything like that back then. No way although that tarot reading when he was twelve left an impression for a while.

Edward’s take on the musical twists and turns back then is where he had something the kids at North Adamsville High would comment on, would ask him about to see which way the winds were blowing, would put their nickels, dimes and quarters in the jukeboxes to hear. See his senses were very much directed by his tastes in music, by his immersion into all things rock and roll in the early 1960s where he sensed what he called silly “bubble gum” music that had passed for rock (and which the girls liked, or liked the look of the guys singing the tunes) was going to be buried under an avalanche of sounds going back to Elvis and forward to something else, something with more guitars all amped to bring in the new dispensation. More importantly since the issue of jailbreaks and sea changes were in the air he was the very first kid to grasp what would later be called the folk minute of the early 1960s (which when the tunes, not Dylan and Baez at first but guys like the Kingston Trio started playing on the jukebox at Jimmy Jack’s Diner after school some other girls, not the “bubble gum” girls went crazy over). So that musical sense combined with his ever present sense that things could be better in this wicked old world drilled into him by his kindly old grandmother who was an old devotee of the Catholic Worker movement kind of drove his aspirations. But at first it really was the music that had been the cutting edge of what followed later, followed until about 1964 when that new breeze arrived in the land.

That fascination with music had occupied Edward’s mind since he had been about ten and had received a transistor radio for his birthday and out of curiosity decided to turn the dial to AM radio channels other that WJDA which his parents, may they rest in peace, certainly rest in peace from his incessant clamoring for rock and roll records and later folk albums, concert tickets, radio listening time on the big family radio in the living room, had on constantly and which drove him crazy. Drove him crazy because that music, well, frankly that music, the music of the Doris Days, the Peggy Lees, The Rosemary Clooneys, the various corny sister acts like the Andrews Sisters, the Frank Sinatras, the Vaughn Monroes, the Dick Haynes and an endless series of male quartets did not “jump,” gave him no “kicks,’ left him flat. As a compromise, no, in order to end the family civil war, they had purchased a transistor radio at Radio Shack and left him to his own devises.

One night, one late night in 1955, 1956 when Edward was fiddling with the dial he heard this sound out of Cleveland, Ohio, a little fuzzy but audible playing this be-bop sound, not jazz although it had horns, not rhythm and blues although sort of, but a new beat driven by some wild guitar by a guy named Warren Smith who was singing about his Ruby, his Rock ‘n’ Roll Ruby who only was available apparently to dance the night away. And she didn’t seem to care whether she danced by herself on the tabletops or with her guy. Yeah, so if you need a name for what ailed young Edward Rowley, something he could not quite articulate then call her woman, call her Ruby and you will not be far off. And so with that as a pedigree Edward became one of the town’s most knowledgeable devotees of the new sound. Problem was that new sound, as happens frequently in music, got a little stale as time went on, as the original artists who captured his imagination faded from view one way or another and new guys, guys with nice Bobby this and Bobby that names, Patsy this and Brenda that names sang songs under the umbrella name rock and roll that his mother could love. Songs that could have easily fit into that WJDA box that his parents had been stuck in since about World War II.

So Edward was anxious for a new sound to go along with his feeling tired of the same old, same old stuff that had been hanging around in the American night since the damn nuclear hot flashes red scare Cold War started way before he had a clue about what that was all about. It had started with the music and then he got caught later in high school up with a guy in school, Daryl Wallace, a hipster, or that is what he called himself, a guy who liked “kicks” although being in high school in North Adamsville far from New York City, far from San Francisco, damn, far from Boston what those “kicks” were or what he or Eddie would do about getting those “kicks” never was made clear. But they played it out in a hokey way and for a while they were the town, really high school, “beatniks.”  So Eddie had had his short faux “beat” phase complete with flannel shirts, black chino pants, sunglasses, and a black beret (a beret that he kept hidden at home in his bedroom closet once he found out after his parents had seen and heard Jack Kerouac reading from the last page of On The Road on the Steve Allen Show that they severely disapproved on the man, the movement and anything that smacked of the “beat” and a beret always associated with French bohemians and foreignness would have had them seeing “red”). And for a while Daryl and Eddie played that out until Daryl moved away (at least that was the story that went around but there was a persistent rumor for a time that Mr. Wallace had dragooned Daryl into some military school in California in any case that disappearance from the town was the last he ever heard from his “beat” brother). Then came 1964 and  Eddie was fervently waiting for something to happen, for something to come out of the emptiness that he was feeling just as things started moving again with the emergence of the Beatles and the Stones as a harbinger of what was coming. 

That is where Eddie had been psychologically when his mother first began to harass him about his hair. Although the hair thing like the beret was just the symbol of clash that Eddie knew was coming and knew also that now that he was older that he was going to be able to handle differently that when he was a kid.  Here is what one episode of the battle sounded like:                   

“Isn’t that hair of yours a little long Mr. Edward Rowley, Junior,” clucked Mrs. Edward Rowley, Senior, “You had better get it cut before your father gets back from his conference trip, if you know what is good for you.” That mothers’-song was being endlessly repeated in North Adamsville households (and not just those households either but in places like North Adamsville, Hullsville, Shaker Heights, Dearborn, Cambridge any place where guys were waiting for the new dispensation and wearing hair a little longer than boys’ regular was the flash point) ever since the British invasion had brought longer hair into style (and a little less so, beards, that was later when guys got old enough to grow one without looking wispy, had taken a look at what their Victorian great-grandfathers grew and though it was “cool.” Cool along with new mishmash clothing and new age monikers to be called by.).

Of course when one was thinking about the British invasion in the year 1964 one was not thinking about the American Revolution or the War of 1812 but the Beatles. And while their music has taken 1964 teen world by a storm, a welcome storm after the long mainly musical counter-revolution since Elvis, Bo, Jerry Lee and Chuck ruled the rock night and had disappeared without a trace, the 1964 parent world was getting up in arms.
And not just about hair styles either. But about midnight trips on the clanking subway to Harvard Square coffeehouses to hear, to hear if you can believe this, folk music, mountain music, harp music or whatever performed by long-haired (male or female), long-bearded (male), blue jean–wearing (both), sandal-wearing (both), well, for lack of a better name “beatniks” (parents, as usual, being well behind the curve on teen cultural movements since by 1964 “beat”  except on silly television shows and “wise” social commentary who could have been “Ike” brothers and sisters, was yesterday’s news).

Mrs. Rowley would constantly harp about “why couldn’t Eddie be like he was when he listened to Bobby Vinton and his Mr. Lonely or that lovely-voiced Roy Orbison and his It’s Over and other nice songs on the local teen radio station, WMEX (he hated that name Eddie by the way, Eddie was also what everybody called his father so you can figure out why he hated the moniker just then). Now it was the Beatles, the Rolling Stones and a cranky-voiced guy named Bob Dylan that has his attention. And that damn Judy Jackson with her short skirt and her, well her… looks” (Mrs. Rowley like every mother in the post-Pill world refusing to use the “s” word, a throw-back to their girlish days when their mothers did not use such a word.)     

Since Mrs. Rowley, Alice to the neighbors, was getting worked up anyway, she let out what was really bothering her about her Eddie’s behavior, "What about all the talk about doing right by the down-trodden Negros down in Alabama and Mississippi. And you and that damn Peter Dawson, who used to be so nice when all you boys hung around together at Jimmy Jacks’ Diner [Edward: corner boys, Ma, that is what we were] and I at least knew you were no causing trouble, talking about organizing a book drive to get books for the little Negro children down there. If your father ever heard that there would be hell to pay, hell to pay and maybe a strap coming out of the closet big as you are. Worst though, worst that worrying about Negros down South is that treasonous talk about leaving this country, leaving North Adamsville, defenseless against the communists with your talk of nuclear disarmament. Why couldn’t you have just left well enough alone and stuck with your idea of forming a band that would play nice songs that make kids feel good like Gale Garnet’s We’ll Sing In The Sunshine or that pretty Negro girl Dionne Warwick and Her Walk On By instead of getting everybody upset."

And since Mrs. Rowley, Alice, to the neighbors had mentioned the name Judy Jackson, Edward’s flame and according to Monday morning before school girls’ “lav” talk, Judy’s talk they had “done the deed” and you can figure out what the deed was let’s hear what was going on in the Jackson household since one of the reasons that Edward was wearing his hair longer was because Judy thought it was “sexy” and so that talk of doing the deed may well have been true if there were any sceptics. Hear this:      

“Young lady, that dress is too short for you to wear in public, take it off, burn it for all I care, and put on another one or you are not going out of this house,” barked Mrs. James Jackson, echoing a sentiment that many worried North Adamsville mothers were feeling (and not just those mothers either but in places like Gloversville, Hullsville, Shaker Heights, Dearborn, Cambridge any place where gals were waiting for the new dispensation and wearing their skirts a little longer than mid-calf was the flash point) about their daughters dressing too provocatively and practically telling the boys, well practically telling them you know what as she suppressed the “s” word that was forming in her head. She too working up a high horse head of steam continued, "And that Eddie [“Edward, Ma,” Judy keep repeating every time Mrs. Jackson, Dorothy to the neighbors, said Eddie], and his new found friends like Peter Dawson taking you to those strange coffeehouses in Harvard Square with all the unwashed, untamed, unemployed “beatniks” instead of the high school dances on Saturday night. And that endless talk about the n-----s down South, about get books for the ignorant to read and other trash talk about how they are equal to us, and your father better not hear you talk like that, not at the dinner table since has to work around them and their smells and ignorance over in that factory in Dorchester.  And don’t start with that Commie trash about peace and getting rid of weapons. They should draft the whole bunch of them and put them over in front of that Berlin Wall. Then they wouldn’t be so negative about America."

Scene: Edward, Judy and Peter Dawson were sitting in the Club Nana in Harvard Square sipping coffee, maybe pecking at the one brownie between, and listening to a local wanna-be folk singing strumming his stuff (who turned out to be none other than Eric Von Schmidt). Beside them cartons of books that they are sorting to be taken along with them when head South this summer after graduation exercises at North Adamsville High School are completed in June. (By the way Peter’s parents were only slightly less irate about their son’s activities and used the word “Negro” when they were referring to black people, black people they wished their son definitely not to get involved with were only slightly less behind the times than Mrs. Rowley and Mrs. Jackson and so requires no separate screed by Mrs. Dawson. See Peter did not mention word one about what he was, or was not, doing and thus spared himself the anguish that Edward and Judy put themselves through trying to “relate” to their parents, their mothers really since fathers were some vague threatened presence in the background in those households.)


They, trying to hold back their excitement have already been to some training sessions at the NAACP office over on Massachusetts Avenue in the Roxbury section of Boston and have purchased their tickets for the Greyhound bus as far as New York’s Port Authority where they will meet others who will be heading south on a chartered bus. But get this Pete turned to Edward and said, “Have you heard that song, Popsicles and Icicles by the Mermaids, it has got great melodic sense.” Yes, we are still just before the sea change after which even Peter will chuckle about “bubble gum” music. Good luck though, young travelers, good luck.

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars


The Christmas Truce by Charlotte Koons

The Christmas Truce by Charlotte Koons


At 18, drafted into the Austrian Army
After having spent time in London
As an apprentice waiter, he
would tell a Christmas story
That I always thought was
just him spinning a charming fairy tale.
Only much later, did I learn
That he was part of that
1914 Christmas Truce
and was telling the truth

One Last Time On The 50th Anniversary Of The Beatle's "Sgt. Pepper" Album (2017)-The Class of 1964-Stones or Beatles?

One Last Time On The 50th Anniversary Of The Beatle's "Sgt. Pepper" Album (2017)-The Class of 1964-Stones or Beatles?       




By Phil Larkin

[As of December 1, 2017 under the new regime of Greg Green, formerly of the on-line American Film Gazette website, brought in to shake things up a bit after a vote of no confidence in the previous site administrator Peter Markin was taken among all the writers at the request of some of the younger writers abetted by one key older writer, Sam Lowell, the habit of assigning writers solely to specific topics like film, books, political commentary, and culture is over. Also over is the designation of writers in this space, young or old, by job title like senior or associate. After a short-lived experiment by Green designating everybody as “writer” seemingly in emulation of the French Revolution’s “citizen” or the Bolshevik Revolution’s “comrade” all posts will be “signed” with given names only. The Editorial Board]
****
Today I choose not to go on and on about the recent internal disputes on this site which has led to the canny and “exile” of the former site administrator, Allan Jackman who used the moniker Peter Paul Markin when posting, etc., because I have bigger fish to fry as they used to say in the old days in my Irish Catholic growing up Acre section of North Adamsville south of Boston. (Allan in a retro piece written well before all the controversies has given his take on this dispute in a posting dated December 15, 2014.) Those “fish” meaning in this 50th anniversary year of the Beatle’s world record bestselling album Sgt. Pepper’s Lonely Hearts Club Band  the world-historic dispute of that Acre growing up time about whether the Beatles or the Stones (Rolling Stones) were the band that fit our moods.  “Spoke” to us although we would have torn each other’s hearts out, or did a huge amount of “fag” baiting (yeah, we were way behind the curve then on sexual identity issues even though one of our hang-around guys, the biggest “fag-baiter” ultimately to our collective shock “came out” a couple of years after the Stonewall Riots of 1969 in New York City and for a while “shunned” him until we wised up a bit mainly through our own chances in politics and ways of looking at the world) if anybody had dared to use such an expression in the year of our Lord 1960 something.      

I have gone round and round on this one and by overwhelming general consensus, excepting our leader Frankie Riley, who tough and smart as he was, couldn’t get us to buy into his view that the “boys for Liverpool,” meaning po’ boy working class guys like us were superior to the Stones. And here is the funny part some fifty plus years later those of us who are still around from that time and still speaking to each other, including that gay brother (a couple of guys are not for very long ago reasons but in the baby-boomer male psyche “forgive and forget” was, is, a tough dollar) having recently gathered together to listen to a ton of Beatles and Stones material still believe that our youthful opinions hold true. That truth despite most of us, having survived the “from hunger” neighborhood, wound up having decent and honorable careers. Even Frankie belatedly to be sure feels that the “angry young men” Stones still represent best our own anger at our situations in a world we did not make than the more wistful Beatles. Personal preferences, time, and whatever youthful angst and alienation obviously mixing up the pot when comparison time comes around but there you have my take on that still simmering controversy.

So the Stones “win” that battle but today I want give a “shout out” especially to those on the Beatles side about a program on NPR’s Terry Gross- hosted Fresh Air. One day she had, in an encore edition originally aired on June 1st, the son of George Martin, the guy who produced Sgt. Pepper who for the 50th anniversary remixed his father’s original album work. For an hour he spoke about many interesting things that occurred during the original production and the things that he had done to give the thing a 50th anniversary retooling.

Here’s the link but listen to Stones stuff before final judgment-okay:   


https://www.npr.org/2017/06/01/531040084/50-years-later-producer-remixes-sgt-pepper-to-bring-it-into-the-modern-world

On The 50th Anniversary Of Beatle's "Sgt Pepper" Album (2017) The Class of 1964-Stones or Beatles?

On The 50th Anniversary Of Beatle's "Sgt Pepper" Album (2017)    The Class of 1964-Stones or Beatles?

Allan Jackson (using the moniker Peter Paul Markin on this site) commentary


Working Class Hero




Street Fighting Man

The following is a response to a canned Q&A section from a committee of my high school Class of 1964 (a few edits here to delete personal information). I share it with the aging lefties and rock and roll aficionados in the audience.

Okay, so Markin has come in from the cold and reunited with the Class of 1964 after over forty years of ignoring that fact. Big deal, right? For those interested in my profile you can read my comments in the My Story section. But today, since I have joined this work and it is my dime, I feel I might as well use it for the purpose that I joined, to network with some of the old crowd.

I propose to use my bulletin board space to pose certain questions to my fellow classmates to which I am interested in getting answers. Thus I will be periodically throwing a question out and would appreciate an answer. No, I do not want to ask personal family questions. After forty years this space is hardly the place to air our dirty little secrets. No, I do not want to talk religion. That is everyone private affair. No, I do not want to talk politics, although those who might remember me know that I am a ‘political junkie’ from way back. In fact I mean to get myself into some 12 step rehab program as soon as this current campaign is over, if ever. What I want to do is ask questions like that posed below. Join me…..

“Manchurian Candidate” McCain vs. The Huckster”? Boring. Ms. Hillary vs. Obama ‘The Charma”? Ho, hum. Three dollar gas at the pump? Oh, well. No, what has my blood boiling is a question that I am, after forty years, desperate to know about my classmates from 1964. In your callow youth, back in the mist of time, did you prefer the Rolling Stones or the Beatles? The question was posed in the canned Q&A section above but I feel the issue warrants a full airing out. I make no bones about my preference for the Rolling Stones and will motivate that below but here let me just set the parameters. I am talking about when we were in high school. I do not mean the later material like the Beatles "Sergeant Pepper" or the Stones' "Gimme Shelter". And no, I do not want to hear about how you really swooned over Bobby Darin or Bobby Dee. Answer the question asked, please.

I am not sure exactly when I first hear a Stones song although it was probably “Satisfaction”. However, what really hooked me on them was when I hear them cover the old Willie Dixon blues classic “The Red Rooster”. If you will recall that song was banned, at first, from the radio stations of Boston. Later, I think, and someone can maybe help me out on this, WMEX broke the ban and played it. And no, the song was not about the doings of our barnyard friends. But, beyond that it was the fact that it was banned that made me, and perhaps you, want to hear it at any cost. That says as much about my personality then, and now, as any long-winded statement I could make.

That event began my long love affair with the blues. And that is probably why, although American blues also influenced the Beatles, it is the Stones that I favor. Their cover still holds up, by the way. Not as good, as I found out later, as the legendary Howlin' Wolf’s version but good. I have also thought about The Stones influence recently as I have thought about the long ago past of my youth. Compare some works like John Lennon’s “Working Class Hero” and The Stones’ “Street Fighting Man” (yes, I know these are later works) and I believe that you will find that something in the way The Stones’ presented that angry, defiant sound appealed to my working class alienation. But enough. I will close with this. I have put my money where my mouth is with my preference. When the Stones’ toured Boston at Fenway Park in the summer of 2005 I spend many (too many) dollars to get down near the stage and watch old Mick and friends rock. Beat that.

Monday, December 13, 2021

The Old Days In Gay “Closeted, Hell, Entombed ” Hollywood-With a New Book About AIDS Victim Hollywood 1950s He-Man Icon Rock Hudson-Even His Name Dripped Masculinity In Some Quarters In Mind

The Old Days In Gay “Closeted, Hell, Entombed ” Hollywood-With a New Book About AIDS Victim Hollywood 1950s He-Man Icon Rock Hudson-Even His Name Dripped Masculinity In Some Quarters In Mind 



By Seth Garth

Here is a link to a Terry Gross Fresh Air show on NPR about a book about the life and times of 1950s movie icon Rock Hudson by Mark Griffin All That Heaven Allows which forms the backdrop to this commentary:

https://www.npr.org/programs/fresh-air/2018/12/05/673714293/fresh-air-for-dec-5-2018-rock-hudsons-double-life

I suppose I am the one person of the old-time working poor Acre neighborhood of North Adamsville corner boys who should do this commentary on 1950s and before “gay” Hollywood through a book reviewed on NPR about the life and times of masculine icon Rock Hudson who dramatic announcement in the 1980s that he had AIDS brought new light (and more research money) on the disease because of his standing in the Hollywood firmament. I don’t usually put much stock in coincidences although they certainly exist so but I find it ironic that at nearly the same time I was listening to this Fresh Air  with Terry Gross interview that Allan Jackson was maybe three doors away from me writing his defense of himself against all kind of false accusations after he had been purged from his site manager’s job at this publication, including that he was the M.C. of a drag queen club out in San Francisco.      

As Allan subsequently detailed that false accusation, that slander and libel whether it was actionable in a court of law by some of the ”victors” in his ouster was purposefully put on as fact, really alternate fact, when he had wound up in San Francisco visiting his, our old friend and corner boy from highs school days Timmy Riley, now known far and wide in the world of “drag queens” as Miss Judy Garland and the proprietor of the so-called notorious KitKat Club which has since become a major tourist attraction in that city.  

What has come out only recently (although I and a couple of others who had put some money up knew what the situation was) is that Allan after Timmy had flee North Adamsville when he “came out” to his parents who would subsequently disown him and a few friends, a few corner boys remained in North Adamsville after high school scorned him to go to gay and drag queen friendlier San Francisco in the post-Stonewall period had loaned, had given Timmy the money to buy and refurbish the run-down KitKat Club in North Beach. (Although everybody in Frisco knows him as Miss Judy Garland we all still call him Timmy so let me stick with that name.) So, yes, Alan was staying with his old friend, and mine too, at one of Timmy’s apartments above the club which he also owned trying to jump start his life. So much for unverified “facts.”   

Allan mentioned in his introductory piece to a series on Jack Kerouac the 50th anniversary of whose death will be commemorated in 2019 that when we were corner boys, when we were hanging around Tonio’s Pizza Parlor in the early 1960s we would mercilessly gay-bait anybody who seemed the least bit, well, faggy, light on their feet, homo all the terms of approbation used at the time for gay-bashing. And here is what may startle the unwary reader Timmy Riley, football playing, rugged, pretty handsome and girl attractive was the leader of the pack. Moreover we did not, and I speak of this as both Allan and Timmy have with eternal shame, just talk the talk but would go down to Provincetown in high which we knew was “queer heaven” and not just gay-bash some poor unsuspecting guy but “lead” on to get somebody out in back of some bar and beat the shit out of the guy. And again Timmy would be in the lead. We were shocked, shocked to the core when we heard from Sonny Lewis that Timmy had “come out” had started painting his fingernails, and they had beaten him up one of the main reasons Timmy fled the town.   

What does all of this about an old gay and drag queen (they are not both the same, okay) corner boy from working class North Adamsville have to do with a famous movie star from our times like Rock Hudson. Well everything since, as the book and a documentary point out, Rock and a number of other he-man role male movie stars like Guy Madison, Rory Calhoun, and famously Tab Hunter had to stay deep, deep in the closet to maintain their livelihoods. To keep up the illusion, the movie theater illusion that every female movie-goer (and who knows now when you think about the matter some male movie-goers) that they could grab the guy for a boyfriend. Such was, and is, the Hollywood dream factory. Despite the fact that like the revelations long known in Hollywood about the “casting couch” culture which, male or female, depending on the predilections of the man in power, helped get you up the food chain the “gay community,” who was gay, who was sitting out in Malibu with a bunch of men, good looking athletic men without women.        

I am not sure how much trouble Rock got into, or avoided in having his male companionship and his affairs, before his public announcement of his AIDS condition (in those days a sentence of death) and the how and when he knew that he preferred men to women but we saw Rock, maybe not as the coolest guy around, maybe guys like Steve McQueen and Paul Newman were more our models of manliness, as a serious masculine figure especially when he was not doing that silly romantic comedy stuff that none of us could relate to. What I do know, do know from talking with both Timmy and Allan over the years that Timmy, and I assume Rock, paid a terrible psychic price for having to stay in the closet. Worse having to hide who they were, are against guys like the North Adamsville corner boys who were quick with fists and not understanding. So this does not do justice to the subject but RIP, Rock Hudson, RIP   

The Legend-Slayer Is Back- Legends Of The Old American West-The Saga Of Jake Walz’s Old Hoary Dutchman’s Gold Mine-Ida Lupino And Glenn Ford’s “Lust For Gold” (1949)-A Film Review

The Legend-Slayer Is Back- Legends Of The Old American West-The Saga Of Jake Walz’s Old Hoary Dutchman’s Gold Mine-Ida Lupino And Glenn Ford’s “Lust For Gold” (1949)-A Film Review



By Will Bradley

Lust For Gold, starring Ida Lupino, Glenn Ford, 1949  .  

You know we have today, damn throughout history really, had enough alternate fact distortions of events to fill a library, a major college or big city public library. I have been on a tear in 2017-2018 (and hopefully for the future as well as long I have site manager Greg Green’s confidence) debunking a whole raft of undeserved, overblown or just plain false legends which have been built out of whole cloth and have entered the books with devoted followers and a whole lot of people not devoted who believe based on nothing more than somebody’s conjecture, opinion. This is my answer to the increasing number of fellow staff members, including writers who have not been able to get their heads around the idea of legend-busting. This so-called ironic indifference in a publication looking for some historical truths and whose unspoken motto is – “speak the truth no matter how bitter.” Which is exactly right, exactly the right note I am trying to achieve. Take a back seat doubters, way back.  

I have elsewhere in a previous trifecta of legend-busting reviews mentioned I have had a descent amount of success, some very positive comments about how my reviews have enlightened some readers to think through their acceptance without thought of legends, of everything from belief in angels to a glowing acceptance of the Hollywood/ television view of the American Old West and the desperadoes, malcontents, drifters, con men and women, and everybody who headed west after busting out in the East. I will not go through the litany here of who I have taken down but I cannot go to busting the so-called Lost Dutchman’s Mine legend around ornery bastard Jake Walz who allegedly found the pot of gold and kept everybody else away-with hot lead- unless I mention my one significant failure, the Johnny Cielo legend. The only reason I am doing that here is that I have new proof, if anybody who is still defiantly attached to the press agent baloney around that hoary legend about one of the key elements to the Cielo legend will listen -Johnny taking 1940s film star and off-handedly beautiful Rita Hayworth to Barranca when he ran rough shot there with his airplane mail service fro big bucks .

Belief in Johnny’s case, in his publicity agent legend, has always primarily depended on the hard fact that for a period, the period Johnny claimed to have Rita sharing his bed down in Central America, she had left Hollywood under mysterious circumstances and had not surfaced for a while. The documents I have, including lustrous photographs with dates of processing the negatives attached on the back as they did in the old days, prove that Rita was secretly playing footsie, house, whatever you want to call the liaison with the Aga Klan before they were married. Was in New York and or Morocco during that crucial time. As I speculated early on in my research Johnny had hook-winked, who knows maybe she was a willing accomplice getting free airfare south and away from whatever troubles she was running away from, some young gal from Hoboken down in the Jerseys, Sarah Miles, or at least that was the name she was using, who looked very much like Rita whom he had met either walking the streets or in some whorehouse in that town. The few photos of her, revealing photos for the 1940s from some men’s magazine show that her legs were not nearly as well-formed as Rita’s and that while you can never tell about a woman’s hair even now if they don’t want you to know she was a brunette. I can hear the aficionado disclaimers now that even if my information is true maybe, maybe an important doubt word trick used forever by con artists and press agents to set up alternate facts that maybe Rita had sent the Aga Khan Sarah in her place to be able to stay with Johnny in humid, sweaty Barranca bungalows. We shall wait for the bogus blowback.

I will admit that I had some early trouble with Zane Grey readers, hell, even Larry McMurtry brethren trying to cut down the legend of Link Jones, the baddest desperado who tried to con the world that he had changed, had become an upright citizen, that he had stopped being a ruthless gunslinger and no holds barred daytime bank robber. No question they should have strung him up, hung him high and this from a guy who doesn’t believe in the damn death penalty. The clincher there was Link’s prison confession to a fellow cellmate where he went out of his way, maybe even embellished his exploits, to make him seem a tough guy to a young kid just starting out on the wrong track. That said this saga of Jake (Jacob but nobody called him that, nobody still standing after saying that) Walz should be a lot easier to dispel since at least Link had been a man of the West. Jake had been an Eastern tin-horn from Europe failure heading west to avoid some German hoodlums who wanted his head.                                
So what is the big deal with Jake, with his longstanding legend that even my grandfather who first told me the story of how Jake had held off all-comers when they tried to “steal” his bags of gold (which he had in turn had gotten by wasting the real owners and his own partner, nice guy right) and had known Jake’s grandson, Brent, who retailed the legend (and who himself had spent a lifetime, or what seemed like a lifetime looking for the rest of what his grandfather had not hidden from plain view.) According to Brent his grandfather after busting out in the East headed West with an old prospector Winer who claimed he knew where a ton of already mined gold was located outside of what is now Phoenix. Other parties including a relative of the guy, the hombre, the Mexican who after all was only going home to what before the Gadsden Purchase had been part of his own country, who sweat mined the stuff were on the trail as well. Brent claimed that his grandfather had to kill that relative, had to kill that partner too or they would have killed him, shot him dead and left him for the buzzards. Sure thing, Brent.

The weird part, the part that has always made me wonder if all these Old West legends were produced solely in New York by lazy writers who couldn’t leave the comforts of their hotels, is what followed. What Jake had to do to keep his kale once he went into Phoenix to cash in with every hungry vulture in town ready to deal him low. The weirdest story was about some dame, some ex-whore, Julia something but don’t get hung up on names since everybody was using aliases then even the respectable citizenry, who was married to some grifter who couldn’t put two quarters together who took dead aim at Jake. Minus the husband part. She had been through from hunger long enough and wanted easy street, wanted to get out of stinking Phoenix, get out of Arizona which wasn’t even a state then and head to Frisco and the gay life of spoiled lady, mistress if that was the way things turned out.

She was going to use hubby as a decoy to keep Jake wondering about her, about whether her love was true. After a minute seeing Julia and hubby in the backstreets laughing together he got the dust out of his eyes and decided he had to kill the pair, or be killed. Legend has it that the bones of Julia and hubby are still guarding the empty plot where Jake’s gold had been. Nice guy right. They say, through Brent again, Jake roamed the hills at night keeping those who still thought there was still gold aplenty from entering. The reality is after the Julia bust-up Jake now John Walsh headed to Frisco and lived a life of splendor and only killing a couple more people who threatened his way of life by exposing him as another two-bit grifter. Another hoary legend down.                             

Of Real Golfers and Fakahs- A Cautionary Tale

Of Real Golfers and Fakahs- A Cautionary Tale




By Si Lannon

[As of December 1, 2017 under the new regime of Greg Green, formerly of the on-line American Film Gazette website, brought in to shake things up a bit after a vote of no confidence in the now deposed and self-exiled previous site administrator Allan Jackson (who used the moniker Peter Paul  Markin on this site) was taken among all the writers at the request of some of the younger writers abetted by one key older writer, Sam Lowell, the habit of assigning writers solely to specific topics like film, books, political commentary, and culture is over. Also over is the designation of writers in this space, young or old, by job title like senior or associate. After a short-lived experiment by Green designating everybody as “writer” seemingly in emulation of the French Revolution’s “citizen” or the Bolshevik Revolution’s “comrade” all posts will be “signed” with given names only. The Editorial Board]

[As the above notice has indicated the former site administrator, Allan Jackson, an old friend of mine from high school days and a man whom I supported during the recent intense bitter internal struggle at this site which centered on future direction and purpose, has been deposed and banished to exile (self-banished according to him but seen differently by the survivors). Because the fight was along generational lines, self-styled “Young Turks” and branded “old-timers” as much as anything else new administrator Greg Green, with the endorsement of the newly-revived Editorial Board, has decided to let each combatant give their take on the issues at dispute, if they so desire. The reasoning as far as a I know is to clear the air and to let the reading public know what goes on behind the scenes of every publishing operation, old-fashioned hard copy and new-fangled social media driven before any material sees the light of day.

I have no serious gripe about Allan’s tenure except that I did notice he got more set in his ways as he got older. Was less inclined to “go off the reservation” with any new idea presented to him to expand the subject matter which forms the living experience of the American scene.  What I am about to speak of though, hopefully without setting off an avalanche of gripes about the old regime, is related to the subject of today’s post, sports, specifically golf, my favorite sport. Sports, including golf, something which Allan was adamantly against posting material on reasoning that there were an infinite number of sports outlets putting an infinite amount of information about every possible sport or game and we did not need to, could not, compete against that reality. Furthermore although this site is about important nodal social, political and cultural happenings in America which includes an overweening love of sport by significant segments of the population he would pass on assigning or accepting any sport-related posting.

As a general proposition for the direction of this site I would, and did, agree with him on that. Except my sports perspective was not the television, radio, on-line professional and top amateur stuff but down in the average American trenches. How an average Joe goes about the business of doing some sport, again specifically golf, which I enjoy and having been a member of a golf club long enough have plenty of “slice of life” material. No go, no go until recently that is which I will mention in a minute.             

What busted me up, almost at one point busted up our friendship which has been pretty solid since high school many, many years ago was that several years ago, Allan was all over the idea of having a significant sports angle posted on this site. And not some “literary” (his term stolen from the real Peter Paul Markin, a big friend in our youth) touch like Ring Lardner did with his baseball series around the title You Know Me, Al  in the early 20th century or Damon Runyon with betting horses (or betting on anything) in a million shrewd short stories centered on old Broadway a little later.

Allan’s idea, reflecting his personal interest in college football, was to write, or have somebody write weekly commentaries during the college football season every fall. And for a couple of years, this before I started writing regularly for this site, I guess he thought he had cornered the wisdom on the “sports” market. Thought that doing so would make American Left History more relevant to some anonymous “average Joe” who would then pick up on the various historical and political points which are the hallmark of the site. The hook? Project the winners of each week’s games. Not just the winner’s but as always in sports, certainly in football, provide a numbered point spread for the readers to use when making their bets elsewhere.

There were two problems with that approach. First Allan, unlike the real Markin always known as Scribe, didn’t know the first thing about football, at least what college teams to focus on for betting purposes. Here is how bad I heard it was (he would never talk about it to me when I came on board or when we went out for a few drinks with the other surviving high school guys). Alan actually would run a line on the Harvard-Yale game like anybody outside those two schools gave a fuck about the point spread. Was clueless about such teams as Miami (which he thought was Miami of Ohio and wondered why nobody wanted to bet when they played Kent State) and had no idea outside a certain devotion to Notre Dame about serious big-time college football (our “subway” fan Irish neighborhood “go to” team from way back even when they sucked during our high school days team). Worse, that second problem, was that readers were complaining about a guy whose percentages against the point spread had been about ten percent even doing such an operation. One reader told him to use a Ouija board, a couple have his wife make the picks and numbers out a grab bag, stuff like that. 

After a pile of those complains Allan suddenly stopped, stopped cold before the bowls season started the second season. Never to let another live sports piece muddy this site. Until recently when after something like a civil war between us he granted me a reprieve. Let me do a “slice of life” piece about an amateur, very amateur, golf tournament that some friends at my golf club were participating in. I didn’t ask but I assume since the war clouds were looming on the internal disputes after one of the younger writers flat-out refused to write a CD review on Bob Dylan’s Bootleg Series Volume l2 declaring it nothing but mishmash and a distraction that he was trying to shore up support from the older writers as the “Young Turks” were throwing down the gauntlet. When I asked Greg Green about doing a short follow up piece after the smoke settled, the one below, he said such, said maybe I should do a whole series of “slice of life” vignettes if I could jumble the thing up with other sports as well as golf.  Si Lannon]           
********

This screed, let’s call it a screed since I am up in arms about what I consider a dastardly deed provoking screed time in me,  is being written on Saturday morning December 9, 2017 from “not the golf course, that expression to be explained posthaste since “weenie,” there is no other way to put it, Frog Pond PGA Golf Professional Robert Kiley  declared yesterday December 8th the end of the golf season as we know it due to what he called, seemingly in panic, a snow emergency demanding all entrances and exits to the property under penalty of death be shuttered for the year since some foul-mouthed weatherman, oops, weatherperson had predicted the first snow of the season. A first snow that however was not projected to start until mid-morning on the 9th.   

Well maybe not under penalty of death on the question of entering the property since we are all paid up members who actually “own” the course through our initiation fees and bond and are entitled to enter all year and play golf weather permitting all year as well using temporary green in the winter, but remember this is a screed. He nevertheless has certainly placed himself as a self-serving “weenie” since when the course “closes” for the year he hightails it down to Naples, Florida and golfs his brains out while we all suffer the “hot stove” winter golf roundtable blues until blissful come hither March. And certainly “panic” is an appropriate expression under the circumstances trusting in some holy goof weatherman, person whatever whose error rate is higher than any golfer’s score. (We by the way for those looking for harsher, rougher words use “weenie” rather than some other derogatory term since golf, unlike rough-hewn sports like bowling and badminton, is a gentlemanly and gentlewomanly pursuit and rather civilized except the vast “open secret” of the not too pleasant fates awaiting the golf balls used to further the sport’s aims.

In any case it is approximately 9:30 AM and I stepped outside for a minute and actually had a flake, one flake, hit my nose. I don’t like to cast aspersions on a man’s manhood especially when he holds the ticket to a person’s season-long entertainment but couldn’t certain rugged individual golfers of my acquaintance, my infamous 6:06 club, named as such for the usual tee time which we start playing at most of the season, that is 6:06 AM by the way so you know these rugged individuals are also old rugged individuals, have faced that one, possibly two snowflakes, and played a robust round at “the Frog” before the heavens erupted.   

Enough of moaning and groaning about short golf seasons though after all in New England unlike Florida or Arizona the serious season has to come to an end at some point. What I am up in arms about is the line in the sand that was drawn yesterday between real golfers and fakahs (what in the rest of the English- speaking world outside of Boston are called fakers). For the uninitiated modern day notice is by ever quick-mail even in ancient golf world and one and all were informed of the closing by e-mail early Friday morning. Certain real golfers, 6:06 Club golfers, knowing the end was near, showed their metal by dropping everything they were doing once the clarion call panicky weenie e-mail came over cyberspace from Golf Central to announce a cease-fire in place. One guy, Sand-bagger Jackson, the moniker tells all, came running from the netherworld of the City of Presidents where he was working diligently on yet another report. Another, Kevin Zonk, moniker also tells a lot, put down pen abruptly and called a halt to yet another so-called earth-shattering conference about some bogus crisis in the health care system to heed the call to arms and yet another, Redoubtable Steve, came speeding from out of nowhere some fifty miles away ready to let the environment in this wicked old world go asunder to get one final fix, to have one final stab at the brass ring. 

On the other side, and by now one and all know what side that is, there are certain guys, okay a certain guy, Kaz, who apparently knows only three letters, who in the interest of making mere filthy lucre debased themselves, no, himself, in order to do mundane things like cover mortgage payments, pay the armed bandits for upcoming educational expenses with daughter college loaming and the like. Now like I said I am not one to cast aspersions on a man’s manhood but what else can one think could be the reason for such an obvious no show. Especially when in the crucial final Frog Pond betting scheme, five dollar a man quota, a certain guy from the City of Presidents found fifteen dollars on the ground, or so it seemed like it.

Later Si Lannon  

    

Sunday, December 12, 2021

One Last Time-At The Ebb Tide Of The 1960s- With Helter-Skelter Charles Manson Who Passed At 83 In Mind

One Last Time-At The Ebb Tide Of The 1960s- With Helter-Skelter Charles Manson Who Passed At 83 In Mind




By Greg Green  

[Recently, shortly after the death of Charles Manson [November, 2017] was announced and then later when I felt under some pressure at the time to write a bit more about the 1960s than I was aware of at the time which had more to do with the beginnings of the internal struggle over the direction this site was taking and going to take, as something an introduction of myself into this space, I wrote two shorter versions of this piece.

I felt those pieces were as much about my understanding of went on, and what went wrong, in that big 1960s “jail-break” that the then administrator of this space Allan Jackson (who used the moniker Peter Paul Markin on this site) now deposed and off in “exile” (his term according to Sam Lowell his close friend who wound up as the lone older writer siding with the “Young Turks” as they styled themselves in the internal struggle) somewhere in Utah looking for a by-line in some Salt Lake newspaper was looking at from me when he was in charge. That was before a sudden vote of no confidence was taken by the whole staff at the urging of the younger writers whom he had brought in over the past several years but who were in their words, under-utilized and narrowly directed to write, as I was asked to do as well, about the turbulent 1960s whether they knew or cared a damn about those times or not. I, who had come over from the American Film Gazette where I had held a similar position, was supposed to take over the day to day management of the site and pass out assignments under Allan’s guidance, found myself asked to run the whole operation without him after the vote (with the assistance of the newly–formed editorial board, an organization which Jackson had virtually ignored during his tenure).

Jackson ran a funny mix, a core group of writers whom he had either known since high school and who had been exposed to the Peter Paul Markin who was the guy who Allan was trying to honor by using his name as his moniker and who was a big influence on that whole group exploring all kinds of situations in the 1960s or had met in hotbed places like San Francisco, LA, the Village, Harvard Square after high school when everything according to the older guys exploded and you had to take sides from drugs to sex to wars. Then several years ago he brought in those young guys (and a few gals but they were mostly stringers, free-lancers) who knew nothing of the 1960s but were force-pressed to write about subjects related to that time which they only vaguely had heard about (or again cared about). His argument to the younger writers something not necessary to throw at the old guard “true-believer” older writers was that this was a watershed period, a period when many were “washed clean” and the period needed to be dealt with accordingly.    

So the gist of my article was as much about Allan and the older writers being “washed clean” by the experience as about what the criminal mind of someone like Charles Manson who while a sensational figure and a prime example of what went wrong with the 1960s when the still thriving cultural counter-revolutionaries took to the offensive and needed an example to feed off of when that moment ebbed. Some of the writers in this space like Sam Lowell, Frank Jackman, Bart Webber, Si Lannon, and Josh Breslin knew the real Markin, known to them as always as “Scribe” either from the North Adamsville neighborhood where they grew up or met him as a result of a very fateful (according to Sam Lowell’s estimate in any case) decision that he made during the turbulent days of the Summer of Love in 1967. That year and that event marked them all once Scribe was able to fire them up to head out west to San Francisco the epicenter of the whole explosion and consummate the jail-break.        

I am, like Zack James, Jack Jamison, Bradley Fox, Jr. and Lance Lawrence at least a decade removed from that 1960s experience and sensibility and that second-hand knowledge was reflected in the original articles. I had no axe to grind with those times. But neither did I bow down to what guys like Frank, Sam, and Josh told me about their experiences. That said, Allan Jackson the then supposedly soon to be retired administrator and something of a guiding light in this space (and the on-line version of The Progressive American) suggested after several talks that I expand my article somewhat to include his and the others reflections of the 1960s in order to give a more rounded approach to those days and events. As I did with that second article I do here as well-Greg Green]      

***********
  
A couple of writers in this space, I think Zack James and Bart Webber, have spent a good amount of cyber-ink this past summer commemorating the fiftieth anniversary of the San Francisco-etched and hued Summer of Love in 1967. The million things that occurred there from free concerts in Golden Gate Park by the likes of Jefferson Airplane, The Doors and the Grateful Dead, names that I recognized although I was not familiar with their music (the free concert concept in line with a lot that went on then under the guise of “music is the revolution” and the recruits would be those who got turned on by the music, straight or doped –up, and lived by it too), to cheap concerts at the Avalon and Fillmore West (the beginning of an alternative way to entertain the young in formerly rundown arenas which would keep ticket costs down and provide indoor night space for those same young patrons against predators and cops), to plenty of drugs from Native American ritual peyote buttons to Owsley’s electric Kool-Aid acid much written about by “square” Tom Wolfe in a book dealing with writer Ken Kesey and his Merry Pranksters (I think that should be capitalized at least I have always seen it that way in books) to high end tea, you know, ganga, grass, marijuana, which you can smell even today at certain concerts in places where the stuff is legal or the young don’t give a fuck who knows they are smoking stuff, communal soup kitchens (to curb those midnight ganga cravings taking a tip from the old hobo, bum, tramp railroad “jungle” camps and just throwing everything in a stew pot and hope for the best), to communal living experiment (say twelve people not related except maybe some shacking up sharing an apartment or old house and dividing up tasks and expenses or in country on an old abandoned farm not very successful although I hear in Oregon and Vermont if you look closely enough will find the “remnant”), communal clothing exchanges (via ironically given the pervasive anti-war sentiments Army-Navy Surplus or Goodwill/Salvation Army grabs)and above all a better attitude toward sexual expression and experience (the “pill” helping ease the way, the drugs too and a fresh look at the Kama Sutra no doubt) reached something like the high tide during that time.

(According to Josh Breslin who at the time was just out of high school and looking for something to do during the summer before his freshman year of college much to the chagrin of his hard-working parents who expected him to work that summer to help pay for tuition it was almost like lemmings to the sea the draw of San Francisco was so strong. For many kids like Josh and others he met out there aside from Scribe and the North Adamsville guys it really was something of a jail-break although I still can’t feel the intensity which drove Josh and the others to forsake, most for just a while, some family, career, settle down path during those admittedly turbulent times. My generation, and I was among the loudest up in Rockland, Maine where I grew up and where a cohort of the hippie-types encamped once the cities became too explosive, kind of laughed off the whole experiment as the hippies liked to say “ a bad trip,”  a waste of time and energy. Although the idea of free or cheap concerts seems like a good idea especially when you see the ticket prices today for acts like Bob Dylan or the Rolling Stones who were ready to perform gratis then, the rampant uncontrolled use of illegal drugs, the idea of communal living outside of say very safe dorm life, wearing raggedy second or third hand clothes which looked like and were out of some Salvation Army grab box or Army-Navy surplus store, the idea of even eating out of some collective stew pot of who knows what composition and unbridled and maybe unprotected sex seemed weird, seemed seedy when I would see these people on the streets in town when they came for provisions or whatever they were looking for that brought them to town.)     

So as even Josh and a couple of others would admit not all of it was good or great even at that high tide which he personally placed at 1967 (others like Sam placed it at the Stones’ Altamont concert in 1969 and Scribe for his own reasons had placed it at May Day, 1971 when the government counter-attacked a demonstration in Washington with a vengeance and they took devastating amounts of arrests, tear gas, and billy-clubs) since casualties, plenty of casualties were taken, from drug overdoses to rip-offs by less enlightened parties to people leeching off the work of others who were doing good works providing energies to go gather that food, work that kitchen, rummage for those clothes, keep the house afloat with the constant turn-over of desperate “seeking” something people. (Allan chided me on this point originally because he did not believe that those he knew, he met were desperate, most had come from comfortable middle class homes and just wanted to shake things up a little before, which many, too many according to him did, going back to that lifestyle without a murmur when the tide ebbed.)  

Not good either which was also noted by Zack James (who got the information from oldest brother Alex another veteran of 1967  who while on a business trip to San Francisco this spring stepped back into that halcyon past at a Summer of Love exhibit at the de Young Art Museum in Golden Gate Park) and which I used as a counter-argument to Allan’s wisp-of-the will attitude about desperate people flocking to the coast a photograph taken at a police station where one whole wall was filled with photographs from desperate parents looking for their runaway children. No so much the runaway part, all of those who flee west that year and the years after to break out of the nine to five, marriage, little white house syndrome were actually doing that, but the need to do so just then against the wishes, in defiance of those same parents who were looking for their Johnny and Janie. Who know what happened to them.

Frank Jackman, another writer in this space, basing himself on his friendship with Josh Breslin and with the latter’s with Scribe spent some time a few years back taking a hint from the gonzo writer Doctor Hunter Thompson trying to figure out when that high tide crested and then ebbed.  The Scribe as far as I know the story himself a classic case of those who started with high ideals and breath of fresh air attitudes who wound up getting killed down in Mexico after a busted cocaine deal in the days after he became a coke head and was dealing and who now sleeps in a potter’s field grave down in Sonora. Years like 1968, 1969, 1971 came up as did events like the Chicago Democratic Convention in the summer of 1968, the disastrous Stones concert at Altamont in 1969, and May Day, 1971 in Washington when they tried to bring down the government if it would not stop the damn Vietnam War and got nothing but massive arrests, tear gas and police batons for their efforts. Those things and the start of a full-bore counter-revolution, mainly political and cultural which Frank has said they have been fighting a rear-guard action against ever since. 

Whatever the year or event, whatever happened to individuals like Scribe and those forlorn kids in that police station photograph, there was an ebb, a time and place when all that promise from the high tide of 1967 to as Scribe would say seek a “newer world,” to “turn the world upside down” as Frank likes to say when recounting his youthful days out west and in New York City when he was starting out as a writer and make it fit for the young to live came crashing down, began to turn on itself. A time when lots of people who maybe started out figuring the new world was a-borning turned in on themselves as well. My very strong feeling after having had a small personal bout with cocaine when that was the drug of choice and you could hardly go anywhere socially without somebody bringing out a mirror, a razor and rolling a dollar and daring you not to snort just to be friendly maybe it was the drugs, too many drugs. Maybe too it was the turnover as those who started the movements headed back home, back to school and back to the old world defeated and left those who had nowhere to go behind (those photographs on that forlorn wall in that anonymous police station a vivid reminded that not everybody was “on the bus” as Allan mentioned was a term used frequently to distinguish the winners from the losers in those days).           


And as if to put paid to that ebb tide there were all the revelations that something had desperately gone wrong when cult figure and madman leader of a forsaken desert tribe of the forgotten and broken Charles Manson who died the other day [November 2017] after spending decades in prison had been exposed for all the horrible crimes he had committed or had had his followers commit. Allan, Frank, Josh, Sam and I am sure Scribe if he were around would write that off as an aberration, a fluke. Still sobering thoughts for those guys like Frank and Josh who are still trying to push that rock up the hill toward that “newer world” that animated their youth.  


Thursday, December 09, 2021

From The 2017 Archives- French Rocker Johnny Halliday Passes At 74-Hail, Hail Rock and Roll-“The Greatest Rocker You Have Never Heard Of”

From The 2017 Archives- French Rocker Johnny Halliday Passes At 74-Hail, Hail Rock and Roll-“The Greatest Rocker You Have Never Heard Of”    






By Josh Breslin

[As of December 1, 2017 under the new regime of Greg Green, formerly of the on-line American Film Gazette website, brought in to shake things up a bit after a vote of no confidence in the previous site administrator Peter Markin was taken among all the writers at the request of some of the younger writers abetted by one key older writer, Sam Lowell, the habit of assigning writers to specific topics like film, books, political commentary, and culture is over. Also over is the designation of writers in this space, young or old, by job title like senior or associate. After a short-lived experiment designating everybody as “writer” seemingly in emulation of the French Revolution’s “citizen” or the Bolshevik Revolution’s “comrade” all posts will be “signed” with given names only. The Editorial Board]

*****

If you have read the above note you know that there has been great internal turmoil on this site of late with the “exile” to as of today an unknown place Allan Jackson (who used the moniker Peter Paul Markin on this site, a man he knew from high school and I knew from meeting out in the Summer of Love, 1967 San Francisco) the former site administrator, really managing editor and publisher combined. A commentary on a passing public figure, in this case legendary rocker, Johnny Halliday, the French “Elvis” of cancer at 74 would not normally be the place to bring up those squabbles however enlightening in other contexts. But as noted in the headline of this piece Johnny was according to more than one source “the greatest rocker that you have never heard of.”  At least in the English-speaking world that he was never able to break into.       

As I write this short tribute/commentary I have just noticed on the news feed that in Paris something like a million people have lined the streets of Paris, including every high-ranking dignitary and political of the past generation, to bid farewell to Johnny as the casket goes by. And every self-respecting French “Motorcycle Bill” as well so you can see that in France he was without any doubt he was beloved. The place where Johnny virtually unknown in America and the recently concluded internal strife at American Left History meet is what I want to mention since it was at least partially Allan’s stubbornness which if you check the archives makes not a single mention of Johnny despite the overwhelming space given to his, our growing up rock and roll music which has been given more than amble space. More than amble space for Anglo-American rock and roll but has given, had consciously given, short shrift to other rock and roll traditions, I guess you would call it “world music” traditions due entirely to the whims of Allan Jackman. (I would note here that I whole-heartedly supported Allan in the struggle against the “Young Turks” but he certainly was, is a man who had his short-comings including a certain narrowing of subject matter vision with age.)

As I have mentioned I have known Allan for a long time and up until a few years ago he acted much as he had when I first met him out in San Francisco those many years ago when we were all trying to turn the world upside down but then something changed, maybe like Zack James, one of the “Young Turks” noted, he just grew old (he is over seventy)-and cranky. He just wanted to withdraw back to that 1960s personal experience stuff and the hell with the rest of it. Part of the problem I think is that Allan finally realized that he would not outshine the long gone and still lamented despite his tragic and unnecessary fate Scribe’s star (the “real” Markin moniker). Even back in the day he was always in the shadow of Scribe, always a bit off-putting when around him. That is why the direct causes of his downfall, the eternal Dylan syndrome and the over-the-top stuff around the Summer of Love, loomed so large since he had somehow staked his whole reputation to finally best Scribe on those twice pillars. Twin pillars of sand.

Lest you think that I am getting off point here, not doing real justice to the late Johnny Halliday far from it. This fatal flaw stubbornness, obtuseness in Allan was always somewhere in the background. Where it came up in relationship to Johnny (and the whole emergence of “world music” in Johnny’s wake, or a strand of it anyway) was that narrow definition in his mind of rock and roll being in a time warp from about 1955 to 1965 and anything after or different did not exist. And in America with a slight tolerance for England. It might have been worse since he hated the Beatles (as in truth we all did mocking them as a modern day vaudeville act, what they call in England a music hall act except when they covered American rock and roll songs from the 1950s from guys like Chuck Berry) but loved the Stones to perdition since they cherished the blues root of rock as much as he did (under Scribe’s guidance I might add). Beyond that if you asked him to assign you say African drum music, or Latin America rhumbas, he would frown that imperial frown that said no dice, forget it, get out of town.       


But you see I, maybe alone in America, in critic circles anyway, knew Johnny Halliday as part of my growing up rock and roll immersion back in the 1960s during my high school days (Class of 1967). I grew up in Olde Saco in Maine, in French-Canadian come down form the farms in Quebec to the Maine and New Hampshire mill towns to find that pot of American streets gold through my mother (nee LeBlanc) so I spoke the patois growing up as much as English. Knew from cousins in Quebec this big Johnny Elvis-like sound coming from France-rock and roll in French forget the Maurice Chevalier chanson noise my mother loved. Belt out rock for bikers, babes and be-boppers to go crazy over. I tried more than a few times to get Allan interested in my doing stuff on Johnny over the years so that he could get a hearing in the English-speaking world. A little beachhead as Elvis, as the Stones found out would go a long way. So this site, Allan, must take their small part as millions of French people bid their Johnny adieu is why he is the greatest rocker you have never heard of. Meanwhile, RIP, Johnny, RIP.    

The Founding Myths From Mother Africa And The African-American Diaspora-Professor Henry Louis Gates And Maria Tatar Hold Forth-“The Annotated African-American Folktales”

The Founding Myths From Mother Africa And The African-American Diaspora-Professor Henry Louis Gates And Maria Tatar  Hold Forth-“The Annotated African-American Folktales”    


By Jeffery Jones

[As of December 1, 2017 under the new regime of Greg Green, formerly of the on-line American Film Gazette website, brought in to shake things up a bit after a vote of no confidence in the previous site administrator Peter Markin was taken among all the writers at the request of some of the younger writers abetted by one key older writer, Sam Lowell, the habit of assigning writers to specific topics like film, books, political commentary, and culture is over. Also over is the designation of writers in this space, young or old, by job title like senior or associate. After a short-lived experiment designating everybody as “writer” seemingly in emulation of the French Revolution’s “citizen” or the Bolshevik Revolution’s “comrade” all posts will be “signed” with given names only. The Editorial Board]

[I am fairly new to working on this site although I got the full treatment concerning the internal dispute alluded to above about the short-comings which led to the demise of Allan Jackson (aka Peter Paul Markin) long time administrator. I will after some further reflection put my “two cents” worth in but for now the only comment I have is about the dearth of black writers here and subject matter except the heroic civil rights struggles from the 1960s. Strange, or maybe not so strange since Jackson (and the real Markin) had cut their eyeteeth supporting those struggles in the 1960s both in Boston and by heading down south. Jeff Jones]     


I think it was Joseph Campbell a man who spent something like a lifetime studying world-wide foundation myths, and if not him then somebody like him doing the same kind of research, who noted that all societies across all the civilizations since humankind started wondering, wondering about this place they found themselves and why have created foundation myths to keep them going in good times and bad. Added to that though were later myths, first passed down orally in cultures which did not have written languages or as the case here when African slaves were denied under penalty of death reading and writing skills, created to explain why things turned out as they did. How to survive in the dreaded diaspora when stolen away from Mother Africa where strangely, and to some incomprehensible if not downright scary, all subsequent civilizations emerged.  

All of this to point to a recent gigantic anthology of African-American both in Africa where a lot of the material originated and then got transmuted by the slavery experience mainly in the American south edited by Professor Henry Louis Gates out of Harvard University and folklorist Maria Tatar where they go root and branch to the cross-transmission from the old countries via the horrible Middle Passage to the plantation death knell. Along the way they have done a great service to line up, and not shabbily either, these myth-drawn folktales right alongside more universal myth tales from Christianity, from Greek days, and from ancient India and China times. Sustaining people hungry for some hope of salvation if not in this life then as Gates mentioned “fly away time.”          

To get a full hearing, an earful of not just what Professor Gates and Ms. Tatar have to say but how listeners responded to those foundational tales in their own lives when prompted by the show’s ideas I have linked up the NPR On Point  show where the pair held forth:

http://www.wbur.org/onpoint/2017/12/04/henry-louis-gates-folk-tales