Tuesday, December 21, 2021

In The Time Of The Second Mountain Music Revival- A Songcatcher Classic Song- "Come All Ye Fair And Tender Ladies"-Maybelle Carter-Style

In The Time Of The Second Mountain Music Revival- A Songcatcher Classic Song- "Come All Ye Fair And Tender Ladies"-Maybelle Carter-Style




As told to Si Lannon

A YouTube film clip of a classic Song-Catcher-type song from deep in the mountains, Come All You Fair And Tender Ladies. According to my sources Cecil Sharpe (a British musicologist in the manner of Francis Child with his ballads, Charles Seeger, and the Lomaxes, father and son when they headed south and west to fink the “people’s music”)"discovered" the song in 1916 in Kentucky. Of course my first connection to the song had nothing to do with the mountains, or mountain origins, or so I though at the time but was heard the first time long ago in my ill-spent 1960s youth listening to a late Sunday night folk radio show on WBZ in Boston hosted by Dick Summer (who is featured on the 2012 Tom Rush documentary No Regrets about Tom’s life in the early 1960s Boston folk scene) and hearing the late gravelly-voiced folksinger Dave Van Ronk like some latter-day Jehovah doing his version of the song. I know the next day I rushed over to the now exiled out in Utah somewhere Allan Jackson’s house and asked him if he had heard the song the previous night. He said hell no. This before he became a serious folk aficionado and was still hung up on some lollipop music that all the neighborhood high school girls were going crazy over, a bunch of Bobbies, I forget the last names, and so required some attention if he was to get anywhere with Diana Nelson. 

But that was high school dream stuff so I let it go then. A couple of years later when he was in college at Boston University he took a date to the long gone Club Nana over in Harvard Square to hear Dave Von Ronk play and where he did the song. He called me the next saying that he finally got it. By the way the way that Club Nana date came about was that his date was crazy for Dave Von Ronk. Some things never changed. In all quite a bit different from the Maybelle Carter effort here. I'll say.

[By the way that “or so I thought” about mountain music later turned out to be not quite true. My father from coal country Hazard, Kentucky out by the hills and hollows (I refuse to write “hollas”) and my mother left Boston for a time to go back to his growing up home to see if they could make a go of it there after World War II. They could not but that was a separate story while they were there I was conceived and being carried in my mothers’ womb so it turned out the damn stuff was in my DNA. Go figure, right.]     

COME ALL YE FAIR AND TENDER LADIES
(A.P. Carter)
The Carter Family - 1932
Come all ye fair and tender ladies
Take warning how you court young men
They're like a bright star on a cloudy morning
They will first appear and then they're gone
They'll tell to you some loving story
To make you think that they love you true
Straightway they'll go and court some other
Oh that's the love that they have for you
Do you remember our days of courting
When your head lay upon my breast
You could make me believe with the falling of your arm
That the sun rose in the West
I wish I were some little sparrow
And I had wings and I could fly
I would fly away to my false true lover
And while he'll talk I would sit and cry
But I am not some little sparrow
I have no wings nor can I fly
So I'll sit down here in grief and sorrow
And try to pass my troubles by
I wish I had known before I courted
That love had been so hard to gain
I'd of locked my heart in a box of golden
And fastened it down with a silver chain
Young men never cast your eye on beauty
For beauty is a thing that will decay
For the prettiest flowers that grow in the garden
How soon they'll wither, will wither and fade away
******
ALTERNATE VERSION:
Come all ye fair and tender ladies
Take warning how you court young men
They're like a star on summer morning
They first appear and then they're gone
They'll tell to you some loving story
And make you think they love you so well
Then away they'll go and court some other
And leave you there in grief to dwell
I wish I was on some tall mountain
Where the ivy rocks are black as ink
I'd write a letter to my lost true lover
Whose cheeks are like the morning pink
For love is handsome, love is charming
And love is pretty while it's new
But love grows cold as love grows old
And fades away like the mornin' dew

And fades away like the mornin' dew

Songs To While The Time By- The Roots Is The Toots-Lead Belly's "Bourgeois Blues"-A Song For Our Times-Build The Resistance

Songs To While The Time By- The Roots Is The Toots-Lead Belly's "Bourgeois Blues"-A Song For Our Times-Build The Resistance   






A YouTube clip to give some flavor to this subject from Leadbelly who may have sang the song seventy or eighty years ago but is not that far off now-except now it is more than just black people.


Over the past several years I have been running an occasional series in this space of songs, mainly political protest songs, you know The Internationale, Union Maid, Which Side Are You On, Viva La Quince Brigada, Universal Soldier, and such entitled Songs To While The Class Struggle By. And those songs provide our movement with that combination entertainment/political message that is an art form that we use to draw the interested around us. Even though today those interested may be counted rather than countless and the class struggle to be whiled away is rather one-sidedly going against us at present. The bosses are using every means from firing to targeting union organizing to their paid propagandists complaining that the masses are not happy with having their plight groveled in their faces like they should be while the rich, well, while away in luxury and comfort.  

But not all life is political, or rather not all music lends itself to some kind of explicit political meaning yet speaks to, let’s say, the poor sharecropper at the juke joint on Saturday listening to the country blues, unplugged, kids at the jukebox listening to high be-bop swing, other kids listening, maybe at that same jukebox now worn with play and coins listening to some guys from some Memphis record company rocking and rolling, or adults spending some dough to hear the latest from Tin Pan Alley or the Broadway musical. And so they too while away to the various aspects of the American songbook and that rich tradition is which in honored here.   


This series which could include some protest songs as well is centered on roots music as it has come down the ages and formed the core of the American songbook. You will find the odd, the eccentric, the forebears of later musical trends, and the just plain amusing here. Listen up. 

These  are the lyrics-take the "n" word part as you will but that is what he wrote.


The Bourgeois Blues
Lord, in a bourgeois town
It's a bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Home of the brave, land of the free
I don't wanna be mistreated by no bourgeoisie
Lord, in a bourgeois town
Uhm, the bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Well, me and my wife we were standing upstairs
We heard the white man say "I don't want no niggers up there"
Lord, in a bourgeois town
Uhm, bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Well, them white folks in Washington they know how
To call a colored man a nigger just to see him bow
Lord, it's a bourgeois town
Uhm, the  


From The Veterans For Peace- The Twelve Days, Maybe More, Of ......The Struggle Against The Endless American Wars

From The Veterans For Peace- The Twelve Days, Maybe More, Of  ......The Struggle Against The Endless American Wars


Legend-Slayer Will Bradley Rides Yet Again-Don’t Believe All That Alexandre Dumas Nonsense About “One For All, All For One”- Leonardo DeCaprio, Jeremy Iron, Gerard Depardieu and Gabriel Byrne’s “The Man In The Iron Mask” (1998)- A Film Review, Of Sorts

Legend-Slayer Will Bradley Rides Yet Again-Don’t Believe All That Alexandre Dumas Nonsense About “One For All, All For One”- Leonardo DeCaprio, Jeremy Iron, Gerard Depardieu and Gabriel Byrne’s “The Man In The Iron Mask” (1998)- A Film Review, Of Sorts





By Will Bradley

Recently I started back on my now seemingly etched in stone niche of slaying undeserved, false or overblown legends like Robin Hood, Don Juan, early aviator Johnny Cielo and what I consider my greatest achievement, taking down the stinking rank Old West’s desperado bank robber and stone-cold killer Link Jones,  although it still remains to be seen if I can break the spell that the Old West has on the American imagination. I have admitted that I while I have made significant inroads into breaking my following, breaking the general public a little too from the responses our site manager has received, from most of these fakes I have been stalled, have been bush-whacked to use a term I used in the Link Jones piece in the case of Johnny Cielo, the so-called early aviation innovator and test pilot, whose spell still lingers.

The Cielo legend still lingers over the crowd that believe that Johnny hustled guns and supplies to Fidel and his band of hermanos in the hills of Cuba when it counted in the late 1950s and refuse to believe that he was nothing but a two-bit bush pilot and tourist guide. Maybe it is because the demographic of this publication, the now hallowed (and fading) generation of ’68 as Sam Lowell calls his brethren cut its teeth on Johnny’s legend linked together with their starry-eyed admiration for Fidel and Che in the old days watching according to that same ancient Sam Lowell on black and white television those guys riding into Havana on New Year’s Day, 1959. I am far too young to have even heard of Johnny Cielo until a free-lance reporter friend of mine who having been stood up by some people on another story found some guy who knew Johnny in Key West and bought his bull hook, line and sinker. Took the Johnny exploits whole based on some rummy’s DTs story that had so many holes in it that I almost didn’t have to do research on it. For example, I was able to grab the still extant copy of Johnny’s manifest on his last flight which showed him attempting to fly well-heeled passengers from Key West to Naples in Florida before the plane, a Piper Club, fell down in the Gulf of Mexico). Case closed if not the legend.

Now I have I found addition information that part of my problem for not making any inroads in the Cielo legend is that the rummy, Billy Bradley, had been interviewed by Mike Thomas, yes, that Mike Thomas who has interviewed everybody who is anybody somehow read either my reporter friend’s fluff piece on Johnny or my slash and burn on the Cielo legend and decided to investigate (or really have his people do the legwork as far I know he hasn’t done any such work for years since his ratings went from zero to a million when he exposed the famous actor Lenny Grove as a two-bit ex-convict who hustled his ass on the street to make his coffee and cakes before he hit Hollywood ). The problem for me is that letting that rummy spout his bull on the Mike Thomas Show put things up in the air, put “may or maybe not” in play rather than what really happened with documentary proof. It would not be the first time such things have obscured the truth.   

I will keep at it although I have been asked by more than one colleague why I am so intent, other than that holding on to that niche which in this cutthroat business of “you are only as good as your last piece” is not unimportant as even they recognize, on breaking myths, legends and alternative facts. Fortunately, I have another assignment today busting up an old legend that also has refused to die, the baloney about the three musketeers and their supposed exploits and their admittedly clever slogan “one for all, all for one.” Their press agent or publicity people hit pay-dirt on that gem making it that much harder to legend-bust.  That “supposed exploits ” though should alert the reader to more revelations about this crowd of fakers although as usual with this business some people will gladly keep to their silly illusions and believe the legends until the bitter end.    
This musketeer stuff is beautiful, is tailor-made to be busted. I don’t know about the reader but in high school we were required to read this Dumas stuff, The Man In The Iron Mask stuff although it had a different name and was not so unbelievable as the actual legend that has grown since that time. All the musketeers, all four, D’ Artangan (not his real name which would have conveyed the idea that he was some kind of noble, of the sword or of blood, but Jean Rous, a farmer's son in Brittany, plus three other drunks and rowdies, Artemis, Arthos, Porthos which were apparently their real names according to the records of what then was the Ministry of Interior, the cops, were sworn to serve the King of France, and not just any king in their time but the well-known autocrat Louis XIV, the so-called Sun King, philander, despot and grinder of the peasantry whose work kept him in over the top lavish luxury.  And for a long time this quaded (sic)brethren feasted off the crumbs from the king’s larder, his wine cellar mainly. This is the king, this is the crowd in a more democratic time we are supposed to root for, supposed to pay homage to their stellar defense of king, country and wine cellar with a few tavern wenches and off-hand ladies-in-waiting thrown in. Give me a break.   

Apparently though the three underling musketeers had a falling out with Lou, had been cut off from access to the wine cellar and milady’s palace bedrooms and so began the long process of staging something like a palace revolt against the monarch under a banner of “free wine, free wenches” although they masked this in some plebeian “give alms to the people and be nice.” Usual plot, and usual trick up to create that legend. That in this case “all for one, one for all,” which became the exclusive copyright of the three underlings when D’Artagnan decided to stick with the king for his own purposes. For as it turned out filial duties but more on that in a moment.

We all know what a bastard Louis XIV was, how his policies and appetites started the long train wreck that would wind up in the glorious French Revolution later in the next century. How could you possibly defend that bum of the month. That is where the iron mask deal comes in. According to legend Louis’ mother had twins one dying in childbirth leaving only bastard, bastard in more ways than one, ugly Lou. What these musketeers, Artois mainly, figured was to get a guy who looked like Lou and do a bait and switch. As it turned out Lou did have a brother Phil who looked enough like him to pass in the dark although they were not twins. Not satisfied that Phil would play along he found a guy from Brittany who was the spitting image of Lou and so after a little off-hand swash-buckling with Lou’s loyal personal guard the switch was made.

The kingdom prospered, or rather the king and his courtesans prospered, although the new Lou was as much a son of a bitch and as nasty as old Lou. The main thing is that the three musketeers took at the credit for the coup, D’Artangan stuck with the king almost to the end then realizing what a bastard Lou was switched sides. Here is the funny part, Lou was his son as it turned out since he has been going under the sheets with the Queen Mother back in the day and took a hard thrust to the heart for his majesty, his new his majesty, Phil, the rest of the guys had full access to the wine and women under the new monster. Yeah, one for all, all for one. Bullshit.      

Monday, December 20, 2021

Communism and Religion (Quote of the Week) Friedrich Engels, in his 1878 book Anti-Dühring, observed that religion serves both as solace for the miseries produced by class society and as an ideology justifying class domination.

Workers Vanguard No. 1146
14 December 2018
TROTSKY
LENIN
Communism and Religion
(Quote of the Week)
Friedrich Engels, in his 1878 book Anti-Dühring, observed that religion serves both as solace for the miseries produced by class society and as an ideology justifying class domination. Marxists counterpose a materialist view of the world to religious obscurantism and other forms of idealism. Against the notion that religious belief could be dispelled simply through rational argumentation, Engels explained that religion will only disappear with the realization of a classless communist society in which scarcity has been eliminated.
All religion, however, is nothing but the fantastic reflection in men’s minds of those external forces which control their daily life, a reflection in which the terrestrial forces assume the form of supernatural forces….
We have seen repeatedly that in existing bourgeois society men are dominated by the economic conditions created by themselves, by the means of production which they themselves have produced, as if by an alien force. The actual basis of the religious reflective activity therefore continues to exist, and with it the religious reflection itself. And although bourgeois political economy has given a certain insight into the causal connection of this alien domination, this makes no essential difference. Bourgeois economics can neither prevent crises in general, nor protect the individual capitalists from losses, bad debts and bankruptcy, nor secure the individual workers against unemployment and destitution. It is still true that man proposes and God (that is, the alien domination of the capitalist mode of production) disposes. Mere knowledge, even if it went much further and deeper than that of bourgeois economic science, is not enough to bring social forces under the domination of society. What is above all necessary for this, is a social act. And when this act has been accomplished, when society, by taking possession of all means of production and using them on a planned basis, has freed itself and all its members from the bondage in which they are now held by these means of production which they themselves have produced but which confront them as an irresistible alien force; when therefore man no longer merely proposes, but also disposes—only then will the last alien force which is still reflected in religion vanish; and with it will also vanish the religious reflection itself, for the simple reason that then there will be nothing left to reflect.
—Friedrich Engels, Anti-Dühring (1878)

Maybe Not Fit For The Primetime Hallmark Channel- Gary Cooper’s “Peter Ibbetson” (1935)-A Short Film Review

Maybe Not Fit For The Primetime Hallmark Channel- Gary Cooper’s “Peter Ibbetson” (1935)-A Short Film Review    




DVD Review

By Sam Lowell

Peter Ibbetson, starring Ann Harding, Gary Cooper, 1935

Hasn’t the Hallmark Channel except this time of year add in some Christmas carols and a few decorated trees, etc. already done the plotline to this film, this 1935 film Peter Ibbetson, starring a mustachioed Gary Cooper in the title role and Ann Harding as his flame Mary. (He last seen in this publication in a review, a debunking expose of the legendary American Old West outlaw Link Jones who must have had a pretty press agent to beat the rap as a bad guy by self-proclaimed legend-slayer young Will Bradley). I know of whence I speak since Laura Perkins, yes, the Laura Perkins who writes here and my long-time companion is “addicted” to this channel’s television products this holiday time of year and some days I heard the plot-line as background when I am working or reading.

Let me outline, with Laura’s key input and approval, the plot and see if except the last almost surreal end minutes this couldn’t have been one of the long line of similar Hallmark presentations and saved the channel some money for screenwriters (although they probably only spent about six dollars on that expense from the dialogue and stories that I have overheard but please don’t tell Laura that). Some young professional woman returns home (for Christmas but any holiday would do) having either dumped or been dumped by some unworthy guy who didn’t see her positive qualities, or he didn’t have any as the case may be. During that home stay, and this is the important connector to the film under review, she runs into, one way or another “the boy next door,” some guy from her youth growing up in splendid small-town America. Either she had a crush on him or him her when they were young and that sets the “drama” for the rest of the production. Until that last clinching kiss after one or the other, or both have tried to avoid destiny call.            

Fast forward, no, fast backward. Peter and Mary are the children of English ex-pats in the 19th century who live in some splendor in Paris-and are next door neighbors. And are fast friends despite their childhood predilections. Young Peter’s mother though dies of what probably was consumption then, tuberculous now and he is shipped back to England with some ne’er-do-well uncle. Before parting they swear undying devotion to each other. (Interestingly we see neither Peter or Mary’s father so maybe that ex-pat business had to do with their mothers as we called it in the old Acre working class section of North Adamsville where I grew up “going to see Aunt Emma,” leaving town or in this case country to have a child out of wedlock, to be pregnant, to bear illegitimate children no big deal now but very big then.)      

That promise to reunite is what drives the second part of the film when Peter as an adult has taken up the profession of architect and Mary has landed on her feet very nicely by marrying an older man, an English Duke of the realm and loaded with dough and love of horses if not of Mary. And she him, the not in love part. The reunion, the dragged out reunion, between the pair gets resolved when up and coming architect Peter is commissioned by the Duke and Duchess to build a new stable for the horses, a job he will supervise for a couple of months without either him or Mary figuring out the basis of the growing attraction between them. Naturally the relationship between the two former neighbors grows putting everything in doubt once the Duke, who may have loved horses and not loved Mary, still was no fool and saw what was going on between them. Saw and had enough jealous rage to plot their murders. Except in the melee the Duke was killed by Peter. No good could come of that.

Frankly, Peter should have gotten himself a better lawyer because what was clearly a case of self-defense got him convicted of a murder rap in very protective of nobility England. Here is where things veer off from a Hallmark script. Essentially Peter and Mary are so much in love that they have a mystical bond between them which lasts for the rest of their lives despite being apart. Peter in some hell-hole Dickens Dartmoor dungeon and her in tortured splendor at her estate (she always seems to land on her feet unlike Peter who takes it on the chin always). I suspected they like Thomas de Quincy and Sam Coleridge were doing some very strong drugs but that is mere speculation. In any case when Mary dies Peter passes away as well although they will be united for eternity wherever they wind up. You know maybe I am wrong, maybe this one has too much drama, too much melodrama to pass muster on the Hallmark Channel. Laura agrees.   
        

The National Review is nervous about Socialist Alternative

The National Review is nervous about Socialist Alternative
Friends,
Did you see? One of the most important mouthpieces of US conservatism attacked Socialist Alternative. After the historic vote for Ginger Jentzen in Minneapolis, the right-wing media is feeling the pressure to push back against the rising popularity of socialist ideas, and Socialist Alternative specifically.
Subscribe to Socialist Alternative today to support independent socialist media?
They posted a hit piece where they claim we’re timid “because they know [socialism] can’t succeed in America,” and that we put “way too much emphasis on cultural issues, which would be irrelevant to a strictly [sic] economic theory.”
Is it timid to fight for rent control? Is it timid to call out the whole system for enabling and hiding sexual predators? We need affordable housing to aid women escaping domestic abuse!
Socialism and Marxism has always asserted that culture, society and the economy are intertwined. The fight for women’s rights, racial justice, and other “cultural issues”, are linked to the fight against capitalism which sustains this inequality.
National Review is clearly nervous about socialism’s rising popularity. “For young liberals disillusioned by capitalism and by both parties’ failure to achieve the political ends they desire, it is all pain and no gain.” And they’re right! A majority of US youth today say they do not support the system of capitalism. Socialist ideas, like Medicare for All, are only becoming more popular.
With a predator and landlord like Donald Trump at the head of US capitalism, can we really be surprised?
Unfortunately, National Review reaches millions of people. With the repeal of net neutrality, and the growing consolidation of corporate media, the crucial role of independent media is becoming more clear than ever.
That’s why we need YOU to support people-powered, anti-corporate and socialist news and media, and subscribe to Socialist Alternative today.

-Your friends in struggle at Socialist Alternative 
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From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars

Sunday, December 19, 2021

The Christmas Truce of 1914--A Poem by Richard Greve

The Christmas Truce of 1914--A Poem by Richard Greve

It was early in the war and early in their lives,
but they already knew that their oh-so-brave leaders
had sent them to the slaughter, with cheering crowds, no less.
Blind and dumb a continent goes mad with lust-for-war disease.

In the muddy holes they dug,
lice crawling under caps, and coughing from cold,
they stopped the madness for a few days respite,
to celebrate the prince of peace that their royal
leaders gave lipservice to on Sunday morning.
They sang some songs.
drank a soothing drug they shared
to find a little peace.
They played some ball (they were so young)
and went back to muddy holes to sleep
a final silent night.

It could not last,
their leaders, in their cozy beds, would make sure of that.
For four more years the slaughter reigned
and holes were dug in rows for them,
for their eternal sunless beds,
in the lonely fields of France that don't remember
or redeem.


The Shadow Knows, Knows Nada, Nada Nunca, Nada As Legend-Slayer Will Bradley Steps Up His Game-With Alex Baldwin’s “The Shadow” (1994) In Mind-A Film Review, Of Sorts

The Shadow Knows, Knows Nada, Nada Nunca, Nada As Legend-Slayer Will Bradley Steps Up His Game-With Alex Baldwin’s “The Shadow” (1994) In Mind-A Film Review, Of Sorts



By Will Bradley  

The Shadow, starring Penelope Ann Miller, Alex Baldwin, John Lone, 1994

How the mighty have fallen. As the constant reader knows I have been on a tear the past year or so beginning with the expose of the legend around one Sherlock Holmes (where I locked horns with old man Seth Garth in an epic fourteen movie review struggle which between us left nothing much left of that silly so-called private detective and his boyfriend or whatever their relationship), or whatever his name really was since the London police files show Larry Lawrence on its books when he was arrested for transporting stolen goods and about thirty other similar charges and a couple more serious like conspiracy to murder which he and a few others did serious time for in Dartmoor, and his dear friend Doc Watson whose real name was Nigel something but don’t get hung up on names when dealing with legends since their various activities require such or their well-paid and padded press agents decided to spruce up their desperado names to appeal to the public’s fancy.

I won’t bore the reader with the litany of those whose reputations, over-inflated, bloated, undeserved or just plain false, lies so brazen that even a priest would be hard-pressed to give absolution, have been crushed and they are now ready for the trash barrel of history. I have taken my righteous campaign going back as far as Robin Hood and his press agent’s coverup of his nefarious doings when he came into some dough. This Robin Hood, for the record real name Robert Locklear or Lockwood the manse records are messy and show both spellings, for example, who was nothing but a gouging rack-renter once his patron King Richard, aka the Lion-Hearted, gave him plenty of acreage for services rendered and he became as oppressive a landlord in his lofty manor as any country squire. Forgot about those yeomen bandits who helped him with his armed robberies of rich and poor alike, whoever dared show their faces in and around Sherwood Forest up in the north of England. Shamed that Lady Marian, real name Holly, by what today would be called “pimping” her to the various courtesan when he found a younger woman, Ophelia.   

(I have refused thus far to take on the “big boys and girls,” the ancient Greeks and Romans, the cranky and crazed gods and goddesses for the simple reason that tracing the records is a bear of a job but I do have a lightweight line on Andromeda and Perseus which I am following concerning his alleged fight against the sea serpents to free her which looks like it was a put -up job worked out so he could “gain her favors,” ancient talk for hitting the sheets or however they covered themselves in their pursuit of lust, if they did, did cover themselves)

Here is the exciting news though and should help me a lot moving up the food chain in this crazy quilt pattern and cutthroat profession which I am only now beginning to navigate with some confidence. A recent UCal survey, poll, conducted in association with the well-known Harrison Foundation has shown a decrease in the belief in various legendary figures of late. The survey was simplicity itself with a broad cross section of the population represented, rich, poor, various genders, races a good mix from what I have seen so far in the preliminary report,  as the interviewee was asked about his or her belief in some figure, then told to read my or somebody else’s documented research and asked whether they were more likely, less likely or the same to believe in the legend. Almost across the board the ratings for these bums with nothing but high priced press agents and shills touting their deeds went down, especially a guy named Don Juan who legend was made of whole cloth by some pent up in a convent by a rich man’s hormonally-charged daughter and Captain Blood exposed as one of the worse of the worse Middle Passage slave trade transporters (and reportedly the person British painter Turner was thinking of when he painted his masterful “Slave.”) 

Naturally in any human endeavor there are failures, failures when people still believe despite all the evidence to the contrary in the validity of something. That was the case with one Johnny Cielo whose legend has kept me up many a night trying to figure out why with all the documentation that I have amassed his ratings actually “spiked” in this latest polling (I should note maybe reflecting the season that belief in angels has also spiked during this period). Fellow writers had shaken their heads when I started this legend-slaying campaign although once I showed them the poll results they have since backed off since especially among the older writers who were knee-deep in backstabbing me for their own purposes, mainly to not fall down the food chain further in my wake. They still though look at me with funny glances around the water cooler when I bring up my troubles breaking the Cielo legend. My whole idea is to get people to think more reasonably to shed their misconceptions, to shed their alternate facts universe in these troubled times when clear heads and clear thinking are necessary. Hence the heavy push against the fake Cielo legend.

A few Cielo details before I go on to my current task of busting up one Lamont Cranston and his shadow game. The genesis of my knowledge of the Cielo legend came from a fellow journalism graduate student who I knew at NYU and whom I had kept in touch with over the past few years. He had been down in Florida, down in the Keys, on an unrelated story which the parties had backed off on, didn’t show up to expose whenever they had to offer (something about CIA conduits to Cuba if I recall). He was sitting in the old Tanner Tavern trying to drown his sorrows and come up with some kind of story to earn his daily bread. While there an older guy, a drunk from the look of him, Billy something (here I really don’t remember the last name) came up and tried to cadge a drink from him.
My guy reluctantly bought him a whiskey, and a few more as the evening wore on, and as a result that loosened up Billy’s tongue about the old days in Key West. The days when Johnny Cielo roamed the space, roamed the skies by day and drank and whored by night. My guy had never heard of Johnny and so Billy spent the better part of an hour describing this and that about Johnny’s place in the early aviation pantheon which every serious aficionado knows about. (That part, the press agent bullshit part is at least true that the cultists know every detail about Johnny, especially in this part of Florida and the South in general)              

The rest of the story can be told by the researching I did after my fellow reporter told me the story since he knew I was looking for copy on these so-called legendary characters for my burgeoning by-line. The first tip of the Johnny iceberg was the claim that he has been the first guy to take human flight. This would seem to have been the straw that broke the camel back on the legend since I was able to retrieve a copy of his birth certificate from the Elmira clerk’s office showing one John Richard Cielo to have been born in 1910. The Wright boys did their magic at Kitty Hawk in 1903. The other kind of secondary piece of evidence for Johnny’s early days was that he gave Howard Hughes the idea for TWA and would have made millions if he had stayed with Hughes. The real deal Johnny was basically a low-rent flying mail postman who ran many operations to the ground before he had to hightail it out of the country with guys with guns breathing down his neck, and a reward on his head by some Chicago mobster who he tried to shake down.

That leaving the country is really where the Johnny legend is centered, that and his later so-called exploits before he fell into the sea. Yeah, his leaving for Barranca to run a mail operation down there is when all the bullshit got wings. See he was supposed to have talked movie icon drop-dead beautiful Rita Hayworth into leaving with him before she ran off with the Aga Khan after Johnny ran out of dough-and prospects. The reality. He had met a whore working some joy house in Hoboken named Sarah Lind, remember be wary of the truth of names in this stuff who did look like Rita and went with him figuring she was getting off cheap street with this good-looking guy (so-so, okay looks from the photos). A view of her photos taken later when Johnny’s money had run out and she had too from some men’s magazines, “girlie” magazines shows that her legs were nowhere as good as Rita’s and this tramp didn’t have a tenth of Rita’s style on her best days.     

I mentioned that Johnny later, in the late 1950s fell into the ocean, fell into the Gulf of Mexico. That location is important for the last really blasphemous part of the Johnny legend. That he was the guy flying arms and other supplies into Cuba for Fidel, Che and the hermanos and had fallen down into the Caribbean. All the flight manifests from Key West show Johnny flying a Piper Club, Jesus, a freaking tinplate Piper Club, taking well-heeled passengers to Naples down in Florida before he fell into the Gulf. To this day despite every denial by successive Cuban governments and every belief by those who want to see a romantic Amerciano helping the good guys that is the lynchpin of his legacy. That is the basis of the shrine, the heavy money-making shrine in the Keys which Johnny’s estate such as it was established to milk the whole thing for what it was worth. Yes, it will be tough to break that one if all the documentation has provided nothing but a spike in his legend. Damn.

But we must move on to the case of one Lamont Cranston, who claimed until his end at Bellevue where he spent the last twenty years of his life in the indigent ward that he was the so-called Shadow whose task was to rid New York City, also called Gotham, also called Metropolis, of crime and criminals. A one-man wrecking crew, ah, vigilante man. We will crack this one easily although I do feel some trepidation right now thinking that maybe one of the reasons for the durability of the Cielo legend is that he was an American and maybe there is as in a lot of things these days a sense of American exceptionalism, that all the modern recordable American legends have to be true. Baloney. (By the way I should point out that all these one-man or one-woman vigilante operations to rid New York City, Gotham, Metropolis of crime and criminals beyond questioning whatever nefarious motives they have is not borne out by the statistics. Per capita that town’s crime rate was no higher than say Roseville out in Kansas then, maybe now too with the epidemic of opioid addiction flooding the rural parts of the country.)

World War I, Lamont Cranston’s war, I will use that name despite the fact that the only person with that name in the 1920s was on the NYPD police blotter for selling jewelry from a push-cart without a license on 7th Avenue and subsequently for a “bait and switch” con on so-called magic decoder rings, was hard on a whole generation of European and American youth. The effects hit Lamont like a ton of bricks, maybe shell shock is what he had although that diagnosis was in its infant stages back then, made him a Class A junkie before long. But instead of heading to Paris in the 1920s, in the Jazz Age he headed to Tibet and gathered in a serious opium addiction and lustful carryings on with a fistful of concubines-all at one time when he was really high. Then the Lama, Jimmy Lama if I am not mistaken, Lama in any case, took up his case, made him see that he was made for better stuff, made to see the better angel of his nature.

This Lama, no it wasn’t Jimmy but Jerry, yeah, Jerry Lama spent a ton of time giving Lamont the skill set to go back to America, go back to so-called cesspool NYC and clean house, make it livable for average joes to survive. One of the skills he picked up was the ability to transform himself via a joke store nose to look differently when he was doing his whirling dervish Shadow shtick. That and a silly eerie laugh fit in the end more fit for Bellevue than the mean streets of NYC. Yeah, the Shadow knows alright.

I grant that for a while this Cranston caught the public’s imagination although strangely during his escapades the crime rate in Gotham spiked before they put him in a safe place. Mostly I attribute that positive spin to his hiring a press agent, the famous society columnist John Kerr, and his reputation soared for a bit. Then the wheels came off his express. See back in Tibet the word was that Lamont was some progeny of one Genghis Khan, yes that Genghis whose nomadic marauding Mogol hordes at least according to some revisionist historians brought some stability and modernization to Central Asia in his day. DNA testing has proven once Lamont’s body was exhumed at the request of his estate to see the truth of that matter showed he was descended originally in the 14th century from a pig thief in England who was hanged, hanged high in those days when stealing livestock meant something, especially when the stolen object was of royal or noble ownership.

Yeah so Lamont played out the Genghis Khan gag, along with his brother Don, the bad guy in the loop who like his forebear wanted to rule the known world. A known world much larger to conquer these days than the steppes of Central Asia which was child’s play for those lustful Mongol hordes. This Don Khan, this brother, arrived in H.G. Wells time machine fashion via a coffin delivered to the natural history museum in that town. After Don arrived all hell broke loose since all he cared about were two things-world conquest and bringing brother Lamont in on the deal as his hatchet man, as his alter ego maybe since Don too had been trained by Jerry Lama. No wonder this so-called Lamont character wound up in a straight- jacket, maybe they should have used two to be safe.

Of course when you have a guy like John Kerr sprucing up your legend, taking liberties with the truth you have to have some society dame in the mix or these Mayfair swells won’t read the column or buy into the legend. The love affair aspect here is provided by one Lois Lane, no Margo Lane, whose father allegedly was the real father of the atom bomb. More on him in a minute. We know that Lamont had some kinky sex habits when he was high as a kite on cocaine, opium whatever he could find in Xanadu, in the late Kubla Khan’s opulent opium den where Sam Coleridge earlier had picked up his habit by the sunless seas. This so-called society girl, this so-called Margo, was some call girl he picked up in a joy house he frequented on 8th Avenue when he was looking for a “flute player” just because she said she could read Lamont’s mind. Not the hardest task in the world when somebody is looking for a little off-kilter sex.

Here is where things get interesting. The legend anyway. Don, Don Khan in case you forgot his name, that erratic symbiotic brother was interested in this Margo too, and for the same reason in the end but mainly because she had a certain style which could work with the guy who claimed to be the father of the atomic bomb. This bomb is what Don needed to play out his hand. Margo got handed back and forth and in the end she went with Lamont since he was more her speed than the defeated maniac Don. Done in by the NYPD wrapping up his operations off the East River. Well folks that is the legend, the legend the Mayfair swells bought into to keep the “people with the pitchforks” from Riverside Drive and other high number precincts in the 1920s and 1930s. In the end though they trusted their local coppers who at least they could bribe rather than another one of John Kerr’s paste-up jobs. Still legends die hard, especially modern legends which can be traced as I have been doing of late. For now though another bum-of-the-month down.