“Turn My Nightmares Into Dreams”-The Rolling Stones’ “Sister Morphine”-For The ‘Nam Brother Slade Jackson With The “Burns-Novick “Vietnam War” Documentary In Mind

“Turn  My Nightmares Into Dreams”-The Rolling Stones’ “Sister Morphine”-For The ‘Nam Brother Slade Jackson With The “Burns-Novick “Vietnam War” Documentary In Mind   

By Bart Webber

(If you have tears now is the time to weep-RIP, Slade Jackson, RIP)

Slade Jackson always had a running nose these days, always sounded like a foghorn too. Yeah, you don’t even have to think another thought because you know without blinking an eye that the brother, the broken down from hard times in Vietnam brother, is up against a big fat jones and does not know how, does not care to know how to break the fucking habit. Funny in ‘Nam (only guys who have actually been there are entitled to use that shorthand for the hellhole as a few of his friends from the old days, from the old neighborhood, like Ben Bailey learned when they tried to emulate him on that sacred term and got nothing but icy stares for their efforts) Slade had been among the “alkies” and not the “dopers” in the division of the who did what to take away their pain, take away their constant fears, take away the dirt and grime too in the company out in the “boonies” of the Central Highlands of stinking ‘Nam.

Slade had almost naturally been revolted by the mostly black brothers and Hispanic hermanos when they lit up their damn blunts and he would get the second-hand smoke in his face when they wanted to taunt the alkies. Otherwise he got along with the brothers and hermanos, he had to almost every one of them were better soldiers than he was and a couple wound up saving his young white ass when the deal went down. Had naturally been back in the old neighborhood around 1965 when it became time for the young bucks to come of age in the drinking world attached to whiskey and beer. And deeply imbibed the alkie culture that went alone with the booze. But enough of that because this story is about dope, dope pure and simple. Yeah, Slade and his corner boys had laughed about the stupid beatniks and their dope who had better not come around their neighborhood, or else. (On that beatniks thing the inner suburbs were well behind the time since what they were objecting to were the early hippies on Boston Common with their long hair, beards, guys, weird clothing like granny dresses for women, their vacant dope-tinged stares and their free love, free sleep out on the Common, pan-handling ethos, and not the beats who were by then with their cold ass jazz, berets, black attire and indecipherable words passe, ancient history, gonzo.)                 

But that was then and this was now, the last four years now he had descended to the pits of hell (his term in his more lucid moments less frequent now), had run to sweet cousin cocaine, the good girl, and an occasional jolt of horse, the bad boy, when the money was fresh, or when he could cadge some credit from the “fix-it” man (also less frequent now). The trail down had started simply enough after coming home, coming back to the “real” world after the hellhole of Vietnam (also a term reserved for those who had been there although Slade would not give the icy stare when those who had not been there said the word), after the few months in the hospital at Da Nang recovering from that bastard Charlie’s stray spray of bullets that caught him, purple heart caught him, in the left thigh and had left him with a lifetime limp and some pain on wet or humid days. He had come back expecting no hero’s welcome after all his years were 1969 to 1972 long after almost everybody but the weird generals had given up the ghost of war and heroes, had received none but almost from day one back he was anxious to get away, anxious not see family and the old neighborhood boys. Had moved on in his head, moved on in his pain. Needed to seek kindred, needed to have some fucking peace in his head if anybody was asking  (when he went to the VA for some help he put the matter more elegantly although with results that made it clear it did not matter if he said “fucking” or “go fuck yourselves”).      

So Slade had drifted away from hometown Riverdale a score or so of miles outside of Boston, had had one job after another until he hit the West Coast, the place where he had landed after having come back to the real world and had thought about when decided he needed a fresh start. Trouble was he couldn’t find any work, couldn’t find any unskilled work for which he was fit having dropped out of school in the eleventh grades except maybe bracero work in the fields which was below his dignity (he told somebody that he had had his fill of “spics” in the Army anyway and hoped he never saw one again although as soldiers they were fine, better than him anyway), couldn’t hold the few day labor jobs that came his way. Started drinking heavily, mostly cheap day labor wines (“What’s the word, Thunderbird, what’s the price, forty twice”), and hanging around parks with guys, some fellow vets from ‘Nam but mostly older guys who had been around the block one too many times. A loser only made worse by his thigh pain acting up more and only made worse by his deeper alienation from the real, real world.

One day he was in San Luis Obispo having hopped a series of local freight trains working his way down from Salinas (where he had done stoop labor with the “braceros” after all so you know where his head and soul were at just then) when he stopped in the “jungle,” the hobo, tramp, bum hang-out along the railroad siding when he met John Arrowhead (an appropriate moniker for a man who was one hundred percent Native American, indigenous person, an Indian), who had served in ‘Nam with the 101^st Airborne who told him he was heading down to Westminster south of L.A. to join what he called the “brothers under the bridge.” At first Slade did not understand what John was speaking of, though the cheap wine he was drinking and cheaper marijuana he was smoking had fogged up his head. Then John explained that there were maybe one hundred, one hundred and fifty guys, all ‘Nam guys who could not face the real world coming back and had joined together under a railroad bridge and created their own world, their own commune if you wanted to put the situation that way. (John did not, could not express his thoughts that way but that was how Slade explained it to Ralph Morse, an old high school corner boy and fellow veteran, one night when he had come back to Riverdale because he had no other place to go to “die” as he said to Ralph when asked about why he had come back to town). 

Slade decided that he would hobo his way down to Westminster with John to see what was up, to see if the brothers under the bridge could make him feel like a man, like a human being again. The night before Slade and John left John passed  Slade his cheapjack joint and while in the past Slade had passed a million times when a joint or pipe had been passed around that night he was feeling so blue about his prospects that he did his first weed. Nothing to it but he slept soundly, or as soundly as anybody sleeping on the ground in a hobo camp could, for the first time in a long time.

A few days later arriving in Westminster after having flagged down three freight trains to get there and warding off a bunch of punk kids in El Segundo who wanted to “hassle the bums” Slade could not believe that these brothers under the bridge had created their own world outside of town. Had created a tent city but more importantly for the first time in a long time he felt at home. So when somebody passed him a joint, a “welcoming joint” the guy had called it (a guy from the notorious 23th Division in ‘Nam) he took a handful of tokes without a second thought. That, when somebody had asked him later when he made his first of about ten tries at “detox,” was when he charted the beginning of his slippery slope ride down to the gates of hell. There had been so much dope at the tent city (brought in by guys who had connections in Mexico and old connections to the Golden Triangle opium trade in Vietnam) that it became impossible for him to resist if he had wanted to resist when the dope train started.              

Slade went along okay for a while, felt at home, felt he finally belonged somewhere, and fuck, finally found some relief for his physical pain that was acting up the longer he suffered under it. Got some relief for the pain in his head, something to put out the fire in his head (not his way of expressing the matter but Ralph’s shorthand way of putting it many years later when the subject of Slade Jackson came up among the surviving corner boys who had known Slade in sunnier days). He worked hard to help keep the place in shape, in as good shape as any band of brothers living out in the winds could do. Then one freaking night (Ralph’s expression, not Slade’s) the whole world collapsed, the cops from about seven different units local, county, state who knows maybe federal this before every law enforcement agency had the particular agency emblazoned on their slickers so it was hard to tell descended on the camp and ran everybody who could be run off the hell off, ripped down the tents and communal dining areas, everything. Arrested a few guys who had outstanding warrants against them and that was that. Gone.

A few days later Slade having lost contact with John Arrowhead found himself in El Cajon down south of San Diego in a rundown rooming house filled with stinking braceros and street winos who had enough dough for a flop for the night. He had been busted up some by a night stick-wielding cop with nothing but rage on his face so Slade was in some pain. He asked one guy, a dark Spanish-looking dude if he had any dope, weed, to clear his head. No weed. This was in the days when cocaine was just coming up the Mex pipeline in big bricks, kilos rather than ounces. That dude connected with somebody he knew and a few hours later he was back showing Slade how to cut the stuff, how to do blow by using a mirror and a razor blade to cut it up and taking a rolled dollar bill and snorting it up your nose. Slade’s first reaction was a jolt, a rapid beating of his heart like he was going to have an attack. That jolt did not last that long but after that first attack subsided he felt no pain in his thigh, felt no anger in his heart. He grabbed the razor blade and diced up another line. You know the story from there, or can guess it. Know the end too.                              

But no you don’t know. Don’t know how sweet cousin made his days go by faster, made the ‘Nam nightmares that had plagued him, had robbed him of his sleep, had made the night sweats go away for a while (even he admitted before he got to be a too far gone daddy in the days when he at least accepted the idea of “de-tox” that it was only for a while, only until the effect subsided). Then reality hit, the reality that to keep an even keel he needed more dope and more dope meant more money, and there was not enough money in the world to curb his hurts. He hustled first cons, then himself. Became a sneak thief and stole everything that was not nailed down. Finally winding up as usually happened with a guy with a big habit acting a stupid “mule” for Ronnie Romero, the big connection guy in El Cajon.           

One night he had been out at a park after bringing a load of goods over the border when a middle-aged guy, a be-bop kind of guy, what in the old days in places like New York City and Frisco town they called a hipster, hipster meaning cool back then sized him up and asked him if he wanted to “get well.” Get back on top. Slade, now so deep into the drug scene that he was game for anything said sure. That max daddy hipster put the first, although not the last needle in Slade’s arm. He had a rush ten times greater than any cocaine boost had ever given him. Somehow he knew for a while that he had better not go to the mat with horse, with boy. And for a couple of years he would do a hit on occasion while working for that hipster around town selling his wares. But in the end he forgot the first rule-the seller does not test the merchandise. And so there was a direct correlation between his increased horse use and the lessening of his cousin.          

No one knew Slade was dying when he came back to Riverdale after many years absence, after shedding a pants full of weight, after failing his last chance “de-tox” at Smiley VA Hospital in Frisco. But Slade knew before the end because he told Ralph one night that he had heard the “noise of wings,” a phrase he remembered from a childhood hymn, Angel Band, that had always impressed him because previously he had believed that those angel wings were silent. One night they found one Slade Jackson, purple heart Vietnam War veteran in a back alley humped up in a pile. The cause of death-heart failure. The real cause-Slade Jackson could never get enough dope in his system to turn his nightmares into dreams.       

Once More Around The Good Book Social Doctrine- With Dorothy Day And Peter Maurin's Catholic Worker Movement In Mind

Once More Around The Good Book Social Doctrine- With Dorothy Day And Peter Maurin's Catholic Worker Movement In Mind   

By Si Lannon

The late Peter Paul Markin was a piece of work. So said Frankie Riley, a guy who should know since he was the acknowledged leader of the North Adamsville corner boy of whom Markin was something like the leading intellectual light in the early 1960s but more on that in a minute. So said Frankie one night when a bunch of the old gang still standing (not all are some have laid down their heads of late, a couple forever etched on that black granite wall down in Washington, and some too physically feeble to make the journey, and of course Markin) were at the Black Swan in downtown Adamsville talking over old times, something like a periodic reunion. Frankie, a successful lawyer now winding down his practice and passing the day to day operations to the younger partners while he becomes an odd-ball term “of counsel,” in such gatherings would usually be the one to start on about Markin.

Stop.

In order to avoid confusion let’s use Markin’s old time neighborhood moniker “ Scribe” which Frankie had anointed him with way back in junior high school when he was forever writing something or about to write something in the little notebook complete with pencil that he always carried with him in his off-the-wall out of fashion shirts that his mother, frugal mother from dirt poor land, would select for him (shirts as part of the twice yearly-start of school and Easter time-shopping spree at the Bargain Center for new cheap out of fashion clothing). So Scribe it is.          

At this gathering at the local watering hole, the first such outing since the summer of 2017 when they gathered to put a small memoir book together in honor of Scribe, Frankie mentioned that he had forgotten to say something about Scribe that was important to help understand what he was all about. And why after all these years since the mid-1970s when Scribe was murdered down in Sonora, Mexico after what appeared to be a busted drug, cocaine, deal and he wound up in a dusty dirt back alley with two slugs in his head the old gang still mourned him and were still trying to figure out what the hell made the guy tick.

That summer of 2017 gathering had been prompted by Scribe childhood closest friend Alex James’ return from a business trip out to San Francisco where quite by accident he found out about the 50^th anniversary commemoration of the Summer of Love which was centered in that town and had gone to a stone crazy exhibition at the de Young Museum in old hang out Golden Gate Park where he freaked out over the music, photographs, clothing and incredible poster art (which was then just advertisement material for concerts and other events but really outstanding works of art in their own right)            

As a result of being immersed in the old days when Alex got back to Boston he corralled the guys with the idea of doing a small presentation book in honor of their fallen comrade. They all, all at the Black Swan anyway, had been out to Frisco in 1967. Guess who had been the motivating force for that see-saw trip been out to see what was happening in the “newer world” he had been talking about since the early 1960. Once they agreed, and agreed to write short sketches, Alex had his youngest brother, Zack who writes here on occasion and was a leader of the revolt of the “Young Turks” which purged the previous site manager, edit and have the book published. It is from an afterthought once the book had been put to bed that Frankie remembered a very important component of Scribe’s persona.        

Frankie, after checking to see if the statute of limitations had run on the various crimes the corner boys had committed in the old neighborhood to grab dough for, what else, girls, cars, dates,   walking around money that Scribe was the mastermind behind. (Frankie said that checking business was a joke but the guys knowing Frankie just rolled their eyes.) He had related how he had been the leader and the operations guy for the various car-jackings, burglaries, con jobs, heists, “clips” but evil genius Scribe was the planner. To this day Frankie can get smiles out of the guys when he mentions one caper that almost got them caught while in a big house up in Adamsville Center. Guess who had been the leader of the almost fateful attack. Ever after by unanimous agreement Frankie was in charge once they project went out the door.  

That was the larcenous side of Scribe, and the rest of them too, the world owned them a living for having grown up dirt-poor in the working poor Acre neighborhood and so they struck out to do a little self-interested redistribution of those worldly goods. So you see there was the fore-seeing new day coming let’s get on board side to Scribe and the larcenous too which Frankie covered in his memoir piece some detail remembering or exposing stuff they had all forgotten. (Frankie not a lawyer for nothing with that skill set). But Scribe was noble man too, a social justice partisan all mixed in except toward the end when according to Josh Breslin who was the last to see Scribe alive north of the border he let his serious cocaine habit get the best of him, Let the dope make him feel better about his Vietnam horror military service, his busted marriages and his deep depression as it became apparent that the “newer world” he sought was slipping away, was getting eaten alive but the night-takers he called them. 

What tipped Frankie to his memory lapse had been triggered by seeing a copy of something called the Catholic Radical when he had gone out to Worchester on some church legal business and subsequently a conference where that copy had been on the table. (It should be mentioned Frankie had been a lapsed Catholic for many years until one day a few years ago he had been a guest at a wedding in a Catholic church and that stirred long ago memories and fears for his “soul.) That paper reminded him about Grandma O’Brian, Scribe’s maternal grandmother who was a serious Catholic Worker devotee going back to the Great Depression when she had actually met Dorothy Day in New York. The Scribe would always be speaking of some social issue from the paper, Catholic Worker, he found lying around Grandma’s house. Grandma O’Brian by all accounts was a “saint” loved by all who knew her and knew too how brave she had been to put up with a lot of crap married to tyrant Daniel O’Brian a real villain whom all the young neighborhood kids would stay away from in order to avoid one of his tirades.

To give an idea of how bad Scribe’s own family household life was like he could be found many days at Grandma’s house seeking shelter from that whirlwind storm. He would read books, take notes in that little squirrely notebook, and discuss issues with Grandma. Like a lot of people, good godly people Grandma had a few blinds spots like her negative attitude toward black people who were getting “uppity” down south in Scribe’s youth (it would take several years before he got straight on his own racial attitudes) but overall she had been on the right side of the angels. Talked about abolishing the death penalty (Grandma had never gotten over the execution of Sacco and Vanzetti by the Commonwealth in 1927 even though they were Italian), war, and nuclear disarmament.

In a lot of ways you can see all of Scribe’s contradictions through that Catholic Worker background. While Frankie was remembering the good parts of Scribe he flashed back to one episode, really two come to think of it, which summed up Scribe’s whole life struggle. Scribe must have been about fourteen, maybe fifteen, in 1960 when he had read in the Catholic Worker  that there would be a demonstration, something like that for nuclear disarmament to be held at the Park Street entrance to the subway, a historic protest site on the Boston Common. This rally was being called by Doctor Spock’s SANE, some Quakers and other peace-type groups and individuals. And Catholic Worker. Scribe was all hopped up to go even though Frankie had tried to talk him out of it, told him that the “Communists,” Stalin’s heirs’ dreaded supporters, told him he might get beaten up by guys hanging around the Common who didn’t like the stinking “commie, red, “peace” word, He couldn’t be deterred. So what did they do? They made as always when the opportunity presented itself a bet, a five dollar bet, big money for poor kids, Scribe wouldn’t go into Boston for the event scheduled on an October afternoon. Scribe won and to this day Frankie can’t get over the fact that he lost, lost to a holy goof like Scribe.                 

Here’s the Scribe contradiction part. All during the lead-up to the demonstration Scribe had been working on a caper, had been casing a house where the owners had been away for a while. The weekend after that demo they “hit” the house and got a big haul. Big enough for dates, gas money, booze, and walking around money for months. Yeah, Frankie was sure he had it right Scribe was a piece of work.  

Inside The Social Media Buzz Saw-The Struggle For A Historical Perspective At The American Left History Blog-The Complete Down And Dirty Saga

Inside The Social Media Buzz Saw-The Struggle For A Historical Perspective At The American Left History Blog-The Complete Down And Dirty Saga    

By Sam Lowell

Introduction  

No question I was, am, a central figure in the still on-going fallout over the purge, and that is exactly the right term although half the writers here who were down and dirty in the fight prefer to tell the tale that the previous site manger “retired.” Like Allan Jackson, yes, I am using his given name despite the notice from new site manager Greg Green that we were in the future in the interest of “moving on” not to mention him by name or speak of his accomplishments (presumably Allan’s down sides are still fair game), would voluntarily retire from something he helped create and loved. I also acknowledge here that although I was Allan closest and longest known friend going back to elementary school that I sided with the young rebel writers, the self-styled “Young Turks” although I hate that term when it came to choosing sides.

Allan was getting more and more wrapped into some 1960s and forget the rest of the world, of history thing that disturbed me no end as I continually told him especially when he went over the edge in that overkill of the 50^th Anniversary of the Summer of Love, 1967 stuff in 2017. So when I “conspired” with the younger writers (some of who had before Allan went hog wild over the situation never heard of that event, were too young to give a fuck about the legendary in the mist 1960s) I told everyone straight up that this would have to be a purge-no quotation marks needed. We, Allan and me, had come up in the rough and tumble of radical 1960s politics so he knew that my defection meant only one thing if we were to be successful. He would be out, in exile, although don’t believe all that stuff about him being holed up Utah sucking up to Mitt Romney and that white underwear Mormon crowd or Kansas with the hard-shell flat-landers trying to cadge and interview with Dorothy and Toto that is just urban legend stuff. Stuff that he, or somebody at his direction, made up to make this whole thing seem like a Stalinist coup and he, Leon Trotsky-like heroically suffered defeat and exile in some American Siberia for his efforts. I know my Allan and I would not be surprised that a counterattack against me and the blog, “his” blog, will come any day now.

As part of the change in course and presumably as a safeguard against things going haywire like they began to do under the Jackson regime Greg initiated on his own a seven member Editorial Board to filter ideas and motions through. Some people, some opponents have called the board a group of toadies and “yes” people for whatever Greg has in mind. That is their opinion. In any case I was asked to sit on the board and I have along with several younger writers and one of the older writers who had abstained on the Jackson removal vote (there were several abstentions by older writers which makes me think I was not alone in thinking Allan had gone over the edge but didn’t want to buck him for any number of reasons. I would argue that had any one of them voted for Allan then my “desertion” would have meant nothing except I might have been the guy rumored to be in Utah or Kansas looking for the ghost of Tom Joad. Such is life.) 

Although the board has been  up and running for a few months now it has only been asked to approve one item-the “erasing” of Allan’s name from this site in the interest of whatever Greg thought that erasure served. I have been around enough to know that it is beyond poor form to “erase” the past especially on a site dedicated to putting a big shining light on that past particularly the parts that get short shrift in the history books and mainstream media. I voted “no,” the lone dissenter with that one older writer’s abstention which may be his mode of operation on tough questions. Maybe that dissent will put me in better grace with Allan. 

This introduction was originally posted as a segment when I took a jug band CD review assignment, a Jim Kweskin and the Jug Band assignment because I am still crazy about this kind of music and because at least three of the original members of the band, Jim, Geoff, Maria are still performing occasionally together but usually individually and over the past several years I have seen them in various admittedly small venues around Greater Boston. I was surprised though when Greg mentioned to me that he no longer wanted to see pieces about “f—king” jug band music in the future and that this would be the last time he would let it pass since nobody under about the age of sixty gave a damn about this kind of music anymore. This is another cause for my concern of the future despite what we did to long gone John Allan.

Since Greg is considerable younger than I am I could see where it did not mean anything to him when he was growing up in Westchester County in New York but to cancel out in advance any reference to an important part of Americana in the 1920s and the revival in the 1960s seemed short-sighted. Allan who also was crazy for jug music and who turned me onto the stuff in high school when he took me and our dates to the Unicorn Coffeehouse in Back Bay Boston to hear the legendary Harper Valley Boys do their jug, washtub, wringer magic would freak out if knew Greg’s position on jug. I will be bucking Greg a little on this one in the future if I can find a spot to sneak a jug piece in.

Finally, and this part has nothing directly to do with jug music or anything else that has been presented here over the past almost fifteen years of this blog’s existence and prior to that the hard copy of it and it predecessors. I, like a number of irritated readers and a not a few writers have grown tired of seeing more than enough coverage of the internal crisis of the past few months here leading to the new regime. This new mandate by Greg with the majority of the Ed Board’s approval of “erasing” Allan Jackson’s name and work is kind of a watershed making me think the whole public airing has gone too far. Moreover the story is all over the place depending on who has their hackles up. This must stop and a return to ordinary commentary and reviews is in order.  

As a decisive member of the Editorial Board I have been able to negotiate with Greg a truce, an “armed truce” as one older wag put it which seems strange since the majority of personnel here have some very strong anti-war views. The “truce” has two parts. The first- all articles now in the pipeline, about fifteen, can carry whatever commentary about the internal dispute the writer wants to talk about. In return after that amnesty cohort is posted there will be no overt references to the previous site manager or his achievements or failures. The second is that I will write as probably the most knowledgeable person around about all aspects of this publication and its personnel a full history of the site and of the internal dispute to be after it completion referenced in the archives as such for anybody to cite and refer others to -either writer or scholar. No guidance was given about how to do this task but I have decided to cut it up among the various parts of the American Songbook series which the jug band piece was one example and then post the whole thing with comments from the two Ed Board members Greg has assigned to me for this work on February 10th.              

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If anybody has read the introduction (see above) to my review of an early part of these American Songbook series about the legendary Jim Kweskin and the Jug Band dated January 11, 2018 In The Beginning Was The Jug…in the archives you will already know that I have been given the task of writing the history of this site and it personnel as well as the internal in-fighting that roiled the publication over the last few months of 2017 in order to finally put an end to the turmoil. Below is one part of that history which I have decided I need to cut into parts or the whole project will overwhelm me.     

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Present At The Creation

The American Left History blog has been in cyberspace, on-line, for the past fifteen years or so which readers can reference to any particular article via the ALF archives. What many people do not know is that there has been a much longer history to the ideas and purpose of the site going back to the 1970s and maybe even a little to the 1960s if you add in Peter Paul Markin’s work, the real Peter Paul Markin who I will talk about later when I explain why I used the word “real” before his name. In those days, the Summer of Love, 1967 days the 50^th anniversary last year which started the firestorm that followed over the latter part of 2017 at this publication Markin worked on and off for The Eye and The East Bay Other two of what were called in those days alternative newspaper to distinguish them from the main stream media which gave short shrift to the political and cultural events that stirred us, you know the New York Times and Washington Post.  Sound familiar? Except those alternative publications did not deal with so-called alternative facts or carry on about conspiracy theories like today but other things of interest to young people, “hippies” for lack of a better word like acid rock, drugs, communal living, that the mainstream media were clueless about.           

That Peter Paul Markin that I mentioned above won a few awards for his articles, his series on his fellow Vietnam War veterans some who like him had a hard time adjusting to what they called the “real” world, the non-Vietnam world and set up camps and such along the rivers and railroad tracks out in Southern California where he joined them for a time because he himself had a hard time adjusting as well and told their stories. No, that is wrong, let them tell their stories. The series entitled The Embattled Brothers Of Westminster (one of the biggest railroad campsites) would from what I heard inspire Lenny Lawrence to write a very popular song about those lost souls using that title if I recall. So that was one early piece of what would follow over the next forty years or so.

Markin, everybody called him Scribe when he was growing up and that name stuck but I will use Markin here was not alone in working for those publications. After he got back from Vietnam he reunited with Josh Breslin, yes, Josh Breslin who writes for this blog even now so you can start to make the long drawn out connections, a guy from up in Olde Saco, Maine whom he met out in San Francisco during the Summer of Love, 1967 (you can also start to see how that event, how those times played a key role as well in what followed) and Allan Jackson whom he, we, had grown up with in North Adamsville and had followed Markin, as I did as well, out to the Summer of Love. The three of them were all crazy to write, write about the war, write about the counter-culture everything and The Eye and later The East Bay Other were ready-made for guys who wanted to look at the steamy, seamy side of life down at the baseof society.          

Like most things in the 1960s when the hammer went down, when the war turned everybody sour, and then later in reaction the other side decided that things had gone too far and started a counter-offensive which more than one writer, young or old, in this space has noted has been going on for the past forty years or so things like grassroots, fly-by-the-seat-of –your-pants and woefully underfunded alternative newspapers were going to ground in droves. That was the fate of those two papers. Josh, Markin, Allan and I would join them as well in the mid-1970s after I had been roaming around the country “sowing my oats” as my grandfather used to say although he would have been mortified at my motto, our generational motto-“drugs, sex, and rock and roll” were crazy to continue writing, writing the kind of stuff they had been writing but with a little more of a political twist than those mainly culturally-oriented papers had been. That is where the idea for Progressive Nation came from in the beginning. The Progressive Nation that a number of us still write for on occasion although it had changed from our hands and from our brand of left-wing street politics many years ago.         

That idea though almost went stillborn for a while for one main reason-that real Peter Paul Markin who I have been alluding to. We had gathered some seed money from a few still extant “hippies” with trust funds to get the publication started mainly through Markin and Josh’s connections via The Eye and The East Bay Other. The rest of the financing would come from advertisers (we were totally naïve about the horrible influence that source would have on what we were trying to do with our good idea. If you want a current day example of just how off the rails a good idea can go once the advertisers sink their claws in check out an early version of Rolling Stone and one today-Egad) and other “angels” and subscribers. Then Markin ran away with the money to buy dope, to buy into the emerging cocaine high that he would eventually become addicted to and which would cost him his life down in Sonora, Mexico over a busted drug deal when he was the loser, the six feet under in a potter’s field grave which still has unexplained parts to the story until this day.        

That obviously is the bad part about Markin, that “from hunger” part that he more than the rest of us from the old North Adamsville neighborhood never got over. And which Vietnam only accentuated. Not that the war did him in like many others but it did not help either the few times he would talk about his experiences, about what he had had to do, and had seen others do as well in that hell-hole. But the good part, the part that wanted the revolution to win, the world to be turned upside down is the part we knew and loved. Not all the guys we grew up with had those same feelings, the guys who had no dough like us and hung around street corners to get out of tumultuous home life, but a small crew did, a crew that was always led by Markin. Not a leader in the organizational sense that was Frankie Riley who has written a few things here about Markin, but in the spiritual sense is the best way I can put it.

That is what has bound Allan Jackson, Si Lannon, Jack Callahan, Bart Webber, Frank and me over the long years. That buying into Markin’s vision even though he personally could not go the distance, came up short. Funny before we lost track of him, or really Josh Breslin lost track of him since he was his housemate in Oakland in the days when they had a communal house there and he was the last person to see Markin alive in America Markin would always say that Progressive Nation would carry us into our old ages. That did not happen since I have already mentioned he flew the coop and later when we got some more dough and published for a while we sold that enterprise off when the political winds shifted dramatically in the 1980s and we had to cut our loses. What did happen and made Markin a prophet after all was that we then established the hard copy version of ALH and then went on-line I think in 2003. All from that original ideal spawned by the real Markin. So it was a no-brainer when we started the on-line version that Allan Jackson our site manager when it came time to take cyberspace necessary monikers would go back to the old days, to our growing up days and honor our fallen brother by using his moniker in this space. Hell, it just seemed right.

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Getting Through The Dog Days

With the seed money we were able to gather after the sale of Progressive Nation we put together the hard copy version of ALH. We, as well, got a big financial boost from our old high school friend and great running back for the North Adamsville Red Raiders, Jack Callahan,  who now is Mr. Toyota of Eastern Massachusetts and has sold a million cars based on his charming ways (and that of Mrs. Toyota, Chrissie McNamara, his forever high school sweetheart whom he is still married too unlike the rest of us who have at least two marriages per person, a ton of kids, and two tons of college tuitions which are still being paid for or only recently extinguished).  Our idea, really Allan’s idea, no again, really way back when Markin’s idea was to do in a journalistic way what Boston University professor the late Howard Zinn did with his book The People’s History of the United States which is to say look under the rocks, the crevices, the off-beat places in the American experience. Tell the story that doesn’t make the mainstream media, or didn’t for a long time certainly in the time of Reagan’s time in the 1980s when everybody but us it seemed was keeping his or her head down.

So in a funny way we were running against the stream, having only a small steady dedicated readership and writing staff made up of guys I have already mentioned and who readers will know including Josh Brelin from up in Maine who we treated like one of our own. That last statement is important because what happened (and might be the real genesis of what brought about Allan’s downfall) was that for financial reasons, emotional reasons, and a certain tendency on the part of all those involved to get wrapped up in a nostalgia trip back the halcyon days of the 1960s when you couldn’t walk a block in most cities and college towns without running into fellow kindred spirits, some cause bringing people to the streets, and a feeling that the new breeze that Markin had talked endlessly about from high school days on was going to happen almost by default. We were going to turn the world upside down and for keeps.

Obviously at the height of the Reagan era (1980-1992 throwing the first Bush, number 41 in the succession, into the mix) and beyond for a while that was a very tough dollar to pull off as the years going by would develop a divide between the old-time “hippie” base and the generation turning into two generations who were off in a different direction, could as I mentioned in the recent internal wrangling “give a f- - k” about the 1960s except maybe the dope and cool fashions now somewhat revived in a retro movement. For years though Allan and the rest of us were in a running battle over where to go and still deal with our basic mission which is still on the masthead of this blog. Allan would wax and wane with that deep tendency to drift back to the 1960s and cover stuff like all the folk movement stuff when the folk minute (almost literally) was in bloom.

Against a reality, against the real world where except Bob Dylan, and even that would be suspect, nobody knew any of the folk singers and the spirit that drove Allan and me as well, probably everybody but Si Lannon who to this day cringes whenever anybody mentions a guy like faded folksinger Erick Saint Jean whom we thought would be the next Dylan. Spent much cyber-ink of stuff like film noir which was all the rage in college town 1960s film festival retrospectives, Bogie, Robert Mitchum, the French “New Wave.” And deeply into reviewing and commenting on books and the politics of the times which had clearly faded into the dust and that even our older readership got tired of hearing about since they had drifted out of politics seeing the whole thing as a “bummer” to use a 1960s-etched expression or had drifted rightward to the party of the possible-the Democrats. They definitely did not want to hear about the finer points of the Russian Revolution, the Stalin-Trotsky fist fight, or the food fight among American radicals toward the end of the 1960s and early 1970s.                

Every once in a while we would change course a bit, would get more into contemporary politics, move onto the newer versions on the musical scene, review more current books and films but there was something missing. Something that the younger writers in the recent dispute hollered about endlessly when asked to write about the 1960s 24/7/365 when Allan finally went off the deep end for good in the summer of 2017. Having to endlessly write about the Summer of Love, 1967 which set up the explosion that brought everything to a head. Having to write about stuff they were clueless about which is what we were feeling when we confronted the changes in the 1990s. Even then Allan would try an end around and force everybody like he did last year with Alden Riley to write stuff as “punishment” for not knowing every single piece of arcana from the 1960s even if was about, oh I don’t know, plastic surgery, something weird like that.

As you could expect off of this lack of focus drained individual writers, we lost Sal Rizzo, Danny Shea, Henry Sullivan to the ennui, to hubris and lack of candor. Lost a lot of money too, a lot of Jack Callahan’s dough although he was always too much of a good guy to complain (and would tell us “I will just sell more Toyotas”). So we had to when we saw an opportunity to keep going with an on-line publication we did. That would cut expenses dramatically (and Jack would say I don’t have to carry such a large car inventory now) not needing a large office, paper costs and such. We also, or rather Allan came to a big decision which we rubber-stamped, a very big decision once we did transfer to an all on-line operation-bringing in new blood, bringing in younger writers with the original idea to get a more current take on the American political, cultural, social experience. It was a tricky proposition since the older core, including me and Allan, were worried that bringing in more professionally trained writers which is the norm these days since nobody can get anywhere without some kind of Iowa Writers Workshop pedigree would run circles around us. They, I, could not see then that this was necessary, In the end we, Allan, squandered that talent by the straight-jacket maneuvers mentioned earlier driving them to write second-rate stuff just to fill space and fill Allan’s ego when crunch time came.

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Prancing Through Cyberspace

Maybe it is best to go back a little, go back to what we who started back with the predecessor to this publication Progressive Nation, a publication which has veered very sharply toward the Democratic Party since we sold it many years ago and which is now heading on-line as well for many of the same reasons we took ALH in that direction, were trying to achieve with our work. Almost all of us initially had come out of some aspect of the radical politics of the 1960s either through having gone through the military during the Vietnam War period or having been deeply affected enough by it to go round the radical bend. Moreover the core, almost totally male, although we had many women stringers who would eventually goes elsewhere when the women’s liberation movement seemed better suited to their talents and politics. While we males formally accepted a lot of the tenets of that movement in the day to day reality this was a “guy” place, still is, although with the addition of Leslie Dumont, who was around for part of the old days, and the expected arrival of more women writers, including my long-time companion Laura Perkins on a more steady basis, hopefully that will change.

See we had come from “from hunger” backgrounds like the few guys whom Allan Jackson and I had grown up with who came over to the left with us (not all the old neighborhood guys did, not many really). So many of us toyed with, no, more than toyed with Karl Marx’s idea of the working class taking power and making the world a better place for poor folk like the stories of most of us growing up, That infatuation too drifted away a bit although there is still a very working class-oriented atmosphere here even when most of us through cunning or guile left our working class origins behind.         

But back then we were gung-ho to change the world and thought it would happen until the mid-1970s at the latest told us that the tide had ebbed, that we had once again been thwarted in our efforts, as the late Peter Paul Markin used to say before the drugs got the better of him “turn the world upside down.” But we still had a “holy remnant” idea even though most of us had moved away from day to day radical politics and while not necessarily going whole hog back to bourgeois society started families (that plural meaning not only one family but the first of several in most cases including my own three failed marriages and parcel of kids, mostly good kids). What we had become aware of during that whole radical- Marxist-ebb tide movement was that we were woefully ignorant of the subtext of history in America and worldwide. The stuff we had to painfully pick up from places like the late Boston University professor Howard Zinn’s People’s History of the United States and reading Phillip and Eric Foner’s books on slavery, 19^th radicalism, and the intense labor struggles of those days. Our idea then, and still is although we had gotten away from it a bit of late to my regret, was to provide a space to look at a lot of the history, politics, culture through the prism of our own experiences. To do some educational good waiting for the next time that people rise up to “turn the world upside down.” That was our idea anyway and everybody still around today including the exiled Allan Jackson will formally agree that those ideas are still good currency.        

Except, a big except, two interconnected things happened, or one didn’t happen. First the push to turn the world upside down, or the American part, has not surfaced as yet after a forty plus year hiatus and secondly the original core got old, got old and in a few cases passed to the shades or fell off the wagon. Got old and maybe as aging people do start to dwell on the halcyon days of their youth and deny the current reality a bit. I don’t if there is a strong physiological explanation for some of that but it certainly when looking at the archives of ALH became apparent to me a couple of years ago that were trending water over the 1960s hump. Neglecting not only post-1960s events of historical and social importance but falling down on our educational task of being a source for long ago important milestone events, movements, intellectual currents.

I should step back a shade here and point out that it was not a straight line withdrawal but the trend was there. We all got caught up in the promise when a goodly portion of the world, especially the youth came storming out of the gates before the Iraq War of 2003 which is still with us today one way or another and started protesting like we hadn’t seen since our youths. But that proved ephemeral, proved to be a blip. When we realized that was the case maybe in 2006, 2007 a certain dark atmosphere began to descend and really kick-started the rush back to 1960s memories, Including Allan who in his own way encouraged that perspective.       

The hard fact was that as we collectively turned sixty-ish we started losing writers to the grim reaper, writers like Ricky Rizzo, Dean Morrison, Lenny Long, and a bunch of stringers who had been a little older than us and had a perspective from the 1950s, especially on the classic age of rock and roll which we of the 1960s generation grew up on at the edges. Lost a few more to tiredness and retirement. All understandable but also death to what we were trying to accomplish in that silver-aged youth. It wasn’t that we had retired from the political struggle. As I and others have written about, notably Ralph Morse, we took our political perspectives back to the streets, through vehicle of Veterans Peace Action which kept us hopping and still does. The problem again is that organization was at its core made up of Vietnam War era veterans and not the younger kids, young women and men, who fought the Iraq and Afghanistan war. Those kids dealt with whatever anti-war feeling they had in a different way-not on the streets like we were very familiar with, had down to a science. So the same problems crept up sliding back to the nostalgic 1960s .        

In about 2010, maybe early 2011 we had an important meeting of those still standing, almost all old white guys which more and more reflected what was being written about. Like I said, and Allan really does bear the brunt of criticism on this, we had been very poor on bringing women in as the case of Leslie Dumont brought out graphically when she and I were talking that issue out as part of this piece. She had been our Josh Breslin’s companion and was a hell of a writer, better than most of us who were untrained, and perhaps untrainable when it got right down to it. Josh begged Allan to bring Leslie on board but no he kept her as a stringer like he had many other women who came and went until she left and eventually got that coveted by-line at New York Today.

The same was true of Josie Davis and Laura Perkins and both of them had been Allan’s companions when they were stringers. (Although Laura and I had known each other for many years then it was not until much later that we became companions after she left to teach at a local college and then became an executive at a high tech company before retiring a few years ago.) Again both could, and did, write circles around us looking again at the old Progressive Nation archives. Here is the sad part beyond that trio I can’t think of any other female stringers who stayed long enough for me to remember.

If we were bad on the reality of women writers we were even worse on black writers, or as the term latter more inclusively gained currency writers of color. That despite Allan personally having been involved in the 1960s black civil rights movement down South (much to our growing up neighborhood displeasure at the time which we have both written about elsewhere). Allan, and I will admit that I had a little of the same perspective for a while, never really broke from the quasi-black nationalist idea that black writers should write for black audiences and white writers for white audiences. Meeting who knows when to beat down the beast. That issue came up again a couple of years ago when the Black Lives Matter movement took off and we had a chance to grab DeShaun Lewis and Allan nixed the idea (as did DeShaun’s literary agent). Other than that forlorn attempt the only two black writers of note in the long forty year history I am detailing were Preston Thomas and Harold Bonner. Both of them were from our days on the Captain Crunch bus when we were travelling up and down the California coast which I have also written about extensively elsewhere in this space.                   

Sorry to go off on a little tangent but those two examples are specific cases of the need to bring in new blood in. And we did, although not without a little resistance from Allan and a couple of the older writers who felt threatened by the idea of new blood coming in almost certainly with professional training and writing circles around them. I will discuss that more in the concluding section when I run through the internal struggle from last year, from 2017. That is how we got Zack James, our friend Alex’s youngest brother who recently did such a great job on editing our remembrances of Peter Paul Markin and the magical ride he took us on for a time in the 1960s. Of course Allan might have considered that catch as a double-edged sword since Zack was and is one of the “Young Turks” who rode Allan out of town on a rail. Same with Lance Lawrence, Brad Fox, Jr. and Lenny Griffin to name just the leaders. 

Alan brought these younger writers, by the way none of them as young as twenty-something Kenny Jacobs brought in by Greg Green, but younger than the hoary old mass we were until the new blood arrived, but didn’t really know what to do with them. Or did know what to do with them but that was not the way to go as I knew telling him for maybe the past two years when I saw what was brewing. First off to appease the older writers, including me, Allan out of nowhere, and contrary to every 1960s instinct we still possessed, gave all the older writers the title of “Senior” whatever department they were writing for like my title was Senior Film Critic although I wrote other stuff for other departments. Secondly and this would rear its head in the open last year finally he would assign the younger writers what would be called in the internal dispute “the leavings” of what the older writers didn’t want or worse have to do a rehash of the older writers’ subject from a younger perspective whether they knew or cared about the subject or not. He let the older writers write whatever they wanted without question even if it retreaded fifty million times 1960s stuff, maybe especially if it was that kind of piece. The younger writers from early on had to wage a “civil war” to get clearance for any independent project. The smell of rebellion was in the air although I was by no means on top of it from the beginning.

[I will put this as an aside since it reflects my personal fall a couple of years ago and I am still not sure how much it affected my “treason” of siding with the “Young Turks” when the deal went down, when it was time to vote up or down on Allan’s demise on this site. A couple of years ago I started seriously questioning Allan about the direction of the blog and of the uses he was putting the younger writers too which was making our perspective even narrower than in previous years. That is about the time he started making noises about my “retirement,” about how maybe we needed a new face, new faces, at the film critic desk. 

What I didn’t know was that he was in touch with his, our, old friend Sandy Salmon over at American Film Gazette who told Allan he was looking to finish his career out on less stressful note than the day after day film reviews.  (Greg Green who also had come over from the Gazette amazed us one night when he mentioned that publication had produced over 40, 000 reviews.) That led, not without a smidgen of relief, to my being “pushed up the ladder” in Allan’s famous around the water cooler words, to “film critic emeritus” and Sandy taking over the day to day operations. Allan also bringing in Alden Riley as an associate film critic since he planned an expansion of the number of films reviewed that was a condition that Sandy insisted on when coming over. Things were okay, I won’t say great, for a while but I noticed that I was first not getting many assignments and then was getting turned down for ideas that I had for pieces. So when I mentioned earlier that Allan knew he had been “purged.” I knew he had been purged since I know from whence I speak have been “purged” myself just like in the old day cutthroat politics we grew up on.]          

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The Buzz Saw Of Social Media Down And Dirty

In a sense this last section is a bit anti-climactic since I have laid out the history leading up to the split, my part in it, and the result with the removal of the former site manager Alan Jackson in what I have described truly as a purge. (Some “fragile” types on both sides have backed off from that designation saying it is too rough but Allan knows, just as well as I do both of us veterans of many old-time political struggles in radical circles, that he had been purged.) That elevated Greg Green who had originally come over from the American Film Gazette to run the day to day operations to site manager. As part of the post-Allan regime Greg decided that he would create an Editorial Board to oversee everything and back up his decisions. For transparency reasons I should note that I sit on that board. I should also note that although it has only been in existence the past few months that there has been gripping about it being a rubber-stamp, a group of Greg toadies, and other derogatory remarks from young and older writers alike. Greg has also hired a couple of younger writers, really twenty something out of journalism schools and English majors. Brought on Josh Breslin’s former companion, Leslie Dumont, who many years ago worked here as a stringer but getting nowhere with Alan’s regime left and finally wound up with a big by-line at New York Monthly. Brought on my long-time companion Laura Perkins who also worked as a stringer and got nowhere with Alan and left for an academic and high tech career. Still no soap on getting any black writers, or more generically “writers of color.”

Those are the results thus far not without controversy and some hard feelings especially by the older writers who have been stripped of their titles, younger writers too who had worked for titles. Worse and which almost caused another explosion every writer now can be assigned any topic on any subject to as Greg says “broaden their horizons.” But enough of the current doings and back to the spring of 2017 and the genesis of the in-fighting that has brought these changes.

It almost seems like some twisted kiss of fate that Alex James, Zack’s oldest brother (who by the way is about ten years older than Zack showing a good example of the relative sense of “younger” writers Allan was bringing in. Certainly nobody as young as twenty something Kenny Jacobs), an old friend of ours from the old neighborhood, who went on to become a successful lawyer, went on a business trip to San Francisco last spring (2017). While there out of the blue Alex saw an advertisement on the side of a bus for something called The Summer of Love Experience, 1967 at the de Young Museum in famous Golden Gate Park. Sneaking (according to Alex) out one afternoon he saw the exhibition and was positively floored by the experience. See, he, we, under the “guidance” of the late Peter Paul Markin had been in the thick of the “drugs, sex, and rock and roll” mantra which all of that experience went under. When he got back to Boston Alex called or e-mailed everybody he knew from back in the days who was still standing and who had gone out there to see what was happening, to see as Markin had called it “the world turned upside down.” He gathered a number of us, including Zack who had gone to journalism school and was a veteran of various workshop programs, together in order to propose that in honor of our fallen brother Markin each write our “memoirs” of those times with Zack as editor and publisher. Those who agreed included old friend Allan Jackson who had also gone out there with us. The venture was a great success and various portions were posted last summer on the ALH blog as well as in booklet form.     

That seemingly small exercise in 1960s nostalgia apparently snapped something in Allan’s head. I have already mentioned the drift of the blog on the part of the older writers who were allowed by Allan to pick whatever subject they wanted (with the left-overs to the younger writers). Last summer right after the memorial booklet was published and articles posted Allan decided to do a massive blanket coverage of the 50^th anniversary of the Summer of Love by assigning a million topics related to that time. If you couldn’t link the Summer of Love, or the 1960s “hippie” experience, into your article he would red-pencil what you had written. (Allan liked to use a red pencil to “edit” something about his radical red youth he said when asked why he didn’t use the usual blue pencil.) This was no joke on Allan’s part. I was doing a little piece on figure skating after reviewing a Sonja Henny 1930s film. Allan asked me why I didn’t bring up the ice skating rink at Fillmore and Pacific where “hippies” would go to skate during 1967 when we were out there. WTF.

All of this came to a head when young Alden Riley, a new hire for the film department to help Sandy Salmon out with the increased load of films that were projected by Greg on the site. He was “assigned” by Allan, over Sandy’s head, to do a review on a bio/pic about Janis Joplin, a key musical figure in the heady days of the Monterey Pops Festival. Reason? After Sandy had done a review of D. A Pennebaker’s documentary about the first Monterey Festival he mentioned Ms. Joplin’s name and Alan said he did not know who she was. Allan heard about that blunder and ordered the assignment as “punishment’ is what he told Si Lannon, another of our old friends. Things only got worse from there as Allan double-downed on the Summer of Love connection for each article.

I am not quite sure who called the first meeting of essentially the whole rank of younger writers (average age somebody figured out about forty-five years old) to see what they would do about Allan’s manic behavior and their dubious assignments which to a man they could give f - -k about to quote Zack. Maybe it was Zack since he Lance Lawrence and Bradley Fox were the three ringleaders of the uprising who in water cooler legend were dubbed the “Young Turks.” They decided to go to Allan and put their cards on the table. He rebuffed them out of hand. That is when I came in, came to one of their meetings being invited by Alden, to see if I could reason with Allan. I proposed to Allan that we get Greg Green from American Film Gazette to come in to do the day to day operations leaving Allan time to write some stuff on his own or think about future assignments. He bought my argument once I explained that we might lose the whole cohort if things didn’t change. They didn’t as Allan pressed Greg to hand out these never-ending freaking 1960s world assignments.

To make a long story short the “Young Turks” (and me) had another meeting, an ultimatum meeting with me as the emissary to Allan again. The proposal of the group was either Allan “retire” or they collectively would quit. The decision to be determined by a majority vote-for or against. For some reason even I don’t understand to this day Allan agreed. You know the rest including my “traitorous” vote with the “Young Turks.” My decisive vote since we won by one vote. What you may not know is that while the split was almost directly along generational lines there were several abstentions among the older writers from the tallies. Any one of them casting a vote for Allan would have shifted the totals the other way and I would have been the one “purged” and working in Kansas someplace. So some of the older guys had also doubts about the wisdom of going back to the past. Now that you have the whole story this episode should be at rest. (With the exception of any articles still in the pipeline before the truce with Greg was negotiated.)          

The Rise And Fall Of The Shamus Game- Frank Sinatra’s “Tony Rome” (1967)-A Film Review

The Rise And Fall Of The Shamus Game- Frank Sinatra’s “Tony Rome” (1967)-A Film Review

DVD Review

By Bartlett Webber

Tony Rome, starring Frank Sinatra, Jill Saint John, 1967 

I am an old-time black and white film noir private detective, shamus, gumshoe, key-hole peeper, whatever you want to call guys who do the public coppers’ dirty work for chump change and a few lumps on the head, kind of guy. Have built a reputation in the cinematic and literary critics’ world for pushing up and pulling down the private eyes who filled up the screen when the film adaptations of guys like Dashiell Hammett, Raymond Chandler and James M. Cain in an off moment ruled the roost and made many an audience forget their woes for a while in the 1930s Great Depression days and the waiting by the home fires for the other shoe to drop during the 1940s European and Pacific Wars. To give you an example, a famous one that others like the legendary film critic Sandy Salmon have commented on, I have taken Hammett’s classic Sam Spade from out his The Maltese Falcon and run him up the pole as super-hero that no DC or Marvel comic holy goof could even stand in his shadow, could beat with that ten foot pole, or have placed him down in the mud with the other geeks playing a bit role (picked out of the Frisco town telephone book to boot) against the real action between Brigid O’Shaughnessy and the “Fat Man.” I could give more but that should suffice.  

So it came as a challenge, what would have been a freak of nature thing under the old regime on this site of Allan Jackson, when new site manager, Greg Green, not knowing of my area of expertise, assigned me this Tony Rome private detective film from the 1960s. I had at first refused, had put my foot down, when Greg essentially ordered me to do the review to “broaden my horizons.” The coup de grace though was when he threatened me with having to do one of those super-hero comic holy goof reviews which he has foisted on virtually everybody under the false impression that his target audience, the younger crowd, even bothered to read hard copy or on-line reviews. Could give a fuck about such views. (He still believes social media, the real way that crowd forms a critical mass for anything these days, is just a passing fad like the hula-hoops of my youth.) As you can tell I have if under protest succumbed to his blandishment.         

Frankly it is hard to see what makes the post-World War II Technicolor private detective tick. What makes Tony run. A guy like Sam Spade, Phil Marlowe, hell, even Lou Dalton grabbed a case, a murder case usually although real private detectives mainly did, do, key-hole peeping and re-po work, maybe a security breech problem on an off-day, bang-bang the bad guys and went under the satin sheets with whatever femme was still standing. But most days they were sitting in some run down ill-kept small office in some seen better days office building filled with failed dentists, unlicensed quacks, re-po men, junk jewelers, insurance salesman and quick change artists reaching periodically for that low shelf whiskey bottle in the bottom drawer of that paper-strewn desk trying to figure how to keep this dunning fools away from his door.   

This Tony Rome, played by East Coast cool and collected Frank Sinatra last seen in this space playing Oscar-worthy Maggio the platoon wise ass who got tumbled by a sadistic prison guard in the film adaptation of James Jones’ From Here to Eternity, I can’t figure. Worked out of Miami in the post-Cuban Revolution days not a bad locale but too much sunshine and blue ocean seas floating out high white notes for serious detection world like in fog-bound San Francisco. Lived off a boat, dressed like a sportsman (complete with soft hat an emblem of a by-gone era), drove a swanky car and not a clunker like most key-hole peepers who are one step ahead of the loan company’s re-po man, and had an office that Sam, Phil, Lou would have died for. Where is there room for a low rent desk and sipping out of low shelf pint whiskey bottles in all of that. To boot our man Tony has a gambling jones that keeps the wolves at his door and the need to grab some kale on the off-track days. A man with feet of clay, an everyman.    

Even the caper Tony gets involved is a laugher of sorts. A cheapjack case that wouldn’t draw breathe one from the old-timers. Some young curvaceous dippy dame had about seven too many drinks and wound up passed out on a motel bedroom. Bad for business anyway you look at the matter so Tony does his old ex-partner a favor taking the nymph home to rich father and mother. The old man wonders what happened to his daughter and hires our man to figure on what was what. The key, a missing diamond pin “misplaced” by said dippy daughter, gives Tony an excuse to hunt high and low for that damn thing. Then the bodies start to pileup as his ex-partner, a fence, a jeweler and his bodyguard are wasted.   

Tony then spends the rest of his time trying to figure out what was going on since that so-called diamond pin was bogus, was glass. After some more shootings and mayhem it turned that the rich man’s daughter was hocking her step-mother’s jewelry to give some moola to his drunken sot of a mother and her ne’er do well husband what actually ordered the various and sundry killings to keep the cash cow coming. The hook? That step-mother was previously married to one of the bad guys and had never gotten a divorce so the squeeze was on when that bad guy hit town looking for the big pay-off. Instead getting lead, plenty of it. In the end the bad guys took it on the head and that was that.     

Well almost “that was that” because have you noticed something missing. Unlike in a Sherlock Holmes story line where Danny Moriarty (an alias for reasons he can explain if you run across him in this space) has been running a campaign to debunk the Englishman as a serious detective bringing up of late the question of his and Doctor Watson’s sexual preferences since neither has been seen lately with a dame, even a one night stand, Tony is strictly a lady’s man. Or so that is the way he wants to see himself in the private detection world where every male P.I. is chasing skirts and nobody thinks anything of it. Except Tony is not really chasing any dame, not even 1960s eye candy Ann Archer, played by Jill Saint John, whose only purpose is to do the other end of a lot of sexual foreplay and innuendo but no silky sheets. Yeah, not your grandfather’s shamus, no indeed.   

All That Is Hollywood Tinsel Is Not Gold- F. Scott Fitzgerald At The End-“The Pat Hobby Stories”

All That Is Hollywood Tinsel Is Not Gold- F. Scott Fitzgerald At The End-“The Pat Hobby Stories”

Book Review

By Seth Garth

The Pat Hobby Stories, F. Scott Fitzgerald, originally printed in Esquire magazine, 1940-1941, collected 1962   

I had in earlier times, a few years ago now, gone on and on about who best represented the so-called Jazz Age F. Scott Fitzgerald whose works either coined the phrase or so well the times he owned the term or his fellow Parisian ex-pat Ernest Hemingway. Both exiles from a sullen America that was turning in on itself just when looking outward was necessary. Sound familiar? During that joust I came decidedly out on the side of Fitzgerald based on the great classic novel The Great Gatsby which put a microscope to the whole sordid mess of post-World War I America. Having answered that rather narrow question I have never done so, nor have never been asked by the previous site manager who gives out such assignment Allan Jackson, or the current one Greg Green to tackle the broader question of who had the more powerful collective novel output. For that I would have to flip to Hemingway both because he left a greater treasure-trove of such work and because he worked better in that genre. I have also never been asked to evaluate the better of the two when it comes to short stories. Then I would have to flip back to Fitzgerald since he wrote a ton more mainly to keep the dunning debt collector wolves from the door and live a life-style his wife Zelda was accustomed to and because he had a certain lyricism that hit the mark on this genre.

That brings us kind of full circle to the short story collection under review Fitzgerald’s  The Pat Hobby Stories written late in his career and while he was working like seven dervishes as a screen-writer in the Hollywood trying to salvage whatever scripts came his way while drinking up half the liquor cabinets in Beverly Hills. That drinking curse aside even at the end he had “it,” had that certain feel for what makes a short story entertaining and make a point, a social or literary point. In the interest of transparency, a trait, which Greg Green seems to be trying to cultivate here, the reason I was given this assignment by him was that I was the only one who had previously done any work on either author. According to Greg some of the other younger writers if you can believe this had never read anything but either man and only knew of them by reputation. Jesus.   

The title tells the story all of these twenty or so stories revolved around one Pat Hobby. One has-been screenwriter who had been around the Hollywood studio scene since Hector was a pup. Since the silent film days if anybody was asking. The former a very different kind of screenwriting skill from that of the “talkies” which depended on dialogue more than the earlier visual props setting to get through. Back in the day Pat had been king of the hill, had been a go to guy for every producer and director who needed an idea or a sick script worked on.  That was reflected in his upscale life-style (including the status symbol obligatory swimming pool to announce you had arrived), his bevy of wives who as he memorably noted later “fed out of his pocket” were in turn discarded and his more than nodding acquaintance with the stars of the era, male and female.             

But that was then, that was some ten years before the time of these stories which were written by Fitzgerald in 1939-1941 and so tell me that our Pat didn’t transition very well to the new milieu. At the time of the stories he is a forty-nine year old has-been hanging around studio lots “doing the best he can.” Grabbing a turkey of a script nobody else wanted to do, cadging his old director and producer friends to put him on contract salary at much diminished rates from the old top dollar days. Trying to “steal” other younger writers thunder when working with other writers. In short a man who is in decline.   

Pat though is not solely the victim of outside objective forces. He has a drinking problem, seems to have been an alcoholic, like Fitzgerald’s which would kill the author at an early age. He also seems to have liked to “play the ponies” which when you have no dough can be a dicey proposition as Bart Webber who has written about his own very real gambling jones here can tell you. Moreover it seems that it was touch and go about here he would be laying down his head any given night. A studio set empty bed or the back of his repo man’s delight car on its last legs (and not even owned by him).

Yeah, a guy on the skids, a guy a couple of inches away from the “row.” The big problem though is Pat has lost a step or seven in the “idea” department, has gotten stale. Not so off of this collection Fitzgerald though since I was eager, more than eager, to get to the next story to see what was what with Pat as a writer. From me that is a high compliment to an author. Enough said.