The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-Songs To While The Time By- The Roots Is The Toots-Chuck Berry’s Roll Over Beethoven

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-Songs To While The Time By- The Roots Is The Toots-Chuck Berry’s Roll Over Beethoven

A YouTube clip to give some flavor to this subject.
Introduction by Allan Jackson

[It is with a certain sadness that I introduce this last entry from The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night series which we first ran several years ago and which is now with this last entry finished having its encore presentation. I am extremely proud of that series which along with another series done earlier in my career entitled The Brothers Under The Bridge about guys from the Vietnam War, veterans who had serious trouble coming back to the real world after that experience and for a while formed an alternate world in the arroyos and along the railroad tracks and under the bridges of Southern California are two of the highlights of my career as manager editor at various site.

Of course this encore series has been fraught with all kinds of difficulties stemming from the faction fight in 2017 between the younger and older writers which led to my dismissal as site manager (some say “purge” but we will let that go since those who were on the other side have been generous in letting me finish the introductions to this series of sketches). The first part of the series was ghosted by Frank Jackman under the misapprehension that I had somehow “fallen under the bus” after I had been dismissed and people believed variously that I had gone to work for the Mormons out in Utah, had gone partners in a brothel in San Francisco with an old flame or had taken up with a drag queen in that same town. I, we have gone over all that in previous introductions so that story need not detain us further here.

The real question is what I will do now that I have done what I was called to do in order to finish up this series once again. Too much blood has been spilled since the fall of 2017 to assume that I would stay here in some capacity even though I have a few champions in my corner including Sam Lowell, my old corner boy who was pivotal in ramming through my dismissal (what he called politely a vote of no confidence). What I can tell the curious is that I will not go sell my soul to the Mormons out in Utah (nor with the silliest rumor of all when I went west to seek some kind of job to keep myself and my college-aged brood   will I go to work on Mitt Romney’s senatorial campaign out in Utah. Jesus after all I said about him in the 2008 and 2012 presidential campaigns I am lucky to have gotten out of Utah alive). Nor will I go partners with my dear old friend and lover Madame LaRue out in her high-end brothel catering to high rolling mostly Asian businessmen with a taste for walking on the wild side. Nor will I be keeping house with Miss Judy Garland as much as I love him, my old drag queen corner boy Timmy Riley who saved my ass the past year with generous help to tide me over. But everything else that sounds reasonable for an old corner boy and an old devotee of the Generation of ’68 and what happened to it is up for grabs. Allan Jackson]      

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Over the past several years I have been running an occasional series in this space of songs, mainly political protest songs, you know The Internationale (reflecting the necessarily international brother and sisterhood of the downtrodden and oppressed to get out from under the thumb of the now globalized economic royalists who run the show to their small benefit), Union Maid (reflecting the deep-seeded need to organize the unorganized and reorganize the previously organized sections of the labor movement in America), Which Side Are You On (reflecting, well, that is easy enough to figure out without further explanation, which side are you when the deal goes down), Viva La Quince Brigada (reflecting that at certain times and certain places we must take up arms like in the 1930s Spanish Civil War against the night-takers before they get out of their shells and wreak havoc on the world), Universal Soldier (reflecting the short-fall in the ability of humankind to step forward without going off the deep end of killing each other for no none reason), and such under the title Songs To While The Class Struggle By. And those songs have provided our movement with that combination entertainment/political message that is an art form that we use to draw the interested around us. Even though today those interested in struggling may be counted rather than among the countless that we need to take on the beasts and the class struggle to be “whiled away” is rather one-sidedly going against us at present. The bosses are using every means from firing militants to targeting and setting union organizing drives up for failure by every means possible to employing their paid propagandists to complain when the masses are not happy with having their plight groveled in their faces like they should be and are ready to do something about it while the rich, well, while away in luxury and comfort.  

Not all life however is political, or rather not all music lends itself to some kind of explicit political meaning but yet spoke to, let’s say, the poor sharecropper or planation worker on Mister’s land at the juke joint on Saturday listening to the country blues, unplugged, kids in the early 1950s at the jukebox listening to high be-bop swing heralding a new breeze to break out of the tired music of their parents, other kids listening, maybe at that same jukebox later in the decade now worn with play and coins listening to some guys from some Memphis record company rocking and rolling (okay, okay not just some record company but Sam Phillip’s Sun Records and not just some guys from the cornfields but Warren Smith, Elvis, Carl Perkins, Chuck Berry and Jerry Lee Lewis), or adults spending some dough to hear the latest from Tin Pan Alley (some Cole Porter, Irvin Berlin, Gershwin Brothers summertime and the living is easy tune)or some enchanted evening Broadway musical. And so they too while away to the various aspects of the American songbook and that rich tradition is which in honored here.   

This series which could include some modern protest songs as well like Pete Seeger’s Where Have All The Flowers Gone or Bob Dylan’s Blowin’ In The Wind, is centered on roots music as it has come down the ages and formed the core of the American songbook. You will find the odd, the eccentric, the forebears of later musical trends, and the just plain amusing here. Listen up.

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And as if you needed more motivation to list up run through this sketch:

The Roots Is The Toots-The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-Chuck Berry’s Roll Over Beethoven  

From The Pen Of Frank Jackman

Sam Lowell thought it was funny how things worked out in such contrary fashion in this wicked old world, not his expression that “wicked old world” for he preferred of late the more elastic and ironic “sad old world” reflecting since we are in a reflecting mood the swift passage of time and of times not coming back but that of his old time North Adamsville corner boy Peter Markin, Markin, who seemingly was possessed by the demon fight in his brain against the night-takers whatever their guise and who will be more fully introduced in a moment. (Markin aka Peter Paul Markin although nobody ever called him that except his mother, as one would expect although he hated to be teased by every kid from elementary school on including girls, girls who liked him too as a result, and his first ill-advised wife, a scion of the Mayfair swells who tried, unsuccessfully, to impress her leafy suburban parents with the familiar waspy triple names inherited from the long ago Brahmin forbear stowaways on the good ship Mayflower.)

Neither of those expressions referred to above date back to their youth since neither Sam nor Markin back then, back in their 1960s youth, would have used such old-fashioned religious-drenched expressions to express their take on the world since as with all youth, or at least youth who expected to “turn the world upside down” (an expression that they both did use in very different contexts) they would have withheld such judgments or were too busy doing that “turning” business and they had no time for adjectives to express their worldly concerns. No that expression, that understanding about the wickedness of the world had been picked up by Sam from Markin when they had reconnected a number of years previously after they had not seen each other for decades to express the uphill battles of those who had expected humankind to exhibit the better angels of their nature on a more regular basis. Some might call this a nostalgic glancing back, especially by Markin since he had more at stake in a favorable result, on a world that did not turn upside down or did so in a way very different from those hazy days.   

The funny part (or ironic if you prefer) was that Sam had been in his youth the least political, the least culture-oriented, the least musically-oriented of those corner boys like Markin, Jack Dawson, Jimmy Jenkins and “max daddy” leader Fritz Fallon (that “max daddy” another expression coined by Markin so although he has not even been properly introduced we know plenty about his place in the corner boy life, his place as “flak,” for Fritz’s operation although Fritz always called him “the Scribe” when he wanted something written up about his latest exploit and needed to play on Markin’s vanity, Markin with his finger-tip two thousand arcane facts stored in that brain ready to be fired at a moment’s notice for his leader. His leader who kept the coins flowing into the jukebox at Phil’s House of Pizza (don’t ask how that “coins flowing” got going since Fritz like most of the corner boys came “from hunger” but just take on faith that they got there. That shop had been located down a couple of blocks from the choppy ocean waters of Adamsville Beach (and still is although under totally different management from the arch-Italian Rizzo family that ran the place for several generation to some immigrant Albanians named Hoxha).

That made it among other things a natural hang-out place for wayward but harmless poor teenage corner boys. (The serious “townie” professional corner boys, the rumblers, tumblers, drifters, grifters and midnight sifters hung around Harry’s Variety with leader Red Riley over on Sagamore far from beaches, daytime beaches although rumors had been of more than one nighttime orgy with “nice” girls looking for kicks with rough boys down among the briny rocks. Fritz and the boys would not have gone within three blocks of that place. Maybe more from fear, legitimate fear as Fritz’s older brother, Timmy, a serious tough guy himself, could testify to the one time he tried to wait outside Harry’s for some reason, a friend stopping to buy a soda on a hot summer day Fritz said, and got chain-whipped by Red for his indiscretion. Moreover Phil’s provided a beautiful vantage point for scanning the horizon for those wayward girls who also kept their coins flowing into Phil’s jukebox (or a stray “nice” girl passing by after Red and his corner boys threw her over).

Sam had recently thought about that funny story that Markin had told the crowd once on a hot night in the summer of 1965 when nobody had any money and were just holding up the wall at Phil’s about Johnny Callahan, the flashy and unstoppable halfback from the high school team (and a guy even Red respected having made plenty of money off of “sports” who bet with him on Johnny’s prowess any given Saturday although Johnny once confessed that he too, rightly, avoided Harry’s after what had happened to Timmy). See Johnny was pretty poor in those days even by the median working poor standard of the old neighborhoods (although now, courtesy of his incessant radio and television advertising which continues to make everyone within fifty miles of North Adamsville who knew Johnny back in the day aware of his new profession, he is a prosperous Toyota car dealer down across from the mall in Hull about twenty miles from North Adamsville, the town where their mutual friend Josh Breslin soon to be introduced came from). Johnny, a real music maniac who would do his football weight-lifting exercises to Jerry Lee’s Great Balls of Fire, Gene Vincent’s Be-Bop-A-Lula and stuff like that to get him hyped up, had this routine in order to get to hear songs that he was dying to hear, stuff he would hear late at night coming from a rock station out of Detroit and which would show up a few weeks later on Phil’s jukebox just waiting for Johnny and the kids to fill the coffers, with the girls who had some dough, enough dough anyway to put coins into that jukebox.

Johnny would go up all flirty to some young thing (a Fritz expression coped from Jerry Lee and not an invention of Markin as he would later try to claim to some “young thing” that he was trying to “score”) or depending on whatever intelligent he had on the girl, maybe she had just had a fight with her boyfriend or had broken up with him so Johnny would be all sympathy, maybe she was just down in the dumps for no articulable reason like every teen goes through every chance they get, whatever it took. Johnny, by the way, would have gotten that intelligence via Markin who whatever else anybody had to say about him, good or bad, was wired into, no, made himself consciously privy to, all kinds of boy-girl information almost like he had a hook into that Monday morning before school girls’ locker room talkfest (everybody already knew that he was hooked into the boys’ Monday morning version and had started more rumors and other unsavory deeds than any ten other guys).

Now here is what Johnny “knew” about almost every girl if they had the quarter which allowed them to play three selections. He would let them pick that first one on their own, maybe something to express interest in his flirtation, maybe her name, say Donna, was also being used as the title of a latest hit, or if broken up some boy sorrow thing. Brenda Lee’s I Want To Be Wanted, stuff like that. The second one he would “suggest” something everybody wanted to listen to no matter what but which was starting to get old. Maybe an Elvis, Roy Orbison, Chuck Berry, Jerry Lee thing still on the jukebox playlist but getting wearisome. Then he would go in for the kill and “suggest” they play this new platter, you know, something like Martha and the Vandelas Dancing in the Streets or Roy’s Blue Bayou both of which he had heard on the midnight radio airwaves out of Detroit one night and were just getting play on the jukeboxes. And bingo before you know it she was playing the thing again, and again. Beautiful. And Johnny said that sometimes he would wind up with a date, especially if he had just scored about three touchdowns for the school, a date that is in the days before he and Kitty Kelly became an “item.” An item, although it is not germane to the story, who still is Johnny’s girl, wife, known as Mrs. Toyota now.

But enough of this downstream stuff Sam thought. The hell with Johnny and his cheapjack tricks (although not to those three beautiful touchdowns days, okay) this thing gnawing at him was about old age angst and not the corner boy glory days at Phil’s, although it was about old time corners boys and their current doings, some of them anyway. So yeah he had other things he wanted to think about (and besides he had already, with a good trade-in gotten his latest car from Mr. Toyota so enough there), to tell a candid world about how over the past few years with the country, the world, the universe had been going to hell in a hand-basket. In the old days, like he kept going back to he was not the least bit interested in anything in the big world outside of sports, and girls, of course. And endlessly working on plans to own his own business, a print shop, before he was twenty-five. Well, he did get that small business, although not until thirty and had prospered when he made connections to do printing for several big high-tech companies, notably IBM when they began outsourcing their work. He had prospered, had married (twice, and divorced twice), had the requisite tolerated children and adored grandchildren, and in his old age a woman companion to ease his time.

But there had been for a long time, through those failed marriages, through that business success something gnawing at him, something that Sam felt he had missed out on, or felt he had do something about. Then a few years ago when it was getting time for a high school class reunion he had Googled “North Adamsville Class of 1966” and came upon a class website for that year, his year, that had been set up by the reunion committee, and decided to join the site to keep up with what was going on, keep up with developments there (he would wind up not going to that reunion as he had planned to although that too is not germane to the story here except as one more thing that gnawed at him because in the end he could not face going home, believed in the end after a painful episode, a feud with a female fellow classmate that left bitter ashes in his mouth (hers too from what he had heard later) what Thomas Wolfe said in the title of one of his novels, you can’t go home again).

After he had registered on the site giving a brief resume of his interests and what he had been up to these past forty years or so years Sam looked at the class list, the entire list of class members alive and deceased (a rose beside their name signifying their passing, some seventy or so madding to his sad old world view) of who had joined and found the names of Peter Paul Markin and Jimmy Jenkins among those who had done so. (Sam had to laugh, listed as Peter Paul Markin since everybody was listed by their full names, revenge from the grave by his poor mother, and that leafy suburban first wife who tried to give him Mayflower credentials, he thought.) Jack Dawson had passed away a few years before, a broken man, broken after his son who had served in Iraq and Afghanistan had committed suicide, according to Markin, as had their corner boy leader, Fritz Fallon, homeless after going through a couple of fortunes, his own and a third wife’s.

Through the mechanism established on the site which allowed each class member who joined to have a private e-mail slot Sam contacted both men and the three of them started a rather vigorous on-line chat line for several weeks going through the alphabet of their experiences, good and bad, the time for sugar-coating was over unlike in their youth when all three would lie like crazy, especially about sex and with whom in order to keep their place in the pecking order, and in order to keep up with Fritz whom lied more than the three of them combined. Markin knew that, knew Fritz’s lying about his scorecard with under the satin sheets women, knew it better than anybody else but to keep his place as “scribe” in that crazy quill pecking order went along with such silly teenage stuff, stuff that in his other pursuits he would have laughed at but that is what made being a teenager back then, now too, from what Sam saw of his grandchildren’s trials and tribulation.

After a while, once the e-mail questions had worked their course, all three men met in Boston at the Sunnyvale Grille, a place where Markin had begun to hang out in after he had moved back to Boston from the West Coast (read “hang out”: did his daytime drinking) over by the waterfront, and spent a few hours discussing not so much old times per se but what was going on in the world now, and how the world had changed some much in the meantime. And since Markin, the political maniac of the tribe, was involved in the conversations maybe do something about it at least that is what Sam had hoped since he knew that is where he thought he needed to head in order to cut into that gnawing feeling at him. Sam was elated, and unlike in his youth he did not shut his ears down, when those two guys would talk politics, about the arts or about music. He had not listened back then since he was so strictly into girls and sports, not always in that order (which caused many problems later including one of the grounds for his one of his divorces, not the sports but the girls).

This is probably the place for Sam to introduce Peter Paul Markin although he had already given an earful (and what goes for Markin goes to a lesser extent for Jimmy who tended to follow in Pete’s wake on the issues back then, and still does). Markin as Sam already noted provided that noteworthy, national security agency-worthy service, that “intelligence” he provided all the guys (and not just his corner boys, although they had first dibs) about girls, who was “taken,” a very important factor if some frail (a Fritz term from watching too many 1940s gangster and detective movies and reading Dashiell Hammett too closely, especially The Maltese Falcon),was involved with some bruiser football player, some college joe who belonged to a fraternity and the brothers were sworn to avenge any brother’s indignities, or worse, worse of all, if she was involved with some outlaw biker who hung out in Adamsville and who if he hadn’t his monthly quota of  college boy wannabes red meat hanging out at Phil’s would not think twice about chain-whipping you just for the fuck of it (“for the fuck of it” a  term Jimmy constantly used so it was not always Markin or Fritz who led the verbal life around the corner), who was “unapproachable,”  probably more important than that social blunder of ‘hitting on” a taken woman since that snub by Miss Perfect-Turned-Up-Nose would make the rounds of that now legendary seminar, Monday morning before school girls’ locker room (and eventually work its way through Markin to the boys’ Monday morning version ruining whatever social standing the guy had spent since junior high trying to perfect in order to avoid the fatal nerd-dweeb-wallflower-square name your term).

Strangely Markin had made a serious mistake with Melinda Loring who blasted her freeze deep on him and he survived to tell the tale, or at least that is what he had the boys believe. Make of this what you will though he never after that Melinda Loring sting had a high school girlfriend from North Adamsville High, who, well, liked to “do the do” as they called it back then, that last part not always correct since everybody, girls and boys alike, were lying like crazy about whether they were “doing the do” or not, including Markin.

But beyond, well beyond, that schoolboy silliness Markin was made of sterner stuff (although Sam would not have bothered to use such a positive attribute about Markin back then) was super-political, super into art and what he called culture, you know going to poetry readings at coffeehouses, going over to Cambridge to watch foreign films with subtitles and themes that he would try to talk about and even Jimmy would turn his head, especially those French films by Jean Renoir, and super into music, fortunately he was not crazy for classical music (unlike some nerds in school then who were in the band and after practice you would hear Beethoven or somebody wafting through the halls after they had finished their sport’s practice)but serious about what is now called classic rock and roll and then in turn, the blues, and folk music (Sam still shuttered at that hillbilly stuff Markin tried to interest him in when he thought about it). That was how Markin had first met Josh Breslin, still a friend, whom he introduced to Sam at one of their meetings over at the Sunnyvale Grille.

Josh told the gathering that Markin had met him after high school, after he had graduated from Hull High (the same town where Johnny Callahan was burning up the Toyota sales records for New England) down at the Surf Ballroom (Sam had his own memories of the place, some good, some bad including one affair that almost wound up in marriage). Apparently Josh and Peter had had their wanting habits on the same girl at one Friday night dance when the great local cover band, the Rockin’ Ramrods held sway there, and had been successively her boyfriend for short periods both to be dumped for some stockbroker from New York. But their friendship remained and they had gone west together, gone on that Jack Kerouac On The Road trail for a number of years when they were trying their own version of turning the world upside down on. Josh also dabbled (his word) in the turning upside down politics of the time.

And that was the remarkable thing about Markin, not so much later in the 1960s in cahoots with Josh because half of youth nation, half the generation of ’68 was knee-deep in some movement, but in staid old North Adamsville High days, days when to just be conventionally political, wanting to run for office or something, was seen as kind of strange. See Peter was into the civil rights movement, nuclear disarmament, and social justice stuff that everybody thought he was crazy to be into, everybody from Ma to Fritz (and a few anonymous midnight phone-callers yelling n----r-lover and commie into the Markin home phone).  He had actually gone into Boston when he was a freshman and joined the picket-line in front of Woolworths’ protesting the fact that they would not let black people eat in their lunchrooms down south (and maybe Markin would say when he mentioned what he was up to Woolworth’s, or North Adamsville residents, were not that happy to have blacks in their northern lunchrooms either ), had joined a bunch of Quakers and little old ladies in tennis sneakers (a term then in use for airhead blue-haired lady do-gooders with nothing but time on their hands) calling on the government to stop building atomic bombs (not popular in the red scare Cold War “we were fighting against the Russians” North Adamsville, or most other American places either), running over to the art museum to check out the exhibits (including some funny stories about him and Jimmy busting up the place looking at the old Pharaoh times slave building Pyramids stuff uncovered by some Harvard guys way back), and going to coffeehouses in Harvard Square and listening to hokey folk music that was a drag. (Sam’s take on that subject then, and now.) So Markin was a walking contradiction, although that was probably not as strange now as it seemed back then when every new thing was looked at with suspicion and when kids like Peter were twisted in the wind between being corner boys and trying to figure out what that new wind was that was blowing though the land, when Sam and the other corner boys, except Jimmy and sometimes Jack would try to talk him out of stuff that would only upset everybody in town.

Here is the beauty, beauty for Sam now that he was all ears about what Peter had to say, he had kept at it, had kept the faith, while everybody else from their generation, or almost everybody, who protested war, protested around the social issues, had hung around coffeehouses and who had listened to folk music had long before given it up. Markin had, after his  Army time, spent a lot of time working with GIs around the war issues, protested the incessantly aggressive American foreign policy dipped internally into wars and coups at the drop of a hat and frequented off-beat coffeehouses set up in the basements of churches in order to hear the dwindling number of folk artists around. He had gotten and kept his “religion,” kept the faith in a sullen world. And like in the old days a new generation (added to that older North Adamsville generation which still, from the class website e-mail traffic had not gotten that much less hostile to what Markin had to say about this “wicked old world,” you already know the genesis of that term, right, was ready to curse him out, ready to curse the darkness against his small voice).

One night when Peter and Sam were alone at the Sunnyvale Grille, maybe both had had a few too many high-shelf scotches (now able to afford such liquor unlike in the old days when they both in their respective poverties, drank low-shelf Johnny Walker whiskey with a beer chaser when they had the dough, if not some cheapjack wine), Peter told Sam the story of how he had wanted to go to Alabama in high school, go to Selma, but his mother threatened to disown him if he did, threatened to disown him not for his desire to go but because she would not have been able to hold her head up in public if he had, and so although it ate at him not to go, go when his girlfriend, Helen Jackson, who lived in Gloversville, did go, he “took a dive” (Markin’s words).

Told Sam redemptive story too about his anti-war fight in the Army when he refused to go to Vietnam and wound up in an Army stockade for a couple of years altogether. (Sam thought that was a high price to pay for redemption but it may have been the scotch at work.) Told a number of stories about working with various veterans’ groups, throwing medals over Supreme Court barricades, chainings to the White House fence, sitting down in hostile honked traffic streets, blocking freeways complete with those same hostile honkings, a million walks for this and that, and some plain old ordinary handing out leaflets, working the polls and button-holing reluctant politicians to vote against the endless war budgets (this last the hardest task, harder than all the jailings, honkings, marches put together and seemingly the most fruitless).

Told too stories about the small coffeehouse places seeing retread folkies who had gone on to other things and then in a fit of anguish, or hubris, decided to go back on the trail. Told of many things that night not in feast of pride but to let Sam know that sometimes it was easier to act than to let that gnawing win the day. Told Sam that he too always had the “gnaw,” probably always would in this wicked old world. Sam was delighted by the whole talk, even if Markin was on his soapbox. 

That night too Peter mentioned in passing that he contributed to a number of blogs, a couple of political ones, including an anti-war veterans’ group, a couple of old time left-wing cultural sites and a folk music-oriented one. Sam confessed to Markin that although he had heard the word blog he did not know what a blog was. Peter told him that one of the virtues of the Internet was that it provided space (cyberspace, a term Sam had heard of and knew what it meant) for the average citizen to speak his or her mind via setting up a website or a blog. Blogs were simply a way to put your opinions and comments out there just like newspaper Op/Ed writers or news reporters and commentators although among professional reporters the average blog and blog writers were seen as too filled with opinions and sometimes rather loose with the facts. Peter said he was perfectly willing to allow the so-called “objective” reporters state the facts but he would be damned if the blog system was not a great way to get together with others interested in your areas of interest, yeah, stuff that interested you and that other like-minded spirits might respond to. Yeah that was worth the effort.

The actual process of blog creation (as opposed to the more complex website-creation which still takes a fair amount of expertise to create) had been made fairly simple over time, just follow a few simple prompts and you are in business. Also over time what was possible to do has been updated for ease, for example linking to other platforms to your site and be able to present multi-media works lashing up say your blog with YouTube or downloading photographs to add something to your presentation. Peter one afternoon after Sam had asked about his blog links showed him the most political one that he belonged to, one he had recently begun to share space with Josh Breslin, Frank Jackman and a couple of other guys that he had known since the 1960s on and who were familiar with the various social, political and cultural trends that floated out from that period. 

Sam was amazed at the various topics that those guys tackled, stuff that he vaguely remembered hearing about but which kind of passed him by as he had delved into the struggle to build his printing shop after high school and the marriage, first marriage, house, kids and dog bit.  He told Markin that as he scrolled through the site he got dizzy looking at the various titles from reviews of old time black and white movies that he remembered watching at the old Strand second run theater uptown, poetry from the “beat” generation, various political pieces on current stuff like the Middle East, the fight against war, political prisoners most of whom he had never heard of except the ones who had been Black Panther or guys like that who were on the news after they were killed or carted off to jail, all kinds of reviews of rock and roll complete with the songs via YouTube, too many reviews of folk music that he never really cared for, books that he knew Peter read like crazy but that Sam could not remember the titles of. The guys really had put a lot of stuff together, even stuff from other sites and announcements for every conceivable left-wing oriented event in Boston or the East Coast. He decided that he would become a Follower which was nothing sinister like some cult but just that you would receive notice when something was put on the blog.

Markin had also encouraged him to write some pieces about what interested him, maybe start out about the old days in North Adamsville since all the guys mined that vein for sketches (that is what Peter liked to call most of the material on site since they were usually too short to be considered short stories but too long to be human interest snapshots). Sam said he would think about the matter, think about it seriously once he read the caption below which was on a sidebar of the blog homepage:

“This space is noted for politics mainly, and mainly the desperate political fight against various social, economic and moral injustices and wrongs in this wicked old world, although the place where politics and cultural expression, especially post-World War II be-bop cultural expression, has drawn some of our interest over the past several years. The most telling example of that interest is in the field of popular music, centrally the blues, city and country, good woman on your mind, hardworking, hard drinking blues and folk music, mainly urban, mainly protest to high heaven against the world’s injustices smite the dragon down, folk music. Of late though the old time 1950s kid, primordial, big bang, jail-break rock and roll music that set us off from earlier generations has drawn our attention. Mostly by reviewing oldies CDs but here, and occasionally hereafter under this headline, specifically songs that some future archaeologists might dig up as prime examples of how we primitives lived ,and what we listened to back in the day.”

Sam could relate to that, had something to say about some of those songs. Josh Breslin laughed when he heard that Sam was interested in doing old time rock and roll sketches. He then added, “If we can only get him to move off his butt and come out and do some street politics with us we would be getting somewhere.” Peter just replied, “one step at a time.” Yeah, that’s the ticket. 

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The Old Man’s Old Sea- In Honor Of Our Homeland, The Ocean-With Phil Phillips’ Sea of Love In Mind

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The Old Man’s Old Sea- In Honor Of Our Homeland, The Ocean-With Phil Phillips’ Sea of Love In Mind

"Sea Of Love" was written by Philip Baptiste, George Khoury. 

Do you remember when we met?
That's the day I knew you were my pet
I wanna tell you how much I love you

Come with me, my love, to the sea
The sea of love
I wanna tell you just how much I love you
Come with me to the sea of love

Do you remember when we met?
Oh, that's the day I knew you were my pet
I wanna tell you, oh, how much I love you

Come with me to the sea of love
Come with me, my love, to the sea
The sea of love
I wanna tell you just how much I love you
I wanna tell you, oh, how much I love you

Songwriters
PHILIP BAPTISTE, GEORGE KHOURY

Read more: Robert Plant - Sea Of Love Lyrics | MetroLyrics

 Introduction by Allan Jackson
[Sam Lowell who just came back from a trip up to ocean Maine with Laura Perkins his longtime companion, my friend and a fellow writer here for the past few years once she got her bearings after being at other more fruitful for her publications reminded that when we were growing up in the old run down Acre neighborhood of North Adamsville one of the things that got us through some tough spots was close access to the sea. Access to the briny Atlantic Ocean which I, we feared and loved. Feared either by personal misfortune such as the time I almost drowned at eight years old due to my impending hubris although I did not know that word then or by victimization by the furies of our father Neptune when a vagrant hurricane swept through the area. I had hardly forgotten that experience, but it did help that Sam reminded me of some of the good parts since climate change and every other kind of misfortune has been wreaked on that desolate land.

Kids, kids probably from any generation if my own brood of grandchildren are any indication are like lemmings to the sea once they get a whiff of that pungent air. (I always made whatever companion/wife I had at any given time laugh when we were within about fifty miles of the ocean whenever we were travelling, and I think I got them thinking that way too. Needless to say, on a less humorous note please, pretty please don’t bury me in Kansas, Oklahoma either if what Sam tells me about a musical he and Laura saw up in oceanside Maine has any truth to it.) As I write this short intro, short because in re-reading this sketch there is no more that I can worthily add that would give better insight in its effects I can plausibly add no more. I would suggest however that you pay special attention to the section about Angelica of the roses and sweet beds and her reaction to the fury of the seas from somebody who grew up in Indiana and did not see the seas until adulthood. Allan Jackson]
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It is dawn, or maybe just those few minutes before the dawn, those dark light minutes when the sun’s battle for the day is set. The waves splash, today not so innocently, today not so tepidly like the past several days when the she sea sounds did not mercifully drown out traffics, construction hammers, or beach tractor clean-ups but swirling out from some hidden sea swells beyond the horizon against the defenseless waiting sand, sand beaten down since time immemorial. Or as long as anyone has been watching that feat, that seemingly endless feat.
This beach, this northern clime beach, the far end of Saco, Maine beach, is this day filled with empty clam shells from some timeless previous sea swirlings waiting sandification (is that right?), abandoned and mislaid lobster traps (and one up in lobster country had better know the difference, know the livelihood difference between the two conditions , just in case some irate craggy boat captain, aged liked the seas, decides to reclaim one over your head), occasional oil slicks spilled from the trawlers (and hopefully only small working  residues and not some monster slick by some tiny horizon tanker heading to oil depot ports further up the coast), working trawlers nearby, the flotsam and jetsam streamed here of a thousand ships, cargoes, careless throwaways and conscious, very conscious dumpings, like the sea was just another land-fill wanting filling.

Today though I am ready, ready for the hundredth hundredth time to walk the walk, the ocean walk that has defined more parts of me than heaven will ever know. As I button up my yellow slicker against the April winds that come here more often than, and can come out of the blue against the Bay of Fundy confusions, one minute eighty degrees the next thirty five, I see, see faintly in the distance, a figure, a fellow traveler taking his, her or its (don’t laugh I have seen horses, unridden horses, trotting these beaches, although no sea monsters), maybe also hundredth hundredth walking along the ocean sidewalk, and maybe, just maybe, for the same reason.
Today, hundredth, hundredth walk or not, I am in a remembering mood, a high dudgeon remembering mood that always gets triggered by proximity, fifty mile proximity if the truth be known, to the ocean. I have just finished up a piece of work that reminded me of seas, sea-sides, sea walks, sea rocks, ocean-side carnival amusement parks placed as if to mock the intrinsic interest that one would have in the sea, our homeland the sea, and I need to sort this out, also for that now familiar ten-thousandth time. But I best begin at the beginning, or try to, so I will be finished in that hour or so that it will take me to walk this walk, this rambling ocean walk, and I will pass that solitary walker coming the other way and be obliged under some law of the sea to break my train of thought and remark on the nature of the day, the nature of the ocean, and the joys of ocean-ness brought forth by old King Neptune to that passing stranger.

Ah, memory, jesus, just the names, Taffrail Road, Yardarm Lane, Captain's Walk, Quarterdeck Road, Sextant Circle, and the Snug Harbor Elementary School tell a story all on their own. Yes, those names, those seemingly misplaced, misbegotten names and places from the old housing project down in Adamsville, down in my old hometown, and where I came of age, sea-worthy age as well, surely evoke imagines of the sea, of long ago sailing ships, mast-strewn ships, and of desperate, high stakes battles fought off shrouded, mist-covered coasts by those hearty enough to seek fame and fortune. And agile enough to keep it. Almost from my first wobbly, halting baby steps down at “the projects” I have been physically drawn to the sea, a seductive, foam-flecked siren call that has never left me.
Needless to say, ever since I was a toddler my imagination, my sense of imagery, my sense of the nature of the world has been driven by the sea as well. Not so much of pirates and prizes, although those drove my youth a bit but of the power of nature, for good or evil. And on those long ago days, just like now, I dressed against the impending inclement weather with my mustard yellow rain slicker(French’s mustard color not Guiden’s, okay) complete with Gloucester fisherman’s rain floppy rain hat of the same color and rubber boots, black, knee-length boots that go squish, squish and have done so since before time immemorial.

Of course, anybody with any sense knows that anyone who had even a passing attachment to a place like Adamsville, tucked in a bay, an Atlantic bay, had to have an almost instinctual love of the sea; and, a fear of its furies when old Mother Nature turns her back on us. Yes, the endless sea, our homeland the sea, the mother we never knew, the sea... But, enough of those imaginings. If being determines consciousness, and if you love the ocean, then it does not hurt to have been brought up in Adamsiville with its ready access to the bay and water on three sides. That said, the focal point for any experience with the ocean in Adamsville centered, naturally, around its longest stretch of beach, Adamsville Central Beach. Puny by Saco beach far-as-the-eye-can-see standards, and Saco puny by Carlsbad (California Carlsbad) farther-than-the-eye-can-see standards but a place to learn the ropes of how to deal with the sea, with its pitfalls, its mysteries, it lure, and its lore.

For many of us of a certain age brought forth by the sea, including this writer, one cannot discuss Adamsville Central Beach properly without reference to such spots such as Howard Johnson's famous landmark ice cream stand (now a woe-begotten clam shack of no repute). For those who are clueless as to what I speak of, or have only heard about it in mythological terms from older relatives, or worst, have written it off as just another ice cream joint you can only dream of such heavens although someone, not me, not me today as I remembrance with a broad stroke and have no time for pretty descriptions, for literary flourishes, should really do themselves proud and write the history, yah, the child’s view history of that establishment. And make the theme, make the theme if you will, the bond between New England love of ice cream and of the sea (yes, it is true, other parts of the country, other ocean parts of the country as well, are, well, nonplussed by the ice cream idea, and it shows in their product).

Know this for now though: many a hot, muggy, sultry, sweaty summer evening was spent in line impatiently, and perhaps, on occasion, beyond impatience, waiting for one of those 27 (or was it 28?) flavors to cool off with. In those days the prize went to cherry vanilla in a sugar cone (backup: frozen pudding). I will not bore the reader with superlative terms and “they don’t make them like they used to”, especially for those who only know “Ho Jo’s” from the later, pale imitation franchise days out on some forsaken turnpike highway, but at that moment I was in very heaven.

Nor can one forget those stumbling, fumbling, fierce childish efforts, bare-footed against all motherly caution against the dreaded jellyfish (or motherly cautions against everything, everything even the slightest bit harmful in this dangerous old world), pail and shovel in hand, to dig for seemingly non-existent clams down toward the South Adamsville end of the beach at the, in those days, just slightly oil-slicked, sulfuric low tide (the days before dinosaur lament fossils fuels exploded the oceans). Or the smell of charcoal-flavored hot dogs on those occasional family barbecues (when one in a series of old jalopies, Nash Ramblers come to mind and disappear, that my father drove worked well enough to get us there) at the then just recently constructed old Treasure Island (now named after some fallen Marine) that were some of the too few times when my family acted like a family. Or, more vivid, the memory of roasted, really burnt, sticky marshmallows sticking to the roof of my mouth (and maybe still ancient wound stuck there).

But those thoughts and smells are not the only ones that interest me today. No trip down memory lane would be complete without at least a passing reference to high school Adamsville Central Beach. The sea brings out many emotions: humankind's struggle against nature ( a fitful and uneven struggle at best as a few over the top wave crashes have demonstrated to keep us on our toes, and humble), some Zen notions of oneness with the universe (and if not Zen then Kali, Misha or some Zoroastrian flaming fire god mad monk), the calming effect of the thundering waves (rule: speak no louder than the angriest wave in its presence, children under twelve excepted), thoughts of mortality (endless seas bring that notion to the fore and not just ancient wounds and sorrows), and so on. But it also brings out the primordial longings for companionship. And no one longs for companionship more than teenagers. So the draw of the ocean is not just in its cosmic appeal but hormonal, as well. Mind you, however, we, you and I, just in case a stray naive child of about eight is around, are not discussing the nighttime Adamsville Beach, the time of "parking" and the "submarine races.” Our thoughts are now pure as the driven snow. We will confine ourselves to the day time beach.

Virtually from the day we got out of school for the summer vacation I headed for the beach. And not just any section of that beach but the section directly between the John Adams and John Quincy Adams Yacht Clubs (yes, it was that kind of city touting ancient wise men long gone and not missed, not missed after the obligatory sixth grade crypt visit in the Center, not missed, hell, not even on the radar for heady 1960s teenagers. Now, I ask you, was situating myself in that spot done so that I could watch all the fine boats at anchor? Or was this the best swimming location on the beach? Hell no, this is where we heard (and here I include my old running pal and classmate, Frankie, Francis Xavier Riley, the king of the North Adamsville corner boy night around Salducci’s Pizza Parlor of blessed memory and nothing but a flame-throwing lady-killer, uh, when his honey, Joanne Doyle was summering elsewhere) all the "babes" were. We were, apparently, under the influence of Beach Blanket Bingo or some such teenage beach film. (For those who are again clueless this was a grade B ‘boy meets girl’ saga the plot behind a thousand Hollywood films, except they exploded into song on the beach as well.)

Well, for those who expected a movie-like happy ending to this section of the remembrance piece, you know, where I meet a youthful "Ms. Right" to the strains of the song Sea of Love, forget it. (That is the original Sea of Love, by the way, not the one used in the movie of the same name sung by Tom Waits at the end, and a cover that you should listen to on YouTube.) I will keep the gory details short, though. As fate would have it there may have been "babes" aplenty down there but not for this lad. I don't know about you but I was just too socially awkward (read, tongue-tied) to get up the nerve to talk to girls (female readers substitute boys here). And on reflection, if the truth were to be known, I would not have known what to do about such a situation in any case. No job, no money and, most importantly, no car for a date to watch one of those legendary "submarine races" that we, you and I, have agreed that we will not discuss here. But we can hardly fault the sea for that, right?

But visions of nearly one-half century ago hardly exhaust the lure of the sea. And, speaking of visions, that fellow sea-seeker I mentioned a while ago, coming from the other end of the beach is starting to take shape, it is a he, I can tell by the walk, by the sea walk that men put on when they are alone with their thoughts, although beyond that he is too far away for me to determine age, class (this is a very democratic beach, in most spots, with few vulgar and almost universally disregarded no-trespassing-private property-keep out-beware-of-dogs-police-take-notice signs on some Mayfair swell properties), or physical description, as the suppressed light from the cloudy morning day gets a little brighter

Funny, some people I have known, including some I grew up with, grew up with breathing ocean air embedded in their inner beings and who started with a love of the sea much as I did, moved to Kansas, Omaha, Peoria, Winnemucca or some such place, some such distinctly non-ocean place and never looked back. Christ, as is well known by one and all who know me I get very nervous even now when, as a city boy, I go to the country and do not have the feel of city lights to comfort me. Not as well- known is the fact, the hard fact that I get nervous, very nervous, when I am not within driving distance of some ocean, say that fifty miles mentioned above. So keep, please keep, your Kansas, your Omaha, your Peoria, and your damned Winnemucca (and that desolate bus station bench I slept on one night after giving up on the hitchhike road for the evening trying to head out of town to no avail, trying to head ocean west, and let me be, be in places like Bar Harbor, Maine, Peggy’s Cove, Nova Scotia, Sanibel Island, Florida, Carlsbad, California (hell no, not the New Mexico one ), Mendocino, ditto California, Seattle, Washington just to name a few places on this continent, and there are many others, and on other continents, or the edges of other continents, as well. And stories, plenty of stories, which I don’t have time to tell you now except for one that will stand in as an exemplar for what I mean. By the way that form, that mannish form, coming toward me is looking more like a young man by the speed of his walk, and he too seems to have on a the favored sea dog yellow rain jacket. 
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January 1970 visions of Angelica, Angelica of the homeland sea.
I waved good-bye to Angelica, once again, as she drove off from the ocean front campsite that we had been camping out on, the Leo Carrillo State Park near Point Magoo about fifty miles or so north of Los Angeles. She will now drive the road back in her green Ford Hertz unlimited mileage, mid-size rental (paid for, as she explained one night, by her parents whose golden age of the automobile-frenzied minds counted it as a strike against me, a very big strike, that when I had “kidnapped” their daughter on the 1969 blue-pink summer road west down in Steubenville, Ohio I didn’t even have a car). She planned (on my advice) to drive back mostly on the ocean-abutted, white-capped waves smashing against jagged ancient shore rocks, Pacific Coast Highway down through Malibu and Santa Monica to take one last look at the Pacific Ocean as the final point on her first look ocean trip, on the way to LAX to take a flight back to school days Muncie, Indiana.

She will also be driving back to the airport and getting on that miserable plane east knowing as I do since we talked about it incessantly during her stay, that some right things, or at least some maybe right things, like our being together last summer heading free west and for these two January weeks in front of the sea, our homeland the sea, before her classes started again, got caught up in the curious web of the human drama. For no understandable reason. Hey, you already knew this if you have ever had even that one teeny-weeny, tiny, minuscule love affair that just had no place to go, or no time to take root, or just got caught out there in the blue-pink night. Yah, you know that story. But let me take some minutes to tell you this one. If it seems very familiar and you “know” the plot line well then just move on.

To get you up to speed after Angelica and I had been on the heartland hitchhike road (and places like Moline, Neola, and Omaha are nothing but the heartland, good or bad), she, well, she just got tired of it, tired of the lacks, tired of the uncertainties of the road. Hell hell-on-wheels, I was getting tired of it myself except I was a man on a mission. The nature of that mission is contained in the words “search for the blue-pink great American West night” so the particulars of that mission need not detain us here. So in Neola, Iowa, Neola, Iowa of all places aided by “fairy grandmother” Aunt Betty, who ran the local diner where Angelica worked to help make us some dough to move on, and her own sense of dreams she called it quits back in September. Aunt Betty drove us to Omaha where Angelica took the bus back east, Indiana east from Nebraska, to hometown Muncie and I hit Interstate 80 West headed first to Denver before the snows, or so I hoped.

Honestly, although we exchanged addresses and telephone numbers where messages could be left, or where we could speak to each other (her parents’ house not being one of them), and made big plans to reunite in California in January during her school break, I didn’t really think that once we were off the road together that those plans would pan out.
Now I may not remember all my reasoning at the time this far removed, the now of my telling this story many years later, but I had had enough relationships with women to sense this one was good, very good, while it lasted but it could not survive the parting.
Not one of those overused “absence makes the heart grow fonder” things you hear about. And, truth to tell, because I thought that was the way things would play out, I started getting focused back on Boston Joyel more than a little as I walked a lot, stood at the shoulder of the hitchhike road a lot, and fitfully got my rides on the road west.

But see this is where you think you have something figured out just so and then it goes awry. Angelica called, left messages, sent letters, even a telegram, to Denver (to the commune where, Jack and Mattie, my traveling companions on the final leg west whom I had met earlier in the spring on a different trip down to D.C., were staying). She sent more communications in early December saying that she was still coming to Los Angeles as well where we three stayed with a few artistic friends of Jack and Mattie’s. Cinema-crazed artistic friends, including one budding film director who, moreover, had great dope connections right into the heart of Mexico. This is where they would stay while I planned to push the hitchhike road north heading to San Francisco.

I once, in running through one of the scenes in this hitchhike road show, oh yah, it was the Neola scene, mentioned that in Angelica what you saw was what you got, what she said was what she meant, and both those were good things indeed. And so if I had thought about it a minute of course she was coming to California in January and staying with me for her two week break, and maybe longer. So when January came she contacted me though John and Mattie, who like I said were now staying with this very interesting experimental film-maker, David, in the Hollywood hills and canyons. I started back south to L.A. in order to meet her at the airport. From there I had it planned that we would go to Point Magoo and camp out like in the “old days” at an ocean front state park.

Needless to say when I greeted her at LAX we both were all smiles, I was in more than all smiles mode, because I had been “stag” for a while and she was, well, fetching as always, or almost always. Here though is where I noticed that the road really is not for everyone. In Neola, and later getting on the bus back home in Omaha, poor Angelica looked pretty haggard but at the airport, well like I said, she was fetching.
And, guess what, she brought her sleeping bag that we had gotten for her in a Lexington, Kentucky Army-Navy Store when we first seriously started on the road west. The first thing she said about it was, referring to a little in-joke between us, “it fits two, in a pinch.” Be still my heart. So we gathered up her stuff, did the airport exit stuff (easier in those days) and picked up the outside shuttle to the Hertz car rental terminal. We were jabbering away like crazy, but best of all, we were like, a little, those first days last summer back in that old-time Steubenville truck stop diner and cabin when I first met her.

Of course, part of the trip for her, part of what she went as far as she could with me on the hitchhike road for, was to get to California and see what it was all about, and what the ocean was all about since she was a heartland girl who had never seen the ocean before. When we got to Point Magoo she flipped out, she flipped out mostly at the idea that we would stay, could stay right on the beach in front of the ocean. And just like a kid, just like I did when I was kid and saw the ocean, when she saw the Pacific, she jumped right in. Hell, she was so excited she almost got caught in a small riptide. I had to go drag her out. I won’t say we had fun every minute of those weeks acting out our ocean nomad existence, but most minutes, and I could see that she felt the same way.

Naturally, as time drifted away toward her return flight date we talked more and more about what the future, if any, held in store for us. She was adamant about not going back on the road, she was adamant as well that she wanted to finish school and make something of herself. I had no serious defense against that practical wisdom. And, truthfully, I wasn’t, toward the end of her stay, pushing the issue, partially because even I could see that it made sense but also, we had had a “flare-up” over the Boston Joyel question (I am being polite here).

But it was more than that; the flat out, hungry truth was that I really didn’t know how to deal with a Midwestern what you see is what you get woman like Angelica. I was more used to virtuous Irish Catholic girls who drove me crazy as a kid getting me all twisted up about religion, about nice girls, and about duplicity when I found out what the real score was with this type of young girl/ woman later. I was also, and Joyel was the epitome of this type, totally in sync (well, as much as a man can be) with the Harvard Square folksy, intellectual, abstract idealist, let’s-look-at-everything-from-twenty-two different angles, what is the meaning of human relationships 24/7 kind of woman. And fatally attracted to them (and still am). This Angelica look at things only a couple of ways, let’s work things out easy-like, heavens, let’s not analyze everything to the nth degree flipped me out. Angelica was a breath of fresh air and, maybe, maybe, about ten years later, and two divorces later to boot, I would have had that enough sense god gave geese to hold onto her with both hands, tightly, very tightly. But I was in my blue-pink search phase and not to be detoured.

Of course all this hard work of trying to understand where we stood put a little crack in our reason for being together in the first place. The search for, search for something. Maybe, for her, it was just that life minute at the ocean and then on to regular life minutes out in the thickets of the white picket fences. She never said it then in so many words but that seemed to be the aim. And to be truthful, although I was only just barely thinking about it at the time, as the social turmoil of the times got weird, diffuse, and began to evaporate things started to lose steam. As we were, seemingly, endlessly taking our one-sided beatings as those in charge started a counter-offensive ( a counter-offensive still going on) people, good people, but people made of human clay nevertheless got tired of the this and that existence, even Joyel. Joyel of Harvard Square folksy, intellectual, abstract idealist, let’s-look-at-everything-from-twenty-two different angles, what is the meaning of relationships 24/7 was also weary and wary of what was next and where she fit into “square” society. Christ, enough of that, we know, or knew, that song too well.

A couple of days before Angelica was to leave, and on a day when the sun seemed especially bright, especially bright for then smog-filled Los Angeles January, and warm, not resident warm but Boston and Muncie warm, sat like two seals sunning ourselves in the glow of mother ocean she nudged me and asked me if I had a joint. Now Angelica liked a little vino now and then but I can’t recall her ever doing a joint (grass, marijuana, herb, ganja, whatever you call it in your neck of the woods). So this is new. The problem, although not a big one in ocean-side state park 1970 Southern California, was that I was not “holding.” No problem though, a few spots down the beach was an old well-traveled, kind of beat-up Volkswagen van that I knew, knew just as sure as I was standing on that white sand beach, was “holding.” I went over, asked around, and “bingo” two nice big joints came traveling with me back to our campsite. Oh, daddy, daddy out in the be-bop blue-pink night thank you brother van man. For just a minute, just that 1970 California minute, the righteous did inherit the earth.

Back at our camp site Angelica awaited the outcome of my quest, although she also wanted to wait until later, until the day’s sun started going down a bit more to go into that smoked-filled good night. When that later came Angelica was scared/ thrilled, as she tried to smoke the one I lit up for her and started coughing like crazy, but that was nothing then. Everybody, at least everybody I knew, went through that same baptism. But Jesus, did we get mellow, that stuff, as was most stuff then, was primo, not your ragweed bull stuff that ran the rounds later. And why should it have not been so as we were so close to the then sane Mexican border of those days to get the good stuff.

But all of this build-up over this dope scene is so much filler, filler in those days when if you didn’t at least take a pipe full (inhale or not, like it or not) you were a square “squared.” What the stuff did for Angelica, and through Angelica to me, got her to open up a little. No, not about family, or old boyfriends, or her this and that problems. No, but kind of deep, kind of deep somewhere that she maybe didn’t know existed. Deep as I had ever heard her before. She talked about her fate, the fate of the fates, about what was going on in the world, no, not politics; she was organically incapable of that. Mystics stuff, getting in touch with the sea homeland stuff, earth mother stuff too in a way. Dope-edged stuff sure but when she compared the splashing foam-flecked waves to some cosmic force that I forget how she put it (remember I was dope-addled as well) then for just that moment, just that moment when the old red-balled sun started to dip to the horizon on one of those fairly rare days when it met the ocean I swear that Angelica knew, knew in her heart, knew in her soul even, what the blue-pink American West dream stuff I had bombarded her with was all about. That was our moment, and we both knew it.

So when leaving came a couple of days later and we both knew, I think, as we packed up her things, including that well-used sleeping bag, we had come to a parting of the roads. As I put her stuff in the rental car she sweetly blurted out something I was also thinking, “I’ll always remember that night we made the earth under the cabin in Steubenville shake.” And I thought I bet she will, although she forgot the part about the making the roof of the cabin move too. And so there I was, waving as she drove off to her Angelica dreams. And I never saw her again.
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But enough of ancient thoughts, of ancient sea thoughts, and ancient sea loves because just now I see that previously distant figure is none other than a young boy, a young boy of maybe six or seven, not older I am sure. About fifty yards away he stops, as boys and girls will when confronted with the endless treasures of the sea, and is intently looking at some sea object although I cannot make it out from this distance. What I can make out, make out very plainly, is that he is wearing a mustard yellow rain slicker (French’s mustard color not Guiden’s) complete with a Gloucester fisherman’s floppy rain hat of the same color and knee-deep rubber boots, black, of course. As we approach each other I notice that he has that determined sea walk that I have carried with me since childhood. I look at him intensely, he looks at me intensely, and we nod as we pass each other. No words, no remarks on the nature of the day, the nature of the ocean, and the joys of ocean-ness brought forth by old King Neptune need be spoken between us. The nod, the ocean swell, and the ocean sound as the waves crashed almost to the sand beneath our feet, spoke for us. The torch had been passed.

When Cowboy Angels Roamed The Wide World Wicked West-With The 75th Anniversary Of The Musical “Oklahoma!” In Mind-Okay

When Cowboy Angels Roamed The Wide World Wicked West-With The 75^th Anniversary Of The Musical “Oklahoma!” In Mind-Okay

By Sam Lowell

Everybody has been fretting about the freight car full of 50^th anniversary commemorations over the past couple of years starting with 2017s Summer of Love, 1967 (the obsessive devotion to honor which was the undoing of long time site manager here Allan Jackson but that is a tale already told) and now knee deep in the 2018 ones with the sad recent commemoration of Bobby, you know beloved Bobby Kennedy of the “seek a newer world” idea. Earlier in the year Si Lannon was beside in commemorating the 50^th anniversary of the musical Hair and a couple of years ago Sandy Salmon went nuts over the 75^th anniversary commemoration of Humphrey Bogart and Ingrid Bergman’s Casablanca. So I am in good company in running an account of the 75^th anniversary of the musical Oklahoma! Which is in revival at the famous summer stock Ogunquit Playhouse up in the Maine town of the same name.

Frankly I had no intention of going to the revival or of commenting on the production here in this space but I have had more onerous tasks under more trying conditions, so I am not complaining. See my long- time companion Laura Perkins wanted to go to Maine as is her wont to get some sunlight and fresh ocean air before the places get crowded with people from all over including those denizens of landlocked Quebec nation who seek the Maine shore as their own come July and August. As is well known by those who have even glanced at this space over the years I am crazy for the ocean so it was a no-brainer. As we prepared for the short trip Laura mentioned how much she has liked the production o of The Million Dollar Quartet about the minute at the Sun Records studio in Memphis Elvis, I hope I need not give a surname, Carl Perkins, Johnny Cash and Jerry Lee Lewis blew out the rock and roll lights early in their careers and wondered aloud whether we might see something at the Playhouse while we were up there. I checked and it came out Oklahoma!, or rather the last preview of the production. I got the tickets and we were off.

Now Laura knows all kinds of good things about music, books, art, culture in general as she has displayed here over the past year or so since she has come back to write reviews that have suited her talents. What she knew nada, nothing, no way about was Broadway musicals and show tunes. Clueless from how they are produced and the norm of how their creators divide up the labor as here with Oscar Hammerstein and Richard Rodgers doing music and lyrics a thing they did many times to good effect on the Great White Way. So this production was something of a primer about how said musicals come together in the modern theater. Previously to this very musical most of them starred well-known singers who sang their hearts out behind a thinly veiled script, usually so hokey boy meets girl thing although that has been the staple of many creative ventures in books and film as well. Without getting bogged down in technical stuff this pair, Oscar and Richard if I may be so bold, decided to grab unknown singers and dancers and do an ensemble performance around what is frankly still a pretty thin plotline-yes that tried and true boy meets girl thing that has keep half of Western civilization on the edge of their seats form millennia plopping it down in the West as an add on.

Of course, in America, the America of the original conception you could not go wrong by heading out to the Wild West, well sort of wild west to do a tribute to the rugged individuals who went there-and survived. Went to the Oklahoma Territory early on before statehood cast its shadow on the land, on the Native American land if you think about it. Land from the trail of tears now with white value as the teeming Eastern cities filled up and some looked for that legendary pot of gold and streets paved that way too away from all of that grit and grime to breathe free at last. Still remember as everybody should and as a god friend of mine learned the hard way out in Standing Rock when they were trying to stop the goddam pipeline going through their sacred lands, remember it was Native American sacred land, their sacred lands. Some are juts now starting to do their invocations around that theme just so the unknowing get to know what is what. Kids of my generation, the vaunted Generation of ’68 which is beginning to tire and peter out, and maybe the generation before learned, the one the media have declared the greatest generation based on scant evidence beyond the Great Depression and World War II after which they fell asleep, a drugged sleep if you ask me, their idea of the West, the only good Indian is a dead one, good guys wear white hats and bad guys from Hollywood movies, the ubiquitous television and less so from book by guys like Zane Grey and his crowd.  

       

That was not the real West as more recent Hollywood productions and books have underscored but the West of the 1940s understanding that city guys like Rodgers and Hammerstein has in mind. The real deal though beside touting the virtues of the West is the inevitable romance between the two main characters handsome singing cowboy angel to make Tex Ritter blush angel Curly and his dead aim at Laurie who for much of the production does not give him the time of day despite her love for the big goof. Along the way though there is a dark spot in the person of the crazy maniac Jud who also has a hankering for Laurie, a murderous hankering. This Jud represents the uncivilized part of the West but for purposes of the musical also is the center of a dream sequence which I thought was rather amazing for what had started outlooking like a light look at the West draped around the romance. Of course there was the usual amount of singing especially the title tune and Oh What a Beautiful Morning as the newly wedded part after fighting off the dark spirits of Jud in their very own surrey with the fringe on top.

P.S. I note that one Laura Perkins. She of the nada, nothing, no way has ordered Camelot, An American in Paris, and a couple of Miss Judy Garland musicals, the latter after I tipped her to the fate of one of our old corner boys Timmy Riley who eventually came out of the closet in San Francisco and is running the most popular tourist attraction drag queen show in that town with him occasionally headlining with his take on Miss Judy Garland which had made him the toast of the town.       

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-Where Have The Girls Gone- When Young Women’s Voices Ruled the Airwaves Before The British Rock Invasion, Circa 1964- With Ruby And The Romantics Our Day Will Come In Mind

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-Where Have The Girls Gone- When Young Women’s Voices Ruled the Airwaves Before The British Rock Invasion, Circa 1964- With Ruby And The Romantics Our Day Will Come In Mind

A YouTube film clip of Ruby & The Romantics performing the classic, Our Day Will Come.

Our day will come
And we'll have everything.
We'll share the joy
Falling in love can bring.

No one can tell me
That I'm too young to know (young to know)
I love you so (love you so)
And you love me.

Our day will come
If we just wait a while.
No tears for us -
Think love and wear a smile.

Our dreams have magic
Because we'll always stay
In love this way
Our day will come.
(Our day will come; our day will come.)

[Break]

Our dreams have magic
Because we'll always stay
In love this way.
Our day will come.
Our day will come.

********

Introduction by Allan Jackson

[Not every sketch in this series was predicated on some incident which one of my growing up corner boys in the working poor Acre neighborhood of North Adamsville about thirty miles south of Boston as the crow flies. Some of the sketches that I commissioned or wrote myself under the pen name of Peter Paul Markin, a moniker used in honor of a late corner boy who taught us all a lot by who let it all slip away after his military service in Vietnam who he (we who also went) never recovered from, were taken from other places and other circumstances. The sketch below was, if I remember correctly, done after Josh Breslin, noted that one of the pathologies of the working poor, or some of the working poor, is a strong inclination to lie, lie seriously as well as just for the sake of lying. Now Josh was not an Acre corner boy although he came from working poor corner boy culture up in the old mill town of Olde Saco up in Maine so he knew from where he spoke. We had met Josh through Markin out in San Francisco in the Summer of Love, 1967 when he, they, we headed out there to see what was happening. For the North Adamsville corner boys it was all about Markin pulling us out kicking and screaming if you can believe that.

But all of that Summer of Love, 1967 business has been endlessly written about here and that “overkill” was allegedly one of the reason that I was fired as site manager from this publication and not germane to Josh’s point about the chronic lying that went. He mentioned at the time that this sketch was written by him that he was thinking of the situation with Johnny Logan one of his hang around guys (corner boys really although Josh said unlike us that they never called or thought of themselves by that term). Johnny had come from an even poorer family than Josh’s which according to Josh was saying something. Josh was not sure about Johnny early childhood but he knew that Johnny was always behind the eight ball in school, in church, in sports and so he assumed that Johnny had developed the lying habits in reaction to his terrible home life from early on if he was that way in junior high school when they met and became fast friends.

They never spoke about it much, still don’t on the infrequent occasions when Josh heads back up to Olde Saco for a visit to the old town. Josh knew this much though except for his name, and maybe under some circumstances even then, Johnny would lie about almost anything. For example from very early on Josh found out that Johnny would tell people he met that he was from Kennebunkport (yes, the place where old man Bush, the first one, has his summer place) a swanky place with some cache for people who knew about the place. Would constantly lie about almost everything about himself from how well he did in sports (not well) to attending church (not much) to saying how many girlfriends he had and what he did with them (not many and not much respectively). Now all of this may seem like kids’ stuff except what happened is that Johnny would always get himself into trouble when he was called on stuff and as could be expected had very few lasting friendships since his lying spilled over to larceny and such most often than not. For example that Kennebunkport business got him in trouble when somebody went to “visit” him at the address he had given in order to collect some money he had lent Johnny. Somehow the guy traced back and found Johnny and forced him to repay the loan.

Josh had a million examples like that but the one that kind of stuck in my mind was when several years ago, maybe a decade now Johnny who had a serious drinking problem decided to sober up and join Alcoholics Anonymous. You would think that under those collective circumstances Johnny would come clean in order to start fresh. Not so. Johnny made up lies about his Army service (which is where he claimed he started drinking to excess), about his marriages (two not three), about his children (none not two), about where he lived as an adult (Massachusetts not California) and on and on. Now all of this may not be attributable to growing up poor in America since you can always use the old chestnut that others have pulled themselves up by the bootstraps but you have to at least reckon that his reaction to the hostile world outside was shaped by that experience. That is what I think anyway. Allan Jackson]         

*********** 

As I mentioned in a review of a two-volume set of, for lack of a better term, girl doo wop some of the songs which overlapped in a six volume series, I have, of late, been running back over some rock material that formed my coming of age listening music (on that ubiquitous, and very personal, iPod, oops, battery-driven transistor radio that kept those snooping parents out in the dark, clueless, and that was just fine, agreed), and that of my generation, the generation of ’68. Naturally one had to pay homage to the blues influences from the likes of Muddy Waters, Big Mama Thornton, and Big Joe Turner. And, of course, the rockabilly influences from Elvis, Carl Perkins, Wanda Jackson, and Jerry Lee Lewis on. Additionally, I have spent some time on the male side of the doo wop be-bop Saturday night led by Frankie Lymon and the Teenagers on Why Do Fools Fall In Love? (good question, right). I noted there that I had not done much with the female side of the doo wop night, the great ‘girl’ groups that had their heyday in the late 1950s and early 1960s before the British invasion, among other things, changed our tastes in popular music. I would expand that observation here to include girls’ voices generally. As there, I make some amends for that omission here.

As I also noted in that earlier review one problem with the girl groups, and now with these generic girl vocals for a guy, me, a serious rock guy, me, was that the lyrics for many of the girl group songs, frankly, did not “speak to me.” After all how much empathy could a young ragamuffin of boy brought up on the wrong side of the tracks like this writer have for a girl who breaks a guy’s heart after leading him on, yes, leading him on, just because her big bruiser of a boyfriend is coming back and she needs some excuse to brush the heartbroken lad off in the Angels' My Boyfriend’s Back. Or some lucky guy, some lucky Sunday guy, maybe, who breathlessly catches the eye of the singer in the Shirelles' I Met Him On Sunday from a guy who, dateless Saturday night, was hunched over some misbegotten book, some study book, on Sunday feeling all dejected. And how about this, some two, or maybe, three-timing gal who berated her ever-loving boyfriend because she needs a good talking to, or worst, a now socially incorrect, very incorrect and rightly so, "beating" in Joanie Sommers’ Johnny Get Angry.

And reviewing the material in that volume gave me the same flash-back feeling I felt listening to the girl doo wop sounds. I will give similar examples of that teen boy alienation for this volume, and this approach drove the reviews of all six of these volumes in the series. I won’t even go into such novelty silly songs as the title self-explanatory My Boy Lollipop by Barbie Gaye; the teen angst hidden behind the lyrics to Bobby's Girl by Marcie Blane; or, the dreamy, wistful blandness of A Thousand Stars by Kathy Young & The Innocents that would have set any self-respecting boy’s, or girl’s, teeth on edge. And prayed, prayed out loud and to heaven that the batteries in that transcendent transistor would burn to hell before having to continue sustained listening to such, well, such… and I will leave it at that. I will rather concentrate on serious stuff like the admittedly great harmonics on Our Day Will Come by Ruby & The Romantics that I actually, secretly, liked but I had no one to relate it to, no our to worry about that day, or any day, or Tonight You Belong To Me by Patience & Prudence that I didn’t like secretly or openly but gave me that same teen angst feeling of having no one, no girl one, belonging to, me.

And while today it might be regarded as something of a pre-feminist feminist anthem for younger women, You Don't Own Me by Lesley Gore, was meaningless for a guy who didn’t have girl to own, or not own, to fret over her independent streak, or not. Moreover, since I was never, at least I never heard otherwise, that I was some damsel in distress’ pining away boy next store The Boy Next Door by The Secrets was wrapped with seven seals. And while I had many a silent, lonely, midnight waiting by the phone night how could Cry Baby by The Bonnie Sisters, Lonely Blue Nights by Rosie & The Originals, and Lonely Nights by The Hearts give me comfort when even Jerry Lee Lewis and Chuck Berry hard-rockin’ the night away could not console me, and take away that blue heart I carried like a badge, a badge of almost monastic honor. Almost.

So you get the idea, this stuff could not “speak to me.” Now you understand, right? Except, surprise, surprise foolish, behind the eight- ball, know-nothing youthful guy had it all wrong and should have been listening, and listening like crazy, to these lyrics because, brothers and sisters, they held the key to what was what about what was on girls’ minds back in the day, and maybe now a little too, and if I could have decoded this I would have had, well, the beginning of knowledge, girl knowledge. Damn. But that is one of the virtues, and maybe the only virtue of age. Yah, and also get this- you had better get your do-lang, do-lang, your shoop, shoop, and your best be-bop, be-bop into that good night voice out and sing along to the lyrics here. This, fellow baby-boomers, was our teen angst, teen alienation, teen love youth and now this stuff sounds great.

And from girls even.