When Lady Day Chased The Blues Away, Again And Again-“The Quintessential Billie Holiday (Volume 1-1933-1935)”-A CD Review

When Lady Day Chased The Blues Away, Again And Again-“The Quintessential Billie Holiday (Volume 1-1933-1935)”-A CD Review 

CD Review

By Seth Garth

The Quintessential Billie Holiday, Volume 1, 1933-1935,

[Sometimes I get in a Nelson Algren moment as here. But that I mean I want to get down in the mud, get back to the roots, talk about the days when it was not clear which way I was heading-a life of crime or its cousin reading and writing to try to make sense of the world (just kidding on the cousin part, okay so avoid a tweet storm please). Want to talk about the blues since I am here reviewing a Lady Day, Billie Holiday of the orchid-ripped hair. Want to talk about the people like Billie who lived on the edge, who fell down, who got back up and fell down again. Yeah, the ones Nelson Algren he of the Walk On The Wild Side, Man With The Golden Arm talked about, the Frank Machines, the Dove Linkhorns, the people I came from if the truth be told.

I swear I don’t to this day understand what those people I talked to several years ago that I noted below who wrote Billie off as some long-gone junkie of no account. Not after she saved many a day for me when I was blue, maybe beyond blue, maybe ready to meet the dawn turned into night, if you really want to know. See even a stone-cold junkie has the capacity to give something-if she or he has some talent. But here is what the squares and by that I include those dunces who dismissed Billie out of hand, didn’t want to hear how she “saved” me on many a misbegotten tough day or estimate, fathom what pain she had to endure to give what she could give. Maybe some people have become so sanitized, so vanilla they know not of what I speak when I talks about Lester Young blowing that seldom attained high white note every instrumentalist seeks out to the damn China Seas. Don’t know what it took even on good days for Billie to run the rack, to pick up her head long enough to do what she had to. Who gives a fuck, the old corner boy from the hard-pressed Acre section of downtrodden North Adamsville coming out with that fuck word, whether she needed the fixer man to come and get her well when you think about it for a minute. Yeah, no wait let me go and listen to about two hours of Billie rather than slip into a blue funk and forget that Nelson Algren spoke for the little voiceless people who knew their Billie backward and forward. Knew her junkie pain, needed their own fixer man to get well.

For the record I will say it here again today-if I had had the capacity to do so I would have provided Billie with all the dope she needed-be her every loving fixer man just so she could chase my weary blues away. That’s the ticket. The hell with the squares. S.G.]               

Everybody, that meaning everybody who knows anything about the blues knows of legendary blue singer Billie Holiday. Knew she was tied up hard with junkie fever, knee deep in junk. Knew that information either from having read her biography, the liner notes on her records (vinyl for those who have not become hip to the beauties of that old-fashion way to produce recordings in the recent retro revival of that method), newspaper obituaries, or from the 1970s film starring Diana Ross (lead singer of Motown’s Supremes). So everybody knew that Lady Day had come up the hard way, had had a hard time with men in her life and had plenty of trouble with junk, with heroin. Had turned her into some hustling gal with dark lights out of a Nelson Algren story about her daddy making her blues go away, had the “fixer” man making the pain going away for a moment.

(I believe that the Prez, the great saxophonist Lester Young who himself blew many a high white note out to the China seas as the phrase went on the West Coast when he was “on” gave her that name. Put lady and day together and it stuck. He backed her up on many recordings, including here, and in many a venue, including New York café society before they pulled her ticket. The name fit her as did that eternal flower arrangement, sweet gardenia speaking of sexual adventures and promise, in her hair)     

Yeah, that is the sad part, the life and times part. But if you listen to this CD under review like the other ones in this series and other compilations that I am reviewing at this time while I am in a “from hunger” wanting habits mood about Lady Day’s work like I get into every once in a while about music that moved me, spoke to me. In this second volume in the series you will also know why in the first part of the 21^st century guys like me are still reviewing her work, still haunted by that voice, by that meaningful pause between notes that carried you to a different place, by that slight hush as she envelopes a song which kept your own blues at bay. I repeat kept your blues away whatever she suffered to bring that sentiment forward.

That last statement, those last two sentences are really what I want to hone in on here since Billie Holiday is an acquired taste, and a taste which grows on you as you settle in to listen to whole albums rather than a single selection spending half the night turning over vinyl, flipping tapes, changing CDs if you don’t have a multiple CD recorder, or grabbing the dial on an MP3 player. Here is my god’s honest truth though. Many a blue night when I was young, hell, now too, I would play Billie for hours, tune that vinyl over in my case, and my own silly blues would kind of evaporate. Nice right.

Here is the not nice part, maybe better the not respectful part for a sanctified woman’s voice and spirit.  Once a few years ago I was talking to some young people about Billie and, maybe under the influence of the Diana Ross film or from their disapproving parents, kind of wrote her off as just another junkie gone to seed. I shocked them, I think, when I said if I had had the opportunity I would have given Billie all the dope she wanted just for taking my own blues   away. That is why we still listen to that sultry, slinky, sexy voice today. 

Is everything in this CD or in her overall work the cat’s meow. No, toward the end in the 1950s you can tell her voice was hanging by a thread under the strain of all her troubles, legal and medical. But in the 1930s, the time of her time, covering Cole Porter, Gershwin and Jerome Kern songs with a little Johnny Mercer thrown in, the time of Tin Pan Alley songs which seem to have almost been written just for her she had that certain “it” which cannot be defined but only accepted, accepted gratefully. This first may be a little more uneven that her later work when she teamed up with serious jazz and blues players like the aforementioned Lester Young blowing out high white notes to the China seas while she basked in the glow of the lyrics. But just check out Miss Brown To You, What a Little Moonlight Can Do, and the classic Sunbonnet Blue and you will get an idea of what I am talking about. And maybe get your own blues chased away    

An Encore Salute To The Untold Stories Of The Working- Class 1960s Radicals-“The Sam And Ralph Stories”- Hard Times Come Again No More -From The Sam Eaton-Ralph Morris Series-From The Pen Of Sam Lowell

Allan Jackson, editor The Sam And Ralph Stories -New General Introduction

[As my replacement Greg Green, whom I brought in from American Film Gazette originally to handle the day to day site operations while I concentrated on editing but who led a successful revolt against my regime based on the wishes of the younger writers to as they said at the time not be slaves to the 1960s upheavals a time which they only knew second or third hand, mentioned in his general introduction above some of the series I initiated were/are worth an encore presentation. The Sam and Ralph Stories are one such series and as we go along I will try to describe why this series was an important testament to an unheralded segment of the mass movements of the 1960s-the radicalized white working- class kids who certainly made up a significant component of the Vietnam War soldiery, some of who were like Sam and Ralph forever after suspicious of every governmental war cry. Who also somewhat belatedly got caught up in the second wave rock and roll revival which emerged under the general slogan of “drug, sex and rock and roll” which represented a vast sea change for attitudes about a lot of things that under ordinary circumstances would have had them merely replicating their parents’ ethos and fate.        

As I said I will describe that transformation in future segment introductions but today since it is my “dime” I want to once again clear up some misapprehensions about what has gone on over the past year or so in the interest of informing the readership, as Greg Green has staked his standing at this publication on doing to insure his own survival, about what goes on behind the scenes in the publishing business. This would not have been necessary after the big flap when Greg tried an “end around” something that I and every other editor worth her or his salt have tried as well and have somebody else, here commentator and my old high school friend Frank Jackman, act as general introducer of The Roots Is The Toots  rock and roll coming of age series that I believe is one of the best productions I have ever worked on. That got writers, young and old, with me or against me, led by Sam Lowell, another of my old high school friends, who had been the decisive vote against me in the “vote of no confidence” which ended my regime up in arms. I have forgiven Sam, and others, as I knew full well from the time I entered into the business that at best it was a cutthroat survival of the fittest racket. (Not only have I forgiven Sam but I am in his corner in his recent struggles with young up and coming by-line writer Sarah Lemoyne who is being guided through the shoals by another old high school friend Seth Garth as she attempts to make her way up the film critic food chain, probably the most vicious segment of the business where a thousand knives wait the unwary from so-called fellow reviewers.) The upshot of that controversy was that Greg had to back off and let me finish the introducing the series for which after all I had been present at the creation.               

That would have been the end of it but once we successfully, and thankfully by Greg who gave me not only kudos around the water cooler but a nice honorarium, concluded that series encore in the early summer of 2018 he found another way to cut me. Going through the archives of this publication to try to stabilize the readership after doing some “holy goof” stuff like having serious writers, young and old, reviewing films based on comic book characters, the latest in video games and graphic novels with no success forgetting the cardinal rule of the post-Internet world that the younger set get their information from other sources than old line academic- driven websites and don’t read beyond their techie tools Greg found another series, the one highlighted here, that intrigued him for an encore presentation. This is where Greg proved only too human since he once again attempted an “end around,” by having Josh Breslin, another old friend whom I meet in the Summer of Love, 1967 out in San Francisco, introduce the series citing my unavailability as the reason although paying attention to the fact that I had sweated bullets over that one as well.      

This time though the Editorial Board, now headed by Sam Lowell, intervened even before Greg could approach Josh for the assignment. This Ed Board was instituted after my departure to insure the operation would not descend, Sam’s word actually, into the so-called autocratic one-person rule that had been the norm under my regime. They told Greg to call me back in on the encore project or to forget it. I would not have put up with such a suggestion from an overriding Ed Board and would have willingly bowed out if anybody had tried to undermine me that way. I can understand fully Greg’s desire to cast me to the deeps, have done with me as in my time I did as well knowing others in the food chain would see this as their opportunity to move up.  

That part I had no problem with, told Greg exactly that. What bothered me was the continuing “urban legend” about what I had done, where I had gone after that decisive vote of no confidence. Greg continued, may continue today, to fuel the rumors that not only after my initial demise but after finishing up the Roots Is The Toots series I had gone back out West to Utah of all places to work for the Mormons, or to Frisco to hook up with my old flame Madame La Rue running that high-end whorehouse I had staked her to in the old days, or was running around with another old high school pal, Miss Judy Garland, aka Timmy Riley the high priestess of the drag queen set out in that same town whom I also helped stake to  his high-end tourist attraction cabaret. All nonsense, I was working on my memoir up in Maine, up in Olde Saco where Josh grew up and which I fell in love with when he first showed me his hometown and its ocean views.          

If the reader can bear the weight of this final reckoning let me clear the air on all three subjects on the so-called Western trail. Before that though I admit, admit freely that despite all the money I have made, editing, doing a million pieces under various aliases and monikers, ballooning up 3000 word articles to 10,000 and having the publishers fully pay despite the need for editing for the latter in the days before the Guild when you worked by the word, accepting articles which I clearly knew were just ripped of the AP feed and sending them along as gold I had no dough, none when I was dethroned. Reason, perfectly sane reason, although maybe not, three ex-wives with alimony blues and a parcel of kids, a brood if you like who were in thrall to the college tuition vultures.

Tapped out in the East for a lot of reasons I did head west the first time looking for work. Landed in Utah when I ran out of dough, and did, DID, try to get a job on the Salt Lake Star and would have had it too except two things somebody there, some friend of Mitt Romney, heard I was looking for work and nixed the whole thing once they read the articles I had written mocking Mitt and his white underwear world as Massachusetts governor and 2012 presidential candidate. So it was with bitter irony when I heard that Greg had retailed the preposterous idea that I would now seek a job shilling for dear white undie Mitt as press agent in his run for the open Utah United States Senate seat. Here is where everybody should gasp though at the whole Utah fantasy-these Mormons stick close together, probably ingrained in them from Joseph Smith days, and don’t hire goddam atheists and radicals, don’t hire outside the religion if they can help it. You probably had to have slept with one of Joseph Smith’s or Brigham Young’s wives to even get one foot in the door. Done.              

The helping Madame La Rue, real name of no interest or need to mention,  running her high-end exclusive whorehouse out in Half Moon Bay at least had some credence since I had staked her to some dough to get started after the downfall of the 1960s sent her back to her real world, the world of a high class hooker who was slumming with “hippies” for a while when it looked like our dreams were going to be deterred in in the ebbtide. We had been hot and heavy lovers, although never married except on some hazed drug-fogged concert night when I think Josh Breslin “married” us and sent us on a “honeymoon” with a fistful of cocaine. Down on dough I hit her up for some which she gave gladly, said it was interest on the “loan: she never repaid and let me stay at her place for a while until I had to move on. Done

The whole drag queen idea tells me that whoever started this damn lie knew nothing about my growing up days and had either seen me in The Totem, Timmy Riley’s aka Miss Judy Garland’s drinking with a few drag queen who worked and drew the wrong conclusions or was out to slander and libel me for some other nefarious reason. See Miss Judy Garland is the very successful drag queen and gay man Timmy Riley from the old neighborhood who fled to Frisco when he could no longer hide his sexual identity and preferences. To our great shock since Timmy had been the out-front gay-basher of our crowd, our working-class corner boy gay-bashing crowd. I had lent, after getting religion rather late on the LGBTQ question, Timmy the money to buy his first drag queen cabaret on Bay Street and Timmy was kind enough to stake me to some money and a roof before I decided I had to head back East. Done.

But enough about me.  This is about two other working- class guys, Sam Eaton and Ralph Morris, met along life’s road one from Carver about fifty miles away from where Seth, Sam, Timmy and a bunch of other guys grew up and learned the “normal” working-class ethos-and broke, tentatively at times, from that same straitjacket and from Troy, New York. Funny Troy, Carver, North Adamsville, and Josh’s old mill town Olde Saco all down-in-the-mouth working class towns still produced in exceptional times a clot of guys who got caught up in the turmoil of their times-and lived to tell the tale. I am proud to introduce this encore presentation and will have plenty more to say about Sam and Ralph in future segments.]

***********

Hard Times Come Again No More -From The Sam Eaton-Ralph Morris Series 

From The Pen Of Sam Lowell

As long as Sam Eaton and Ralph Morris had known each other they never spent much time or effort discussing their early lives, the events and happenstances of their coming of age. Maybe it was because they shared many personal similarities. Like their doggedness in pursuit when something important was on the line as it had been when Sam had vowed to fight against the war in Vietnam after his best friend, Jeff Mullins, who had been killed on the benighted battlefield there begged him in letters home to tell people what was really going on if he did not get back and Ralph having served in Vietnam had turned against the war that he had fought and tried to stop it every way he knew how and both men now in their sixties having put their lives on the line back then had stuck with the better instincts of their natures and were still fighting the good fight against the American government’s endless wars. Like their willingness to forgo life’s simple pleasures in order to provide for their families, a trait they had picked up from their own hard-working if distance fathers (they in turn if truth be told, or if you asked the collective broods of Eaton and Morris kids, courtesy respectively of two marriages and two divorces apiece, were hard-working and distance as well, more than a couple of them mad as hell about it too and the cause some periodic mutual estrangements). Like, to speak of the negative side, to speak of the effects of their hard-scrabble existences and the pull of other guys when they were young their delights in the small larcenies of their high school corner boy existences in their respective growing up towns in order to satisfy some hunger. Those “sins” (since both had been brought up in the Roman Catholic religion, a religion known for categorizing sins, great and small), made a close call, six, two and even, whether they would succeed or wind up in some jail doing successive nickels and dimes in the “life” (really not so small larcenies when one realizes that these were burglaries of homes, one of which in Sam’s crowd had been committed with at least one gun, if in the pocket, at least at the ready).

Maybe it was the Catholic reticence to speak of personal matters, personal sexual manners with another male (probably Catholic female too on that side but let’s stick to male here) both having come up “old school” working-class Catholics when that meant something before Vatican II in the 1960s when the “s” word was not used in polite society, not used either, God no, from the pulpit (even when discussion came up of the obligation to, unlike the bloody Protestants with their two point three children, propagate the faith; have scads of children to bump up the Catholic population of the world). Maybe closer to home, to domestic home life, it was the “theory,” probably honored more in the breech that the observance, of “not airing one’s dirty linen in public” drilled into them by their respective maternal grandmothers, especially when the “s” word was involved (certainly no parents gave the slightest clues on that subject probably assuming that the birds and the bees story line would suffice and both men learned like millions of their generation of ’68 kindred about sex on the streets, most of it erroneous or damn right dangerous).

Maybe, and this was probably closer to the core than the other possibilities, men of their generation, men of the generation of ’68 as Sam, the more literary of the two called their generation after the decisive year when all hell broke loose, for good or evil, mostly evil, did not as a rule speak much about private hurts, about personal issues unlike the subsequent generations who seemingly to both men’s  amazement (and occasional chagrin) kept their lives as open books in a more confessional time. That “generation of ’68” designation by the way picked up from the hard fact that that seminal year of 1968, a year when the Tet offensive by the Viet Cong and their allies put in shambles the lie that we (meaning the United States government) were winning that vicious bloodstained honor-less war, to the results in New Hampshire which caused Lyndon Baines Johnson, the sitting President to run for cover down in Texas somewhere after being beaten like a gong by a quirky Irish poet from the Midwest and a band of wayward troubadours from all over, mainly the seething college campuses, to the death of the post-racial society dream as advertised by the slain Doctor Martin Luther King, to the barricade days in Paris where for once and all the limits of what wayward students could do without substantial allies in bringing down a reactionary government, to the death of the search for a “newer world” as advertised by the slain Robert F. Kennedy, to the war-circus of the Democratic National Convention in Chicago which put paid to any notion that any newer world would come without the spilling of rivers of blood, to the election of Richard Milhous Nixon which meant that we had seen the high side go under, that the promise of the flamboyant 1960s was veering toward an ebb tide.

So the two men never spoke of various romantic interests. Never spoke of little rendezvous or trysts, never spoke of their two respective divorces much beyond recording the facts of the disengagements, and the animosity of the settlements which made nobody happy except the lawyers (although neither men were gripping since Sam’s old corner boy leader Frankie Riley performed “miracles” to get both men out from under the worse initial terms). Never spoke much about the difficulties of fatherhood for men who were so driven by the “big picture” world around them and, never spoke about the deep-seeded things that drove them both to distraction. At least that stance was true in their younger days when they had more than enough on their plates to try to keep the dwindling numbers committed to an all-out fight against the American military behemoth that had in a strange manner brought them together.   

Maybe too it could have been the way that they had “met,” that strange manner, a story that they have endlessly repeated in one form or another and which had been told so many times by Sam mostly in the old days in small alternative presses and magazines and more recently in 1960s-related blogs that even they confessed that everybody must be “bored” with the damn thing by now. So only the barest outline will suffice here since their meeting is not particularly relevant to the story except to help sort out this reticence about relationships business. Sam, an active opponent of the Vietnam War, and Ralph an ex-soldier of that war who had turned against the war after eighteen months of duty there and become an anti-war activist in his turn with Vietnam Veterans Against The War (VVAW) after being discharged from the Army “met” in RFK Stadium in Washington on May Day 1971 when they were down there with their respective groups trying to as the slogan of the time went “shut down the government, if the government did not shut down the war.”

For their ill-advised efforts they and thousands of others were tear-gassed, billy-clubbed and sent to the bastinado (ill-advised in that they did not have nearly enough people on hand and were incredibly naïve about the ability and willingness of the government to do any dirty deed to keep their power including herding masses of protestors into closed holding areas to be forgotten if possible although Ralph always had a sneaking suspicion the government would not have been unhappy seeing those bodies floating face down in the Potomac). Sam and Ralph met on the floor of the stadium and since they had several days to get acquainted were drawn to each other by their working-class background, their budding politics, and their mutual desire to “seek a newer world” as some old English poet once said. And so they had stuck together, almost like blood brothers although no silly ceremony was involved,  stuck politically mostly, through work in various peace organizations and ad hoc anti-war committees fighting the good fight along with dwindling numbers of fellow activists for the past forty plus years.                              

There were thick and thin times along the way as Ralph stayed close to home in Troy, New York working in his father’s high-precision electrical shop which he eventually took over and had just recently passed on to his youngest son and Sam had stayed in the Greater Boston area having grown up in Carver about thirty miles south of Boston building up a printing business that he had started from scratch and from which he in turn had just turned over to his more modern tech savvy print-imaging son, Jeff. The pair would periodically take turns visiting each other sometimes with families in tow, sometimes not and were always available to back each other up when some anti-war or other progressive action needed additional warm bodies in Boston, New York or when a national call came from Washington. Lately now that they were both retired from the day to day operations of their respective businesses and also now both after their last respective divorces “single” they have had more time to visit each other.

It had been on Ralph’s last visit to Sam who now resided in Cambridge that he tentatively broached to him his interest in the genesis of a term Sam had always used, “wanting habits” as in “I had my wanting habits on” when he was talking about wanting some maybe attainable, maybe not but which caused some ache, some pain, created some hole in him by not having the damn thing just in the way he said it. Of course maybe Ralph had been “rum brave” that night since he had asked the question while he and Sam were cutting up old touches at “Jack’s” in Cambridge a few blocks from Sam’s place and were drinking high-shelf whisky at the time. That high shelf whisky detail is important to the story if only by inference since in their younger days when they were down on their luck or times were tight they would drink low-shelf rotgut whisky or worst to get them through some frost-bitten night. Now they could afford the booze from the top-shelf behind Jimmy the bartender’s back. Of course as well since both men had been attached to music since childhood the reason besides being close to home that Sam liked to hang at Jack’s was that it had a jukebox stacked full of old time tunes that you could not find otherwise outside of maybe Googling YouTube these days.

The selection on the juke when Ralph posed the question had been the Mississippi Sheiks’ Rent Day Blues, a personal favorite of Sam’s, about how the narrator in the song had no chance in hell to make the rent and the rent collector man was at the door. Ralph had mentioned to Sam that at least his family had never had to worry about that problem, as tough as money times were before his father landed some contracts to do electrical work for the biggest concern in the area, General Electric. Ralph’s family had been the epitome of 1950s “golden age” working-class attitudes buying into the Cold War red scare every child under the desk in case the Russkies blow the big one, the atomic bomb, keep the damn n----rs out of the neighborhood, get ahead but not too far ahead and all the other aspects of that ethos but they also had enough dough to not need to have every penny accounted for and begrudged. Sam looked stunned for a moment as Ralph described his childhood existence and told Ralph that while they were both working-class guys coming up that his family lived much closer to the depths of society, closer to the place where the working poor of Carver met the con men, rip-off artists, drifters, grifters, midnight sifters and refuge of society, down in the projects, not a pretty place.  

Ralph, at first, could not see where Sam was going with the talk but then Sam let out some of the details. See his father, Thornton, had been nothing but an uneducated hillbilly from down in the coalmining country in Appalachia, Kentucky, had worked the mines himself. When the Japanese bombed Pearl Harbor he had jumped in with both hands and feet as a Marine seeing action, seeing plenty of action although Sam who had been off and on estranged from his family for many years before they had passed away did not find this out until later after his father died from an uncle, in all the big Pacific War battles they teach in high school. Thornton never ever talked about his war that much but did say one time when they were on speaking terms that between fighting the “Nips” (Thornton’s term popular among American G.I.s who faced the Japanese on the islands) and the coal barons he would take the former, the former gladly. Before Thornton was demobilized he had been assigned to the big naval shipyard over in Hingham, not far from Carver where his mother grew up. His mother, Delores, due to wartime shortages of manpower had worked in the offices there. One USO dance night they met, subsequently fell in love and were married and thereafter had a brood of five boys close together. Maybe not a today story but not that uncommon then.

But go back to that part about Sam’s father’s heritage, about coal-mining country. Where the hell in all the Commonwealth of Massachusetts was there room for a hard-working coalminer, a coal miner’s son. Delores had made it clear she was not moving down to the hills and hollows of Kentucky after one brief shocking humiliating trip there to meet Thornton’s kin, his expression, and he had no feeling for the place after being out in the big world so their fates hinged on Carver, or Massachusetts anyway. They took a small apartment in the Tappan section of Carver, the section on the edge of where the poor, the poor in Carver being the “boggers,” those who worked the cranberry bogs in season that the town was famous for, and the, what did Marx call them, the lumpen, the refuge of society meet. As more boys came they doubled up on everything but there is no air to breathe when seven people trample over each other in a small space. Moreover Thornton in the throes of the 1950s “golden age of the American worker” got left behind; was inevitably the last hired, first fired and was reduced to whatever was left, including time served in the bogs ( a personal affront to whatever dignities Delores had since she had been taught to despise the “boggers” in her polite society home).

That hand-to-mouth existence took its toll. At some point after repeatedly dodging the rent collector man the Eaton family was evicted from their small private apartment and they were reduced to the heap, the Carver public housing projects, the lowest of the low and recognized by one and all as such. Here is where that view of the world Sam assimilated got formed. The never having money, the battle of the six nights straight of oatmeal for supper and no lunch (in those days before the school lunch programs mercifully spared the worst of the hungers), some days  of nothing to eat but patience, the passing down of the too larger-sized older brothers’ clothing bought by a desperate mother at the Bargain Center and which had been out of fashion for many a year (causing baiting by the non-projects classmates who lived up the road about shanty Irish and worse, about being a “bogger’s” son).

While Sam was talking he suddenly remembered, as an example of how tough things were, one time to impress some girl, a non-projects girl, a daughter of a middle class professional man he thought, he had cut up his pants to seem like a real farmer at some school square dance and Delores beat him with a belt buckle screaming how dare he ruin the only other pair of pants that he owned. And that was not the only beating Sam took as Delores, who handled discipline, to spare the ever weary hard-pressed Thornton, became overwhelmed with the care of five strapping boys. And so Sam graduated to the “clip” at first to get some spare dough and later those larcenies that almost got him into the county clink doing nickels and dimes. After that spiel Sam buttoned up, would say no more as if to say that if he did then he would be far too exposed to the glare of the world’s eyes even if only Ralph’s.     

Ralph, ever being Ralph, thought for a couple of minutes about what Sam had disclosed and then simply said-“Sam, you earned your ‘wanting habits,’ earned them the hard way. I don’t need to know any more” Enough said.               

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)- "Visions Of Cody" -On The Road-Redux

In Honor Of Jean Bon Kerouac On The 60^th Anniversary Of “On The Road” (1957)- "Visions Of Cody" -On The Road-Redux

In Honor Of Jean Bon Kerouac On The 60^th Anniversary Of “On The Road” (1957)

By Book Critic Zack James

To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just for kicks, for stuff, important stuff that had happened down in the base of society where nobody in authority was looking or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all-night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation. (Yes,  I know that the actual term “beat” was first used by Kerouac writer friend John Clemmon Holmes in an article in some arcane journal but the “feel” had to have come from a less academic source so I will crown the bandit prince Corso as genesis)

Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my oldest brother Alex who was washed clean in the Summer of Love, 1967 but must have known the edges of Jack’s time since he was in high school when real beat exploded on the scene in Jack-filled 1957, they called “blowing to the China seas” out in West Coast jazz and blues circles, that high white note he heard achieved one skinny night by famed sax man Sonny Johns, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all Jack’s kid stuff high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the poet princely mean streets of New York, Chi town, Mecca beckoning North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps (and the fleas were real no time for metaphor down in the bowels where the cowboy junkies drowse in endless sleeps, raggedy winos toothless suck dry the dregs and hipster con men prey on whoever floats down), half stirred left on corner diners’ coffees and groundling cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50^th anniversary is being commemorated this year as well and so very appropriate to mention since there were a million threads, fibers, connections between “beat” and “hippie” despite dour grandpa Jack’s attempts to trash those connection when the acolytes and bandit hangers-on  came calling looking for the “word.” So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind (not found on the AAA, Traveler’s Aid, Youth Hostel brochure circuit if you please although Jack and the crowd, my brother and his crowd later would use such services when up against it in let’s say a place like Winnemucca in the Nevadas or Neola in the heartlands).

Literary stuff for sure but the kind of stuff that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter of which would drive Alex west before he finally settled down to his career life as a high-road lawyer (and to my sorrow and anger never looked back which has caused more riffs and bad words than I want to yell about here).             

Of course anytime you talk about books and poetry and then add my brother’s Alex name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Frankie, Jack, Jimmy, Si, Josh (he a separate story from up in Olde Saco, Maine and so only an honorary corner boy after hitching up with the Scribe out on a Russian Hill dope-filled park), Bart, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967, their birthright event, just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker, what did Jack call his generation’s such, oh yeah, holy goofs,   who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before 1967 (and which nobody in the crowd paid any attention to, or dismissed out of hand, what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s travel adventure book which had caused a big splash in 1957(after an incredible publishing travail since the story line actually related to events in the late 1940s and which would cause Jack no end of trauma when the kids showed up at his door looking to hitch a ride on the motherlode star, and had ripple effects into the early 1960s and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway, like I say I think the best part, have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain, desert night but staying unsettled for a while anyway.    

Like I said above Alex was out on the road two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely and semi-tragic end down some dusty Jack-strewn road in Mexico cocaine deal blues. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that for fear of being tarred with those brushes. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly “from hunger” working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants any way they could as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little bit “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law back then when the coppers were just waiting for corner boy capers to explode nay Friday or Saturday night, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan. That was for smooth as silk Frankie now also like Alex a high-road lawyer to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Bob Dylan above all else.) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)

Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like Jack wrote the final version of the thing on a damn newspaper scroll in about three weeks. So it was through the Scribe via Alex that I got the Kerouac bug. And now on the 60^th anniversary I am passing on the bug to you.           

Book Review

Visions Of Cody, Jack Kerouac, Viking Press, New York, 1973

The first three paragraphs are taken from a previous review about Jack Kerouac and his leading role in establishing the literary ethos of the "beat" generation. Those comments aptly apply in reviewing "Visions Of Cody" as well:

"As I have explained in another entry in this space in reviewing the DVD of “The Life And Times Of Allen Ginsberg”, recently I have been in a “beat” generation literary frame of mind. I mentioned there, as well, and I think it helps to set the mood for commenting on Jack Kerouac’s seminal ‘travelogue’, “On The Road”, that it all started last summer when I happened to be in Lowell, Massachusetts on some personal business. Although I have more than a few old time connections with that now worn out mill town I had not been there for some time. While walking in the downtown area I found myself crossing a small park adjacent to the site of a well-known mill museum and restored textile factory space.

Needless to say, at least for any reader with a sense of literary history, at that park I found some very interesting memorial stones inscribed with excerpts from a number of his better known works dedicated to Lowell’s “bad boy”, the “king of the 1950s beat writers, Jack Kerouac. And, just as naturally, when one thinks of Kerouac then Allen Ginsberg, William Burroughs, Gregory Corso, Neal Cassady and a whole ragtag assortment of poets, hangers-on, groupies and genuine madmen and madwomen come to mind. They all show up, one way or another (under fictional names of course), in this book. So that is why we today are under the sign of “On The Road”.

To appreciate Kerouac and understand his mad drive for adventure and to write about it, speedily but precisely, you have to start with “On The Road”. There have been a fair number of ‘searches' for the meaning of the American experience starting, I believe, with Whitman. However, each generation that takes on that task needs a spokesperson and Jack Kerouac, in the literary realm at least, filled that bill not only for his own generation that came of age in the immediate post World War II era, but mine as well that came of age in the 1960s (and, perhaps, later generations but I can only speculate on that idea here)."

That said, “Visions Of Cody” is an extension of that “On The Road” story line that made Kerouac famous, although "Visions" is more diffuse and much more concerned with literary imager than with the storyline developed in the earlier Kerouac/Paradise narrative. Here Jack as Dulouz and Neal Cassady as Cody Pomeray do more running around on the road, partying, reflecting on the nature of the universe, partying, speculating on the nature of the American experience, partying and… well, you get the drift. In some places the descriptive language is stronger than “On The Road”, reflecting Kerouac’s greater ease with his spontaneous writing style in the early 1950s when this was written (although not widely published until after his death.).

Additionally, included here is a long series of taped interviews between Jack and Neal over several days and, presumably, while both were on a running drug “high”. These tapes reflect very nicely the very existential nature of 1950s “beat”, or at least one interpretation of that term. They produce all the madness, genius, gaffs, gaps, whimsy and pure foolishness that come from an extended drug experience. Despite all reports to the contrary not everything observed until the “influence” comes out pure literary gold, and that is true here as well. But there is a lot of good stuff nevertheless, although here it could have been cut in half and we still would have gotten that “beat” beat.