Saturday, January 09, 2016

*****Out In The Be-Bop 1960s Night- When The Music’s Over-On The Anniversary Of Janis Joplin’s Death-Magical Realism 101

*****Out In The Be-Bop 1960s Night- When The Music’s Over-On The Anniversary Of Janis Joplin’s Death-Magical Realism 101




From The Pen Of Sam Lowell

Scene: Brought to mind by the cover art on some deep fogged memory producing, maybe acid-etched flashback memory at the time, accompanying CD booklet tossed aside on the coffee table by a guy from the old days, the old New York University days, Jeff Mackey, who had been visiting Sarah, Josh Breslin’s wife of the moment. Jeff had just placed the CD on the CD player, the intricacies of fine-tuned down-loading from YouTube beyond anybody’s stoned capacity just then and so the “primitive” technology (stoned as in “turned on,” doped up, high if you like just like in the old days as well although Josh had gone to State U not NYU but the times were such that such transactions were universal and the terms “pass the bong” and “don’t bogart that join” had passed without comment). Don’t take that “wife of the moment” too seriously either since that was a standing joke between Sarah and Josh (not Joshua, Joshua was dad, the late Joshua Breslin, Jr.) since in a long life they had managed five previous  marriages (three by him, two by her) and scads of children and two scads of grandchildren (who had better not see this piece since grandma and grandpa have collectively expended many jaws-full hours of talk  about the danger of demon drugs, the devil’s work).

When Josh had picked up the tossed aside booklet he noticed a  wispy, blue-jeaned, blouse hanging off one shoulder, bare-foot, swirling mass of red hair, down home Janis Joplin-like female performer belting out some serious blues rock in the heat of the “Generation of ‘68” night. The woman maybe kin to Janis, maybe not, but certainly brethren who looked uncannily like his first ex-wife, Laura, who had taught him many little sex things learned from a trip to India and close attention to the Kama Sutra which he had passed to everybody thereafter including Sarah. And no again don’t take that wistful though about Laura as anything but regret since their civil wars had passed a long time before and beside Laura had not been heard from since the time she went down to Rio and was presumably shacked up with some dope king or diamond king or something probably still earning her keep with those little India tricks.

Still looking at the tantalizing artwork he thought of the time of our time, passed. Of wistful women belting out songs, band backed-up and boozed-up, probably Southern Comfort if the dough was tight and there had been ginger ale or ice to cut the sweet taste or if it was late and if the package store was short of some good cutting whiskey, but singing, no, better evoking, yes, evoking barrelhouse down-trodden black empresses and queens from somewhere beyond speaking troubled times, a no good man taking up with that no good best girlfriend  of hers who drew a bee-line to him when that empress advertised his charms, no job, no prospect of a job and then having to go toe to toe with that damn rent collector man on that flattened damn mattress that kept springing holes, maybe no roof over a head and walking the streets picking up tricks to pass the time, no pocket dough, no prospects and a ton of busted dreams in some now forgotten barrelhouse, chittlin’ circuit bowling alley complete with barbecued ribs smoking out back or in a down town “colored” theater. Or the echo of that scene, okay. Jesus, maybe he had better kick that dope thing before he actually does start heading to Rio.

*******

Josh Breslin (a. k. a. the Prince of Love, although some merry prankster yellow brick road bus wit made a joke of that moniker calling him the Prince of Lvov, some Podunk town in Poland, or someplace like that, maybe Russia he was not sure of the geography all he knew was that he had made a wag wiggle a little for his indiscretion)  was weary, weary as hell, road- weary, drug-weary, Captain Crunch’s now Big Sur–based magical mystery tour, merry prankster, yellow brick road bus-weary, weary even of hanging out with his “papa,” “Far-Out” Phil Larkin who had gotten him through some pretty rough spots weary. Hell, he was girl-weary too, girl weary ever since his latest girlfriend, Gypsy Lady (nee Phyllis McBride), decided that she just had to go back to her junior year of college at Berkeley in order to finish up some paper on the zodiac signs and their meaning for the new age rising. Yeah, okay Gypsy, do what you have to do, the Prince mused to himself. Chuckled really, term paper stuff was just not his “thing” right then. Hell, he had dropped out of State U, dropped out of Laura Perkin’s life, dropped out of everything to chase the Western arroyo desert ocean washed dream that half his generation was pursuing just then.

Moreover this summer of 1968, June to be exact, after a year bouncing between summers of love, 1967 version to be exact, autumns of drugs, strange brews of hyper-colored experience drugs and high shamanic medicine man aztec druid flame throws, winters of Paseo Robles brown hills discontent, brown rolling hills until he sickened of rolling, the color brown, hills, slopes, plains, everything, and springs of political madness what with Johnson’s resignation, Robert Kennedy’s assassination piled on to that of Martin Luther King’s had taken a lot out of him, including his weight, weight loss that his already slim former high school runner’s frame could not afford.

Now the chickens had come home to roost. Before he had joined Captain Crunch’s merry prankster crew in San Francisco, got “on the bus,” in the youth nation tribal parlance, last summer he had assumed, after graduating from high school, that he would enter State U in the fall (University of Maine, the Prince is nothing but a Mainiac, Olde Saco section, for those who did not know). After a summer of love with Butterfly Swirl though before she went back to her golden-haired surfer boy back down in Carlsbad (his temperature rose even now every time he thought about her and her cute little tricks to get him going sexually) and then a keen interest in a couple of other young women before Gypsy Lady landed on him, some heavy drug experiences that he was still trying to figure out, his start–up friendship with Phil, and the hard fact that he just did not want to go home now that he had found “family” decided that he needed to “see the world” for a while instead. And he had, at least enough to weary him.

What he did not figure on, or what got blasted into the deep recesses of his brain just a couple of days ago, was a letter from his parents with a draft notice from his local board enclosed. Hell’s bells he had better get back, weary or not, and get some school stuff going real fast, right now fast. There was one thing for sure, one nineteen-year old Joshua Lawrence Breslin, Olde Saco, Maine High School Class of 1967, was not going with some other class of young men to ‘Nam to be shot at, or to shoot.

Funny, Josh thought, as he mentally prepared himself for the road back to Olde Saco, how the past couple of months had just kind of drifted by and that he really was ready to get serious. The only thing that had kind of perked him up lately was Ruby Red Lips (nee Sandra Kelly), who had just got “on the bus” from someplace down South like Georgia, or Alabama and who had a great collection of blues records that he was seriously getting into (as well as seriously into Miss Ruby, as he called her as a little bait, a little come on bait, playing on her somewhere south drawl, although she seemed slow, very slow, to get his message).

Josh, all throughout high school and even on the bus, was driven by rock ‘n’ roll. Period. Guys like Elvis, Chuck, Jerry Lee, even a gal like Wanda Jackson, when they were hungry, and that hunger not only carried them to the stars but slaked some weird post-World War II, red scare, cold war hunger in guys like Josh Breslin although he never, never in a million years would have articulated it that way back then. That was infernal Captain Crunch’s work (Captain is the “owner” of the “bus” and a story all his own but that is for another time) always trying to put things in historical perspective or the exact ranking in some mythical pantheon that he kept creating (and recreating especially after a “dip” of Kool-Aid, LSD for the squares, okay).

But back to Ruby love. He got a surprise one day when he heard Ruby playing Shake, Rattle, and Roll. He asked, “Is that Carl Perkins?” Ruby laughed, laughed a laugh that he found appealing and he felt was meant to be a little coquettish and said, “No silly, that's the king of be-bop blues, Big Joe Turner. Want to hear more stuff?” And that was that. Names like Skip James, Howlin’ Wolf, Robert Johnson, Son House, Muddy Waters and Little Walter started to fill his musical universe.

What got him really going though were the women singers, Sippie Wallace that someone, Bonnie Raitt or Maria Muldaur, had found in old age out in some boondock church social or something, mad Bessie Smith squeezed dry, freeze-dried by some no account Saint Louis man and left wailing, empty bed, gin house wailing ever after, a whole bunch of other barrelhouse blues-singers named Smith, Memphis Minnie, the queen of the double entendre, sex version, with her butcher, baker, candlestick-maker men, doing, well doing the do, okay, and the one that really, really got to him, “Big Mama” Thornton. The latter belting out a bluesy rendition of Hound Dog made just for her that made Elvis' seem kind of punk, and best of all a full-blast Piece Of My Heart.

Then one night Ruby took him to club over in Monterrey just up the road from the Big Sur merry prankster yellow bus camp, the Blue Note, a club for young blues talent, mainly, that was a stepping-stone to getting some work at the Monterrey Pop Festival held each year. There he heard, heard if you can believe this, some freckled, red-headed whiskey-drinking off the hip girl (or maybe some cheap gin or rotgut Southern Comfort, cheap and all the in between rage for those saving their dough for serious drugs).

Ya just a wisp of a girl, wearing spattered blue-jeans, some damn moth-eaten tee-shirt, haphazardly tie-dyed by someone on a terminal acid trip, barefoot, from Podunk, Texas, or maybe Oklahoma, (although he had seen a fair share of the breed in Fryeburg Fair Maine) who was singing Big Mama’s Piece of My Heart. And then Ball and Chain, Little School Girl, and Little Red Rooster.

Hell, she had the joint jumping until the early hours for just as long as guys kept putting drinks in front of her. And maybe some sweet sidle promise, who knows in that alcohol blaze around three in the morning. All Josh knew was this woman, almost girlish except for her sharp tongue and that eternal hardship voice, that no good man, no luck except bad luck voice, that spoke of a woman’s sorrow back to primordial times, had that certain something, that something hunger that he recognized in young Elvis and the guys. And that something Josh guessed would take them over the hump into that new day they were trying to create on the bus, and a thousand other buses like it. What a night, what a blues singer.

The next day Ruby Red Lips came over to him, kind of perky and kind of with that just slightly off-hand look in her eye that he was getting to catch on to when a girl was interested in him, and said, “Hey, Janis, that singer from the Blue Note, is going to be at Monterrey Pops next month with a band to back her up, want to go? And, do you want to go to the Blue Note with me tonight?” After answering, yes, yes, to both those questions the Prince of Love (and not some dinky Lvov either, whoever that dull-wit was) figured he could go back to old life Olde Saco by late August, sign up for State U., and still be okay but that he had better grab Ruby now while he could.

*A Walk Down Dream Street, Circa 1964

The is a response to another question (edited somewhat for local and personal references)asked by my Class of 1964 committee. Apparently this is walk down memory lane week. Not everything is political in this world, but a lot turns on that fact.

Today’s Question: When you were a student did you ever sit on the main entrance steps of our old high school and dream of your future?

Obviously not every question I intend to answer is as whimsical as the first one about the comparative merits of the Rolling Stones and Beatles. Today I am interested in the relationship between our youthful dreams and what actually happened in our lives. I will confess here, as this seemingly is a confessional age, that my returning to the High School Class of 1964 fold did not just occur by happenstance. A couple of years ago my mother, passed away. For a good part of her life she lived a stone’s throw from the school. You could see the back of the school from my grandmother’s house. As part of the grieving process, I suppose, I felt a need to come back to the old home town. To my roots and hers. As part of that experience I passed by the old high school. That triggered some memories that motivate today’s question.

If my memory is correct I had not be in my old home town for at least the pass 25 years and so I was a little surprised that the main steps of the high school were no longer there. You remember the steps, right? They led to the then second floor and were flanked by, I think, a couple of lions or some gargoyles. I can remember spending many a summer night during high school, along with my old pal Billy, the great track man and cross country runner who I am trying to reach, sitting on those steps talking about our futures. Now for this question I am only using the steps as a metaphor, so to speak. Your probably have your own ‘steps’ where you thrashed out your dreams. How did they work out?

A lot of what Billy and I talked about at the time was how we were going to do in the upcoming cross country and track seasons. (Remember those were the days when future expectations were expressed in days and months, not years.) Of course we dreamed of being world-class runners, as every athlete does. Billy went on to have an outstanding high school career. I, on the other hand, was, at best, a below average runner. So much for some dreams.

We spoke, as well, of other dreams then. I do not remember the content of Billy’s but mine went something like this. I wanted to be an educator (however vaguely defined at the time) and I also wanted to fulfill my grandfather’s dream for me of becoming a lawyer. Well, come hell or high water and through a very circuitous route I managed to do both of those. Put a check next to those dreams. I also had dreams for social justice, for working people to get a fair shake in this sorry old world. That, my friends, has, sorry to say, not turned out as expected. But enough. I will finish with this entry with an old expression from a Bob Dylan lyric. “I ‘ll let you be in my dream, if I can be in your dream.” Fair enough?

The Latest From The "Jobs With Justice Blog"-It's High Time To Push Back-Push Back Hard-30 For 40 Is The Slogan Of The Day

*****The Latest From The "Jobs With Justice Blog"-It's High Time To Push Back-Push Back Hard-30 For 40 Is The Slogan Of The Day.



Click below to link to the Jobs With Justice Blog for the latest national and international labor news, and of the efforts to counteract the massively one-sided class struggle against the international working class movement.
http://www.jwjblog.org/
From the American Left History blog-Wednesday, June 17, 2009
 
With Unemployment Too High, Way Too High - The Call "30 For 40"- Now More Than Ever- The Transitional Socialist Program

Click Below To Link To The Full Transitional Program Of The Fourth International Adopted In 1938 As A Fighting Program In The Struggle For Socialism In That Era. Many Of The Points, Including The Headline Point Of 30 Hours Work For 40 Hours Pay To Spread The Work Around Among All Workers, Is As Valid Today As Then.

From The Transitional Program Of The Fourth International In 1938- Sliding Scale of Wages and Sliding Scale of Hours

Under the conditions of disintegrating capitalism, the masses continue to live the meagerized life of the oppressed, threatened now more than at any other time with the danger of being cast into the pit of pauperism. They must defend their mouthful of bread, if they cannot increase or better it. There is neither the need nor the opportunity to enumerate here those separate, partial demands which time and again arise on the basis of concrete circumstances – national, local, trade union. But two basic economic afflictions, in which is summarized the increasing absurdity of the capitalist system, that is, unemployment and high prices, demand generalized slogans and methods of struggle.

The Fourth International declares uncompromising war on the politics of the capitalists which, to a considerable degree, like the politics of their agents, the reformists, aims to place the whole burden of militarism, the crisis, the disorganization of the monetary system and all other scourges stemming from capitalism’s death agony upon the backs of the toilers. The Fourth International demands employment and decent living conditions for all.

Neither monetary inflation nor stabilization can serve as slogans for the proletariat because these are but two ends of the same stick. Against a bounding rise in prices, which with the approach of war will assume an ever more unbridled character, one can fight only under the slogan of a sliding scale of wages. This means that collective agreements should assure an automatic rise in wages in relation to the increase in price of consumer goods.

Under the menace of its own disintegration, the proletariat cannot permit the transformation of an increasing section of the workers into chronically unemployed paupers, living off the slops of a crumbling society. The right to employment is the only serious right left to the worker in a society based upon exploitation. This right today is left to the worker in a society based upon exploitation. This right today is being shorn from him at every step. Against unemployment,“structural” as well as “conjunctural,” the time is ripe to advance along with the slogan of public works, the slogan of a sliding scale of working hours. Trade unions and other mass organizations should bind the workers and the unemployed together in the solidarity of mutual responsibility. On this basis all the work on hand would then be divided among all existing workers in accordance with how the extent of the working week is defined. The average wage of every worker remains the same as it was under the old working week. Wages, under a strictly guaranteed minimum, would follow the movement of prices. It is impossible to accept any other program for the present catastrophic period.

Property owners and their lawyers will prove the “unrealizability” of these demands. Smaller, especially ruined capitalists, in addition will refer to their account ledgers. The workers categorically denounce such conclusions and references. The question is not one of a “normal” collision between opposing material interests. The question is one of guarding the proletariat from decay, demoralization and ruin. The question is one of life or death of the only creative and progressive class, and by that token of the future of mankind. If capitalism is incapable of satisfying the demands inevitably arising from the calamities generated by itself, then let it perish. “Realizability” or “unrealizability” is in the given instance a question of the relationship of forces, which can be decided only by the struggle. By means of this struggle, no matter what immediate practical successes may be, the workers will best come to understand the necessity of liquidating capitalist slavery.

“I’d Rather Be With The Devil Than To Be That Woman’s Man”-With Bluesman Skip James’ Devil Got My Woman In Mind

“I’d Rather Be With The Devil Than To Be That Woman’s Man”-With Bluesman Skip James’ Devil Got My Woman In Mind




From The Pen Of Sam Lowell

Josh Breslin, a guy from Olde Saco up in Maine I met through the late Pete Markin out in San Francisco when all the cross-currents of the 1960s gathered in the various summers of love, the 1967 one is the one I am talking about, has always been an eclectic kind of guy. Always has been, like the late Markin was, interested in all kinds of arcane facts just for the sake of knowing them. A virtue he says in the writing business that formed a great deal of his career. These facts, arcane or not, usually were the result of some enthusiasm of the moment and that entailed learning all those odd-ball things about a subject that could only be of interest to aficionados.

That was the way he approached, approaches the blues which he has held onto for more than a moment unlike other things like butterfly collecting (for real once he learned that Lolita-lover Nabakov was an ardent collector) was to learn lots of things about the early blues guys lives (after he identified a billion of them a lot of them hidden in obscurity and so hard to dig out but that is what makes Josh tick. He called me up one night, after I had not heard from him for a long time, because he had just “discovered” an old black blues singer, Skip James, who only recorded about thirty or forty songs in the early 1930s before he fell below the radar, partially due to the fact that his label, his “race record” label, Paramount, went belly up in the onslaught of the Great Depression, only to resurface at a Newport Folk Festival in the early 1960s a few years before he died. He had just written a review of James’ work and of a famous, or infamous line of a lyric and he wanted my comment. So he read the draft over the cellphone:             

Once somebody, I think it was the singer-songwriter Townes Van Zandt who also hailed from Texas, asked the legendary bluesman Lightning Hopkins what the blues were. What they meant to him, what they meant in the great scheme of things. He answered quickly like he knew what was coming, what Townes was going to ask like he had been asked the question many times, or had thought about it a lot and had come up with this stock answer when asked the question-“the blues ain’t nothing but a good woman on your mind.”  Now the old reprobate, and he was from all the tales about his doings indicate, probably had other answers or thoughts about the blues like a woman getting you down, about Captain down on the Mister James Crow plantation always on your ass, about some hard luck story of money ill-spent and about the morning after Jimmy Joe’s corn liquor hang-over but that answer brought a number of other phrases from blues songs to my mind. Brought to mind to try to define what the blues is, why it has “spoken” to lots of people over time, including old time blues aficionados like me. 

You name it, name your malady, and old time blues guys have coined phrases to fit the bill. Not to neglect the female blues singers who in the 1920s and 1930s actually were more in demand that the old plantation-bound male blues singers, but they might like Bessie Smith tell you that the blues are “good man is hard to find” or that it is “hard to love someone when that someone don’t love you” or maybe that she is looking for her nowhere around daddy to “put a little sugar in her bowl” if she was feeling that way, feeling a little salacious. But the best phrase from a female blues singer was to my mind done by Sippy Wallace -“don’t advertise your man” meaning do not tell your woman friends about your man’s virtues, physical or otherwise, or you will be singing the blues and singing them very shortly thereafter.

All of the previous thoughts were brought to mind recently when I was thinking about how important the blues were in my own life whenever I was feeling downhearted. How they got me through a few rough spots. I had along the way been thinking about my response back in the 1980s when I lived in a studio apartment on Beacon Hill in Boston after my divorce (number two) and the young guy downstairs from me, a good guy named Otty Venise, told me over drinks one night at Charlie’s Den on Charles Street that Bessie Smith actually helped him get over his blues. (He was having women troubles just then since his flame had just ditched him for another man, an old boyfriend.) And I had to agree that a heavy dose of Miss Smith would chase some blues away. Chase some woman blues away.             

It is funny though that not all my blues memories revolve around woman relationship troubles, hang-overs, no dough (due to the settlements from those two divorces if nothing else), some sweat-filled dead end job, or the troubles in the world just getting the best of me. Once the blues, or my use of a phrase from a blues song got me into political hot water.

Now my politics are pretty far left, and pretty narrow. Mainly around the fight to end the endless wars this country had immersed itself in for the last decade or more and the fight for some kind of social justice be it opposition to the death penalty, an increase in the minimum wage or to free political prisoners here and abroad. Stuff like that. Like I say narrowly focused but important to me, a way to keep the old blood stirring. As part of what I do, which has a lot to do with writing stuff for various publications, especially lately in the age of the Internet and social media, is make commentary on various issues via things like blogs (and now Twitter). Back in the early part of the presidential campaign of 2008 when Hillary Clinton and Barack Obama were going at each other tooth and nail for the Democratic Party presidential nomination I was making plenty of commentary about each one. Not that I favored either, like I said my politics are to the left of that party even in the best of times. Usually I will look at the Green Party candidate, which I did that year voting for Congresswoman Cynthia McKinney who gave us that voted for her the trifecta; black and proud, a woman and proud, and very serious anti-war and progressive politics.  

What did have me incensed (along with plenty of others who wound up in the Obama camp, at least for a while) was Hillary’s vote in 2003 for the Iraq War and her basic refusal to recant since she had egg all over her face from supporting what turned out to be a bogus war, which she knew, or should have known was bogus if she had done any independent investigation (or used husband Bill’s contacts who had their footprints all over the build-up to the war although it was Bush’s presidency). Somebody, actually more than one person, more than one feminist friend was all over me to support her as the first serious woman presidential candidate (although in a face-off against the first serious black presidential candidate that argument lost some of its steam). Despite my known indifference to party politics, capitalist party politics.

Between that pressure and a book review of a fawning political biography of Hillary I got my dander up and took up a line from the old bluesman Skip James’ Devil Got My Woman-“I’d rather be with the devil that to be that woman’s man.” Jesus did I take heat over that one not only from my feminist friends who I expected it from in a sense but from the “don’t like” comments on the book review despite the fact that I had given beside the glossing over of the Iraq vote plenty of other reasons to not like the book, and not like the candidate including a big dose of Clinton fatigue. As now in 2016 we will be subject to plenty of both Clinton and Republican fatigue.

But leave it to the blues, to a blues woman, to bail me out of my troubles. Once I was on the ropes and had to figure out some way to cut across the sting on Hillary I had to check out some other blues lyrics to “get right.” And I didn’t have to look far. One Rory Block, she of the younger generation of blues aficionados who have taken to covering the old blues standards, actually did her own female-etched version of the Skip James song except she sang-“I’d rather be with the devil than to be that man’s woman.” Thanks Rory, thanks a million.     

Now ask me just ask me about my opinion, about supporting one Hillary Rodham Clinton in 2016. You know the answer already. Sanctified too. As to the more generic question-What is the blues? The blues is…

And I agree

Friday, January 08, 2016

*****The Labor Party Question In The United States- An Historical Overview-Fight For A Worker Party That Fights For A Workers Government

*****The Labor Party Question In The United States- An Historical Overview-Fight For A Worker Party That Fights For A Workers Government

From  The Pen Of Josh Breslin 

Back in the early 1970s after they had worked out between themselves the rudiment of what had gone wrong with the May Day 1971 actions in Washington, D.C. Sam Eaton and Ralph Morris began some serious study of leftist literature from an earlier time, from back earlier in the century. Those May Day anti-Vietnam War actions, ill-conceived as they in the end turned out to be, centered on the proposition that if the American government would not close down the damn blood-sucking war then they, those thousands that participated in the actions, would close down the government. All Sam, Ralph and those thousands of others got for their efforts was a round-up into the bastinado. Sam had been picked off in the round-up on Pennsylvania Avenue as his group (his “affinity group” for the action) had been on their way to “capture” the White House. Ralph and his affinity group of ex-veterans and their supporters were rounded-up on Massachusetts Avenues heading toward the Pentagon (they had no plans to capture that five-sided building, at least they were unlike Sam’s group not that naïve, just surround it like had occurred in an anti-war action in 1967 which has been detailed in Norman Mailer’s prize-winning book Armies Of The Night). For a time RFK (Robert F. Kennedy) Stadium, the home of the Washington Redskins football team) had been the main holding area for those arrested and detained. The irony of being held in a stadium named after the martyred late President’s younger brother and lightening rod for almost all anti-war and “newer world” political dissent before he was assassinated in the bloody summer of 1968 and in a place where football, a sport associated in many radical minds with all that was wrong with the American system was lost on Sam and Ralph at the time and it was only later, many decades later, as they were sitting in a bar in Boston across from the JFK Federal Building on one of their periodic reunions when Ralph was in town that Sam had picked up that connection.


Sam, from Carver in Massachusetts, who had been a late convert to the anti-war movement in 1969 after his closest high school friend, Jeff Mullin, had been blown away in some jungle town in the Central Highlands was like many late converts to a cause a “true believer,” had taken part in many acts of civil disobedience at draft boards, including the one in hometown Carver, federal buildings and military bases. From an indifference, no that’s not right, from a mildly patriotic average young American citizen that you could find by the score hanging around Mom and Pop variety stores, pizza parlors, diners, and bowling alleys in the early 1960s, he had become a long-haired bearded “hippie anti-warrior.” Not too long though by the standards of “youth nation” of the day since he was running a small print shop in Carver in order to support his mother and four younger sisters after his father had passed away suddenly of a massive heart attack in 1965 which exempted him from military service. Not too short either since those “squares” were either poor bastards who got tagged by the military and had to wear their hair short an appearance which stuck out in towns like Cambridge, Ann Arbor, Berkeley and L.A. when the anti-war movement started embracing the increasingly frustrated and anti-war soldiers that  they were beginning to run across or, worse, cops before they got “hip” to the idea that guys wearing short hair, no beard, looked like they had just taken a bath, and wore plaid short-sleeved shirts and chinos might as well have a bulls-eye target on their backs surveilling the counter-cultural crowd.


Ralph, from Troy, New York, had been working in his father’s electrical shop which had major orders from General Electric the big employer in the area when he got his draft notice and had decided to enlist in order to avoid being an 11B, an infantryman, a grunt, “cannon fodder,” although he would not have known to call it that at the time, that would come later. He had expected to go into something which he knew something about in the electrical field at least that is what the recruiting sergeant in Albany had “promised” him. But in the year 1967 (and 1968 too since he had extended his tour six months to get out of the service a little early) what the military needed in Vietnam whatever else they might have needed was “cannon fodder,” guys to go out into the bushes and kill commies. Simple as that. And that was what Ralph Morris, a mildly patriotic average young American citizen, no that is not right, a very patriotic average young American citizen that you could also find by the score hanging around Mom and Pop variety stores, pizza parlors, diners, and bowling alleys in the early 1960s, did. But see he got “religion” up there in Pleiku, up there in the bush and so when he had been discharged from the Army in late 1969 he was in a rage against the machine. Sure he had gone back to the grind of his father’s electrical shop but he was out of place just then, out of sorts, needed to find an outlet for his anger at what he had done, what had happened to buddies very close to him, what buddies had done, and how the military had made them animals, nothing less. (Ralph after his father retired would take over the electric shop business on his own in 1991 and would thereafter give it to his son to take over after he retired in 2011.)


One day he had gone to Albany on a job for his father and while on State Street he had seen a group of guys in mismatched military garb marching in the streets without talking, silent which was amazing in itself from what he had previously seen of such marches and just carrying a big sign-Vietnam Veterans Against The War (VVAW) and nobody stopped them, no cops, nobody, nobody yelled “commie” either or a lot of other macho stuff that he and his hang out guys used to do in Troy when some peaceniks held peace vigils in the square. The civilian on-lookers held their tongues that day although Ralph knew that the whole area still retained a lot of residual pro-war feeling just because America was fighting somewhere for something. He parked his father’s truck and walked over to the march just to watch at first. Some guy in a tattered Marine mismatched uniform wearing Chuck Taylor sneakers in the march called out to the crowd for anybody who had served in Vietnam, served in the military to join them shouting out their military affiliation as they did so. Ralph almost automatically blurred out-“First Air Cav” and walked right into the street. There were other First Air Cav guys there that day so he was among kindred. So yeah, Ralph did a lot of actions with VVAW and with “civilian” collectives who were planning more dramatic actions. Ralph always would say later that if it hadn’t been for getting “religion” on the war issue and doing all those political actions then he would have gone crazy, would have wound up like a lot of guys he would see later at the VA, see out in the cardboard box for a home streets, and would not until this day have supported in any way he could, although lately not physically since his knee replacement, those who had the audacity to march for the “good old cause.”                          


That is the back story of a relationship has lasted until this day, an unlikely relationship in normal times and places but in that cauldron of the early 1970s when the young, even the not so very young, were trying to make heads or tails out of what was happening in a world they did not crate, and were not asked about there were plenty of such stories, although most did not outlast that search for the newer world when the high tide of the 1960s ebbed in the mid-1970s. Ralph had noticed while milling around the football field waiting for something to happen, waiting to be released, Sam had a VVAW button on his shirt and since he did not recognize Sam from any previous VVAW action had asked if he was a member of the organization and where. Sam told him the story of his friend Jeff Mullin and of his change of heart about the war, and about doing something about ending the damn thing. That got them talking, talking well into the first night of their captivity when they found they had many things in common coming from deeply entrenched working-class cultures. (You already know about Troy. Carver is something like the cranberry bog capital of the world even today although the large producers dominate the market unlike when Sam was a kid and the small Finnish growers dominated the market and town life. The town moreover has turned into something of a bedroom community for the high-tech industry that dots U.S. 495.) After a couple of days in the bastinado Sam and Ralph hunger, thirsty, needing a shower after suffering through the Washington humidity heard that people were finding ways of getting out to the streets through some side exits. They decided to surreptiously attempt an “escape” which proved successful and they immediately headed through a bunch of letter, number and state streets on the Washington city grid toward Connecticut Avenue heading toward Silver Springs trying to hitchhike out of the city. A couple of days later having obtained a ride through from Trenton, New Jersey to Providence, Rhode Island they headed to Sam’s mother’s place in Carver. Ralph stayed there a few days before heading back home to Troy. They had agreed that they would keep in contact and try to figure out what the hell went wrong in Washington that week. After making some connections through some radicals he knew in Cambridge to live in a commune Sam asked Ralph to come stay with him for the summer and try to figure out that gnarly problem. Ralph did, although his father was furious since he needed his help on a big GE contract for the Defense Department but Ralph was having none of that.    

So in the summer of 1971 Sam and Ralph began to read that old time literature, although Ralph admitted he was not much of a reader and some of the stuff was way over his head, Sam’s too. Mostly they read socialist and communist literature, a little of the old IWW (Wobblie) stuff since they both were enthrall to the exploits of the likes of Big Bill Haywood out West which seemed to dominate the politics of that earlier time. They had even for a time joined a loose study group sponsored by one of the myriad “red collectives” that had sprung up like weeds in the Cambridge area. Both thought it ironic at the time, and others who were questioning the direction the “movement” was heading in stated the same thing when they were in the study groups, that before that time in the heyday of their anti-war activity everybody dismissed the old white guys (a term not in common use then like now) like Marx, Lenin, Trotsky, and their progeny as irrelevant. Now everybody was glued to the books.

It was from that time that Sam and Ralph got a better appreciation of a lot of the events, places, and personalities from the old time radicals. Events like the start of May Day in 1886 as an international working class holiday which they had been clueless about despite the   May Day actions, the Russian Revolutions, the Paris Commune, the Chinese Revolutions, August 1914 as a watershed against war, the Communist International, those aforementioned radicals Marx, Lenin, Trostky, adding in Mao, Che, Fidel, Ho whose names were on everybody’s tongue (and on posters in every bedroom) even if the reason for that was not known. Most surprising of all were the American radicals like Haywood, Browder, Cannon, Foster, and others who nobody then, or almost nobody cared to know about at all.

As they learned more information about past American movements Sam, the more interested writer of such pieces began to write appreciation of past events, places and personalities. His first effort was to write something about the commemoration of the 3 Ls (Lenin, Luxemburg, and Liebknecht) started by the Communist International back in the 1920s in January 1972, the first two names that he knew from a history class in junior college and the third not at all. After that he wrote various pieces like the one below about the labor party question in the United States (leftist have always posed their positions as questions; the women question, the black question, the party question, the Russian question and so on so Sam decided to stick with the old time usage.) Here is what he had to say then which he had recently freshly updated. Sam told Ralph after he had read and asked if he was still a “true believer” said a lot of the piece he would still stand by today:      

“These notes (expanded) were originally intended to be presented as The Labor Question in the United States at a forum on the question on Saturday August 4, 1972. They were updated for a study class in 2012 recently again [2015] for this space. As a number of radicals have noted, most particularly organized socialist radicals, after the dust from the fall bourgeois election settled [2014], regardless of who won [the Republicans as it turned out], the working class lost Pressure for an independent labor expression, as we head into 2016, may likely move from its current propaganda point as part of the revolutionary program to agitation and action so learning about the past experiences in the revolutionary and radical labor movements is timely.

I had originally expected to spend most of the speech at the forum delving into the historical experiences, particularly the work of the American Communist Party and the American Socialist Workers Party with a couple of minutes “tip of the hat” to the work of radical around the Labor Party experiences of the late 1990s. However, the scope of the early work and that of those radical in the latter work could not, I felt, be done justice in one forum. Thus these notes are centered on the early historical experiences. If I get a chance, and gather enough information to do the subject justice, I will place notes for the 1990s Labor party work in this space as well.

*********

The subject today is the Labor Party Question in the United States. For starters I want to reconfigure this concept and place it in the context of the Transitional Program first promulgated by Leon Trotsky and his fellows in the Fourth International in 1938. There the labor party concept was expressed as “a workers’ party that fights for a workers’ government.” [The actual expression for advanced capitalist countries like the U.S. was for a workers and farmers government but that is hardly applicable here now, at least in the United States. Some wag at the time, some Shachtmanite wag from what I understand, noted that there were then more dentists than farmers in the United States. Wag aside that remark is a good point since today we would call for a workers and X (oppressed communities, women, etc.) government to make our programmatic point more inclusive.]


For revolutionaries these two algebraically-expressed political ideas are organically joined together. What we mean, what we translate this as, in our propaganda is a mass revolutionary labor party (think Bolsheviks first and foremost, and us) based on the trade unions (the only serious currently organized part of the working class) fighting for soviets (workers councils, factory committees, etc.) as an expression of state power. In short, the dictatorship of the proletariat, a term we do not yet use in “polite” society these days in order not to scare off the masses. And that is the nut. Those of us who stand on those intertwined revolutionary premises are few and far between today and so we need, desperately need, to have a bridge expression, and a bridge organization, the workers party, to do the day to day work of bringing masses of working people to see the need to have an independent organized expression fighting programmatically for their class interests. And we, they, need it pronto.

That program, the program that we as revolutionaries would fight for, would, as it evolved, center on demands, yes, demands, that would go from day to day needs to the struggle for state power. Today focusing on massive job programs at union wages and benefits to get people back to work, workers control of production as a way to spread the available work around, the historic slogan of 30 for 40, nationalization of the banks and other financial institutions under workers control, a home foreclosure moratorium, and debt for homeowners and students. Obviously more demands come to mind but those listed are sufficient to show our direction.

Now there have historically been many efforts to create a mass workers party in the United States going all the way back to the 1830s with the Workingmen’s Party based in New York City. Later efforts, after the Civil War, mainly, when classic capitalism began to become the driving economic norm, included the famous Terence Powderly-led Knights of Labor, including (segregated black locals), a National Negro Union, and various European social-democratic off -shoots (including pro-Marxist formations). All those had flaws, some serious like being pro-capitalist, merely reformist, and the like (sound familiar?) and reflected the birth pangs of the organized labor movement rather than serious predecessors.

Things got serious around the turn of the century (oops, turn of the 20th century) when the “age of the robber barons” declared unequivocally that class warfare between labor and capital was the norm in American society (if not expressed that way in “polite” society). This was the period of the rise the Debsian-inspired party of the whole class, the American Socialist Party. More importantly, if contradictorily, emerging from a segment of that organization, the Industrial Workers of the World (IWW, Wobblies) was, to my mind the first serious revolutionary labor organization (party/union?) that we could look to as fighting a class struggle fight for working class interests. Everyone should read the Preamble to the IWW Constitution of 1905 (look it up on Wikipedia or the IWW website) to see what I mean. It still retains its stirring revolutionary fervor today.

The most unambiguous work of creating a mass labor party that we could recognize though really came with the fight of the American Communist Party (which had been formed by the sections, the revolutionary-inclined sections, of the American Socialist Party that split off in the great revolutionary/reformist division after the success of the Bolshevik Revolution in Russia in 1917) in the 1920s to form one based on the trade unions (mainly in the Midwest, and mainly in Chicago with the John Fitzgerald –led AFL). That effort was stillborn, stillborn because the non-communist labor leaders who had the numbers, the locals, and, ah, the dough wanted a farmer-labor party, a two class party to cushion them against radical solutions (breaking from the bourgeois parties and electoralism). Only the timely intervention of the Communist International saved the day from a major blunder (Go to the James P. Cannon Internet Archives for more, much more on this movement, He, and his factional allies including one William Z. Foster, later the titular head of the Communist Party, were in the thick of things to his later red-faced chagrin).

Moving forward, the American Communist Party at the height of the Great Depression (the one in the 1930s, that one, not the one we are in now) created the American Labor Party (along with the American Socialist party and other pro-Democratic Party labor skates) which had a mass base in places like New York and the Midwest. The problem though was this organization was, mainly, a left-handed way to get votes for Roosevelt from class conscious socialist-minded workers who balked at a direct vote for Roosevelt. (Sound familiar, again?) And that, before the Labor Party movement of the 1990s, is pretty much, except a few odd local attempts here and there by leftist groups, some sincere, some not, was probably the last major effort to form any kind of independent labor political organization. (The American Communist Party after 1936, except 1940, and even that is up for questioning, would thereafter not dream of seriously organizing such a party. For them the Democratic Party was more than adequate, thank you. Later the Socialist Workers Party essentially took the same stance.)

So much then for the historical aspects of the workers party question. The real question, the real lessons, for revolutionaries posed by all of this is something that was pointed out by James P. Cannon in the late 1930s and early 1940s (and before him Leon Trotsky). Can revolutionaries in the United States recruit masses of working people to a revolutionary labor party (us, again) today (and again think Bolshevik)? To pose the question is to give the answer (an old lawyer’s trick, by the way).

America today, no. Russia in 1917, yes. Germany in 1921, yes. Same place 1923, yes. Spain in 1936 (really from 1934 on), yes. America in the 1930s, probably not (even with no Stalinist ALP siphoning). France 1968, yes. Greece (or Spain) today, yes. So it is all a question of concrete circumstances. That is what Cannon (and before him Trotsky) was arguing about. If you can recruit to the revolutionary labor party that is the main ticket. We, even in America, are not historically pre-determined to go the old time British Labor Party route as an exclusive way to create a mass- based political labor organization. If we are not able to recruit directly then you have to look at some way station effort. That is why in his 1940 documents (which can also be found at the Cannon Internet Archives as well) Cannon stressed that the SWP should where possible (mainly New York) work in the Stalinist-controlled (heaven forbid, cried the Shachtmanites) American Labor Party. That was where masses of organized trade union workers were.

Now I don’t know, and probably nobody else does either, if and when, the American working class is going to come out of its slumber. Some of us thought that Occupy might be a catalyst for that. That has turned out to be patently false as far as the working class goes. So we have to expect that maybe some middle level labor organizers or local union officials feeling pressure from the ranks may begin to call for a labor party. That, as the 1990s Socialist Alternative Labor Party archives indicates, is about what happened when those efforts started.

[A reference back to the American Communist Party’s work in the 1920s may be informative here. As mentioned above there was some confusion, no, a lot of confusion back then about building a labor party base on workers and farmers, a two -class party. While the demands of both groups may in some cases overlap farmers, except for farm hands, are small capitalists on the land. We need a program for such potential allies, petty bourgeois allies, but their demands are subordinate to labor’s in a workers’ party program. Fast forward to today and it is entirely possible, especially in light of the recent Occupy experiences that some vague popular frontist trans-class movement might develop like the Labor Non-Partisan League that the labor skates put forward in the 1930s as a catch basin for all kinds of political tendencies. We, of course, would work in such formations fighting for a revolutionary perspective but this is not what we advocate for now.]

Earlier this year AFL-CIO President Trumka [2012]made noises about labor “going its own way.” I guess he had had too much to drink at the Democratic National Committee meeting the night before, or something. So we should be cautious, but we should be ready. While at the moment tactics like a great regroupment of left forces, a united front with labor militants, or entry in other labor organizations for the purpose of pushing the workers party are premature we should be ready.

And that last sentence brings up my final point, another point courtesy of Jim Cannon. He made a big point in the 1940s documents about the various kinds of political activities that small revolutionary propaganda groups or individuals (us, yet again) can participate in (and actually large socialist organizations too before taking state power). He lumped propaganda, agitation, and action together. For us today we have our propaganda points “a workers’ party that fights for a workers (and X, okay) government.” In the future, if things head our way, we will “united front” the labor skates to death agitating for the need for an independent labor expression. But we will really be speaking over their heads to their memberships (and other working class formations, if any, as well). Then we will take action to create that damn party, fighting to make it a revolutionary instrument. Enough said.


  

*****In The Twilight Of The Folk Minute- Peter Seeger And Arlo Guthrie In Concert In The Late 1980s

*****In The Twilight Of The Folk Minute- Peter Seeger And Arlo Guthrie In Concert In The Late 1980s














“Jesus, they charged me fourteen dollars each for these tickets to see Pete Seeger and Arlo Guthrie and I got them by coming over here to the box office on my lunch hour instead of being gouged by Tick-Pik for three extra bucks apiece for god knows what purpose since it is not like this concert thing was a “hot ticket” like they were the Stones or Springsteen where you expect to be gouged and if you want to see them bad enough you cough up the extra dough, Sam Lowell was telling his companion and their two friends just that moment. After a pause to think through where he wanted togo with his thoughts he continues, “Remember Laura about ten or fifteen years ago when we saw Pete for five bucks each at the Café Nana over in Harvard Square and he put on a hundred dollar show unlike what I hear about him lately that age is catching up with him, he must be in his seventies, and he talks more than plays and sings.” (Laura nodded her head in agreement.) “That was when Hank, Hank Jacobs, the owner, used to bill all the big folk acts for cheap money because the folk minute was decidedly over and most of them were “from hunger” then and didn’t want to work for the “basket” like when they were kids on the way up so would jump at the opportunity to play and I guess he treated them okay from what Dave Von Ronk said one night when he was featured there. Those were the days when just because it was the Square you could still draw a crowd of people like us who used to “cruise” the folk minute scene in the early 1960s to hear those guys play and still carry the torch for such music that went along with our political ambitions and our desire to break out of that mold which was descending on us to come back to earth for a while.” (Laura laughed at that mention of “cruise” since it was a new term, kind of sexually charged,  not used back in the day when it was just “hanging out” they were doing when they went to the coffeehouses or peace marches.)

“Oh yeah, and the price of an expresso coffee each for two people and I think maybe we shared a piece of carrot cake was maybe another three bucks. You had to have something in front of you to keep your seat or unless it was a slow night Hank would scowl at you and make you think that you had done something criminal by taking the seat of a customer who would buy some wine and maybe a light meal which they served then. Beside the carrot cake was good, I think his wife, Stella, made it from scratch and Laura would eat a fork-full and I would have the rest as you can tell from my slightly expanded form.” (Laura laughed the knowing laugh of too many latter carrot cakes after he stopped jogging a few years back when his knees started giving out from the pounding he took over on the asphalt at Fresh Pond where he used to run.)

“We had been on a cheap date since I was still in law school over at New England, maybe second year so it was probably 1972 (Laura corrected him saying 1973), a cheap date when I didn’t have much cash and at that time, just at the cusp of the women’s liberation movement taking wider hold, a guy was still mostly expected to pay. No “Dutch treat,” no Laura Dutch treat expected anyway especially on a first or second date, and definitely not that one when I had been intrigued by you early on and wanted to continue to see you.” (Laura’s face reddened and then she put on a bright smile).

“Around that same time, that same Spring of 1973, Arlo gave a free concert out on Concord Commons, remember” Sam said to his date Laura Peters and the couple they were standing in line with, Patrick Darling and Julia James, in front of Symphony Hall in Boston waiting for the doors to open for the Pete-Seeger-Arlo Guthrie concert that evening.

Laura once Sam came off his soap-box as she always called it, especially when he was in a “folk minute” frame of mind and wanted to impress everybody within hearing distance of his arcane knowledge of lots of folk history including remembering the wrong dates and usually what they ate, or didn’t eat, but spot on when it came to the acts and their play lists for the evening then rather sheepishly, for her, nodded that she remembered the Café Nana event since she had been entirely willing, knowing that Sam was in law school and broke and she had already gotten a job as a CPA at John Hancock and was making money, to go “Dutch treat” that night but Sam had insisted he pay and she did not press the issue since she too had been intrigued by him.  That sheepish part was because she recalled that back then, back before she got involved with the edges of the women’s liberation movement and tried to change was perfectly willing to let the guy pay, expected him to pay even if he was from hunger. So Sam was not that far off but she never liked to let him play that “from hunger” thing too strongly and so she had her say. Yeah, she thought to herself that was the way her father had done it with her mother and her mother had passed on that wisdom to her.

Laura had failed to mention, failed to mention under the circumstances that they were standing in a public place with friend who did not need to know Sam “forgot” that she had not gone with him to see Arlo on the Commons since Sam had taken his ex-wife, Josie Davis, to that concert at a time when Josie and Sam were trying to reconcile or get divorced but she did not want to bring that up although Julia had looked in her direction when Sam mentioned that Commons concert since she and her date, some guy from Sam’s law school had gone along and had witnessed reason two hundred and twenty-seven why Sam and Josie eventually got divorced when Josie had badgered Sam about buying a house when he got his first job and would not let it go. With another year in school and bar exams in front of him she was thinking about that stuff. Yeah, so long Josie.  That tense moment passed with the men both oblivious.

This in any case would be the first time Pete and Arlo had appeared together since Newport a number of years back. This also the first time this foursome had seen either of them in a good number of years since Pete Seeger had gone to upstate New York and had been spending more time making the rivers and forests up there green again than performing and Arlo was nursing something out in Stockbridge. “Maybe, Alice,” Patrick said and everybody laughed at that inside joke. 

Sam continued along that line of his about “the back in the days” for a while, with the three who were still also something of folk aficionados well after the heyday of that music in what Sam always and endlessly called the “1960s folk minute” nodding their heads in agreement saying “things sure were cheaper then and people, folkies for sure, did their gigs for the love of it as much as for the money, maybe more so. Did it, what did the grizzled folk historian cum folksinger-songwriter Dave Van Ronk call it then, oh yeah, for the “basket,” for “from hunger” walking around money to keep the wolves from the doors. To piece off the landlord or roommate for another week or month.

Begged for a room, a small room, a stage and bunch of mismatched chairs, usually giving the economics of coffeehouse ownership, to play out whatever saga drove them to places like the Village, Harvard Square, North Beach and their itch to make a niche in the booming folk world where everything seemed possible. Everything seemed possible if you had any kind of voice to the left of Dylan’s and Van Ronk’s own, could play three chords on a guitar, or a la Pete work a banjo, a mando, or some other stringed instrument, and write of love, sorrow, some dastardly death deed, or on some pressing issue of the day.

 

After being silent for a moment Sam got a smile on his face and said “On that three chord playing thing I remember Geoff Muldaur from the Kweskin Jug Band, a guy who knew the American folk songbook as well as anybody then, worked at learning it too, as did Kweskin himself, learned even that Harry Smith Anthology of American Folk Music stuff, all eighty some songs, or the ones customers would listen to, stuff which meant you had to be serious, saying that if you could play three chords you were sure to draw a crowd, a girl crowd around you, if you knew four or five that  meant you were a serious folkie and you could even get a date from among that crowd, and if you knew ten or twelve chord you could have whoever and whatever you wanted. I don’t know if that is true since I never got beyond the three chord thing but no question that was a way to attract women, especially at parties.” Laura, never one to leave something unsaid when Sam left her an opening said in reply “I didn’t even have to play three chords on a guitar, couldn’t then and I can’t now, although as Sam knows I play a mean kazoo, but all I had to do was start singing some Joan Baez or Judie Collins cover and with my long black hair ironing board straight like Joan’s I had all the boys come around and I will leave it to your imaginations about the whatever I wanted part.”

They all laughed although Sam’s face reddened a bit at the thought of her crowded up with guys hanging over her although he had not known her back then in the folk minute since she had lived in Manhattan then and he had grown up and lived Carver about thirty miles south of Boston but had only met her later in the early 1970s when the Josie thing was going bad and she had brought smiles to his face when he needed somebody to do that awesome task.                      

Those reference got Julia thinking back the early 1960s when she and Sam went “Dutch treat” to see Dave Van Ronk at the Club Blue. (Sam and Julia were thus by definition not on a heavy date, neither had been intrigued by the other but folk music was their bond and despite persistent Julia BU dorm roommate rumors what with Sam hanging around all the time had never been lovers). She mentioned that date to Sam as they waited to see if he remembered and while he thought he remembered he was not sure. He asked Julie, “Was that the night he played that haunting version of Fair and Tender Ladies with Eric Von Schmidt backing him up on the banjo?” Julie had replied yes and that she too had never forgotten that song and how the house which usually had a certain amount of chatter going on even when someone was performing had been dead silent once he started singing like something out of the sea, or like the cry of the banshees.

Club Blue had been located in that same Harvard Square that Sam had mentioned earlier and along with the Café Nana, which was something of a hot spot once Dylan, Baez, Tom Rush and the members of the Kweskin band started hanging out there, and about five or six other coffeehouses all within a few blocks of each other (one down on Arrow Street was down in the sub-basement and Sam swore that Dylan must have written Subterranean Homesick Blues there). Coffeehouses then where you could, for a dollar or two, see Bob, Joan, Eric (Von Schmidt), Tom (Rush), Phil (Ochs) and lots of lean and hungry performers working for that “basket” Sam had mentioned earlier passed among the patrons and be glad, at least according to Van Ronk when Julia had asked him about the “take” during one intermission, to get twenty bucks for your efforts that night.

That was the night during that same intermission Dave also told her that while the folk breeze was driving things his way just then and people were hungry to hear anything that was not what he called “bubble gum” music like you heard on AM radio that had not been the case when he started out in the Village in the 1950s when he had worked “sweeping out” clubs for a couple of dollars. That sweeping out was not with a broom, no way, Dave had said with that sardonic wit of his that such work was beneath the “dignity” of a professional musician but the way folk singers were used to empty the house between shows. In the “beat”1950s with Kerouac, Cassady, Ginsberg, and their comrades (Dave’s word reflecting his left-wing attachments then) making everybody crazy for poetry, big be-bop poetry backed up by big be-bop jazz the coffeehouses played to that clientele and on weekends or in the summer people would be waiting in fairly long lines to get in. So what Dave did (and Happy Traum and a couple of other singers that she could not remember he had mentioned) was after the readings were done and people were still lingering over their expressos would be to get up on the makeshift stage and begin singing some old sea chanty, some obscure Child ballad (those ballads later a staple in the folk world because you could cover them as public domain items and frankly because they were usually long and filled up a short playlist if you were not feeling well or were pressed for something to perform), or some slavery day freedom song in that raspy, gravelly voice of his which would sent the customers out the door. And if they didn’t go then he was out the door. Tough times, tough times indeed.             

Coffeehouses too where for the price of a cup of coffee, maybe a pastry, shared, you could wallow in the fluff of the folk minute that swept America, maybe the world, and hear the music that was the leading edge then toward that new breeze that everybody that Julia and Sam knew was bound to come what with all the things going on in the world. Black civil rights, mainly down in the police state South, nuclear disarmament, the Pill to open up sexual possibilities previously too dangerous or forbidden, and music too, not just the folk music that he and she had been addicted to but something coming from England paying tribute to old-time blues with a rock upbeat that was now a standard part of the folk scene ever since they had “discovered” blues guys like Mississippi John Hurt, Son House, Bukka White, and Skip James. All the mix to turn the world upside down. All of which as well was grist to the mill for the budding folk troubadours to write songs about.

Julie made her companions laugh as they stood there starting to get a little impatient since the doors to the concert hall were supposed to open at seven and here it was almost seven fifteen (Sam had fumed, as he always did when he had to wait for anything, a relic of his Army days during the Vietnam War when everything had been “hurry up and wait”). She had mentioned that back then, back in those college days when guys like Sam did not have a lot of money, if worse came to worse and you had no money like happened one time with a guy, a budding folkie poet, Jack Dawson, she had a date with you could always go to the Hayes-Bickford in the Square (the other H-Bs in other locations around Boston were strictly “no-go” places where people actually just went to eat the steamed to death food and drink the weak-kneed coffee).

As long as you were not rowdy like the whiskey drunks rambling on and on asking for cigarettes and getting testy if you did not have one for the simple reason that you did not smoke (almost everybody did then including Sam although usually not with her and definitely not in the dorm), winos who smelled like piss and vomit and not having bathed in a while, panhandlers (looking you dead in the eye defying you to not give them something, money or a cigarette but something) and hoboes (the quiet ones of that crowd  who somebody had told her were royalty in the misfit, outcast world and thus would not ask for dough or smokes) who drifted through there you could watch the scene for free.

On any given night, maybe around midnight, on weekends later when the bars closed later you could hear some next best thing guy in full flannel shirt, denim jeans, maybe some kind of vest for protection against the cold but with a hungry look on his face or a gal with the de riguer long-ironed hair, some peasant blouse belying her leafy suburban roots, some boots or sandals depending on the weathers singing low some tune they wrote or reciting to their own vocal beat some poem. As Julie finished her thought some dressed in uniform guy who looked like a doorman in some foreign castle opened the concert hall doors and the four aficionados scampered in to find their seats.                 

…as they walked down the step of Symphony Hall having watched Pete work his banjo magic, work the string of his own Woody-inspired songs like Golden Thread and of covers from the big sky American songbook and Arlo wowed with his City of New Orleans and some of his father’s stuff (no Alice’s Restaurant that night he was saving that for Thanksgiving, he said) Sam told his companions, “that fourteen dollars each for tickets was a steal for such performances, especially in that acoustically fantastic hall” and told his three friends that he would stand for coffees at the Blue Parrot over in Harvard Square if they liked. “And maybe share some pastry too.”