Friday, October 06, 2017

Hard Times In The Country Down On The Farm-With Stephen Foster’s Hard Times Come Again No More In Mind

Hard Times In The Country Down On The Farm-With Stephen Foster’s Hard Times Come Again No More In Mind



By Bradley Fox


No one in Hazard, Hazard, down in Eastern Kentucky, Appalachia hard patch country which still has sections where the views would take your breath away just like it did those whose sense of wonder first brought them through the passes from the stuffed-up East, ever forgot the hard times in 1931, nobody. Not the coal bosses, actually coal boss since every little black-hearted patch belonged to Mister Peabody and company, who that year shut down the mines rather than accept the union, the “red union,” National Miner-Workers Union ( that “red” no euphemism since the American Communist Party was in its “ultra-left period of only working in its own “red” unions rather than as a faction of larger craft or industrial union) although Mister Peabody, given a choose, would have been under the circumstances happy to work out a sweetheart deal with John L. Lewis and his United Mine Workers. But the Hazard miners were a hard-nosed lot, certainly as hard-nosed as their more well-known cousins over in Harlan County who had songs sung and soft whispered words written about their legendary activities in taking on the coal bosses. (That cousin reference no joke since in hard times, and sometimes in good times you could not get a job in the mines if you were not vouched for.) Certainly no one in the Breslin clan ever forgot the 1931 hard times since they had lost a few wounded, a couple seriously in the skirmishes around the mine shaft openings  keeping the mines closed when the bosses, and not just Mister Peabody on that score, tried to bring in “scab” labor from West Virginia or Eastern Pennsylvania to work the mines.         

Of course the Breslin clans, the various branches gathered over the generations had been in the hills and hollows of Kentucky as far back as anybody could remember. Somebody said, some Breslin “historian,” that the first Breslin had been thrown out of England back in the early part of the 19th century for stealing sheep and told never to return under penalty of death. And so he, Ike, or Icky, nobody even the historian was not sure which was the correct name hightailed it out on the nearest ship and wound up in Baltimore before heading west, ever westward as was the habit of lots of people, the plebes shut out of the big businesses and small craft shops by those whose people had come before, had come not long after the Mayflower, back then when the seacoast fame and fortunes were already locked and there was so much land to the west that it seemed a shame to see it go to another man, or his family.

So that first Breslin headed west and settled in the hills and hollows around Hazard, raised a big family, twelve who survived childhood and over a couple of generations helped populate the area. Here was the funny part, the part that would explain why there were still Breslins in Hazard after the land had petered out, and before coal was discovered as a usable mass energy source. Some of the Breslin clan had the wanderlust like old Ike/Icky and moved on when the land went fallow. Others took after that lazy, sheep stealing stay in one place part of the Breslin gene and refused to move expecting providence, or God, or something to see them through. The coal discovery to keep families from starvation’s door  helped but that didn’t change the sluggish no account ways of those who stayed, mostly.         

No question there was a certain amount of in-breeding which didn’t help the gene pool but was to be expected when you had people living in isolated pockets, more men surviving than women after childbirth. Some of it was a certain “don’t give a damn” attitude-as long as something was on the table for supper, as long as the roof of the shack, and most of the Breslins lived in the ubiquitous shacks seen in photographs of the times by photographers like Weston and Arbus. Places, tiny places, one or two rooms, a living area, a bedroom area, no windows to speak of, not made of glass anyway maybe waxed paper, just holes on the sides to let in air, those sides of the building protected by tar paper, ditto the roof, a porch with some old pappy sitting in a rocker, a parcel of kids, half clothed, and a lifetimes worth of junk scattered around the yard. Maybe a mangy dog, maybe some poultry. Some of the problem was lack of any education, or anybody to teach them the niceties of the right way to do things. Fathers would tell their sons that they didn’t need any education to pick coal out of the ground. And for a couple of generations that worked out, nothing good, nothing but short, brutish, nasty lives but there it was.             

That was the way it was in late 1930 in the Prescott Breslin clan, the great-great grandson of that original Breslin who had gotten himself unceremoniously kicked out of England. Living from hand to mouth with eleven children to raise like weeds. Then cousin Brody Breslin, who lived over in Harlan County, and was a son from the Jerimiah Breslin branch, came to organize for the NMU, for the “reds.” Organized the Breslins, the Johnsons, the Foxes and the Bradys mostly and when Mister Peabody refused to negotiate shut the damn mines down. Closed them tight, the Breslins took casualties to prove that point. And that was a very tough year as the company almost starved everybody out. But the union held, the companies wanted the coal produced and they settled (eventually with a lot of political maneuvering which nobody ever rightly figured out the NMU later joined the Lewis UMW and came under that leadership including NMU local president Brody Breslin).       

So thereafter in the 1930s the Breslins worked the mines, mostly, mostly except when there was “too much” coal and the company stopped production for short periods to drive the price up. Young Prescott Breslin, Prescott’s youngest son (not everybody gave the first born son the father’s name down there and hence junior but the pure truth was that old Prescott and his tired-out wife couldn’t think of another name and so Prescott), in his turn at fourteen dropped out of school and went to picking coal in the mines like his forbears (remember the epitaph-“you don’t need no education to pick coal” mentioned above) in about 1933 and worked there until the war came along, until the bloody Japanese bastards attacked Pearl Harbor. Three days after, December 10, 1941, young Prescott left the mines and headed for Prestonsburg where the nearest Marine recruiting station had been hastily set up.

When his father asked him why he did such a foolish thing since there were still young Breslin mouths including sisters to be feed and since he would have been exempted from military service because there was going to be a tremendous need for coal Prescott kind of shrugged his shoulders and thought for a minute about the question. Then he answered his father this way; between fighting the Nips (Japanese) out in the Pacific and shoveling Mister Peabody’s coal he would take his changes on survival to a ripe old age with the Marines. And he never looked back with the slightest regret for doing that despite the later hardships that would dog his life including more misunderstandings with his kids than you could shake at.            

Never looked back but as Prescott was leaving to head to boot camp a few days later he thought that it had not all been bad. There were those Saturday night dances down at Fred Brown’s old red barn where anybody with any musical instrument showed up and created a band for the evening playing the old mountain music songs carried over from the old country. (Stuff that a few spirited musicologists starting with Francis Child in the 19th century collected and made more widely known.) Dancing his head off with Sarah Brown, Priscilla Breslin, a distant cousin, and Betty Shaw. As he got older  getting high on Fred’s corn liquor, remembering how sick he got the first time drinking too fast and not remembering the motto-this was Kentucky sipping whiskey, mountain style, so sip. When he came of age getting up his liquor courage to “spark” Sarah, Priscilla and Betty in that order causing real sparks when they found out that he had had his way with each of them by shyly saying they were each the first. When he thought about that predicament he began to think maybe he would be better off taking his chances fighting the Japs on that front too. But he was a man headed out into the great big world beyond the hills and hollows of home. So he left for good never to return except right after he was discharged from the Marines to pack up his few belongings not already passed on to some other siblings.           

This is the way the younger Prescott Breslin told the story to his youngest son Josh in 1966 when they were still on civil speaking terms as he was heading out into his own world leaving in the dust Olde Saco his growing up time up in Maine. (Prescott had been stationed at the Portsmouth Naval Base before being discharged, had met and married Delores LeBlanc from Olde Saco after meeting her at a USO dance in Portland and settled into that town when he returned from that brief sojourn back home.) And this is the way Josh remembered what his father said fifty years later. Yeah, those times in 1931 sure should have been hard. Hard like his father’s fate would be later. Damn, hard times come again no more.    

*****When The Fight To Turn The World Upside Down Was In Full Flower- With The Doors The Unknown Soldier In Mind

*****When The Fight To Turn The World Upside Down Was In Full Flower- With The Doors The Unknown Soldier In Mind

 
 
Wait until the war is over
And we're both a little older
The unknown soldier
Breakfast where the news is read
Television children fed
Unborn living, living, dead
Bullet strikes the helmet's head

And it's all over
For the unknown soldier
It's all over
For the unknown soldier

Hut, hut, hut ho hee up
Hut, hut, hut ho hee up
Hut, hut, hut ho hee up

Comp'nee, halt
Present, arms

Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier

Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head

And, it's all over
The war is over
It's all over
War is over

Well, all over, baby
All over, baby
Oh, over, yeah
All over, baby
Ooh, ha, ha, all over
All over, baby
Oh, woah, yeah, all over
All over, heh

Add song meaning

Songwriters
Robbie Krieger;John Densmore;Jim Morrison;Ray Manzarek

From The Pen of Zack James

There was no seamless thread that wrapped the counter-cultural dominated 1960s up tightly, wrapped it up neatly in a pretty bow all set for posterity except for the media types who lived day by day in those merciful times for scraps to feed the teletype hot wires and by on-the-make politicians who to this day attempt to make capital making sport of what in the final analysis was a half-thought out desire to create the “newer world” that some old-time English poet was harping about. That seamless thread business had been distracting Frank Jackman’s attention of late now that a new generation of media-types are at hand who want to refight that social battle and the politicians are whipping   up the raw meat good old boys and girls and the staid as well to provide the troops for that new battle against some phantom in their heads. Despite all the rhetoric, despite all the books written disclaiming any responsibility by those who led the march, despite all those who have now “seen the light” and have hopped back into the fold in academia and the professions (in fact that march back to what everybody used to call bourgeois society started the day after the whole movement ebbed or the day they got their doctorates or professional degrees) there was some question even in Franks’ own mind about whether “the movement” for all its high gloss publicity and whirlwind effect dominated the play as much as he and his kindred had thought then or can lay claim to these forty plus years later.
Place plenty of weight on Frank’s observation, maybe not to take to the bank but to have some knowledge about the limits to what a whole generation in all its diversity can claim as its own mark on society and history. Place plenty of weight for the very simple reason that he went through the whole thing in almost all of its contradictions. Had been raised under the star of parents who slogged through the Great Depression although that was a close thing, a very close thing for some like Frank’s parents who were desperately poor. His poor besotted mother having to leave home and head west looking, looking for whatever there was out there before coming back home with three dollars in hand, and maybe her virtue how can you ask that question of your mother when you wouldn’t think to look at her when young, later too, that she was capable of sex, not the sex you had at your pleasure with some sweet Maryjane. His father out of the Southern winds, out of tar-roof shack of a cabin, half naked, down in the coal-rich hills and hollows of Appalachia, the poorest of the poor, leaving that desperate place to seek something, some small fame that always eluded him. They together, collectively, slogged through the war, World War II, his father through Pacific fight, the most savage kind, had his fill of that damn island hopping and his mother waiting, fretfully waiting for the other shoe to drop, to hear her man had laid his head down for his country in some salted coral reef or atoll whatever they were. Get this though, gladly, gladly would lay that head down and she if it came right down to it would survive knowing he had laid that precious head down. That was the salts they were made of, the stuff this country was able to produce even if it had very little hand in forming such faithful servants so no one would, no one could deny their simple patriotism, or doubt that they would pass that feeling on to their progeny.
Made that progeny respect their music too, their misty, moody I’ll see you tomorrow, until we meet again, I’ll get by, if I didn’t care music, music fought and won with great purpose. But Frank balked, balked young as he was, with as little understanding as he had, the minute he heard some serious rhythm back-beat absent from that sugary palp his parents wanted to lay on him and he would, young as he was, stand up in his three brother shared room (when they were not around of course for they older “dug” Patti Page and Rosemary Clooney, stuff like that) and dance some phantom dance based on that beat he kept hearing in his head, and wondered whether anybody else heard what he heard (of course later when it was show and tell time in the 1960s that beat would be the thing that glued those who were kindred together, funny they were legion). Caught the tail end of the “beat” thing that those older brothers dismissed out of hand as faggy, as guys “light on their feet” and gals who seemed black-hearted blank and neurotic. But that was prelude, that, what did somebody in some sociology class call it, the predicate.                      
As the 1960s caught Frank by his throat, caught him in its maw as he liked to call it to swishy-dishy literary effect he got “religion” in about six different ways. Got grabbed  when the folk minute held sway, when guys like Bob Dylan and Dave Von Ronk and gals like Joan Baez preached “protest” to the hinterlands, reaching down to places like Frank’s Carver, nothing but a working poor town dependent on the ups and downs of the cranberry business. At one time the town was the cranberry capital of the world or close to it. That up and down business depending too on whether people were working and could afford to throw in cranberry sauce with their turkeys come Thanksgiving and Christmas or would be reduced to the eternal fallback beans and franks. But see Carver was close enough, thirty or forty miles south of Boston to Beacon Hill and Harvard Square to be splashed by that new sound and new way of going on dates too, going to coffeehouses or if times were tough just hang around the Harvard Square’s Hayes-Bickford watching with fascination the drunks, hipsters, dipsters, grifters, winos, hoboes, maybe  an odd whore drinking a cup of joe after some John split on her, but also guys and gals perfecting their acts as folk-singers, poets, artists and writers.
Grabbed on the basis of that protest music to the civil rights movement down South, putting Frank at odds with parents, neighbors and his corner boys around Jack Slack’s bowling alleys. Grabbed too the dope, the hope and every girl he could get his hands on, or get this to tell you about the times since he was at best an okay looking guy, they could get their hands on him, on those bedroom blue eyes of his they called it more times than not, that came with the great summers of love from about 1965 on.
Here’s where the contradictions started get all mixed up with things he had no control over, which he was defenseless against. So grabbed too that draft notice from his friends and neighbors at the Carver Draft Board and wound up a dog soldier in Vietnam for his efforts. Wound up on cheap street for a while when he came back unable to deal with the “real” world for a while. That failure to relate to the “real” world cost him his marriage, a conventional marriage to a young woman with conventional white picket fence, a little lawn, kids, and dogs dreams which only had happened because he was afraid that he would not come back from “Nam in one piece, would never get to marriage for what it was worth. Grabbed the streets for a while before he met a woman, a Quaker woman, who saved him, for a while until he went west with some of his corner boys who had also been washed by the great push. Did the whole on the road hitchhike trip, dope, did communes, did zodiacs of love, did lots of things until the hammer came down and the tide ebbed around the middle of the 1970s. So yeah Frank was almost like a bell-weather, no, a poster child for all that ailed society then, and for what needed to be fixed.      
That decade or so from about 1964 to about 1974 Frank decided as he got trapped in old time thoughts and as he related to his old friend Jack Callahan one night at his apartment in Cambridge as they passed a “joint” between them (some things die hard, or don’t die) was nevertheless beginning to look like a watershed time not just for the first wave immediate post-World War II baby-boomers like him, Jack, Frankie Riley, the late Peter Markin, Sam Lowell and a lot of other guys he passed the corner boy night with (the ones like him born immediately after the war as the troops came home, came off the transports, and guys and gals were all hopped up to start families, figure out how to finance that first white picket fence house and use the GI bill to get a little bit ahead in the world, at least get ahead of their parents’ dead-end great depression woes) who came of social and political age then washed clean by the new dispensation but for the country as a whole. More so since those of the so-called generation of ’68, so called by some wag who decided that the bookends of the rage of the American Democratic Convention in Chicago that year and the defeat of the revolutionary possibilities in France in May of that year signaled the beginning of the ebb tide for the whole thing, for those who are still up for a fight against the military monster who is still with us are continuing to fight a rearguard action to keep what little is left of accomplishments and the spirit of those time alive.
Thinking back a bit to that time, Frank as the dope kicked in, a thousand things, or it seemed like a thousand things, some things new in the social, economic, political or cultural forest came popping up out of nowhere in many cases, came together in pretty rapid succession to draw down in flames the dread red scare Cold War freezes of their  childhoods (that time always absurdly symbolically topped off by the sight of elementary school kids, them , crouched under some rickety old desk arms over their heads some air-raid drill practice time as if, as the residents of Hiroshima and Nagasaki who are still alive from that time can attest to, that would do the slightest bit of good if the “big one,” the nuclear bombs hit.
Yeah, the Cold War time too when what did they know except to keep their obedient heads down under their desks or face down on the floor when the periodic air-raid shelter tests were performed at school to see if they were ready to face the bleak future if they survived some ill-meant commie atomic blast. (Personally Frank remembered telling somebody then that he would, having seen newsreel footage of the bomb tests at Bikini, just as soon take his  chances above desk, thank you, for all the good the other maneuver would do them.)
For a while anyway Frank and the angel-saints were able to beat back that Cold War mentality, that cold-hearted angst, and calculated playing with the good green world, the world even if they had no say, zero, in creating what went on. Not so strangely, although maybe that is why people drifted away in droves once the old bourgeois order reasserted itself and pulled down the hammer, none of those who were caught up in the whirl thought it would be for only a while or at least thought it would fade so fast just as they thought, young and healthy as they were, that they would live forever. But if you, anybody when you really think about the matter, took a step back you could trace things a little, could make your own “live free” categories of the events that chipped away the ice of those dark nights.

Start in with the mid-1950s if you like, which is where Frank liked to start dating his own sense of the new breeze coming through although being a pre-teenager then he told Jack he would not have had sense enough to call it that, with the heat of the black struggle for some semblance of civil liberties down South in the fight for voter rights and the famous desegregation of buses in Montgomery and the painful desegregation of the schools in Little Rock (and some sense of greater  equality up North too as organizations like the NAACP and Urban League pushed an agenda for better education and housing). Also at that same time, and in gathering anecdotal evidence Frank had found that these too are a common lynchpin, the first break-out of music with the crowning of rock and roll as the wave of the future (black rhythm and blues, scat, rockabilly music all mixed up and all stirred up), and the “discovery” of teen alienation and angst exemplified by sullen movie star  James Dean, who lived fast, and died fast a metaphor that would work its way through youth culture over the next generation. (And throw in surly “wild one” movie star Marlon Brando in The Wild One and a brooding Montgomery Cliff in almost anything during those days, take The Misfits for one, to the mix of what they could relate to as icons of alienation and angst .)   
An odd-ball mix right there. Throw in, as well, although this was only at the end and only in very commercial form, the influence of the “beats,” the guys (and very few gals since that Jack Kerouac-Neal Cassady-William Burroughs-Allen Ginsberg mix was strictly a male bonding thing) who listened to the guys who blew the cool be-bop jazz and wrote up a storm based on that sound, declared a new sound, that you would hear around cafés even if you did not understand it unlike rock and roll, the guys who hitchhiked across the American landscape creating a wanderlust in all who had heard about their exploits, and, of course, the bingo bongo poetry that threw the old modernists like T.S. Eliot and Ezra Pound out with a bang.
Then start to throw in the struggles against the old authority in places like Frisco town where they practically ran the red-baiters in the HUAC out of town (what Frank, and some of his friends although not the Carver corner boys except Markin, would learn to call “bourgeois authority working hand in hand with the capitalists”), the old certitudes that had calmed their parents’ lives, made them reach out with both hands for the plenty in the “golden age of plenty.”
Of course the biggest event that opened the doors for liberals, radicals, hell, even thoughtful conservatives was the sweet breeze coming down the road from Boston with the election of Jack Kennedy. Ike, the harmless uncle, the kindly grandfather, was for parents Frank wanted guys who set the buzz going, let them think about getting some kicks out of life, that maybe with some thought they would survive, and if they didn’t at least we had the kicks.

That event opened up a new psyche, that it was okay to question authority, whatever the limitations and shortness of the Camelot times with the struggles against some hoary things like segregation, the death penalty, nuclear proliferation, the unevenness of social life which would get propelled later in the decade with fight for women’s liberation, gay liberation, and the fight against the draft, the damn war in Vietnam that drove a nail into the heart of Frank’s generation. A river of ideas, and a river of tears, have been, and can be, shed over that damn war, what it did to young people, those who fought, maybe especially those who fought as Frank got older and heard more stories about the guys who like him didn’t make it back to the “real” world after “Nam, didn’t have a sweet mother Quaker lady like Frank to save them, those guys you see downtown in front of the VA hospitals, and those who refused to, that lingers on behind the scenes even today.
There were more things, things like the “Pill” (and Frank would always kid Jack who was pretty shy talking about sex despite the fact that he and Chrissie, his high school sweetheart, had had four kids when he asked what pill if you need to know what pill and its purpose where have you been) that opened up a whole can of worms about what everyone was incessantly curious about and hormonally interested in doing something about, sex, sex beyond the missionary position of timeless legends, something very different if the dramatic increase in sales of the Kama Sutra meant anything, a newer sensibility in music with the arrival of the protest folk songs for a new generation which pushed the struggle and the organizing forward.
Cultural things too like the experimenting with about seven different kinds of dope previously the hidden preserve of “cool cat” blacks and white hipsters (stuff that they only knew negatively about, about staying away from, thru reefer madness propaganda, thru the banning of some drugs that were previously legal like sweet sister cocaine and taunt Nelson Algren hard life down at the base of society in films like The Man With The Golden Arm), the outbreak of name changes with everybody seemingly trying to reinvent themselves in name (Frank’s moniker at one time was Be-Bop Benny draw what you will out of that the idea being like among some hipster blacks, although with less reason, they wanted to get rid of their  slave names)  fashion (the old college plaid look fading in the face of World War II army surplus, feverish colors, and consciously mismatched outfits and affectation (“cool, man, cool” and “right on’ said it all). More social experiments gathering in the “nation” through rock concerts, now acid-etched, new living arrangements with the arrival of the urban and rural communes (including sleeping on more than one floor in more than one church or mission when on the road, or later on the bum). They all, if not all widespread, and not all successful as new lifestyles all got a fair workout during this period as well.     

Plenty of Frank’s kindred in retrospective would weigh the various combinations of events differently in figuring out how the uprising started just as plenty of them had their specific dates for when the tide began to ebb, when the mean-spirited and authoritarian began their successful counter-offensive that they still lived with for not taking the omens more seriously. (Frank’s ebb tide, as he had  described to Frankie Riley one time, was the events around May Day 1971 when they seriously tried, or thought they were seriously trying, to shut down the government in D.C. if it would no shut down the war and got nothing but billy-clubs, tear gas, beatings and mass arrests for their efforts. After those days Frank, and others, figured out the other side was more serious about preserving the old order than they were about creating the new and that they had better rethink how to slay the monster they were up against and act accordingly.)

Then Frank passed Jack a photograph that he had taken from a calendar put out by the New England Folk Song Society that his wife, Sarah, who worked to put the item out to raise funds for folk music preservation (see above) that acted as another catalyst for this his short screed, and which pictorially encapsulated a lot of what went then, a lot about “which side were you on” when the deal went down. This photograph Frank pointed out to Jack was almost impossible to imagine without some combination of that hell broth anti-war, anti-establishment, pro-“newer world” mix stirred up in the 1960s.
Three self-assured women (the “girls” of photograph a telltale sign of what society, even hip, progressive society thought about women in those slightly pre-women’s liberation time but they would learn the difference) comfortable with the loose and individualistic fashion statements of the day from floppy hats to granny dresses to bare legs, bare legs, Jesus, that alone would have shocked their girdled, silk stocking mothers, especially if those bare legs included wearing a mini-skirt (and mother dread thoughts about whether daughter knew about the pill, and heaven forbid if she was sexually active, a subject not for polite society, not for mother-daughter conversation, then she damn better well know, or else).
They are also uncomfortable about the damn Vietnam war, no, outraged is a better way to put the matter, that was eating up boyfriends, brothers, just friends, guys they knew in college or on the street who were facing heavy decisions about the draft, Canada exile, prison or succumbing to the worst choice, Frank’s choice if you could call his induction a choice what else could he have done gone to Canada, no,  military induction, at a heavy rate and they unlike their mothers who came through World War II waiting patiently and patriotically for their military heroes to come home, come home in one piece, have a very different sense of the heroic. A sense of the heroic going back to ancient times, Greek times anyway, when one group of women like their stay-at-home-waiting-for-the-other-shoe-to-drop World War II mothers demanded that their men come home carried on their shields if they had to rather than speak of defeat. Others, the ones that count here, refusing their potential soldier boys any favors, read sexual favors, okay, if they went off to war, providing a distant echo, a foundation to make their request stand on some authority, for these three women pictured there.
Frank wondered how many guys would confess to the lure of that enticement if they had refused induction. His own wife, quickly married at the time was if anything more gung-ho about stopping the red menace than his parents. Frank did not refuse induction for a whole bunch of reasons but then he did not have any girlfriends like that sweet mother Quaker woman later, who made that demand, his girl- friends early on, and not just his wife if anyway were as likely to want him to come back carried on a shield as those warrior-proud ancient Greek women. Too bad. But Frank said to Jack as Jack got up ready to head home to Hingham and Chrissie that he liked to think that today they could expect more women to be like the sisters above. Yeah, more, many more of the latter, please as Frank and his comrades in Veterans for Peace continue to struggle against the night-takers in the nightmare world of endless war


“Strobe Light’s Beams Creates Dreams”-The Summer Of Love, 1967-The Boston Museum Of Fine Arts Take

“Strobe Light’s Beams Creates Dreams”-The Summer Of Love, 1967-The Boston Museum Of Fine Arts Take   







By Political Commentator Frank Jackman  
  
Early this year driven by my old corner boys, Alex James and Sam Lowell, I had begun to write some pieces in this space about things that happened in a key 1960s year, 1967. The genesis of this work is based on of all things a business trip that Alex took to San Francisco earlier this spring. While there he noted on one of the ubiquitous mass transit buses that crisscross the city an advertisement for an exhibition at the de Young Art Museum located in Golden Gate Park. That exhibition The Summer of Love, 1967 had him cutting short a meeting one afternoon in order to see what it was all about. What it was all about aside the nostalgia effect for members of the now ragtag Generation of ‘68 was an entire floor’s worth of concert poster art, hippy fashion, music and photographs of that noteworthy year in the lives of some of those who came of age in the turbulent 1960s. The reason for Alex playing hooky was that he had actually been out there that year and had imbibed deeply of the counter-culture for a couple of years out there after that.
Alex had not been the only one who had been smitten by the Summer of Love bug because when he returned to Riverdale outside of Boston where he now lives he gathered up all of the corner boys from growing up North Adamsville still standing to talk about, and do something about, commemorating the event. His first contact was with Sam Lowell the old film critic who also happened to have gone out there and spent I think about a year there, maybe a little more. As had most of the old corner boys for various lengths of time usually a few months. Except me. Alex’s idea when he gathered all of us together was to put together a small commemoration book in honor of the late Peter Paul Markin. See Markin, always known as “Scribe” after he was dubbed that by our leader Frankie Riley, was the first guy to go out there when he sensed that the winds of change he kept yakking about around the corner on desolate Friday and Saturday nights when we had no dough, no girls, no cars and no chance of getting any of those quickly were coming west to east.


Once everybody agreed to do the book Alex contacted his youngest brother Zack, the fairly well known writer, to edit and organize the project. I had agreed to help as well. The reason I had refused to go to San Francisco had been that I was in the throes of trying to put together a career as a political operative by attempting to get Robert Kennedy to run against that naked sneak thief of a sitting President, Lyndon Baines Johnson, who had us neck deep in the big muddy of Vietnam and had no truck with hippies, druggies or “music is the revolution” types like those who filled the desperate streets around Haight-Ashbury. Then.  Zack did a very good job and we are proud of tribute to the not forgotten still lamented late Scribe who really was a mad man character and maybe if he had not got caught up in the Army, in being drafted, in being sent to Vietnam which threw him off kilter when he got back he might still be around to tell us what the next big trend will be.              


The corner boys from the old Acre neighborhood in North Adamsville are, as the article below demonstrates, not the only ones who are thinking about the 50th anniversary of the Summer of Love. Not only did the de Young cash in on the celebration which is to be expected since it is right in San Francisco and right in Golden Gate Park where the Be-Ins, and many concerts by Jefferson Airplane, The Grateful Dead, Janis Joplin and Big Brother and the Holding Company, the Doors, etc. played (many times for free if you can believe that in the now age of high priced tickets for the Stones, etc.) but the Museum of Fine Arts in staid old Boston has tipped its hat as well. The exhibit in Boston unlike San Francisco is small and concentrates on the graphic poster art and photographs but is similar in intent to the larger exhibits (also one at the Berkeley Art Museum around the same time as the de Young). Boston had its own smaller Summer of Love experience as well in 1967 but it was a pale refection of the big deal in Frisco town     


Still no question as I have mentioned before around this celebration year 50 years later looking at the art, the posters, photographs and listening to the music makes me once again realize that in that time “to be young was very heaven.”    


Heroic Russian Election Interference Whistle-Blower Reality Leigh Winner Denied Bail-We Will Not Leave Our Sister Behind

Heroic Russian Election Interference Whistle-Blower Reality Leigh Winner Denied Bail-We Will Not Leave Our Sister Behind

Here is a link to the recently set up Stand With Reality website (which will link you to Facebook and Twitter) for all kinds of information about the Reality Leigh Winner case, a place to sign a petition for her release, and to donate to her legal defense fund.


or Google Stand With Reality
 

By Political Reporter Frank Jackman

Okay, sometimes in politics, in world affairs, you have to go by the numbers, go by the seat of your pants in effect. Take this never-ending unfolding revelation, or series of revelations, about Russian cyber-and who knows what else attacks on the American presidential elections of 2016. And who, and who did not, have contacts with agents of the Russian government. The most recent expose (July 2017), or self-expose maybe a better way to put the matter, of a meeting between Donald J. Trump, Jr. and a lawyer connected to the Putin Kremlin operations only confirms that lots of things were going on, maybe still going on between the Trump administration and various Russian agents. The point, a very important point, is that nobody is, and probably nobody will, be sitting a stinking jail cell for what they did-or what they told to some media sources on the QT, on condition of anonymity. Even from the bowels of the White House. 

That second to last sentence is my point today. Somebody is sitting in jail, in a county jail down in Georgia, for giving us, the American people, documents which confirm that the Russians were knee-deep, hell, waist-deep, no, hell again, neck deep in hacking the American election process last year. Who? One recent ex-Air Force service person and thereafter employee of an NSA contractor Reality Leigh Winner. Why? Reality Leigh Winner blew the whistle and allegedly provided a social media platform Intercept with the “top-secret” NSA documents detailing Russian interference back in June. For that alleged transgression she had been charged under the Espionage Act of 1917 (the same Act that the recently freed soldier Wiki-leaks whistle-blower Chelsea Manning was charged under among the charges brought against her) and now faces up to ten years federal imprisonment in a trail now scheduled for October (although as such matters go in the court system, including the federal system that date is not etched in stone).               

The sitting in jail right now pre-trial for what she is alleged to have done is because the magistrate who was in charge of Reality Leigh’s bail hearing deemed her a flight risk. And that is why today I am informing one and all that some voices, some familiar like Pentagon Papers whistle-blower Daniel Ellsberg, and other lesser well-known citizen journalists like me, Frank Jackman, are calling for the Department of Justice to back off the charges and free Reality Leigh Winner now. And in case they don’t this space will continue like we did with Chelsea Manning to publicize her case as it goes forward. Until she is freed.       



Ongoing coverups hiding threat to election security revealed by Reality Winner document

Ongoing coverups hiding threat to election security revealed by Reality Winner document

September 19, 2017
Reality Winner, 25-year-old Air Force veteran, former NSA contractor, and alleged whistleblower, is awaiting a decision on her bail hearing this Friday, October 6th. And While the government continues to make this trial about Reality’s (well-informed, courageous) politics, they’ve continued to hide from the real issue at the heart of this trial — the glaring security holes in America’s election infrastructure, and the Trump administration’s threats to election security.

Government and the press spreading confusion on election hack

The document Reality is charged with leaking asserted the Russian government successfully broke into some number of election systems related to voter registration. Follow-up reports said about 21 states were affected, and that election officials still hadn’t been notified by the government whether their state was targeted. Like everyone else, they learned about the massive holes in their election security from The Intercept.
story from the Associated Press on September 23rd said the Department of Homeland Security, after months of complaints and condemnation from local election officials, finally informed officials in those states they were targeted.
Since the article was published, some additional details have emerged to confuse the overall story. DHS made an incredibly confusing statement about Wisconsin, leaving it unclear whether the state was actually targeted or not, and California election officials concluded from their own analysis that while DHS told them California was targeted, its systems were not “breached”.
Various news outlets have used this confusion to dismiss the entire thing as mere “Russia hysteria”, implying, as the Trump administration has, that there’s nothing to see here. But these details don’t change the substance of the story at all.
Alex Padilla, the same California election official who later said DHS was incorrect, made this statement in the AP story:
“It is completely unacceptable that it has taken DHS over a year to inform our office of Russian scanning of our systems, despite our repeated requests for information. The practice of withholding critical information from elections officials is a detriment to the security of our elections and our democracy.”

Trump’s “election security” plans threaten election integrity

It is completely unacceptable for the government to keep playing games with this information, and for news outlets to dismiss such an important story, especially when there’s an even bigger threat on the horizon: the Trump administration’s own plans for “elections security”.
“After a decade of wrangling between Democrats who have sought to expand voting opportunities and Republicans who have invoked the specter of voter fraud to restrict them, the focus is now on purging registration lists – even at the risk of kicking large numbers of eligible voters off the rolls.”
The article talks about Trump’s plan to purge voter rolls by creating a national database of voter data and using it to challenge individuals’ right to vote on a massive scale. This database creates its own massive security risk, according to an op-ed in the Washington Post.

The public has a right to know

The Trump administration is keeping the public in the dark about threats to election integrity, even as it creates new threats of its own. That’s why they don’t want to let Reality’s lawyers talk about the document, or subsequent news reports, in court — they know they’re doing real, measurable harm by withholding this information from the public, and that we’re all safer and better informed with the document Reality is charged with leaking being public.
Stand With Reality will continue raising the alarm about election security issues, even when some news outlets won’t. Please donate today so we can make sure Reality gets a fair trial, and continue our critical public education efforts so people understand what’s at stake.

Supporters Condemn Decision to Deny Bail to Accused Whistleblower Reality Winner

Supporters Condemn Decision to Deny Bail to Accused Whistleblower Reality Winner

October 5, 2017
The Stand With Reality support group strongly condemns the court’s unfair decision today to continue the unjust imprisonment of Reality Leigh Winner. Winner faces a March 2018 trial for sharing a classified NSA document with the media that outlined how foreign agents attempted to undermine US election systems leading up to the 2016 presidential election.
Winner, a decorated Air Force veteran with no criminal record, who has already served four months in jail despite being convicted of no crime, and displaying every intention to face the single charge against her in court, will now be jailed for at least six more months, regardless of the jury’s eventual verdict.
Winner’s step-father Gary Davis stated, “A great miscarriage of justice has taken place today. Justice is supposed to be based on proof and evidence not unsubstantiated innuendo, fabrication, and misrepresentation of selected snippets of conversations taken out of context.”
This decision comes in spite of the prosecution’s admission it made false statements and misrepresented evidence in Winner’s original bail hearing on June 8th. Assistant U.S. attorney Jennifer G. Solari admitted she did not listen to the contents of a phone call used as evidence against Winner in her original bail hearing, instead relying on a “verbal summary” Solari later said was inaccurate.
Support group organizer, and previous director of Chelsea Manning’s defense fund, Jeff Paterson noted, “The prosecution falsely claimed that Reality had more classified documents in her possession, suggesting that she’d leak those documents too if given a chance. That turned out be a lie.”
“The prosecution also manipulated Winner’s politics to paint her as a danger to society and a flight risk,” added Paterson. “She expressed a desire to travel to conflict zones as a peacekeeper. The prosecution twisted her humanitarian outlook to characterize her as a future terrorist.”
“This is the opening salvo in the new war on whistleblowers and sets an extremely dangerous precedent,” explained government transparency advocate Rainey Reitman. “By this logic, anyone who has ever held a security clearance and disagrees with the U.S. government is a danger to society and should be in jail. But where does this end? Should Winner be in prison for life because of opinions and information she has in her head?”
Reitman continues, “Reality Winner is innocent of her charges under the Espionage Act. This 100 year old law, designed to prosecute spies during World War I, is being misused to deny Reality Winner legally-guaranteed whistleblower protections.”
Winner’s mother, Billie Davis-Winner, shared, “I am truly heartbroken and crushed. I am disappointed in the court’s decision and believe it is unfair. Her service to the country, and every community she has ever lived in, should have been weighted.”
Matt Boyle, a close friend of Winner’s, declared, “I’m incredibly saddened today. Reality will spend nearly a year in jail before even having her day in court. David Petraeus, on the other hand, didn’t serve a day behind bars. The degree to which our government has gone after her shakes my faith in our justice department.”
Winner has a top notch defense team determined to prove her innocence in court, despite the prosecution’s ongoing campaign to deny her the right to a fair and open trial. The Stand With Reality Winner support group has been the primary source of fundraising for Winner’s legal defense team and is leading public education efforts regarding this precedent setting First Amendment vs. Espionage Act case.
For complete campaign information:https://StandWithReality.org
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In Boston- DeCordova presents Cool Medium, a colorful look at the intersections of television, psychedelia, and visual art

DeCordova presents Cool Medium, a colorful look at the intersections of television, psychedelia, and visual art

Date: 
08/09/2017
On October 6, 2017, deCordova presents Cool Medium: Art, Television & Psychedelia, 1960-1980, which explores how the emergence of color television and psychedelic culture—and the hypnotic properties of both—intersected with visual art. Drawn primarily from deCordova’s permanent collection, Cool Medium includes painting, photographs, and prints that relate to the visual language of the television screen and conditions of mass media culture. The works in the exhibition mirror the saturated colors and patterns shown on television in the 1960s and 1970s, and also address cultural issues of drug use, paranoia, space exploration, and media saturation.
Sarah Montross, deCordova’s associate curator, explains, “Some artists used the visual trickery of Op Art to simulate television’s mesmerizing qualities, while others borrowed psychedelic imagery to address issues of mind control and brainwashing associated with television. Other works express paranoia and the loss of self in the face of mass culture. Altogether, these artworks underscore the transfixing visions of many artists during the age of the television.”
Exhibition themes include:
  • Optical Art: Featuring geometric shapes, concentric lines, and contrasting colors, these hypnotic artworks simulate the shimmering effect of television screens and drug-induced hallucinatory visions. Many of the works appear to pulsate or move, creating a kinetic experience for viewers.
  • Television Test Patterns: Some artists were inspired by the symmetry and structure of test patterns—aired prior to a television programs and used as a control for measuring contrast, focus, and color on television screens.
  • Psychedelia and Spirituality: Artists often created work that suggests a drug-induced state of enlightenment, or that are intended to provide access to higher levels of consciousness. Other artists were inspired by their studies of spirituality, such as the Kabbalah (Hebrew mysticism) and Eastern religions.
Artists in this exhibition include Yaacov Agam, David Akiba, Richard Anuszkiewicz, Stephen Beck, Hannes Beckmann, Charles Biederman, Jan Ehrenworth, Len Gittleman, Sante Graziani, Aaronel de Roy Gruber, Yeffe Kimball, Paul Laffoley, William Leete, Terri Priest, Alan Shields, John Stephan, Harold Tovish.
Cool Medium is organized by Sarah Montross, Associate Curator, with Scout Hutchinson, Curatorial Assistant. The exhibition opens to the public on Friday, October 6, 2017, and will be on view through Sunday, March 11, 2018.
Related Programming
Workshop: Psychedelic Glass Mandalas
Tuesdays, November 7 and 21, 6:30 pm–9 pm
$75 Members, $90 Not-Yet-Members
Inspired by the art of Paul Laffoley and other visionary artists in Cool Medium: Art, Television & Psychedelia, 1960-1980, create mosaic mandalas inspired by the psychedelic images in this dynamic exhibition.
Curator-Led Tour of Cool Medium
Thursday, January 18, 12 pm
Free with Museum admission
Explore the intersections of television, psychedelia, and visual art on this tour led by Curatorial Assistant Scout Hutchinson.
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