Updated Introduction to Frank Jackman’s Fate -In Honor Of The Native American Artist and Poet T.E. Cannon and All The Members Of The Vietnam War Class Of 1969 Whatever Their Fate

Updated Introduction to Frank Jackman’s Fate -In Honor Of The Native American Artist and Poet T.E. Cannon and All The Members Of The Vietnam War Class Of 1969 Whatever Their Fate   

Jesus, Even I can’t believe this- An Introduction to the Introduction by Allan Jackson

Originally the “Introduction” to an encore version of Frank Jackman’s Fate below was to be placed as my introduction to a sketch in the encore edition of the The Roots Is The Toots rock and roll series. I had been behind the recreation of series after I had been dismissed from running this publication having been given what by all accounts was a vote of confidence by friend and foe alike to do the Introductions to the series having been the evil genie who sweated blood and tears and that of the writers to bring the original forth. That series   highlighted, mostly highlighted how a group of guys, guys we called corner boys among ourselves in line with what all the then up-to-date sociologists, academics and criminologist described our existence who grew up poor, came of age in the 1950s rock and roll night and took graduate degree courses in the blues, folk, acid rock of the subsequent 1960s where we called ourselves, proudly called ourselves the Generation of ’68.

Some of us kicking and screaming and some of us following gladly the lead of Peter Paul Markin (whose name I have used for years as my on-line moniker) who saw and heard the fresh breeze coming first among us. Like a lot of things thought that idea got waylaid when Frank Jackman did an essay/sketch centered on his Army experiences during the Vietnam War and his curious notion that he was part of the Vietnam War Class of 1969 after he was overwhelmed with the fact that many of his friends and associates had passed through Vietnam in that year. The straw that broke the camel’s back, the thing that got him to what I called “come out of the closet” about his Army service which had started in 1969 was his assignment to review the art exhibit of the work of the late Native American artist and poet T.E. Cannon at the Peabody-Essex Museum in Salem, Massachusetts. Cannon had spent the latter part of his Vietnam tour of duty with the 101^st Airborne Division in 1969. Frank took that as the decisive portent. He would come out of the closet as described below in a very public way looking for recognition from his fellow veterans who had their own 1969 experiences. That change is what took Frank’s experiences out of that rock and roll series and removed it to an Introduction to a separate piece about an encore of Frank Jackman’s Fate  But even that now seems misplaced and so we will produce this as a separate sketch independent of either of the previous placements     

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Originally Intended Introduction by Allan Jackson

[That Frank Jackman is a piece of work, a real piece of work. Many people know that he has worked as a political commentator for both the hard copy and now on-line version of American Left History (and before that both the East Bay Other and The Eye and before that an eye-popping number of publications as a free-lancer). And many know that he was one of the corner boys I grew up with along with a few other writers here like Sam Lowell. What many people do not know is that Frank back in the 1960s when every young guy patriotic, indifferent or protesting had some choices to make even if by ignorance, took a very different direction from the rest of us, from the corner boys, hell, from most of the guys facing the draft and facing orders to Vietnam. Took a different turn on military service during our generation’s, the so-called Generation of ’68’s, war, the Vietnam War. Sure Frank, kicking and screaming since he had lost a chance to go to law school when they stopped the draft deferments for law school students, allowed himself to be indentured (his term) when his draft call came in 1969, actually 1968 for his physical and 1969 for induction.

Frank told me once that after about three days in basic training down at Fort Jackson in South Carolina (I did mine at Fort Dix in New Jersey where most guys from the North went so I don’t, and neither does he, why he wound up there except that being far from home and resources freaked him out knowing that he had better not go crazy down there for he might find himself in some black box or worse) that he knew that he had made a huge mistake, had to let his basic genie, anti-war genie out of the bag, hell bottle, hell some container. Most importantly unlike the rest of us (including me who held my doubts in and did my tour like every other fucking stupid asshole who knew better, knew that our fellow corner boys Rickie Rizzo and Frank White had laid their heads down in 1966 for no good reason except getting etched in black granite but went anyway but this isn’t about me and that story can wait another day, maybe a decade since I still don’t fully understand it) Frank as was his wont when he felt deeply about something followed through, went down in the mud with mano a mano with the whole fucking Army establishment, Made as he said laughingly once it was over and we could talk about it since most of us corner boys who went like sheep to the slaughter were very ambivalent about what Frank did for a while, including the Scribe, Peter Paul Markin if you can believe that rue the day they drafted him.  One bastard colonel almost lost his rank for his efforts in trying to shut Frank up so that black hole idea was no joke. He won, won his freedom but it was a very close thing, close indeed. Funny, and not in a laughing way Frank suffered a lot of the same feelings that he no longer knew the old world we grew up in that the rest of us who went did coming back to the ‘real’ world after the Army.  

All the rest of us corner boys who were draft-worthy had either enlisted or had accepted the draft without murmur, including Rickie Rizzo and Frank White who laid down their heads on the plateaus of Central Vietnam and whose names now are etched in the town memorial and in black granite in Washington for eternity. We would have spat on anybody, Frank included, who actually would have even though about refusing induction whatever we thought of the war and most of us saw it as a big bother to whatever other plans we had had. We would all change our minds later and I and others have written about that sea change elsewhere. So the collective North Adamsville corner boys were not any different from the whole cohort of our generation who had decisions to make one way or another about what to do when the war dragged on seemingly forever.

Then there was outlier Frank, or what we thought then was outlier Frank, who would accept that crazed induction and then refuse to go to Vietnam as an infantryman, as a grunt as we called ourselves and as “cannon fodder” as we learned to call ourselves when we got smarter after our military service and after, as always, the late Peter Paul Markin,  forever etched in North Adamsville lore of a certain old time corner boy generation as Scribe, gave us the skinny on what the fuck we had been through, why and for who. Frank would flat out refuse to go when after Basic Training and AIT (Advanced Infantry Training which I also went through and which in 1969, and a few years before and a few years after meant only one desperate destination-Vietnam-as it did for me). Frank’s story which not all of us knew, including me, knew at the time since we were in Vietnam as part of what we, he would call the Vietnam War Class of 1969, either because we didn’t want to believe it or didn’t want to hear about it from our own guilt about going to war once we got in-country and knew we were fucked, had been fucked over royally.      

This is the way Frank told it one night in the early 1970s when we were all back and after we were able to listen to him since like I said not all of us we happy with him while he going down in the mud like some berserk lunatic, was fucking around with the Army, what (and we were being fucked). He had received orders for Vietnam down in Fort Benning in Georgia, had come home and immediately, or if not immediately since I think he said he shacked up with some young woman for some time before he did so since he had like the rest of us had a thirty day leave before having to show up at Fort Lewis in Washington, went to get some G.I. counselling from the Quakers over in Cambridge. Even the idea of checking in with the Quakers seemed strange when I first heard about it in Vietnam, about the service they were offering guys in the military in their peaceful bid to end the endless war. Whatever else we knew we knew that our church, the Roman Catholic Church, at the official level accepted the government’s version of the necessary defense of Vietnam as the key domino part of a just war in order to put its own stamp on it as such, supported it long after other religious groups turned away from support, except a few crazy renegades like the Berrigan brothers who Father Lally railed against in Sunday sermons from the blood-stained pulpit at Sacred Heart.

These Quakers were historically with some others like Mennonites known as anti-war people, as conscientious objectors to war (except I wondered at the time about Grace Kelly in her Quaker maiden role in High Noon since she did a rooty-toot toots on the bad guys when her man was in danger but that could have been self-defense and some such and not war). Quirky people who I never really had had truck with except knowing they were some kind of Protestant sect. What they had going for them was they had been deeply involved in draft counselling, in draft resistance which had its heyday in the Vietnam War for those who don’t know what I am talking about. Strangely while I was in college, working my way through since my family had no, nada money for such a cause, I serviced coffee machines and part of my route passed right by the Arlington Street Universalist or Unitarian Church this before they united later in the decade so I am not sure which in downtown Boston where the draft resistance was located, was a draft sanctuary and I would beep my horn. Such were the contradictions of Allan Jackson-hell Frank and every other corner boy as well. Hell Scribe lived for the contradictions that would finally lead him to an early grave.

What they, the Quakers started doing and I am not sure when, and I am not sure if I asked Frank if he would know either, was they started offering G.I. counselling at some point when it became clear that a small munity was beginning to form in the military by drafted citizen-soldiers and others, guys back from Vietnam too, who were looking for personal and political ways to oppose the war. How Frank found out about the service I don’t remember but somehow he got over there to leafy Cambridge and that changed everything.  

Hey, you should know this about Frank. He was/is a quiet guy, a bookish guy like Scribe except in the corner boy days Scribe had so many angsts and alienations that he was forever running his mouth. So Frank was no leader, not exactly a follower either but one of the guys, one of the guys who went along with every caper Scribe or Frankie Riley our acknowledged leader put to paper. If anybody figured to be a crazy anti-war guy it was Scribe not Frank. Scribe when he got what he called “religion” would become a fire and brimstone guy about war later but it was nobody but Frank who did what he did and had kept pretty quiet about it before he opened up to us that night.

What Frank learned from the Quakers was that he could put in an application to the Army for conscientious objector status. Yeah, I know what you are thinking because I thought the same thing too and as I am writing this down it still sounds implausible even though federal courts up and down have declared it a valid way to get out of the military. If you signed up for the Army or got drafted how the hell a person could be a conscientious objector-be what I thought and still think a little something like a Quaker. Here was Frank’s first hurdle though. Putting an application in at Fort Lewis where he was supposed to go was filled with some danger since they were dragooning such applicants in the dead of night and shipping them to Vietnam under guard after formally and quickly turning the application down.

That tactic would make it hard to get to a federal court in time to get a writ of habeas corpus on jurisdictional grounds (thanks Frankie Riley for that information). Another option and the Quakers were wise to give options and not orders even if with a Quakerly wink was to go AWOL (absent without leave) which means in military terms unlawful for over thirty days or so at which time he would be what was called “dropped from the roles,” essentially a free agent and turn himself in at the nearest army base which happened to be Fort Devens about forty miles west of Boston. While waiting to have the AWOL litigated he could put his C.O application in without the Fort Lewis danger. (Frank also gave a bunch of other reasons why this strategy was good, but I forget them except it would be easier for his Quaker-provided lawyer to get to him which makes sense.)

Frank followed the second option (there had been a couple of others presented but this was the best of the bunch as far as I remember), went AWOL, turned himself in at Fort Devens, and while his AWOL case was being disposed of put in his C.O. application, got some minor punishment and a fine I think and, no capital AND, his application turned down within a few weeks. Done. Cooked next stop Vietnam. Well not quite. There were some changes happening in C.O. law since many applications, mostly civilian, were being turned down and being litigated in the lower federal courts and eventually a few in the U.S. Supreme Court (SCOTUS in tweeter speak) some of which would be decided before Frank’s time was up and helpful to his case. His lawyer took that application to the federal court in Boston and on the basis of the merits of his case was able to get a judge to order a temporary restraining order (TRO) which kept Frank in the court’s jurisdiction pending disposition. (That legal maneuver turned out to be very useful later but also at the time since on the very day the TRO was ordered the Army was in the process of giving him another set of orders to Fort Lewis and then Vietnam-under guard, under the guard of two lifer sergeants-whee! Even I was impressed by the maneuvering on that one as Frank hid on base all day while the petition was before the court in Boston.)

During this time Frank was reading like crazy, reading radical anti-war stuff and the like and staying in touch with the Quakers whom he liked as people even if he did not always understand where they were coming from. I think, and I have mentioned it to him since that the Army’s whole treatment of him and especially that “under guard” maneuver broke something in him, broke him free maybe and I made him laugh once when I told him before I knew the whole story and before he had decided to resist what were they going to do –put him in the stockade. Once you get clear on that-once you face that dragon and don’t flinch then what the hell do what you have to do-which is what I would eventually come to see was my own attitude toward what Frank did and what the rest of us didn’t do. That was also the time along with the G.I. counselling that the Quakers and others (some much more radical and less committed to non-violence) were moving away from reliance on mass marches in place like Washington, D.C. and pleading with politicians and hitting the military bases with G.I. coffeehouse outreach nearby and smaller marches and rallies in front of the bases.    

These ideas sparked Frank’s imagination, got him into second gear in his defining his commitment to the anti-war struggle. Like I said something snapped in Frank, something of the old time stay cool and out of the firing line when the Scribe or Frankie Riley were in high dungeon which is my clearest high school corner boy memory of him, Now Frank was the heroic John Brown avenging angel that the Scribe kept talking what we considered his crazy talk about on lonesome penniless Friday night. In corner boy talk Frank did not give a fuck about what the Army did or did not want to do to him. One day when the Quakers decided to have a rally outside the gates of Fort Devens protesting the war (and trying to drum up interest among the soldiery there) Frank, Private E-1 Francis James Jackman (that E-1 the lowest rank possible for a soldier since he had been reduced in rank due to that AWOL rap) decided to leave the fort in uniform doing duty hours and join them. That night Frank, Private E-1 Francis James Jackman and you know the why of E-1, after returning to his barracks was picked up by the MPs and taken to the Provost Marshal’s office and from there thrown in solitary at the stockade.

That what they called “disobeying lawful orders," not being on the base during duty hours, would eventually lead to the first of two special courts-martial both which like I said technically were labelled as “disobeying lawful orders” and sentenced to six months on each rap. It was at that first court-martial that when Frank was asked if he had any words in his defense he took out a ragged piece of paper and read from the lyrics of Bob Dylan’s Masters of War. With his back to the judges and facing the courtroom crowd which included some supporters gathered from the Quakers and others who periodically showed up outside the fort to call for his freedom. That support was important as Frank found out during his jail terms to keep spirits up knowing that some people were outside rooting him on (not his parents or any relatives but he did not dwell on that when he spoke to us that late night but and we knew what was what about Acre families and the war who like Frank’s father had supported the war in many cases to the bitter end. He would be forever grateful to the Quakers and allies for that. (By the way if anybody is wondering why Frank was not shipped off to Fort Leavenworth the worse military facility out in Kansas and the one the drill sergeants in basic training kept warning every scared recruit was going to be their fate if they fucked up, or gave them any lip that TRO held him under the court’s jurisdiction in Massachusetts but also meant that they could not give him a general court martial with longer sentences  that the Judge Advocate-General’s Office wanted to impose.              

And so Frank did his time, read a lot, wrote some and talked a blue streak to the few other guys who he roomed with when he was not in solidarity. He never the whole time he was imprisoned there had been let into the general population and perhaps they, the  Army, showed a tad bit of  sense for their fears since he was on his righteous John Brown avenging angel high horse and Frank said he would have started an anti-war rally in the stockade if he had been out there. As it was he never had more than a couple of roommates at a time, I guess cellmates is a better way to say it, and never saw more than a few people when he was out playing basketball in the compound which was the way used his recreational time. (Truth; Frank was one of the worst pick-up basketball players of all time and was absolutely the last guy picked when we were bucking up for teams, one time we played short not to have to take him.)   Also took stock of his personal life when the wife he married, a college sweetheart, refused to come see him in the stockade despite her own anti-war views getting grief from her Marine Corps World War II Pacific War father. That would be the first of three marriages for Frank (and the rest of us, except Jack Callahan and his beloved forever Chrissie, not far behind in the marriage department). Took a look too at what he would do if he got done with his sentence before the judge ruled in his case. A definite possibility given the logjam in the courts as his lawyer made clear. He was also trying to chart out what he would do if the judgement came down against him while he was in the stockade and they tried to rush him out under guard to Fort Lewis and transport to Vietnam.

In the situation Frank need not have worried since judgement did not come down during the first sentence. Frank set up the next part of what he had to say by saying it was hard to explain but once you have decided to do what you had to do and faced the limit, faced jail then other things kind of fell into place. And so they did when Frank was released from his first sentence and decided his Army time was over, decided to refuse to wear the uniform. Did it with a flourish though worthy of Scribe since one Monday morning at Morning Report, the weekly parade field event to see who showed up and who was AWOL he walked from his barracks to the parade field in civilian clothes (he said he had bell-bottom trousers on which when I recall this now I have to laugh about oh foolish, funny youth except his G.I. boots). Walked with a sign calling “Bring The Troops Home. I need not detail that once again since you know as well as I do now that he wound up in the stockade again in solidarity. And again received that six months special court-martial sentence for his troubles.

For years after Frank would make us laugh when he mentioned that he could have kept doing those sentences until he was old and gray he had been so determined to run out his course. Fortunately toward the end of his second sentence, a few days before as it turns out the federal judge in Boston granted his writ of habeas corpus and a week or so later when the JAG decided not to appeal he was discharged, an honorable discharge just like the rest of us. So Frank was discharged not by the Army really but by that old cranky judge.                  

Funny after that night and maybe by unwritten agreement among ourselves since I know nobody mentioned for us to do this we kind of put Frank’s experience, put our own Vietnam War experiences in some deep recess of our brains. Just like our World War II fathers had done before us with less reason to be ashamed or humiliated. The only thing Frank’s father ever mentioned was that he had been ashamed of Frank, had had a hard time at work and among the neighbors for a while but after he finally got over those feelings he had a little unspoken pride that a Jackman had done what he thought was the honorable thing to do when he needed to his father’s mind do something. We went about our collective lives, drifted apart or closer usually depending on where we were in the marriage and brood raising merry-go-round.

Frank did mention to me when we were talking one night several years later that he sometimes had doubts about the wisdom of what he had done. Not that he wasn’t personally proud that he stood up when the deal when down but that maybe he should have gone to Vietnam and tried to raise some holy hell there among the growing disillusioned common soldiers there. I never said anything to him about it but in my mind,  I thought he was crazy to think that the Army which was willing to put him in a black box and was ready at a minute’s notice to ship his ass to ‘Nam was going to let him run loose among already mutinous troops. But there we left it.         

Left it until a few years ago when something began to stir in Frank about why he kept his anti-war fight on the low despite having spent most of the rest of his life actively opposing the wars of the American imperium (sometimes dragging us along as on the Iraq War in 2003, sometimes not as in the initial reaction post-9/11 to the war on Afghanistan). Maybe it was reflecting on age and mortality like many of us our types are finding we are doing more often. Reflecting on a worthwhile life, what we did and didn’t do or should have done differently. I ask him that question one night recently when we were having a few drinks at Jack’s in Cambridge and he surprised me with his answer.  Said what triggered him was running into a guy up in Maine who had served in Vietnam in 1969, the time when Frank was refusing to go to Vietnam, who said of his own experience that he had gone through two marriages and neither wife ever knew he had been in Vietnam. Talk about keeping it on the low. He would run into others who more or less shared that some silence about their Vietnam service. The kicker for Frank though was in the fall of 2017 when PBS aired the Lynn Novick-Ken Burns ten-part eighteen hour Vietnam series and in the very first episode a couple of Marines whose wives had known each other for over a decade and both couples had socialized frequently neither knew that the other had been in Vietnam. Weird vibes, very weird.

Those thoughts got Frank off the dime, got him thinking that he needed to let some people know that there had been resistance inside the military. Encouraged everybody to tell their story for the couple of generations that are now pretty clueless about what a hellish time it was to be a young man (mostly men then) facing all kind of decisions based on the mutterings of old men. Frank, as usual for him, got a slow start, let a couple of people know one time when he was going down to Washington for an anti-war demonstration. Talked about it around a round table one night with a bunch of guys who were in Vietnam in 1969. (Frank was developing a feeling that he needed to be accepted as a member of that class despite his own personal twist.) Frank came out of the closet for real though on Memorial Day of 2018 when as part of the Poor People’s Campaign’s War Economy Week he was asked to speak as somebody impacted by war. Impacted his way as surely as others were impacted in theirs. Felt good about it afterward, felt that maybe he really had been on the right side of the angels when the deal went down. 

You Do Need A Pilot To Know Which Way The Plane Goes-And An Air Marshal To Boot -Liam Neeson’s “Non-Stop”-(2014)-A Film Review

You Do Need A Pilot To Know Which Way The Plane Goes-And An Air Marshal To Boot -Liam Neeson’s “Non-Stop”-(2014)-A Film Review

DVD Review

By Sandy Salmon

Non-Stop, starring Liam Neeson, Julianne Moore, 2014

This is the first film review I have done in a while since I have been more than happy to let the younger writers get their feet wet in the cutthroat dog eat dog world of contemporary film reviewing where everybody who has seen a film and has access to the Internet has become a film critic-at least in his or her own mind and maybe that of their companions. I laugh every time I think about what another old-time film critic Sam Lowell mentioned a while back about the old days when film reviewers if they didn’t just fob the review off on a younger protégé like I have done a few times of late with my own associate Alden Riley grabbed the copy that the fawning publicity departments at the studios put out to the press, dusted off the copy, cut the top off  and put their names there and submitted the damn thing. And nobody was the wiser. Sometimes when I see what the so-called democratic and universal Internet hath wrought I too long for those old days. *  

The reason I grabbed this film, Liam Neeson’s Non-Stop though is because it deals at least tangentially with the aftermath of 9/11 something which at the personal, social and historic level has changed the way we do the business of living in the world just like December 7, 1941 and November 22, 1963 were other such turning points which negated that fresher, newer world we thought we had going for us. Since I am not giving much away about the plot this story line involves the personal vendetta a guy had against the Federal Air Marshals program for not stopping the horrors of 9/11 a result which included the death of his father in the rumble of the World Trade Center. While this plot is fictious there is enough around in the odd-ball world of conspiracy theorists who have built up a cottage industry proclaiming the inevitable new generation of wild boy false flags that had attached to the earlier Pearl Harbor and Jack Kennedy assassination events.  

Of all the people you would not want to be guarding the security of an airplane on an international flight from New York to London one alcoholic, cigarette-smoking lost soul American Federal Air Marshal Bill Marks, the role well-regarded actor Liam Neeson plays, would be a prime candidate. Especially if trouble was brewing. Needless to say, the trouble comes almost the minute the plane was airborne (and before Bill has had his next drink on the quiet). Some techno-wizard had hacked his cellphone and presented Bill with this professional dilemma. Get, get any way possible, 150 million smackers, dollars not a bad number if you are going to essentially hijack a plane and face the death penalty if you fail or somebody will die every twenty minutes. Guess what-the bodies start falling down like clockwork. For a while Bill was befuddled, can’t figure out who or what is doing the dance of death. All he knew was that everybody was a suspect, everybody had to be checked.       

       

Naturally in a suspense film there have to be a number of false flags, false leads before the real perpetrator or perpetrators are rounded up and neutralized. Now Bill was old-school, an old beat-up, beat-down New York City cop before somebody gave him the lifeline of an air marshal job (despite his fear of flying-oh well) and so he roughed up everybody at 30,000 feet like he was back on the mean streets of the city. Said rough ups producing some deaths which in true false flag fashion are marked against Bill. See the “perp” had figured Bill out for a serious fall guy given his less than stellar profile and had set the poor bastard up to take the fall. To do actions which when the deal goes down will make him look like the guilty party. Bill even puts fellow passenger and eventual love interest Jen, played by Julianne Moore, on the grill. But not to worry Bill once the finger points his way. He gets religion and doubles down on the perps once they up the ante with the old bomb in the suitcase routine, a gag that has been around since about Icarus’s time but which Bill, the pilot, or rather co-pilot since the pilot fell down as part of the dastardly scheme, modern technology and what the hell old fashion grit foiled without too much trouble. Pretty good for a used-up cop fall guy who saved the day against a serious if misplaced grievance. I told you 9/11 made things a lot tenser, made the world less livable in a number of ways. Even in fictional films centered on the topic.

[* I mentioned above some of the pitfalls of  modern day citizen film reviewers and if you Google this film you will find a full array of reviews by those less interested in the suspense of the film than presenting very own theories about Bill in relationship to 9/11 including his having been in the pay variously of the Taliban, Osama bin Laden, the usual CIA deep state gag and the Bush Family Estate. Remember this is a fictional film please, but also remember that there are some very lonely heart folk out there sniffing cyber-ether or something.]   

   

The List Of The Dog Soldiers Of The Vietnam War Class of 1969 Expands-With The Art Of The Late Native American Artist And Poet T.E. Cannon In Mind.

The List Of The  Dog Soldiers Of The Vietnam War Class of 1969 Expands-With The Art Of The Late Native American Artist And Poet T.E. Cannon In Mind.

                                     T.E. Cannon Self_Portrait 

By Si Lannon

Frank Jackman was confused, no, rather baffled, no again, was not sure that he should not take it for an omen. And he a man who laughed at omens, portents and other such mumbo-jumbo in his time, learned to be distrustful of such early on in hard knocks growing up day. What had him in a dither, what had him exercised as he did his morning toilet was how many associations with the year 1969, more specifically the Vietnam War Class of 1969 he had turned up once he had decided to “come out of the closet” (funny a term these days associated with gays and others proclaiming proudly their sexual orientations and identities) about his own battles during that period. The immediate cause for his consternation, for him thinking that maybe he should start to pay attention to the signs was that he had gone on assignment to the art exhibit at the Peabody-Essex Museum in Salem twenty-five miles north of Boston featuring the works of the late Native-American artist T.E. Cannon.

As Frank entered the exhibit area he noticed two things on the entrance wall describing what was ahead. The first was that while they were a million miles apart in a way with where they grew up, their racial and ethnic make-ups, and what paths they had pursued they were both members of the baby-boomer generation, more specifically for our purposes the Generation of ’68 which had come of age in that decade and went through all the ups and downs of that experience with which we are now being inundated with 50^th anniversary commemorations. An added signpost of Frank’s confusion. Both had ironically, or maybe portentously is a better way to put the matter, been born in 1946 at the very start of the generational curve that was to peter out late in the 1960s giving way to Generation X and millennials. The second, and again for our purposes probably more important is that Cannon had served part of his Army hitch in the year 1969 with the 101^st Airborne Division in 1969. That set off another round of explosions in Frank’s head about his own 1969 part of the equation since 1969 was the year he had accepted induction in the Army after being drafted. His story was quite different.            

Frank over the previous couple of years in the fuse over the 50^th anniversary commemorations had become more aware of the pivotal part the events triggered in 1969 by that induction (he would laughingly, later laughingly, called it his indentured servitude) had played in much of his subsequent life, for good or evil. Not surprisingly he had kept quiet about his own experiences like a lot of that Class of 1969 who actually had gone to Vietnam and were trying to live it down by drowning it out, drowning it out unsuccessfully as it turned out in many cases. As Frank talked to fellow veterans from that period while he was reporting on various anti-war political events for the on-line American Left History he found a surprising number of them had some relationship to 1969 and so that perked up his interest in telling his own story which was dramatically different from theirs. In the muddle of what he was trying to do he wanted by publicizing his own experience, and in quiet nighttime moments desperately wanted, to be part of that Vietnam War Class of 1969. His story has been told elsewhere in these pages under the title Frank Jackman’s Fate-With Bob Dylan’s Masters of War In Mind and so need not detain us except that Frank too had orders for Vietnam but getting up his Irish decided to refuse to go costing him a total of thirteen months in an Army stockade and another six months of other kinds of restrictive movements.    

(Interesting there seems to have been something of a divide beginning with the Tet Offensive results in 1968 which set those from 1969 apart from earlier Vietnam War classes whom he found were less shamed or destroyed by their war experiences coming home. Nothing that he could put down as some sociological truth but with enough anecdotal force to take notice). 

Frank had written plenty about other cohorts of the Generation of ’68, the merry pranksters, not Ken Kesey’s originals but Captain Crunch’s whose led another cohort of mischief makers on their own yellow brick road converted school bus, from the Summer of Love days, the guys from the neighborhood, his corner boys who were a lightning rod from down at the base of society for what was going on in youth nation in those days and later, when he had had his own woes about fellow Vietnam veterans who had had a hard time coming back, of adjusting and had essentially dropped out of mainstream society. Had written about that band of brothers under the bridges of Southern California from inside reflecting his own turbulent war past and outside when he felt a very strong need to keep the faith with his brothers who had been thrown on the scrap heap by their government and the average citizen who di not give a fuck once the war madness was over.

But the 1969 guys were cut from a different cloth. Sure, they had many of the same PTSD symptoms of the lost boys out in the arroyos, the junkies on cheap street strung out on Golden Triangle dreams but somehow had survived well enough to get back in the real world. Sometimes it was, is a close thing with guys like Pat who went on to do work as an environmentalist after doing MAC-V military intelligence and who still is afraid to be alone in his house at night, like Dan who ran a successful logging business after running the rack on every known drug, legal and illegal reflected in five, count them five, marriages, beautiful Doc who had done triage with the 101^st Airborne and came home to work the public hospital circuit but who like some small fry McBeth stills see the blood red moons of field hospitals. Howie who didn’t go because of a childhood injury that never healed correctly but whose number came up in ’69 and damn if they weren’t so desperate they were ready to take him. Almost blind John the same way. Ian from up in Maine whose two ex-wives never ever knew he had been in the Central Highlands of Vietnam when all hell was breaking loose there.

But enough about those guys who have had almost as much ink spilled in these pages by others as Frank because his assignment and his thoughts too were on the remarkable works of Cannon who gave him a whole new perspective on what Native American art was all about beyond the ancient, so-called primitive stuff he had seen in most art museums. In line with that thought he had also recently gone to the Museum of Fine Arts in Boston where a newer, small exhibit in the American wing was paying homage to, and trying to correct, the long history of neglect and third-class citizen of Native American art in its own exhibitions which had been relegated to the dreary basement of that wing. Maybe that told the tale another way.      

(Frank had never been sure even when he had been acting site manager in on-line times and before that as managing editor at hard copy publications about what was the correct term in the age of identity politics in reference to what he had learned as a kid in school and through television and movies about what had been called “Indians.” Terms seem to drift between “Native American” the term used at the Cannon exhibit “indigenous peoples” and “first nations” so he would stick with the first which had been the case at the exhibit)

Frank had become increasingly aware especially through his associations with veterans who in 2017 had gathered to defend against the pipelines at Standing Rock out in the Dakotas that Native Americans had been disproportionally represented in the American military with all the pathologies connected with that experience which he recognized from his own personal observations of his friends and those he had met along the way. Some were proud in the ancient warrior traditions to serve in the military like it as somewhere in some hidden gene. Cannon seems to have gone for the simple reason that he had been called up and rather than be drafted he enlisted. He did his time as well as anybody else but like a lot of guys was ambivalent about the war he had participated in and about his won role in it. As noted above not an uncommon reaction from serious creative types who were baffled by what they had experienced, by what they and others did to people with whom that had no quarrel. People, mostly peasants, workers on the land like his own people who had the same reverence for what the land gave (and took away) as those far away peasants.

Cannon went no holds barred in what he saw in his Native American environment from the proud but beaten warriors who could roam the ranges no more to the women of steel who held communal life together to the wizen elder shamans and soothsayers who really did believe in the portents Frank never could get around his head to his secret dreams of Anglo girls fussing in the night with the son of then thousand years of warrior life. Frank had to laugh thinking about those infinite number of connections which bound him to one T.E. Cannon. Then he remembered the story the late Markin had told one fireside night out in California working their way south on the Captain Crunch’s mad monk caravan. Markin and a couple of other guys had been out in Joshua Tree and had been sucking down all the hallucinogenic drugs they could gather mostly peyote buttons and maybe some righteous mescaline and had started to dance, dance the dance of ten thousand years of canyon life and had worked themselves into such a dither that they thought there was some connection between what they were doing and the light flickering off the canyon walls calling them onward. Yeah, Cannon Frank thought would have appreciated that story, would have let Frank into that vaunted Class of 1969 on the strength of that story alone.  

When Soldiers Of Fortune Held Forth In The Central American Night (And Were Well Paid)- Tom Cruise’s “American Made” (2017)-A Film Review

When Soldiers Of Fortune Held Forth In The Central American Night (And Were Well Paid)- Tom Cruise’s “American Made” (2017)-A Film Review

DVD Review

Bart Webber

American Made, starring Tom Cruise, 2017

If you are going to be a drug smuggler you had better be the best liar, con man, sell-out artist you can be otherwise you are going to wind up in some dirty, dusty back road someplace with a couple of slugs in your head and an unmarked grave in some stinking potter’s field far from home. This I know. All of this the lying, conning (including to close long-time friends), selling-out and falling down in some abandoned arroyo south of the border happened to my old time high school friend Peter Paul Markin (the real Markin not Allan Jackson who formerly headed the operations at this publication and took the Markin moniker as an on-line identity-and nobody complained). Yeah, Markin fell under the bus after making it through not unscathed in Vietnam and was never quite the same especially when that golden age hippie minute evaporated under the counter-offensive of the night-takers who have been running the show in this country ever since. But Markin was small time, was just trying to feed his serious cocaine habit at the end (a no-no if you are smuggling and tasting the product at the same time) when he made a fatal move to go “indy” down in Mexico and got nothing but two slugs in the head and a potter’s field grave for his efforts.    

Which brings us to this so-what based on fact true story about a serious upscale TWA commercial flight go by the book pilot Barry Seal with a taste for the wild side, for the dough side, who converts to drug smuggler extraordinaire in the film under review American Made.  

Of course. any time you have a story line involving the CIA, drug cartels, the DEA, Contras and who knows who else you should hold onto your wallet. This is not supposed, at least in the director’s eyes, to be a biopic since Tom Cruise as the lead character Barry Seal, the late Barry Seal and the real one were very much unlike and moreover the story-line holds together better if it is told as on screen. So take the plot for what it is worth but know that Barry had a taste for the wild side beyond the bags full of money he was making in his very useful skilled profession as an ace pilot.

You need a scorecard in any case to work through the cons, lies etc of this one. Barry an unhappy TWA pilot with a gaggle of kids and a good-looking wife meets up with the CIA who need some help with the troublesome growing insurgencies in Central and South America. Barry buys in if the price is right and the plane is fast. Then the CIA wants him to be the bag man for their guy in Panama. Which leads to the fatal collusion with the very interested drug cartels starting their big-time cocaine runs heading north. Naturally through all this Barry is living high off the hog and a charmed live. Until. Until things go awry as he expands his operations and is caught. Not good for a gringo with much information to offer to save his own skin. Vaya con dios Barry once the cartel sends its hit men north. See, high end or low like Markin when you play with that fire it is every person for him or herself. A nice swift moving action film which Mr. Cruise is well-known for with a shade bit more nuance in the role than the usual bang-bang operations he is cinematically involved in.

When The Kennedy-Johnson-Nixon Governments Wasted A Whole Generation of Precious Youth In The Folly Of The Vietnam War Which Caused Every Young Man So Serious Reflection-An Encore-Frank Jackman’s Fate-With Bob Dylan’s Masters of War In Mind

When The Kennedy-Johnson-Nixon Governments Wasted A Whole Generation of Precious Youth In The Folly Of The Vietnam War Which Caused Every Young Man So Serious Reflection-An Encore-Frank Jackman’s Fate-With Bob Dylan’s Masters of War In Mind

Introduction by Greg Green

Life is full of surprises as everybody over the age of about three knows firsthand even if that hard fact does not stand out and light a fire under you at every possible moment. Take my own situation. A couple of years ago I was working hard at the American Film Gazette managing the overall film review schedule and trying to outdo the legendary publisher Larry Lorton from Film Daily in the number of films we did reviews on. Then Pete Markin (aka Allan Jackson who used that moniker in honor of a fallen hometown friend who taught him and a few of the other writers here a thing or two about the profession although he eventually fell on his own sword which is a story many had detailed here over time and I need not go into) brought me over here to run the day to day operations while he readied himself for retirement or some other project. Jesus, then the Summer of Love, 1967, or rather the 50^th anniversary commemoration of the event hit this place like a whirling dervish. I was too young to know much about that time but had heard some pretty raw and scary stuff about from writers here who had been there under Markin’s guidance, the real Markin not Allan. In any case Allan went crazy to make sure the damn event got almost as much coverage after 50 years as when the thing actually got off the ground and created what he and the others hatched up as a re-work on the Generation of ’68.

All well and good. Well not all well and good since the younger writer could in the words of Alden Riley one of the leaders of the Young Turks give a fuck about the fucking Summer of Love, 1967 or any other year in that decade. That led to a show-down and the demise of Allan Jackson, a founding member, and my elevation to site manager and the overall poohbah of this operation. According to what I hear around the water cooler things are calmer now that not everybody has to spent 24/7/365 neck-deep in the 1960s like that was the golden age, like that was the Garden as Lance Lawrence mockingly called it.

All this to say that some of the stuff from the 1960s, and the recently concluded The Roots is the Toots rock and roll series is one example that I was more than happy to give an encore presentation (admittedly after a little nudge froof Eden m Sam Lowell and others), is worth another inspection. That brings us to the real-life story below about what happened to Frank Jackman when he was of draft age in the age when that meant something and meant some tough decisions for a whole generation of young men who didn’t know what the hell to do when their number got called. Yeah, maybe this tale is not the sexiest one on the block, on the lowdown of the 1960s when youth nation went overboard with sex, drugs and rock and roll but fifty years or so later it still reads like a good story that people should know about-and shout from the rooftops about as we enter another year of endless war in the endless wars of our times.

From The Pen Of Sam Lowell

Jack Callahan’s old friend from Sloan High School in Carver down in Southeastern Massachusetts Zack James (Zack short for Zachary not as is the fashion today to just name a baby Zack and be done with it) is an amateur writer and has been at it since he got out of high school. Found out that maybe by osmosis, something like that, the stuff Miss Enos taught him junior and senior years about literature and her favorite writers Hemingway, Edith Wharton and Dorothy Parker to name a few, that she would entice the English class stuck with him with through college where although he majored in Political Science he was in thrall to the English literature courses that he snuck into to his schedule. Snuck in although Zack knew practically speaking he had a snowball’s chance in hell, an expression he had learned from Hemingway he thought,  of making a career out of the literary life, would more likely wind driving a cab through dangerous midnight sections of town  occasionally getting mugged for his night’s work. That Political Science major winding up producing about the same practical results as the literary life though. Those literary designs stuck with him, savior stuck with him, through his tour of duty during the Vietnam War, and savior stayed with him through those tough years when he couldn’t quite get himself back to the “real” world after ‘Nam and let drugs and alcohol rule his life so that he wound up for some time as a “brother under the bridge” as Bruce Springsteen later put the situation in a song that he played continuously at times after he first heard it “Saigon, long gone…."  Stuck with him after he recovered and started building up his sports supplies business, stuck with him through three happy/sad/savage/acrimonious “no go” marriages and a parcel of kids and child support.  And was still sticking with him now that he had time to stretch out and write longer pieces, and beat away on the word processor a few million words on this and that.  

Amateur writer meaning nothing more than that he liked to write and that writing was not his profession, that he did not depend on the pen for his livelihood(or rather more correctly these days not the pen but the word processor). That livelihood business was taken up running a small sports apparel store in a mall not far from Lexington (the Lexington of American revolutionary battles to give the correct town and state) where he now lived. Although he was not a professional writer his interest was such that he liked these days with Jimmy Shore, the famous ex-runner running the day to day operations of the store, to perform some of his written work in public at various “open mic” writing (and poetry) jams that have sprouted up in his area.

This “open mic” business Zack had embarked on s was a familiar concept to Jack from the days back in the 1960s when he would go to such events in the coffeehouses around Harvard Square and Beacon Hill to hear amateur folk-singers perfect their acts and try to be recognized as the new voice of their generation, or something like that. For “no singing voice, no musical ear” Jack those were basically cheap date nights if the girl he was with was into folk music. The way most of the "open mics" worked, although they probably called them talent searches then, was each performer would sign up to do one, two, maybe three songs depending on how long the list of those wishing to perform happened to be (the places where each performer kicked in a couple of bucks in order to play usually had shorter lists). These singers usually performed in the period in front of the night’s feature who very well might have been somebody who a few weeks before had been noticed by the owner during a previous "open mic" and asked to do a set of six to sixteen songs depending on the night and the length of the list of players in front of him or her. The featured performer played, unlike the "open mic" people, for the “basket” (maybe a hat) passed around the crowd in the audience and that was the night’s “pay.” A tough racket for those starting out like all such endeavors. The attrition rate was pretty high after the folk minute died down with arrival of other genre like folk rock, heavy rock, and acid rock although you still see a few old folkies around the Square or playing the separate “open mic” folk circuit that also run through church coffeehouses just like these writing jams.

Jack was not surprised then when Zack told him he would like him to come to hear him perform one of his works at the monthly third Thursday “open mic” at the Congregational Church in Arlington the next town over from Lexington. Zack told Jack that that night he was going to perform something he had written and thought on about Frank Jackman, about what had happened to Frank when he was in the Army during Vietnam War times.

Jack knew almost automatically what Zack was going to do, he would somehow use Bob Dylan’s Masters of War lyrics as part of his presentation. Jack and Zack ( a Vietnam veteran who got “religion” on the anti-war issue while he in the Army and became a fervent anti-war guy after that experience despite his personal problems) had met Frank in 1971 when they were doing some anti-war work among the soldiers at Fort Devens out in Ayer about forty miles west of Boston. Frank had gotten out of the Army several months before and since he was from Nashua in the southern part of New Hampshire not far from Devens and had heard about the G.I. coffeehouse, The Morning Report, where Jack and Zack were working as volunteers he had decided to volunteer to help out as well.

Now Frank was a quiet guy, quieter than Jack and Zack anyway, but one night he had told his Army story to a small group of volunteers gathered in the main room of the coffeehouse as they were planning to distribute Daniel Ellsberg’s sensational whistle-blower expose The Pentagon Papers to soldiers at various spots around the base (including as it turned out inside the fort itself with one copy landing on the commanding general’s desk for good measure). He wanted to tell this story since he wanted to explain why he would not be able to go with them if they went inside the gates at Fort Devens.

Jack knew Zack was going to tell Frank’s story so he told Frank he would be there since he had not heard the song or Frank’s story in a long while and had forgotten parts of it. Moreover Zack wanted Jack there for moral support since this night other than the recitation of the lyrics he was going to speak off the cuff rather than his usual reading from some prepared paper.  

That night Zack was already in the hall talking to the organizer, Eli Walsh, you may have heard of him since he has written some searing poems about his time in three tours Iraq. Jack felt right at home in this basement section of the church and he probably could have walked around blind-folded since the writing jams were on almost exactly the same model as the old folkie “open mics.” A table as you entered to pay your admission this night three dollars (although the tradition is that no one is turned away for lack of funds) with a kindly woman asking if you intended to perform and direct you to the sign-up sheet if so. Another smaller table with various cookies, snacks, soda, water and glasses for those who wished to have such goodies, and who were asked to leave a donation in the jar on that table if possible. The set-up in the hall this night included a small stage where the performers would present their material slightly above the audience. On the stage a lectern for those who wished to use that for physical support or to read their work from and the ubiquitous simple battery-powered sound system complete with microphone. For the audience a bevy of chairs, mostly mismatched, mostly having seen plenty of use, and mostly uncomfortable. After paying his admission fee he went over to Zack to let him know he was in the audience. Zack told him he was number seven on the list so not to wander too far once the session had begun.

This is the way Zack told the story and why Jack knew there would be some reference to Bob Dylan’s Masters of War that night:

Hi everybody my name is Zack James and I am glad that you all came out this cold night to hear Preston Borden present his moving war poetry and the rest of us to reflect on the main subject of this month’s writing jam-the endless wars that the American government under whatever regime of late has dragged us into, us kicking and screaming to little avail.  I want to thank Eli as always for setting this event up every month and for his own thoughtful war poetry. [Some polite applause.] But enough for thanks and all that because tonight I want to recite a poem, well, not really a poem, but lyrics to a song, to a Bob Dylan song, Masters of War, so it might very well be considered a poem in some sense.   

You know sometimes, a lot of times, a song, lyrics, a poem for that matter bring back certain associations. You know some song you heard on the radio when you went on your first date, your first dance, your first kiss, stuff like that which is forever etched in your memory and evokes that moment every time you hear it thereafter. Now how this Dylan song came back to me recently is a story in itself.

You remember Eli back in October when we went up to Maine to help the Maine Veterans for Peace on their yearly peace walk that I ran into Susan Rich, the Quaker gal we met up in Freeport who walked with us that day to Portland. [Eli shouted out “yes.”] I had not seen Susan in about forty years before that day, hadn’t seen her since the times we had worked together building up support for anti-war G.I.s out at the Morning Report coffeehouse in Ayer outside Fort Devens up on Route 2 about thirty miles from here. That’s when we met Frank Jackman who is the real subject of my presentation tonight since he is the one who I think about when I think about that song, think about his story and how that song relates to it.   

Funny as many Dylan songs as I knew Masters of War, written by Dylan in 1963 I had never heard until 1971. Never heard the lyrics until I met Frank out at Fort Devens where after I was discharged from the Army that year I went to do some volunteer anti-war G.I. work at the coffeehouse outside the base in Army town Ayer. Frank too was a volunteer, had heard about the place somehow I forget how, who had grown up in Nashua up in southern New Hampshire and after he was discharged from the Army down at Fort Dix in New Jersey came to volunteer just like me and my old friend Jack Callahan who is sitting in the audience tonight. Now Frank was a quiet guy didn’t talk much about his military service but he made the anti-war soldiers who hung out there at night and on weekends feel at ease. One night thought he felt some urge to tell his story, tell why he thought it was unwise for him to participate in an anti-war action we were planning around the base. We were going to pass out copies of Daniel Ellsberg’s explosive whistle-blower expose The Pentagon Papers to soldiers at various location around the fort and as it turned out on the base. The reason that Frank had balked at the prospect of going into the fort was that as part of his discharge paperwork was attached a statement that he was never to go on a military installation again. We all were startled by that remark, right Jack? [Jack nods agreement.]

And that night the heroic, our kind of heroic, Frank Jackman told us about the hows and whys of his Army experience. Frank had been drafted like a ton of guys back then, like me, and had allowed himself to be drafted in 1968 at the age of nineteen not being vociferously anti-war and not being aware then of the option of not taking the subsequent induction. After about three week down at Fort Dix, the main basic training facility for trainees coming from the Northeast then, he knew two things-he had made a serious mistake by allowing himself to be drafted and come hell or high water he was not going to fight against people he had no quarrel with in Vietnam. Of course the rigors of basic training and being away from home, away from anybody who could help him do he knew not what then kept him quiet and just waiting. Once basic was over and he got his Advanced Infantry Training assignment also at Fort Dix which was to be an infantryman at a time when old Uncle Sam only wanted infantrymen in the rice paddles and jungles of Vietnam things came to a head.

After a few weeks in AIT he got a three day weekend pass which allowed him to go legally off the base and he used that time to come up to Boston, or really Cambridge because what he was looking for was help to file an conscientious objector application and he knew the Quakers were historically the ones who would know about going about that process. That is ironically where Susan Rich comes in again, although indirectly this time, since Frank went to the Meeting House on Brattle Street where they were doing draft and G.I. resistance counseling and Susan was a member of that Meeting although she had never met him at that time. He was advised by one of the Quaker counselors that he could submit a C.O. application in the military, which he had previously not been sure was possible since nobody told anybody anything about that in the military, when he got back to Fort Dix but just then, although they were better later, the odds were stacked against him since he had already accepted induction. So he went back, put in his application, took a lot of crap from the lifers and officers in his company after that and little support, mainly indifference, from his fellow trainees. He still had to go through the training, the infantry training though and although he had taken M-16 rifle training in basic he almost balked at continuing to fire weapons especially when it came to machine guns. He didn’t balk but in the end that was not a big deal since fairly shortly after that his C.O. application was rejected although almost all those who interviewed him in the process though he was “sincere” in his beliefs. That point becomes important later.

Frank, although he knew his chances of being discharged as a C.O. were slim since he had based his application on his Catholic upbringing and more general moral and ethical grounds. The Catholic Church which unlike Quakers and Mennonites and the like who were absolutely against war held to a just war theory, Vietnam being mainly a just war in the Catholic hierarchy’s opinion. But Frank was sincere, more importantly, he was determined to not got to war despite his hawkish family and his hometown friends,’ some who had already served, served in Vietnam too, scorn and lack of support. So he went back up to Cambridge on another three day pass to get some advice, which he actually didn’t take in the end or rather only partially took up  which had been to get a lawyer they would recommend and fight the C.O. denial in Federal court even though that was also still a long shot then.  

Frank checked with the lawyer alright, Steve Brady, who had been radicalized by the war and was offering his services on a sliding scale basis to G.I.s since he also had the added virtue of having been in the JAG in the military and so knew some of the ropes of the military legal system, and legal action was taken but Frank was one of those old time avenging Jehovah types like John Brown or one of those guys and despite being a Catholic rather than a high holy Protestant which is the usual denomination for avenging angels decided to actively resist the military. And did it in fairly simple way when you think about it. One Monday morning when the whole of AIT was on the parade field for their weekly morning report ceremony Frank came out of his barracks with his civilian clothes on and carrying a handmade sign which read “Bring the Troops Home Now!”

That sign was simply but his life got a lot more complicated after that. In the immediate sense that meant he was pulled down on the ground by two lifer sergeants and brought to the Provost Marshal’s office since they were not sure that some dippy-hippie from near-by New York City might be pulling a stunt. When they found out that he was a soldier they threw him into solitary in the stockade.

For his offenses Frank was given a special court-martial which meant he faced six month maximum sentence which a panel of officers at his court-martial ultimately sentenced him to after a seven day trial which Steve Brady did his best to try to make into an anti-war platform but given the limitation of courts for such actions was only partially successful. After that six months was up minus some good time Frank was assigned to a special dead-beat unit waiting further action either by the military or in the federal district court in New Jersey. Still in high Jehovah form the next Monday morning after he was released he went out to that same parade field in civilian clothes carrying another homemade sign “Bring The Troops Home Now!” and he was again manhandled by another pair of lifer sergeants and this time thrown directly into solitary in the stockade since they knew who they were dealing with by then. And again he was given a special court-martial and duly sentenced by another panel of military officers to the six months maximum.

Frank admitted at that point he was in a little despair at the notion that he might have to keep doing the same action over and over again for eternity. Well he wound up serving almost all of that second six month sentence but then he got a break. That is where listening to the Quakers a little to get legal advice did help. See what Steve Brady, like I said an ex-World War II Army JAG officer turned anti-war activist lawyer, did was take the rejection of his C.O. application to Federal District Court in New Jersey on a writ of habeas corpus arguing that since all Army interviewers agreed Frank was “sincere” that it had been arbitrary and capricious of the Army to turn down his application. And given that the United States Supreme Court and some lower court decisions had by then expanded who could be considered a C.O. beyond the historically recognized groupings and creeds the cranky judge in the lower court case agreed and granted that writ of habeas corpus. Frank was let out with an honorable discharge, ironically therefore entitled to all veterans’ benefits but with the stipulation that he never go onto a military base again under penalty of arrest and trial. Whether that could be enforced as a matter of course he said he did not want to test since he was hardily sick of military bases in any case.                                       

So where does Bob Dylan’s Masters of War come into the picture. Well as you know, or should know every prisoner, every convicted prisoner, has the right to make a statement in his or her defense during the trial or at the sentencing phase. Frank at both his court-martials rose up and recited Bob Dylan’s Masters of War for the record. So for all eternity, or a while anyway, in some secret recess of the Army archives (and of the federal courts too) there is that defiant statement of a real hero of the Vietnam War. Nice right?      

Here is what had those bloated military officers on Frank’s court-martial board seeing red and ready to swing him from the highest gallows, yeah, swing him high.

Masters Of War-Bob Dylan 

Come you masters of war
You that build all the guns
You that build the death planes
You that build the big bombs
You that hide behind walls
You that hide behind desks
I just want you to know
I can see through your masks

You that never done nothin’
But build to destroy
You play with my world
Like it’s your little toy
You put a gun in my hand
And you hide from my eyes
And you turn and run farther
When the fast bullets fly

Like Judas of old
You lie and deceive
A world war can be won
You want me to believe
But I see through your eyes
And I see through your brain
Like I see through the water
That runs down my drain

You fasten the triggers
For the others to fire
Then you set back and watch
When the death count gets higher
You hide in your mansion
As young people’s blood
Flows out of their bodies
And is buried in the mud

You’ve thrown the worst fear
That can ever be hurled
Fear to bring children
Into the world
For threatening my baby
Unborn and unnamed
You ain’t worth the blood
That runs in your veins

How much do I know
To talk out of turn
You might say that I’m young
You might say I’m unlearned
But there’s one thing I know
Though I’m younger than you
Even Jesus would never
Forgive what you do

Let me ask you one question
Is your money that good
Will it buy you forgiveness
Do you think that it could
I think you will find
When your death takes its toll
All the money you made
Will never buy back your soul

And I hope that you die
And your death’ll come soon
I will follow your casket
In the pale afternoon
And I’ll watch while you’re lowered
Down to your deathbed
And I’ll stand o’er your grave
’Til I’m sure that you’re dead

Copyright © 1963 by Warner Bros. Inc.; renewed 1991 by Special Rider Music