The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-A Good Old Boy Tries To Keep It Together- With Prescott Breslin Wherever He Is In Mind

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-A Good Old Boy Tries To Keep It Together- With Prescott Breslin Wherever He Is In Mind

A YouTube film clip of Hank Williams performing minute back in the You Win Again to set the mood for this piece.

Introduction by Allan Jackson

[We never fucking, excuse my English but I am suddenly hot under the collar thinking about it now after having damned it up for a while, not fifty years like a lot of things mentioned in this series, talked about what the hell our parents did, or did not, do to us in the privacy of our family life. Sure some of it was the old time religion, acting like a religious tenet anyway, of not airing one’s dirty linen in public a staple of Irish Catholic tradition a couple of generations back (and still around, still around damn it from what some of the younger crowd has conveyed to me. But mainly it was about not talking about what hurt us so deeply that we could not utter anything even to close brothers until death corner boys. The late Peter Paul Markin who was more screwed in his family life, his living hell family life, mainly through his mother, his father too beaten down to raise his voice except under extremity set the parameters. And if a guy like the Scribe was closed-mouthed about his family affairs none of us lesser mortals were going to weep in public about our plights. Scribe’s “solution” was to be the running kind like in the Merle Haggard song, and sneak out the back door, or front if he could, in the middle of the night and take the all-night subway to Harvard Square and hang around Hayes-Bickford, or some such place where kindred spirits dwelled. Surprising that got him through a lot of things when he and that mother were in almost daily combat about what a bad son he was. Most of the stuff about Scribe’s home life came out later in dribs and drabs after he had passed away way too young by guys like Seth Garth and Sam Lowell. But I wonder how much what happened to Scribe beside Vietnam was hell-bent on that family blood tribute altar.                  

Over the last several years a bunch of us have gotten together either through our work here or joining each other someplace and talk about the old days which is really what this rock and roll series is about as filtered through North Adamsville’s Acre neighborhood. What we seldom talk about although it probably weighs on each of us is that private family part of our young existences. And that after all we went through in Summer of Love new consciousness, radical politics, social wisdom accumulated through age and the like. What would be good to know though, and Josh Breslin’s remembrances of his father here is part of that knowledge, is how extensive this closed family circle was. By Josh’s lights it extended to the working class neighborhood of Olde Saco up in Maine. I wonder where else. Allan Jackson ]    

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Josh Breslin had been since he retired a couple of years ago as a journalist writing for half the alternative and special interest newspapers and journals in the country, make that half the unread, mostly, newspapers and journals in those categories sitting on some glassy coffee table showing that the residents therein had been a part of that vaunted minute in the 1960s when they had collectively tried to turn the world upside down, in something of a reflective mood. Not every day, certainly not on golf days with his golfing associates over at Dunegrass, when reflection over some missed chip or putt on the previous hole spelled the kiss of death for the round. Much better to keep an empty mind on those days and just hope enough muscle memory kicks in to survive the round. But enough of golf, enough of unread journals, hell, enough of retirement except as the cushion that Josh’s thoughts fell on one day when passing through his  old home town of Olde Saco, a town farther north in Maine than the one where he now lived, on some family business.

While in Olde Saco he passed by his old growing up house, as was almost always the case since it was located near a main town road which he would have to cross to get on to the main highway and not always in some fit of nostalgia.  Or rather he passed the plot of land where the old home was situated, an old house that had been little better than a shack, a cabin maybe then, maybe especially when his three sisters came of age and hogged the single bathroom and stuff like that. A place which left little room for a single growing boy to attend to his own toilet, his own sense of space, to any sense at all. The house may have been a shack, no, he thought better say a cabin but it had been located on about two acres of land and in the intervening years, years well after his parents had passed on and his sisters like him had left the dust of Olde Saco behind the land had become valuable and now had been developed into an eight-unit condominium complex. Not that his parents, not that his father Prescott Breslin derived any real financial benefit from that development since the house had been sold when he needed to go into a nursing home after Josh’s mother, Delores, passed away. Had been sold well before there was a resurgence in the Olde Saco economy which had taken a beating when the MacAdams Textile Mills shut down and moved south to North Carolina in the early 1950s and had only recovered with some “high tech” start-ups using the old factory space well after Prescott passed on. The sale of that old house had broken his father’s heart despite its shanty condition at the end. The damn sale of the cabin in any case had not brought enough money. Not enough to cover all Prescott’s increasing medical expenses which Josh and his sisters wound up subsiding. 

So the passing of that lot got Josh to thinking about how Prescott Breslin never drew a blessed break in his hard-scrabble life. Never drew a break although he was a hard-working man of the old school-“a fair day’s work for a fair day’s wages”-when he had work. Got Josh to thinking about the early 1950s when he was coming of age, when he started even if unconsciously, or maybe semi-consciously, to feel that some new breeze was coming, some new breeze that was going to break through and unfreeze that red scare Cold War time. And while Josh’s horizons in those days centered on the emerging rock and roll, coming from some “new” Memphis hillbilly sources, some black as night rhythm and blues sources, some down and out urban blues sources, again black as night, that was leading the jail-break out then his father’s fate was being sealed in another way. See Prescott Breslin was an employee, a machine tender and mechanic at the MacAdams Textile factory that was heading south and he had no other resources to fall back on. That last thought was pure Josh though, pure Josh remembering back to those hard days. Prescott Breslin, as he would be the first to say, and had probably said it a thousand times, with a wife and four children had no time to worry about whether he had resources to fall back or not. Josh chuckled to himself over that one, yeah, that was pure Dad.

As Josh travelled further along Main Street (really Route One but everybody called it Main Street since they had no real such street in the town) he passed by what in the old days was Millie’s Diner, now re-opened as Mildred’s, the one right across the street from the old textile plant where guys would go before their shift and grab a coffee and crullers, maybe grab a quick dinner if they were single, or maybe meet some sweetheart and talk before going off to work. He did not know this from personal experience but his father had once told him that right after World War II the plant was working three shifts and guys, and gals, were catching as much overtime as they wanted.

Millie’s did not long survived the shutdown of the mill and had been abandoned for a number of years (like a lot of other businesses in that section of the town that were dependent on the mill-workers) but had re-opened about a decade ago with the same “feel” as Millie’s including a jukebox which played current stuff but also stuff from back then, stuff that hard-working guys and gals would put their nickels, dimes and quarters in to listen to whatever was “hot” in those days. Josh knew all of this because a couple of years before he had been contacted by an old high school classmate, Melinda, Melinda Dubois (the place, Olde Saco, was crawling with French-Canadians including his mother, nee LeBlanc), who had read some old article of his and got in touch to invite his up for a class reunion. During that previous time in town Melinda had taken him around town and showed him what had changed and told him the story of Millie’s resurrection as Mildred’s.              

Something that day, probably the sight of the old homestead, maybe just the thought of Millie’s where sometimes when his father had been making good money he would take the family for an out of house dinner and where Josh on occasion had stopped in to play the jukebox and have a Coke while looking furtively around for any stray girls, prompted him to stop and go into Mildred’s for a coffee and maybe a piece of pie (that pie an iffy thing what with him and his new weight problem but he thought why go into a diner if you are not going to have something that is “bad “ for you). As a single he sat at the Formica-top counter complete with red vinyl-cushioned swivel stool to sit on and a paper placemat and utensils in front of him waiting for the smiling waitress to take his order (a career waitress as is usual in diners, middle-aged, her white uniform a little tight trying to look younger, pencil in her hair for ease of taking orders, chewing gum but friendly until you placed your order and then either still smiling or a frown if you only ordered coffee and, not the young college girls and guys you find in better restaurants marking time with a job to help defray college expenses or for “walking around” money). He placed his frowning order, coffee, black, and a piece of apple crumb pie with, yes, with ice cream (bad, indeed).

While Josh waited for his order he thumbed through the panels on the jukebox machine that was placed between him and the next placemat. And as if by some strange osmosis Josh came upon Hank Williams’ You Win Again, his father’s favorite song when he was young back in Kentucky, back in rugged cross heartbreak legendary Hazard. (His father had been in a pick-up band for a while working a circuit and along the Ohio River.) Josh  put his quarter in to play that one selection (yeah, times have changed even in jukebox land, no more three for a quarter ) and as Hank moan’s his lovesick blues that triggered Josh to start thinking about his father and where he had come from, where he would have picked up those country tunes in his DNA. And then Josh thought of that hard time when his father was so discouraged about his prospects when the mill had closed down temporarily and then when the final word had come that it would be closing for good and would play that song repeatedly as if to try and ward off some evil spirits. He could remember his father’s voice like it was yesterday as he sat beside him in Millie’s:                  

 “Jesus, it’s been three months since the mill closed on the first day of our lord, January 1954, as the huge black and red sign in front of the dead-ass silent mill keeps screaming at us. And also telling us not to trespass under penalty of arrest, Christ, after all the sweat we have given the damn MacAdams family. I still haven’t been able to get steady work, steady work anywhere, what with every other guy looking for work too, and I don’t even have a high school diploma, not even close since I only went to eight grade and then to the mines, to do anything but some logging work up North when they need extra crews,”

That is what Prescott Breslin, Josh sitting silently beside him, had half-muttered to Jack Amber, a fellow out-of-worker sitting on the counter-stool next to his from the same MacAdams Mill that had been in Olde Saco since, well, since forever. This conversation and ones like it in previous weeks between the two, and by many previous parties on those self-same stools, took place, of course, right at Millie’s Diner right across the street from the closed, dead-ass mill the place where every guy (and an occasion wife, or girlfriend waiting to pick up her guy) who worked there went for his coffee and, and whatever else got him through another mill week.

Just then Prescott, hey, no Pres, or PB, or any such thing, not if you didn’t  want an argument on one of his few vanities, fell silent, a silence that had been recurring more frequently lately as he thought of the reality of dead-end Maine prospects and rekindled a thought that came creeping through his brain when Jack MacAdams, the owner’s son, first told him the plant was shutting down for good and moving south to North Carolina not far, not far at all, from his eastern Kentucky roots. Then it was just a second of self-doubt but now the thoughts started ringing incessantly in his brain.

Why the hell had he fallen for, and married, a Northern mill-town girl (the sweet, reliable Delores, met at the Starlight Ballroom over in Old Orchard Beach when he had been Marine Corps short-time stationed at the Portsmouth Naval Base down in New Hampshire just before heading back to the Pacific Japan death battles), stayed up North after the war when he knew the mills were only a shade bit better that the mines that he had worked in his youth, faced every kind of insult for being southern from the insular Mainiacs (they actually call themselves that with pride, the hicks, and it wasn’t really because he was from the south although that made him an easy target but because he was not born in Maine and could never be a Mainiac even if he lived there one hundred years), and had had three growing, incredibly fast growing, girls and one boy with Delores. Then he was able to shrug it off but not now.

The only thing that could break the cursed thoughts was some old home music that Millie, good mother Millie, the diner’s owner (and a third generation Millie and Mainiac) made sure the jukebox man inserted for “her” country boys while they had their coffee and. He reached, suddenly, into his pocket, found a stray nickel, put it in the counter-side jukebox, and played Will The Circle Be Unbroken, a song that his late, long-gone mother sang to him on her knee when he was just a tow-headed young boy. That got him to thinking about home, the Hazard hell home of worked-out mines, of labor struggles that were just this side of fighting the Japanese in their intensity and possibilities of getting killed, or worst grievously injured and a burden on some woe-begotten family, of barren land eroded by the deforested hills and hollows that looked, in places, like the face of the moon on a bad night. And of not enough to eat when eight kids, a mostly absence father and a fading, fading mother needed vast quantities of food that were not on the table and turnips and watery broth had to do, of not enough heat when cruel winter ran down the ravines and struck at your very bones, and of not enough dough, never enough dough to have anything but hand-me-downs, and then again hand-me-downs clothes, sometimes sister girl’s stuff just to keep from being bare-assed.

Then Prescott thought about the Saturday night barn dances where he cut quite a figure with the girls when he was in his teens and had gleefully graduated to only having to wear hand-me-downs. He was particularly lively (and amorous) after swilling (there is no other way to put it) some of Uncle Eddie’s just-brewed “white lightning.” And he heard, just like now on the jukebox, the long, lonesome fiddle playing behind some fresh-faced country girl in her best dress swaying through Will The Circle Be Unbroken that closed most Saturday barn dances.

As Millie asked him for the third time, “More coffee” he came out of his trance. After saying no to Millie, he said no to himself with that same kind of December resolve. A peep-break Saturday night dance didn’t mean squat against that other stuff. And once again he let out his breathe and said to himself one more time- “Yes, times are tough, times will still be tough, Jesus, but Delores, the four kids, and he would eke it out somehow. There was no going back, no way.”

And as if to put paid to that resolve, as Josh made a funny face in recognition, Prescott had put a coin into the jukebox and played You Will Again, which he always said brought him good tidings, or at least made him feel better. A few minute after the song was completed and he and his father were ready to leave after saying good-bye to Jack Johnny Dubois came through the door and yelled, “Hey, Prescott, Jack, the Great Northern Lumber Company just called and they want to know if you want two months’ work clearing some land up North for them. I’m going, that’s for sure.” And, hell, he was going too.”

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night- “The Next Girl Who Throws Sand In My Face Is…” –With Johnny Silver’s Sad Be-Bop 1960s Beach Blanket Saga In Mind.

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night- “The Next Girl Who Throws Sand In My Face Is…” –With Johnny Silver’s Sad Be-Bop 1960s Beach Blanket Saga In Mind.

A YouTube film clip of the Falcons performing You're So Fine.

Introduction by Allan Jackson

[I could not tell you thing one about the 1960s dating rituals on in the farmlands although I think from what Laura Perkins who actually grew up on hard rock truck farm in upstate New York it had a lot to do with going to school basketball games, checking out the Dairy Queen and maybe, just maybe, “necking” down in some back road Farmer Brown place. I could not tell you thing one about what the 1960s dating rituals were among the leafy suburban youth but from what ex-wife number one, Josie Davis, told me it had plenty to do with driving cars, driving to nice restaurants, checking out the woods around Walden Pond and the like and maybe, just maybe, “necking” down behind the boathouse at said pond. I could not tell you thing one about the 1960s dating rituals of the small town mountain teens  of Vermont or Colorado although I think what I have learned from Janis Jamison, Sam Lowell’s wife number two they mostly hiked and biked and drank large quantities of beer and maybe, just maybe, “necking” up on Sugar Mountain. As for the dating rituals of the 1960s Mayfair swell progeny I am clueless about that as I am about every aspect of their existences except they probably had plenty of discretionary funds to pave their ways and maybe, just maybe, “necking” if that was something they even knew about (although Josh Breslin’s second wife, Amy Drinkwater, yes of that Drinkwater tribe who owned all the factories in Ohio before they went under told Josh who told me that the sexual activity among the Mayfair swell young, replicating that of their parents was like that of rabbits.) 

What I do know about and provided the genesis of this story about beautiful Johnny Silver when he was a squirt and later when he was Handsome Johnny and Scribe spent half his time fending off girls who wanted to meet Johnny or know what he was up to meaning did he already have a girlfriend was the 1960s dating rituals of those who grew up near our mother the ocean. I knew exactly what “watching submarine races” meant, knew why cars parked along the boulevard were fogged to perdition come late Friday or Saturday night, knew who were nerds and had to fund shelter against the night behind the seawall and who got to square off with some honey down at the Squaw Rock end of the beach. Knew lots of little tricks about how to get girls to talk to you when we were hanging out even if all of this information never got translated into any dates, at least with hometown girls during high school. Knew too what Josh and a few of the other guys meant when they said “don’t bury me in Kansas.” Yeah strewn ashes on the sea is our fate and rightly so. Allan Jackson]

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No question that Jimmy Callahan and his corner boy comrades, including Sam Lowell, of the old Frankie Riley-led Salducci’s Pizza Parlor hang-out “up the Downs” (no further explanation is necessary for any old corner boy who knew pizza parlors were exceptionally good places to hang your knee against a wall waiting, well just waiting for whatever might come up for any others it was nearly impossible to be a corner boy if you did not have a corner and that should be enough on this matter) from the day high school got out for the summer in the early 1960s drew a bee-line straight to the old-time Adamsville Beach of blessed memory. One day recently Jimmy had been thinking back to those times, back a half century at least, as he walked along the beach at Big Sur and had been telling his girlfriend, Miranda, that his love affair with the sea started almost from the day he was born near that beach, a beach that still held his sway although he had seen, and was seeing right there with her better beaches since then. (As far as that girlfriend designation goes with Miranda Jimmy always wondered what the heck do you call somebody whom you are not married to but are intimate with who is along with you pushing the wrong side of sixty, so Jimmy’s simple girlfriend it is until somebody comes up with something better that “significant other,” what the hell does that mean, “consort,” like he/they were royalty or something or “partner,” like you were ready for incorporation rather than romance.)

The old Adamsville beach with its marshlands anchoring each end, its stone-laden sands uncomfortable to sit on, its rendezvous teen meet-up yacht clubs, its well-sat upon seawalls, and its thousand and one night stories of late night trysts in fugitive automobiles and while on skimpy beach blankets, its smoldering fried clams at the Clam Shack fit for a king or queen, its Howard Johnson’s many-flavored ice creams still held memories wherever he was in later life.

Although from what Red Rowley, an old corner boy comrade, had told Jimmy a while back when they had touched base for a minute in Sweeney’s Funeral Parlor over in landlocked Clintondale a couple of towns away after the death of a Jimmy family member the old beach had seen serious erosion, serious stinks and serious decay of the already in their day ancient seawalls and no longer held the fancy of the young who back in the day wanted to go parking there at night to “watch the submarine races.” (For the clueless that is an old local custom gag because looking for midnight submarines off shore was not what was going on in the back seat of some Wally’s car.) Also the beach no longer served as a coming of age spot for winter-weary guys watching winter-weary well-tanned girls in skimpy bikinis between the yacht clubs hot spot for such activity. In fact Red said that last time he checked on a hot July summer’s day at high noon nobody, young or old, was in that sacred spot.   

Red Rowley who was the youngest boy in the Rowley household and who had been afraid of girls, not closet gay or gay afraid, but just afraid of girls and their ways had like a lot of Irish guys who took their stern religious upbringing too seriously never married and had stayed in town the whole time, stayed in the same house, and once his mother’s health declined after his father died never thought to leave. So Red could, as an old fixture like the street lights, see what changes had occurred around town. And he would ask young people, some of who were interested in talking to him, what they were up to, what they knew about the old time customs of the high school and of the town.

Hell, Red said, the young guys in the neighborhood didn’t know what he was talking about when he mentioned “watching the submarine races,” that old code word for getting in the back seat of an automobile (or if car-less and desperate on a skimpy beach blanket against that stony sand) with a girl and seeing what was what, coming up for air to check for any midnight submarine sightings. One guy even asked how one could see a submarine at night if one was in the neighborhood of the beach. Jesus. Also they, and here Red meant both sexes, had no idea on this good green earth that those now old tumble-down yacht clubs in dire need of serious paint jobs after the slamming of the seas and the furious winds had done their work had been the site of many a daytime planning for the night heat sessions. Were clueless that guys would ogle girls there, thought it kind of, what did one of them, one of the girls, call it, yeah, sexist. Jesus doubled.   

Red, by the way, was one of those ancient Irish Catholic corner boys who had stayed in town to help mother in order to have clean socks and regular six o’clock suppers without the bother of matrimony but also like Jimmy, hell, like Sam Lowell and every guy who breathed their first breaths off an off-hand sea breeze, also stayed to be near the ocean too. But Red had mainly watched the town change from an old way station for the Irish and Italians to the South Shore upward mobile digs further south to a “stay put” moving from the big city immigrant community which he was not particularly happy about since he could not speak any of the new languages (frankly in high school he had serious trouble with the English language) or understand the cultural differences when they, the collective mix of immigrants none from European homelands, did not bend at the knees in homage on Saint Patrick’s Day. But Red’s trouble with the new world of America (not really so new since these shores since the sixteen hundreds had seen wave after wave of immigrants just back then they had been from Europe, or had been Africa branded), or the real condition of Adamsville Beach was not what had exercised Jimmy on that trip to Big Sur with Miranda but about the old beach days, the now fantastic beach days.

Jimmy had chuckled to himself when he told Miranda- “Did we go to said beach to be “one” with our homeland, the sea? You know to connect with old King Neptune, our father, the father that we did not know, who would work his mysterious furies in good times and bad. Or to connect as one with denizens of the deep, fishes, whales, plankton, stuff like that. No.” Then he went down the litany of other possible motives just as a little good-humored exercise. “Did we go to admire the boats and other things floating by? The fleet of small sailboats that dotted the horizon in the seemingly never-ending tacking to the wind or the fewer big boats, big ocean-worthy boats that took their passenger far out to sea, maybe to search for whales or other sea creatures? No.” “Did we go to get a little breeze across our sun-burned and battered bodies on a hot and sultry August summer day?” Jimmy, a blushed red lobster in short sunlight who was sensitive about that red skin business declared a loud “No,” although Red, Frankie, Peter, and Josh, his other comrade corner boys less sensitive to the sun would have answered, well, maybe a little.

Jimmy said that he soon tired of those non-reasons, this little badger game, and got to the heart of the matter, laughed to himself as he thought and then mentioned to Miranda-“Come on now we are talking about sixteen, maybe seventeen, year old guys. They, every self-respecting corner boy who could put towel and trunks together, which meant everybody except Johnny Kelly who had to work during the day in the summer to help support his mother and fatherless younger brothers and sisters , were there, of course, because there were shapely teeny-weeny bikini-clad girls [young women, okay, let’s not get technical about that pre-woman’s liberation time] sunning themselves like peacocks for all the world, all the male teenage North Adamsville world, the only world that mattered to guys and gals alike, to see. Had been sunning themselves in such a manner since bikinis and less replaced those old-time bathing suits that were slightly less cumbersome that the street clothes you saw in your old grandmother’s scrapbook. And guys had been hormonally-charged looking at them that long as well.”

“Here is the catch thought,” Jimmy continued. “They, and they could be anywhere from about junior high to the first couple of years in college although they tended to separate themselves out by age bracket were sunning themselves and otherwise looking very desirable and, well, fetching, in not just any old spot wherever they could place a blanket but strictly, as tradition dictated, tradition seemingly going back before memory, between the North Adamsville and Adamsville Yacht Clubs. So, naturally, every testosterone-driven teenage lad who owned a bathing suit, and some who didn’t, were hanging off the floating dock right in front of said yacht clubs showing off, well, showing off their prowess to the flower of North Adamsville maidenhood.” And said show-offs included, Jimmy, of course, Frankie Riley (when he was not working early mornings at the old A&P Supermarket and did not show until later in the afternoon), his faithful scribe, Pete Markin (who seemingly wrote down for posterity every word Frankie uttered and some that he did not, and others including the, then anyway, “runt of the litter,” Johnny Silver. And Sam Lowell too.

It is Johnny’s sad beach blanket bingo tale that Jimmy had suddenly thought about when he had driven pass the old beach one day to confirm Red’s recent beach judgment mentioned at the funeral parlor and wanted to relate to Miranda as the over the top waves pummeled the scarred rock faces in the secluded reaches of Big Sur to give her an idea of what the sea meant to a lot of guys he knew. If, in the Jimmy telling, it all sounds kind of familiar, too familiar even to old time non-corner boys, to those who do not live near the oceans of the world, to the younger set who may have a different view of life than what carried the day back then, it is because, with the exception of the musical selections, it is. This is how it all started though:

“The next girl who throws sand in my face is going get it,” yelled Johnny Silver to no one in particular as he came back to the Salducci’s Pizza Parlor corner boy summer beach front acreage just in front of the seawall facing, squarely facing, the midpoint between the North Adamsville and Adamsville Yacht Clubs. “For the clueless,” and Jimmy assumed Miranda was in that vast company so he took pains to spell it out, “the corner boy world in North Adamsville, hell, maybe every corner boy world everywhere meant that you had certain “turf” issues in your life not all of them settled with fists, although an issue like some alien corner boy looking the wrong way at one of the Salducci girls could only be resolved that way.” But mostly it was a matter of traditions, traditional spots which the “unwritten law” held for certain groups and the spot between the boat clubs was theirs, and had been the “property” of successive generations of Salducci’s Pizza Parlor corner boys since at least the end of World War II when Frankie Riley’s father and his corner boys, some very tough boys transplanted from South Boston to work in the shipyards and some restless guys who had like Frankie’s father served in the war but were not ready to settle down “claimed” the spot.”       

Johnny, after having his say, fumed at no one in particular as the sounds of Elvis Presley’s Loving You came over Frankie Riley’s transistor radio and had wafted down to the sea, almost like a siren call to teenage love. Then one of those “no one in particulars,” Pete Markin replied, “What did you expect, Johnny? That Katy Larkin is too tall, too pretty and just flat-out too foxy for a runt like you. I am surprised you are still in one piece. And I would mention, as well, that her brother, ‘Jimmy Jukes,’ does not like guys, especially runt guys with no muscles bothering his sister.” Johnny came back quickly with the usual, “Hey, I am not that small and I am growing, growing fast so Jimmy Jukes can eat my… ” But Johnny halted just in time as one Jimmy Jukes, James Allen Larkin, halfback hero of many a North Adamsville fall football game running opponent defensive players raggedy in his wake, came perilously close to Johnny and then veered off like Johnny was nothing, nada, nunca, nothing. And after Jimmy Jukes was safely out of sight, and Frankie flipped the volume dial on his radio louder as the Falcons’ You’re So Fine came on heralding Frankie’s attempt by osmosis to lure a certain Betty Ann McCarthy, another standard brand fox in the teenage girl be-bop night, his way Johnny poured out the details of his sad saga.

Seems that Katy Larkin was in one of Johnny’s classes, biology he said, and one day, one late spring day Katy, out of the blue, asked him what he thought about Buddy Holly who had passed away in crash several years before, well before he reached his potential as the new king of the be-bop rock night. Johnny answered that Buddy was “boss,” especially his Everyday, and that got them talking, but only talking, almost every day until the end of school. Of course, Johnny, runt Johnny, didn’t have the nerve, not nearly enough nerve to ask a serious fox like Katy out, big brother or not, before school let out for the summer. Not until that very day when he got up the nerve to go over to her blanket, a blanket that also had Sara Bigelow and Tammy Kelly on board, and as a starter asked Katy if she liked Elvis’ That’s When The Heartache Begins.

Katy answered quickly and rather curtly (although Johnny did not pick up on that signal) that it was “dreamy the way Elvis sang it, but sad when you think about all the trouble guys bring when they mess with another boy’s girl.” Then Johnny’s big moment came and he blurted out, “Do you want to go to the Surf Dance Hall with me Saturday night? Crazy Lazy is the DJ and the Rockin’ Ramrods are playing?” And as the reader knows, or should be presumed to know, Johnny’s answer was a face full of sand. And that sad, sad beach saga is the end of another teen angst moment. So to the strains coming from Tammy’s radio of Robert and Johnny’s We Belong Together we will move along.

Well, not quite. It also seems that Katy Larkin, tall (too tall for Johnny, really), shapely (no question of “really” about that), and don’t forget foxy Katy Larkin had had a “crush” since they had first started talking in class on one John Raymond Silver if you can believe that. She was miffed, apparently more than somewhat, that Johnny had not asked her out before school got out for the summer. That “more than somewhat” entailed throwing sand in Johnny’s face when he did get up the nerve to ask. And nothing else happened between them for the rest of the summer, except Johnny always seemed kind of miserable when he leaned up against the wall in front of Salducci’s to confer with his corner boys about life being kind of crazy. But get this- on the first day of school, while Johnny was turning his radio off and putting it in his locker just before school started, after having just listened to the Platters One In a Million for the umpteenth time, Katy Larkin “cornered” (Johnny’s term) 

Johnny and said in a clear, if excited voice, “I’m sorry about that day at the beach last summer.” And then in the teenage girl imperative, hell maybe all women imperative, “You are taking me to the Fall All-Class Mixer and I will not take ‘no’ for an answer.”

Well, what is a guy to do when that teenage girl imperative, hell, maybe all women imperative voice commands. After that Johnny started to re-evaluate his attitude toward beach sand and thought maybe, after all, it was just a girl being playful. In any case, Johnny had grown quite a bit that summer and it turned out that Katy Larkin was not too tall, not too tall at all, for Johnny Silver to take to the mixer, or anywhere else she decided she wanted to go. “

Here is what Jimmy told Miranda that Big Sur day to put a philosophical twist on the whole episode fifty years later.  After stopping his car toward the middle of Adamsville Beach, the place between the two yacht clubs where he and the Salducci corner boys hung out, the two clubs whose appearance that day spoke to a need of paint and other fixing up, the place that had stirred his memoires that day Jimmy Callahan thought Red had it all wrong, all wrong indeed, it had nothing to do with the condition of the clubs, the beach, the sand, the waves or the boats. Mr. John Raymond Silver and Ms. Katy Silver (nee Larkin), now of Naples, Florida, are proof of that statement.    

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-When Gary Ladd Danced The North Adamsville High School Be-Bop Hop Dance Night Away

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-When Gary Ladd Danced The North Adamsville High School Be-Bop Hop Dance Night Away 

A YouTube film clip of The Shirelles performing their 1960s teen angst classic Mama Said  

Introduction by Allan Jackson

[On reflection a lot of what went on in high school, what drove guys like me crazy, guys who had no sisters, maybe had no close girl friends was the very subject of chasing women. There is no other way to put the matter. Strangely enough everybody, every guy was on his own (I will let the women of our generation speak for themselves but I have on anecdotal evidence the distinct thought that also from different biological needs their social stories don’t differ too much from the guys)on the subject, had to learn the hard way what was what. I don’t know how much things have changed in the last fifty years concerning parental guidance through the sexual thicket but I suspect, again on anecdotal evidence, that some things have stayed pretty much the same despite the tremendous amount of information out there. Of course a lot of our Tonio’s Pizza corner boys being on our own was self-imposed since we neither wanted to be thought nor really have much going on since we got a lot of very bad, or erroneous information from the “street. Since parents were books sealed with seven seals the only real way to get any information about sex, or anything else that might interest a teenager was from older brothers, sisters or stuff heard out on that street. Many a guy got some kind of social disease and many a girl had to visit faraway “Aunt Emma” shorthand for pregnant based on that erroneous information. The other coin thought was that we, individually were lying our asses off half the time about sexual conquests and the like. That too on anecdotal evidence gained many, many years later when the smoke and fog had cleared.

Despite the shortcomings of our knowledge about sex, about how to approach girls you could almost take it to the bank the information, the intelligence we called it that the late Peter Paul Markin, the Scribe, gathered in other areas, areas like what girl was interested or not interested in what guy or guys, and the crucial information about who was “going steady,” taken, or however you wanted to call unavailable in your neighborhood. This critical information saved many a guy from making a social faux pas and going even further down the high school social hierarchy. See what that situation meant that you were duty-bound and maybe depending on the guy to keep “hands off” if that was the information Scribe handed you. And except for one very embarrassing time when Scribe didn’t know that a girl Seth Garth was interested in had a steady guy who was in the Navy and he wound up calling the girl up and got an irate slap down Scribe knew his stuff. Again, later based on anecdotal evidence, this tradition, this point of honor so-called was honored more in the breach than the observance. (By the way on that misstep by Scribe with Seth that girl had been interested in him earlier in the year and not getting any response from her signals went on to that sailor boy and when he called she was just kind of paying him back for his lateness on the matter. Yeah, life was, is like that sometime. Seth said damn when he found out about that a couple of years after our high school graduation.)

How Scribe got his information, why girls were free to talk to him about stuff that they might not talk to their girlfriends about was always a mystery. Maybe they thought he was a eunuch, or more likely in those times “light on his feet” and no threat to whatever they were interested. Part of it might have been his two million facts which he would spout at the drop of a hat and that impressed many girls from what I came to understand later although not enough to strike up a romance. For a fact, Scribe, and I, although I always lied about it, never in high school had a date with anybody from North Adamsville High or even the town in general so it wasn’t about getting dates for himself. Maybe too it was that he had a reputation for knowing who and who not to approach and maybe that held him in good stead. The funny thing is that if Gary Ladd had been a couple of years younger he could have scooped up his honey, the one e was able to “dance” the night away with once things got clear a lot faster than he did. Allan Jackson]   

*************        

Saturday night from seven to eleven, any third Saturday of the month from September to May, every red-blooded teen boy and girl in the 1961 North Adamsville High School be-bop, be-bop night could only be in one locale, or want to be. That was the night of the monthly seasonally-themed high school hop. The Fall Frolic, Pumpkin Ball, Mistletoe Magic, Frozen Frolic, and so on themes with hop at the end to give the old-timey innocent high school feel to the night in a town which had had such dances since the school’s founding in the 1920s. Although the term “hop” had been of more recent vintage reflecting the effect that such cultural phenomena as the afternoon television program American Bandstand and Danny and the Juniors classic song At The Hop had invested the word with significant teen meaning. More importantly this monthly hop, unlike the more exclusive Autumn Leaves, Holly Hock and Spring Fling dances which were meant solely for juniors and seniors and their guests and which were not designated hops or any other such shorthand reflecting the new rock and roll breeze that had been stirring through the nation for some time by then, anyone, even freshmen and sophomores, could ante up the dollar admission and dance the night away.

There had been a large attendance of wallflower-like freshman, girls and boys alike, all red-faced, all sweaty palms, all trying to look nonchalantly like they had been going to these things for ages to hide their wallflower fears  who were hanging off the walls in the transformed festooned gym. As were most of the sophomores, a little more self-assured and hovering around the gym bleachers which had been extended to provide some seating, but still worried about whether they, the boys, had put on enough underarm deodorant, had swigged enough mouthwash, had combed enough parted Wild Root-infested  hair, and the girls, whether that stolen mother’s perfume would seem too strong, their permed hair was still in array and that that padded dress showed their figures to good effect were witness to the fact that anyone, sweaty palms or not if they had enough moxie could dance the night away.  

Well almost everybody in attendance had the chance to dance the night away. And that had been the dilemma confronting one freshman, Gary Ladd, he the “wallflower” way off to the side of the gym almost into the wall if you didn’t think you had seen him on one of the third Saturday nights in question. And right next to him is another guy, Sam Lowell, hair-slicked, underarm-protected, Listerine-inhaled, his best friend since junior high days when he moved to town from Clintondale and they have since tried to defend each other against the hardships of American wayward youth times, times when they both would have rather just that moment had cool sunglasses on to stifle their fears. But let’s get back to Gary because the night Sam was referring to was his night after some many failed efforts and Sam’s story can be simply stated. He will wind up going home at intermission kind of defeated since nobody, nobody at all had asked him to dance, believing that he had not put enough deodorant on, enough Wild Root or swilled enough mouthwash and had been defeated by the ever-present bane of the wallflowers-personal hygiene.

[Sam would find out a couple of days later when he mentioned his defeat to Emma Wilson in History Class that most of the freshman girls that she knew kept an arm’s distance from him not for personal hygiene, some girls thought that he was “cute,” but no girl, no self-respecting girl could permit herself to be barraged by the two thousand odd-ball facts that he would spew out in order to impress them during the dance. Sam has since decided to take her comment under advisement. But back to Gary.]   

What had been bothering Gary, though, we might as well have our moment of truth right up front since this is a confessional age and the truth would have come out anyway, is that he can’t dance. Can’t dance a damn, to hell, heaven or any place in between. Couldn’t dance in junior high when Sam tried to shadow-box teach him a few steps and when the moment of truth came he almost broke poor, beautiful Melinda Loring’s big toe. Such a reputation in a small town is hard to break. Sam’s corner boy Gary’s problem: two- left feet. Two left-feet despite the more recent best efforts of one Agnes Ladd, North Adamsville Class of 1961 Vice President, whose own feet have taken a terrible beating, and has earned some kind of medal for service above and beyond the call of duty, trying to teach little brother Gary the elements of the waltz, the fox trot, and hell, even two feet away from your partner rock and roll moves and the twist to no avail.

All of this teaching done under the cover of tight security since Gary had sworn Agnes to secrecy about their doings. Agnes, for her part, one of the smartest and most popular girls in the senior class, had no intention of telling anybody that she was talking to, much less teaching dance to a freshman even if it was her own brother. Those are the school conventions, and nobody, nobody who is smart and popular is going to defy conventions like that. The freshman, as Agnes told Gary, would have their day in a few years and would in turn snub their subordinate freshman. That is the way it is. But Gary, no twerp under his two left-footed exterior, has always, as he put it, exercised his democratic right as a freshman in good standing to be at these universal dances, come hell or high water.

But that night, that warm April Bring Spring Hop night Sam was talking about, things were destined to be a little different as Gary has already staked his place against the far wall (the wall farthest away from the girl “wallflowers” just in case you wanted an exact location. Mostly wallflowers, boy or girl, although not Sam, were keeping their respective distances on the odd chance that someone may actually come up and ask them to dance. First off this month, unlike most months when some lame student DJ from Communications class spins platters on a feisty school record player, the local craze rock band sensations, The Rockin’ Ramrods, were performing live on the makeshift bandstand and were guaranteed to have everybody who gets to dance rocking before they are done, including Gary and Sam who are scared but still hopeful. Just that minute as Gary shifted his weight and placed his back to the wall they were tuning up before their first set of three with the appropriately named Please Stay by the Drifters. Secondly, but in line with that Gary hopeful, a new girl in town, Elsie Mae Horton, had told Gary that she would be coming to the hop, her first since moving to town a couple of months before. Naturally the mere fact that she said she would come was an added reason why Gary was there  all that exercising democratic rights stuff be damned (and also why he had tortured his sister Agnes to try, try in vain, to teach him some dance steps). See Gary has the “bug” for Elsie Mae, Yeah, as Sam well knew since he had taken a failed and fruitless run at her with his two thousand facts in Civics class and had gotten the deep freeze, Gary was smitten.

Now this Elsie Mae was maybe, on a scale of one to ten, about a six so it is not looks that had Gary (and about six other guys, five and Sam), well, smitten. An okay body, fair legs, nice brown hair and eyes, a so-so dresser like Sam said a “six” (and Gary agreed with Sam in that department although if you see Elsie Mae Sam never said that, nor did Gary). See what Elsie Mae had was nothing but smarts, book smarts which had been how Sam had made his approach to her in Civics class talking about this book they were reading about President Andrew Jackson and how he broke the back of the aristocrats like the Adams family who wanted to keep political power in the hands of some self-selected elite, themselves, and forget the guys going west, yeah Sam confessed not exactly the smoothest move. Idea smart too which enthralled Gary since he liked to talk about novels and such which was what Elsie Mae was into, talk smarts you name it smarts and one of the sweetest smiles this side of heaven. And, as Gary found out early on in one of their shared classes, very easy to talk to about anything, if she wanted to talk to you. Yes, he was smitten; the only unknown in his mind is whether she could dance good enough to stay out of his way if it came to that. That is if he got up the nerve to ask her. And as the Ramrods started their first set with Gary Bonds’ School Is Out (praise be) he noticed her coming in the door. Heart pounding he started sinking into the wall again. 

As they finished with Brother Bonds the Ramrods started in on The Impressions’ Gypsy Woman before Gary realized that Elsie Mae has drawn a bee-line straight for him and was standing right in front of him, turning a little red after he did not greet her. “Oh, my god,” Gary whispers under his breathe, “she is going to ask me to dance. No way.” The usually easy to talk to Elsie Mae though said nothing, nothing but turned a little redder as the Ramrods covered the Pips Every Beat Of My Heart (nicely done too). She stood there waiting for Gary to ask her, if you can believe that. Well, two-left feet or not, he did ask her. And she smiled a little smile as she “accepted.” Relief.

Needless to say when they did their dance, The Edsels’ Rama Lama Ding Dong, it was nothing but a disaster. A Gary disaster? Yes. Although you can use fake moves galore on such a tune Gary, maybe nervous, maybe just trying to show off started moving all his arms all over the place so he looked from Sam’s wall position like one of those devilish Hindu gods with a ton of arms. And while in motion he had hit Ella Mae a couple of times, not hard but not cool either. Once she came close to him and he moved back into another couple, a senior couple and Sam thought the senior, Bill Daley from the football team, was going to level poor Gary but he just moved away with his date with the meanest look of scorn Sam had seen in a while. 

So disaster was the right word. But here is the funny part. Elsie Mae Horton, formerly of Gloversville, a town in farm country a few miles away and known for the Gloversville Amusement Park on Route 9 and nothing else really, and new to North Adamsville so of unknown dance quality, had two-left feet too. When she had been closing in on Gary it was because she had lost her balance and was ready to careen into him. Get this though. When the dance was mercifully finished, and the two had actually survived, Elsie Mae thanked Gary and told him that he was a wonderful dancer and said she wished that she could dance like him. Whee! Here is the real kicker though. Elsie Mae had also been taking dancing lessons on Saturday mornings at the YWCA, unsuccessfully. Dancing lessons solely so that two-left feet Elsie Mae Horton could dance with Gary Ladd. See, she was “smitten” too. And so if you did not see Gary or Elsie Mae at the Mayfair Dance last month you have now solved that mystery. That night they were sitting, sitting very close to each other, on the seawall down at Adamsville Beach laughing about starting a “Two-Left Feet” Club. With just two members.

[As for Sam’s fate at the Mayfair Moon dance he went to the hop with Emma Wilson. See after she clued him in to “what was what” that time in class about his style Sam ran into her at the library and they talked, or rather she talked, not two thousand facts, talked but talked. And Sam let her. And right after that she asked Sam to escort her, her words, to the hop.]   

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night- The Tattered, Battered Generation of '68-With The Rolling Stones’ Gimme Shelter Redux In Mind

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night- The Tattered, Battered Generation of '68-With The Rolling Stones’ Gimme Shelter Redux In Mind 

Introduction By Allan Jackson

[Not everything that came out of the 1960s was pure gold not by a long shot. Nor did everybody was got washed, clean or otherwise, get religion on the new world a-borning. Couldn’t go the distance and as we can see now as the baby-boomer population settles into twilight we can see that we are very far from having changed enough of the world for enough people to be the least bit complacent about the matter. A lot of it got ground down in person stuff, in not being able to stand alone a bit-to seek shelter from the storm-the clarion call from the Rolling Stones once the forces that were unleashed by the 1960s began to get frayed around the edges and the massive counter-attack on the cultural and about a million other fronts sent us reeling. It is a long, long way although maybe a very short time from Street Fighting Man to Gimme Shelter. Leave it to the Stones to bookend the damn thing for us. Allan Jackson]

********* 

James Jordan usually a stable, steady guy who rolled with the punches, maybe rolled with then too much, was in a fix. James wasn’t sure what to make of the feelings long suppressed about his youth, about the place where he grew up, about his turbulent high school days in the early 1960s, about his problems with girls, about his problems with his mother, about his problems with “Uncle” all of which in the end drove him into what amounted to permanent exile, exile on Main Street he liked to say cribbing from a Stones’ album title. Those mumbo-jumbo broth of feelings that had suddenly simmered and then exploded into a great desire to work through after almost thirty years of statutory neglect what had happened back then.

A couple of years before James started simmering (his term) he had been searching for a couple of old neighbors from the old working class neighborhood where he grew up, Jack Jenkins and Johnny Silver, a couple of guys who he had hung around with, a couple of what they called then, maybe still do, corner boys, corner boys around Be-Bop Benny’s Diner over on Main Street in his growing up town of Clintondale  where the caught hell, caught mischief, and occasionally a stray girl not afraid of corner boys or looking down her nose at them. Both these guys had done their time in ‘Nam when they place was the hellhole for their generation, for him too, although he dodged the draft, did almost two years in Allentown down in Pennsylvania for his troubles when “Uncle” called him on the matter and that was that. That act alone caused big riffs between the three. and not just the three but a couple of other of the corner boys who were not called up, Rats McGee and Clipper Harris, and especially the acknowledged corner boy leader, the late Red Riley who had some bronze star and other ribbons to show for his valor. (Red later got caught up in some bad stuff, drugs James had heard which kind of figured, and was cut down in some unexplained shoot-out with the cops at a White Hen store down in some hick town in South Carolina where he allegedly was in the process of committing armed robbery on the place.)

The last James had heard, this about twenty years before, Jack and Johnny were looking for him to tell him that they finally figured out what he was trying to do by resisting the draft, just trying to keep himself in one piece like they were but just in a different way. But in that twenty years back time James had been in a deep freeze about anything that smacked of the old town, of the old places, of the old days. He had even denied to both his first and second wives, both since divorced, that he was from Clintondale claiming that he had been born in more upscale Hullsville near the water. They had both been both big on “upscale” having come from some new money and thus he did himself no harm by mentioning Hullsville, until they found out otherwise when his first wife, Anna, found out he was fooling around with the woman who would be his second wife, Joyce, when she started looking to find out who he really was. Joyce thereafter did the same thing when he took up with his present companion (no more marriages), Laura. So he was in deep denial, or something like that.         

Maybe if James had tried to locate Jack and Johnny back those twenty years he would have needed the services of some private detective agency, or something like that but the new technology, the new ways of gathering information in the age of the Internet had saved him much time and money. In the process he had, unintentionally, found some other people from his high school class who helped him in his search. (He had done a straightforward Google search for the Clintondale Class of 1962 and had come up first with a commercial high school site which led him to a site which had been established by a committee formed for the 50^th anniversary reunion of that class).

To show how much he had mellowed since those trying youthful days, or maybe showing the extent of his simmering (remember his term) in the process of looking for his former brethren he had gotten caught up in what he, innocently, thought was a simple effort to help out one particular classmate on the committee, a former class officer, Melinda Loring. He agreed to answer some questions for a project that the class, the Class of 1962, was doing in preparation for the next year’s 50^th class reunion. Apparently, from Melinda’s frenzied requests every time he answered one question thinking that was the end of it, this was to be an endless series of questions that seemed to him to start to make the run of the mill entries in that space by others in the class about kids, grandkids, vacations, travel and such who had seen fit to comment but who were not under Melinda’s sway seem like child’s play by comparison.

James finally having figured out Melinda’s mad plan told her (and obviously everybody else on the class website once she placed all his previous answers on-line for all the candid world to see) that he was placing the answer to the question below that she had asked him to write about on the site on his own unmediated by her, as he thought it might be of interest to those who, long of tooth now, had come from that time in question. Here is what one James Jordan formerly in permanent exile from his past on Main Street had to say to the following question:   

Question: Do you consider yourself a member of the Generation of ‘68?

"In that time, twas bliss to be alive, to be young was very heaven"- a line from a poem by William Wordsworth in praise of the early stages of the French Revolution.

“I mentioned in the Tell My Story section of my profile page that while we were all members of the Class of 1962 some of us were also members of the Generation of ’68. I guess to those of us who considered themselves part of that experience no further explanation is necessary. However, if you are in doubt then let me give my take on what such membership would have entailed.

This question had actually prompted by an observation made by my old friend, and our classmate, the legendary track and cross-country runner Bill Collier. Part of my motivation for joining in this work on this site (answering the ten thousand Melinda questions) was to find him (and Jack Jenkins and Johnny Silver my old estranged corner boys who I am still looking for, Melinda is helping and maybe you can too). I have found him and we have started to keep in touch again via the amazing technology that has produced this class site for the computer-able. At one of the bull sessions that we have had I asked him whether he had gone to any class reunions. I had not done so and therefore I was interested in his take on the subject.

Bill said that the only one that he had gone to was the 5^th anniversary reunion in 1969. Of course that year is the high water mark for the Generation of ’68. A key observation that Bill related, as least for my purpose here, was that when he went to that reunion and people came up to him to introduce themselves he had trouble identifying people, especially the guys, because of all the beards and long hair that were supreme tribal symbols at the time. So that is one, perhaps superficial, criterion for membership (for guys anyway).

Frankly, dear classmates, among the reasons that I turned my back on the old hometown right after high school was that it seemed like a ‘square’ (remember that tribal term from our youth meaning not hip) working class town that did not fit in with my evolving political and cultural, or rather counter-cultural, interests. Thus, Bill’s comments rather startled me. My assumption would have been that the ‘squares’ would have gotten a job after high school (or gone to college and then gotten a job), gotten married, had kids, bought a house and followed that trail, wherever it led. This new knowledge may tell me something different.

Is it possible that there were many other kindred spirits from our class who broke from that pattern, as least for a while? Who not only grew their hair long (male or female) or grew beards (male) but maybe dressed in the symbolic Army/ Navy store fashions of the day (male or female) or burned their bras (female)? Or did some dope (Yes, I know we are all taking the Bill Clinton defense on this one. Now) and made all the rock concerts? Or hitchhiked across the country? Or opposed the damn Vietnam War and got tear gassed for their efforts, supported the black liberation struggle and got tear gassed for their efforts, supported an end to the draft, ROTC on campus, etc. and got......well, you know the rest of the line. Or lived in a commune or any number of other things of like kind that were the signposts of the generation of ’68? In short, tried to 'storm heaven'. We lost that fight but these days I sense the storm clouds are gathering again for a new generation that has been beaten down by the hardships of living in this society without succor. Your stories, please (and that includes those ‘squares’ who do not now seem quite that way anymore).

James never did find out what happened to Jack and Johnny despite the best efforts of his and his classmates, especially Melinda who sensed how important it was to him (although she had told James that back in the day she would not go to Be-Bop Benny’s Diner because she was afraid and looked down her nose at corner boys). Seems the trail got cold when either one of them, or both, they were definitely travelling together, had serious problems adjusting to the real world after ‘Nam although the symptoms didn’t get bad until about a decade later around the time that James had heard they were looking for him. They, or one of them since the files were guarded by privacy laws, had been suffering, suffering badly from what a Veterans Administration counsellor at the hospital in Boston (the Jamaica Plain one not the one in West Roxbury) called Post Traumatic Stress Disorder (PTSD) and had taken off to the west, maybe California where a lot of guys with troubles tried to get a fresh start but the trail got cold, went dead, on Laramie Street in Denver. James told the whole class on the site when things seemed hopeless about finding their whereabouts that he hoped Jack and Johnny  had found what they were looking for, looking for like the rest of that tattered, battered generation of’68 who tried to turn the world upside down and got knocked down for their troubles.          

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The “Last Waltz”- With The Five Satins In The Still Of The Night In Mind

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The “Last Waltz”- With The Five Satins In The Still Of The Night In Mind 

By Allan Jackson

[In a recent introduction talking about old growing up poor in the 1960s and the institutions, customs and mores that drove a lot of what in the Acre section of North Adamsville, and not just there as I found out later through the magic of television that united “youth nation” many, many others well beyond any on the ground organizing scheme I mentioned the critical role of the drive-in restaurant with those winsome car hops in any romantic endeavors. But thinking about it later and re-reading this piece that scene really belongs after you have what we called “scored,” made contact with some young woman and went from there (that “went from there” a whole separate issue which deserves its own space but for now was filled with so much deception, bragging and pure baloney and lies that the purveyors of each and every one of those conditions may burn in the hell fires if such are available). Yes, well before any “nightcap” at the Adventure Car-Hop Drive-In there was the inevitable attempt to ‘score” which at school or church dances usually had something to do with the “last dance.”        

That last dance no mean thing because two things were necessary one of which was some serious eying of your target earlier in the evening and maybe a few dances and the other which was the ability to dance. Dance close without stepping on toes, having sweaty hands and the lot which put you in the losers’ circle which made hell fire seem tame by comparison. One of the great virtues of serious classical rock and roll music was that you and whoever was opposite you need not touch hands, or feet but you your own way. But come last dance time you either has it or not.  

All of this to confess some fifty years later that I couldn’t dance worth a damn. Horrible, two left feet (or two right but the idea is the same) which left many a young damsel somewhere short of the midnight emergency room. The only one worse than me was the late Peter Paul Markin who really was a tangle anytime he was required to dance close. But see Markin had an aura or something, maybe it was those two thousand facts he would run at any girl who would listen and they thought he was an intellectual, which he was, a street intellectual of the highest order. Get this girls, tangled up in blue or not, would come up to him and ask him for the last dance. I never got too steamed up at Scribe which is what we always called him when he would go on and on about stuff, defended him physically a couple of times when fellow corner boys were ready to wring his neck to get him to shut up so you can see what a conversationalist he was but I would ride him mercilessly on this subject. Until he started sending his “rejects” my way. Enough said. Allan Jackson]       

******* 

Sam Lowell had several years before, maybe in about the middle of 2010, done an extensive survey of a commercially-produced Oldies But Goodies series (this series had fifteen separate CDs, more about its mass in a minute), in twenty to thirty song compilations and had torn his ear off from the endless listening. He had begged for a little gangsta hip-hop to soothe his ravaged soul although he was strictly a white-bread blues guy around that kind of music, around black-burst out “roots is the toots” music) and he had selected one song in each CD to highlight the music. He sought to highlight in particular the music that he and his corner boys had grown up with, Frankie Riley the acknowledged leader, Pete Markin (also known as the “Scribe” for his endless “publicity” for the group, especially the fountain of wisdom put forth by one Frankie Riley, who later when the drug craze hit full blossom in the late 1960s went over the edge down in Mexico trying to rip off a couple of bricks of cocaine from the hard boys and Pete got two slugs and a face down in a dusty Sonora back alley for his efforts), Jimmy Jenkins, James “Rats” McGee, Johnny Callahan, and other guys like Luke the Juke, Stubby Kincaid, and Hawk Healey who walked in and out of the group at various high school points. Better, had come of age with the music in Adamsville, that is in Massachusetts. Sam had been born in Clintondale a few towns over before moving to Adamsville, a similar town, in junior high school and there had been taken under Frankie Riley’s corner boy wing but had decidedly not been a corner boy in that former town for the simple reason that there were, unlike in Adamsville at Doc’s Drugstore and later Benny’s bowling alleys, no stand-out corner to be a corner boy in, for good or evil.

Yeah, the music of the great jail-break rock and roll 1950s and early 1960s when Sam and the guys came of age had driven his memory bank at that time, some of that material had been placed in a blog, Rock and Roll Will Never Die, dedicated to classic rock and roll music (the classic period now being deemed to have been between about the mid-1950s to the mid-1960s although Sam flinched every time he heard some young guy, some guy who might be an aficionado but was nevertheless not splashed by that tide, called his time the “classic age,” yeah, that rubbed him raw).

Sam had received some comments on the blog at the time, mostly from his generational brethren inquiring about this or that song, asking about where they could get a copy of the song they were seeking and he would inform them of the monstrous beauties of YouTube, especially Elvis and Jerry Lee stuff, if you could stand the damn commercials that notoriously plague that site to get to your selection.  Asked about whether he knew where a 45 RPM vinyl copy could be had, had at any price, a tougher task and asked about the fate that had befallen various one hit johnnies and janies whose single song had been played unto death at the local hang-out jukebox or on the family record player thus driving some besotted mother to the edge. Many though, with almost the same “religious” intensity that Sam brought to his efforts, wanted to vividly describe how this or that song had impacted their lives. Sam had presumed then, presumed a passing fancy on their parts, but a few apparently had been in a time warp and should have sought some medical attention (although Sam was too much the gentleman to openly make that suggestion).

A lot of times though it came down purely to letting  Sam know what song did they first dance to, a surprising number listing Bill Haley’s Rock Around The Clock  and Danny and the Juniors At The Hop as the choice, surprising since that would have meant a very early introduction not only to rock and roll but to the social etiquettes of dancing with the opposite sex, to speak nothing of the sweaty palms, broken nerves and two left feet which blocked the way, a task which Sam had not done until he was a freshman in high school. Or some would describe what song in what situation had they gotten, or given, their first kiss and to whom, not surprisingly in the golden age of the automobile generation that frequently took place in the back seat of some borrowed car (a few over-the-edgers had gone into more graphic detail than necessary for adults to go into about what happened after that kiss in that backseat). Yeah, got in the back seat of some Chevy to go down to the local lovers’ lane (some very unusual places, the lovers’ lanes not the backseats which were one size fits all). Or what song had been their first fight and make-up to one, stuff like that.

As the shelf-life these days for all things Internet is short Sam thought no more about that series, the article or the comments until recently when a young guy (he had presumed a young guy since most devotees of old time classic rock fall into that demographic, although his moniker of Doo-Wop Dee could have signaled a young woman) who had Googled the words “rock and roll will never die” and had come upon the blog and the article. He sent an e-mail in which he challenged Sam to tell a candid world (Sam’s expression not Doo-Wop Dee’s who probably would not have known the genesis of that word) why the age of the Stones, Beatles, Animals, Yardbirds, etc., the 1960s age of the big bad guitars, heavy metal, and big backbeat did not do more for classic rock than Elvis (Presley), Chuck (Berry), Roy (Orbison), Bo (Diddley), Buddy (Holly), Jerry Lee (Lewis) and the like did all put together.

Well Sam is a mild-mannered guy usually, has mellowed out some since his rock and roll corner boy slam bang jail-break days, his later “on the road” searching for the great blue-pink great American West night hippie days and his even later fighting against his demon addictions days (drugs, con artist larceny, cigarettes, whiskey, hell, even sex, no forget that, drop that from the addiction list) and he had decided, not without an inner murmur, to let the comment pass, to move on to new things, to start work on an appreciation of electric blues, you know Chicago, Detroit, Memphis urban blues, in his young life. Then one night late one night he and his lady friend, Melinda (and the big reason to forget about that sex addiction stuff above), were watching an old re-run on AMC (the old-time movies channel, featuring mostly black and white films also a relic from his youth and his high school time at the retro-Strand Theater that existed solely to present two such beauties every Saturday afternoon, with or without popcorn) and saw as the film started one ghost from the past Jerry Lee Lewis sitting (hell maybe he had been standing, twirling whirling whatever other energy thing he could do back then to add to the fury of his act) on the back of a flat-bed truck, piano at the ready, doing the title song of the movie, High School Confidential, and then and there Sam had decided that he needed to put old Doo-Wop right. The rest of the movie, by the way, a classic 1950s cautionary tale about the pitfalls of dope, you know marijuana automatically leading to heroin, complete with some poor hooked girl strung out by her fiendish dealer/lover, and of leading an unchaste life, you know that sex addiction stuff that Sam had not been addicted to along his life’s way, as a result was actually eminently forgettable but thanks Jerry Lee for the two minute bailout blast. Here is what Sam had to say to his errant young friend and a candid world:       

“First off the term “last waltz” used in the headline is used here as a simple expression of the truth. But that expression will also give Doo Wop and anybody else who asks an idea of the huge amount of material from the classic rock period, like I said in my blog sketch from the mid-50s to the mid-60s, which was good enough, had rung our running home after school to check out the latest dance moves and the cute guys and girls American Bandstand hearts enough, to make the cut. (And that really was true, out of over four hundred songs at least one hundred, a very high percentage, could have had a shot at the one hundred best popular songs of all times lists). When I had started that Oldies But Goodies series a few years ago in a fit of nostalgia related to reconnecting with guys like Frankie Riley, Johnny Callahan and Frank Jackman from the old hometown I had assumed that I had completed the series at Volume Ten.  I then found out that this was a fifteen, fifteen count ‘em, volume series. I flipped out.

Thereafter I whipped off those last five CDs in one day, including individual reviews of each CD and a summing up for another blog, and was done with it. Working frantically all the while under this basic idea; how much can we rekindle, endlessly rekindle, memories from a relatively short, if important, part of our lives, even for those who lived and died by the songs (or some of the songs) in those compilations. How many times could one read about wallflowers, sighs, certain shes (or hes), the moonlight of high school dances (if there was any) and hanging around to the bitter end for that last dance of the night to prove... what. Bastante! Enough! Until Doo-Wop decided that my coming of age era paled, paled if you can believe this, in comparison to Johnny-come-lately rockers like Mick and Keith, John and Paul, Jerry, Neil, Roger and the like.

No, a thousand times no, as right this minute I am watching a YouTube film clip of early Elvis performing Good Rockin’ Tonight at what looks like some state fairgrounds down south and the girls are going crazy tearing their hair out and crying like crazy because the new breeze they had been waiting for in the death-dry red scare Cold War 1950s night just came through and not soon enough. If Doo-Wop had paid attention to anything that someone like Mick Jagger said about all that work being an overwhelming influence, the foundation for their efforts it might have held his tongue, or been a bit more circumspect. Guys like Mick, and they were mainly guys just like their 1950s forebears, knew that much. Yeah, it was mainly guys since I admit the only serious female rocker that I recall was Wanda Jackson whereas Doo-Wop’s time frame had Bonnie Raitt, Linda Ronstadt, Grace Slick, Janis Joplin, just to name a few. If he had argued on the basis of female rockers I would have no argument that the 1960s was a golden age for female rockers but his specified only the generic term ‘rockers.’ “

Like I said part of what got me going on the re-tread trail had been that nostalgia thing with my old corner boys and all our nights dropping dimes and quarters in Doc’s or Benny’s jukeboxes, listening on our transistor radios until our ears turned to cauliflower, and swaying at too many last change dance to mention but I also had been doing a series of commentaries elsewhere at the time on another site on my coming of political age in the early 1960s. You know the age of our own Jack Kennedy, the age of the short-lived Camelot when our dreams seemingly were actually within our grasp, and of the time we began realizing the need for serious struggles against all kinds of wars, and all kinds of discriminations, including getting a fair shake for the working people, those who labor, the people who populated our old time neighborhoods, our parents for chrissakes, in this benighted world. But here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing as the former.

No question that those of us who came of age in the 1950s were truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes from Oklahoma, South Pacific and the like and rhymey Tin Pan Alley pieces hit the transistor radio airwaves. (If you do not know what a transistor radio is then ask your parents or, ouch, grandparents, please. Or look it up on Wikipedia if you are too embarrassed to not know ancient history things. Join the bus.) And, most importantly, we were there when the music moved away from any and all staid arm in arm music that one’s parents might have approved of, or maybe, even liked, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.

Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. Think Elvis almost any place where there were more than five girls, hell more than one girl, or Jerry Lee and that silly film high school cautionary film that got this whole comment started where he stole the show at the beginning from that flatbed throne or Bill Haley just singing Rock Around The Clock in front of the film Blackboard Jungle. Here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that wallflower fear, the fear of fears that haunted many a teenage dream then, that left many a sad sack teenage boy, girls can speak for themselves, waking up in the middle of the night with cold sweats worrying about sweaty hands, underarms, coarse breathe, stubble, those damn feet (and her dainty ones mauled), and bravery, bravery to ask that she (or he for shes) for a dance, especially the last dance that you waited all night to have that chance to ask her about, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.

So what still sounded good to a current AARPer, and perhaps some of his fellows who comprise the demographic that such 1950s compilation “speak” to (and some early 60s songs as well). Carl Perkins original Blue Suede Shoes (covered by, made famous by, and made millions for, Elvis). Or the Hank William’s outlaw country classic I’m So Lonesome I Could Cry. Naturally, in a period of classic rock numbers, Buddy Holly’s Peggy Sue (or, like Chuck Berry and Fat Domino from this period, virtually any other of about twenty of his songs).

But what about the now seeming mandatory to ask question the inevitable end of the night high school dance (or maybe even middle school) song that seemed to be included in each of those CD compilations? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, ask a girl to dance (women can relate their own experiences, probably similar). Here Elvis’ One Night With You fills the bill. Hey, I did like this one, especially the soulful, snappy timing and voice intonation. And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world if for no other reason than to “impress” that certain she (or he for shes, or nowadays, just mix and match your preferences) mentioned above. I did, didn’t you? Touche Doo-Wop!