Friday, November 27, 2015

Defend The Democratic Right To Protest In Paris! Down With THe Ban!

Dear friends

 

Various French organisations have called for a demonstration against the ban on demonstrations in Paris, as part of the state of emergency imposed by the State.

 

We circulated their call and have sent the following message of support to the protestors.

 

Global Women’s Strike

Women of Colour in the Global Women’s Strike

Payday, men working with the Global Women’s Strike

 

 
En français ci-dessous
                                                                        
Message in support of the protest against the ban on demonstrations in Paris
Thursday 26 November 2015
 
Dear friends,
 
We received your call for support for the right to demonstrate in Paris this Thursday. We are circulating an English translation to our networks in the UK and abroad. Your resistance is part of an international movement, of which we are also part, against the criminalisation of survival and protest. 
 
Our organisations have just held an international women’s conference: Caring, Survival and Justice vs the Tyranny of the Market. Because women are the primary carers, we are often the driving force in movements for justice and human rights. Speakers from many countries highlighted the work women do to ensure everyone’s well-being, including justice work against rape, detention, austerity, destitution, ecological devastation, police violence, sexism and racism.
 
States in every country are using the tragedy of the Paris attacks (13 November) to stifle dissent, justify and intensify military intervention, and close the borders against the hundreds of thousands of people fleeing war and starvation. Every life counts but for Western governments some count more than others. The millions of women, children and men in Africa and the Middle East – from Congo to Palestine, Afghanistan to Iraq, Egypt to Syria – killed, disappeared, maimed and displaced by occupation, dictatorships, proxy-wars, and the arms trade that fuels them, remain mostly uncounted, their names and faces unpublished.
 
Surveillance and repression intensify, but little is done about the huge increase in racist attacks: 115 in the UK in the week after the Paris killings, up by 300%, mostly by white men attacking women and girls in Islamic dress. We don’t how many Muslim women and girls have been attacked by racists in France, especially given its ban of the veil in public places and of headscarves in schools – but attacks reported include an eight-month pregnant woman and a schoolgirl.
 
And while peaceful protest and the right of assembly have been banned, including in defence of the planet during the World Climate Summit being held in Paris, commercial activities have been allowed to carry on. The market prioritised, once again.
 
We are with you in demanding the right to demonstrate. We will be on the anti-war protest in London this Saturday. We will circulate your demands and your petition.
 
Wherever we are, we refuse to have our voices silenced and our movements for justice suppressed and hidden.      
 
Invest in caring not killing.
 
Global Women's Strike
Women of Colour in the Global Women's Strike
Payday, men working with the Global Women's Strike 
 
More information: 
 
 
 

 

 
Message en soutien à l’action de protestation contre l'interdiction de manifester,
Paris, jeudi 26 novembre 2015.
 
Chères amies et amis,
 
Nous avons reçu votre appel d'action pour la défense du droit de manifester qui se tiendra à Paris ce jeudi. Nous le faisons circuler en anglais dans nos réseaux au Royaume-Uni et à l'étranger. Votre résistance fait partie d'un mouvement international, dont nous faisons aussi partie, contre la pénalisation de la survie et de la contestation.  
 
Nos organisations ont récemment organisé une conférence internationale de femmes : Bien-être, survie et justice contre la tyrannie du marché.  Parce que ce sont les femmes qui sont les principales pourvoyeuses de soins, nous sommes souvent la force motrice des mouvements pour la justice et les droits humains. Des oratrices de nombreux pays y ont décrit le travail que font les femmes pour assurer le bien-être de tout le monde, y compris le travail d'exiger justice contre le viol, la détention, l'austérité, la destitution, les dévastations écologiques, la violence de la police, le sexisme et le racisme.   
 
Les États de tous les pays utilisent la tragédie des attaques à Paris (13 novembre) pour étouffer  la contestation, justifier et intensifier les interventions militaires et fermer les frontières aux centaines de milliers qui ont fuit la guerre et la famine. Chaque vie compte, mais pour les gouvernements de l'Occident certaines comptent plus que d'autres. Les millions de femmes, d'enfants et d'hommes en Afrique et au Moyen-Orient (du Congo à la Palestine, de l'Afghanistan à l'Irak, de l'Égypte à la Syrie) qui ont été tués, kidnappés, blessés et déplacés par les occupations, les dictatures, les guerres par procuration et le commerce des armes qui les alimentent, demeurent largement ignorés, leurs noms et leurs visages non publiés.   
 
La surveillance et la répression s'intensifie, mais on ne fait rien contre les attaques racistes qui n'ont cessé d'augmenté : 115 au Royaume-Uni durant la semaine qui a suivi les meurtres à Paris, une hausse de 300%, essentiellement des hommes blancs s'attaquant à des femmes et des jeunes filles portant des vêtements musulmans. Nous ne savons pas combien de femmes et de jeunes filles ont été attaquées par des racistes en France,  étant donné l'interdiction du voile dans les lieux publics et du foulard dans les écoles, mais les attaques qui ont été rendues publiques incluent une femme enceinte de huit mois et une écolière. 
 
Et alors que les manifestations pacifiques et le droit de rassemblement sont interdits, y compris pour défendre la planète lors du Sommet sur les changements climatiques de Paris, les activités commerciales sont autorisées. Encore une fois, la priorité est le marché.   
 
Avec vous, nous revendiquons le droit de manifester. Nous participerons à la manifestation contre la guerre ce samedi à Londres. Nous y ferons connaître vos revendications et votre appel.  
 
Où que nous soyons, nous refusons que nos voix soient bâillonnées et que nos mouvements pour la justice sociale soit supprimés ou cachés.       
 
Investissez dans le bien-être et pas la mort !
 
Grève mondiale des femmes
Femmes de couleur dans la Grève mondiale de femmes
Payday, hommes qui travaillent avec la Grève mondiale des femmes 
 
 
 
 

 

 

 

 

Free Chelsea Manning Now! Free All The Class War Prisoner!

Happy Birthday
CHELSEA MANNING!
Free her now!
Support all whistleblowers!
Thursday 17 December 2015 Actions planned so far in Bucharest, London, Philadelphia, Pittsburgh, San Francisco . . . (watch this space for more countries and more events).  If you organise an event, let us know and we’ll publicise it.  Please circulate this mailing to your contacts.
Chelsea Manning will be 28 years old on this day.  Formerly known as Bradley, she is the whistleblower, US soldier, Grand Marshal at San Francisco Pride 2014, who leaked hundreds of thousands of documents to Wikileaks exposing the truth about US, UK and other governments’ war crimes and corruption in Afghanistan, Haiti, Iraq, Israel & the Palestinian Authority  . . .  In doing so, she helped save many lives.  Chelsea was Imprisoned in 2010 and held for months under torturous conditions; in August 2013 she was sentenced to 35 years.
From prison Chelsea has written against the police killings of young people of colour in the US and in support of immigrant people.
An appeal to quash Chelsea Manning’s conviction is being put forward by her legal team and will be announced in late 2015 or early 2016.  We must get her out!
Sign the petition for Obama to pardon Chelsea.
Donations to her legal fund are needed also.
As pressure increases to extend the bombing of Syria, former US air force members have blown the whistle on the killing of innocent civilians in drone air strikes. We have a responsibility to defend whistleblowers who, like Chelsea, are persecuted for telling the truth about murder and war crimes, rape, torture, neglect, underfunding, starvation wages, corruption . . .  in the military, prison, detention centres, police, hospitals, care homes, and every institution.
Assange
Eileen%20Chubb
Snowden
Dallas 6 part 1
Dallas 6 part 2
drone whistleblowers portrait 1
drone whistleblowers portrait 2
Queer Strike londonstrike_image004_192
UK: +44 (0) 20 7482 2496
 US: 001 415-626 4114
UK: +44 (0)20 7267 8698
US: 001 215 848 1120
 

In The Time Of Your Parents'(Ouch, Maybe Grandparents') Folk Moment, Circa 1955-“Hard To Find 45s On CD: Volume Three”

Click on the headline to link to a YouTube film clip of Harry Belafonte performing his version of the Banana Boat Song (ho, hum).

CD Review

Hard To Find 45s On CD: Volume Three, various artists, Eric Records, 1999



Yes, Freddy had heard it wafting through the house, through the Jackson household as background music back in the early 1950s. He knew he had heard folk music before when June ("June Bug" when they were younger back in Clintondale Elementary days but that term no longer held sway now that they were high school juniors, and she had not been his June Bug for a while, now being Rick Roberts’ june bug) asked him whether he had heard much folk music before Bob Dylan’s Blowin’ In The Wind had hit town and had bowled all the hip kids, or those who wanted to be hip (or beat, depending on your crowd) over.

Yes, now that thought of it, he remembered having more than one fight, well not really a fight, but an argument with either Frank Jackson, dad, or Maria Jackson (nee Riley), ma, whenever they turned over the local (and only local) radio station, WJDA, to listen to their latest, greatest hits of World War II, World War II, squareville cubed, even then when he was nothing but a music-hungry kid. You know that old time Frank Sinatra Stormy Weather, Harry James orchestra I’ll Be Home, Andrews Sisters doing some cutesy bugle boy thing, or the Ink Spots harmonizing on I’ll Get By (which was at least passable). Yes, squaresville, cubed, no doubt. And all Freddie, and every other kid, even non-hip, non-beat kids, in Clintondale was crazy for was a jail-break once in a while-Elvis, Chuck, Bo, Little Richard, Jerry Lee anybody under the age of a million who knew how to rock the house, how to be-bop, and if not that at least to bop-bop. He lost that fight, well, lost part of it. In the end, after hassling Frank and Maria endlessly for dough to go buy 45s, they finally, finally bought him a transistor radio with a year’s (they thought) supply of batteries down at the local (and only) Radio Shack.

But he had lost in the big event because if they weren’t listening to that old time pirate music they were swinging and swaying to stuff like Lonnie Donegan trebling on Rock Island Line making a fool of what Lead Belly was trying to do with that song, Vince Martin and friends, harmonizing on Cindy, Oh Cindy in the martini cocktail hour breezes, The Tarriers try to be-bop the Banana Boat Song at the ball, Terry Gilkyson and friends making a pitch, a no-hit pitch, to Marianne, and Russ Hamilton blasting the girlfriend world to the first floor rafters with Rainbow. Squaresville, cubed. And you wonder why when rusty-throated Bob Dylan came like a hurricane onto the scene with Blowin’ In The Wind and The Times They Are A Changin’, angel-voiced Joan Baez covering his With God On Our Side, or even gravelly-throated Dave Van Ronk covering House Of The Rising Sun or Come All Ye Fair And Tender Ladies we finally go that pardon we were fighting for all along. Enough of folk musak.

Once Again On The 1960s Folk Minute-The Cambridge Club 47 Scene

Once Again On The 1960s Folk Minute-The Cambridge Club 47 Scene

 
 
 

Joshua Breslin, Carver down in the wilds of Southeastern Massachusetts cranberry bog country born, had certainly not been the only one who had recently taken a nose-dive turn back in time to that unique moment from the very late 1950s, say 1958, 1959 when be-bop jazz (you know Dizzy, the late Bird, the mad man Monk the guys who bopped swing-a-ling for “cool” high white note searches on the instruments) “beatnik” complete with beret and bop-a-long banter and everybody from suburban land was clad in black, who knows maybe black underwear too something the corner boys in front of Jimmy Jack’s Diner salaciously contemplated about the female side, was giving way to earnest “folkie” (and no alluring black but flannel shirts, unisex blue jeans and unisex sandals leaving nothing in particular to the fervent corner boy imagination) in the clubs that mattered around the Village (the Gaslight, Geddes Folk City, half the joints on Bleecker Street), Harvard Square (Club Blue, the place for serious cheap dates since for the price of coffees and pastries for two you could linger on, Café Blanc, the place for serious dates since they had a five dollar minimum, Club 47, the latter a place where serious folkies and serious folk musicians hung out) and North Beach (Club Ernie’s, The Hungry Eye, all a step behind the folk surge since you would still find a jazz-poetry mix longer than in the Eastern towns) to the mid-1960s when folk music had its minute as a popular genre. Even guys like Sam Eaton, Sam Lowell, Jack Callahan and Bart Webber, who only abided the music back in the day, now too, because the other guys droned on and on about it under the influence of Peter Markin a guy Josh had met  in the summer of love, 1967 were diving in too. Diving into the music which beside first love rock and roll got them through the teenage night.

The best way to describe that turn from b-bop beat to earnest folkie, is by way of a short comment by the late folk historian Dave Von Ronk which summed up the turn nicely. Earlier in that period, especially the period after Allen Ginsburg’s Howl out in the Frisco poetry slam blew the roof off modernist poetry with his talk of melted modern minds, hipsters, negro streets, the fight against Moloch and Jack Kerouac’s On The Road in a fruitless search for the father he and Neal Cassady never knew had the Army-Navy surplus stores cleaning out their rucksack inventories, when “beat poets” held sway and folkies were hired to clear the room between readings he would have been thrown in the streets to beg for his supper if his graven voice and quirky folk songs did not empty the place, and he did (any serious look at some of his earliest compositions will tell in a moment why, and why the cross-over from beat to folkie by the former crowd never really happened. But then the sea-change happened, tastes changed and the search for roots was on, and Von Ronk would be doing three full sets a night and checking every folk anthology he could lay his hands on (including naturally Harry Smith’s legendary efforts and the Lomaxes and Seegers too) and misty musty record store recordings to get enough material.

People may dispute the end-point of that folk minute like they do about the question of when the turn the world upside down counter-cultural 1960s ended as a “youth nation” phenomenon but clearly with the advent of acid-etched rock (acid as in LSD, blotter, electric kool aid acid test not some battery stuff ) by 1967-68 the searching for and reviving of the folk roots that had driven many aficionados to the obscure archives like Harry Smith’s anthology, the recording of the Lomaxes, Seegers and that crowd had passed.

As an anecdote, one that Josh would use whenever the subject of his own sea-change back to rock and roll came up, in support of that acid-etched dateline that is the period when Josh stopped taking his “dates” to the formerly ubiquitous home away from home coffeehouses which had sustained him through many a dark home life night in high school and later when he escaped home in college, cheap poor boy college student dates to the Harvard Square coffeehouses where for the price of a couple of cups of coffee, expresso then a favorite since you could sip it slowly and make it last for the duration and rather exotic since it was percolated in a strange copper-plated coffee-maker, a shared pastry of unknown quality, and maybe a couple of dollars admission charge or for the “basket” that was the life-support of the performers you could hear up and coming talent working out their kinks, and took them instead to the open-air fashion statement rock concerts that were abounding around the town. The shift also entailed a certain change in fashion from those earnest flannel shirts, denims, lacy blouses and sandals to day-glo tie-dye shirts, bell-bottomed denims, granny dresses, and mountain boots or Chuck Taylor sneakers. Oh yeah, and the decibel level of the music got higher, much higher and the lyrics talked not of ancient mountain sorrows, thwarted triangle love, or down-hearted blues over something that was on your mind but to alice-in-wonderland and white rabbit dreams, carnal nightmares, yellow submarines, satanic majesties, and wooden ships on the water.             

 

Some fifty years out others in Josh-like fits of nostalgia and maybe to sum up a life’s work there have been two recent documentaries concerning the most famous Harvard Square coffeehouse of them all, the Club 47 (which still exists under the name of the non-profit Club Passim which traces its genealogy to that legendary Mount Auburn Street spot in a similar small venue near the Harvard Co-Op Bookstore off of Church Street).

 

One of the documentaries put out a few years ago (see above) traces the general evolution of that club in its prime when the likes of Bob Dylan, Joan Baez, Tom Rush, Eric Von Schmidt, the members of the Jim Kweskin Jug Band (the forming of jug bands, a popular musical form including a seemingly infinite number of bands with the name Sheik in them, going back to the early 20th century itself a part of the roots revival guys like Josh were in thrall to), and many others sharpened up their acts there. The other documentary, No Regrets (title taken from one of his most famous songs) which Josh reviewed for one of the blogs, The American Folk Minute, to which he has contributed to over the years is a biopic centered on the fifty plus years in folk music of Tom Rush. Both those visual references got Josh thinking about how that folk scene, or better, the Harvard Square coffeehouse scene kept Josh from going off the rails, although that was a close thing.        

 

Like about a billion kids before and after Josh in his coming of age in the early 1960s went through the usual bouts of teenage angst and alienation aided and abetted by growing up “from hunger” among the very lowest rung of the working poor with all the pathologies associated with survival down at the base of society where the bonds of human solidarity are often times very attenuated. All of this “wisdom” complete with appropriate “learned” jargon, of course figured out, told about, made many mistakes to gain, came later, much later because at the time Josh was just feeling rotten about his life and how the hell he got placed in a world which he had not created (re-enforced when questioned by one Delores Breslin with Prescott Breslin as a behind-the scenes back-up about his various doings) and no likely possibilities of having a say what with the world stacked against him, his place in the sun (and not that “safe” white collar civil service job that Delores saw as the epitome of upward mobility for her brood), and how he didn’t have a say in what was going on. Then through one source or another mainly by the accident of tuning in his life-saver transistor radio, which for once he successfully badgered to get from Delores and Prescott one Christmas by threatening murder and mayhem if he didn’t when all his corner boys at Jimmy Jack’s Diner had them, on one Sunday night to listen to a favorite rock and roll DJ that he could receive on that night from Chicago he found a folk music program that sounded interesting (it turned out to be the Dick Summer show on WBZ, a DJ who is featured in the Tom Rush documentary) and he was hooked by the different songs played, some mountain music, some jug, some country blues, some protest songs. Each week Dick Summer would announce who was playing where for the week and he kept mentioning various locations, including the Club 47, in Harvard Square. Josh was intrigued, wanted to go if only he could find a kindred for a date and if he could scratch up some dough. Neither easy tasks for a guy in high teen alienation mode.           

 

One Saturday afternoon Josh made connections to get to a Red Line subway stop which was the quickest way for him to get to Harvard Square (and was also the last stop on that line then) and walked around the Square looking into the various clubs and coffeehouses that had been mentioned by Summer and a few more as well. You could hardly walk a block without running into one or the other. Of course during the day all people were doing was sitting around drinking coffee and reading, maybe playing chess, or as he found out later huddled in small group corners working on their music (or poetry which also still had some sway as a tail end of the “beat” scene) so he didn’t that day get the full sense of what was going on. A few weeks later, having been “hipped” to the way things worked, meaning that as long as you had coffee or something in front of you in most places you were cool Josh always chronically low on funds took a date, a cheap date naturally, to the Club Blue where you did not pay admission but where Eric Von Schmidt was to play. Josh had heard his Joshua Gone Barbados covered by Tom Rush on Dick Summer’s show and he had flipped out so he was eager to hear him. So for the price of, Josh thought, two coffees each, a stretched-out shared brownie and two subway fares they had a good time, an excellent time (although that particular young woman and Josh would not go on much beyond that first date since she was looking for a guy who had more dough to spend on her, and maybe a “boss” car too).

 

Josh would go over to Harvard Square many weekend nights in those days, including sneaking out of the house a few time late at night and heading over since in those days the Red Line subway ran all night. That was his home away from home not only for cheap date nights depending on the girl he was interested in but when the storms gathered at the house about his doing, or not doing, this or that, stuff like that when his mother pulled the hammer down. If Josh had a few dollars make by caddying for the Mayfair swells at the Carver Country Club, a private club a few miles from his house he would pony up the admission, or two admissions if he was lucky, to hear Joan Baez or her sister Mimi with her husband Richard Farina, maybe Eric Von Schmidt, Tom Paxton when he was in town at the 47. If he was broke he would do his alternative, take the subway but rather than go to a club he would hang out all night at the famous Harvard Square Hayes-Bickford just up the steps from the subway stop exit. That was a wild scene made up of winos, grifters, con men, guys and gals working off barroom drunks, crazies, and… almost every time out there would be folk-singers or poets, some known to him, others from cheap street who soon faded into the dust, in little clusters, coffee mugs filled, singing or speaking low, keeping the folk tradition alive, keeping the faith that a new wind was coming across the land and they, Josh, wanted to catch it. Wasn’t that a time.          

Blowing In The Wind - With Bob Dylan In Mind

Blowing In The Wind - With Bob Dylan In Mind

Scene: Girls’ Lounge, North Clintondale High School, Monday morning before school, late September, 1962. Additional information for those who know not of girls lounges, for whatever reason. The North Clintondale High School girls’ lounge was reserved strictly for junior and senior girls, no sophomore girls and, most decidedly, no freshmen girls need come within twenty feet of the place for any reason, particularly by accident, under penalty of tumult. It was placed there for the “elect” to use before school, during lunch, after school, and during the day if the need arise for bathroom breaks, but that last was well down on the prerogatives list since any girl can use any other “lav” in the school. No queen, no lioness ever guarded her territory as fiercely as the junior and senior girls of any year, not just 1962, guarded the aura of their lounge. Needless to say the place was strictly off-limits to boys, although there had been talk, if talk it was, about some girls thinking, or maybe better, wishing, that boys could enter, after school enter. That possibility was in any case much more likely than entry by those sophomore and freshman girls, lost or not.

Now the reasoning behind this special girls’ lounge, at least according to Clintondale public school authority wisdom established so far back no one remembered who started it, although a good guess was sometime in the Jazz Age, the time of the “lost generation,” was that junior and senior girls needed some space to attend to their toilet and to adjust to the other rigors of the girl school day and, apparently, that fact was not true for the younger girls. So for that “as far back as can be remembered” junior and senior girls have been using the lounge for their physical, spiritual, demonic, and other intrigue needs.

Now the physical set- up of the place, by 1962 anyway, was that of a rather run-down throne-ante room. Remember as well this was situated in a public school so erase any thoughts of some elegant woman’s lounge in some fancy downtown Clintondale hotel, some Ritz-ish place. Within that huge multi-windowed space there were several well-used, sagging, faded couches, a few ratty single chairs, some mirrors in need of some repair and a good cleaning and a few wastepaper baskets of various sizes. Attached to this room was a smaller room, the bathroom itself with stalls, sinks, mirrors, etc the same as found in any rest room in any public building in the country. The “charm” of the place was thus in its exclusivity not its appearance.

Come Monday morning, any school day Monday morning, the ones that count, and the place was sure to be jam-packed with every girl with a story to tell, re-tell, or discount as the case may be. Also needless to say, and it took no modern sociologist, no sociologist of youth culture, post-World War II youth culture, to figure it out in even such a elitist democratic lounge there was certain pecking order, or more aptly cliques. The most vocal one, although the smallest, was composed of the “bad” girls, mainly working class, or lower, mostly Irish and Italian, cigarette-smoking, blowing the smoke out the window this September day as the weather was still good enough to have open windows. As if the nervous, quick-puff stale smells of the cigarettes were not permanently etched on the stained walls already, taking no bloodhound to figure out the No Smoking rule was being violated, violated daily. Oh yes, and those “bad” girls just then were chewing gum, chewing Wrigley’s double-mint gum, although that ubiquitous habit was not confined to bad girls, as if that act would take the smell of the cigarette away from their breathes. One girl, Anna, a usually dour pretty girl, was animatedly talking, without a seeming hint of embarrassment or concern that others would hear about how her new boyfriend, a biker from Adamsville who to hear her tell it was an A- Number One stud, and she “did it” on the Adamsville beach (she put it more graphically, much more graphically, but the reader can figure that out). And her listeners, previously somewhat sullen, perked up as she went into the details, and they started, Monday morning or not, to get a certain glean in their eyes thinking about the response when they told their own boyfriends about this one.

Less vocal, but certainly not more careful in their weekend doings talk, were the, for lack of a better term, the pom-pom girls, the school social leaders, the ones who planned the school dances and such, and put the events together in order to, no, not show their superior organizing skills, but to lure boys, the jock and social boys, into their own Adamsville beach traps. And not, like Anna and her biker, on any smelly, sandy, clamshell-filled, stone-wretched beach, blanket-less for christ sakes. Leave that for the “bad” girls. They, to a girl, were comfortably snuggled up, according to their whispered stories, in the back seat of a boss ’57 Chevy or other prestige car, with their honeys and putting it more gingerly than Anna (and less graphically) “doing it.”

And, lastly, was the group around Peggy Kelley, not that she was the leader of this group for it had no leader, or any particular organized form either, but because when we get out of the smoke-filled, sex talk-filled, hot-air Monday morning before school North Clintondale junior and senior girls’ lounge we will be following her around. This group, almost all Irish girls, Irish Catholic girls if that additional description is needed, of varying respectabilities, was actually there to attend to their toilet and prepare for the rigors of the girl school day. Oh yes, after all what is the point of being in this exclusive, if democratic, lounge anyway, they too were talking in very, very, very quiet tones discussing their weekend doings, their mainly sexless weekend doings, although at least one, Dora, was speaking just a bit too cryptically, and with just a little too much of a glean in her eyes to pass churchly muster.

And what of Peggy? Well Peggy had her story to tell, if she decided to tell it which she had no intention of doing that day. She was bothered, with an unfocused bother, but no question a bother about other aspects of her life, about what she was going to, about her place in the world to than to speak of sex. It was not that Peggy didn’t like sex, or rather more truthfully, the idea of sex, or maybe better put on her less confused days, the idea of the idea of sex. Just this past weekend, Saturday night, although it was a book sealed with seven seals that she was determined not to speak of, girls’ lounge or not, she had let Pete Rizzo “feel her up,” put his hands on her breast. No, not skin on skin, jesus no, but through her buttoned-up blouse. And she liked it. And moreover, she thought that night, that tossing and turning night, “when she was ready” she was would be no prude about it. When she was ready, and that is why she insisted that the idea of the idea of sex was something that would fall into place. When she was ready.

But as she listened to the other Irish girls and their half-lies about their weekends, or drifted off into her own thoughts sex, good idea or not, was not high on her list of activities just now. Certainly not with Pete. Pete was a boy that she had met when she was walking at “the meadows,” For those not familiar with the Clintondale meadows this was a well-manicured and preserved former pasture area that the town fathers had designated as park, replete with picnic tables, outdoor barbecue pits, a small playground area and a small restroom. The idea was to preserve a little of old-time farm country Clintondale in the face of all the building going on in town. But for Peggy the best part was that on any given day no one was using the space, preferring the more gaudy, raucous and, well, fun-filled Gloversville Amusement Park, a couple of towns over. And
so she could roam there freely, and that seemed be Pete’s idea, as well one day. And that meeting really set up what was bothering Peggy these days.

Pete was a freshman at the small local Gloversville College. Although it was small and had been, according to Pete, one of those colleges founded by religious dissidents, Protestant religious dissidents from the mainstream Protestantism of their day, it was well-regarded academically (also courtesy of Pete). And that was Pete’s attraction, his ideas and how he expressed them. They fit right in with what Peggy had been bothered by for a while. Things that could not be spoken of in girls’ lounge, or maybe even thought of there. Things like what to do about the black civil rights struggle that was burning up the television every night. (Pete was “heading south” next summer he said.) Things like were we going to last until next week if the Russians came at us, or we went after the Russians.

Also things like why was she worried every day about her appearance and why she, like an addiction, always, always, made her way to the girls’ lounge to “make her face” as part of the rigors of the girl school day. And that whole sex thing that was coming, and she was glad of it, just not with Pete, Pete who after all was just too serious, too much like those commissars over in Russia, although she liked the way he placed his hands on her. And she was still thinking hard on these subjects as she excused herself from the group as she put the final touches of lipstick on. Just then the bell rang for first period, and she was off into the girl day.

Scene: Boys’ “Lav,” Second Floor, Clintondale High School, Monday morning before school, September, 1962. (Not necessarily the same Monday morning as the scene above but some Monday after the first Monday, Labor Day, in September. In any case even if it was the same Monday as the one above that coincidence does not drive this story, other more ethereal factors do.) Additional information for those who know not of boys’ lavs, for whatever reason. The Clintondale High School boys’ rest rooms, unlike the girls’ lounge mentioned above at North, or where a similar rule applied to the girls’ lounge at Clintondale, was open to any boy in need of its facilities, even lowly, pimply freshmen as long as they could take the gaffe. Apparently Clintondale high school boys, unlike the upperclassmen girls needed no special consideration for their grooming needs in order to face the schoolboy day.

Well, strictly speaking that statement about a truly democratic boys’ lav universe was not true. The first floor boys’ lav down by the woodworking shop was most strictly off limits, and had been as far back as anyone could remember, maybe Neanderthal times, to any but biker boys, badass corner boys, guys with big chips on their shoulders and the wherewithal to keep them there , and assorted other toughs. No geeks, dweebs, nerds, guys in plaid shirts and loafers with or without pennies inserted in them, or wannabe toughs, wannabe toughs who did not have that wherewithal to maintain that chip status need apply. And none did, none at least since legendary corner boy king (Benny’s Variety version), “Slash” Larkin, threw some misdirected freshman through a work-working shop window for his mistake. Ever since every boy in the school, every non-biker, non-corner boy, or non-tough had not gone within fifty yards of that lav, even if they took shop classes in the area. And a “comic” aspect of every year’s freshman orientation was a guided finger to point out which lav not to use, and that window where that freshman learned the error of his ways. No king, no lion ever guarded his territory as fiercely as the “bad” boys did. Except, maybe, those junior and senior Clintondale girls of any year, and not just 1962, as they guarded their lounge lair.

That left the boys’ rooms on the second floor, the third floor, the one as you entered the gymnasium, and the one outside of the cafeteria for every other boy’s use. A description, a short description, of these lavs is in order. One description fits all will suffice; a small room, with stalls, sinks, mirrors, etc the same as found in any rest room in any public building in the country. Additionally, naturally, several somewhat grimy, stained (from the “misses”) urinals. What draws our attention to the second floor boys’ room this day are two facts. First, this rest room is in the back of the floor away from snooping teachers’ eyes, ears and noses and has been known, again for an indeterminate time, as the place where guys could cadge a smoke, a few quick puffs anyway, on a cigarette and blow the smoke out the back window, rain or shine, cold or hot weather. So any guy of any class who needed his fix found his way there. And secondly, today, as he had done almost every Monday before school since freshman year John Prescott and friends have held forth there to speak solemnly of the weekend’s doing, or not doings. To speak of sex, non-sex, and more often than seemed possible, of the girl who got away, damn it.

Of course, egalitarian democratic or not, even such drab places as schoolboy rest rooms have their pecking orders, and the second floor back tended to eliminate non-smoking underclassmen, non-smokers in general, serious intellectual types, non-jocks, non-social butterflies, and non-plaid shirt and loafer boys. And Johnny Prescott, if nothing else was the epitome of the plaid shirt and loafer crowd. And just like at that up-scale North Clintondale girls’ lounge come Monday morning, any school day Monday morning, the ones that count, and the place was sure to be jam-packed with every plaid-shirted, penny-loafered boy with a story to tell, re-tell, or discount as the case may be. Also needless to say, and it took no modern sociologist, no sociologist of youth culture, post-World War II youth culture, to figure it out in even such a smoky democratic setting there was a certain standardized routine-ness to these Monday mornings. And that routine-ness, the very fact of it, is why on John Prescott draws our attention this day.


And if Johnny was the king of his clique for no other reason than he was smart, but not too smart, not intellectual smart, or showing it any way, that he was first to wear plaid and loafers and not be laughed at, and he had no trouble dating girls, many notched girls, which was the real sign of distinction in second floor lav, he was a troubled plaid-ist.
No, not big troubled, but, no question, troubled. Troubled about this sex thing, and about having to have the notches to prove it, whether, to keep up appearances, you had to lie about it or not when you struck out as happened to Johnny more times than he let on (and as he found out later happened to more guys more often than not). Troubled about political stuff like what was going on down in the South with those black kids taking an awful beating every day as he saw on television every freaking night. And right next store in Adamsville where some kids, admittedly some intellectual goof kids, were picketing Woolworth’s every Saturday to let black people, not in Adamsville because there were no blacks in Adamsville, or Clintondale for that matter, but down in Georgia, eat a cheese sandwich in peace at a lunch counter and he thought he should do something about that too, except those intellectual goofs might goof on him.

And big, big issues like whether we were going to live out our lives as anything but mutants on this planet what with the Russian threatening us everywhere with big bombs, and big communist one-size-fits- all ideas. Worst, though were the dizzying thoughts of his place in the sun and how big it would be. Worst, right now worst though was to finish this third morning cigarette and tell his girl, his third new girl in two months, Julie James, that he needed some time this weekend to just go off by himself, “the meadows” maybe, and think about the stuff he had on his mind.
*******
Scene: Clintondale Meadows, late September 1962. The features of the place already described above, including its underutilization. Enter Johnny Prescott from the north, plaid shirt, brow loafers, no pennies on this pair, black un-cuffed chinos, and against the winds of late September this year his Clintondale High white and blue sports jacket won for his athletic prowess in sophomore year. Theodore White’s The Making Of A President-1960 in hand. Enter from the south Peggy Kelly radiant in her cashmere sweater, her just so full skirt, and her black patent leather shoes with her additional against the chill winds red and black North Clintondale varsity club supporter sweater. James Baldwin’s Go Tell It On The Mountain in hand. Johnny spied Peggy first, makes an initial approach as he did to most every girl every chance he got, but notices, notices at a time when such things were important in Clintondale teen high school live the telltale red and black sweater, and immediately backs off. Peggy noticing Johnny’s reaction puts her head down. A chance encounter goes for not.
****
That is not the end of the story though. Johnny and Peggy will “meet” again, by chance, in the Port Authority Bus Station in New York City in 1964 as they, along with other recent high school graduates, “head south.”

Songs To While Away The Class Struggle By-Medal Of Freedom Winner (Where Did You Go Wrong, Brother) Bob Dylan's "Blowin' In The Wind"

Click on the headline to link to a YouTube film clip of Bob Dylan performing his classic Generation of "68 song, Blowin' In The Wind

Markin comment:

Several years ago in reviewing a PBS presentation on the legendary folklorist and folksinger Peter Seeger I asked, after observing that he had won the Medal Of Freedom (from President Clinton), "Pete, where did you go wrong?" Probably with less reason (less reason after the first blush Greenwich Village folk heyday and change the world right now time) I ask the same question today of Medal of Freedom winner Bob Dylan.
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In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here. Markin.

Out In The 1950s Crime Noir Night- Aldo Ray’s “Nightfall”- A Review

Click on the headline to link to a Wikipedia entry for the crime noir Nightfall.


DVD Review

Nightfall, starring Aldo Ray, Anne Bancroft, Brian Keith, Columbia Pictures, 1957

As always there are crime noirs and there are crime noirs. Big time ones like The Big Sleep, The Lady From Shang-hai and The Killers (early Burt Lancaster version) and small time one like the film under review, Nightfall, from the 1950s. Some have wicked femme fatale like said Lady and other just gals down on their luck, or, if you can believe this, not even femme fatales but, like here with the Anne Bancroft role, gals who aren’t even down on their luck and can pay their own tab. What makes this one a cut above some other lesser crime noir efforts though is not femme fatales, great plotline, some nice outdoor cinematic shots, or anything like that but two very, very stone-cold killers who keep the film moving along with their manic antics.

As to plot, Aldo Ray, just a regular guy as is his usual role in most of his films, and his doctor buddy are off in the wilds of Wyoming (from the Windy City, natch) catching up on nature and such when their luck runs out. A couple of wise guy big time bank robbers ,our stone-cold killers, led by one Brian Keith, have an slipshod car accident out on those Great Plains roads and our friendly campers try to help. And for their get helped to death, almost. Our boy Aldo survives but he has to go on the lam because everybody thinks he offed his friend. But here is the funny plot twist part. In the process of attempting to off the potential witnesses (our campers) our stone-colds “forget” the dough, the three hundred Gs dough. And guess who has it, or who they think has it. Ya, you have got it.

And the love interest? Come on now this is a 1950s noir, and you can’t not have that tangle angle Oh ya, that is provided by one fetching Ms. Bancroft, a store model who makes the serious mistake of asking for a loan from Aldo at, well, a bar okay. And for her “mistake” she gets caught up in way more than she bargained for, bargained for initially anyway. But the real deal is to keep your eyes on those bad-ass stone-killers because they are relentless. Let’s put it this way if you owe either of these guys dough, or even think about owing them dough, I would put newspaper on the floor around my bed just to be on the safe side. Got it.