Friday, July 07, 2017

*****Out In The Be-Bop 1950s Night- The Time Of Motorcycle Bill-Take Two

*****Out In The Be-Bop 1950s Night- The Time Of Motorcycle Bill-Take Two




From The Pen Of Joshua Lawrence Breslin

[My old friend, Sam Lowell, whom I know from the summer of love days out in Frisco days in the late1960s and who hails from Carver down in Massachusetts asked me to fill in a few more details about this relationship between Motorcycle Bill and Lily. He thought I was originally kind of skimpy on why a nice Catholic girl would go all to pieces over a motorcycle guy, would get on his bike like she was some low-rent tart from the wrong side of town the usual type that went for motorcycle guys in his book. Sam didn’t get the idea that when that cycle surge came lots of ordinary teens went with the flow. So here is a little extra, a take two for Sam, and maybe for others who missed that big motorcycle moment.]      

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There was a scourge in the land, in the 1950s American land. No, not the one you are thinking of from your youth of from your history book, not the dreaded but fatalistically expected BIG ONE, the mega-bomb that would send old mother earth back to square one, or worst, maybe only the amoebas would survive to start the long train of civilization up the hill once again. Everybody expected that blow to come if it did come and we in America were not vigilant, did not keep our shoulders to the wheel and not ask questions from the nefarious Russkies (of course we that were just coming to age in the rock and roll night would not have had a clue as to what questions to ask if asking questions was acceptable then and it was not and we as young as were knew that it was not from parents to teachers to Grandpa Ike and his cabinet). From a guy named Joe Stalin which one of our teachers said meant “steel” in Russian but it could have been from any Russian guy as we learned later after Stalin died and other atomic bomb-wielding guys took over in Red Square.

Sure that red scare Cold War was in the air and every school boy and girl had their giggling tales of having to hide, hide ass up, under some desk or other useless defense in air raid drill preparations for that eventually. I wasn’t any revolutionary or radical or “red” although one teacher looked at me kind of funny but I couldn’t the purpose of hiding under some old-timey elementary school wooden desk when every film I ever saw of what an atomic blast looked like said you might as well not have your ass sticking up in the air when Armageddon came. Like I said one teacher looked at me very funny. So sure the air stunk of red scare, military build-up cold war “your mommy is a commie turns her in (and there were foolish kids who did try to use that ploy when dear mother said no to some perfectly reasonable request and junior thought to get even he would rat her out)”

But the red scare, the Cold War ice tamp down on society to go along to get along was not the day to day scare for every self-respecting parent from Portsmouth to the Pacific. That fear was reserved for the deadly dreaded motorcycle scare that had every father telling his son to beware of falling under the Marlon Brando sway once they had seen the man complete with leather jacket, rakish cap and surly snarl playing Johnny Bad in The Wild One at the Strand Theater on Saturday afternoon and deciding contrary to the cautionary tale of the film that these Johnnies were losers spiraling down to a life, a low life of crime and debauchery (of course said son not knowing of the word, the meaning of debauchery, until much later just shrugged his innocent shoulders).

More importantly, more in need of a five alarm warning, every mother, every blessed mother, self-respecting or not, secretly thinking maybe a toss in with Marlon would bring some spice to her otherwise staid ranch house with breezeway existence warned off their daughters against this madness and perversity in leather. Warned those gleaming-eyed daughters also fresh from the Saturday afternoon matinee Stand Theater to not even think about hanging with such rascals contrary to the lesson that cute waitress in the film gave about blowing Johnny off as so much bad air. (Of course forgetting, as dad had with junior, to bring up the question of sex which is what Sissy had on her mind after one look at that cool attire of Johnny and her dream about how she could get that surly smirk off of his face.)     

Of course that did not stop the wayward sons of millworkers slated for work in the mills when their times came from mooning over every Harley cat that rode his ride down Main Street, Olde Saco (really U.S. Route One but everybody called it Main Street and it was) or the daughters slated for early motherhood under proper marriage or maybe sales clerks in the Monmouth Store from mooning (and maybe more) over the low- riders churning the metal on those bad ass machines when they went with their girlfriends over to Old Orchard Beach on sultry sweaty weekend nights in summer.

This is how bad things were, how the cool cats on the bikes sucked the air out of any other guys who were looking for, well, looking whatever they could get from the bevies of girls watching their every move like hawks. Even prime and proper Lily Dumont, the queen of Saint Brigitte’s Catholic Church rectitude on Sunday and wanna-be “mama” every other waking minute of late. Now this Lily was “hot” no question so hot that my best friend in high school Rene Dubois, the best looking guy around the Acre where we all lived and who already had two girlfriends (and later in life would have four, count them, four wives before he gave the marriage game up and just shacked up with whatever romantic interest he had at the moment), would go to eight o’clock Mass every Sunday and sit a couple of rows in back of her and just watch her ass. (I know because I was sitting beside him watching that same ass). He never got anywhere with her, she knew about the two girlfriends since they were friends of hers, and neither did I. Lily was a classic French-Canadian beauty long thin legs, petite shape but with nice curves, long black hair and pop-out blue eyes. Nice but like I said but strictly the ice queen as far as we could tell. Especially when she would constantly talk about her friendship with Jesus and the need to say plenty of rosaries and attend many novenas to keep in touch with him.        

In this time of the motorcycle craze though something awoken in her though, maybe just the realization that Jesus was okay but guys who thought she was hot maybe needed some tending too. In any case, and I didn’t find this out until several years later after Lily had left town, my sister who was one of Lily’s close friends then and Lily could confide girl talk to her during this motorcycle dust up Lily would find herself restless at night, late at night and contrary to all good Catholic teachings would put her hand in a place where she shouldn’t (this is the way my sister put it you know Lily was just playing  with herself a perfectly natural feeling for teenagers, and older people too) and she was embarrassed about it, didn’t know if she could go to confession and say what sin she committed to old Father Pierre. I don’t know if she ever did confess or things got resolved a different way and that idea was out of play but there you have it.     

And the object of her desire? One “Motorcycle Bill,” the baddest low- rider in all of Olde Saco. Now baddest in Olde Saco (that’s up in ocean edge Maine for the heathens and others not in the know) was not exactly baddest in the whole wide world, nowhere as near as bad as say Sonny Barger and his henchmen outlaws-for- real bikers out in Hell’s Angels Oakland as chronicled by Doctor Gonzo (before he was Gonzo), Hunter S. Thompson in his saga of murder and mayhem sociological- literary study Hell’s Angels. But as much is true in life one must accept the context. And the context here is that in sleepy dying mill town Olde Saco mere ownership, hell maybe mere desire for ownership, of a bike was prima facie evidence of badness. So every precious daughter was specifically warned away from Motorcycle Bill and his Vincent Black Lightning 1952 (although no mother, and maybe no daughter either, could probably tell the difference between that sleek English bike and a big pig Harley). But Madame Dumont felt no need to do so with her sweet sixteen Lily who, maybe, pretty please maybe was going to be one of god’s women, maybe enter the convent over in Cedars Of Lebanon Springs in a couple of years after she graduated from Olde Saco High along with her Class of 1960.

But that was before Motorcycle Bill appeared on the horizon. One afternoon after school walking home to Olde Saco’s French- Canadian (F-C) quarter, the Acre like I said where we all lived, all French-Canadians (on my mother’s side, nee LeBlanc for me) on Atlantic Avenue with classmate and best friend Clara Dubois (my sister was close to Lily but not as close as Clara since they had gone to elementary school together), Lily heard the thunder of Bill’s bike coming up behind them, stopping, Bill giving Lily a bow, and them revving the machine up and doing a couple of circle cuts within a hair’s breathe of the girls. Then just a suddenly he was off, and Lily, well, Lily was hooked, hooked on Motorcycle Bill, although she did not know it, know it for certain until that night in her room when she tossed and turned all night and did not ask god, or any of his associates, to guide her in the matter (the matter of that wayward hand for those who might have forgotten).

One thing about living in a sleepy old town, a sleepy old dying mill town, is that everybody knows everybody’s business at least as far as any person wants that information out on the public square. Two things are important before we go on. One is that everybody in town that counted which meant every junior and senior class high schooler in Olde Saco knew that Bill had made a “play” for Lily. And the buzz got its start from none other than Clara Dubois who had her own hankerings after the motorcycle man (her source of wonder though was more, well lets’ call it crass than Lily’s, Clara wanted to know if Bill was build, build with some sexual power, power like his motorcycle. She had innocently, perhaps, understood the Marlon mystique). The second was that Bill, other than his bike, was not a low life low- rider but just a guy who liked to ride the roads free and easy. See Bill was a freshman over at Bowdoin and he used the bike as much to get back and forth to school from his home in Scarborough as to do wheelies in front of impressionable teenage girls from the Acre.

One day, one afternoon, a few days after their Motorcycle Bill “introduction,” when Lily and Clara were over at Seal Rock at the end of Olde Saco Beach Bill came up behind them sans his bike. (Not its real name but given the name Seal Rock because the place was the local lovers’ lane at night and many things had been sealed there including a fair share of “doing the do,” you know hard and serious sex. During the day it was just a good place to catch a sea breeze and look for interesting clam shells which washed up in the swirling surf there.) Now not on his bike, without a helmet, and carrying books, books of all things, he looked like any student except maybe a little bolder and a little less reserved.

He started talking to Lily and something in his demeanor attracted her to him. (Clara swore, swore on seven bibles, that Lily was kind of stand-offish at first but Lily said no, said she was just blushing  a lot.) They talked for a while and then Bill asked Lily if she wanted a ride home. She hemmed and hawed but there was just something about him that spoke of mystery (who knows what Clara thought about what Lily thought about that idea). She agreed and they walked a couple of blocks to where he was parked. And there Lily saw that Vincent Black Lightning 1952 of her dreams. Without a word, without anything done by her except to tie her hair back and unbutton a couple of buttons from her starched white shirt she climbed on the back of the bike at Bill’s beckon. And that is how one Lily Dumont became William Kelly’s motorcycle “mama.”

Thursday, July 06, 2017

Songs For Our Times-Build The Resistance-Playing For Change- Bob Marley's "One Love"

Songs For Our Times-Build The Resistance-Playing For Change- Bob Marley's "One Love"       










During, let’s say the Obama administration or, hell, even the Bush era, for example  we could be gentle angry people over this or that notorious war policy and a few others matters and songs like Give Peace A Chance, We Shall Overcome, or hell, even that Kumbaya which offended the politically insensitive. From Day One of the Trump administration though the gloves have come off-we are in deep trouble. So we too need to take off our gloves-and fast as the cold civil war that has started in the American dark night heads to some place we don’t want to be. And the above song from another tumultuous time, makes more sense to be marching to. Build the resistance!

    
Standard guitar tuning:

One Love | Playing For Change | Song Around The World-Build The International Resistance Now !

In Cambridge-July 18th- REMINDER- Save The Date: Film - "National Bird: Drone Wars"

REMINDER- Save The Date: Film - "National Bird: Drone Wars"

Why is our government killing thousands of people around the globe they can’t even identify?

See National Bird, a film about the secret US drone assassination program.
Central Square Library
45 Pearl St, Cambridge
Tuesday, July 18, 2017, 7 pm
Directed by Sonia Kennebeck, this powerful documentary follows the dramatic journey of three whistleblowers who are determined to break the silence around one of the most controversial current affairs issues of our time: the hidden U.S. drone war, which has escalated under President Trump.
Plagued by PTSD and guilt over participating in the killing of thousands of faceless people, including children, they courageously decide to speak out publicly, despite the possible severe consequences.  The film also interviews people on the ground in Afghanistan whose families and lives have been shattered by the deaths and lost futures of those who have been injured and terrorized by drones.
After the film there will be a short discussion with suggestions of things we can do to stop this immoral and indefensible form of warfare.
Sponsored by Eastern Massachusetts Anti-Drones Network, a task force of UJP (United for Justice with Peace) JusticeWithPeace.org, (617) 776-6524.
Co-sponsored by Mass Peace Action, Women's International League for Peace and Freedom, Veterans For Peace, Smedley Butler Brigade
Upcoming Events: 
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On The 50th Anniversary Of The “Summer Of Love”- “Hippie Modernism: The Struggle For Utopia” At The Berkeley Art Museum

On The 50th Anniversary Of The “Summer Of Love”- “Hippie Modernism: The Struggle For Utopia” At The Berkeley Art Museum





By Special Guest Social Commentator Alex James 

[Recently, under the aegis of my oldest brother Alex, today’s special guest commentator, I have been “commissioned” to do a wide ranging series of writings, sketches really, around the theme of the “Summer of Love, 1967” to be made into a small tribute book in honor of his and his “corner boys” from the Acre section of North Adamsville long departed friend Peter Paul Markin. It was Markin who was the main connection between them and the events which transpired in the Bay Area that long ago and which arguably changed their lives forever. Of if not changed forever put a big kink in the way that they were originally heading. The impetus for the project had come about after Alex had gone on a business trip to San Francisco and almost by happenstance noticed an advertisement on a passing Muni bus for an exhibit at the de Young Art Museum on entitled The Summer of Love Experience. That perked his interest enough to take sneak time from his conference business to attend. And will be the subject of an up-coming sketch. Today’s commentary is along those same lines because not only was the de Young having its version of celebrating that event but over on the East Bay in Berkeley, another center of that summer’s “youth nation” surge, the University Art Museum had mounted an exhibition with the intriguing title-Hippie Modernism; the Struggle for Utopia. Alex jumped on the BART one day after his business was finished up for the day to check this display out. Zack James]               

*******

I am not usually much for writing outside of my business interests or I should say my law practice which is my business interest and leave the biting or witty social commentary to my youngest brother, there were six of us to divvy up the social chores, Zack, who has made a career out of such endeavors. Except events this spring around the almost half-forgotten Summer of Love, 1967 which I, and the rest of the guys I hung around with all through public school, were as Zack said one time “washed clean” by that extraordinary “new breeze” that got a big tailwind from that happening. “Happening” a word very closely associated with all the crazy, goofy, outlandish and in some sad instances pathetic things that went on when we were forced to head west and see what it was all about. Forced by one mad monk of a man, Peter Paul Markin, known as the “Scribe” from junior high school on. A small letter “prophet” unlike a capital letter prophet like Allan Ginsberg who blew Markin away with his Howl in high school which he would recite to us when he was half drunk (or later half-stoned) and which we could have given a fuck about at the time all we cared about was grabbing petty larceny dough, girls, and fast cars not always in that order, after all was said and done, what little good it ever did him in the long haul to “check out the new breeze coming over the land.”

All that will be, or already has been, detailed in the little tribute book we asked Zack to put together with his sketches on those times and our, the surviving corner boys’ remembrances, in honor of Markin. Like Zack said in his introduction I had been in San Francisco for a law conference and was walking up Geary Street and noticed an advertisement for the de Young Museum in Golden Gate Park which was presenting an exhibition titled The Summer of Love Experience. I did attend that exhibition and will give my take on that emotional experience shortly. While at that exhibition one late afternoon after the conference was over for the day I overheard a conversation between two old geezers (yeah, like me, like me) about an exhibit over in Berkeley at the University art museum. They didn’t give the title of the exhibition at the time. Had just said it was about hippies. But when I went to look it up it had the title, the very interesting title-Hippie Modernism: the Struggle for Utopia I couldn’t resist before I left Frisco taking that exhibit in on two counts; it was an unusual way to describe a certain modernist artistic sensibility that I think we were trying to create and a very apt way to describe what the whole “seek a newer world” experience (a term Markin used incessantly via Robert Kennedy when it counted) was about, or what we thought we were trying to do. Zack has mentioned in a few of his sketches that we have faced more than forty years of blow-back from the Molochs (thanks Allan Ginsburg’s Howl for that) which show no signs of abating soon for not creating that utopia, or something close to it. He was right as rain on that score.                

I have already given Zack notes and paragraphs of information with my take on how we lost dog corner boys from the nowhere Acre section, the dirt poor working class section of North Adamsville, under the whip of one mad monk Markin wound up spending various amounts of time working through the implications of the Summer of Love which kind of brought all the tattered remnants of “youth nation,” and it really was that, at least it is no misnomer to call it that when the sons of working stiffs met up with the scions of the Mayfair swells to give the Molochs a run for their money for a while anyway. What came to mind viewing this Hippie Modern exhibit is how varied the ideas were that we were trying to get people, and frankly “people” then was just shorthand for youth nation for we were in a serious confrontational battle with our parents’ generation and their leaders over these proposed changes. A very unusual time in that respect since generations since have developed their own styles but have not come to blows with their parents’ generations in quite the same way. My three twenty somethings still living at home with seemingly no immediate prospects of leaving to fly on their own against my leaving home as a teenager tell the reader all he or she needs to know about that difference.      

Of course a University museum, especially at an elite school which was probably the overall cultural if not political epicenter of the times, is going to highlight some of the ideas and creations which its alumnus or those who hung around the school there produced. And there really was an amazing amount of printed material produced then detailing everything from how to build an environmentally sustainable house to the outer edges of rational social and political theory (think Marcuse, McLuhan, guys like that). The Chinese only half-seriously had called such a movement in their own country in the late 1950s “let one hundred flowers bloom” and in those naïve blessed hippie days there were many more than that number of ides floating around in the space we had created. Whoever could put pen to ink, or to the drawing board had space to work in. Frankly some of the ideas seem today, today when we are not under the influence of strong drugs, sexual desire, or some odd-ball background music which colored most of our thinking back then, crackpot but others are as fresh as whatever Silicon Valley is pressing on the public these days. I had a thought that maybe, just maybe if we had done more organizing around some simple things instead of creating full-blown manifestos for every occasion we might had struck a deeper chord. Maybe though that time, our print-driven time, was the last gasp of print, of literary means of effective persuasion.

The heart of the exhibit though, the part that along with the de Young exhibit pieces got me on the phone, the cellphone, to all the surviving corner boys who went West at Markin’s beck and call were the photographs and poster art that brought back so many memories. I might as well put in here that not everybody went, wanted to go, or could go like Ricky Russo who got wasted in some fucking rice paddle in Vietnam for no good reason and never even had a chance to have Markin work his words on him to go out like he did with the rest of us.

Memories of going with Markin on the road, yeah, the hitchhike road since I had no real dough, both of us with knapsacks and slim bedrolls, grabbing long and short haul rides, sleeping in ravines and in the back of trucks, getting rides all the way from every kind of traveler from hardened truck-drivers who thought we looked like their wayward sons back home who they did not understand any longer to welcome wagon Volkwagen minibuses filled with “freak” who pulled up and cried jump in and getting to the fresh smell of the bay in anywhere between six days and two weeks. What was time anyway once you were on that road. Sleeping in all kinds of communal flops in or near Haight-Ashbury, panhandling or working day labor for food, and smoking and ingesting every kind of drug except maybe booze which had been our natural “high” around the block but which seemed passe out in the new wilderness where we were to be “washed clean” as Markin when he was the beautified saint of our mission used to say. Most strikingly though were the posters and other artwork that at the time were just “commercial” efforts to let people know when a “happening” or a concert was coming up. I was surprised by how grand the artwork was for items that were just then advertisement but turned out to have been genuine works of art as seen as such by their creators. No one can argue against that point now, or should.

I freaked out when I saw a photograph of an old time school bus, what Markin used to call the yellow brick road magical mystery flying carpet, converted to a moving living communal set-up pioneered by max daddy Ken Kesey and his Merry Pranksters and which travelled up and down the Coast. We had travelled while on the Coast in a caravan like that with a guy named Captain Crunch that one of the guys will talk about in the tribute book who as well as personally knowing Kesey (we had gone to one of those famed be-ins at his La Honda digs) was nothing but the king hell king of our existence for a couple of years. That travelling caravan would be the way we would have gone to this or that concert by the Doors or the Jefferson Airplane at the Fillmore or in Golden Gate Park. Playing for free or a couple of bucks. (I did a double take when I saw those ticket prices beyond the many free concerts by the big name Bay-based bands including one poster which advertised a three day concert for five dollars for the whole thing. Jesus, some things were righteous then when I think I have paid many hundreds of dollars in recent years to go to a Stones concert). Yeah, as Zack said, to be young was very heaven.


The only thing that did not ring true, or was outside our purview, was a section dedicated many photographs of a group of drag queens called the Cockettes (draw whatever conclusion you like about that moniker) and which later morphed into another such group with a different name which I don’t remember. Sure we would see drag queens, “dykes” and “faggots” around the concerts and festivals after all San Francisco even then was a safe haven for same-sex seekers (and other misfits like communists, beat poets, and runaways from North Adamsville and all such places in between). Nowadays in the new sensibility nobody gives a fuck who you love or why, how you want to dress yourself before the world or why but then we sons of the working class had very backward views about the sexually different and those who identified that way. I can remember one time when we went down to Provincetown, Markin included, just to bait the “fags” that made the place then notorious for us straights. But you know you can learn something in this wicked old world as Markin used to say and after “getting religion” as Markin also used to say when we got hip to the world a little better when my son came out of the closet I wish we had gotten to know those “dames” and their hangers-on better because from the photographs some of them looked kind of foxy and probably fun to be around. Yeah, I looked it up, looked up the full Wordsworth quote that Zack is using for the series-the other part applies too-“Twas bliss to be alive.”              

Finding Progressive Events In The Boston Area-ACT-MA.

Finding Progressive Events In The Boston Area-ACT-MA.



ORG

It’s A Natural Born Thing- With Bluesman Taj Mahal In Mind-For Laura

It’s A Natural Born Thing- With Bluesman Taj Mahal In Mind-For Laura






From The Pen Of Bart Webber   


Sam Lowell and his long-time companion, Laura Perkins, had something of a standing question between them concerning seeing musical performers these days whom they had originally seen and admired in their younger days, those who were still alive if aging, and who were still putting on performances in public. The question: did, or did not, the performer have anything left from the old days or were they, the performers, and this was not an abstract question after seeing the painful decline of some artists which even kindness could not save, banking on nostalgic post-World War II baby-boomers now also having lost a step or two ignoring reality and give them a pass for old time sake. Worse losing all critical judgment and calling for encores.

That particular question had had taken on more urgency as the years have gone by since the number of performers from back in the day, from back in the 1950s classic age of rock and roll where only a few like Jerry Lee and a very wobbly Chuck Berry are still standing, from the folk minute of the 1960s where stalwarts like Dylan, Baez Rush and Paxton still play but that list is getting shorter by the year, from the seemingly eternal blues filled days where Muddy/Howlin’ Wolf/Mississippi John/James Cotton/Koko Taylor/Etta James and almost all the old names known through flipping through the bins at Cheapo’s in Central Square, Cambridge have passed on, whose music had bailed Sam out of more than one funk. Yeah, many had hung up their instruments or had passed to the great beyond had been mounting with alarming frequency as Sam and Laura have reached old age themselves, oops, matured.

That passing from the scene, and that nagging question about who did or did not have it now, was no small thing to the music crazed pair so Sam and Laura had over the previous several years been attentive when any of the venues they frequented had booked old time rock, folk or blues performers (the latter like James Montgomery mostly now those who had sat at the feet of the 1960s legends). Every time they did go to concert they would make the same comment, and would reflect as well on previous concerts to give a roll call of who or who did not make the cut. Sam insisted this analysis was no academic matter as recent concerts have attested to (although members of the academy, budding members itching to write that big definitive dissertation about the important message about teen angst and alienation in Jerry High School Confidential, who Dylan wrote Sad-Eyed Lady Of The Lowland for, and the truth of whether the blues ain’t nothing but a good woman on your mind that knock the known world on its head with insightful nuggets about such speculation are probably even as I write running through the possibilities).

Take, for example, what for Sam and Laura is the classic case of Bob Dylan and his seemingly endless tour (and now endless production of bootleg material placed in appropriately numbered CD containers, some very good, others which should have been left on the editing floor), the man, no matter what number of tours he feels he has to perform each year can no longer sing, no way. He gets a thumbs down on this question, no question, although only a fool would throw away their treasure trove of Dylania from the golden days from about 1960 to a little after 1970 since that is what will have to sustain us all in the slow nights ahead. Same thing was true several years ago about the late Etta James who had stolen the show at the Newport Folk Festival in the mid-1990s (from none other than the headliner Chuck Berry who was ancient even then) but who when last seen was something of an embarrassment. Another thumbs down. Going the other way recent concerts by a couple of members of the old Jim Kweskin Jug Band, Jim Kweskin and Geoff Muldaur, at Club Passim in Cambridge (the former Club 47 of blessed folk minute memory where Sam fled to when times were tough at home in high school and he needed that spot or when without dough the Hayes-Bickford to keep him going) showed that they both had increased their knowledge and respect for the American songbook and that they still had it (a concert a few years ago, also in Cambridge, by another member of that jug band, Maria Muldaur, solo, and later when the three united for a 50th anniversary of the band reunion showed she still had it as well). As did a concert a few years ago by the late Jesse Winchester.                 

Sam and Laura had jumped at the opportunity to see deep-voiced, kick ass bluesman Taj Mahal who was making one of his now less frequent stage appearances at the Rockport Music Hall up in that North Shore town by the Atlantic about forty miles from Boston, on the Sunday of the Patriot’s Day weekend (that Patriot’s Day, a Massachusetts state holiday of sorts, commemorating the time a bunch of determined American farmers and small tradesmen, many of whose forbears had been kicked out of Mother England under threat of the gallows, gave old John Bull all the hell he wanted out in Concord and Lexington).

On the afternoon of the concert as they were riding up the highway Sam kept thinking to himself the eternal question of whether old Taj still had the old magic that he had shown over a decade before when they had last seen him in Somerville where he had brought the house down. He mentioned that concern to Laura who added, having been through all the concert wars of the last decade or so with Sam and had observed the fit and halt going about their business, she hoped he was not too frail to hold the instruments. Of course once they got on the subject of who did and who did not still have it they had to run through the litany as well as acts that they hoped to see before the performers faded from view. That “game” got them through the hour’s ride as they hit the long one lane road into Rockport and the concert hall.         

Sam had wondered since this concert had been scheduled as a late afternoon concert (something that both he and Laura were happy about since as they joked the concert’s timing would not interrupt their normal bedtimes like most concerts, maybe not interrupt Taj’s sleep schedule either) whether the Shalin Liu Performance Center (the official name for the concert hall opened in an old converted and expanded storefront building in 2010) would have the ocean view windows in back of the stage open or closed. They had been to this venue a couple of times before so they knew that it was at the artist’s discretion whether that was done although with Sam’s personal maniacal love of the ocean he hoped that it would be open to give an appealing backdrop to the music inside. (Laura, generally indifferent to the ocean’s allure being a farm-bred woman, had no opinion on the matter.) As they entered the hall Sam noticed that the curtains were closed but since he and Laura had taken a short walk to the ocean before the show began he was not that bothered by the situation. (Later, as they were driving home, Sam laughed to himself that he was so transfixed by the performance that he hardly noticed the curtains were closed. Laughed too that old Taj had probably had the damn things closed because he intended some serious business not to be distracted by some silly ocean waves crashing tepidly to shore that day.)    

This Shalin Liu hall has many virtues beside the ocean view, small (about 300 seats), good views from all around, very good acoustics and lighting, and seats on the second floor that overlook the stage. For this concert Sam and Laura were seated in that overlook area and the first thing Sam noticed after sitting down was the bright shiny National Steel guitar, shades of old preacher/devil man Son House and his flailing away on Death Letter Blues and Bukka White, sweat pouring from every pore be-bopping away on Aberdeen, Mississippi Blues and Panama, Limited. He also noticed a slide guitar but did not remember that Taj played the slide as he racked his brain to try to remember any Taj songs he knew that included the slide. Noticed too that there was a banjo, piano, a couple of non-descript guitars, and a ukulele. Taj had come, armed and dangerous, a good sign.          

As the lights dimmed and the crowd hushed for the performance to start out came Taj, along with his drummer and lead guitarist, looking for all the world like the ghost of every bluesman than anybody could imagine coming out of Highway 61 in the Delta ready to make his bargain with the devil in order to be able to hit that high white note once in a while. Anybody who took his or her blues seriously that is. A big burly man (looking back at photographs from old albums at home later on the Internet Sam noticed that Taj, like a lot of us, had moved from the slender side to more robust as he aged), soft felt hat like a lot of Chicago blues guys wore, indoors or out, a big old blue flowered shirt and dangling from one ear the now obligatory pierced earring. Sam closed his eyes thinking about guys that had that same look, no, the ghost of guys now, guys like Little Walter, Magic, Slim, James Cotton, Sunnyland Slim, Big Joe Williams, legends all and maybe Taj by his appearance was putting in his application to join the guys.    

And for the next almost two hours without the usual  intermission to disturb the flow of the music Taj made good on two things, yeah, as you probably already figured, the brother still had it, and, yes, he was making serious application to the pantheon, move over guys. Right out of the block came the National Steel and Sam whispered to Laura that this was going to be serious stuff as he covered Henry Thomas’ classic Fishing Blues, Good Morning Miss Brown, Corrina, Going Up To The Country and Paint My Mailbox Blue, John Henry. Later Taj worked on the piano, the uke, the non-descript guitars, and the banjo before coming back to the encore with the National Steel on his signature Lovin’ In My Baby’s Arms. The treat for Sam though was when Taj strapped that big old slide guitar on and covered the legendary slide guitar man Elmore James’ Television Mama. Whoa!

But the songs were just filler really once it was clear from the very first song that Taj was on fire that late afternoon, once they knew that they were going to take the ticket, and take ride. It was more the mood that Taj put Sam in, put him into that swaying, foot-tapping, finger-snapping feeling when he and the music mesh and the outside world for that duration fades. The mood too that hit Laura as he would watch her, a very prim lady most of the time, swaying dreamily with the beat, tapping the bannister in front of her, tapping those feet just like him. Oh, very heaven.

Later as they walked down the stairs after the performance was over the both automatically stated the obvious in their understated way-“yeah, old Taj still has it.” Case closed. Oh well, almost closed because as they were driving back to Boston Sam mentioned that that concert was one of the top ten they had ever seen. Laura agreed.             

*The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-LessonsForToday- A Snapshot View Of The Leaders Of The 1917 Bolshevik Revolution-Moisei Uritsky

Click on title to link to “Wikipedia”'s entry for the 1917 Bolshevik secondary revolutionary leader Moise Uritsky. No revolution can succeed without men and women of Uritsky's caliber. As Trotsky noted, on more than one occasion, the West, for lots of reason, in his day had not produced such cadre. I believe that observation, for the most part, still holds today.

From Veterans For Peace-The Gals And Guys Who Know About The Slippery Slope To War-No U.S. War Planes in Syria




www.veteransforpeace.org

 

No to U.S. Warplanes Over Syria

Veterans For Peace is joining with RootsAction to say NO to U.S. War Planes Over Syria.
The U.S. is risking a catastrophic military clash with Russia in Syria.

Click here to help get the American military out of Syrian skies.

The world's two big nuclear-armed governments are risking direct warfare. The U.S. shot down a Syrian government jet, after which Russia threatened to shoot down U.S. planes over Syria. Then Australia suspended its air missions over Syria, and Russian and U.S. planes reportedly came within 5 feet of each other over the Baltic.

This is happening while the U.S. military has been given greater authority by President Trump to proceed as it sees fit.

Click here to add your name to an important petition demanding that the U.S. pull back from the brink.

Asked for a legal justification for having shot down a Syrian plane, the U.S. military cited the 2001 Authorization for the Use of Military Force (AUMF), which applied to al Qaeda, not Syria. Even many who accept the AUMF as constitutional rejected the argument in this case. Regardless, Congress has no capacity to make war legal in violation of international law. Even the U.N. has now begun objecting to the killing of large numbers of civilians in Syria by the U.S. and its allies, as well as by other parties to the war.

There is no legal or moral basis for the United States to be waging war in Syria, risking nuclear apocalypse for us all. Click here to demand that all U.S. planes get out and stay out of Syrian air space.
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Hands Off Heroic Whistler-Blower Reality Winner-Julian Assange's Defense Of Her Actions

Hands Off Heroic Whistler-Blower Reality Winner-Julian Assange's Defense Of Her Actions    

Here we go again- We no sooner get the heroic Wikileaks whistle-blower Chelsea Manning out of the slammer, out of the clutches of the Army out in Fort Leavenworth than the Feds grab NSA contractor Reality (an appropriate name by the way) Winner for telling the world about Russian connections and Trump. Which by the way eight million Congressional committees and a DOJ Special Prosecutor are seriously looking into. None of them are facing any jail time from seeking to expose the truth. Hands off Reality Winner. Help defend her against the governmental monsters.   

It is rather appropriate Wikileaks founder Julian Assange, in the crosshairs of an international cabal looking for his hide was one of the first to come out in defense of  Reality Winner 


Wednesday, July 05, 2017

We Are In A Cold Civil War-Join The Anti-Fascist Resistance-For Labor/Black Action to Stop Fascists!

We Are In A Cold Civil War-Join The Anti-Fascist Resistance-For Labor/Black Action to Stop Fascists!

By Frank Jackman

Usually I place articles and announcement from various left-wing and progressive groupings that I do not necessarily agree with but think that the general radical-left liberal milieu might find of interest in a blog site dedicated to American Left History (and its complement cultural component) past and present. I have noted more than once that I usually do not comment on the views expressed and if I do have differences I can either write my own comments or if the differences are severe or reflect bad taste not post the item. Occasionally in the struggle against the ugly forces that have reared their heads in the age of Donald J. Trump, President of the United States and apparently nothing but a common criminal and maybe a sociopath, have felt the wind at their backs under his tenure I find some article or statement which I am in general agreement with and will as here take the time to express general if not total solidarity with the views expressed by others.  

The most important point made in the article belong which deals with an analysis and program to defeat the emergent serious extra-parliamentary right-wing threat is that we must learn the hard lessons of history on the question of stopping the fascist and fascistic elements in the egg. If that had been done in Germany at any point up to and including 1933 the history of the Western world could very well have taken a different trajectory and we would today probably not be faced with what looks like yet again a global right-wing counter-revolutionary movement baring its knuckles. Closer to home we have to nip the small but growing fascist threat which seemingly is turning the cold civil war we have been facing for a while now and which is getting more heated in the bud- and in the streets.

A second point to note is knowing what period we are in and who is and who is not going to benefit from the rise of the fascists (call them as they call themselves “the alt-right” it is the same damn thing that has been with us since post-World War I times). The rise of Trump was by parliamentary means-by regular bourgeois norms elections and does not represent a fascist take-over as some claim. The ruling class at this moment has not been defeated anyplace in the world militarily, at least where it would fatally hurt, as it did in Germany after their World War I defeat and that ruling class here is not now, and I emphasize not now, confronted by any militant mass left-wing movements that would threaten their power necessitating the need to go beyond their normal military/police forces to curb.   

As this cold civil war heats up there will be plenty of those in the opposition, on our side, who want to call on the government to stop the fascists, or better yet, call on the opposition party, the Democrats, to do something about the matter. Wrong. While we may unite with all who want to oppose the fascist threat on the streets, including democrats, to rely on the good offices of any establishment political organization to do our work for us is fool-hardy and in the end dangerous. We must rely centrally on our ability to gather masses of working people and the oppressed to stop these sewer rats. History shows no other way but a straight up fight to the finish or else these scumbags, excuse my vulgar usage but we are in a fierce fight and the niceties of everyday politics are not called for, will be further emboldened. Those who profess some “rational” and “reasoned” approach to deal with this life-threatening menace are doomed to the scrap heap.

Finally there is no room for being “liberal” in this fight. These fascists are not a literary/political club movement we can debate with or permit to spew their trash talk under the banner of “free speech.” Those who thought that approach might work in the Weimar Republic in the 1920s and early 1930s either had to flee into exile or found themselves in some death camp. We can give no quarter here. Period. 


So yes, for once, on this issue of fighting the emerging fascist threat I stand in solidarity with the views expressed below with its sober analysis and program to fight the menace right now.  

********

Workers Vanguard No. 1110
21 April 2017
 
For Labor/Black Action to Stop Fascists!
Fascists Fueled by Trump Election
Hundreds of Jewish headstones desecrated. Women wearing the headscarf attacked on the streets. Two software engineers from India shot, one fatally, in Kansas in February by a Navy vet who howled, “Get out of my country.” A Sikh American shot in his driveway in Kent, Washington, last month by a masked white man screaming, “Go back to your own country.” Timothy Caughman, a 66-year-old black man, murdered on the streets of Manhattan on March 20 by a white-supremacist who had come to New York City from Baltimore with the express purpose of killing black men.
The race-terrorists have been emboldened by the campaign and victory of the right-wing demagogue Donald Trump, and are taking their cue from the unabashed racism and anti-immigrant vitriol emanating from the White House. The ultimate aim of the fascists, including those who congregate around the “alt-right,” is racial genocide and the destruction of workers organizations, including unions and the left.
The race-terrorists have played on the racist backlash against Barack Obama, America’s first black president. Obama’s eight years in office offered nothing to black and working people; the Democratic Party no less than the Republicans represents the very capitalist order that breeds fascism. During the Obama administration, conditions for black people and workers continued to worsen while cops wantonly gunned down black people on the streets. More industrial areas turned into rust bowls, while strongholds of union power continued their steep decline. Obama rigorously pursued U.S. imperialism’s war aims abroad, while ramping up the “war on terror” at home, which targets Muslims in particular. The fascist thugs feed off anger and frustration arising from economic devastation; they scapegoat black people, immigrants and minorities for the misery inflicted on the population by the capitalist rulers.
On April 15, when hundreds of “protesters” descended on downtown Berkeley for a pro-Trump rally, the fascists infesting the crowd made clear that they were out for blood. Chanting “Hitler did nothing wrong” and giving Nazi salutes, they viciously attacked antifa activists and leftists with clubs, flagpoles and knives. One viral video shows Nathan Damigo, head of the fascist group Identity Evropa, punching a woman in the face. Last June, in Sacramento, white-supremacists of the Traditionalist Workers Party and the Golden Gate Skinheads stabbed and slashed at least seven anti-fascists, sending them to the hospital. In Berkeley, anti-fascists were able to defend themselves from fascist violence but a number were injured.
Individual acts of courage are not enough to smash the fascist threat. What is needed are massive, integrated, disciplined mobilizations based on the social power of the multiracial working class. The workplace is the only real point of integration in American society, providing the potential basis for unity in struggle to defend working people and the oppressed. Black workers in particular can be the living link that unites the power of the working class with the anger of the ghettos.
The union movement has been flat on its back for many years under a misleadership that is committed to capitalism and has shackled the unions to the Democratic Party. A fight by militant unionists to organize labor/black power to crush the fascists can give the working class a taste of its social power. It is the fascists—not black people, immigrants, Muslims, Jews, leftists and others—who must be made to feel the sting of fear.
Who Are These Scum?
Today, many fascist groups in the “alt-right” claim that they are something different from the Klan and Nazis. They dress in “respectable” suits and ties and promote themselves as intellectuals. One of their leading voices is Richard Spencer, führer of the innocuously named National Policy Institute (NPI). When the NPI held a conference in Washington, D.C., shortly after Trump’s election, Spencer responded to the audience’s stiff-armed Nazi salutes by declaring: “Hail Trump! Hail our people! Hail victory!” (the latter a translation of the Nazi slogan “Sieg Heil”).
Allied with Spencer is Identity Evropa, which describes itself as an organization of “awakened Europeans” and requires that its members be of “European, non-Semitic heritage.” Its leader, Damigo, is a former Marine who was twice deployed to Iraq. After returning, he held up an immigrant taxi driver at gunpoint in San Diego in 2007, believing the man was Iraqi. While in prison for four years, he immersed himself in the writings of “former” Klansman David Duke. Before founding Identity Evropa in March 2016, Damigo—who describes black people as “inferior to whites, genetically”—was a leader of the now-defunct National Youth Front, the youth arm of the white-supremacist American Freedom Party.
Identity Evropa is currently waging a campaign, called “Project Siege,” to recruit from College Republicans. Its members have appeared at colleges and its posters and stickers have been spotted on campuses around the country. These posters consist of Greco-Roman images with slogans like, “Protect Your Heritage.” Their slick website serves as a portal for those who claim racial superiority and who deny the Holocaust. As part of their recruitment drive, Damigo, Spencer and others held a rally on 6 May 2016 at UC Berkeley, the former bastion of left-wing student protest.
Today, outfits like Identity Evropa, the Traditionalist Workers Party and others are still small. But they will strike with force, as seen in Sacramento and Berkeley. It is vital that they be crushed in the egg before they grow. Against those who call for bans on “hate speech” or who argue for “free speech” for fascists, we say that when these race-terrorists rear their heads they must be repulsed through mass protest. Fascism is not about speech or ideas; it is about racist terror. “Anti-extremism” bans, whether instituted by campus administrations or government forces, will always be used to silence leftists, anti-racists and minority activists.
Fascism in the U.S. is rooted in the defeat of the Confederacy by the Union Army in the Civil War, when 200,000 black soldiers and sailors played a key role in destroying slavery. The Klan and other race-terrorists came into being after that victory and bloodily suppressed the newly freed slaves. No less than the KKK, the fascist vermin in the “alt-right” represent a threat to the very right of black people to exist. They aim to reverse the verdict of the Civil War.
Prepare to Fight!
Unlike Germany in the 1930s, when the Nazis rose to power and went on to carry out the unspeakable horrors of the Holocaust, America’s capitalist rulers do not at this time feel the need to resort to fascism. The U.S. is not a defeated imperialist power, as Germany was after World War I, nor does the U.S. bourgeoisie currently face a challenge to its rule from the working class. The daily terror meted out by the cops against black people and minorities is today deemed sufficient to keep the oppressed in check. At the same time, the capitalist rulers hold the fascist shock troops in reserve, to be unleashed at times of social crisis in order to spike any prospect of revolutionary struggle by the working class.
The Trump administration is not fascist, but the fascists sure as hell have a lot of friends in high places. Trump appointed as his chief strategist Stephen Bannon, a well-known “white nationalist” who took over Breitbart News and turned it into “the platform of the alt-right,” as he boasted. Trump’s top counter-terrorism advisor, Sebastian Gorka, is reportedly a member of the Vitezi Rend, a Hungarian organization that harks back to the fascistic interwar dictatorship of Admiral Horthy—Gorka wore its medal at Trump’s inauguration ball. Stephen Miller, one of Trump’s senior advisors, joined Richard Spencer in organizing an anti-immigrant event at Duke University in 2007. He went on to work for notorious racist and defender of the Confederacy, Jeff Sessions, now the attorney general. One could go on.
Bolstered by their high-ranking friends, the fascists have put the left in their deadly sights. We of the Spartacist League were targeted earlier this year, when a fascist secretly videoed one of our comrades distributing Workers Vanguard at the D.C. inauguration protests. The fascist posted the video on YouTube and vowed to “infiltrate” our organization. In Berkeley, the fascists made it clear that they are targeting leftists by chanting “commies, off our street!” It is a matter of life and death for the left to fight for united-front actions, based on the power of the unions, to beat back the fascist threat. In such united fronts, every organization must be free to put forward its political program in the course of struggle. As Bolshevik leader Leon Trotsky put it: “March separately, but strike together!”
During the presidency of Ronald Reagan, much like today, the official racism of the White House encouraged the Klan and Nazis. When the fascists tried to hold rallies in major urban centers, the Spartacist League and Partisan Defense Committee initiated and organized labor/black mobilizations. From Washington, D.C., where the Klan threatened to stage an anti-immigrant provocation, to Chicago, where the Nazis took aim at a Gay Pride demonstration, and elsewhere, we succeeded in sparking protests of thousands to stop the fascists. At the core of these actions were contingents of determined workers from the multiracial unions standing at the head of the black poor, immigrants and all the intended victims of fascist terror.
These mobilizations required a constant political struggle—against the cops, courts and other forces of the capitalist state, as well as capitalist politicians. Fearing the specter of labor/black power, Democratic mayors and other officials preached “tolerance” and “peace.” They called diversionary rallies far from where the fascists intended to march while violence-baiting those who wanted to stop fascist violence. And time and again, they were joined by reformist leftists who promoted reliance on the Democrats. When, in October 1999, we issued a call to stop the Klan from marching in New York City, the International Socialist Organization refused to endorse and instead joined a diversion organized by the Democrats where they shared the platform with a Latino police association. It should be an elementary understanding for leftists that the cops are the enemy. Historically, the policeman and the Klansman have often been the same man.
What is needed is a fight to finish the Civil War through an American workers revolution that achieves the promise of black equality, the liberation of all the exploited and oppressed and puts the last nail in the coffin of the fascist killers. The labor/black mobilizations we initiated are a small example of the leadership and forces needed to build a party of our class in struggle against the capitalist enemy. In the face of the growing fascist menace, we must be prepared to mobilize.