Tuesday, July 08, 2008

*Killin' The Blues- The Blue Folk World Of Chris Smither

CD Review

Train Home, Chris Smither, 2004


If I were to ask someone, in the year 2008, to name a male folk singer from the 1960's I would assume that if I were to get an answer to that question that the name would be Bob Dylan. And that would be a good and appropriate choice. One can endlessly dispute whether or not Dylan was (or wanted to be) the voice of the Generation of '68 but in terms of longevity and productivity he fits the bill as a known quality. However, there were a slew of other male folk singers who tried to find their niche in the folk milieu and who, like Dylan, today continue to produce work and to perform. The artist under review Chris Smither is one such singer/songwriter.

I do not know if Chris Smither, like his contemporary Bob Dylan, started out wanting to be the king of the hill among male folk singers but he certainly had some things going for him. He plays that signature blue guitar for all it is worth on such covers as "Crocodile Man" yet can turn it down several notches for a song like "Never Needed You" and then goes softer on reflective songs like "Kind Woman". Moreover he is as capable as a songwriter as any of writing of longing, lost love, thoughts of mortality and...being stupid in the world. Witness "Let It Go" on that last point. Then turn it up a notch with a bittersweet song like "Lola" (males-haven't we all had our Rock and Roll Lolas-or wanted to). As then, as if to pay homage to the icon of the generation, a nod to Bob with a shortened version of the Dylan classic "Desolation Row". Yes, Chris had the tools to go out and slay the dragons of the folk world. This is his five star work. That work may not be well known outside the precincts of the graying folk world, but it should be.

It Ain't Easy, Chris Smither, 1993

I do not know if Chris Smither, like his contemporary Bob Dylan, started out wanting to be the king of the hill among male folk singers but he certainly had some things going for him. He plays that signature blue guitar for all it is worth on Rock and Roll Doctor yet can turn it down several notches for a song like "Killin’ The Blues" (a song that he wished that he had written and I agree) and then goes softer on reflective songs like "Take It All". Moreover he is as capable as a songwriter as any of writing of longing, lost love, thoughts of mortality and…being stupid in the world. Witness "Memphis, In The Meantime" on that last point. Then turn it up a notch with a bittersweet song like "Happier Blue". Yes, Chris had the tools to go out and slay the dragons of the folk world. That work may not be well known outside the precincts of the graying folk world, but it should be.

Lyrics to Happier Blue :

I was sad, and then I loved you,
It took my breath
Now I think you love me, and
It scares me to death,
รข€˜Cause now I lie awake and wonder, I worry,
I think about losin' you
I don't care what you say
Maybe I was happier blue
I don't care what you say
Maybe I was happier blue

Justice is a lady,
Blind, with a scale,
And a big letter-opener.
She's been readin' my mail
I don't know why this should shame me,
But it does, somehow
I don't care what you say,
She don't look like a lady now.
I don't care what you say,
She don't look like a lady now

I believe in heavy thinking,
I believe in heavy sound,
I believe in heavy images
To hold it all down.
Light as a feather in spite of me
I don't care what you say
Faith is not a guarantee
I don't care what you say
Faith is not a guarantee

Did you think I didn't know that?
You might be right.
I swear I will forget it if it
Takes all night.
I never needed nothin' like I ever needed
Knowin' I needed you
I don't care what you say
None of this is nothin' new
I don't care what you say
None of this is nothin' new

Lyrics to Killing The Blues :

Oh, leaves were falling

They're just like embers

In colors red and gold they set us on fire

Burning just like moonbeams in our eyes

Someone said they saw me

They said I was swinging the world by the tail

Bouncing over the white clouds

That I was killing the blues

Just killing the blues

Well, I am guilty of something

That I hope you never do

'Cause nothing is sadder

Than losing yourself in love

Someone said they saw me

They said I was swinging the world by the tail

Bouncing over the white clouds

Just killing the blues

Just killing the blues

Oh, when you asked me

Just to leave you

And set out on my own to find what I needed

You asked me to find what I already had

Someone said they saw me

They said I was swinging the world by the tail

Bouncing over the white clouds

I was killing the blues

Just killing the blues

Someone said they saw me

They said I swinging the world by the tail

Bouncing over the white clouds

I was killing the blues

Been killing the blues

Just killing the blues


"Train Home"

Take a look inside,
I got nothin' left to hide,
take me as I am,
not what I wanna be.
The why we'll never know, we passed that long ago.
Is and was is all we're ever gonna be.

He's almost shade, down by the river,
feels a breath that makes him shiver,
takes a breath and makes a dive alone.
But the dead don't get no vacation,
down in that subway station,
the only break they take is to the bone.
They waitin' on a train to take 'em home.

I don't think I see much of anything for me
in visions of the past or the ever-after.
Now is what can be,
all the rest is wait and see,
those prophets never hear that cosmic laughter.

And gypsies in their wagons rollin'
never hear those death bells tollin',
never take no notice of the tone.
But I do, and my pulse beats quicker,
scornful laughs and knowing snickers,
stop my heart and sink it like a stone.
And I'm waitin' on a train to take me home.

This ain't what it seems, it's not the stuff of dreams,
nothing is as clear as this confusion.
The somewhat welcome news
is there is no way to lose,
because what isn't real is genuine illusion.

And it's all about that graveyard dancin',
some sit still, some still prancin',
some get caught between them
in a zone where there's nothin' left to give 'em cover,
they can't even see each other,
they just step and stumble on their own.
They waitin' on a train to take 'em home.

They waitin' on a train,
I'm waitin' on a train,
we all waitin' on a train to take us home


"Lola"

Lookin' for my Lola, she's drinkin' rum and Coca Cola,
Smokes big cigars,
she drives big cars around.
Folks say she's gonna reach the top,
but she says that's just her first stop.

I know she ain't a good 'un,
whatcha bet she wouln' lose much sleep
if I should die today.
She says the love ain't cheap, but the pain is free
and I say, 'But that sounds good to me!'
She's got hooks to make a fish think twice,
but I ain't no fish.
I'll pay any price.
If I think at all, I think, 'This feels nice!'

Lookin' for my Lola, what if I'd 'a told ya
she don't even know she hurts me so.
She says 'I don't hate you, it ain't that big a deal,
you don't even figure in the way I feel.' but
don't think she feels too much at all.
I said 'Have a heart', she told me to my face,
'What little heart I got is in the wrong place.'

Lookin' for my Lola, she's a little rock 'n roller,
party down, paint the town again.
She drinks too much, she keeps it hid,
everybody says she's a hell of a kid,
but she ain't no kid when she's cuttin' me apart.
That's OK, I told her from the start,
'Don't stop 'fore you get my heart.'

Lookin' for my Lola, I barely got to know ya.
For all I know, there ain't a lot to know.
Either I gave up or she let me go,
how I got away I'll never know.
My life should be better, and it's not.
I know you think that she was pretty bad,
I wouldn't know, she was all I had


"Never Needed It More"

If love is the meal for the hunger you feel,
call for the witer.
We're all gonna feed on whatever
we need sooner or later.
I just stay out of my way.
I call for the check when I'm ready to pay.
The bill's for the faith or the will,
whichever is greater.

CHORUS Tell me how does it happen?
I can't tell you for sure,
but I don't think I ever needed it more

Cuz now it's two for the show and
they all wanna how
did you meet her?
I think it was luck,
she fell off a truck,
from there it was follow the leader.
I saw her walkin' alone,
I treated her nice and she followed me home.
There was nobody there to tell me
that I couldn't keep her.

CHORUS (variant) Tell me how does it happen?
I can't tell you for sure,
but I don't shut my tail in the door any more.

CHORUS

You know it's only a scene,
the play is the dream,
the bigger the better.
What can I say,
she's writin' the play and I'm gonna let her.
I just believe in the role.
I open wide and it swallows me whole.
The take is the give,
the give is the way that I get her.

4 comments:

  1. As an afterthought I forgot to mention that it seems that Chris has become something of a specialist in covering old Bob Dylan songs. I mentioned Desolation Row here on Train Home. On his latest album- Leave the Light On- he covers Visions Of Joanna and on a previous album he covered It Takes A Lot To Laugh, It Takes A Train To Cry.

    The virtue here with Chris(and with other artists who cover Dylan) is that you can actually learn the words and understand each one. Not a small thing with Mr. Dylan. I might also mention that several years ago he led a Dylan workshop at the Boston Folk Festival and that is where I think he started to consider doing covers. I have herad some artists say " I never cover Dylan, and he never covers me". Okay, have it your way.

    Final point- Chris, at a concert of his we once attended said he, of course, was an old Dylan fan. The problem as a singer was that while he knew a couple of hundred of Dylan's songs he probably did not know one all the way through. Maybe that is why Dylan's original eleven minutes on Desolation Row gets cut to seven minutes in Chris's version. Good cover point, Chris.

    ReplyDelete
  2. As an afterthought I forgot to mention that it seems that Chris has become something of a specialist in covering old Bob Dylan songs. I mentioned Desolation Row here on Train Home. On his latest album- Leave the Light On- he covers Visions Of Joanna and on a previous album he covered It Takes A Lot To Laugh, It Takes A Train To Cry.

    The virtue here with Chris(and with other artists who cover Dylan) is that you can actually learn the words and understand each one. Not a small thing with Mr. Dylan. I might also mention that several years ago he led a Dylan workshop at the Boston Folk Festival and that is where I think he started to consider doing covers. I have herad some artists say " I never cover Dylan, and he never covers me". Okay, have it your way.

    Final point- Chris, at a concert of his we once attended said he, of course, was an old Dylan fan. The problem as a singer was that while he knew a couple of hundred of Dylan's songs he probably did not know one all the way through. Maybe that is why Dylan's original eleven minutes on Desolation Row gets cut to seven minutes in Chris's version. Good cover point, Chris.

    ReplyDelete
  3. As an afterthought I forgot to mention that it seems that Chris has become something of a specialist in covering old Bob Dylan songs. I mentioned Desolation Row here on Train Home. On his latest album- Leave the Light On- he covers Visions Of Joanna and on a previous album he covered It Takes A Lot To Laugh, It Takes A Train To Cry.

    The virtue here with Chris(and with other artists who cover Dylan) is that you can actually learn the words and understand each one. Not a small thing with Mr. Dylan. I might also mention that several years ago he led a Dylan workshop at the Boston Folk Festival and that is where I think he started to consider doing covers. I have herad some artists say " I never cover Dylan, and he never covers me". Okay, have it your way.

    Final point- Chris, at a concert of his we once attended said he, of course, was an old Dylan fan. The problem as a singer was that while he knew a couple of hundred of Dylan's songs he probably did not know one all the way through. Maybe that is why Dylan's original eleven minutes on Desolation Row gets cut to seven minutes in Chris's version. Good cover point, Chris.

    ReplyDelete
  4. Sorry for dups on comment- it is hot here today and my fingers got sticky

    ReplyDelete