*Once More Into The Time Capsule, Part Two- The New York Folk Revival Scene in the Early 1960’s-Hedy West

Happy Birthday To You-

By Lester Lannon

I am devoted to a local folk station WUMB which is run out of the campus of U/Mass-Boston over near Boston Harbor. At one time this station was an independent one based in Cambridge but went under when their significant demographic base deserted or just passed on once the remnant of the folk minute really did sink below the horizon.

So much for radio folk history except to say that the DJs on many of the programs go out of their ways to commemorate or celebrate the birthdays of many folk, rock, blues and related genre artists. So many and so often that I have had a hard time keeping up with noting those occurrences in this space which after all is dedicated to such happening along the historical continuum.

To “solve” this problem I have decided to send birthday to that grouping of musicians on an arbitrary basis as I come across their names in other contents or as someone here has written about them and we have them in the archives. This may not be the best way to acknowledge them, but it does do so in a respectful manner.   

Click on title to link to YouTube's film clip of Hedy West performing "Cotton Mill Girl" on Pete Seeger's 1960s television show, "Rainbow Quest".

CD Review

Washington Square Memoirs: The Great Urban Folk Revival Boom, 1950-1970, various artists, 3CD set, Rhino Records, 2001

Except for the reference to the origins of the talent brought to the city the same comments apply for this CD. Rather than repeat information that is readily available in the booklet and on the discs I’ll finish up here with some recommendations of songs that I believe that you should be sure to listen to:

Disc Two: Dave Van Ronk on “He Was A Friend Of Mine” and You’se A Viper”, The Chad Mitchell Trio on “Last Night I Had The Strangest Dream”, Hedy West on “500 Miles”, Ian &Sylvia on “Four Strong Winds”, Tom Paxton on “I Can’t Help But Wonder Where I’m Bound”, Peter, Paul And Mary on “Blowin’ In The Wind”, Bob Dylan on “Boots Of Spanish Leather”, Jesse Colin Young on “Four In The Morning”, Joan Baez on “There But For Fortune”, Judy Roderick on “Brother, Can You Spare A Dime?”, Bonnie Dobson on “Morning Dew”, Buffy Sainte-Marie on “Cod’ine” and Eric Von Schmidt on “ Joshua Gone Barbados”.


Hedy West on “500 Miles”. This is a pure classic of the modern American folk songbook and thus needs no further comment from me on that score. What is interesting though about Hedy West is that she, unlike most of the other folk performers who emerged in the early 1960s, is an authentic product of the rural mountain roots. That music was among the types of music that we were searching out as we tried to make sense of the American historical experience that we felt had gone haywire in those times. That said, Ms. West has an interesting comment in the profuse booklet that accompanies these CDs about the arrogant way she was treated by the 'guardians' of the folk faith down in the wilds of Greenwich Village. Apparently, at least one person was not impressed by the surface “holy quest” for roots of, basically, upper middle class white kids who latched onto this music and snubbed the real thing. Interesting. Kudos, Hedy.

"500 Miles"-Hedy West

If you miss the train Im on, you will know that I am gone
You can hear the whistle blow a hundred miles,
A hundred miles, a hundred miles, a hundred miles, a hundred miles,
You can hear the whistle blow a hundred miles.

Lord Im one, lord Im two, lord Im three, lord Im four,
Lord Im 500 miles from my home.
500 miles, 500 miles, 500 miles, 500 miles
Lord Im five hundred miles from my home.

Not a shirt on my back, not a penny to my name
Lord I cant go a-home this a-way
This a-away, this a-way, this a-way, this a-way,
Lord I cant go a-home this a-way.

If you miss the train Im on you will know that I am gone
You can hear the whistle blow a hundred miles.