*A Jeff Bridges Retospective- "Cutter's Way" - A Film Review

Click on the headline to link to a "YouTube" film clip of the end of "Cutter's Way". Hey, I already told you about the end I just want to show you how Cutter gets Bone off dead-center.

DVD Review

Cutter’s Way, Jeff Bridges, John Heard, Lisa Eichhorn, Columbia Pictures, 1981

In a recent review of “Crazy Hearts”, the vehicle for Jeff Bridges’ Oscar-winning performance as down and out country singer/songwriter Bad Blake, I noted that, in a sense, he had been preparing for and playing up to, in one form or another, that role since the start of his career. The line from Duane in “The Last Picture Show” to Bad in “Crazy”, although not a straight, one-dimensional line, has exhibited some familiar mannerism and acting tics. Like, for example, that sense that you come away with after watching Bridges, or rather his characters, that he is always ready to walk away from a bad situation at the drop of a hat. And not look back, and with no regrets. Except, of course, when duty calls for him to “take it on the chin” for the good guys. “Cutter’s Way”, a film toward the beginning of Bridges long career is an exemplar of just that idea.

In the aftermath of Bridges’ Oscar a number of art theaters are putting together and presenting a retrospective of his work. A local theater in the Boston area is one such venue. “Cutter’s Way, while no means his best work, is worthy of inclusion in such efforts. Here Bridges plays beach bum, hanging-around guy, semi gigolo, Richard Bone, who seeming cannot be moved off a dead pan, dead-center of existence. Except he has this quirky friend, Cutter, a dysfunctional, psychically and physically wounded Vietnam vet looking for a quick hit at success. The plot line here provides amble opportunity for that after Bone is tangentially involved in a murder case. Needless to say old Cutter means to, come hell or high water, get a pay off from a rich guy who seems to have done the deed. And it goes from there.

Now here is the odd part. Bridges puts in an adequate performance as the blasé roustabout Bone and displays those mannerisms mentioned above that are his trademark. However, old gravelly-voiced, gritty-etched, eye-patched John Heard steals the whole show with his bravado performance. Although Cutter is, in the end, unsuccessful, trying to save his marriage to his long-suffering wife and does not win the prize that he so frantically seeks at that same end able to get Bone off dead-center. Kudos, Cutter/John Heard.