Click on the headline to link to a YouTube film clip of The Carter Family performing Storms Are On The Ocean.
CD Review
Country Legends: The Bristol Sessions, Volume 1, RCA, 2002
The music of The Carter Family, the origin 1920s Carter Family trio, has been reviewed many times in this space and the following from an earlier entry in this space can sum up their place in the American musical pantheon:
“I have reviewed the various CDs put out by the Carter Family, that is work of the original grouping of A.P., Sara and Maybelle from the 1920’s, elsewhere in this space. Many of the thoughts expressed there apply here, as well. The recent, now somewhat eclipsed, interest in the mountain music of the 1920’s and 30’s highlighted in such films as The Song Catcher and George Clooney’s Brother, Where Art Thou, of necessity, had to create a renewed interest in the Carter Family. Why? Not taking the influence of that family’s musical shaping of mountain music is like neglecting the influence of Bob Dylan on the folk music revival of the 1960’s. I suppose it can be done but a big hole is left in the landscape.”
That said there is a genesis to their discovery and recording history, along with other mountain musician in the famous Bristol sessions under review here. RCA in the mid-1920s scoured the country looking for new voices, new roost voices to expand their recording repertoire, and sell their victrolas (phonographs). They sent agents out to the hinterlands looking for blues, mountain music, Tex-Mex and so on. The call out to the mountain folk came in Bristol, Tennessee. Many performers were recorded, some faded, some failed and some like The Carters, whistlin’ Jimmie Rodgers, and the Stoneman Family hit gold. Here is the “skinny” though; there is a reason why the three above-mentioned performers are listened to today. They stick out, way out against the other recordings here. Overall though this is a good look at what appealed to mountain folk (and 1960s folk revivalists) and what they would pay their hard scrabble, hard earned cash to listen to on those lonesome mountain wind Saturday nights along the hollows and creeks of Appalachia. A definitive piece of musical history.
Stick outs here are The Carters on Storms Are On The Ocean and Single Girl, Married Girl; Jimmy Rodger’s on The Soldier’s Sweetheart, and Blind Alfred Reed on You Must Unload.
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The Storms Are On The Ocean-The Carters
I'm going away to leave you love
I'm going away for a while
But I'll return to see you sometime
If I go ten thousand miles
The storms are on the ocean
The heavens may cease to be
This world may lose it's motion love
If I prove false to thee
Oh who will dress your pretty little feet
And who will glove your hand
Oh who will kiss your rosy red cheeks
When I'm in a foreign land
Papa will dress my pretty little feet
And Mama will glove my hand
You may kiss my rosy red cheeks
When you return again
Have you seen those mournful doves
Flying from pine to pine
A-mournin' for their own true love
Just like I mourn for mine
I'll never go back on the ocean love
I'll never go back on the sea
I'll never go back on my blue-eyed girl
'Til she goes back on me
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