Sunday, October 03, 2010

*Once Again-Out In The Be-Bop Night- The School Dance Last Chance

Click on the headline to link to a YouTube film clip of The Platters performing their classic last dance number, Only You.

CD Review

The Rock ‘N’ Roll Era: The ‘50s: Keep On Rocking, Last Dance, Time-Life, 1989


I have spent tons of time and reams of cyberspace “paper” in this space reviewing the teenage culture of the 1950s, especially the inevitable school dance and the also equally inevitable last dance. That event, the last dance that is, was the last chance for even shy boys like me to prove that we were not wallflowers, or worst. The last chance to rise (or fall) in the torrid and relentless pecking order of the social scene at school. And moreover to prove to that certain she that you were made of some sort of heroic stuff, the stuff of dreams, of her dreams, thank you very much. Moreover, to make use of that social capital you invested in by learning to dance, or the “shadow” of learning to dance.

But all of that social stuff is neither here nor there at last dance time. The real question, the world historic question, is whether that song will be a slow one or a fast one. A slow one means that you have to dance close and hope, hope to high heaven, that you do not ruin your partner’s feet and shoes (shoes, moreover, brought for just this occasion, damn). A fast one brings a sigh of relief as you know; know as sure as you are born, that you can fake that one with a couple of wiggly moves. This compilation has both types of songs for the nostalgically-inclined AARP demographics this item is pitched to. And for the younger set a chance to giggle at what your parents and grandparents got all heated up about and along the way thank someone, some blessed spirit, that as members in good standing of hip-hop nation you avoided all of that.

Stick outs here include: legendary rocker Chuck Berry’s Sweet Little Rock and Roller (fast); The Fireflies’ You Were Mine (slow, ouch); Sandy Nelson’s Teen Beat (fast); and The Platter’s classic (the one you prayed they would play) Only You. How is that for dee-jay even-handedness?

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