Out In The Be-Bop 1940s Crime Noir Night-Fatal Attraction- “The Strange Love Of Martha Ivers- A Film Review

Out In The Be-Bop 1940s Crime Noir Night-Fatal Attraction- “The Strange Love Of Martha Ivers"- A Film Review

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DVD Review

The Strange Love of Martha Ivers, Barbara Stanwyck, Van Heflin, Kirk Douglas, Lizabeth Scott, Paramount Pictures, 1946

Ya, a woman can get under your skin, no question, no question at all, in 1940 or 2010 makes no difference. Now two guys tugging away is an even tougher story, especially when the dame is a heartless femme fatale like Barbara Stanwyck who plays the woman under their skins in the title of this crime noir, The Strange Love of Martha Ivers. Now Barbara Stanwyck was never my beaux ideal of a femme fatale, I run more to the Rita Hayworth hot-blooded Gilda-types (with that strand of hair over the eyes) but I could see where guys, normally sensible guys, would be running through hoops in order to win her favors. And she would give them the "kiss of death," that hard-hearted kiss of death mentioned above. Take no prisoners, none.

A little plot line of the story goes a long way to figuring out those charms, those decidedly not girlish, not 1940s girlish anyway, charms. Rebellious Martha, an orphan being brought up to be a lady by an old-school rich aunt wants none of it and keeps running away, aided and abetted by ragamuffin, wrong side of the tracks Sam, played by Van Heflin. As the film opens she is being brought back after one such caper, scolded by her aunt assisted by Kirk Douglas’s father, Martha’s tutor (Douglas plays Walter, the other love interest in this dance of death combination). When dear cruel auntie (played by Judith Andersen, who knew how to play that kind of role to a tee) tries to confront Martha just as she is getting ready to fly the coop again with Sam, with Walter swore to secrecy, she just happens to fall down the long flight of stairs. After less than one shed tear the trio (Martha, Walter, and his dear old money-grubbing dad) work up a story and stick to it, stick to it to well because to make it stick ultimately they have some unnamed vagabond lug eventually go the chair for their misdeed. Meanwhile Sam, figuring that Martha has gotten cold feet, blows town on the next train out, a circus train.

Fast forward eighteen years. Sam, passing through town, decides to see what has happened since he blew town. Well Martha and Walter have gotten loveless married (loveless on her part, naturally) to seal their part of the pact with death, Walter for crazed-out love, Martha to keep him on a leash. Martha who turns out to be a pretty good businesswoman basically runs the town now. But here is the kicker, guilt-ridden about how they obtained their ill-gotten gains our blessed married couple think Sam is here for a shake-down thinking he saw what happened that long ago night when auntie went crashing down the stairs. Of course Sam had no idea of the sort until things start to unravel around his new-found girlfriend, sweet, husky voiced Lizabeth Scott who has her own troubles with the law. The long and short of it is that Martha is still carrying the torch for Sam, Walter is getting more drunken crazy for Martha and sweet hard-luck Liz looks to be holding an empty bag when Martha puts her whammy on Sam.

There can be no happy ending here, right? Well, right but only part right. This murder most foul has put a death grip on Martha and Walter, a death grip that is triggered by Sam's reappearance but also that nasty little deal of creating a fall guy for their misdeeds. So you know, know just as well as I do that the fates are against them. As for Sam and Liz, well they get out with the skin of their teeth but they get out. Once again, you know the routine; crime doesn’t pay, one way of the other it eats away at you. Got it.