Click on the headline to link to a Wikipedia entry for Paul Newman’s The Hustler.
DVD Review
The Hustler, starring Paul Newman, Piper Laurie, George C. Scott, Jackie Gleason, 20th Century-Fox, 1961
Shoot pool, Fast Eddie, shoot pool. Yes, Fast Eddie shoot pool like your life depended on it. Fast Eddie coming like hellfire out of the west, out of the wild boy, okie, arkie dust shaking be-bop west night looking, looking for something in the go-go post- World War II night. Some cureless thing to take the curse off of not having made that okie trek with everything you owned in the Great Depression or not having gotten your fill of blood, action and danger in the “big one.” Something to take the pain, the angst, the alienation or whatever the sociologists and psychologists wanted to call it, away.
But like the headline says it ain’t about the pool as this 1961 Paul Newman (as Fast Eddie) film under review, The Hustler, makes very clear. For Fast Eddie it was, or it started out as, just creeping out from under that old East Oakland, Haywood, Richmond, you name the town they were all the same, all filled with restless boys wishing to break out from that corner boy existence. Hanging out in white tee shirt, cigarette pack rolled up one sleeve, wide bucket belt, whipsaw ready, holding up blue denims, black engineer boots hitched up against some drugstore , mom and pop variety store , some bowling alley, hell, some glass-fronted pool hall wall to break- out, jail-break out but just then waiting , yeh, waiting.
But hunger, gnawed hunger, festering hunger is a tyrant, a hard and cruel tyrant, when you have Fast Eddie appetites. Yes, Fast Eddie, just join the drifters, grifters, and midnight sifters and make a name, a small name for yourself, in the fifteen minutes of fame world and then fade. Small dreams fade. Not our boy Fast Eddie though he wanted more, he wanted way more, he was hungry, really too hungry. He wanted to be the king hell king of the pool hall night, small dream in a big dream world but it was his dream and he was sticking to it, come hell or high water. Jesus was he going to stick to it.
To watch Fast Eddie shoot pool when he was fast and loose was a sight to behold, shifting those hips just this way and that, a wayward shoulder here or there, eyeing, careful eyeing the best angle for the shot like he and the balls were one, and maybe they were, beating up angels to get at the chalk to fatten up his cue stick, and then go on those runs. Hell some nights he would run the table just to show some punk that he should get back to hanging off that wall at the mom and pop variety store corner that he crawled out from under. Jesus. Still he wanted pharaoh. He wanted the king hell king, Minnesota Fats (played by Jackie Gleason with serious style).
And he got Fats, got Fats in spades. Got more of Fats that most men, even hard corner boys, would ever want. Got Fats with his blood up, with his king hell king no prisoners blood up. Jesus Fast Eddie looked good for about ten rounds though all loose and Fast Eddie-like, making juke moves like some fancy dan pro football player, cocky, hell, cocky, calling strange shot combinations and drinking high-bench bourbon to steady his nerves. Beautiful.
Fats about that time, about round ten, took his measure though, writing him off as a fly-by-night seven- day wonder boy, making some fast and Fast Eddie –like moves of his own and some ballet-like combinations that had Fast Eddie reeling. Pharaoh- by a knock-out. The boys who watched most of the play, and they had watched Pharaoh up against some pretty good corner boys, all agreed that Fast Eddie was good, but that his talent could only get him so far and that his dreams maybe should be played out in Hoboken, or Jersey City not in the bigs. One guy, who didn’t want to be quoted just in case, called Fast Eddie just another okie sodbuster loser.
But that guy, that no quote nine to five guy, had never nursed a dream, never was haunted by being there at the end hearing the other guy, the pharaoh, cry to the high heavens “uncle.” Yeh, he had never heard that sweet music, and never would. And so Fast Eddie nursed his wounds, nursed his dream along too. He still had that too much hunger that comes from a rationed world, his world, his okie world, to carry. Fast Eddie was dumped back on cheap street, on the street of broken dreams.
And then she, Sarah (played by Piper Laurie), showed up, showed up to pick up the pieces, the Fast Eddie too much hunger pieces. To curb his hunger a little, maybe, and also to disturb his sleep. Some called her a tramp, an easy lay, a place to hang your hat while you were nursing your fresh wounds but Fast Eddie never, even from minute one, at the bus station diner saw her that way. And even wild corner boy sullen guys like Eddie who couldn’t say the right words knew she was no whore, no dish rag to dirty and move on.
Funny how it all started, all started like with most Fast Eddie girls, with a few drinks, a few words, and some animal, not wild but not gentle either, connection that drove them to her bed. Polite society had called her a tramp, hanging on to a succession of beat down corner boys for dear life, maybe for her life. What could they know about a girl who wrote be-bop beat stuff, read a million books, and drank an ocean of whiskey before noon to chase away her own demons. She was Fast Eddie’s girl from the minute he sat down next to her, he knew it, she knew it, and that thought got her through some stuff.
Sarah, Fast Eddie’s lifeline Sarah out of some biblical prophecy, out of those million books read, out of her own dark street past, knew the ten percent men, men like gambler Bert (played by George C. Scott), knew their clawing and scratching away at a man’s soul, at a woman’s soul too when they got their blood up. She knew, back streets knowledge knew at a heavy price, and a couple of off-hand bought drinks, that their price was too much to pay for fifteen minute fame dreams. Knew from her own much abused bed they had no pure Fast Eddie dreams, no Fast Eddie soul, just clawing away at more than their ten-percent cut. But would Fast Eddie listen, hell, not our boy, and so the dice were cast.
But see too some women (maybe some men too but I am thinking about a woman just now), no, forget some formless woman, let’s call her Sarah Packard, can’t live in the real world. Can’t live in the world of dirt and dust, and blood and still take breathe. So Sarah could not save Fast Eddie from his too much hunger, or in the end save herself from her own hungers. Fast Eddie not knowing what he had lost, or only half-knowing, had to nevertheless even the score, even the score the only way he knew how. Take on the Fat Man or die.
As it turned out Fast Eddie danced that night of the re-match, all loose and fast like old Fast Eddie when he first worked his magic against some scrub surfer guy down in some southern California pool hall way out of his element in the 1950s be-bop night. The pockets were like manholes that night and everyone thought Fast Eddie was going to run the table on old tired Fats. He didn’t but old pharaoh, wise enough to know his play, cried “uncle” to the high heavens. That “victory,” that Sarah Packard –paid for victory however only tasted like ashes in Fast Eddie’s mouth. Shoot pool, Fast Eddie, shoot pool like your life depended on it.
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