Workers Vanguard No. 1010
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12 October 2012
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Gore Vidal: An Appreciation
The author Gore Vidal died on July 31 of complications from
pneumonia; he was 86 years old. He left a rich body of work: novels, plays,
essays, movie scripts, countless interviews and public talks as well as two
memoirs. He was a man who understood that this country has a history, and he put
his considerable talents to use in exposing and demolishing the mythologies,
hypocrisies and outright lies designed to present America as the culmination of
the quest for heaven on earth.
In an interview with the Progressive (August 2006), Vidal
described himself thus: “I’m a lover of the old republic and I deeply resent the
empire our Presidents put in its place.” He was a radical egalitarian in the age
of imperialism, an enemy of bigotry and religiosity and impeccable on matters of
sex and morality and women’s equality. Gore Vidal was a superb writer and quite
simply the greatest American essayist since Edmund Wilson. As Marxists, we
keenly appreciate his body of work. While our parallel attitudes on many social
and historical issues came from very different vantage points, they often put us
on common ground—from an appreciation of the centrality of the Civil War in U.S.
history, to sex and religion.
Born at West Point in 1925 and raised among the rich and famous,
Gore Vidal was very much aware that there is a ruling class in the U.S. “But,”
he noted, “it’s the best-kept secret in the United States” (Vanity Fair,
June 1987). His maternal grandfather, Thomas Pryor (T.P.) Gore, was a longtime
Senator from Oklahoma. His father, Eugene, founded three airlines and served
under Franklin D. Roosevelt as director of the Bureau of Air Commerce. His
mother, Nina, divorced Eugene in 1935 and married Hugh D. Auchincloss, the
stepfather of Jacqueline Kennedy Onassis.
Vidal went to the right schools: St. Albans School in Washington
and then Phillips Exeter Academy in New Hampshire. He joined the Army in World
War II at the age of 17, serving as first mate on a freight supply ship in the
Aleutian Islands. He did not go on to university. As he noted in his second
memoir, Point to Point Navigation (2006): “After nearly three years in
the army, the thought of four years at Harvard was unbearable.... I would ‘live
by writing,’ I said. And so I did.”
He was radicalized initially by the outpouring of homophobic
censure that greeted his early novel, The City and the Pillar
(1948). Vidal claimed that his next five books were blacked out by the
New York Times as well as by Time and Newsweek. In its
obituary, the Times (1 August) grudgingly conceded its role in
scandalizing the novel and more: “Mr. Vidal later claimed that the literary and
critical establishment, The New York Times especially, had blacklisted him
because of the book, and he may have been right.” We believe Vidal would get a
chuckle out of the fact that the Times blew it when publishing the
obituary, making no less than three whopping factual mistakes, including one on
his sex life, which required an embarrassing correction (3 August).
As Vidal explained, “I exist to say, ‘No, that isn’t the way it
is,’ or ‘What you believe to be true is not true for the following reasons.’ I
am a master of the obvious. I mean, if there’s a hole in the road, I will,
viciously, outrageously, say there’s a hole in the road and if you don’t fill it
in you’ll break the axle of your car” (“The Scholar Squirrels and the National
Security State: An Interview with Gore Vidal” by Jon Wiener, Radical History
Review No. 44, 1989).
Vidal was also radicalized by the post-World War II McCarthyite
witchhunt and the blacklisting of leftists, particularly in the entertainment
business in which he worked during that time. In the interview with Wiener, he
recounted: “I decided that I would do an anti-McCarthy play on Philco-Goodyear
Playhouse: something called ‘A Sense of Justice’.” Vidal also turned his
go-for-the-jugular wit and serious study of history to religion. Referring to
his novel about the “apostate” Roman Emperor, Julian (1964), he remarked:
“I’ve always been anti-Christian, but I wanted to know why. So I investigated
the cult, a radicalizing thing to do since I come from that tradition.”
In 1968, when Vidal says he was caught in the Chicago police riot
at the Democratic Party Convention, he “came out, as it were, into radical
politics.” But he was not a Marxist. From his youth, he had been determined to
be a politician. He ran unsuccessfully for office in the early 1960s (and later
in 1982) as a Democrat. He became co-chairman, with Benjamin Spock, of what
would become the People’s Party (affiliated with the Peace and Freedom Party).
He was involved in that effort from 1968 to 1972, the year that Democratic
Senator George McGovern, a Vietnam War “dove,” mounted a presidential campaign
only to get trounced by Richard Nixon. Vidal told Wiener, “I quit when McGovern,
in the primaries, was saying everything we were, and rather better.”
Despite his own campaigns and acquaintance with much of the
Democratic Party glitterati, Vidal did not gloss over the nature of the beast.
As he told the Progressive: “I have been saying for the last thousand
years that the United States has only one party—the property party. It’s the
party of big corporations, the party of money. It has two right wings: one is
Democrat and the other is Republican.”
As a truth-teller, Vidal made his share of enemies. After his
death, one David Greenberg wrote a vile piece headlined: “Stop Eulogizing Gore
Vidal: He Was a Racist and an Elitist” (Slate Magazine, 2 August), which
rides to the defense of the Zionist neocon Commentary crowd, circa
1986-87. At that time, Vidal had had the temerity to tangle with part of the
Zionist lobby devoted to pressuring Congress on Israel’s behalf. The
Commentary Cold Warriors—editor Norman Podhoretz and his wife, Midge
Decter—responded with an attack baiting Vidal as an anti-Semite. Podhoretz had
established his reputation as a racist back in the 1960s with his essay “My
Negro Problem—And Ours” and was outspoken in his bigotry against homosexuals.
Vidal skewered the Podhoretz/Decter team in the Nation (22
March 1986): “Joyously they revel in the politics of hate, with plangent attacks
on blacks and/or fags and/or liberals, trying, always, to outdo those moral
majoritarians who will, as Armageddon draws near, either convert all the Jews,
just as the Good Book says, or kill them.” Commenting on Podhoretz’s
proclamation that for him the “Civil War is as remote and as irrelevant as the
War of the Roses,” Vidal noted, “I realized then that he was not planning to
become an ‘assimilated American,’ to use the old-fashioned terminology; but,
rather, his first loyalty would always be to Israel.” Podhoretz whined that
Vidal’s essay was “the most blatantly anti-Semitic outburst to have appeared in
a respectable American periodical since World War II” (Commentary,
November 1986).
It was at this time that we took up the cudgels in defense of Vidal
against the witchhunters and established a modest correspondence with him. Our
main article in defense of Vidal, titled “Gore Vidal: Bad Boy of the
Bourgeoisie,” was published in Spartacist (English-language edition) No.
40, Summer 1987. We quoted Vidal’s statement:
“We stole other people’s land. We murdered many of the
inhabitants. We imposed our religion—and rule—on the survivors. General Grant
was ashamed of what we did to Mexico, and so am I. Mark Twain was ashamed of
what we did in the Philippines, and so am I. Midge is not because in the Middle
East another predatory people is busy stealing other people’s land in the name
of an alien theocracy. She is a propagandist for these predators (paid for?) and
that is what all this nonsense is about.”
In August 1987 he wrote to us to applaud our article as “the
clearest and most detailed so far—not to mention informatory: I learned a good
deal.”
Vidal had come to know the social reality of this country. That’s
why, from the centrality of the Civil War in American social and political life
to the racist horrors perpetrated at the time of Hurricane Katrina, he was so
eloquent. Recalling watching “the catastrophe that has left most of New Orleans
under water” from his home in Italy, he observed in Point to Point
Navigation:
“The Italians are astonished at the casualness with which the
American government goes about saving those clinging to life atop the roofs of
buildings. Tact keeps the local press from noting what every American knows:
those who have been abandoned by lifesavers belong to our permanent underclass:
the African Americans.”
We hated a lot of the same people for about the same reasons. Our
special debt to Vidal is for the seven novels—from Burr (1973) to
Lincoln (1984) and Empire (1987) through to The Golden Age
(2000)—that constitute the “Narratives of Empire” collection. Vidal told the
truth, and that is both rare and subversive. And, he embraced life, not what he
referred to as the “death cult” of Christianity and other religions, nor the
stultifying, hypocritical conformity of the holy family. There is more truth in
Vidal’s fiction than in many celebrated works of “history.” The Prometheus
Research Library, archive of the Spartacist League Central Committee, long ago
made Gore Vidal a subject category and collected his writings to educate
comrades with provocatively good reads.
Gore Vidal is buried side by side with his partner of 50 years,
Howard Austen, near the grave of his first love, Jimmie Tribble, who was slain
in World War II. We will miss his creative spark, but his legacy will continue
to enrich us.
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